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fizzingwizard · 3 years

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LOL there just isn’t enough time in the day. Especially if you’re like me and have really crappy wifi that makes Tumblr unusable most nights... but anyway last week I was gone on the weekend and didn’t have time to recap epsiode 22, but since I didn’t like it much I thought I’d just do a quick snip about it at the beginning of my episode 23 review today. However... then I realized I have too many pictures I want to post x’D So I’m going to very belatedly review episode 22, but it’s mostly just to put screencaps up for posterity, lol. I liked episode 23 a lot better so I hope I have time to do that today as well!

Screencap of the episode:

I never can get enough of his determined face.

More below...

This episode is basically about Takeru being Cool.

Capped because Gabumon protecting Takeru <3

So yeah, basically Taichi, Yamato, and Takeru have entered Devimon’s hideout thanks to Eldradimon and are going after Angemon’s diig-egg. Smart? Probably not. Essential? Probably yes. Takeru is very clearly on a mission and if the other two didn’t escort him he’d just go in on his own. I really miss crybaby Takeru but... anyway.

Back in the human world, various tankers have had their controls scrambled and can’t move properly. They seem to be heading for collision. I’m trying to remember but this ep was a whole week ago guys that’s too far away hahaha

Many eyes are very creepy. Japan loves many eyes.

I don’t remember what was happening here. I think they were just being creepy and threatening.

Ooooh creepy creepy.

Taichi gives a PIERCING LOOK

Meanwhile in the real world... Sora messages Mimi and Jou to hurry to their rendezvous spot. I just liked that her icon is a flower arrangement <3

Mimi’s private chauffeur is slow as a molasses, so slow that Mimi is the one telling him which shortcuts to take x’D

Meanwhile Jou is impeded by a herd of clones on their way to the elevator. Bahaha. Animation budget, what animation budget?

At least these two are looking awesome.

Devimon brings out this stone we’ve seen a couple times before that seems to be a central locus of dark energy. He uses it to empower his minions as well as himself.

Now he uses it to evolve Skullnightmon to Darknightmon. Batman watch out he’s coming for your franchise.

Takeru is appropriately freaked.

Except, no he’s not, because his first impulse is to CLIMB UP DARKNIGHTMON’S LANCE. Which he immediately falls off of but it’s okay because...

... he’s chasing his dreams!

The ships start to get dangerously close! Oh noes! Like I wish there was more to say about what’s going on in the human world but there just isn’t much. They’re still just fighting Calmaramon and her goons.

I will never be over how loooong MetalGreymon’s arm gets this season

WereGarurumon protecting Yamato on his way to help Takeru :’< so sweet

LIKE TAKERU. ARE YOU OKAY. If 99 Takeru didn’t have a spine, 2020 Takeru doesn’t have A BRAIN. Lol

He does, fortunately, have a brother in both universes, which fills the deficit. Sweet brotherly love <3

Honestly the animation.... lol... that poor digi-egg.... hahaha.

The important thing is they catch it before it falls in the vat of evil.

Then Takeru and Yamato have a sweet moment in which Takeru says he saw his brother’s fight and wants to be just like him. It’s sweet, not to mention DESPERATELY NEEDED since Yamato’s been suspiciously chill about this whole baby bro was abducted by the enemy and is now in constant danger as long as he’s with us thing!

However it’s a very short moment. :/ I’m glad we got it of course but like do the writers of this show have something against characters having personal problems?

Whoops, while I was ranting Taichi got steamrollered.

WereGarurumon too. So, turns out, this entire episode was a WereGarurumon episode. As in he’s the central character. Lol. You can barely feel it before this moment. Last episode, it was Taichi/MetalGreymon fighting and sharing their bond and there was a dramatic moment of Taichi risking himself to save MetalGreymon and then giving a speech. This repowered MetalGreymon and gave him new weapons. This week, Yamato fighting to help his brother is what motivates WereGarurumon to overcome his injuries and also get new weapons, in the form of some kickass yet very random neo-wings.

