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#also oh my god the difference between the coloring in s1 and s2
shelbgoodkind · 2 years
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LEAH RILKE & FATIN JADMANI THE WILDS (2020-)
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greenthena · 6 months
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Metatron is the Murder Hornet
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Hear me out. The Metatron is a bitch no matter what. Way back before the bookshop burned, he was a manipulative twat to Aziraphale, but we only ever saw him as a Wizard of Oz style giant floating head. So when we meet The Metatron's corporation is S2 E6, we assume that this is the man behind the curtain, yes? This is the "heavenly" authority who stands between God and the rest of the angels. Are you with me so far? So tell me, why is he wearing Hell's color palette? Black topcoat over a black (or at least very dark gray) sport jacket. Even his shirt has black stripes. His tie is black with his signature sapphire blue sigil design. You know why? Because The Metatron is a demon. Now that I've probably pissed off about half of the fandom, let's dive in.
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I'm going to accept that the corporeal form of The Metatron that we meet in S2 E6 is the man behind the curtain. But I'm wondering if, in the same way that the Wizard of Oz floating head spectacle is just a projection the actual wizard (a two-penny magician from Kansas), the Floating Head Monstrosity (FHM) is a projection The Metatron has rigged up rather than The Metatron himself. Essentially, the FHM is the projected "essence" of the asshat with whom Aziraphale spoke before the bookshop fire, the same one who wanted to discipline Gabriel and strip him of his memories. And if it is merely a projection, like the Wizard of Oz floating head, the man behind the curtain is likely in a different physical space.
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If The Metatron can control the FHM remotely that suggests that he (the corporeal form or spiritual essence of the Metatron) isn't necessarily stationed in Heaven. Perhaps he can't even get into Heaven, but has managed to project his presence there to manipulate the Heavenly Host throughout the course of history.
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Sidestep along with me while I take a quick detour. I promise it's relevant and necessary to understand the implications of The Metatron's arrival in Soho. (But I'm a demon. I might be lying.) Good Omens relies heavily on mirroring* as a narrative technique. One of the most obvious places we see this structure is in character sets: Crowley and Aziraphale, Newt and Anathema, Shadwell and Tracy, Nina and Maggie, Gabriel and Beelzebub. The character sets function as mirrors of one another (angel and demon, witch and witchfinder), while simultaneously reflecting other character sets in the story (Nina and Maggie reflect Crowley and Aziraphale, etc.) But we also see it repeatedly through plot structure--the pair of 1941 flashbacks in S1 and S2; the way S2 begins with Azirphale moving toward Crowley and ends with him pulling away. My personal favorite reflected imagery in the whole damn show is when Aziraphale shields Crowley from the first rain in Eden and Crowley shields Aziraphale from the celestial hailstorm Before the Beginning.
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Alright, let's re-route back to Soho, to The Metatron's introduction in S2 E6 and how it embodies mirrored structure. The first shot we get of The Metatron in Soho in S2 E6 is when he's buying a cup of coffee from Nina. He's not actually identified as The Metatron in this scene, and Nina just views him as a regular customer. Next, we see him enter the bookshop and approach the Archangels, none of whom seem to know who he is. In fact Michael just assumes he's a human, tries to shoo him away, and even asks him, "And who are you?" The Metatron never gives his name; instead he presses the angels, "You don't know me?" He then addresses Crowley, "What about you, demon? Do you know me?" It's at this juncture that Crowley identifies him as the big giant floating head, and Aziraphale, in a rush of comprehension shouts, "Oh, The Metatron!"
This scene's other half is the introduction of Bildad the Shuhite in the Job flashback sequence. Crowley presents himself to Job and Sitis, who do not recognize him. When questioned about who he is, he says to Sitis, "You tell me." Sitis proceeds to identify as him Bildad the Shuhite. Crowley shrugs and agrees to the suggestion. This mirroring of dialog shows us that in both scenarios, there's deception in the presented identity. Just as we can't trust that Bildad the Shuhite is who is says he is, we similarly can't trust The Metatron's identity at face value.
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When it comes right down to it, The Metatron is a pretty sketchy character. During his S1 interaction with Aziraphale, our angel doesn't even know who he is. The Metatron has to introduce himself as the Voice of God, a go-between, if you will, whom Aziraphale, in all his ageless time in the universe, has never even met or heard of. Dodgy? You betcha. When we see him in the Gabriel trial sequence during S2, he's just one of the several floating heads overseeing the progress of Armageddon Round Two. We're able to gloss over the fact that he's presented as a floating head fairy, because all the angels appear as floating heads in this sequence. However, unlike Uriel, Michael, Saraquel, and Gabriel, we never see The Metatron interact with the other angels in anything resembling a corporeal form.
So with this evidence, let's return to mirroring structure as a narrative device: a Clue to point us to the crux of the deception that The Metatron is performing. But to get there, we'll need to look at the reflected plot beat for context.
At the end of S2 E5, Crowley needs to get into Heaven to access information about Gabriel. Problem is, since he's a demon, he can't just waltz into the Heaven-Hell-evator and go to the up. He needs an angel to escort him, so he tricks our beloved Inspector Constable Muriel into arresting him: "I'm a demon with knowledge of a crime against Heaven. I demand that you arrest me!" Crowley uses the art of deception to sneak his way into the Heavenly hive.
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Once in Heaven, when Muriel starts to fret that she's been tricked and will get in trouble for bringing a demon into Heaven, Crowley tells her, "Angels are like bees, fiercely protective of their hive if you're trying to get inside. Once you're in....I mean....is it even faintly possible that an unauthorized demon might be just wandering around in Heaven unescorted? Bees." Muriel then worries over Crowley's outfit, telling him he looks like a murder hornet, so Crowley changes into his most wonderful and excellent angel disguise.
Still with me? Have a gold star to match Crowley's nail polish.
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Crowley's gambit to get into Heaven is a clever tactic, no doubt, and necessary for the final beats of the narrative. But I believe it's also there as the first half of a mirrored plot point that we will see play out in S3. Ya see, Crowley's not a murder hornet. He doesn't infiltrate Heaven to plunder their proverbial food stores or to destroy the hive. He does his quick bit of reconnaissance and is on his way. I think Crowley's ploy ultimately functions as foreshadowing for the real murder hornet: The Metatron.
To get his full essence into Heaven, his spiritual body and not just his projection, The Metatron needs an angelic escort. That's why he's so insistent that Aziraphale joins him on his journey up to Heaven. He needs an angel--one he perceives as an easy target--to break him into the hive. And Aziraphale fits the bill. He's vulnerable, having been implicated in the business with Gabriel, which could earn both him and Crowley extreme sanctions, being struck from the Book of Life. So The Metatron coaxes and manipulates Aziraphale to accompany him to Heaven, implicitly reflecting the way in which Crowley manipulated Muriel into arresting him and accompanying him as his Heavenly escort.
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Do I still believe that The Metatron manipulates Aziraphale in order to divide the angel and the demon who, when working together, can produce miracles of un-paralleled power. Oh, hell yes! But that's not something only Heaven would want to mitigate. The sheer miracle force Crowley and Aziraphale manifest when working together is a threat to any oppressive structure that wants to consolidate power, and that certainly includes Hell. The fact that The Metatron realizes he can separate the angel and the demon in the same stroke as infiltrating Heaven is icing on the cake.
So there ya go. That's all I've got for today. Is The Metatron a Demon? Honestly, I don't know. But it's too interesting a theory for me to leave it alone.
*Please note, I'm intentionally using the term mirroring rather than chiastic structure to make this analysis. I deliberated for a while, but decided that it'd be a little loosey-goosey in this situation. So, yes, I am aware of chiastic structure and it's use in Good Omens, I just don't think this quite matches up.**
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withacapitalp · 1 year
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Hi Liam! I don't feel like doing work so close to the holidays, so please enjoy this half-baked thought I wasted 10 minutes finding a gif for.
So many fics have Eddie wearing Steve's Yellow Sweater™, yet nothing with dressing him up like S1 Assistant Youth Pastor Steve. Please use the space below for a prompt or a rant or anything else you fancy ...
Oh no you don't even know what you've done here. Okay costuming is one of my all time favorite things, so I'm going to talk too much about subtle stuff (fair warning this is just me having fun so if it's at all inaccurate or not true, well I'm just a guy who likes a show too much LMAO)
Okay so let's start with season one. Steve dresses exactly liek you said like an assistant youth pastor lmao but it's also just like very showing of who he's trying to be there
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First of all his hair is way more stylized in this season than any other. We talk about Steve's hair so much, but here in this season it's so obvious that he's trying to be someone specific instead of just who he is. He's also always wearing a collared shirt and a very dark jacket, and the costumers have said that they use darker colors for darker moments/feelings, so he's wearing this exact jacket when he destroys Jonathan's camera AND when he and Jonathan have their fight
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Really the first time we see him without his collar or his dark feelings jacket is when he goes to save Nancy and Jonathan
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He's laying himself more bare and he's let go of the chain jerking him around (his terrible friends and their opinions.
Okay so season two is also really interesting one because Steve's hair is parted the other way now (literally changing sides), but specifically because of Steve's jacket. Yes I know I talked about the jacket being a signifier of Steve's darkness before, but in this season it's different
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This is right after the bathroom conversation between him and Nancy. This is him trying to convince her to stay with him, and feeling rejected, and not understanding how he can fix something he didn't even realize was broken. His jacket is zippered up
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But when he's walking with Dustin, it's back to being open. Okay I can hear you saying to yourself 'Liam this is a wild leap to take' except is it??? Bc it isn't and I can tell you why
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HIS JACKET IS ZIPPED UP WHEN THEY START THIS WALK. But as they keep walking he opens up to Dustin and the kids. His jacket stays open for the rest of the season, even when it's the middle of the night and probably way colder and it would make a lot more sense for him to zip up his jacket? Is this actually a thing that matters? No probably not to anyone else but I like symbolism and I search it out like a little squirrel looking for nuts to store for winter
Also here is where I mention something important. Steve is a social chameleon. He's learned/was taught that the best way to get people to like him is to be like them. That's why he was so easily ranked in with the popular kids, even when it's clear that he didn't really like it all that much given how fast he flips. He also dresses a lot like Tommy in S1, and then in S2 we see him start to develop his own style once he's broken up with Nancy. But even in developing that own style, he's still a social chameleon. He's still going to try and look like the people he wants to have in his circle
Which brings me to the very first sweater we ever see Steve in
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LOOK AT THAT COLOR AND LOOK AT THE COLOR OF DUSTINS HOODIE ABOVE Same exact color!!! Now I'm not saying this is anyyyyything conscious. Steve isn't looking at his closet and being like yes I will choose this because Dustin wore this color and I know he likes it, but I am saying we have literally never seen Steve in any shade of red before this moment.
Now season three. I know he was in his Scoops Ahoy Uniform for most of it (thank the gods for those shorts) so I'm not gonna talk too much about that but I am going to talk about that last final outfit as another example of chameleon Steve
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This is actually a two fold example of Chameleon Steve. First of all he's dressed pretty much just like Marty McFly the character from Back to the Future which is the movie he and Robin ran into after the Russians. Second of all he's matching her too. Dark blue, Dark blue, White accents, White Accents. Just like Dustin he chooses colors that are similar to the people he likes. We're also once again seeing him start to open up color wise (first time we see him in yellow).
