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#and I'm about to blow a gasket
andy-clutterbuck · 1 year
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Andrew Lincoln behind the scenes of TWD Series Finale photographed by Britt Dvorak
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refinedstorage · 4 months
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Gaming has become a total joke
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all-consuming-hunger · 10 months
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Stop calling it Meta and Metaverse. It's "Meta" and "Metaverse" and more than either of those it's Facebook, no matter what they legally change their name to. I don't give a rats ass. I'm not calling a corporation that is so disgustingly unaware of itself "meta" (simplified meaning: self-aware) so that it can further sully the name of an entire important field of reality so much so that it sits between the physical and non physical. It's the METAphysical, like physics and semiotics and psychology and magic which is just usage of science that isn't understood on a deep technical level--to a layman of the relevant subjects, a skilled musician who's music inspires the people is quite literally doing magic, as is evidenced by the way these entire boards of 10+ men writing lyrics still can't figure out what these bards are doing to succeed because despite pretending otherwise, they have no idea, or "art" wouldn't be eating shit like this right now.
Are you going to sit here and disrespect reality by calling Facebook "self-aware" and "conscious"? It's fucking Facebook. Call it Facebook. Or use quotation marks if you're concerned with the fact that you might confuse people that don't know. But put Facebook first. Stop letting corporations rob us of our psyches, of our tools, of our minds, our words of their meanings. Stop doing what they ask you to even when you hate them. They're tricking you in to giving more of your power away. Knowledge is literally power, and by misusing a word until it's meaningless, until we can't use it, until we can't talk, that's the people's power being taken. Stop letting them take it. Stop disowning words because their meanings have been sullied. Use them properly, use them more, and don't let them continue.
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fioras-resolve · 9 months
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Hey. Hey hey hey. I need to rant about one specific Fire Emblem skill that's been bothering me for years.
So you know Vengeance, right? It was introduced in Awakening, and it's been around in some form in every FE game since. For those who don't know or don't remember, Vengeance deals damage proportional to HP lost, so the lower your current health, the more damage you deal.
To be clear, I think this is a really cool idea. It's a risk-reward skill, and it means you can intentionally lower your health to potentially deal massive damage. This is the main reason Bernadetta can be so potent in Three Houses. I think, if this skill is done right, it's a really cool piece of game design, and a really sick strategy.
The issue comes with how this effect is activated. To be clear, I think that Vengeance should be extremely consistent. You're already taking the risk of staying at low health. It should be paid off accordingly. If this were a random effect, same as Astra, it wouldn't be worth using.
Some FE games agree with me on this. Echoes and Three Houses both make it a combat art, meaning you choose to activate it at the cost of either HP or weapon durability. The game that introduced the skill, Awakening, makes the skill randomly activate with each attack, with a (Skill * 2)% chance each time. However, because you can get your Skill stat above 50 with a combination of grinding and in-battle stat boosts, you can make the skill activate 100% of the time. This fits right in with Awakening's core gameplay of building up ultra-powerful killing machines.
Some games, however, don't see eye-to-eye with me, and feel the need to nerf this skill in some way or another. Fates, for example, gives Vengeance a (Skill * 1.5)% activation rate, and also makes maximum stats a lot lower generally. It's weak enough that it makes me wonder why the skill is still there. Like, I get that it still pairs well with Nosferatu, because with a draining attack you're gonna be recovering that health anyway. But it feels like just one of many design changes that Fates makes because it wants to be "balanced" at the expense of letting you do cool shit. Like, remember what it did to Javelins? Fucked up.
Also Engage has no excuse, it's an even lower activation rate, on a character with a weakness to a very common weapon, in a game where you can only use Nosferatu under very specific circumstances. And like, Engage isn't afraid to let the player feel powerful. That's what the Engage system is for. Very weird skill all around.
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It's always the mfers who know and understand the least about cults and religious indoctrination that vehemently defend those same cults and brush anything ex cult members have to say to the side.
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localpuppy · 5 months
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Do you hear how LOUD this is
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the-resurrection-3d · 2 years
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so in the s2 finale there’s gonna be a scene where Belos sits down with Luz and asks her about the human realm and obviously she tries to lie but he can see through it and they eventually get into how there’s no life or glory waiting for him on the other side, there won’t be any more statues, there won’t be anyone to remember or even care about his story, pretty much no one even believes in demons or witches anymore, and he basically tells her to fuck off and he goes back to his room and sits down slumped on his throne and feels something within his old, breaking body start to leak.
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thebibliosphere · 8 months
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Not gonna draw attention to the post because I suspect the person might blow a gasket, but it's always so funny to me when you see someone picking apart fanart, in this case, a popular fan Ot3 pairing, and they're like, "y'all have brainrot, this'll never be canon, you realize that?"
And maybe I'm just ancient, but since when has fandom ever been about validating canon? Canon is incidental to fandom output. It is, at best, a guideline. You can stick to it, or you can go so far off the beaten path that you fall off the edge of the world and wind up in a new one where the map has words like "here be dragons" stamped in the upper corner.
Fandom is about exploration beyond the canon. It can look like canon, talk like canon, and sometimes even emulate it so perfectly you'd swear you've found the author's secret account, but it doesn't have to.
Ultimately, however, it's about having fun. And if you can't understand that, I have no idea what you're doing here.
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teaboot · 2 months
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As someone who learnt english as a second language via textbook, I have to say "flying by the seat of my pants" is a hilarious idiom xD
It's the first time I've seen/heard it.
Could you share another one you like using?
Idk about idioms specifically, but there's a bunch of phrases I learned from my mom!
Lord love a duck! (Incredulous, like 'oh my god')
Lord suffer in sheep dip! (Sheep dip meaning sheep poop. Incredulous, but for annoying things- like 'are you kidding me?')
Is there a piano tied to your ass? ('Don't be lazy, do it yourself')
Someone's cruising for a bruising. (You're picking a fight.)
I don't give a rat's rip. ('I don't care'- a rat's 'rip' is it's butt crack.)
Pull up a stump! (Get yourself a chair, sit down.)
Everybody out of the pool! (Get out of the car)
I'm flying by the seat of my pants. (I have no idea what I'm doing, but I'm doing it.)
Don't go blowing smoke up my ass. (Don't over-compliment me, don't flatter me, don't stroke my ego, don't tell me positive lies)
Looks like it's gonna rain on our parade. (A storm is coming.)
Sorry to rain on your parade. (I've given you bad news- can be used sincerely or sarcastically to denote sympathy for incurring a bad mood.)
Better button that lip. (Stop talking.)
Someone's gonna stick a boot up your ass. ('Stick a boot up your ass'- fight you, beat you, kick your ass.)
Stick that lip out any further, and a pigeon'll shit on it. (Stop whining.)
Suck it up, buttercup. (Stop whining.)
Dumber than a fence post. (Very stupid.)
The back forty. (The wild or forested area behind a rural home. The 'forty' being forty acres, or farmland.)
Don't go begging for a fat lip. (Whatever you're saying or doing is going to bother people and get you in trouble.)
What on God's green earth (What the fuck)
I'm sweating like a pig in a porta-potty (like a pig in a plastic outhouse- I'm very warm, it's hot here)
He thinks the universe flew out of his ass. (He thinks he's more impressive than he is.)
Your mouth wrote a cheque your ass couldn't cash. (You promised more than you were capable of providing.)
You've got a horseshoe up your ass. (You're very, very lucky.)
Taking a dirt nap. (Dead.)
Pushing (up) daisies. (Dead.)
Give me forty acres to turn this rig around. (I need time and space to move this large, heavy, or unwieldy thing. Usually about navigating a vehicle. Taken from a song lyric.)
Jesus take the wheel. (God help me, I can't handle this, I give up.)
Gone belly-up. (Has died.)
We've got a floater. (This one is dead.)
Herding cats. (Trying to organize chaos, managing an impossibly complicated situation.)
I've got a black thumb. (I am bad at growing plants, all my plants die- reference to having a 'green thumb', or being good at growing plants.)
Stop trackin' floor cookies. (Floor cookies are bits of animal shit that fall off your work boots- 'tracking floor cookies' means wearing your boots in the house; take your shoes off at the door.)
Running around like a headless chicken. (Frantic, disorganized, stressed out by many tasks or panicked by a big situation.)
Spinning my wheels. (Waiting around for something to happen, getting nowhere, frustrated by inactivity, not making any progress towards a goal.)
He's gonna blow a gasket. (He's going to lose his temper, he's going to be angry.)
They'll tan your hide. (They'll punish you severely; usually through violence. Specifically in reference to a spanking.)
He's a few bricks short a load. (He's not clever / he doesn't think things through / he's crazy)
Not the sharpest tool in the shed. (Not the smartest person. Very dumb, clumsy, or absent-minded.)
I'm not going to bail you out. (Not going to save your sinking boat- not going to help you out of your bad situation.)
Looks like things are going south. (The situation is growing worse.)
I'll start making tracks. (I'll leave now, I'll start working, I'll get going.)
He's fucking the dog. (He's not being productive, he's doing a bad job, he's made things worse, he's screwing around.)
He's making puppies. (Less graphic version of 'fucking the dog'.)
Plant your ass. (Sit.)
Playing grab-ass. (Procrastinating- accomplishing nothing, slowing people down.)
He couldn't find his ass in the dark. (He's stupid, ineffective, underqualified, or incompetent.)
He couldn't pour water out of a boot if the instructions were on the heel. (He is unbelievably, comically dumb or ineffective. He can't do anything right.)
One foot in the ground. (Dying, or half-dead.)
I'm kicking rocks. (I'm not doing anything productive.)
I'm hauling ass. (I'm running away.)
Madder than a wet hen. (Very, very angry.)