I mean it’s cool, it’s just... he’s werewolf. But okay. This is Digimon after all x’D If MetalGreymon can fly then YEAH SURE WHY NOT WEREGARURUMON TOO IT MAKES JUST AS MUCH SENSE

I do find it annoying that it’s barely noticeable this is a Yamato/Gabumon episode until the last few moments. Too much time spent fighting, not enough talking. This show has no budget at all, that’s my currrent theory.

Oh no!! So this is actually interesting. Takeru falls and the egg briefly touches the pool of dark energy. It might mean nothing, because...

... WereGarurumon scoops them up and flies them to safety. So no harm no foul I guess. But... it’s possible that a little bit of darkness seeped into the egg in that moment. That’s just something I thought about, but it’s not exactly my theory - yet.

The egg immediately hatches!

Awww Poyomon! His voice is REALLY ANNOYING.

Cute but... please don’t least long Poyomon! Too annoying! Gah!

Devimon himself then appears because smashing small children and babies is his hobby.

We end with Takeru and Poyomon engaged in a “who’s cheek is the most soft and springy” contest.

Okay that’s enough of that! Like I said this episode was pretty dull. If I’d enjoyed it more I probably would have found time during the week to post a better recap, but it’s just more of the same fight we’ve been having for weeks now. You’d think a “save Takeru and help him save Angemon” storyline would be really interesting but it’s just not because no one talks. When’s the last time anyone had a conversation? Takeru’s one line to Yamato about wanting to be like him is the closest thing to it. Not sure what’s going on, I don’t think this is normal even for a kid’s show. Maybe budget, maybe coronavirus, maybe just lackluster writers... Idk. Some of this show I really really like! Other bits not so much. My current hope is this arc is an anomaly. The previous ones were more fun after all.

#fizz watches digimon 2020 #digimon #digimon adventure 2020 #digimon adventure reboot #digimon adventure:

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anime-grimmy · 4 years

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Little Witch Academia and missed opportunities

Sooo, since I seem to go on a tangent every few months, have another one.

I recently watched the series Little Witch Academia. Now, I did see the original OVA and movie, but that was a few years back, so except for the concept and rough understanding of the characters I went into this show kinda blind. Also, knowing that the series started its own story and changed up a few things got me really interested.

I watched the series and you know what, it was real fun. Great animation and quirky characters, as expected of Trigger. What I didn’t expect was that I got really interested in the story as well. From what I knew about LWA (so, it’s memes) I thought it was mostly an episodic anime, which it was in its first half, but they still carried on the aspects of those single episodes.

However.

The biggest problems I have with the show lie with its characters and the missed opportunities. I do like (most) of the characters, but sometimes it felt like Trigger originally had more planned with them or they just outright shanked them. That is why I’m gonna ramble for a while, go over each character (I care about) and talk about what I like about them but was just not explored enough. Do remember, however, that I still really enjoyed the show and I am considering rewatching it again right away, but these were just some points that got on my nerves while watching.

Well, strap in I guess

(Spoiler warning btw)

Akko

Let’s start with the protagonist, shall we? I’m probably going to mention her a lot with the other characters as well, but first I want to look at her by herself.

Akko is Trigger’s typical high energy character with just a bit of sass. What I like about her is that she is loud, obnoxious, selfish and annoying and the other characters think that too. I normally really don’t enjoy these kinds of characters, even more so when I binge a series, because they get so exhausting. What I like in LWA is that even Akko’s close friends often tell her to calm down or straight up to just shut up. Akko’s character is even more enjoyable because of her great VA (actually the reason I finally picked up the anime). Her animations and reactions are super enjoyable too and tbh, even if she is annoying, she is also the funniest part of the whole show.

But, I’m here to rant, so on to the things that bothered me. Like I said, she is annoying. I can kind of see that it’s not that big of a deal on a weekly basis, maybe then it’s even uplifting. But when you sit through episode after episode it gets exhausting.