Now Season four. Well Season four we see him getting stripped bare (quite literally) for a good portion of the season. Obviously we have the battle vest and I love that, but I want to talk about Steve's jacket again and one particular outfit that I think sums up growth for Steve in a lot of ways while also showing some other stuff
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His Dear Billy outfit.
This outfit is incredibly similar to the one he wore back in s2 when he first protected all of the kids. Light grey outer jacket, inside darker shirt, but he's wearing a collar again. TLDR he's back to trying to button up, back to something familiar that will 'keep him safe', but also a jacket and a color that he would associate with 'protecting the kids'
Anyway that was a very very long talk, but Steve's progression of outfits and the way he dresses himself is very interesting to me, and like I said if there's even a hint of symbolism I'm there
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demadogs · 2 years
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What's your least favorite byler "proof"? Like when someone shows somebody it in an argument/interaction/whatever and it makes you go "noo wtf not that please" 😭 I think for me it's that one part in the infamous byler slides where there's a koala/bear in between mike and El and that represents will.
oh my god youre gonna get me canceled theres so so many i think are insane and dont believe in at all lmao. the masterdoc is fun but theres so much i think wasnt intentional. and so much of what i see here i think is a stretch.
bouta break my silence and come out as an anti believer in so many popular theories on here… no one be mad at me
dont think mike had a letter for will in his pocket in s4 (im SORRY but that wouldve been addressed)
dont think the tracks being different and youre the heart are connected in any way or supposed to be played together they dont sound good or seamless together at all
dont think mike walking into the school newspaper room for nancy and looking around was him looking at guys and gay panicking at all
hate the sauna test theory. they walked in on a bunch of gross naked wrinkly old men theyre not gay panicking?? maybe if they were conventionally attractive young guys but no. i think the masterdoc argues that mike looks down in shame bc hes thinking about his future self as a gay man but i dont believe in that at all tbh. i also dont think that zoom in on the men sign had anything to do with byler it was just an establishing shot of where they were.
not sold on lucas’ new coke speech being related to byler (the seating arrangement in that scene tho was definitely intentional)
i dont think at alll that mikes break down on hopper in s2 yelling “liar liar liar” had anything to do with internalized homophobia. i dont think he ever thought about his sexuality before s3
i think a lot of the times we’ve seen the colors of a certain sexualitys flag has been unintentional. something specifically pointed out like the rainbow ship for will probably was but a background character somewhat close to mike wearing colors that vaguely resemble the bi flag? or the lighting on his shirt kinda looking like the mlm flag? i dont think thats intentional at all. when they do symbolism shit like that its much more obvious (framing mike in the closet)
this one im actually on the fence about because it would be really cool, theres just one word that makes me second guess it. the idea that the girl fake choking at suzie’s house and the dad freaking out was foreshadowing of mikes monologue. on some levels it makes sense but the way the kid said “your terror it looked genuine” kinda makes it seem like it would be implying that mike wasnt actually scared for els life in that moment which i dont like at all. if he had said “your performance” instead i would be 100% sold
i dont believe in most the s1 byler theories. i do think they had the idea of byler in mind from the beginning but at that point they didnt even know if theyd be renewed so i dont think they prioritized anything that could foreshadow byler. i think the lack of romantic tension with mike and el in comparison to jonathan and nancy is telling, but i dont think there was anything in that season relating to mikes sexuality or feelings for will, both because of logistics and prioritizing mlvn for the first season, and because they had TWO SCENES TOGETHER
also dont believe in flickergate as much as i love the idea of it it would break the rules of the universe that theyve already established. the upside down isnt actually in the past its a place frozen in time. things happening there dont affect the past.
theres definitely more but those are the ones i can think of rn.
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My main man Michael Knight for character bingo!!!!
AYYY- This one's interesting really, especially because Season 2 Michael is basically,, an entirely different entity? As in, he's reached the end of his character arc and is actually a really, really nice dood. So I had to use two types of bingos, and I'll explain it further below. Here's the original post BTW.
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If you can't read the image, don't worry, I'll say all the marked squares below. If you can, let me know if there is anything I can do to make it more legible next time--I mean, obviously, the squares are covered up, but I mostly mean with the colors. I almost used red and green, and then I remembered that, oh yeah, that really sucks for colorblindness. Now the saturation is still about the same, but anything much lighter or darker is less legible??? So yeah, any recommendations on that welcome.
Let's start with the reds, or Definite opinions.
They are soooo cool looking!
I dressed up as Michael Knight for Halloween a few years back, even though I wasn't fully sold on him as a character yet at that point. I was still healing from Season 1 (half kidding) ... but I did it because he is such a Vibe. Seriously, I felt so alive it wasn't even funny AISHDOAS- my final form /j
Michael is, aesthetically at least, literally everything I want to be (other than. y'know. male,,,). Immaculate. MUAH! He really does feel like a California Cowboy of sorts... and leather jackets are a gift to mankind by the way. I especially love how, in his classic leather jacket + red polo outfit at least, he coordinates with Kitt. So cute haodh
Wasted potential
I've been having a bit of a moral dilemma recently when it comes to the way I engage in this fandom, so I want to disclose fully here that, in real life, I don't think a robot can be on the same level of sentience as a human. Perhaps, as tech evolves, there will be AIs that are really, REALLY good at replicating it... but that won't be real. We're just people after all. We can develop really cool technology, and that's all great, but we shouldn't be trying to play God and think we can make actual life. We can't.
That said, within the confines of Knight Rider's fictional universe, Kitt is fully alive. Michael is the only character who has so much as a shot of really getting that. Devon understands theoretically what Kitt is meant to be, and Bonnie even understands mechanically, but Michael sees his personality. And it's strange, really, how the show sometimes treats this as important but sometimes Not. I really love how, in Trust Doesn't Rust, Michael is far more hesitant to go after Karr than anyone else, asking if it really is necessary. I truly wish they'd have taken that further in TDR, and involved it at ALL in Kitt vs. Karr. Season 2 is my favorite because it embraces this (more later), but even then, we didn't get to see the stage in between that brought him there. He went from a caring skeptic in S1 to full-on sap in S2. Honestly, I really believe there's a lesson there about not taking those around you for granted, that just because you don't understand someone doesn't mean they're any less worthy of love, that just because you know you care doesn't mean that they do. I never expected Knight Rider to become an arc-motivated show, but I did at least hope that the subtle throughline would stay more consistent.
They're deeper than they seem
Basically just above 2.0. He has an internal struggle I think, between wanting to trust his new family and having been burned by his old one (the police force I mean, especially Tanya). It takes him a good while to FULLY trust and understand Kitt--yes, the pilot is a big step in that direction and probably what the show writers meant to be the end of it, but I can't help but sense more. Is his best friend even REAL, y'know? Also probably PTSD. And ,,, EVERYTHING about Stevie, it almost feels like an entirely different mini-show in those episodes? Possibly even some imposter syndrome about how this new life isn't even HIS life, he's walking in the shoes of somebody else? I dunno, but there's a lot here.
Also, while I don't know if I'm down fully with the "Michael is ace" headcanon, because he's definitely willingly Done the Deed plenty as implied by certain episodes of the show (man I hate that sentence I'm sorry), I do love the idea that he's really not fulfilled by these relationships in the slightest. That behind the "not thoughts, head empty" smile he just wants something real, but has been dragged into a fake life and a surface-level existence. Feels bad man
They work better as part of a dynamic
Michael and Kitt, mostly. If Michael were by himself, Knight Rider would feel like just another Magnum PI, Hardcastle and McCormick, etc. Not that these shows are bad, Magnum PI has probably aged better than KR after all, but none of them captured my attention quite as much. Kitt,,, MIGHT be able to carry a show by himself entirely, if he were human? Idk, that personality is just so good and unique, but even he benefits from a foil. Michael, though, is probably the best iteration of a very common 80s MC personality, and having Kitt there is what makes it go from a pretty good romp to a wonderful classic.
Also Michael and Karr are my favorite duo to think about, it would be so good. Especially if Kitt is there trying to babysit his two himbo besties. Michael's got no braincells, and Karr has 'em but chooses not to use them.
Onto the blues, or the kinda/conditional opinions.
If they were real, I would marry them.
Depends on the season 100%. Season 1 Michael is likeable enough but just SO frustrating at times, and Season 3 has proven to be frequently outright insufferable. Season 2, though? That man's marriage material probably, and even just aesthetically. Maybe not MARRY marry, I don't really have a crush on him??? Anymore I tend to immediately convert my potential fictional crushes into blorbos, so there's that. But lifelong besties at least.
They're like a blorbo to me
HMM- Honestly? Dunno if this one's true. Then why did I mark it? Because... KINDA???
He's been at the forefront of my mind a lot more recently, admittedly because I already worked out Kitt + Karr's arcs (the TRUE blorbos) and am now trying to figure out what to do with him, but still. And even at times when I hate Michael's guts and wanna bap him in the forehead, I still don't hate him. Like "holy macaroni that was horrific like I actually hate you" "so you don't like him?" "*grinning* nah he's cute". Like, Hoff's characterization of him is too charming ashfo idc if he's an ahole he's MY ahole
So,,, probably more of my Little Skringlo than a Blorbo, but close enough.
Nothing I like about them is technically canon
See,,, Everything above about his character arc. See, I think his arc is SUPPOSED to be canon? But it isn't TEEECHNICALLY canon anymore thanks to Seasons 3 and 4 existing, which means S2 Michael got reverted to S1 Michael and then it was a whole mess. If it had ended in S2, I would have been convinced that it was the intended arc. But now, I don't actually know.
Why do they look like that
I'm interpreting this entirely wrong and I know it, you can't stop me /laughing hard
As I said before, I aesthetically love Michael so much, so I don't mean this as in "ew why does he look like that?" ... I mean it literally, WHY would you do that Wilton?
Why would you find some random guy in the street, go "that's the ticket Shahra", and then PUT YOUR KID'S FACE ON HIM ASDOHSHD WHY FOR WHY
so yeah, not Michael's fault, this is a Wilton callout post now
They got too much screentime
I'm really only saying this about the first half of Season 1. After Trust Doesn't Rust, they seemed to realize that people really REALLY loved the cars, and so balanced the episode more. Before, though, they tried to fit in so many bits for no reason while STILL giving Michael the majority of the screentime? It really went
Devon says Here is Mission (and establishes a Funny Interest)
Michael takes off with Kitt. Michael and Kitt participate in Banter, with Michael getting way more of the words than is reasonable?
Michael tracks down the bad guy and monologues stuff out loud, figures out a gameplan, goes in after Guy
Kitt has A Gag
Michael does 80% of the work
"I need ya buddy" vroom vroom Kitt silently breaks into building.
Michael does Car Stuff
punch punch bad guy even tho we have indestructible car!!! they get apprehended of screen we didn't see any cops show up either so I guess Michael sent 'em to the shadow realm
Devon's interest gets made fun of
Kitt's interest from Gag also gets made fun of
and scene
seriously am I forgetting anything here IASDHOI- The dynamic got fixed pretty quickly tho, which is why it's not a full Yes. I am fine with Michael getting the majority of the screentime so long as Kitt isn't left with like, three lines of dialogue.