Like I said I'm not sure that these are all idioms but they're all the phrases and sayings from my childhood that I can remember right now
EDIT: Cannot BELIEVE I forgot my mom's favourite
52. Wish in one hand, shit in the other, see which gets filled first. (Wishes don't come true by themselves)
Plus some more I forgot:
53. You make a better door than a window. (You're in the way of my view.)
54. You can take a long walk off a short pier. (Go fuck yourself.)
55. He's about as sharp as a bowling ball. (He's stupid.)
56. Scoot your poot. (Move over.)
57. Not my first rodeo. (I know what I'm doing.)
58. He's built like a brick shithouse. (He's broad and sturdy and very strong, solid.)
59. I smell bacon. (I saw a cop nearby.)
60. I don't want to hear a peep. (Stop talking.)
61. You're thinking with the wrong head. (You're making bad decisions because you're horny.)
62. I'd lose my ass/head if it wasn't tied on. (I'm very absent-minded, forgetful.)
63. That went down like a lead balloon. (That situation was bad.)
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cosmic--marmalade · 1 year
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Ran out of fire wood. Got what was thought to be a good cord of wood, passed all my tests. Got home, made a fire last night with the new wood and it wouldn't stay lit.
Spent 3 hours, ish, today splitting most of the wood. About 45 minutes in I start to notice a lot of the wood smells, feels, and looks wet when split, which is fine as long as it's only a little wet at the core! Nothing splitting and sitting for a few weeks won't fix! I then split 4 separate logs....which all had water in the middle. Not just wet and sappy. Literally like the water which came from christ's wound before the blood, like a fucking coconut. I didn't even know pine could do that. Meaning that the majority of the cord isn't just a little under seasoned, under dry.
The entire thing is just not seasoned period. No more fires for the rest of the year, and we're about to hit a huge cold spot for the next month or so...
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hier--soir · 4 months
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a lover's pinch | seven
joel miller x f!reader
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pairing: professor!joel miller x f!reader rating: explicit, 18+ mdni summary: things get a little messy after returning home. a confrontation sparks the beginning of a new stage in your relationship with joel. warnings/tags: au, university professor joel, age gap [20 something years diff], ethically dubious relationship due to inherent power imbalance, angst, miscommunication trope, self-doubt, alcohol consumption/hangover, joel is 50 and he texts like it, les mis spoilers???, phantom of the opera spoilers???, jealous!joel, food/eating, hurt/comfort, professor DAD, professor COWBOY, soft emotional smut, unprotected piv sex, cream pie, oral [f!receiving], joel says dadgum cause i think it's so classic him and so cute. word count: 11.1k jesus series masterlist | main masterlist chapter moodboard a/n: merry christmas to all that celebrate. as always, thank you for your patience and kindness. the love for this series is nothing short of mind blowing, and i appreciate you all endlessly. i hope you enjoy this angst and potentially the most flowery + emotional ALP smut yet [if that's even possible]. also rachel i love you i'm sorry. without further ado, the beginning of our descent into The End Times x follow @hier--soirupdates if you'd like to be notified when i share my writing this is part seven of ALP. you can read the previous parts here: one, two, three, four, five, six.
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Tuesday.
It's nine thirty in the morning and you buy a Coke anyways.
It’s raining heavy outside; fat droplets of water that splatter against the windscreen of your car and dribble down, slipping through the crevice at the top of the bonnet, searching for the engine, for the oil gasket, for somewhere undercover to dry out.
You tuck your legs beneath yourself, sit criss-cross in the driver’s seat, and take small sips of fizzing black sugar. Allow it to moisten your lips, coat your tongue and your teeth in that sickening, viscous way soda always does, before it slips down your throat.
There’s something unearthly about the day, unnerving—it’s Tuesday morning and you’re hungover. A dull ache behind your left eye, a kink in your neck. You check your phone.
Thick, rolling clouds loom across the sky. Occasionally, a flash of lightning, a thrum of thunder. You tear open a packet of peanuts and pluck one out, and then another. Eat until your lips are dry and puckered, and then take another drink. More peanuts then. Salty, sweet, salty, sweet.
It’s all you can stomach as your liver pumps and spasms, still working to cleanse your blood of the night before, spent sprawled on the couch with Trin and Nora.
Wearing sweaters and thick socks, gripping full glasses of wine, and watching Les Misérables. Nora, tears on her cheeks, had sung along with Hugh Jackman—'This innocent who bears my face, who goes to judgement in my place, who am I?’—and you, bleary-eyed and tipsy, had discreetly checked your phone.
You didn’t cry during I Dreamed A Dream but you’re crying for this? Trin rolled her eyes.
He sacrifices his freedom to save that man, Nora whimpered.
You woke up starving and the traffic was slow. At every red light and stop sign your fingers itched against the wheel, desperate to press inside your bag and pull out this little packet. And now, safe in the campus parking lot, you feast. Salty, sweet, salty, sweet. You feel a fleeting moment of pity for people with peanut allergies, and then you check your phone.
Still nothing.
Since you left New York on Monday morning there’s been no sign of life from Joel. No get home safe, no see you on Tuesday; no acknowledgement at all.
You stare dejectedly at the messages you’ve sent him.
First from yesterday afternoon:
Home now. Enjoy your last day in the big apple x
And then from late last night, two bottles of wine deep:
It’s raining and miserable here
Wish I was still in new york
With you
Sitting in your car now, glowering at the blank space where his response should be, you reconcile with the thought that perhaps he wants what happened in New York to stay in New York. Stolen glances and all-too-brief touches in a conference hall, his hand on your wrist at the museum, skin against skin in his hotel room, and in yours—perhaps it was supposed to happen there, not here. The lowering of walls came with a change in location, and maybe that was his intention. But those thoughts don’t ease the sharp twist in your chest when you think of him. Doesn’t take away how much you wish he would give you something – a morsel of communication, even a single word of acknowledgement. For as hard as you try to understand, you can’t forget the look in his eyes when he touched you at the cloisters, the way he breathed your name into your mouth. Sewing the seed of JoelJoelJoel into in the soft folds of your brain, impossible to forget.
You don’t think about his dinner with Rachel. Don’t consider that something may have happened that night, something that changed his mind about you. Something that made him rethink the entire weekend as you slipped into the shower and out the door, leaving him alone in your hotel bed while you headed to the airport.
No. You don’t think about that at all.
When you make it inside, clothes wet and cool from the rain, you shake your hair out like a dog. Let droplets fly across the hall as you make your way into the lecture theatre; a drizzled trail left in your wake.
The room is full when you step inside, but there’s no sign of him yet. You collapse into an empty chair in the front row and wait. The final few students filter in through the door, shaking out umbrellas and wiping their feet. And for another ten minutes you, foolishly, still expect Joel to show up.
It’s only when the door creaks open and an old man walks through, that you let the hopeful feeling rest.
He lays a worn old satchel against the desk and turns to smile at the room.
“Hello,” the stranger smiles, and his jowls quiver as he speaks. “I’m Jerry Dorfman, a Professor from the literature department, and…”
You zone out for a second, eyes darting down to your phone screen. Nothing.
“Oh, and Professor Miller,” Dorfman says, as if he’s just remembered that he shouldn’t be here. Shouldn’t be standing up there, in his spot. “Is tied up with a family matter. I trust he’ll be back with us later in the week.”
A family matter?
Slick with rain, staring at this stranger stood in Joel’s place, you feel like a kind of newborn. Some fresh lamb, soaked in the blood and amniotic fluids of her mother’s womb, staring through unseeing eyes, hoping to glean some understanding of this moment. This sudden burst of light, this shocking cold after so many weeks of warmth, of sweat and strong hands on your skin, holding you close. But this is Eros; the blacksmith, the limb-loosener, the crusher. A deviation from stoking the flame to the suddenly desperate, grasping loneliness of feeling as though you are standing by a lover’s window, staring helplessly through the glass, and watching them from the outside. Alone.
Dorfman tries and fails to connect his laptop to the projector.
Numb fingers type;
Are you okay? Where are you?
But no response comes.
No, not until later that night, not until you’re tucked beneath the covers of your bed, showered and sleepy, does he finally reach out.
The clock has just ticked past midnight when your phone vibrates.
Hey, I had to stay in the city another day. Just landed at PWM. See you on Thursday.
A hot, jagged feeling swims in your gut as you read the message, and then reread it. Twice, three more times, searching for some hint of familiarity. Some indication that he has been thinking about you as much as you’ve been thinking about him. That the past weekend meant something to him, like it meant to you.
Minutes pass, and when you don’t find what you’re looking for, you fall asleep without responding.
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Thursday.
Nora wakes up with a stuffy nose.
This always happens to me, she sniffs. I hate being sick.
The tiles in the kitchen are cold beneath your bare toes and rain smears heavily against the windowpane. You can hear fat blooms of thunder bellowing outside. Nora’s sullen, husky voice paired with the steam rising from your mug are all it takes to convince you to stay home with her.
The two of you spend the day curled on the sofa beneath blankets. You stare at your laptop, a document open on your screen with the title of an essay sitting pretty at the top. The cursor blinks and blinks at you, taunting you, daring you to write something, anything. But Sex and The City is playing on the tv, and Nora is snoring at the other end of the sofa, and you can’t help but watch the minutes tick by on the clock. Listen to Carrie and Miranda argue about Big, and wonder if Joel has even noticed your absence.
Trin gets home from class, and you follow her into the kitchen. Peel and slice oranges and apples and lemons while she tells you about her day. Boil them in sugar with cinnamon and star anise while she complains about an argument she had with her boyfriend. Add red wine and brandy while she tells you that her Dad sent her some money, and she’ll order take out for the three of you.
So together you huddle in the lounge and eat hot Indian food with your hands. Soak pieces of naan in tarka dal and saag paneer and top if off with mulled wine, unphased by the clashing of flavours in your mouths.
And you don’t check your phone, or look at the time, and you don’t complain when Nora asks, with glassy-eyes and spinach in her teeth, if she can put on another musical.
He’s a freak, Trin frowns at the TV.  
He loves her, Nora implores, staring doe-eyed at a masked Gerard Butler.
Nor, Trin scoffs, he put a wedding dress on a mannequin that looks just like her. In his fucking lair, no less. That’s freak behaviour.
He has amazing sideburns though, Nora grins. So he gets a pass.
Your phone vibrates as Erik strokes a passed-out Christine’s face, singing help me make the music of the night.
Careful that Nora won’t notice, you pull it from beneath your thigh.
Where were you today?
You stare at the words for a moment and feel your lips curl into an disbelieving sneer.
“Oh, fuck off,” you mutter, and shove your phone into the crevice between the sofa cushions.
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Wednesday.
A week goes by with no word from Joel.
No word from you either.
You stay home every day. Write and read and catch up on work and take Benadryl and sip soup and then you wake one morning, relieved to find that Nora’s cold has finally left your system.