What bothers me too is that Akko barely changes. I know not to expect that much subtle character progression from Trigger, since they go from 0 to 100 fast, but it’s even stated in the show. Like the whole thing with patience. Akko was never the patient type but the episode it became the focus, they turned it up to eleven. She became unbearably twitchy and whiny, which was basically your indicator that this was going to be focused on. But after the whole lesson of the ep, in the next one Ursula even says ‘didn’t you just learn to be patient?’. I don’t wish for Akko to take big steps after she gets a lesson, but just show subtle moments where the lesson takes effect. I think it only really bothers me so much because after the ep Akko seems even more impatient.

Another thing is her selfishness / self-righteousness. Diana and Andrew even tell that to her face, that she just shoves her believes in other’s faces without considering how they feel and what their situation is. But she never, even once, doesn’t do it. I get it, it’s her character trait, being the dangerous combo of head-strong and stubborn. But it never, not even once, brings consequences. I thought it would finally happen with the whole Diana situation, because Andrew even points out Akko’s faults, but it all ends well anyways and Akko doesn’t learn at all from this.

I know this is a Trigger protagonist but at some point it just got so frustrating. It’s even sadder when you see what they did with Ryuko in Kill la Kill. Yeah, she’s still her abrasive self in the end, but she does have a more gentle and open side to her too after the show. Akko kind of stays the complete same after the whole show, only that she can do magic better and finally fly (which was honestly a cute ending, ngl). The worst parts, however, were her sad moments towards the end. And I’m not talking about her reaction to learning about Chariot, that was totally ok (though I do have some things to complaint about, but on to that later), but the thing before when she climbed that never-ending tree. Her outburst and her frustration came kind of out of nowhere, at least continuing on from the last episode. Her reasons for being so frustrated and angry make perfect sense, but the build-up is just missing, even in the episode itself. It would have been enough to make Akko look desperately at her Chariot poster a few times or just look really desperate in general after being told ‘no’ by Ursula. But she just looks her usual pouty self when that happens, so her outburst and mistrust in Ursula are very surprising. I do like that that ep is right before the Chariot (betrayal) reveal, because they just made up and got closer, but the episode itself felt so out of left field, it really bothered me.

Sucy and Lotte

Before you say anything, I’m only lumping them together because what bothers me is not their characters by themselves, they’re great and very enjoyable, but how Trigger fucking dropped them halfway through the show.

Sucy and Lotte seem very similar to their OVA and movie selves, though Sucy seems just a tad bit less evil and Lotte not that much of a typical nerd. In general, I really liked those two and their friendship with Akko.

That said.

I find it terrible how little focus they get in the second half of the show. I mean, it’s great they are those kind of friends that don’t necessarily have to hang around the MC all the time, like in the Diana-centric episode where they go ‘We know you want to go after her, so here, have your stuff and go. We’re going to support you but not take part in it’. Things like that are great! But Akko, Sucy and Lotte are supposed to be best friends, the main trio, Sucy and Lotte are supposed to be Akko’s mayor pillars of support. And this is beautifully shown in the earlier episodes, but later in the show it just feels like those two lose significance. What pissed me off the most is that in the second OP you see them grasping each other’s arms, a reference to the tapestry about the 7 lights. But in the end, Akko unlocks the staff and the big magic source by herself. I wished they’d gone more for a ‘Luna Lana’ equivalent. That’s just another thing! I watched the OVA and movie yesterday and their friendship is so much better in those! You see them laugh and fight and stick together, it’s so nice. You don’t get a cool moment like ‘Luna Lana’ in the series and I think they really should have. And no, the missile chase doesn’t count, that involved all girls.

Ultimately, I just think it’s sad that those 3 are supposed to represent this close friendship but the later show doesn’t show it at all. I wished other character-centric episodes, like with Constanze or Diana for example, would have happened sooner so that later episodes could push Akko, Sucy and Lotte’s friendship a bit more.

Speaking of Diana, oh boy, here we go.

Diana and Andrew

Yes, I’m lumping them together because both could have had so much more.