Also, I do project SOME imposter syndrome onto him, just not enough to mark off that answer. And also I didn't wanna give y'all bingo so easily >:) try again muahaha
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lesbianrobin · 4 years
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hello em i have a request. can u please rate mr harrington's looks/outfits i just feel like u have the best takes and i'd LOVE to know how you'd rank his choices 👀
this is the single greatest ask i’ve ever received. i will be ranking the outfits, not steve’s moral alignment or actions in each scene. in order of appearance:
The Introduction
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4/10
hair is tragic
steve copied this entire fit from a mannequin in the ralph lauren polo outlet store
would honestly be a 0/10 except for the obvious valiant effort being put forth by his lower half to resist the sexless curse of khaki pants. the devil (st costuming department) works hard but by god steve harrington (joe keery’s body) works harder
nice brown watch that certainly came from a department store
also gains points for being next to nancy’s anemic librarian fit, thus looking better by comparison
The Rich Bitch
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8/10
thank god he ditched the khakis
hair looks much less demonic
it’s a simple look but the sweatshirt rides up when he shotguns the beer
he also gets wet
solid 8 for sluttiness alone
The Whore
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10/10
wet
please note that his chest is waxed. keep this in mind.
The Heterosexual
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2/10
hair looks like he dipped his head in glue
bold choice with the grey pants. unfortunately that choice was wrong
matching outfits with your comphet girlfriend isn’t as cute as you think it is stevie
you only get points because despite that ungodly pastel stripe pattern the polo’s decently fitted and makes your arm look kinda nice
The Dickhead
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3/10
glue head pt. 2
at least the stripes aren’t pastel this time
The Cuck
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6/10
hair slightly less glue-y
yet another striped polo is peeking out unfortunately
but! it’s green and green looks good on him
finally wearing jeans like a normal fucking human instead of weird slacks
pivotal moment in steve’s fashion evolution from preppy male model to sexy morally upright king
his morals are stored in the denim
The Final Girl
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9/10
an outfit with a character arc to rival steve’s own
pretty fucking good hair if i do say so myself!!
it’s fluffy!
that shit looks like if you touched it it’d be soft... no glue here!
finally not copying from the goddamn l.l. bean catalog
iconic green slut sweatshirt? check! jacket and nikes? check! fucked-up gorgeous face and baseball bat full of rusty nails? check, baby!
looks good on its own OR with some blood on top
overall a very solid look
The Darling Little Drummer Boy
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7/10
babe no... please don’t go back to the khakis... they won’t treat you like jeans do...
not quite glue head but not his best
apparently steve owns a single green sweatshirt, a thousand striped polos, and one very precious christmas sweater
almost makes up for prep-related khaki crimes by being really fucking cute
The Simp
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8/10
glue head is DEAD
further evidence that steve harrington’s entire closet is just striped polos
this is his fifth unique striped polo
most of these points are for the sunglasses and the hair
actually all of these points are for the sunglasses and the hair
he’s finally let go of the fucking pastels thank jesus
and you can’t see it but he did wear jeans with this fit i just forgot to make sure they were pictured and it’s 4:15 am so i don’t feel like going back to remake this collage
cannot tell if this is a lighter blue version of the jacket he wore three times in s1 or if it IS the jacket he wore three times in s1 and the color grading is just that different
either way he loves jackets and i think that’s very sexy of him
The Intellectual
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9/10
i’ve been waiting for this one... turn it up!
literally invented vests
excellent hair
loses a point for unfortunately introducing steve’s SIXTH unique striped fucking polo
i can’t see the collar but i know it’s there i know you’re wearing another fucking polo steve you can’t hide from me
can’t decide if he looks gay or just really preppy but either way he’s got some repression going on
still a very solid look
The Oh No Oh God It Hurts I’m Looking Away I Can’t Watch This
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10/10
yes that middle picture is absolutely to show off the texture of his blazer and not at all me making sure that if i have to see his heartbroken little face then you all do too
anyways i Know that blazer cost at least $100 like i Know that shit’s expensive
excellent gorgeous soft-looking hair that someone ought to run their hands through but only people who haven’t dated him for a year while pining after someone else
emotional devastation... but make it unbelievably fucking sexy
stevie baby i know you’re a colorful guy but please wear more black
The Meathead Jock
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9/10
aw christ whatever happened to standards?
introduction of the blue nikes <3
god his hair looked fucking good here
could have gained that final point by using tube socks with blue and GREEN stripes to tie together the shoes and the gym uniform :/
shorts could be shorter but are an altogether appropriate and enjoyable length
fun sweatstain to customize the look <3
The (is there a word for victim of bullying?) Serious Athlete
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8/10
the yellow stripe was more fun
still cute though
The Sudsy Boy
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11/10
wet
suds indicate that he’s washing his hair, presumably with faberge organics. is this why he’s being bullied?
steve brings his faberge organics shampoo and conditioner and his farrah fawcett spray to school with him whenever he has basketball practice
steve either has shampoo, conditioner, and hairspray in his backpack at all times, or he has a separate gym bag that’s mostly haircare products
just need to make sure we all know that
excellent freckle showcase
his chest is still waxed. please, i beg, keep this in mind
one of his strongest looks
The Babysitter
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10/10
his most versatile look to date
a different jacket than the one(s) he’s worn before but it still has the same kind of collar. steve found a jacket he liked and bought it in at least three colors
the whole thing fits So fucking nicely! shirt, jacket, jeans... baby boy is TAILORED
return of the white nikes with the red check indicate that they are his fashion nikes, while the blue nikes with the white check are his sport nikes. interesting.
this fit lasts like 48 hours and steve simply looks sexier as time goes on which is a testament to its quality as well as his inherent power
every new accessory elevates his appearance. roses, nail bat, rubber gloves, blood, sweat, band-aids, bandana, goggles... each element complements the look in its own way!
an overall win
The Chauffeur
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8/10
we can’t really see the whole fit but he’s not wearing a striped polo so i’m calling it a win regardless of what’s on his bottom half
cannot give him a 10/10 though because he might be wearing khakis
red is such a nice color on him when it’s not just from his blood
i lied when i said he should wear more black he should wear more colors
that plain sweater absolutely cost $85 or more
hair looks very nice and soft
excellent look!
The Sailor Man
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9/10
very precious
absolutely the best hair i’ve ever seen
baby boy got highlights for his hot girl summer!
bright colors make his very red lips pop
shorts could be shorter
love the little accents! especially the white pockets and belt
excellent color coordination on steve’s part with the blue sneakers (notably different than his s2 blue basketball nikes) and the red bruising/blood
i hope you remembered that steve’s chest was waxed. as you can see his chest is now unwaxed. some change between s2 and s3 drove this decision, presumably either his breakup with nancy or the fact that he no longer showers in front of other guys at school. up to your interpretation
shock blanket at the very end is a nice touch so we don’t forget he’s traumatized
The Drowned Rat/The Man Overboard
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10/10
wet
shorts could be shorter
the decision to purchase and wear a hoodless raincoat is absolutely ridiculous and stupid
however it is also very steve harrington and i value self-expression
The Chick Magnet/The Flaming Homosexual
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100/10
what can i even say about this fit?
the absolute best pants he’s worn thus far. amazing fit, excellent classic wash. i say this as a former american eagle outfitters associate and the winner of my freshman year dorm’s “best at folding jeans” award
manages to make blue jeans with a half-blue denim vest work effortlessly
bold primary colors make him stand out without being too gaudy
excellent pairing of t-shirt with simple stripes and vest with simple color blocking to create a complex yet cohesive and flattering look
simple brown belt gives the look a put-together yet down-to-earth vibe
hair has only gotten better
still wearing that same brown watch that he’s had since the introduction
this man looks like he waxes his chest
this is steve in his final form
thank you for your time
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that0negayslytherin · 3 years
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What would you change on Love Victor exactly? Asking as someone that likes S1 and wants to understand what are the problems some have with it.
OK buckle in because I have so many thoughts on how I would change S1. Granted, this is all based on personal preference so like if you disagree please feel free to do so!!
(As a disclaimer, I really love this show. I love the characters so much and I think the cast brings such life to them. Most of my problems are more on the writing/structural level when it comes down to it. Just want to make it very clear that I’m not trying to tear the show down. We should be critical of the things we enjoy!! Ok, so without further ado,)
Things I would change about Love Victor S1:
First of all, the timeline. There...isn’t one LMAO. This is a gripe more from the fanfic writer’s perspective as well, as it just makes it difficult to know where they’re situated in the school year, when important events happened, etc. Timeline is a mess! But also, how long were Victor and Mia together? How long was he at Creekwood before things started happening between them? We can speculate but it’s all very vague.
BENJI. We know hardly anything about him?? And he’s supposed to be like Victor’s gay awakening in some ways and the major love interest for Vic? And by trying to make him this like mysterious but magnetic beacon of gayness they lso sort of stripped him of a personality.
ALSO Victor never shows interest or attraction to literally any other male (my friends and I joke that maybe he’s not even gay he’s just Benji-sexual) and that’s something that could’ve been remedied so easily with like a single line of internal dialogue or something.
Which brings me to Derek, who I do think is an interesting character but also just sort of exists to act as a barrier between Victor and Benji, which is...unnecessary imo because Victor is already putting up barriers himself (dating Mia, namely) to avoid coming to terms with things. One thing I will say is that through his relationship with Derek we learn things about Benji, but I also think it’s a problem that a lot of what we know about Benji is only in relation to how he functions in his romantic relationship. Anyway I would’ve preferred just to learn more about Benji and cut the character of Derek altogether.
I understand this would cause issues for the birthday party episode and they would’ve had to change a lot of what happened there, but getting Victor to a point where he confronts his grandfather for being homophobic could’ve been done another way without making a weird example of Derek and Benji.
AND ANOTHER THING, Benji’s insistence on being super open about their gayness even though Victor tells him that his grandparents aren’t down with that is. Not realistic from my perspective LOL like most queer people would be like oh shit ok gotchu I would very much like to not be attacked for my identity today! That’s a more specific thing but yeah that didn’t make any sense to me.
Victor’s parents. GOD, I do NOT think we needed as much of their storyline as we got. I understand wanting to provide valid reasons for them to up and move in the middle of a school year, but I just think the season spent way too much time on it as a way to parallel Victor’s cheating, which just felt really extraneous to me.
Speaking of his family, I feel like we get almost ALL of their religiousness in the first episode or so and then it sort of gets dropped for most of the season? Which doesn’t make sense because that seems to be a pretty big factor in Victor struggling to accept his sexuality so I think that could have been more consistent.
This is more of a minor thing that comes down to personal taste, but some of the dialogue is...not great? Just a little cringey and trying too hard to be cool I think? But some of it IS good which sort of makes the bad dialogue feel worse like we know you can give us good dialogue so the awkward moments seem magnified I guess.