So you tug on jeans, a sweater, and share a pot of coffee in the kitchen. Share quiet conversation with Pete in his shitty old Beamer as he gives you a ride to campus, and walk into Rachel’s lecture with zero expectation that today will be the day you finally see Joel again.
“We understand that Antigone is a victim of her father’s sins,” Rachel explains. “In the wake of patricide, of incest, every one of her actions is seen as a direct consequence.”
“Even her fate to be buried alive was sewn by her father’s unwitting actions,” she pauses, eyes searching the faces across the room, gauging reactions. “And, of course, this concept isn’t unique to Greek mythology. We see it plainly in the Bible, in Exodus; the sins of your father are to be laid upon the children… these themes of ancestral curses, of the inevitability of fate – they are integral to understand when looking at our tragic heroines. We saw it with Medea, we see it with Antigone, with Iphigenia, with Electra. Electra herself said, we are bound to acquiesce—”
An interrupting knock sounds against the door. Rachel’s head swivels around, eyebrows knitted in frustration as she calls for whoever it is to come in.
The door creaks open and her expression lifts. A saccharine smile spreads across her face, shoulders loosening.
“Joel,” she says warmly. “What can I do for you?”
A shiver wracks down your spine, toes curling in your sneakers.
The broad mass of him rests in the doorway. His head peeks past the wood, just a glimpse of his curls, his glasses, visible from where you sit. Your heart thunders in your chest, palms going damp at the prospect of this being the moment you finally see him again.
He speaks a few words in her direction, too quiet to catch, and then he’s taking a step into the room. His hand grips the edge of the door, keeping it open, and he casts a glance out towards the audience. Dark brown and searching, those eyes filter through countless faces until they finally land on yours.
And for a second, he doesn’t say a word. Just gazes out at you, eyebrows pulled together in the middle of his forehead, and then—and then he fucking looks back at Rachel. Your stomach goes hollow when you see the smile on her face. She lazes against the corner of her desk, and it feels like minutes go by as the two of you stare at him. And there’s something about waiting, you think, that feels like torture. That slow, painful build-up of pressure as you sit and stare and prepare yourself to discover who he’s here for. You or her.  
You’re reminded painfully of a Graham Greene quote. A passage from The End of the Affair – one you’d, perhaps foolishly, found romantic when you read it that first time. Chosen words that had warmed your chest and made you feel light, lighter than air; the way only words could do sometimes.
‘Yes, Henry?’ and then ‘You?’ She had always called me ‘you’. ‘Is that you?’ on the telephone, ‘Can you? Will you? Do you?’ so that I imagined, like a fool, for a few minutes at a time, there was only one ‘you’ in the world and that was me.
Now, as you stare at Joel in the mouth of the doorway and memory of that passage sinks its hooks in, you feel only contempt for Greene.
For you had always read that passage imagining yourself as Sarah. And someone else, some misfortunate Maurice Bendrix, had fallen into your lap, and he was the ‘you’. But not you, never you. And it’s that pride which deceives. That pride which lulls us into false senses of security.
Joel says your name then.
Says, “Can I speak with you?” You, you, you.
And it should feel like relief, to hear your name on his lips again. But you catch the way he spares another glance, soft and sympathetic, in Rachel’s direction, and that sickly hurt isn’t abated.
Her face falls, but she smiles at you. Nods her permission for you to leave the room, and only when you’re halfway across the lecture theatre, bag swung over your shoulder, does she continue speaking to the class.
Palm flat against the door, he holds it open for you, making you press against him as you slip out of the room. It clicks shut behind you and he begins to move down the hall, leaving you to follow behind with no explanation. You assume that he’s going to lead you to his office, or anywhere more private than this, but a metre from the door Joel pauses abruptly, turns, and you slam into his chest with a huff.
“Jesus,” you mutter, stumbling a few steps back.
“Where have you been?” he glowers, brows drawn tight and angry over his eyes.
“What?”
“I’ve been busy,” you grit, glaring back. “Where have you been?”
“Busy?” he scoffs, shaking his head. “Yeah, I’ve been busy too. Busy teachin’ the classes that you don’t even show up for.”
“I’ve been sick,” you roll your eyes, unable—or perhaps just unwilling—to stray from nastiness, from spite. “My apologies, Professor.” 
“Don’t—” Joel snaps, and flinches as quickly as the word comes out of his mouth, surprised by how harsh it sounds in the air between the two of you. He takes a step closer, voice low now—“Don’t call me that.”
“Fuck, what is your problem?” you huff, eyes widening, exasperated. “I missed two classes, it’s not a big deal.”
“And the silence?” Joel takes a step forward as he says it. Close enough now to see the smudges on the lens of his glasses. Close enough to see the muscle in his jaw twitch. Too close for public; too close for here. “Can’t even text me back, huh? What the hell is goin’ on with you?”
Your body pulls taut at that, hands balling into fists at your sides.
“Oh, you don’t like silence?” you hiss, matching his volume. “You can’t be serious. Joel, I didn’t hear from you for days after New York. Why would I waste my breath when it’s obvious you don’t want to fucking hear from me?”
“It was barely two days,” he shakes his head, shakes off the insinuation, shakes off whatever blame you’re trying to put on him.
“Two days,” you nod, smirking angrily. “Two days after we spent an entire weekend together. Two days after we kissed and fucked and practically went on a date.”
And the word date must elicit something in him. Some minute, man-brain trigger that snaps him to attention and helps him understand the hurt on your face, the tremble in your hands. Because he says your name, voice softening, posture loosening, every bit of his body language screaming out that he wants to step forward and touch you.
And he’s speaking again, voice low, but there’s people coming down the hall, heading your way. Two figures that you can’t make out through the haze of Joel in your immediate vision. So when he reaches out and touches your hand you flinch, jutting your chin over his shoulder. A warning. Don’t do this here.
One of them calls your name and you pause, mouth open. Drag your eyes away from Joel’s features to watch the figures get closer.
“Pete,” you force a smile. “Hey.”
You realise quickly how it must look; your sullen expression, Joel staring down at you with his shoulders hunched. He must understand at the same moment, because he takes a quick step away, folds his hands behind his back.
“Hey,” Pete takes a step closer. He glances warily between you and Joel, confusion colouring his face. “Everything cool?”
Stony faced, Joel looks between the two of you, posture stiffening the longer he stares at Pete. So much larger than him, taller and broader and far more intimidating. But a man with a secret to keep isn’t one to jump quickly at confrontation, so he keeps his mouth shut. Let’s you do the talking.
Ian catches your eye over Pete’s shoulder and offers a sleazy sort of smile. You swallow down a glare and hold Pete’s gaze.
“Everything’s fine,” you lie, taking a step towards them. A step away from Joel. “What’s up, what are you guys doing in this building?”
Pete’s eyebrows pull together, and he cocks his head at you. “Said you needed a ride home today. This morning, remember?”
“This morning,” you repeat, nodding slowly. You raise your hand and pinch the bridge of your nose, thinking quickly, mind a mess. “I, uh… right, look, Pete, I actually forgot I have a meeting with Professor Miller about my final essay this afternoon.”
“Your final…” Pete trails off, frowning. “Isn’t that due in like a month?”
“Yeah,” you say vaguely, and do not look at Joel. “I’ll find a way home later, okay?”
“I mean, sure. I guess,” Pete agrees reluctantly, reaching up to grip the strap of his satchel. “Call me if you need me okay?”
And Joel’s face turns to stone at the insinuation in those words. The idea that Pete could give you anything he couldn’t. That anyone would need to swoop in and save you from him.
The pair of you stand in silence for a moment, eyes trained on Pete and Ian’s retreating backs as they head down the hall. You watch and watch until they turn the corner, disappearing from sight, and only then do you exhale a breath of relief.
You contemplate leaving him there. Turning your back on him and returning to Rachel’s lecture, ignoring his texts and letting this all fade into some painful memory. But when you look at him again—at those big brown eyes that gaze back at you—you know you couldn’t if you tried.  
“You look tired,” he frowns, and it’s not angry anymore. A little sad, maybe.
“I am,” you admit, and wonder if your face betrays how much of a role he plays in that exhaustion.
“Are you hungry?”
You stare for a moment, blinking slow, and then say, “Yeah.”
Joel nods, attempts a crooked smile, and says, “Let me take you to get something to eat.”
It’s silent in Joel’s car, aside from the soft patter of rain against his windows and the dull squeak of his windscreen wipers sliding it away. The truck glides through the winding streets of Biddeford, cruising down the main road and into the left lane of a fast-food drive thru. Orders you a burger, fries, nothing for himself, passing the bag into your lap and then continuing to drive.
The bun is soft beneath your fingers. Grease soaks your skin, and you taste beef, taste onions so soft, so sweet. A crimson dot of ketchup spattered onto your pants; a bright shock of mustard on your tongue. A fry here and there. Joel’s hand, outstretched fingers, sneaking across the centre console to steal one. You shift the paper bag on your lap, tilt the opening so it faces him, easier to access, but he doesn’t take another.
He grips the wheel and asks, “Do you want me to take you home?”
You think about Pete waiting for you at the house. Think about if Ian and that filthy smirk on his face and whether or not he’ll be there too. Think about having to flesh out your excuse, your lie, and finally say, “No.”
Joel keeps driving. You eat until your pants feel tight and the greasy brown bag is crumpled in your fist and he’s pulling his truck off the road and into a short driveway.  
“Full?”
“Very.”
“Good.”
“Is this your house?”
“This is it.” He drags the keys out of the ignition and knocks the door open. It’s not long, barely a second, before he’s pulling yours open with a rough yank and a soft, “Door always sticks on this side.”
A vague sound spills from the back of your throat, and he guides you up a path towards the small home. Single storey, with a large brown door and windows decorating the outward façade. Your immediate thought is that it’s very Joel, but you stop the idea in its tracks. Remind yourself that maybe it isn’t your place to think things like that.
Inside it’s even more silent, even more tense. The two of you stand in the entry way, toeing off damp shoes. Your eyes flit around his front room, but it’s difficult to focus on anything. Too much to look at, too much you want to know, and you find it easier to just look at him.  