First, Diana. I was actually surprised about her character, because from the little I remember about the OVA and movie, I thought her to be more of a bitch. And I was right. In the first two instalments she is a snobbish, stuck-up, rude bitch, so a Tsundere, but fun in her own rights. Her dynamic with Akko is truly amusing. In the series, however, she is still a bit stuck up, but more just a determined, stern and smart rich girl. She does chastise Akko and is shown as a know-it-all, but she respects others way more and mostly just talks because she knows she’s right. Though, I wish she would have turned out to be something right between the two.

Diana is supposed to be Akko’s rival, so why isn’t she? She’s supposed to be the Viral to Kamina/Simon, the Satsuki to Ryuko, but she just isn’t. Before her little arc, she’s kind of that ‘big goal’, the ‘perfect witch’, so the familiar obstacle that is the rival. Diana even gains some respect for Akko but also gets disappointed in her shortly after (tbh, same). But all this progression is kind of one-sided, because Akko’s perception of Diana barely changes. They don’t really have a dynamic going on in the first half, more so their own development. Heck, in the second OP it’s shown that they’re supposed to mirror Chariot and Croix but they honestly don’t. Because Chariot and Croix were two friends that were striving for the same goal but due to how differently they tried to reach it, they grew apart. Diana is striving for the same power that Chariot and Croix did and Akko, well, she doesn’t, she just goes along because she wants to meet Chariot. Which is fine, but it feels like this ‘rivalry’ is being forced onto them. Maybe that’s also intentional, but it feels weird. Diana even once says ‘I never considered us rivals’, which is understandable, but to me it was more of a surprise that Akko saw her as one. To me, it always felt like, even if Diana didn’t realize it, she viewed Akko as her own goal to reach. Akko on the other hand just gets really miffed with Diana, and yeah, she strives to be as good with magic as her, but there’s no real rivalry, not even an implied one.

Then the whole thing with both being Chariot fans and Diana getting Akko out of her slump. I already said it once, but I still think it should have been Lotte and Sucy who ultimately got her to perk up again (I’ll describe how I think this whole thing should have gone. Again, this is only cos I was unsatisfied with the resolution, the original is fine in itself though). What bothers me so much about this is that it feels like they shoe-horned this whole thing in because that’s how it was in the original. I get what they want to do, get a parallel between Akko and Diana, even more so because they both lost their magic to Chariot, and since they’re closer now than at the beginning Diana manages to reach her. But in the end, it feels forced. Both girls had one adventure together and Diana was just starting to open up to Akko, where the hell did all that understanding come from. It’s even harder to believe because it’s shown that Diana is good at relaying facts and choosing the most logical course of action, she’s not known to just openly share her feelings, more so to someone she just learned to consider a friend. And it also feels kind of lazy that a pep talk from a fellow fan and victim would just push Akko out of her slump. Instead of somehow cramming that fact in and making Diana have lost her power too, they could have gone along the route of ‘so what if she stole your magic, you’re too stubborn to let that stop you!’

Like I said, I’ll go into detail about this scene later, but first.

Andrew.

Oh. My sweet boy, they did you so dirty.

I’m going to say it right now, I love Andrew’s introduction episode, it’s probably one of my favourites. And I also like his addition to the series in general, because whereas Diana is Akko’s feud in personality and ability, Andrew is supposed to be her opposite in ideologies. But he isn’t just a male Diana who doesn’t like magic, though at first they make you think that.

I love his introduction ep so much, because they don’t just introduce an obstacle for Akko, but once again show that the show can play with your expectations. Andrew is first shown as this typical snobby, stuck up rich kid, which he is, but even when faced with someone he disagrees with, he shows a level of respect. Then further in the episode, you see that he is in fact a calm, helpful when a bit teasing individual. It also shows that he actually has fun when in danger, which is a nice change to normally one-note characters. But what I love most about this is, that he is not just this ‘snobby non-believer turned enthusiast through one outing’ cliché. Andrew gets to have a bit of an adventure with Akko and get to see amazing magic at that, but he stays pessimistic. He doesn’t just change his world view in a second, because that’s not what he was raised to do.