Ultimately, my biggest issue is that they structured the show as more of an ensemble show but then didn’t give it the space to actually be that. Ten 30-minute episodes was not enough time to cover all of the storylines and subplots they created, which is a shame because I really like a lot of the characters. For instance, I do sort of like Felix and Lake, but for a show that’s supposed to be about a person of color figuring out that he’s gay, there was way too much focus on a white cishet couple. I also thought that a lot of Mia’s storyline was really interesting but, again, there wasn’t enough space in the season to really do it justice. I really hope that season 2 is structured a little differently (longer episodes, maybe) because they’ve already revealed a SLEW of new characters, and while I love the idea of adding more queer characters and expanding on the world, I also worry that the main points (namely the fallout of Victor’s coming out and the start of his first gay relationship) will get a little bit lost in all of it.
At the end of the day, like I said, I really do love this show. Victor is such a relatable character for me and I think Michael does an incredible job playing him, and the whole cast really is just phenomenal. One of the reasons I enjoy the show is because of choices the actors have made, little moments that could be nothing but take on an extra life because of things like body language, inflection, etc (e.g. I personally think a lot [most?] of the Venji moments are only as good as they are because Michael and George have such great chemistry). Also, it’s a very cute show and it’s a lot of fun!!! My hope is that some of these issues are more or less remedied come season 2 <3
I also recognize that the switch from Disney+ to Hulu may have had some bearing on some of these issues so I don’t want to 100% fault the writers, but I do think that there’s just way too much going on in the first season relative to the collective runtime.
Finally, I’m going to take this opportunity to plug the LV Fic Lovers Discord server because we talk a LOT about our S2 wishlists, critiques and praise of the first season, and stuff about new cast information in addition to talking about fanfic, so if you’re into the show and want a space to talk with other people who enjoy it, I highly recommend checking it out!! :)
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jon-astronaut · 4 years
Note
Hey friend! Your Skam content has been a gift! So, I have a really random question (I don't know if you've answered a similar one)... But I know that Skam Turkey would probably not be good (especially because of RTÜK)... but if you had the free time and all the creative power, what would you like to see of Skam Turkey?
Helloooo! First of all, thank you for liking my Skam conteeent! I just do things I wish existed ahahah
And, thank you for this question but get ready for a loooong answer! I didn’t answer anything like this before. I only explained why a Skam Turkey wouldn’t work - as you said because of RTÜK (the government institution that regulates television, radio, online content).
I actually thought a lot about this before!
I would base it in İstanbul because it’s where I am living. I know the show would be so different placed in somewhere else but İstanbul feels nice and feels diverse enough.
so season 1, i guess would be pretty similar. I don’t think I would change much of the plot points. except the parties if happening would be smaller in scale. and instead of parties mostly they would hang at bars in kadıköy, beşiktaş, taksim a lot.
they would be studying in one of the ‘good highschools’ (not a private one).
Since Turkish shows are filled with a lot of romance I think it would be important to show a close female friend group!!! they would have sleepovers and braid each other’s hair and get each other coffee every morning from the canteen! sit together in classes! have big breakfasts in kadıköy!
I knew people that smoke weed in high school but I kinda had a niche high school experience so Eva would be against smoking and Jonas could just be smoking cigarettes. Jonas would be quite political. Maybe going to protests in Kadıköy and getting tear gased! Using his twitter a lot!
I would change William's character a lot in s1. Instead of the whole sleeping with Vilde etc. it could be just flirting and giving her hope and him being a kind of a jerk because he would think he was so cool. In the end, he wouldn’t be that toxic. (we don’t need that message! but he doesn’t need to be perfect either)
we would see the stress of the university entrance exam creeping up! eva would feel insecure and have fights with her parents about her grades  and about her perfomance in dershane (private courses)! jonas doing so well wouldn’t help either
The girl squad would be the same. Turkish Sana would be a hijabi Muslim and maybe Chris would be a little conservative. Then, Noora and Eva and Vilde would be more relaxed in terms of drinking etc. Vilde could still make her ignorant comments on Islam.
(i think that part’s important because even if Turkey is known as a muslim country there are a lot of people who live the religion in their own terms. as someone who doesn’t have anybody hijabi in her immediate family i had a lot of ignorant questions too)
so s2,
Noora would be the person to keep up with the news of all the murdered women! She would constantly bring that up in hopes to educate others! And her article in the end would be about that. (she would defend #istanbulsözleşmesi #istanbulagreement)
the season would open up with noora and the girls at an 8th of march parade where the police would be there and they would run away!
Vilde would have moved on and there wouldn’t be the whole William forcing Noora to go on a date. Instead Noora would be hesitant because his action’s last year would clash with her feminist ideals. they would get together earlier!
the auction penetrators does could be for some women organization!
the sexual assault storyline would happen mid season and we would see noora go to the police etc. and the whole process!
william wouldn’t leave after finding out...we don’t need to see smt like that on Turkish tv anymore. instead in a teaching moment for the viewers he wouldn’t judge her. and not ask anything like her clothing, the drinking even if noora expected him to
(seeing her legal process is important because it takes a long time in Turkey and most of the time people don’t get punished. jonas and others would help with a twitter campaign)
in s3, william would be studying abroad and him and noora would be doing long-distance successfully!
s3 is the trickiest one and i am changing a lot, (since this the ideal world let’s imagine i can actually put in a gay character)
isak’s mother would accept him immediately but his father could have issues. i feel like the homophobia needs to be shown someway.
even would be a transfer student in their last year. and in 12th grade there would be a big background story of the university entrance exam. isak and even could meet at a study session designed by the school
in early parts of the season, we could see a lot of ‘i don’t have a problem with gay people as long as they are away from me, they don’t shove their sexuality in my face’ type of thinking from the people around. maybe some class discussions.
the boy squad would be wholesome!  they would still make some weird jokes but they will learn better! they wouldn’t be skaters but they would hang out at places like kadıköy, beşiktaş a lot! maybe they could do like a little band of their own!
the internalized homophobia would be strong (but never using slurs kind of) and isak would really force himself to be with emma.
when they finally kiss instead of going for more isak would run away. and then when they see each other at school they would talk and isak would say smt like ‘let’s forget about that’
him and eva would be close friends and while talking with her about relationships he would realize it was unfair to emma and break up with her.
here comes eskild! it would be noora’s older brother who is studying in a well known university and who is openly gay! they would run into each other somehow and isak would see that he could be himself. that there are people like him. (later on the boy squad gets like lectures, lessons from him to educate themselves on different sexualities)
then, he would go to a bar even is in and they talk and pinky touches and go back to even’s. make out, spend time etc. there is no sonja storyline. instead it’s them getting together.
the mental ilness storyline stays! and isak would see even’s episode instead of waking up with him gone. he would dial his parents’ numbers and learn everything!
then, even would talk a lot about himself and explain how he feels and how is everything for him!
WAITJONAS! jonas would be such a good friend and i think the whole carelessness of skam wouldn’t work. instead he would be careless about it at first like ‘oh he is good looking’ then he would apologize for the old jokes and swears he would be better! GIVES ISAK A BIG HUG THE PHYSICAL CONTACT IS IMPORTANT! then jonas makes his mission the end homophobes on twitter and irl!
(this convo would happen either at moda sahil or in beşiktaş while eating balık ekmek which fish and bread)
(i would change a lot because i think a more positive and a more distilled portrayal is important and isak and even navigating their relationship should be seen more.)
sadly, at school in the street etc. they would never be seen kissing, holding hands. but eskild would take everybody to his university for a tour one day (there is still the university entrance exam) and isak and even would be themselves there.
s4 is also tricky and actually somehow some part of og skam works, 
sana would feel isolated because the others are not practicing like her and some are not even believing. she would feel weird when fasting because vilde and noora would suggest getting coffee after school without second thinking.
let’s get political! she would have a hard time convincing people she wasn’t supporting the government. maybe some political debates in class and people would stare at her thinking she would say something old fashioned etc. (this would come up in s3 with isak first. isak would see her hanging with turkish eskild and it would click for him that it doesn’t matter for sana)
sana and jonas would bond over politics!
yousef’s story always felt familiar for me so he would be a non-believer  (or if i felt brave enough he would be Kurdish and there would be a whole conversation about it) so that whole storyline happens without the noora kiss.
i would have even be exes with one of sana’s brother’s friends - much like skamit! we need some muslim gay represantation!
and instead of the fight between the boys there would be this coldness because of jealousy from isak. a fight almost breaks but even and jonas stops it while the other two boys are ready to jump the others. the episode would end with isak and even arguing sana hearing it.
next, isak and sana would have the bench talk. the whole answering the ignorant questions would be said and then they would ask each other that. in a respectful way of course. stuff like isak asking about ‘can a muslim be gay?’ and sana asking about ‘how did you realized you liked boys?’ etc.
(i am trying to teach people here)
about now sana realizes he could be with yousef regardless. and they talk.
the girls would plan an afterparty with the others in their year for after the prom! sana wouldn’t feel welcome there - it’s a club. and the fights etc.
the girls would come to sana’s home and apologize saying they want to do better learn more!
also a convo with maybe chris and eva - sana being a hijabi muslim who fasts and prays, chris being maybe loosely fasting and praying in her own way and eva who doesn’t do anything but still believes in God and considers herself Muslim and how they all feel!
then the farewell stuff would happen with banners and slogans! and they would dress up in their school’s colors!
after this sana would meet up with yousef and they would go on an official date. and it would be like they would hold hands while walking and hug but not kissess (at least not in public)
one of the final clips would be a long table in one of the characters’s home where they are having iftar! everybody made the foods, william comes back, jonas and eva gets together!
and the graduation ceremony! everybody crying! and finally a few shots of isak and even in the pride where it gets cancelled/tear gased every year! eskild would be there too! and even some other friends supporting them!
oh wow! i guess you didn’t expect this when you asked! i was halfway into this when i realized you just asked what i would like to see and i was here giving you an outline...
anyway, basically i would love to see the female friendship part being emphasized, seeing noora’s sexual asault plot in a bigger way and seeing the results, the homophobia of turkey and the hope regardless and the coming together of different ways of Islam!!!!!
if you want to bounce off ideas i am always opeeeen! and hope you liked this little turkish skam versiooon!
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xsecretblastsx · 4 years
Text
2x01 Summer Kind of Wonderful
SEASON TWO HERE WE GO.
I was dying to get here, this is one of my favorite episodes in the whole show. It’s also the episode were I really turned into a Chair shipper, so there’s that too, also The Hamptons!! Honestly was not to love about this episode.
I think this is the longest recap I’ve done in a while. As usaul recap under the cut.
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Thoughts I had while watching:
I’ve watched this before and yet I’m still surprised our first taste of S2 is Nate going at it
After the super promising tease on Nate and Serena on the S1 turns out... she’s covering for him while he sleeps around... 😒
Chuck being Chuck, still a womanizer, still obsessed with Blair and as always ignoring Serena’s disgusted face. Also hilarious his enormous basket with cuttlery and such.
Look Joe Goldberg!!! Or is it Dan Humphrey? This bookstore setting is making it even more confusing.
Hi Jenny! And her never ending disatisfaction with her place at whatever she’s trying.