“Realised you’d never been here,” Joel murmurs after a while. He shifts awkwardly on his feet, decidedly unsure of what to say as he rests beneath the weight of your stare. “This is the, uh, the livin’ room. Kitchen’s over there.”
When you don’t respond, he clears his throat, ticks his head towards the hallway. “Bathroom is down the hall. Bedroom too.”
You feel your face shift. Deadpan stare turns to surprise, to incredulity, to blatant anger.
“Oh, the bedroom, huh?” you smile, sardonic, cutting. Your throat feels tight. “S’that seriously why you brought me here? Ice me out and then come crawling back when you want something to fuck again?”
“Woah, hey,” his eyebrows shoot up, hands drifting forward like he’s trying to calm a startled animal.
“Don’t,” you hold up a shaking hand, eyes wide and wet suddenly. “Just… don’t touch me right now, okay? What are we doing here, Joel? Seriously.”   
He says your name hard and fast, surprised by how quickly it’s all unravelling, spilling from you in a tidal wave.
And spill it does. The words are wet and watery, a tsunami of pent up emotions pouring from your mouth without permission, without forethought.
“I mean, we haven’t seen each other since New York. And I… I thought being there changed things between us. But maybe I was wrong… and then you pull me out of a lecture, bring me here and say my bedroom is down the hall? Am I just… do you just like having someone to fuck whenever you want? Is that it? Someone at your beck and call?”
Joel repeats your name, sharper this name. “Don’t put fuckin’ words in my mouth.” His face pinches in anger, hands dropping.
“When it’s not convenient you try to shake me off, but when it is—at a bar, or out of town—” you list them off on your fingers, eyes growing wider and wider. “Oh, you want me then?”
“That ain’t fuckin’ true and you know it—”
“Do I?” you scoff.
“I came that night when you texted,” he implores, voice raising, all wild-eyed and pleading. “You were drunk, and textin’ and you needed a ride.”
“I didn’t ask you to do that—”
“You didn’t ask me not too either,” he crosses his arms across his chest. “You wanted me to come. Don’t fuckin’ deny that now.”
You open your mouth but he’s too quick, matching your spill with his own now.
“And as if you’re any better?” he bares his teeth now, voice low. “As if you didn’t find out I was your teacher and keep fuckin’ me just for the thrill of it. As if you actually wanted me, and you weren’t just gettin’ off on chasin’ some forbidden fantasy.”
“I…” you gape at him, unafraid to let the hurt show on your face. “Is that really what you think of me?”
“What the fuck am I supposed to think?” he hisses, exhaustion evident in the way he runs a hand through his curls and sags against the door. “You tellin’ me I should believe that you just want me for what I am? A fifty-year-old teacher who spends his time giving fuckin’ speeches to people that are hardly listenin’? Who goes home to an empty bed? That’s what you want?”
And it deflates you, a little. The wounded expression on his face – the devastating truth in those words, splashed across his expression so plainly for you to see. Disbelief.
“Is that such a crime?” you ask quietly. “To want you… and have it be that simple?”
“You shouldn’t,” he shakes his head. Grimaces. “You shouldn’t want me, I’m—I’m no good for you.”
You swallow. Feel tears hot and sharp behind your eyes.
“Then why do you keep letting me?”
“Jesus,” he exhales, and his hand is on the hem of your shirt, pulling you closer, closer, until you’re pressed against his chest, hands coming up to grip his shoulders and steady yourself. “Because I can’t fuckin’ quit you, alright?”
“Because I don’t just want you when it’s convenient,” his lips curl around the word, disgusted by the insinuation. “Because I think about you all the god damn time and if I can only have you some of the time then I guess I’ll take it. Because if you want some fucked up fantasy, then I’ll play my part if it means I get you, I don’t care—”
You cut him off, lips firm and searing against his. He goes still for a moment, mouth parting with a surprised exhale, warm when you press inside with your tongue. And then warmer, salty; tears on his cheeks, on yours.
“That’s not what this is,” you whimper into his mouth, desperate for him to believe it. “It was never about that, it was about you, Joel. I want you.”
He kisses you again, slow. All of the anger and hurt and frustration pools out of the both of you, spilling from your mouths and into the air. His lips mould over yours and his hands are warm on your waist, your back, holding you tight against his chest. When you sniffle, he pulls back, forehead heavy against yours, and sighs.
“I’m sorry,” he rasps, eyes closed. “I missed you, I’m so sorry, I didn’t mean for—"
“Where were you?” you interrupt. “What happened in New York?”
He hesitates for a moment, nervous and calculating as he stares you down.
You wilt a little; dejected all over again. Recoil from him and quietly ask, “Why won’t you let me know you?” 
Joel’s hand hovers in the air, as if contemplating reaching for you again, but then it drops and he says, “I was with my daughter.”  
You blink.
Daughter.
Daughter?
“She lives there now,” Joel sounds a little breathless, cheeks pink as the words spill from him. “In New York, with her girlfriend. I’d planned to spend an extra day there with her, and then Nina—Nina cut her hand open at the studio and we had to go to the ER, and she had to get stitches and—” He pauses, waiting for you to jump in, to interrupt, to say anything. When you don’t, he takes a breath and continues. “And I wasn’t gonna stay any longer but Ellie was worried, and she needed me. She needed me there, and—and I’m never fuckin’ there, because she never needs me anymore. So I stayed, and I’m sorry I went silent but I was… I was takin’ care of my kid.” 
You think it might be the longest—and the fastest—you’ve ever heard him speak outside of a lecture hall.
His eyes drift to something over your shoulder and his entire body seems to sag a little. But it isn’t sad. It’s a resigned, sort of relaxed thing that happens – the corners of his mouth tilt up and he smiles weakly.
You turn, follow his eyeline until you see them.
Pictures, so many pictures, lining the walls of his home. Ones you’d paid no attention to when you first stepped inside, but can now see clearly. Bright eyes and wide toothy grins.
Some of Joel younger, leaner, smiling beside a little girl with curly hair. Some of him as you know him now; scruffy and greying, beside a different girl. This one lanky and pale and grimacing toward the camera as if she were forced into being placed in front of it.
There’s one picture of the girls beside each other, teenagers maybe, sat on either end of a seesaw. The curly-haired girl is on the upper end, grinning madly at the lens, while the other sits with her feet planted firmly on the ground, laughing up at her. Two of them. Two daughters?
“Please say somethin’.”
There’s a picture of Joel and he’s holding a tiny little bundle in his arms, and he looks so young and so fucking afraid. Dark eyes wide and teary as he gazes down at chubby cheeks, his index fingers crooked around the edge of her swaddle. A warm feeling swells in your chest and your body softens the longer you look at it. He’s a father.
Joel says your name and when you turn his face is all twisted up, and he looks the smallest you’ve ever seen him. Almost curled in on himself.
“I should’ve told you,” he nods, brown eyes darting across your face in an attempt to decipher your silence. “I know that, and I—”
“I’m an asshole,” you interrupt softly, and the tears never left but now they feel heavier on your waterline. Begging to spill over again.
“Hey,” he frowns, hand coming up to cup your cheek. His thumb swipes at the soft skin beneath your eye, begging the wetness there to disappear. “Hey, hey, no—”
“I didn’t think…” you trail off, sniffling. A sickly cocktail of embarrassment and guilt and shame swirl in the pit of your stomach and you try to swallow it down, try to send it away, but it’s persistent. “I never stopped to think that something had actually happened, that you had… I feel selfish, Joel, I’m sorr—”
“You’re not,” he hushes, fingers curling into the hair behind your ear. “You didn’t know. I should’ve told you before, and I’m sorry.”
“I thought you were staying away because of me,” you offer a watery smile. “I thought maybe you and…” You can’t bring yourself to finish the sentence. Can’t make your lips form the name Rachel.
“No,” he shakes his head, jaw tight, as if reading your mind.
“Is she okay?”
“Ellie?”
“Ellie,” you roll the name around in your mouth. His daughter.  “Yeah.”
“She’s okay,” he smiles, nodding. “They’re both fine.”
“And…” You look back at the pictures. Two. “And the other girl?”
“Sarah,” Joel says softly, pointing at wild curls and brown eyes that look just like his. And he must see the questions swirling in your brain because he speaks again. “I was twenty. My, uh, my girlfriend at the time didn’t know what to do. Didn’t wanna be a Mom, but didn’t agree with abortion, and we were so young and… well, I asked her to marry me cause it felt like the right thing to do, but she didn’t…” he shakes his head a little, a faraway look in his eye as he remembers it. “She said no. She never wanted that… so, after Sarah was born, I told her that she didn’t have to.”
“Didn’t have to?” you repeat the words, eyebrows furrowing.
“Didn’t have to stay,” he clarifies. Your lips part, surprised. “So, she didn’t, and we ain’t seen her since Sarah was a few months old.”
“Shit,” you whisper, eyes widening as the information finally starts to sink in.
“And Ellie,” he laughs then, gazing at a picture of auburn locks and shock grey eyes. “Well, that one showed up on my door some time fifteen years later. Been in ‘n’ outta foster care for years, and just started followin’ Sarah home from school one day. We did this little dance for a while; dinners and sleepovers and me slipping money into her backpack so she could buy lunch at school. And then one day she just… begged me not to make her go back to her own house. So I didn’t.”
“Wow, I…” you blink. “You adopted her? Alone?”
“I…” Joel pauses. Wets his lips, frowning as he collects his thoughts. “Alone is… I don’t think that’s the right word for it. You see Ellie was… Sarah and me, we just knew. She was family so fast. It was the only thing that made sense, you know?”
And it does, you suppose. The image isn’t hard to conjure. Joel at the dinner table with two teenagers on either side of him. Arguing over homework, over curfews, over what movie to watch. You can see the fondness in his eyes as he talks about them – the emotion laced through his words; we just knew.
“Tell me what you’re thinkin’,” Joel says, and that line between his eyebrows is back and it’s so deep that you can’t help yourself from reaching up and smoothing it over with your thumb. He catches your hand and holds it against the centre of his chest. Lets you feel the way his heart thuds heavily beneath the skin, a sturdy rhythm against your palm.
“It’s… it’s a lot to take in,” you confess, and his hand tightens over yours. “But I’m glad you told me.”
Brown eyes search yours, gaze heavy. “You sure?”
“Yeah,” you nod. “Yeah, I’m sure.”