Having established all that, every time he shows up, he kind of matters less and less. The whole party episode was fun and all, but with Akko still being stuck in her narcissistic world view, the effect of the ep is small. Because what it really is about, is to show on one hand that Andrew is very subordinate to his father and that his perception of magic isn’t necessarily his own opinion, so there is a possibility to change his mind. On the other hand, it’s to show Akko that some people make decisions not based on their own volition and sometimes their opinion can’t just be changed like that.

But in the end Akko doesn’t learn her lesson and even if they do play a bit with changing Andrew’s mind, there really isn’t much to it. When I heard that originally it was planned for Akko and Andrew to be together at the end, but they scrapped that idea, it made so much sense why Andrew felt so out of place in the last few episode. Because he was. Honestly, it really shows now how they weren’t so sure what to do with him at the end, because he was not supposed to be the one to make that big of an impact, neither on Akko nor on the plot as a whole. He does say something very significant to Akko though, to be her own witch and not try to be Chariot, but that gets kind of brushed under the rug, because again, he isn’t supposed to be the one to make an impact anymore. Same thing with his ‘I believe’. It’s just there to be there, because even if he opened up more to magic and Akko herself, I don’t think he would have been snapped out of his ideology that he got punched into him since he was young and just abandon his father’s decision he had just started to doubt.

I think all of this would have flown better if the whole Diana arc would have been earlier in the series. There would have been more time for Diana and Akko to find a common footing and become believable friends, Andrew would have more reason to be mesmerized by witches and magic, because he didn’t just get to see determination from Akko but from Diana as well (and you kinda have that ‘go against your family’ stuff too) and then, in the later part of the series, there would have been more time for the main trio to develop a bit more.

But even if that hadn’t happened, I just want to get to changing up the scenes after Chariot’s reveal, because I think if they had handled all that a bit better, then the original ending would have felt even more sincere.

Cheering up depressed Akko

Like I said, I find Trigger’s solution to this small arc lazy. Because you start up with Andrew and Akko meeting up to give her hat back, Andrew says stuff that not only gets Akko thinking but himself as well. Then you got the reveal, everybody searching and Diana being the only person needed to cheer her up. I know it can be argued that, only after Lotte comes in crying with the others in tow, Akko cheers up, but I think most of it can be chalked up to Diana, which is such plot convenience. Again, the things that bother me are the whole ‘Chariot fan and victim’ thing and how Lotte, Sucy, Andrew and the others are not really significant in this moment. The biggest thing that bothers me is that they start this mini arc with Andrew telling Akko to be herself and reach her goal with her own strengths in mind, not because she is chasing someone else. But then with Diana, it’s basically a ‘I could do it, so you can do it too’. I know they’re trying to build a parallel between those two and show how Diana opens up to Akko, but I think that just misses the point of what they had sat up.

Before I get to describing my idea, again, you can totally disagree with me, heck, you don’t have to like what I come up with at all. But just know that this is supposed to be a rant and I purposefully highlight the things that bothered me. I still love the show and only rant about it because I know Trigger could have made this already fun show even better.

Anyways, here is how I’d handled this arc:

The start of the arc is still the same. Akko and Andrew meet up, he tells her to believe in her own strength, Akko gets distracted and runs off, Andrew gets thoughtful. You have the whole reveal with Chariot, Akko vanishes and Diana and the others go search for her.

Now, what I want this arc to accomplish is, that Akko learns to believe in her own strengths but also to show how her friends have her back. Because that’s what the whole ending is about, right? Showing how Akko changed people, how they believe in themselves and even more so, believe in her. So, I want all of her friends to play a part in cheering her up, but make Sucy and Lotte the biggest influence of them all.

I’d start the changes from where Diana is nearly at Akko’s location. This time however, she finds Andrew close by. After the whole Parliament meeting stuff, him and his father are still in town and he went out at night, wandering around, deep in thought. He somehow managed to make himself think about his own situation with all that he had told Akko.

Diana, knowing that Andrew had met up with Akko, approaches him and asks if he had seen Akko. Since he is confused and worried after hearing she’s gone, Diana explains the situation and Andrew decides to help them search.