This scene between Chuck and Serena is so underrated. Her mocking face is hilarious. Pimp all you want Chuck it’s useless. Good luck in your suicide mission indeed.
What’s a Jitney? 😆How about where Blair returns to the Hamptons with a new beau. On your face Chuck Bass! On the words of GG: ain’t karma a bitch? We know Blair Waldorf is.
“A hot lifeguard is like Kleenex: use once and then throw away, you couldn’t ask for a better rebound” so says Blair 🤔
“The only thing lamer than dating Dan Humphrey is mourning Dan Humphrey” speaking words of wisdom Blair Waldorf
Of course all the wisdom goes out the window when Chuck appears. With the most extra polo ever and the shortest shorts in the history of menswear
Not that Blair wasn’t transparent with all her talk about James but oh my god Serena’s is so bad a going along with it.
“You’re lying. Your eyes are doing that thing were they don’t match your mouth” Chuck Bass: a walking manual on Blairisms
“I bet you’ll like him as much as I do” “If by that you mean I won’t like him at all then you’re right” meanwhile Serena is trying to pretend she’s anywhere else and not there silent witness to that verball pin pong
I always wonder how Jenny and Dan end up being like that with a Dad like Rufus
So this is “Jenny admitting she was a bitch and that Eric didn’t deserve it” first season.
“A honk instead of a knock? Did someone order a townie?" Blair’sn lines this episode are hilarious
I feel bad thinking that Nate’s main contribution so far is looking really good without a shirt.
Chuck Bass: a walking encyclopedia on everything Blair Waldorf.
If only the show had given us more Chuck and Cece interactions.
I feel I should have kept a score for all the Chuck and Blair jibes to each. That pin play on Blair’s part was check mate though. Auch. I almost feel bad for Chuck. Almost
In terms of cinematography that scene were they talk about the pin is gorgeous probably my fave in the show only behind that scene in Paris in S4. The matching outfits, the colors and the scenery are sooo good. Also the acting.
Knowing her like he does it’s interesting Chuck doesn’t realize Blair only gave that pin to James to hurt him. But the fact that it works is very telling on Chuck’s insecurities and feelings.
Nate being kicked out so the husband won’t catch him wouldn’t be half as hilarious if it wasn’t for Serena’s “no effing way face”
“Damn that Motherchucker” a novel by Blair Waldorf
I love Blair’s summer dress by the way
“All I could see was that Chuck Basstard” the sequel novel, also by Blair Waldorf
What a difference a summer makes: Nate and Chuck talking about Blair. I do feel Nate’s like “thank god it ain’t me anymore”
“And unlike you I don’t lose something if I let it out of my sight” Blair strikes again, this girl is on fire.
This episode is kind of proving that I barely care for any other storyline that doesn’t have the original four. After those two side by side arguments, getting back to Dan is really annoying
I kind of love it when Rufus points out to Dan how he never stops talking and doesn’t let anyone else said anything. Is kind of boring already how he only seems to write about Serena and the UES.
Chuck’s cricket outfit reminds me of how I should enjoy the crazy outfits while they last.
Ofc Chuck’s has a PI on speed dial Eric, duh. Gotta love him though: “i know that face, that face is not your friend” sorry Nate
I’m still trying to come up with the reason why the show let the fake dating storyline between Nate and Serena be such a waste. Whyyyy????
Just in case I forget: this white party was sponsored by Vitamin Water. For real there’s product placement and then there’s this.
The constrast between Serena looking like a greek goddess next to Nate’s I didn’t bother of an outfit is making me dizzy.
Chuck’s outfit for the white party kind of deserves a post of his own. Then again is probably my fave outfit of his on the whole show.
James calling out Blair for using him, while mentioning charade feels kind of overplayed now. Anyway he’s already pointing out how Blair and Chuck are the same and that’s why they deserve each other.
“Don’t you see? We’re the same? Stop trying to fight it” “I will fight it to my last dying breath because any resemblance to you is something I would hate about myself” this whole dialogue feels like a premonition.
Serena and Nate kissing and being totally into it while paparazzi plays is the background is just one of those moments. This is the kind of content I’m here for. Only to be ruined by Dan Humphrey.
And here we are again Dan getting mad when he doesn’t have a right to, thankfully karma is a thing in the form of drinks poured all over him
And somehow is Serena the one busy cleaning that suit, useless Dan is useless
Chuck’s “I’m so screwed” face when his PI tells him Blair’s guy is actually a british Lord is priceless.
THREE WORDS EIGHT LETTERS SAY IT AND IM YOURS.
Epic scene aside they both look so good here. This episode is gift in matching outfits.
Dan, Serena and fireworks. 😪 here we go again
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I loved this episod the first time I watched it and I think I love it even more so now. It’s really good, full of funny lines, great outfits and epic moments. Season two is as of now my fave season (i think this is also true for many people) and it starts with a bang. Quite literally actually with the opening scene being Nate going at it with an “older” woman, which I guess was meant to be shocking in part because we ended last season wondering if something was going to happen between Nate and Serena.
Sadly it didn’t and that’s my biggest complain for this episode because how on earth did they thought it was ok to waste all that set up, and to add insult to the injury they are like so Serena and Nate are secretly dating... but it is just like a throway line because except for that amazing kiss at the white party we never see them fakee dating and I honestly want to pull my hair out of frustration. Just imagine the possibilities that weren’t, granted fake dating is one of my favorite tropes but it could have been quite the storyline imagine: Serenate fake dates and that sparks the feelings that were pushed aside on S1 but that were always there, and now there’s nothing that can stop them to act on it, except Serena has feelings for Dan too, and she struggles because of it all the first half of S1 until eventually she picks Dan and breaks Nate’s heart, combined with all the other pressures in his life, he wants something easy and this happens to coincide with Blair’s downright spiral and that’s how Nair happens again in the second half of S2.
My point being you could add so many more moments in the Serenate saga, also give more force to the idea the show always tried to do: that Serena can’t really let go of Dan, because Nate and her are quite something and yet... and still have almost the same story on the second half which was important because it gave closure to Nair and also had both Chuck and Blair realizing a couple of things. Alas one can only dream and be happy that at least we got that kiss at the white party
So back to the episode, we learn that Nate is having and affair with a married woman, Serena misses Dan a lot and basically mourned him the whole summer meanwhile he was being an asshole in the City fooling girls he met at his intership and Jenny is working and trying to stand out in her own internship at Waldorf desings. Which reminds me Eric is such a gem of a character, he’s always have good one liners but whe’s also a nice counter balance to all the manipulation and bitchery going around him. Anyway all of these storylines are barely a tease of what’s coming, and they really take off in the next episode, so I’ll get into them then, so at the end of the episode Nate manages to keep the affair goin into the city, Jenny earns a bit of respect from her boss and Serena and Dan see each other again (thanks to Cece which is another character I wish we had see a bit more) they meet at the beach ready to see if there’s something to salvage between them. We’ll see.
The real star of this episode are Chuck and Blair. This episode belongs to them. I’ve seen comments that claim this is the season that made them epic and really take off and I quite agree, and this episode in particular sets up the stage for it, touching on a lot of the aspects that are going to be their arc for this season and even beyond. So at the end of S1 Chuck stands up Blair and she goes alone to Tuscany and he doesn’t goes after her the whole summer. Instead he spends the summer in The Hamptons being Chuck Bass, she ends up in France. We soon learn that while Chuck  enjoyed himself during the summer Blair wasn’t far off in his mind:, the minute she’s back he goes aftet her, roses in hand only to find out she came back with a new guy, and she does everything in her power to rub that fact in his face which Chuck should have expected, it obviously bothers him but truth is they both know this is just Blair trying to get back at him for abandoning her, he hurt her, she obviously doesn’t tell him but he ruined his summer and she couldn’t stop thinking about the motherchucker
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Shenanigans ensue but there are bits that really stand out: first of them the heart pinn. That's a telling bit about Chuck’s feelings, when that pin make its first appearance on S1 it was the beginning of the end for Chuck, the meaning of it was what got her to accept going to Cotillion with Nate  and now she has gave it to James and Chuck buys it because I guess part of him couldn’t believe she would go as far as to use that to hurt him, that’s a low blow and she also didn’t gave it to him that week they were going out after the wedding, even though it went really well but most importantly he believes she can’t really feel that way about him because he’s just not the kind of guy someone can feel something for, but specially someone  like Blair Waldorf, who dreams of finding her prince charming and such, and to his utter horror it’s revealed that Blair’s new guy is actually a british lord. Just his luck.
He’s anything but that, therefore not for Blair. He tells her as a much later in the episode when he let’s her know that he basically stood her up because he was afraid of her getting to really know him and see he was not good enough nor someone she could be with. And this is something that’s going to be quite the struggle for him for a long time, more than once during the show he’s going to remove himself from the picture because he believes she deserves someone better who can actually make her happy, and this season this happens quite a few times.
Thing is nothing is ever that simple, and this is the other bit that really stands out for me: when James calls her out on how she just use him to make Chuck jealous she justifies herself by pointing out Chuck’s an awful person, who lies and deceives so he kinds of deserve it, and James points out the fact that well she’s sort of the same, and they deserve each other. She lashes out at Chuck because of this and blames him for her argument with James, it’s his fault she played with James, and Chuck’s point out that no one force her to do anything she did it because they’re the same, meaning they scheme and manipulate to get what they want, so she should just stop fighting this thing between them, she rejects him claiming she would hate any resamblance to him. This whole argument is honestly quite interesting, because variations of it are going to keep popping up the rest of the show, and depending on who you ship you either take literally as if  Chuck is the root of Blair worst tendencies or rather see this argument as representation of Blair struggles not with Chuck, but with herself.
Blair struggles in accepting herself, at her core she’s an insecure person, and the fact that she has a dark side that she can’t exactly change because it’s so deep roothed in her bothers her even before she and Chuck were anything, to me it bothers her not because she really wishes she was nice & good person, but rather because Serena is  nice person, who’s regarded as literal ray of sunshine at times, and Serena got two things she wanted for the longest time: positive atention from Eleanor and Nate’s interest.So that fight within herself was always there, it didn’t appear the day she started dating Chuck, is just that in the same way they brought out the best in each other, when things go bad between them the opposite sometimes happened, and even then when they blame each other for something half the time it was to share some of the hurt and to avoid dealing with their own shortcomings and mistakes. Truthfully Chuck and Blair did something for each other no one had really done for them they accept each other fully, Blair’s able to accept and love his darkness, and for Chuck there’s no darkness in Blair she’s the way she is and that’s what makes her wonderful. It was easier for them to love each other than to love themselves. 