“Okay then.” 
You flex your palm against his chest. Dig your fingers into the flesh there a little.
“Can I…” he hesitates, eyes flickering down. “Do you… Can I kiss you?” You, you, you.
Your heart beats fast, and you feel his do the same, and Joel is a father, and two daughters, and I can’t fuckin’ quit you, and you’re breathing into his mouth yes, yes you can kiss me, please kiss me.
It’s warm and it’s gentle and it feels like such a kindness to kiss him now and feel less space between the two of you. Feels like a thousand apologies and explanations slipping off his tongue and you opening your arms to him, saying I understand, saying thank you for telling me.
And when you pull him closer, wrapping an arm around the back of his neck, he meets you in kind, pressing your back against the wall. He shifts his hips between yours and shows you how much he’s missed you, and only when his hand drifts beneath the hem of your shirt do you pause.
He stills, warm breaths drifting across your mouth as he looks into your eyes.
“Talk to me.”
“I’m exhausted,” you admit shyly, twisting a finger through a frizzy lock of hair at the nape of his neck. You tug at it, not meeting his eye, and watch it bounce back into a curl when you let go. He nods and kisses you again, closed lips soft and not asking for anything, never asking for more than you want to give, before he takes your hand and leads you through his house for the first time.
He runs you a bath. Makes you sit on the edge while he lays out a towel and checks the temperature every few minutes. Only when he’s satisfied that the water is perfectly warm does he help peel the clothing from your body. He grips your hand and helps you step into the tub, lowering you down into sudsy water. And when you’re settled, he pulls a stool nearby and sits, keeping you company as you soak.   
“S’nice,” you tell him quietly, dragging a foamy sponge across your arms. “Thank you, Joel.”
The weight of before hangs over you a little, pressing down against your shoulders as you watch him. Gauge him. But he doesn’t seem angry or upset anymore. He leans over the lip of the tub. Runs his hands through the water, over the skin of your calf, your knee. Feels the coarse hairs that have grown there over the past fortnight and smiles when they scratch against his palm.
“Said you were sick?”
“Mhm.”
“What kind?”
“Just a cold,” you whisper. He squeezes your knee, palm against your patella, fingers soft in the flesh around it. “M’fine. Past it now.”
In the soapy water, his skin feels like silk against yours.
“Changin’ of the season,” he muses with a nod. “Normally gets me too.” 
And you laugh a little at that, because it’s such a fatherly thing to say and you can’t believe how naïve you’d been to not see it before. Can suddenly picture him doing this a thousand times over; resting by the bath while one of his little girls floats in the water, nose all stuffy from the flu.
At the sound of your laughter he smiles, gaze dropping to your mouth, and the skin beside his eyes pinches. Little wrinkles, so soft and so beautiful that you want to reach out and brush your fingers across them.
“You’re so beautiful,” Joel murmurs, and his voice is hushed, so low in the small bathroom.
His fingers skirt against the inside of your thigh and you splay your legs open for him, knees knocking against the sides of the tub. He glances down through the water to where you’re spread open for him to see, shameless, and smiles.
“So fuckin’ beautiful,” he repeats.
“So are you, Joel.”
“Psh,” he rolls his eyes, offering a delicate little smile. So shy, so feeble, and so desperate to believe you. A little glimpse of that wary weight, still pressing down on him as well.
“Mean it,” you insist in a whisper. You lift a hand from the water, wet thumb grazing the corner of his mouth. Feel the bristles of his moustache, the hairs on his cheek, prickling against your skin.
“Swoony type,” you say, smiling when recognition flashes in his eyes. Stroke the fresh blush on his cheeks. “Long hair, bedroom eyes, cheeks like wine.”
“Hmm,” he murmurs, turning to press a kiss against your palm. “Can’t get away with plagiarisin’ Carson in this house, baby.”
“She just said it so well.”
“She did,” he agrees. “So did Tartt.”
“Tartt?” your mind wanes, the warm water lulling you into a sleepy sort of daze. You rest heavy against the side of the bath, gazing up at him
“Beauty is terror,” he quotes tenderly, eyes bold and earnest as he holds your stare. “Whatever we call beautiful, we quiver before it.”
You wrap an arm around his shoulders, water droplets staining his shirt where your fingers grip the material, and pull him forward to kiss you. Joel grips the inside of your leg and kisses you until your skin prunes and wrinkles. And when he notices he laughs with you, gripping your hand to press his lips against fingertips that look like raisins. Worships the soaked skin of your fingers until you pull his face back to yours; jealous of your own hands, fearful that they might come to know his kiss better than your lips.
And when the water goes lukewarm and you don’t know what time it is anymore, he dries you off with a soft towel and offers once more to take you home. But you say no, so he smiles and kisses you again—your lips, your cheeks, your eyelids—and leads you to his bedroom.
He drags a too-big shirt over your head, helps you loop your arms into the sleeves. Dark blue and warm, so warm, against your skin.
The two of you slip beneath the covers on his bed and he drags you against his side; lets you press your cold toes against his shins without so much as a flinch.
Facing each other on your sides, those hands slink beneath the shirt, rough palms cradling your ribs, your back, holding you tight against his chest until your breathing falls in sync. And those hands don’t stray, don’t move down, they just embrace you. A carefully held apology that promises I want this, to hold you, to be with you, too.
It stays like that, nothing more, until your eyelids are heavy, and his breathing has evened out. Stays like that until your hand drops from his back to the band of his boxers, sleepy little fingers plucking at the material, trying to slip underneath.
“You should rest.”
But you whine softly; needy and insistent as your fingers press harder.
“What do you need?” Joel rasps into your neck, helping you shift them down his legs.
“Need you,” you whisper back into the darkness of his bedroom. “Wanna feel you, I—”
His mouth is soft against yours, plucking those words from your mouth and swallowing them down. He sucks your bottom lip between his, prying your mouth open so he can slip his tongue inside.
His hand in on your knee, pulling your leg up until your thigh rests heavy around his hip and you can feel the hot weight of him against your core, still slick and warm and needy from when his hand rested on the inside of your leg in the bath.
And if you’d ever subscribed to the meaning behind words like sin you suppose that once this might have counted as one. An act worthy of being sent to reside in that second circle of hell, reserved solely for those overcome by lust; left to blow back and forth in the storm of their own desire. Two people who cannot touch, should not touch, who hold their hands out to feel anyways. A touch once spiteful, once desolate and removed, now so forthcoming. A touch that says this is the only way it could have ever been. And there can be nothing sinful about it anymore. No more shame or derision behind heavy eyelids, no more you shouldn’t or I’m no good for you. Here you rest comfortably in the hurricane of that second circle, and you welcome the breeze as a comfort.
Lips against yours, Joel feeds his cock to you in slow, careful passes.
Ensures you feel every ridge, every hard line of his body. And with each gentle press inside he murmurs against your mouth. Incessant, low nonsenses of so fuckin’ beautiful and god I missed you and that’s it, baby, I know, I know. His kiss smooth as an almond, tender as a fig. Ripe and wet and tremulous as his tongue finds a home against yours, over and over.
The comforter on his bed stays pulled high, up to your shoulders, and it traps the warmth of your bodies between you.
He coaxes rough, gasping sounds from you with every shift of his hips.
Long fingers grip the back of your thigh, using his hold there to rock your body into his over and over again, slowly, making sure you feel every second of it. Slick seeps out of you around his length, smearing against the inside of your thighs and his, and he groans at the wet sounds that slip from where the two of you are connected.
Joel says your name, low and gravelly, praising every syllable. He tells you how good it feels, how perfect you are, and every word is like an undressing of the flesh. Like you’re some tender butcher, peeling back layers of his skin to let the air hit hot, red, pulsating matter, flashes of thick, porcelain bone swimming amongst it all. He keeps you close, hardly an inch of your body not touching his, and yet you can see all of him. The whole surface and everything underneath it now too. And when you say his name in return and he moans, begs you to say it again, say my name again, it’s hearts on wings, thin fire racing beneath the skin, eyes unseeing, drumming filling your ears. It’s the cold sweat on his hands that hold you shaking, that feel the way you tremble and grip tighter. It’s wanting to take those bones of his and suck them clean; lick past the gristle and taste the marrow beyond it.
It's everything and it’s nothing and it’s that silly little four-letter word that you can’t bring yourself to say, let alone think, and it doesn’t even matter because he’s here and that’s enough.
His nose rests in the hollow above your collarbone and he inhales, smothering soft kisses to skin and bone there.
He says, “You smell like me,” and when he looks up and presses his forehead against yours, he almost looks wounded by it. He stills, holds himself deep inside and just stares, and his eyes are screaming I can’t fuckin’ quit you, so you lay your thumb over the dimple on his cheek and smile. “S’my clothes, my soap…”
Your body flutters and tightens around him, and your mouths fall open in soft moans, lips slotting together again.
“You like that?” you breathe into the kiss, and he tightens his fist around the back of the shirt, pressing inward until your back is arched, and your stomach is flush against his and he’s groaning yes.
“Want you in my clothes all the fuckin’ time,” he pants, and the tip of his cock presses so deep inside that you’re gasping, mouth hanging wide open. “And when you give ‘em back I’ll wear ‘em and smell like you, and then we’ll be even.”
“Even?” you laugh a little, nipping at his bottom lip. He smiles, eyes glinting in the darkness.
“Yeah, even,” he repeats it and presses forward in a sharp thrust to emphasise his point. You don’t need to hear it again to know exactly what he means.
“Tell me you’re mine,” you whisper, and he grunts, hips shifting a little faster against yours. You feel him pulse inside of you, his stomach tightening against yours.
“M’yours,” Joel murmurs, voice like velvet and honey, so soft as he leans forward to kiss you, licking the words into your mouth. You say it back, spell it out against his teeth, his lips, his jaw. Yours, yours, yours. 
He says something else then, lips soft against your chin, and you’re so close; can feel it hot and burning in your gut, almost at tipping point.
“Hmm?”
“Baby,” Joel nips at your jaw, sharpening your senses. “Tell me you’re on the pill or somethin’.”
“I am,” you whimper honestly, and his body seems to sag against yours, hips shifting in sluggish, tired movements.