He is also the one that finds Akko first, right on that bench, covered in snow. (this part is a bit inspired by a post I read). He runs over to her, shocked at how cold and unresponsive she is. He gives her his jacket and he brushes the snow from he hair. He sits quietly next to her, worried glances and all. He thinks about what Diana told him and mulls over an answer. In the end, he basically repeats to her what he told her earlier that day and maybe something along the lines ‘and honestly, I wouldn’t believe you don’t have magic, because to me you are truly bewitching’, just so that you have nod back to the party, only now it comes from the heart and not because of a potion. That gets her to perk up and Andrew just gives her a reassuring smile.

Then Diana comes in, finally finding the two. Diana takes Akko to the café, Andrew staying behind. (here Akko could keep his jacket, so that in the end you have the parallel of him bringing her the hat and her returning the jacket). The café scene is kind of similar to the original, but I’d change the reason for Diana’s loss of magic. Instead of her losing her magic abilities all of a sudden, maybe she could have had a tough time manifesting them from the start. But Diana shares with Akko that she was inspired by Chariot too and that kept her going, believing in herself and her magic and finally succeeding. She tells Akko the whole thing with how she got envious of her, but at the same time that, just like Chariot, Akko had kind of become an inspiration as well. Now you don’t have the ‘I could, so you can too.’ but more Diana cementing that Akko has powers of her own and is already influencing people.

Then in come Amanda, Jasminka and Constanze. Amanda goes straight to shaking Akko and ruffling her hair, shouting something about ‘who am I gonna cause trouble with if you go’. Jasminka offers Akko her candies and Constanze shoves plans in her face, trying to show her that she needs her assistant. It’s just small things, but it would allude to the three of them caring about Akko and in Amanda’s and Constanze’s cases, that she had made an impact on them, tying in previous episodes.

Lastly come in Lotte and Sucy. Lotte is still crying and asking her if she was leaving. But they would kind of go into more detail, like a small recap of all that happened and how important she was. They would also talk about how Akko has grown so much already and so what if Chariot had taken her magic, she still inspired Akko and Akko therefore grew into her own witch that now inspires people.

After that, Akko finally snaps out of it totally, maybe grinning full force before sobbing and burying herself in Lotte and Sucy’s arms.

I think in general with a recap of the show so far and showing Akko’s journey, it would be a good set-up for the end. You got Akko back on her feet, her faith rebuilt but also her believe in herself strengthened. You got the bond between the characters established which makes the chase after the missile more impactful and you actually got more reason for Andrew to cement his own believes more. (maybe have him walk in the café too, just so he sees how many people Akko has inspired but also how much people can believe in magic)

But like I said many times already, this is just my take on what could have been handled better a bit. I still really love the show and its characters. I don’t necessarily want a whole new season, since they did wrap up many things already, but I’d love a movie or some OVAs to explore some characters more in depth.

Speaking of which, I’m just going to drop this here at the end, because I do want to talk about it but not that in depth. The thing about Ursula/Chariot and Croix. I kind of enjoyed the OVA-Ursula more, because she was kind of spunky and you could tell that she believed in her own strength. Series-Ursula is a freaking Jedi, but she is just so meek and nervous, and that even as Chariot, which I didn’t really like. Croix is an interesting character and I love me my evil scientists, but she turned generic antagonist at the end. As expected, tbh. The only thing about Croix I want to highlight is that I believed so hard that she and Andrew were somehow linked or related. Because when you binge the series, Croix shows up shortly after Andrew’s introduction. And in a series with so many unique eyes, they have the fucking same. I just thought that Trigger was hinting at something, because not only do they have a very similar shape and the exact same string green colour, the first few episodes with them heavily focus the camera on their eyes. Especially with Croix! It felt like the anime told me ‘look, look close at those eyes, seem familiar, right?’. I waited so long for something to happen but it never did, what a shame. Though, maybe they did have something planned but just like the initial ending, they scrapped that idea but left the designs untouched.

Anyways, I’ve been ranting for over 4000 words now, I think that should be enough for one little analysis. If you have your own thoughts, feel free to share them with me!