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Finally the biggest stand out of the episode is that iconic scene, the one that really puts into place the dynamic they will have for the rest of the season: Three words, eight letters are brought to the table, and they won’t move forward until the words have been said. It makes sense, because they tried this twice before, the first one came out of nowhere and it ended with Chuck getting dumped in favor of Nate, and that burned him badly, the second one Blair was the one who got hurt, and both times this pretty much happened because they aren’t able of telling each other how they feel, particularly Chuck. The first time he didn’t let her know he actually cared and wanted to be with her, the second one he didn’t tell her he was afraid, and all of this was too much too soon. So Blair wants, needs some kind of reassurance, and it makes me wonder how that week after the wedding really went, what happened? how wonderful it must have been that even though he abandoned her a that helipad she still had hope in the fact that he may love her. He doesn’t say it, and yet I still love this moment so much for  because jus by asking him to say it is in some way an admittance on her own feellings, and he fails to saythe words  but he did try, and the fact that he did try is also a form of admittance and as such  from here on no matter what happens, how much they fight and toy with each other there’s always an undercurrent of love behind their actions,and this is (borrowing a phrase from a certain popstar) the most amazing unspoken dialogue ever. 
Random bits I’ve noticed
Chuck has a bouquet of yellow roses for his intent on getting Blair back. If my memory serves right, those were his mom favorites
I’m such a sucker for the little backdrop details like the Van der Bass house having all these background pictures of the wedding
Thanks to Chuck for giving us the rank on Blair’s favorite films: Breakfast at Tiffany’s, Roman Holiday & Funny Face (even if he said Charades to prove a point)
I’ve read somewhere I think it was on twitter that Blair’s crying in the garden scene was unscripted, Leighton did because she got really caught up in the scene particularly by Ed’s acting. I’ve looked it up but so far I haven’t found anything on this.
There’s a bunch of miniature cyclists under the mirror where Cece’s doing the final touches to her hair, looks sort of weird.
that vitamin water is even on the invitation, agust 30, 2008.
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sandalaris · 4 years
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Send me a character: Seth Gecko 💖
Why I like them: A sarcastic, morally-gray hot mess full of witty one-liners? It’s like someone took many of my favorite things and shoved them into one character.
Why I don’t: At first, I wasn’t a fan of Seth’s heroin addiction at all. Still can’t say I love it, but as a step in his character’s development and a struggle he had to face to reach rock bottom, it makes massive amounts of sense story wise, and I can respect that the writers went there. His controlling nature can go too far as well, and he lets his emotions rule him to the point of detriment. Sonja/Jacob were right, Seth can’t just take the win, he has to push to the point he ruins it.
Favorite episode (scene if movie): Probably Shady Glen from season three. It really showcases Seth’s leadership skills and ability to bring different people together to face a common goal, as well as how he handles the supernatural shit they keep facing when not completely thrown off guard (S1) or letting personal issues dictate him (S2). It’s also a great episode to highlight why it is that Seth was chaffed at being part of the culebra’s governing system but not in the culebra’s world in general. 
Favorite season/movie: That’s a tie between season one and season three, but I like season three just a smidge more overall so I’ll go with that.
Favorite line: I couldn’t find a gif of it, but “Right now we all happen to be standing at 3333 Cannibal fucking Lane!” It’s hilarious and delivered in such a way that sums up the situation and Seth’s feelings on it just perfectly.
As a nice runner-up, because there should be a gif for this question, would be:
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Favorite outfit: The black henley with the sleeves rolled up and a black vest over it and black slacks is peak Seth outfits imo. Not only is it a great outfit in general, it’s a very “Seth” outfit. He wears it throughout season three a lot, and I’m sure there are cleaner versions of it out there, but this is the best one I could find to show the whole outfit.
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OTP: SethKate XD
Brotp: Gecko Brothers are ride or die until the end of the line
Head Canon: Seth doesn’t give a shit about the age gap between him and Kate. Laws have never held much sway over him, and it doesn’t bother what bit of morals he does have (which have more to do with consent and not age anyway) because she’s proven herself capable of making her own decisions. Beyond that, the years there just means they don’t always get each others’ references. (And considering their vastly different childhoods, family life, and social standing, he doubts they would’ve without them too.)
Unpopular opinion: I’m not sure how unpopular it is, but considering some people’s passionate view on Kisa, it’s probably at least a little unpopular. Seth comes to a kind of unspoken agreement with Kisa after season two. They’ll never been friends, but they have this sort of understanding that they’re on the same team now and they both care for the same person (possibly people, but that’s more a Kisa and Kate headcanon for post-series). They may grumble and complain, but they’re like bickering in-laws, never really getting along but also still part of the same family and invited to all the same events.
A wish: I’m going simple, because I got most of my wishes by the end of the series, so for Seth to have another classic muscle car painted in a dark color (preferable black). Part of that is my own weakness for them that I’m sure I’m projecting onto the brothers (Seth a bit more than Richie, since Richie seems to prefer “flashy” over “classic”) but I also miss the Cougar from season one and want them to have another.
An oh-god-please-dont-ever-happen: Besides him dying? Don’t let him be a culebra. I like human!Seth and don’t think he’s fit to be stuck fully in the culebra world or immortality.
5 words to best describe them: Hot-headed, brash, felon, leader, protective
My nickname for them: *shrug* don’t have one
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yiulee999 · 5 years
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Hey! What do you think of OPM season 2? I still love it & am looking forward to next weeks new episode but i just wish Saitama had more screen time ;-(
hey nonny~! 
apologies for the late reply, its a combo of not getting notifications (tumblr u useless trashbucket) and being on surgery rotation (i miss sleeping so much) 
firstly, i am truly glad you still love it and look forward to the new episodes!!! 💖💖💖please dont let anything i say from this point on dissuade you from that enjoyment 
THAT BEING SAID 
///cut for length 
ive only watched up to the second episode, and i am having Such Difficulties convincing myself to keep watching. i know my rxns to ep 1 were overall pretty positive and I stand by it but the more i watch the more the Cringe/Hypercritique starts take over. 
Turns out, the art style had a bigger impact than i thought on the length of which i enjoy shows. personally, i just really like when anime/shows have a happy marriage between writing and artwork. and when show directors know how to interpret writing, how to set up a scene (the angle, the music, the pacing), and then communicate with artists who have the skills to bring that idea to life using the medium they’re given -- that’s when writing becomes storytelling. OPM’s writing is still fantastic since they’re going off ONE (whereas GoT has the opposite problem where the production value is 4K and the writing is early 2000s livejournal/fanfiction lol god why is everyone dropping the ball in 2019??)
As for the art, since opm switched to jc staff and shingo natsume & co. left for other projects ( ;;_____;; im emo ), its inevitable we would see a drop in animation quality and i find myself constantly getting distracted by things i never used to get concerned about in the first season (bc of the high bar of expectations set by s1 artists/directors, like theres just no way jc staff would match up it to all of that and i feel bad for them, they’re trying their best but that doesn’t mean theyre immune to critique on the artistic liberties that they’ve taken that i feel as a viewer, may not have been the best choice?) 
the shading: no, just, unnecessary and distracting and why is it the center of saitamas face, im by far no expert in lighting but a bish can tell something doesnt look right??? 
the shading pt II: color choices. just gonna say i was not expecting sai’s ‘hair shirt’ in ep 1 to be bright-ass neon green, it was a little jarring at first and i miss him in red ;-; i get hes supposed to have poor fashion choices but i dont see him as the type to pick something that stands out so much in the crowd, like he likes to be left alone. NEON doesnt really relay ‘hi dont mind me im just barely existing here lol’ 
the shading pt III: genos arms/neck. okaY so the bby looks good in screenshots. like he’s shiny and nice to look at when nothings moving. bUT this is animation?? movement of objections is different from still life manga so making every single scene almost 99% like murata’s panels translates a little awkwardly to the screen (like staff is lucky bc murata’s a force of nature with his panels playing out like a movie for ref). but when genos moves, the arms are just distracting bc everything around him is drawn simply without shadows so they stand out by themselves and i (visually) forget about the rest of him haha. 
the pacing: it feels scripted, person A says this so we’ll show person A in the shot, then person B is saying something so we have to cut to person B, etc etc like keeping pretty steady to manga lines to the point where i was starting to get bored bc i knew what was coming. it was really intervaled? like someone had to be saying something at a certain effect and i think s1 had more dramatic pauses (lol) but thats how you can place emphasis on scenes to have an emotional impact if the character doesnt say anything and just let the soundtrack do some talking and the cadence of the script will change too (im 10000% talking about the sunset scene in s1 god bless. like it was slow, there was MOOD there wasn’t any rush and really gave the viewer time to think about the relationship between the two characters and what that moment meant to each of them) i feel like there were several scenes that could have been more like in the scene where sai protected fubuki, could have been a little more dramatically emphasized (aka just a pause) so the viewer could get a chance to understand that he purprosefully shielded her or when genos says that strong heroes are drawn to saitama--bUT nope its the same pace, like c l o c k w o r k just like my t eARS--
the fight scenes: how do i even start. the one scene that got me INTO opm (like watching the anime, reading the manga, drawing fanart, writing fanfic, reading fanfics etc) was kickstarted by the fight scene between genos and saitama in s1 that was circulating on tumblr a while back. i thought the characters were interesting and the fight was badass and it just looked SO COOL. (also the forehead flick at the end just kinda sealed my fate). going from that to s2 fight scenes where its mostly cut scenes and freeze scenes?? where theres a cut out behind the characters back?? during a fight scene????? this isn’t a calling card or an anime opening??? i dont understand. when they dont do cut scenes, its interesting but my initial impression is just underwhelmed. i can find good parts but it feels like i have to replay the scene to notice it? theres also an overwhelming amount of graphics/cgi manipulation that overpowers the actual art sometimes. its lacking some of the fluidity that comes from hand drawn fight scenes from first season. OTL
the sound directing: so i thought that the mood just felt off for certain scenes and the sound didn’t seem to support the scene as well (unless it was like the character’s theme or smtg) and i looked it up and the sound director was also replaced (Yoshikazu Iwanami replacing Shoji Hata). i have no idea if the sound director is also in charge of character lines but there were parts were fubuki was monologuing and i had no idea she was inner monologuing, i thought she was talking out loud and that just took extra effort on my part to re-orient myself (im nitpitcking i know but its just how i watch shows lol) 
there are still some parts i like about the animation:
fubuki looks bangin and i love her👌👗
all of this just made me realize how insanely lucky we were to have an amazing s1 and just have it exist and how i really could not care less if they had just waited forever to make s2 as long as we had the same crew come back. but anime is still a business and the quicker they dish out merch/seasons, the more money they can bring in. which they do in the short run but they would bring in more if they spent a little more on quality in the long run and it becomes one of those classics that ppl will rewatch and keep recommending to ppl who want to get into anime and oh my god we’re never gonna have that now, are we. if im gonna rec it to a friend its gonna be ‘read the manga!’ or ‘just watch s1!’ uGH. its just an unfortunate situation, its not one person’s fault either, so many factors go into what made opm s1 so spectacular and seeing s2 just made me appreciate s1 more. i guess im happy to have a s2 regardless? 
i’ll still watch to support (and bc i like suiryuu and wanna see sai in a karate gi and wig lol). maybe i just have to get used to the new style. 
so in summary,
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hayleysstark · 5 years
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Queenie here! YOU. WATCH. TROLLHUNTERS??!! OH MY GOD I! LOVE!! THAT!!! SHOW!!!! My sis and I are obsessed! We've binged all 3 seasons plus the follow up series, 3Below. I hope to buy the art book when it's released this summer. What do you like about the show? It must be thrilling to have TWO Jims in your roster of "sass master brunette boys who have a heart of gold but who will also definitely THROW HANDS"
Yes!!! I’m not finished quite yet, still somewhere in the middle of S3, I think I just hit episode ten, but I haven’t actually seen it yet, it’s just where I left off!! Merlin’s bein a shady bitch oof he’s,,,,,,,, up to something. bUT i have a legit weakness for any and all adaptations/interpretations of the character of Merlin ((i really don’t know why I decided to stan an old-ass man from 12th century Wales but there we are)) so i don’t dislike Merlin here by any means. he’s just pretty manipulative of Jim so far and im like oh fuck off man this kid is 16 give him a break u know??
