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#also like in moa
sterkeyra · 4 months
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KBTBB - Forever a Family with the Baddest Bidder
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Cheers to the 10th anniversary of KBTBB and Eisukes upcoming birthday!
It's been a decade, and he's been one of the faces of Voltage for a long time, so it's like the end of an era now that every bidders story finally reached his conclusion. They are happily married and their children got to see the light of day. In the new story of Eisuke, Eito himself is almost old enough to be a LI himself. (Is this a sign Voltage?)
Even if not everyone was a fan of the series, it does make you a bit emotional if not nostalgic if you think that the title finally reached it's end. In the japanese version at least. It will take a few more months before we'll get the last stories translated as well.
I personally love how Otas, Babas and Mamorus pictures feature the MC as well as she always seems to brighten the images. Especially Otas looks magical with all the flower petals. But it's also hilarious how Eisuke carries his child like a sack of potatoes.
Here's a small compilation of everyones kids:
Eisuke: Eito, Kaito, Yuu (possibly a 4th child in the making?)
Soryu: Ryusei
Ota: Hinata
Baba: Moa
Mamoru: Nodoka
Not in the pictures but Luke, Hikaru, Shuichi and Mad Hatter got kids as well:
Luke: Yuri
Hikaru: Akari
Shuichi: Kikyo
Mad Hatter: Rui & Kai
Anyways happy new year and here's for an exciting journey ahead of us!
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yeonjune · 7 months
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(231001) TXT_members twitter update: Once again, at the Gangneung beach
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junranghae · 2 years
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till the end of the world
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boba-beom · 2 months
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freaking out bc yeonjun did another trend that’s been going around philippines eeee
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babbimetal · 1 year
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⚠️FLASH WARNING⚠️
⚔️ORIGINAL BABYMETAL DEATH AT BABYMETAL BEGINS - CLEAR NIGHT (DAY 2)⚔️
note: the last time the original bm death was performed was 6 years ago at legend s - baptism xx in december 2017
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wonder-worker · 27 days
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Margaret of Anjou’s visit to Coventry [in 1456], which was part of her dower and that of her son, Edward of Lancaster, was much more elaborate. It essentially reasserted Lancastrian power. The presence of Henry and the infant Edward was recognised in the pageantry. The ceremonial route between the Bablake gate and the commercial centre was short, skirting the area controlled by the cathedral priory, but it made up for its brevity with no fewer than fourteen pageants. Since Coventry had an established cycle of mystery plays, there were presumably enough local resources and experience to mount an impressive display; but one John Wetherby was summoned from Leicester to compose verses and stage the scenes. As at Margaret’s coronation the iconography was elaborate, though it built upon earlier developments.
Starting at Bablake gate, next to the Trinity Guild church of St. Michael, Bablake, the party was welcomed with a Tree of Jesse, set up on the gate itself, with the prophets Isaiah and Jeremiah explaining the symbolism. Outside St. Michael’s church the party was greeted by Edward the Confessor and St. John the Evangelist; and proceeding to Smithford Street, they found on the conduit the four Cardinal Virtues—Righteousness (Justice?), Prudence, Temperance, and Fortitude. In Cross Cheaping wine flowed freely, as in London, and angels stood on the cross, censing Margaret as she passed. Beyond the cross was pitched a series of pageants, each displaying one of the Nine Worthies, who offered to serve Margaret. Finally, the queen was shown a pageant of her patron saint, Margaret, slaying the dragon [which 'turned out to be strictly an intercessor on the queen's behalf', as Helen Maurer points out].