Something snaps at the base of your spine, and you tremble against him, gripping the back of his neck. Soon enough he’s shuddering into you, arms going tight around your back, trapping you against his chest as his cock pumps inside your core. And it’s warm and wet and sticky and his seed drools out of you, down to your asshole, smearing against the inside of your thighs, his sheets. Your legs wrap around his waist, holding him to you, keeping him there as long as you possibly can. Riding out your highs, and then the trembling, stuttering aftershocks in each other’s arms. He pants into your mouth and all either of you can say is mine or yours, until the words mix together and become a meaningless blur of sound murmured between locked lips.
It could be minutes or an entire hour before you manage to separate from each other. All eager little kisses and whines as his soft cock slips from your hold, thick spend seeping out of you in his absence. And you just want to sleep, want to curl up in his arms and never leave, but you slink off to the bathroom first. Wet your face and drop down on his toilet. Urinate and feel his come drip out of you. And where once, with someone else, you might have cringed at the feeling, you only feel warmth; calm.
In the bright lighting of his bathroom, you can see yourself reflected in the mirror above his sink. Hair a wild mess, cheeks and lips swollen with warmth. This woman in the mirror stares back at you and she has bright eyes. She smiles at you, and you feel your lips peel back, teeth on show just like hers. You stare at her and think god, she looks happy. When you wipe between your thighs and stand, she does too. And with your finger on the light switch, a wet handtowel clutched in your other palm, you give her one last look before turning out the light, feeling lighter than you have in weeks.
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Thursday.
Joel sleeps on his stomach. At least, that’s how he ends up overnight.
Face buried deep in a pillow, one leg slung outside of the covers, with a heavy arm out to the side. When you wake, at first, you’re careful not to move. Not to breathe too heavily, not to cough or jostle him awake. He looks so peaceful like this. Heavy breaths puffing from chapped pouty lips, forehead smooth and devoid of the stress and exhaustion that often lines his face. A large hand rests close to you. Despite you drifting a part in the night, the body heat getting too much for you both, his fingers remain outstretched in your direction. The tips just grazing the skin of your stomach as you lie on your side and watch him.
A low murmur escapes from his mouth, face twitching a little, and then he’s relaxing again, humming in his sleep. You smile, and let your eyes wander.
There’s a pile of books on his bedside table, reading glasses dropped haphazardly atop them.
An Idiot’s Guide to Space, one of the weathered spines reads. Interesting.
A framed painting rests above a set of drawers on the side of his room. A vast landscape with a herd of horses galloping across it. Gorgeous hides of orange and brown and black splashed across green grass and blue sky. And on the back of his door… hangs a cowboy hat.
You move slowly, careful not to wake him as you rise and tip toe across the room. Coming to rest directly in front of the closed door, you slip it off the hook and admire it. You don’t even hear his breathing change as he wakes up.
Dark brown with a curved brim; the felt is soft beneath your fingers. The image of Joel wearing it, perhaps often, while living in Texas flits through your mind and you can’t help but smile. And then warm hands are on your hips, arms snaking around your waist to pull you back into a warm chest.
You gasp in quiet surprise, but your smile only broadens when Joel rests his chin on your shoulder, peering down at the hat in your hands.
“Mornin’,” he murmurs, voice gruff and deeper than usual. A pang of arousal swims in your core at the sound of it, but you ignore that, turning in his grasp.
“Good morning, cowboy.”
Joel groans, sleepy eyes drifting closed as he hugs you to his chest, swaying the two of you from side to side.
“Wanted to lie in,” he grumbles. “S’too early for this.”
“For what?” you blink in mock confusion, holding the hat against your chest.
“For you to see that.” He moves quick, tugging it from your grasp.
“Hey—” You gasp, wide eyed and ready to steal it back. But before you can Joel just lifts it onto his head with a heavy sigh. “Oh.”
“Oh?” he repeats, eyes narrowing.
Warmth simmers in your stomach and you smirk, stepping back to give him a quick once over.
“I could get used to this.”
“Jesus,” he rolls his eyes, moving to take it off but you grip his hand, shaking your head fiercely.
“Not so fast,” you coo. “I want the whole experience.”
“And what exactly is the whole experience?”
“You know—” You shimmy your hips a little. Imitate twirling a lasso in the air, wiggling your eyebrows. “Show me some tricks.”
Joel laughs at you, and you can see the desire in him to say no, to refute it, but the longer you stare him down, the more it cracks and fizzles away.  
“Go on, cowboy,” you try out your best Texan drawl, falling down to sit on the edge of his bed.  
He adjusts his legs, elbows bending as he waves two finger guns in your direction. You suck your lips into your mouth, swallowing down a laugh as he makes a small pchew pchew noise out the side of his mouth.
“Oh,” you smirk. “Is that all you got?”
“I’ll have you know,” Joel huffs, pretending to holster one of his guns. Hip cocked now, still dressed in nothing but his sleep shirt and boxers; he stares you down. “I’m startin’ to think this town ain’t big enough for the both of us.”
And that gets you. A sharp, barking laughs slips from your mouth, and Joel grins in return, the skin beside his eyes creasing as he adjusts the Stetson over his curls.
As your giggles calm, he just shakes his head, still smiling, and murmurs fondly, “Dadgum, you got a good laugh.”
Your face warms beneath his stare, and you just shake your head, bottom lip snagged between your teeth. Moving quick, Joel pinches the brim of the hat and places it onto your head. It’s a little big, and the brim falls down, obscuring your eyesight before he adjusts it for you. Then he takes a step back, hands on hips.
“How do I look?” You bat your eyelashes up at him, smiling shyly.
“I don’t know,” he fakes an air of contemplation, giving you a long look up and down. “Think you might be all hat ‘n’ no cattle.”
“Hey,” you pout. “I’d make a great cowboy; just need a pair of chaps.”
“Well, you can wear the hat and the chaps all you like,” Joel murmurs, gaze heavy. “But you ain’t a cowboy ‘til you prove you can ride like one.”
Your thighs tense and you arch an eyebrow, trying to remain nonchalant.
“Is that right?”
“S’right.”
“Mm,” you hum. You lick your bottom lip and watch the way his gaze darkens, eyes trained on the movement. “Gonna let me show you what I got?”
And so you end up back in bed, straddling Joel while he smirks up at you, long fingers twisting around the hem of your t-shirt. But when you slip a finger inside the hem of his boxers, the movement so reminiscent of last night, he laughs a little and gives you a look that says, really?
You pout, confused. “I thought you wante—”
“Uh uh,” Joel shakes his head. “Not what I meant.”
“Then what?”
“Get up here.” He lifts his chin upward.
Your eyes widen, stomach tensing a little.
Desire warms the inside of your thighs, and you murmur, “You want that?”
“Do I wa—?” he cuts himself off, eyes darkening a shade. “I said, get up here.”
Heart racing, you shimmy up his chest until your knees are planted on the mattress on either side of his shoulders. He smiles, encouraging, and you grip the hem of his shirt, prepared to pull it over your head, but he stops you.
“No,” he exhales, hand quickly gripping yours. “Leave it on for me.” And then he leans in and presses a kiss to the inside of your thigh, and you can only nod, holding your breath as you wait for him to reach where you want his mouth the most.
Face tucked in the cradle of your hips, Joel sighs your name. A rough exhalation, nose pressed into your skin. And it feels a little silly at first – your face is warm as you stare down at him, the wide brim of the cowboy hat tilting forward.
But then, breath hot and heavy against you, he mouths at the crease where your hip meets your thigh. Slow, drawn-out kisses that have your legs tensing over him, his hands slip beneath the shirt, tracing light patterns into the skin over your spine, all the way up to your shoulders. He keeps going until you’re shivering, a wet trembling mess in his hands, hips twitching forward with every touch of his mouth to your skin until he finally glides his tongue through your folds.
Your breathing hitches as he pants against you, chest vibrating with low sounds as he licks thick stripes up the entire length of your pussy. Eyes closed, he tastes all of you; tongue slipping over every piece of exposed skin that the position grants him. And with every broad stroke of his tongue, he dips inside your weeping hole and finishes with a gentle flick against your clit. So soft and so slow, building you up over and over until finally you break and begin rocking your hips into his face.  
Joel grunts at first, a little surprised maybe, but in a second his hands are dropping to grip your thighs, locking you in place against his face.
At first, he guides you. Helps you find a rhythm that works, that feels good. Flattens his tongue and uses his grip to rock you back and forth over his face, groaning as you roll your clit against him, huffing and panting quiet little pleas. But soon enough your fingers are carding through his hair, holding him tight against you as you grind down into his mouth. Sharpening his tongue, he dips it inside of you and then drags upward, pulling your clit into his mouth and sucking gently.
You gasp, vision going hazy as you try to keep your eyes on him, try to watch, but it’s too good. He knows exactly what you like, and it all moves far too quickly for your liking. You can already feel your hips winding faster and harder against him, breaths falling shorter, everything in your stomach pulling tight and hot.
Joel can tell – he can always fucking tell – and one of his hands drifts over your ass, fingers slipping between your thighs from behind until his middle finger is circling your entrance.
“Fuck,” you inhale sharply, jaw going slack as he prods at your cunt, tongue lapping lazily over your clit all the while. “Please, your fingers, yeah, ohhh—”
A long finger sinks inside and you moan, head falling back.
“You like that?” he murmurs, pulling back to graze his teeth along the inside of your thigh. A second finger presses inside, and he curls them against that soft spot, fucking you slow and steady until you acquiesce, whimpering yesyesyesfucksogood towards the ceiling.
“Good girl,” he hums, slick tongue finding its way back to your clit.
He eats at you so lovingly. So generous as he lathes firm circles around your nerves, only ever pausing to suck you into his mouth again or press wet, open-mouthed kisses against the entirety of your cunt. Nose buried in the short curls over your mound, he doesn’t let up until your moans turn high pitched; strained little whimpers of his name falling from your lips as you press down harder and harder.
“Oh fuck,” you cry, hips rocking back and forth, faster now. He breathes you in, jaw shifting from side to side, matching the intensity of your movements with sharp flicks of his tongue. And when you fall apart, shoulders sagging forward, he moans, taking and taking and taking every last drop of what you have to offer.
And what an image it must be – you, wearing a Stetson, riding Joel Miller’s face. You almost wish you’d filmed it, for posterity’s sake.