@etheriumart actually got on me to watch it a while back, and I really,,,, didn’t like S1 at all, I sat through probably the first ten episodes and it just didn’t catch my interest at all. It felt more like a high school sitcom with fantasy elements than anything, and it really turned me off, so I said I wasn’t going to finish it, but I felt bad ’cause I felt like maybe I just didn’t give it enough of a chance, and Mason’s my friend and I want to explore what interests them just as much as any of my other friends, so I went back to it several months later and binged the remaining episodes of S1 and all of S2 in a BLITZ lmao and then I fucked off and never caught up on S3 so I’m doing it now that it’s on my mind!!
Oof is 3Below any good?? I’m thinking about giving it a shot once I’ve finished out the main series, but I’m not sure yet! Aliens really aren’t my area so I’m,,,, hesitant lmao
Oh, I didn’t know there’d be an art book!! Thanks for letting me know!! That’s super cool, I’ll have to snap it up when I can! ((pls stop me I have,,,,,,,,,, sO many art books at this point lmao))
“sass master brunette boys who have a heart of gold but who will also definitely THROW HANDS” LMAO I KNOW WHAT MY NEXT TATTOO IS GOING TO SAY FOR SURE. listen,,,,,,,, listen,,,,,,, im WEAK for snarky boys who overflow with kindness and compassion but also hostility and aggression lmao I AM,,,,,, A BASIC BITCH,,,,,, DONT JUDGE,,,,,, U DONT KNOW MY LIFE,,,,
 I really love all the imagination that went into this series, to be honest. The designs for the trolls + various other creatures are all so unique and diverse, I think my favorites are Queen Usurna and Nomura’s changeling form!! The little details, like Usurna’s bio-luminescent markings and sharp head quills, or the sleek colors and catlike shapes of Nomura, are just so enchanting, I absolutely can’t stop looking when one of them is on-screen!! Argh is Shaped Like a Friend. Gunmar and Morgana are pretty bomb-ass in their design, too, and I really appreciate the similarities and the subtle distinctions between Blinky and Dictatious. 
AND DRAAL’S DESIGN IS,,,,,,,,,,,,,, SO SOFT????? I WEEP,,,,,, ((my last brain cell tells me he has sharp stone spikes all along his back but I remember nothing but Soft Friend. 10/10 would hug.))
And I like that the series is pretty obviously geared toward kiddos, but it’s not afraid to get serious, it’s not afraid to let the stakes get super high. Like. my jaw pretty much hit the floor at the end of S1, and stayed there throughout all of S2. A cute, forgettable comedic show about an average high school boy gaining magic powers and juggling his responsibilities as a student, a son, and the sole protector of a secret world got so REAL, like I lost my goddamn MIND.
Argh was DYING. And then Argh DIED. And they TALKED ABOUT IT. They let it be a THING. They let everybody deal with their grief in different ways, on-screen, right there for everyone to see. 
Jim went into the Darklands on his OWN, and they didn’t let him off easy there, either. They go to pretty extreme lengths to display the psychological repercussions of solitude, imprisonment, constant fear, loss of control, repeated traumatic experiences, like they really DO. Could have gone deeper, I know, it really only JUST scratches the surface of PTSD, but the fact that a children’s show did that honestly left me speechless. It’s a big step. 
Fingers crossed good ol’ Dreamworks makes more shows like that!
Could definitely live without the toilet humor, but hey, again, it’s a show geared toward kiddos. I think it’s safe to say I’m not the target audience here.
Anyways. Thanks so much for letting me scream abt Trollhunters!!! Feel free to keep talking about it, I’m always down!! :3 
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bigskydreaming · 5 years
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Why did (do?) the Magivians film you with rage?
Racism, homophobia and anti-survivors trifecta. They had an epic case of Bury Your Gays back in S1 where like, their gay character had to kill his new love interest in self-defense after that guy was possessed by the bad guy, and then when he was understandably upset afterwards because they’d made a point to hype this guy up as the first guy he’d ever had real feelings for, his friends were like boohoo get over it, which was like…swell, lol. Oh and then that same character ended up forced into a marriage with a woman for the sake of some fantasy kingdom he didn’t even give a shit about and was all of his friends’ quest way more than it was his, and only then did they decide to have him say a line about how he was mostly gay but was occasionally into women so bi a little bit even though he’d always ID’d as gay before then so it felt like a patch job to cover up the fact that they only belatedly realized oh hey forcing our gay lead into a hetero marriage he doesn’t want to be in is maybe Not A Good Look. 
Oh and I do remember catching a bit of a S2 episode where like, the gay character was throwing an orgy in the palace to make himself feel better for being stuck in fantasy land ruling over a fantasy kingdom he gave no fucks about and was bored and lonely in….only to get chewed out by his wife slash queen (a native inhabitant of fantasy kingdom) about how rapey and coercive that was and an abuse of his power as king because his subjects didn’t feel like they had the option of opting out. Which to be perfectly clear, is an absolutely valid point to make….BUT the fact remains that like, they chose to write in that angle, and they chose to make their gay character the one to learn that Important Lesson About Consent and Power Dynamics….but oh yeah, they ALSO chose to write this particular gay character as forced into oh yeah, a hetero marriage he did not ask for and clearly did not want, for the sake of mystic prophecy bullshit resulting from someone ELSE’S personal quest. And that was just….so…oblivious to me? Its like….ummm….could you not have the Straights educate The Pervy Deviant Gay on Consent Issues WHILST FORCING HIM INTO A HETERO MARRIAGE WITH ONLY HIS EXTREMELY RELUCTANT AND DUBIOUS CONSENT AT BEST??? Hellooooooooooooooo??
Then the racism side of the Awful triangle was like, their only two PoC in the first season (other than the blind black headmaster who was all kinds of Tropey ‘Cryptic and Thus Untrustworthy’ from the way the narrative was framed which, no, stop)….the only other two PoC in the first season and main cast were the girl who just so happened to be set up by the plot as the one revealed to be the ‘traitor’ or whatever who was there at the school under false pretenses and just stealing magic for other hedge witches. Like yes, she was under duress because they were threatening her mom I think? But I mean it was still like super predictable having her be the character that was put in that position and forced to fill that role. And then Penny, the man of color in the main cast, like, again I only watched the first season sporadically because I was like Nope every other episode and just skimmed in the hopes it would get better cuz everyone I knew kept raving about it, but I specifically remember one scene where like Penny was singled out by one of his teachers and told how he was super powerful like way more than any of his peers because he had like wild magic or something…BUT then the teacher went on to basically tell him this was more of a curse than a gift because his own power would eventually burn him out and destroy him or something like that. It was definitely framed as an inevitability, like, just his fate, a natural consequence to being the kind of magician he was innately…super powerful but with a shortened lifespan essentially as a trade off, with no way around that. 
And he was something like a Traveler, able to take himself and his friends between worlds? Which was great and super necessary for the plot but also a big part of what made his magic so destructive for him himself in the long run, so essentially the man of color got set up to be a glorified taxi cab for his white friends aka the LITERAL plot vehicle, with it announced to him very early on in the show that like ‘dont be too happy about how mad powerful you are, cuz its basically just gonna kill you way before all your friends end up biting it, sucks to be you kinda’. Again, this was early on in the show so I don’t know if that changed or they added more context to that later, but just the fact that his character in particular, like Kady’s, just so HAPPENED to be the one singled out for that particular plot niche and accompanying fate, like….that was fucking bogus from the jump.
Oh and also there was that really cool (in that not all sort of way) and totally not at all predictable (in that it totally was sorta way) antiblackness that reared its ugly head the second S2 introduced the oft-mentioned ‘barbarian kingdom’ that bordered Fantasy Land…..because hey guess whether or not the first appearance of more than one black person at a time on the show was when a whole bunch of black people showed up in S2 as oh yeah, you guessed it….the natives of the neighboring BARBARIAN Kingdom. Classy, Magicians. Way classy.
And then the anti-survivors angle of the Triangle of Suck, like, the show fucking HATES ‘bad survivors.’ You know, survivors who don’t embrace forgiveness and tra-la-la their way into the sunset and recovery while weaving daisy chains and leaving all their anger and thoughts of vengeance and retribution behind them in the past? Like, god forbid a survivor fucking HATE the person who hurt them and want to make them pay, which was essentially Julia’s S2 arc I believe? And boy was she fucking punished for that. Shit just got worse and worse for her, and it only got better when she decided to try the Healing Power of Forgiveness! Unlike one of her fellow survivors, raped by the same bastard who hurt her, who was also on the same Vengeance Quest as her, except she got murdered extremely graphically and painfully onscreen in like…narratively framed as a See Kids This Is Why Revenge Is Bad And You Should Not kinda way, that Julia was pretty clearly meant to learn from and Make Different Choices. 
Oh and let’s not forget that the initial antagonist of the series, the dreaded Beast who killed tons of people and was the one who possessed the gay guy that the other gay guy had to kill right after their makeout session in self defense cuz lol why would that be traumatic…yeah, that Beast…..let’s not forget that he was another Bad Survivor, a guy who was molested by one of the series’ Significant Backstory People years and years ago when he was just a kid. And thus he was pretty blatantly a case of Look How Stewing In Your Hate For What Happened To You Instead of Forgetting All Your Worries and Your Strife Will ABSOLUTELY Turn You Into A Literal Monster Who Murders People and Is Evil and Bad And Must Be Slain For the Good of Alllllll the Land.
And there was actually a lot more than just that because Survivors was a definite Thing on the show, with lots of them showing up and established as being survivors in various ways and almost all of them like….being the focus of the series like….perpetual hard on for torture and torturous death scenes for various satellite characters. Like don’t get me wrong, the series pretty much kills people left and right, its just it weirdly just so happens that the first people standing in line to either the left or the right tended to be PoC, women, survivors, gay/bi characters or characters who lucked out and got to be all of the above for the handful of scenes before they met their untimely ‘Wouldn’t Wish It On My Worst Enemy Let Alone On My Or Any Friend of Mine’s Only Representation On This Show’ demise.
Anyway, yeah I hate that show and it dinged all my NOPE alarms hard from day one and I kept checking back in on it over the first season and then a little bit off and on after that in the hopes it had gotten better because I kept fucking hearing all over twitter and tumblr how amazing it was and progressive it was and I’d watch the latest episode, jump up, yank my hair out and screech like a gibbon monkey while speaking in tongues and asking the universe to help explain to me what the fuck was I missing here, where was all this lauded Progressivism I was supposed to be taking away from all the miserable, tortured and murdered  - and also abused, raped and exploited  - PoC and occasional white gays or women tossed in to round out the variety pack??!?! Just did not see it, at all, Error 404 Not Found, Did Not Compute, and then I’d hop back on tumblr and see people raving about the same stuff that just whipped me into a frothing rage and I’d be like I DONT UNDERSTAND WHAT IS HAPPENING HERE WHAT IS GOING ON ARE WE USING THE SAME WORDS OR DO I NOT KNOW WHAT THE WORDS MEAN CORRECTLY OR….