The meanings here are complex and have been variously interpreted. An initial reading of the programme found a message of messianic kingship: the Jesse tree equating royal genealogy with that of Christ had been used at the welcome for Henry VI on his return from Paris in 1432. A more recent, feminist view is that the symbolism is essentially Marian, and to be associated with Margaret both as queen and mother of the heir rather than Henry himself. The theme is shared sovereignty, with Margaret equal to her husband and son. Ideal kingship was symbolised by the presence of Edward the Confessor, but Margaret was the person to whom the speeches were specifically addressed and she, not Henry, was seen as the saviour of the house of Lancaster. This reading tips the balance too far the other way: the tableau of Edward the Confessor and St. John was a direct reference to the legend of the Ring and the Pilgrim, one of Henry III’s favourite stories, which was illustrated in Westminster Abbey, several of his houses, and in manuscript. It symbolised royal largesse, and its message at Coventry would certainly have encompassed the reigning king. Again, the presence of allegorical figures, first used for Henry, seems to acknowledge his presence. Yet, while the message of the Coventry pageants was directed at contemporary events it emphasised Margaret’s motherhood and duties as queen; and it was expressed as a traditional spiritual journey from the Old Testament, via the incarnation represented by the cross, to the final triumph over evil, with the help of the Virgin, allegory, and the Worthies. The only true thematic innovation was the commentary by the prophets.
[...] The messages of the pageants firmly reminded the royal women of their place as mothers and mediators, honoured but subordinate. Yet, if passive, these young women were not without significance. It is clear from the pageantry of 1392 and 1426 in London and 1456 in Coventry that when a crisis needed to be resolved, the queen (or regent’s wife) was accorded extra recognition. Her duty as mediator—or the good aspect of a misdirected man—suddenly became more than a pious wish. At Coventry, Margaret of Anjou was even presented as the rock upon which the monarchy rested. [However,] a crisis had to be sensed in order to provoke such emphasis [...]."
-Nicola Coldstream, "Roles of Women in Late Medieval Civic Pageantry," "Reassessing the Roles of Women as 'Makers' of Medieval Art and Culture"
#historicwomendaily#margaret of anjou#my post#henry vi#yeah I don't necessarily agree with Laynesmith's interpretation (that it was essentially Marian with an emphasis on shared sovereignty)#which she herself says is 'admittedly very speculative'#as this book points out that interpretation tips the balance too far on the other side and has a somewhat selective reading#It's also important to remember that this interpretation was not really reflected across wider Lancastrian propaganda at the time#which isn't really talked about - let alone emphasized - as much by historians but remained focused on the King#For example: look at the pro-Lancastrian poem 'The Ship of State' which hails Henry VI as a 'noble shyp made of good tree'#and emphasizes how he was widely supported and defended by many great Lancastrian lords and the crown prince#but not Margaret who was entirely absent#also look at the book 'Knyghthode and Bataile' (presented to Henry) and Fortescue's various pro-Lancastrian texts in the 1460s#even the recording of that Yorkist trial which was iirc reported in the 1459 attainder#all of these were entirely conventional and highlighted the presence and importance of the King. Margaret was not emphasized.#so either the Lancastrians were impossibly inconsistent about what message they actually wanted to convey about the role of their own queen#or the Coventry pageants were not actually meant to emphasize Margaret in the lieu of Laynesmith's interpretation#and would not have been viewed in such a manner by contemporaries#I think we should also keep in mind that we don't really know what Henry VI's condition was like at the time of MoA's entry to Coventry#we know he had been injured in St. Albans and had only just recovered from his second illness#this is especially important to consider since we know he had also arrived at Coventry before Margaret but much more discreetly#and was not welcomed by any pageants that we know of. This is VERY unusual and can be best explained if we consider the fact that he#may have simply not been in the right state (be it physical or state of mind) for it at the time#in which case the pageants for Margaret should be viewed as more of a improvisation/cover-up/temporary measure to bolster prestige#or Henry may have deliberately taken a more discreet role to emphasize the position of his heir - especially important after the long wait#imo I think Kipling's interpretation (ie: that they addressed Margaret but really referenced the prince & heir) makes a lot more sense:#'Coventry [...] regarded Margaret's entry as a kind of triumph-by-proxy: the Queen entered the city but Coventry received its Prince'#though I think he tends to view Margaret as more of a cipher (and has a very questionable view of Henry VI) which I also don't agree with.#The pageants very much DID focus on and reference her but they most prominently emphasized her 'motherhood and duties as queen'#ie: I think Kipling and Laynesmith tip too far on opposite sides and I think this interpretation takes the most realistic middle ground
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annamaryllis · 1 month
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I would like to know exactly how luke asking annabeth to run away with him went down.