He presses a small kiss to one swollen lip of your pussy, and then the other, before his head is falling back into the pillows and he’s smiling up at you.
The lower half of his face shines, lips and facial hair slick with your come, and you can’t help but grin back, a tired snort of laughter slipping from your mouth.
“How’d I do?” You grip the brim of the hat, tipping it down at him.
Joel smirks, hands squeezing your thighs, helping to shift you up and onto the side of the bed so he can sit up.
“I’d say you more than proved yourself,” he hums, leaning in to steal a kiss. You sigh, whining against his warm wet mouth, and reach a hand down to press it against his abdomen. Shifting lower, you trail your fingers over where his cock strains against his boxers, but Joel just tuts, pulling away and slipping off the bed.  
“Hey,” you huff, gripping his shirt and trying to pull him back down, but he just shakes his head, laughing, and drags you to your feet.
“Gonna be late,” he tells you, squeezing your hips and pressing a kiss to your temple. “And you needa eat.”
Late. You’d almost forgotten that you had a lecture this morning. Joel’s lecture.
He turns, rifling in the chest of drawers, pulling out clothes, a pair of socks, while you stand behind him and watch, knees still shaking, with a fucking cowboy hat on your head. After a moment he turns, stares, and a rough laugh hits the air. Shaking his head, Joel grips the brim and tosses the hat back up on its hook before pointing towards the ensuite, telling you to shower.
“You coming?” you ask, and he just shakes his head, tugging on socks before padding towards the hallway.
“Cowboys don’t shower, baby,” he flashes a smile over his shoulder at you and winks. “They just dust off.” 
When you make your way out of the shower, Joel is in the kitchen. Ironed black trousers and a neat white shirt cover his frame, and from across the room you admire him. That strong back, the pert rounded muscles of his ass. Fuck.
He manages to over scramble the eggs and burn the bacon because he can’t stop looking over his shoulder at where you rest at his dining table. Head resting heavy in your palm, you smile back at him. And when he puts a plate of food in front of you, you don’t have a single complaint.
The two of you eat fast, plucking little pieces of eggshell out as you go, smiling and laughing shyly as your feet tangle beneath the table. He watches you; makes sure you clear your plate before he takes it to the sink, murmuring something about how he won’t make you sit through me talkin’ for hours on an empty stomach. Says he’s pretty sure that counts as torture somewhere, baby.
And when he turns, dirty dishes forgotten in the sink, you’re staring at him, heart on your sleeve, and he must see it in your eyes. You know that it has to be clear as day; that forbidden four-letter word blazing across your forehead in bold letters.
Joel clocks your gaze and moves to hover over where you sit, wordlessly cupping your face in two broad palms and slotting his mouth over yours. And as he licks into your mouth, tasting the remnants of eggs and bacon and every unsaid word, you start to believe that maybe confessing wouldn’t be so bad. That maybe forbidden is a word you’ve prescribed to this feeling all on your own – that he might just be feeling the exact same way.
But he pulls back, presses two more quick pecks to your mouth and tells you to get ready, says he’ll drive the two of you to school, and the moment slips from your grasp.  
Back in his car, you feel relieved to replace the memory of yesterday with this one. Windows down, the air is cool and calm against your skin as he drives you through town, sated, dopey smiles across both of your faces.
A Bob Dylan song drifts from the speakers and Joel sings along under his breath.
“We’ll meet again someday on the avenue. Tangled up in blue.” Voice low and breathy, left hand on the wheel, right hand on your thigh. You nod along to the lyrics, your fingers tracing the veins and tendons on the back of his hand all the way until he pulls over.
“Shouldn’t be seen walkin’ in together.”
“Yeah,” you agree, understanding. “Best not.”  
The truck idles on the side of the road, somewhere inconspicuous down the street from campus, and you slip out his passenger door. Close it with a thud and peer in at him through the open window, eyes devouring every part of his face as if you won’t be seeing him within the hour, stood up in front of the room giving a lecture.
The truck peels away from the curb, Tangled Up In Blue still whining from those speakers, and Joel sends a quick wink out the window at you, his face a blur as he drives off. And you just smile, chest warm despite the cool Spring air on your face, walking along in the same direction – because you know exactly what that wink means. And you love it.
Our little secret.
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a/n refs:
in Dante’s Inferno he said that those overcome with lust were doomed to the second circle of hell, wherein they would be buffeted back and forth by the terrible winds of a violent storm, without rest. slay.
the bacchae tr. by anne carson [read if you have mummy issues, a massive ego, or just like the idea of frolicking in the woods for a while...]
the secret history by donna tartt [read if you like unreliable narrators, strange professors and stranger students, and the nursery rhyme 'the farmer in the dell']
the end of the affair by graham greene [read if you like weird intense guys and angst and infidelity]
eros the bittersweet by anne carson [read if you're cool as fuck]
thank you for reading! x
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lord-radish · 2 years
Text
I had a bit of a breakdown today. I've been miserable living where I'm living for a long time, to the point that I left the house last night after I'd been drinking because I couldn't bare the pressure of being here. Everyone's drunk and miserable all the time, and I have to walk on eggshells all the time unless I want to deal with unwanted attention.
I honestly want to scream myself hoarse at one person I live with, but I can't do that because it'll just cause more problems for me in the short term when he inevitably reacts. I always have to toe that line or everything goes to hell, and it's been like that for about 14 years now. I don't feel like I'm actually living my life.
So when I woke up today with a fire in my belly, I actually made a lot of progress in the long-overdue task of cleaning my room. And in my anger, I threw out a box that I'd had for about 15+ years.
And now I've calmed down, as stupid as it sounds, I miss that box. It just had a bunch of crap in it, I hadn't touched it for years, but in a weird way it was a fixture in my life like nothing else really was. And I stomped it flat and threw it away. I feel really bad about that.
#cw: alcoholism#I'm also gonna touch on alcohol in these notes going forward. be warned#I've been drinking a lot lately due to stress. most of it has been confined to the weekend but I recently picked up a habit#of drinking during the week#last week I drank on a Wednesday. the week before it was tuesday#and that's been exacerbating my emotional state because drinking is a short term bandaid with harmful long term consequences#on my mental health#like I drink until I black out every time I drink because I'm sick of being myself and it provides some degree of escape#but then the next morning I panic because I lost control and don't remember anything#and there's no middle ground. i either don't drink and stay stressed or I drink and loosen up for one night before becoming more stressed#drinking only a little doesn't work. i go hard or go home. moderation isn't in my programming. I've tried#I'm so sick of living like this. I feel like I haven't been able to be myself for so long#beforehand I had my old friend group as something of an escape. but I burned those bridges#i have work where I can play a role and tune out as I handle linen all day#but that adds physical stress and it gives me a lot of time to recall traumatic memories#which I do sometimes. i argue with my former best friend in my mind at least once a week#and then I go home and I lay in bed because that room is the only place that I'm truly by myself. but even then someone is always around#I'm never truly alone. it's like I want to be alone but I don't want to be lonely - two different things that I make a distinction between#but the way things are I'm incredibly lonely but I'm never alone. and I'm legitimately about to blow a gasket from that#and the drinking isn't helping that but that's the only solution I've got right now. i play so many games I'm burnt out on them#I don't feel comfortable existing in public. partially because I might run into my old friends and partially because there's nowhere#where I can actually let myself go and be myself. at the library? no I'm going to sit up straight and be quiet and read#where are the small handful of people I'm friendly with? I know them primarily through the pub#I'm a wreck basically. I'm very unhappy
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luveline · 9 months
Note
What about Eddie comforting sunshine reader? Like she’s worried they’ll break up bc of how different they are
thank you for your request! —you worry that you and eddie are too different to last. he changes your mind. fem!reader, fluff + hurt/comfort, 1.3k
"Can I turn this?" Eddie asks. 
You look up from your nails as soon as you can, meeting Eddie's eyes before following his hand and gaze to the rearview mirror. 
"Yeah, 'course you can. I'll turn it back." 
Eddie nods appreciatively and turns your rearview to face him in the passenger seat. His van can't make big trips without blowing a gasket or springing a leak, leaving you behind the wheel of your slightly less dilapidated Escort for tonight's excursion. 
You tear your attention from him to put the brush back into your precariously balanced nail polish and crank down the window, airing out the fumes. Eddie hasn't complained about the smell. He complains about lots of things, but never you. 
That doesn't mean he isn't thinking those complaints, though.
The longer he goes without chastising you, the more you worry. Eventually, you're going to irritate him. You'll be too loud, too saccharine, too much. 
"Got your glitters?" he asks, pulling down the soft skin under his eye, eyeliner pencil poised at his waterline 
"What?" 
Eddie pencils eyeliner under his bottom lashes. "For your nails." 
You watch him draw a messy line. He knows what he wants and after a handful of seconds he's rubbing it out with his pinky fingertip and moving to his other eye. 
"Sweetheart?" Eddie asks. 
"What?" 
Eddie stops drawing on his eyeliner to look at you with fond puzzlement. "Is something wrong?" 
He looks casually cool in his way. Dark hair darker in the evening light, pale skin blown out and his eyes big and sugary. You look at him and feel melted by your affection for him, wanting to reach out and wrap a ringlet of his hair around your finger teasingly, or pet the slope of his cheek with the back of your hand. 
Especially when he's asking you questions like that, delivered without any grandeur. 
"No, I don't think so. Why, is something wrong with you?" You lean back in your chair and close your eyes. "I'm tired already. We need to stop making late night plans." 
"We could get a motel if you don't wanna drive again tonight." You don't see Eddie turn back to his make up, assuming he does when the weight of his gaze is alleviated, and his words come out distractedly slow, "I know that there's… something bothering you. Tell me what it is so I can kiss it better." 
"You'd like that, Munson," you tease. 
"I'd really like that. It would be the highlight of my night." 
There's a wooden plink of the pencil being dropped and the plastic sound of the glove compartment being opened and quickly closed. You spy through barely parted lashes as Eddie leans across the console, eyes widening to look down your nose while he draws ever closer. 
He kisses you quickly, misaligned but well-meaning. 
"Tell me what's wrong and I'll make it worth it," Eddie promises. He's flirting now, the cadence of his voice rougher, his brows lifting ever so slightly. "Is it something serious?" 