Ugh. Yeah. So like I said….nooooot a fan. And also, fans of the show plz don’t @ me if I got things mixed up there or inaccurately remembered a scene I referenced, I’m not claiming to have perfect recall of a show that was actively pissing me off while I watched it and thus I was kinda TRYING not to pay full attention to. I just know that I definitely got a full helping of racism, homophobia and anti-survivor bullshit in SOME form or another from each and every episode I did watch. I freely admit that like, I’m not necessarily describing or denoting the actual things that pissed me off or registered that way to me, like.. for sure accurately here….again, I haven’t watched the show at all in a couple years and I’m not trying to be like This Is Definitely What Happened In This Scene and This Scene. Its more just one of those things where like, I definitely remember these are reasons I hated the show and I’ve put a lot of effort into NOT thinking about it or remembering it, so this is just how that jumbled mess all came out right now while trying to sort through it all and remember specific instances of the Triangle of Suck that made me rage so hard. There’s a reason I’ve never gone around actively engaging in Magicians Discourse or encouraging people not to watch it, lol, I don’t claim to be an expert on it or to have taken extensive notes of my Rage Reasons at the time of watching. Just that like….they were definitely there, and this was the general vicinity of the ones I can think of off the top of my head. 
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dramallamadingdang · 7 years
Text
emeraldfalconsims replied to your photo
“You know…I think Sandy Bruty might be a little bit insane. All during...”
You know, it occurs to me that with the way sim genetics work and the way you've set up the experiment, you have a very real possibility of breeding some hair/eye/skin colors right out of the population entirely.
Oh, I think that’s inevitable, actually. Partly, it’s because of my “selection bias” from the start, in that I knew I was going to have four specific characters in the mix -- Goopy, Sandy, Ben, and Komei -- because they’re my favorite pre-made Sims. They, unfortunately, have lots of “duplicate” genes between them -- 2 S1s, 2 S2s, 2 blond(e)s, 3 with light blue eyes, etc. Then, for the other four, it was a conscious attempt to bring in all the other genetic traits (and I succeeded in that I’ve got an S3, an S4, and all the hair/eye colors represented, although I’m a bit light on dominant genes...which actually might be good thing) while also not duplicating face templates, having four of each sex, AND trying to represent all 5 aspirations available in the game. It was difficult, and I didn’t actually succeed with the aspirations, as I had no Popularity Sim. But I’ve fixed that in the Horde of Nine. Not deliberately, though, since I did end up randomly assigning aspirations. Anyway, those biases resulted in a rather limited gene pool where certain traits have a high chance of propagation while others have little chance.
So, all that said:
I'm pretty sure green eyes are going to die out quickly. They're recessive and only Andrea Hogan has them and she's been one of the weakest breeders of the bunch. To date, she's only had two children, and the non-alien one has his father's light blue eyes. Both her kids likely have recessive green genes, but those might not ever be expressed in their own offspring. We'll see what the second born-in-game generation brings...
For that same reason and because of how skin genetics work in the game, S4 skin might go fairly quickly, too...although it'll be helped by the fact that I only have default replacement skins in the game, no custom gene-expanding skintones. So, an S4 parent breeding with an S3 would have a 50% chance of having an S4 kid...but of course not nearly so high a chance if they breed with an S1. Sooooo, we'll have to see how Andrea's one non-alien kid, who's also S4, breeds and, more importantly, with whom he breeds. I'm pretty sure that'll be the only other kid Andrea has, besides Elizabeth the alien kid, as she's nearing the age where conception is impossible.
S3 could possibly be weak because only Orlando has it, and it can easily be "diluted" by breeding with lighter-skinned Sims...which is all that he's done, so far. Although one of those kids does have S3, so...
Brandi has gray eyes, also recessive, but she's breeding well with multiple partners, so I'm pretty sure those genes have been spread around enough to last for a while, at least as a recessive that might pop up randomly.
Red hair might not last long. Of the original bunch, only Komei has it, and the double-redhead alien kid of his (GUESS WHICH ONE?) likely won't be breeding. But, if I'm remembering right, I think it's possible for two blond(e) parents to have a redhead kid out of nowhere. I could be remembering wrong, though. Also, Komei, to date, has had kids with four different partners, only one of whom was also a redhead, so there's lots of recessive redheads around. If they breed with the multitude of blond(e)s and blond(e)-recessives, red might be OK. I hope so. :)
Sooooo, in the end, it's looking like I'm probably going to end up with a bunch of folks with:
The alien, S1, or S2 skin tone 
Alien or light blue eyes
Blond(e) hair, because of Ben and Sandy and their double-recessive-in-all-traits kids. Plus Marisa who had an alien kid with the blond-haired pollinator... with whom Sandy also had TWINS!) Lots of blond(e) genes floating around! (But at least I fixed Andrea's genes so that her genetic hair color is indeed black, not blonde. *eye roll* )
Also a good amount of brown hair, thanks to Brandi, Orlando, and the brown-haired PT, with whom Brandi had two kids.
ANYWAY! This is all very interesting to me for non-Simming reasons, too. (Warning: Lampooning creationism and a bit of politics ahead...)
I like engaging young-Earth Creationists (those who believe that the Earth is about 6000 years old because Genesis is a science book) in discussion/debate. They will often talk about "genetic information" by saying that evolution is impossible because it "requires an increase in genetic information, and that's impossible." (Even though it doesn't require such an increase in "information," -- whatever that is -- AND it's also not impossible to increase "information" -- if information = alleles -- anyway, via mutation. But that's all beside the point when it comes this.)
Anyway, I like to ask them to explain how post-Flood world human repopulation works from a genetic point of view. Since “genetic information can’t increase” and the Bible says that only Noah and his wife and his three sons and their wives survived the Flood and no one else, you start with only 4 people of each sex (which I did, too). You also (presumably) limit them to holy monogamous matrimony, so only four possible breeding pairs (which I didn't do with my 8, so I have 16 possible breeding pairs). Also, the Bible's sample is limited not just to 8 people from the same ethnic background but the four men are a father and three sons (thus making 3 of the 8 starting individuals virtually genetically identical unless they were born to different mothers and...oh, hey, I did kind of duplicate that with Ben, Sandy, and Marisa! Go me!) So, from that, how on Earth do you account for the "increase in genetic information" required to have the sort of genetically-diverse human population we see now?
To date, I've gotten three answers:
"Goddidit" from those who have no other answer, which is always the answer when they can't answer a question. 
"Well, there might have been more people that survived somewhere" from those who don't perhaps realize that's not Biblical-literal at all, and also means that Godly genocidal global flood they love so much wasn't quite so global after all, so there goes their entire house of cards because the global Flood hypothesis is downright central to their entire theory...using that word in the non-scientific sense, of course.
And, my favorite, from those who tie themselves in knots so as not to invoke God in their creationist rhetoric in order to appear more "This isn't religion at all! It's science that ought to be taught in place of -- I mean, alongside of eviolution in public schools, all in the interest of ‘fairness!’" in their stance: "Those 8 people had 'more genes' to start with." Which, of course, means that 1) They have absolutely no idea what genes are or how they work and 2) Even if they were somehow right, then Noah and his family clearly weren't human, so...What? Humans as we know them today evolved (Or maybe "devolved," in their minds) practically overnight from those 8 super-non-humans even though God never said anything about creating any super-non-humans and, if he had, then the super-non-humans would all trace their lineage back to Adam and Even and they would be the ones made in God’s image, not us? But even if that was the case, then losing that extra "information" over time  -- in order to somehow allow for humans with non-Israelite genetics -- ought to result in increasingly less diversity, not more, so...Yeah.
It's just so entertaining! (Well, except for the part where this is what the current administration as well as the newly-confirmed Secretary of Education would like to see taught in our public schools as science. It’s downright terrifying.)
Still, here I am in my little Sim-scenario, watching traits decreasing in frequency and perhaps eventually disappearing altogether right before my very eyes in an isolated population of eight. And that's without monogamy and with adding "information" in the form of alien alleles, too. Because -- Guess what?! -- TS2 genetics are based on real-world genetics. It’s greatly simplified, of course, but still... There we are. Never let it be said that Simming isn’t educational. I mean, with the way the US is headed, it might eventually be a better teacher of genetics than the public schools. :P
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mustlovelance · 5 years
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it baffles me that people still think that k/l is going to happen despite the lack of development in canon and lm and jds shutting it down like twice now. like one of the people behind the kl@ncetament legitimately thinks that lance/allura is just a stepping stone for endgame keith/lance and lotor/allura and think that posting screencaps of allura occasionally being annoyed with lance (mostly from s1-s2) is tea and proof their relationship is crappy compared to k/l and l/a
…the people behind what now? 
…i just looked it up and read it and…..oh my god. that was uh–interesting. 
as someone who was a hardcore k/l shipper until season 5, i don’t understand why people still want to see it become canon. all these convoluted theories that require literally thousands of words to “explain” why keith and lance are actually in love just highlight the fact that it would be deeply unsatisfying if those theories were correct. 
my a/l masterpost analysis is 7k words, highlighting their development, blatant foreshadowing, direct interactions, explanations about their dynamic’s appeal. this kl/ancetament is…over 12k, and includes elements such as color theory, other ships somehow validating their own, parallels to other series that involve pivotal components not present in vl/d, and a dozen counter-explanations/defenses against the obvious. (also, how do you…miss the fact…that lance is insecure about all/ura reciprocating his feelings…and thus…might not immediately accept that? i’m. what.) 
there’s a reason why i stopped writing k/l meta, even though my k/l metas got literally 10x as many notes as my a/l ones do. it’s because there’s nothing to talk about that doesn’t sound ridiculous, and it’s because i don’t even enjoy their canon dynamic as a friendship anymore. even if these were valid explanations, i still wouldn’t like their canon dynamic. 
basically, even if, somehow, these ridiculous theories were actually true, then i still wouldn’t understand why anyone would want them to be true. but they are ridiculous theories, and they are exhausting to read.
was a/l written perfectly? no. i think s2 was really weak writing for them. i think that, while the l/a sidetrack had a perfectly plausible explanation, it wasn’t necessary or could have been handled differently. i wish they’d gotten more little moments in season 7 before the mutual blushing scene.
would k/l, if canon, be written better? hell fucking no. the writing literally made me go from a ride-or-die k/l shipper to someone thoroughly disappointed by their completely ruined potential. i couldn’t even be happy if it happened anymore, and that speaks volumes. 
a/l is a mutually supportive relationship between two people who trust, love, and respect one another. k/l is a relationship between two people who, despite earlier seasons and past canon installments heavily suggesting they’d at least become bffs, are casual friends who trust each other to fulfill their individual team roles. 
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