#annabeth🥺#it's sad to think about how it'll be so much harder for annabeth to unpack and heal from that relationship bc he's dead#it's hard enough to come to terms with someone you love/held in high esteem hurting you so deeply#but she's also grieving him too so it's even harder to hold him accountable to herself and recognizing the good and the bad#she may struggle to not romanticize the memory of him#sorting through what about their relationship was pure and genuine and what was fueled by other stuff#both of their trauma really played into it in some of the worst ways...#but to even recognize how her trauma played into it she'd have to identify what her trauma even is and how it's affected her life#it's really complex and difficult work#and bc he's gone she'll never get to question him on stuff like what he was thinking at certain points and why#so certain things will never get the best closure#ugh it's all so fucked up#MAYBE SOMETHING WE COULD HAVE EXPLORED IN HOO RICHARD???? BUT NO#and it would have been perfect too bc she'd also be dealing with issues caused by both of her parents triggered by the MoA quest#like her mother's conditional love#and trauma from her mortal family#and her fear of spiders relates to both of these things bc it's a phobia that's passed down from her mom's actions#so she's being punished for something she's not responsible for and also being burdened with a quest simply for being her mother's daughter#and it also represents her mortal family's neglect bc they ignored her needs and all that...#AND THEN the only person she's received actually pure and good unconditional love from was snatched from her for 6 months#and the MoA quest could have been a way to confront some of these fears and wounds...so she's a little stronger by tartarus which#should bring out the best in her and the worst in percy#and then he can work through some stuff too down there#HoO could have been a journey for them where they're undone and then healed#bc at the end of everything they have the medicine to literally everything which is real love (which they have for each other intensely)#the rant I could go on about this...I have so many thoughts about what HoO should have been. maybe one day#annabeth chase#luke castellan#✏️
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jgracie · 22 hours
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why is the beef between Leo and Frank so unnecessary to me 😭
i love my Latino mechanic and my baby faced bear I love them both I can't pick!!!!
literally leo just had beef w frank for being w hazel like …. respectfully it was never that serious 😬😬 the way frank would get DRAGGED by him is despicable LMAO
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joysmercer · 7 months
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they’re super cheesy but if you don’t think i’m eating the percabeth scenes up then you’re completely wrong 🥹🥹🥹🥹
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gimmeurtmi · 5 months
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i feel like there’s some girl groups i wanna learn more about and i can see myself really getting into them but i keep needing to stop myself like idk why i just get the vibes that it’s not gonna be a good and happy time over there and i’m too scared to find out
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monocotyledons · 26 days
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ngl i feel bad that i don't like quarter life as much as everyone else does bc i do want to love it!! i really do especially since it's a subunit song and i do think that beomgyu + taehyun + kai sound good!! but the whoaa whoa + muffled "quarter life crisis" takes me out so bad bc i feel like i've heard it in a million 2010s copycat "anthemic" songs before that it just feels like a tired cliche and not the emotional high the producers want it to be
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barbie-girlll · 10 months
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Oh I'm gagging, screaming, throwing up on how cute and so pink this Barbie the Movie experience here in the Philippines 😭😭 hope our city does something like this too chendjwjndjaks
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stillcarmine · 4 months
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the side missing from the circle (pt 2)
pt 1
Leo gets the whole fortune cookie thing a little more now.
Sitting on the porch of Cabin Nine, he has a good view of the Nemesis cabin and the broken wheel hanging over the door.
The circle that shouldn’t roll, the shape of that answer, a piece cut from the whole.
He prods lightly at his bruises, wonders if it’s worth taking the nectar Will had offered him when his discussion with Percy and Apollo had wrapped up. He might need it more later on, because apparently he’s got more danger in his future.
Enemies with weak spots that might not be so easy to find.