"Not really," you say, leaning back as his hand finds your hip, and his index finger slides under the hem of your t-shirt. 
He draws a ticklish circle. "You know I wanna hear it? Whatever it is…" His middle finger joins his index, then his whole hand is under your shirt and sliding across your naked stomach. 
You laugh and clamp a hand down on him. "It's stupid, and it'll sound stupider out loud." 
"Nice, I like stupid shit. If you don't tell me we'll just have to play hooky in your cold car all night and miss the show." He says it like that's more than alright in his book —he makes playing hooky sound like staying at the Ritz.
He pulls you as close to him as he can considering your impossible seats and brings his free hand to your neck. "If you tell me, I'll give you one of those massages you just hate," he offers quietly, the slightest dip of salaciousness all but smothered in concern. 
You won't torture him, even if admitting what's wrong will make you feel like you're standing naked by the side of the I-64. 
"Do you ever worry that me and you are too different?" you ask. 
"Too different?" he repeats, giving your hip a mindless squeeze. "I've never worried that, no." 
"Just 'cos, you're all– you like rock shows 'n' macabre movies. You hate the radio, you say that the colour yellow gives you a headache–" 
"I don't hate yellow." 
"You squint when I wear my yellow sweatshirt." 
Eddie nods severely. "Well, you figured us out. We should break up now, before we get any more serious." He lifts your chin with his thumb and guides your face to his for a kiss. "You don't mind rock shows," he says against your lips, tip of his thumb stroking a short, soft line. 
"I like 'em 'cos they make you happy." 
"That's why I don't hate the radio, either. I don't like half of the stuff they play, but I leave it on because I," —his lips move to the corner of your lips, dipping in for a kiss and then sitting back in his seat— "love to watch you." 
"What, when I do my Madonna impression?" you ask jokingly. 
Eddie's answering smile is far from joking. "I love all your impressions. I love everything you do, all that shit that makes us different are just reasons I like you. Your long stories, your magazine quizzes, your glittery nails. I really like your nails." 
"You do?" you ask. 
"It's nice when you ask me what colours to use, and you make a really cute face when you put the glitter on with a toothpick." He scrunches his eyes. "Like this." 
You laugh, startled. "That's me?" 
"That's you." Eddie brings both hands to your face and presses his thumbs to the apple of your cheeks. He turns your head gently from left to right. "Do you think we're too different?" 
"Kind of. What if you get tired of it, you know? What if one day you look over and you think, fuck, I wish the radio would just break already?" 
Eddie laughs with a giggle bordering ecstatic, a matching smile playing over his pretty mouth. "That's not going to happen!" he says through it, thumbs rubbing a steady back and forth into your cheeks. "I'm never going to look at you and think that. The only stuff I think about when I look at you is how I fucking worship you, baby." 
You turn your cheek indulgently into his hand, like the girls in the chick flicks with the handsome movie stars. He doesn't look like the average leading man, but all the things that disqualify him for pop movies are the things that drew you in —his unruly curls, his dark tattoos, the funny way he smirks like he's the only one who knows a scandalous secret. 
He smiles at you now like you know the secret too. 
"Let's stay different," Eddie says, hands falling to yours to give them a shake. "We only need one thing in common." 
You lean over the console. He's right, you decide, as his soft lips press against the seam of your own, encouraging you to part them gently. Your noses press together, Eddie's hand sliding up your forearm, that common thing sewn into each millimetre of movement and every second of his kiss. The only thing you need to be the same between you is how you feel about one another. 
Plus, he worships you? 
You hook an arm behind his head and pull him closer. Your twin smiles make it hard to kiss, but you keep trying.
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miss-dollette · 5 months
Text
COD Fandom rants and Icks.
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TW: okay, yall don't take this super seriously. I'm just a person on the internet, so don't blow a gasket. Or do, idc. If you resonate, cool, if you don't, cool. Tell me what you agree with.
The weird age gap, pedocore shit a lot of writers got going on. I swear to God, if I see one more person post an age gap fanfiction of one more MW2 character where the reader is childcoded, I'm gonna fucking rip out a nerve. Can people pls start making x Readers where the reader is 30 or 40?
The Daddy kink bullshit. It's so fucking gross. I know this is fanfiction, and you know, it's all imagination, but do you honestly believe Ghost would have a daddy kink?? The ultimate daddy issue king?? Not only that, but it's just plain gross. I know a lot of you don't have fathers and wanna cope with it, but calm down, geez, for the sake of my eyes.
The lack of Makarov fanfiction that's good. Most of it (what little there is) is bad. Like, I'm sorry, but it's sooo bad.
Can we pls have more housewife fanfiction?? I'm tired of badass readers. I literally stopped reading x reader fanfiction for a while because I was so tired of this. I don't wanna girlboss, I wanna girlwife sometimes, okay?
The bad code names. The amount of people who give their oc the name "Athena" is ridiculous. And if it's not Athena, it's some poetic shit. In reality, if you get a nickname in the military, it's to make fun of you, not to praise your grace and beauty. Don't be a mary-sue.
Bad grammar. Listen, I'm writing this during my 15 minute break, so don't get on my ass about my own grammar in this. When I write actual fanfiction, I use sources to make it good. The internet is riddled with sources. While fanfiction is all about having fun, people want to be actually able to read it.
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Okay that's all. For now.
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pinkanonwrites · 2 months
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I just love reading ur interpretations of cybertronian culture and how cybertronians and humans interact with each other sm.. I can't get enough.
For bots dating/getting intimate with humans for the first time (or have never, but think abt it)) what do you think are some of the things that would go thru their mind? What abt goes thru a humans mind? Somethings they mind discuss/compare beforehand? Plz gimme everything you think of in ur brain I crave.
It's probably a little obvious, but the glaring thoughts of "I could crush you to death/You could crush me to death." Are basically impossible to avoid from either side, so that's usually going to be the first thing to come up. How are we going to go about this without any physical or mental trauma? The larger the bot the more daunting this conversation becomes, but humans are nothing if not A: Creative and B: Adaptive.
I also think humans are way more flexible than the average bot. Skinny little bots like speedsters and seekers are on the more flexible side, but a boxy bot like Soundwave or Ratchet is gonna have his optics bugging out of his helm when he sees how easy it is for some humans to fold and contort themselves to make it work. (Let Ratchet push your legs all the way back until the tops of your thighs are pressed to your chest and he may just blow a gasket.)
On the humans side, I'm sure a glaring concern is whether or not the various fluids and lubricants that the bots produce are going to be skin-safe. Pure Energon is INCREDIBLY dangerous for humans to consume or be in extended contact with, so I can see any human/Cybertronian relationships having to, at last at some point, consult with their GP to find out if it's safe to smash.
And I just realized all my previous answers were about intimacy and I didn't even cover my favorite headcanon for Cybertronian courting! I think, just like humans, gift-giving can be a very big part of courting depending on the bot. But rather than give flowers, since there's no organic life on Cybertron itself, it's a lot more common for a bot to gift one or several gemstones or crystals in lieu of a bouquet. They're like penguins: easily wooed by a pretty rock.~
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burst-of-iridescent · 7 months
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Aang was indeed a bad father. It's way past time we stopped making excuses for him.
An all too common defense for Aang is the fact that he's a monk and is not well-versed in how parenting looks. Yeah! No shit! But do you know who is well-versed? Katara! They talk as if Aang is a single parent like Toph but he is not. Katara's been on Aang's side since the day they met, always stood up for him, always complimented him.
Is this really the thanks she gets? Are they really that disinterested in explaining Katara's side of the story? As if her not getting a statue wasn't insulting enough.
Another major flaw in this defense is that Aang is not just a monk. He's the avatar. This means, part of mastering all elements also means embodying all of the ideologies based on said elements. That includes elements/ideologies completely opposite of his own. His daughter's crack about Aang "cutting and running when things get tough" shows that he's learned absolutely nothing.
We never truly see him master all the elements, he just gets them and, more or less, calls it a day. I'm even beginning to doubt that he's truly mastered his default airbending and he just got his tattoos prematurely because the monks were impressed with his scooter invention.
Zuko got the privilege of understanding the ideologies of other nations, allowing him to grow, and unlearn any toxic masculinity lessons through them, and would blow a gasket if he ever saw a kid get mistreated by a parent in any way. Is it really any wonder why Zuko is the more popular character and the most requested choice for Katara, in comparison to Aang?
using the "but he was a monk!" argument to excuse aang's bad parenting is fucking baffling to me. even leaving aside that aang did have a father figure (or are we collectively ignoring monk gyatso?), i don't think you need to witness fatherhood in action to understand that showing preferential treatment to one of your children is a messed up thing to do. that seems like the kind of thing that should be common sense, especially when you're best friends with the guy who's walking proof of what happens when you play favourites with your kids.
truthfully, i also don't fully agree with katara being able to compensate for aang's supposed lack of knowledge. while i do believe katara was a good mother, and i don't think it was her responsibility to teach her own husband how to be a good parent, i have my doubts about how much, if ever, katara called aang out on his behaviour towards bumi and kya. if their relationship in atla was any indication, i suspect katara very much turned a blind eye (or at most tried to gently suggest that aang pay more attention to bumi and kya) to aang's flaws in this area, as she (unfortunately) does in most others. that's one of the reasons i was never able to get onboard with kat.aang, because katara is the only one of the gaang who is never able to meaningfully challenge aang, even when he desperately needs it. (the only time i recall her trying to push him to do something he doesn't want is in sozin's comet when the fate of the literal world depended upon it. not a good omen, methinks.)
the katara we knew in atla might not have idly sat by while aang favored his airbending child over the others, but the seeds for who she turns out to be in lok are already planted. it's not a stretch to see how katara's blind faith in aang, and her unwillingness to confront his flaws, could have easily led her down the path to the woman who would fail to stop her husband from neglecting two of their children.
it's no surprise that aang in lok is repeating all the same mistakes he did in atla, because his character arc came to a screeching halt at the start of book 3 and was never picked back up again. how are we meant to believe that aang ever became the avatar (yknow, the embodiment of all four nations in one) when he was still, at the very end of the show, prioritizing the values of one nation over the others?
truly the shocker of the century that people might prefer katara to be with a character who had a believable arc with well-written development and a satisfying conclusion, instead of the narrative equivalent of a brick wall.
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