"Lemme let you in on a secret: on my quest, your mother appeared to me and chose me as her champion, and I can tell you exactly what she is like," Leo had quietly told Damien.
The price of being championed by the gods is one Leo wouldn't wish on most, and he doesn't wish it on Damien. But heroes like him, the ones that want action, that thirst for a chance to prove themselves never really get what it is until they're drowning in their opportunities for so called glory.
Leo won't pretend like he had any altruistic motives, but there is something grimly satisfying in making another half-blood less eager to throw themself into danger for rewards that won't be what they hoped.
"Consider this repayment, so you know what to expect. Maybe one day you'll make her proud and she'll appear to you too. And when you finally look at her face, you know what will actually be there?" Leo had asked him. "The face of the person you hate most in the world."
Granted, Leo doesn't actually know if this is the case for Nemesis's own children, but given that Piper isn't immune to Aphrodite's shifting appearance, he thinks he's right.
It's probably the lowest blow he could have taken, because Leo knows how fucked up the gods can leave their children. Leo’s living- sort of- proof of that. If Damien only showed up after the quest group left, that means that he wasn't claimed for years when he should have been. Leo took a calculated risk that he'd never met his mother.
Nemesis chose Leo as her champion for a reason, and it's not because he's the forgiving type.
Not for the things that matter.
"Feel free to ask, if you want to know more," is the last thing he'd whispered.
And like with everything in his life, he'd done it with a smile on his face.
It was selfish, but even without the goddess's aura of vengeance, Leo had still wanted to make the score even.
"You know," a voice says above him, and he glances up to see Percy leaning against the side of the porch. "As someone who the rest of the campers have fled from more than once, I gotta say, that was probably the most efficient mass exodus I've ever seen."
A mostly ironic smile pulls at Leo's face, and he says, "Thanks."
Percy looks at him then, more seriously and says, "I'm not really one for gossip-"
He stops when Leo lifts an eyebrow and tilts his head so it looks even higher, because there were only so many people keeping the gossip mill on the Argo going, and Percy was definitely one of them.
"At the best of times, I'm not," Percy amends, and Leo lets it slide. "And after everything, I want to leave this camp knowing this is the best of its times, so… whatever is going on, is it going to lead to problems?"
"None that weren't already here," Leo says, looking down at his hands.
Percy sighs, sounding more worn out than upset. "That is a millennia's worth of problems by itself."
"Yeah," Leo agrees.
"You're not going to stay, though, are you?" Percy says, not asks.
"You already know I can't," Leo says. "Sorry you've only ever known me as a hit and run."
"You're not a hit and run, man," Percy says. "You're just saying that because you're feeling sorry for yourself."
"Well, no one else is," Leo points out, miming a boxer's stance, pulling a couple of quick jabs at the air.
"Yeah," Percy says, and doesn't defend it because there's not much to say. "Yeah, that was messed up."
Leo's answering smile is still mostly ironic.
Percy straightens up from the porch railing. "You're not a hit and run, Leo," he repeats. "So, you don't have to act like one."
"Bleh bleh bleh," Leo mimics half-heartedly.
Percy rolls his eyes but he's smiling. "I don't know you as well as some of the others, but I do know you aren't the kind of person to leave things unfinished."
Leo looks back to the broken wheel, the circle that will never be complete. True success requires sacrifice. You can't get something without giving up something else. Nothing lasts forever, even the best of things.
He doesn't regret what he did, but maybe it isn't complete yet.
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phoenix--flying · 9 months
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sliding this across the table
im doing a little something with my babies
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excited for jealousy x2 and saw u wanted some band pic header and I was thinking the reality concept photos gave off rock vibe
it does but they idk if they fit what i want. i'll probably use them at some point
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tastywaffles · 7 months
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babymetal having 18 mil streams on 'the end' and 2 mil streams on 'metali!!' makes me soooooo happy
yes streams arent everything but it is soo refreshing that theyre gaining new fans everyday esp because of their babyklok tour .. being co-headliner is doing them so good gUYSSS
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