#little witch academia #rant #review?#akko kagari #sucy manbavaran #lotte jansson #diana cavendish #andrew hanbridge #amanda o'neill #jasminka antonenko #constanze amalie von braunschbank albrechtsberger #ursual #chari #croix

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popculturebuffet · 4 years

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Animation Reviews: OK KO: Red Action 3: Grudgement Day

Whelp I said i’d do all three in one day and I MEANT IT. And I may do it again just to stay on schedule in the future, but for now i’m just proud and exausted to have gotten this done. And after a rather “eh it has some things but it’s mostly just there” episode” we’ve come to our last episode and my personal faviorite, Red Action 3: Grudgment day. Also as a quick note I forgot red was actually a major part of “I hope this thing flies” back in my first review, but I probably would’ve left it out as while the plot is her racing with Rad, it’s entirely a rad episode, and like plaza prom which I had to realize wasn’t important, isn’t really necessary. One last where we are in the series thing. We’re in season 3 and as I mentioned last time, RIGHT before the final episodes and one episode before the three part final arc and unrelated but beautiful epilogue that closes out the series. I didn’t go into my throughts on season 2 but it was good, the ending was just a really sloppy end to an otherwise good arc that i’ll get to. Season 3 is somehow even better, using it’s shorter run time to tie up loose ends and character arcs left and right and , after trying all series to do it, crossing over with Sonic the hedgehog, another thing for another time, and the final episodes, both the wrap up to the story arc “Let’s fight ot the end” and the wonderful where are they now epilouge “Thank you for watching the show”, are absolutley amazing and how you end a show.. and thankfully endings of this calibur became the trend this year given that same year star vs ended terribly and the bad taste is still in my mouth over that one but that’s a story for another bunch of reviews. The point is as I said the crew used the time wisely and wrapped up most ongoing character and story arcs that needed resolution. And given they spent two episodes on it the team decided to pull the pin on red and enid getting together, and solve one dangling issue the fans likely had all in one go. IT’s grudgment day under the cut.

We open with Rad and Red arguging and KO looking at them in a way that just screams:”Third mom, Rad, please stop fighting” Enid comes in and wonders why one of her two best friends and her girlfriend are fighting. She dosen’t use the term but given the kiss at the end of the episode, more on that when we get to it, the general way Enid acts about this and the way Red acts around her this ep.. their a couple at this point. I do wish they had an episode of them becoming offical, adressing Enid and Elodie.. bucnhes of other things but I concede that the crew was blindsighted by having a smaller season and had they you know NOT BEEN CANCELED FOR NO GOOD GOODAMN RESAON, we might have gotten more renid and more stories and a full on steven universe crossover with both sides. But I digress.. CN’s managment is terrible right now... but that’s not the reason for this article so we’re moving on. Anyways Enid wants to know why their so pissy when she arrives, and Red .. is in the right this time. Showing her growth while she still got heated with rad.

Rad did at least start it, as she simply came in to take enid jelly surfing and was kind enough to ask him to come along.. and KO implictly given he’s there and their buds now and all that. But when rad insults her again she quits the explaning and goes right back to arguing with him while Enid and KO look on awkwardly. Then Red decides to go into a mocking impression of rad, which is not NEARLY as mean as it could’ve been given the guy has canocially, had a super virus get worse because he refused to get rest something the villian that gave it to him was COUNTING on as part of his evil scheme, was left on the floor in pain over his cocoa being too hot, and once confused his 6-11 year old friend for a doppleganger despite having GIVEN said friend his nametag, though to be fair red’s own best friend also thought he was rad and gave him her number, so everyone was kind of dumb that day but still, the point is she has a LOT of ammo. In contrast Rad STARTS light saying she says words like Cowabunga (she only does once at the end of this ep and has not at any time).. before saying Enid deserves someone better and flinging her surfboard... which Crinkly Wrinkly jumps on and crashes into a wall because of course he does. Anyways Enid is offended at this and reveals rad’s been acting like a raving dickhead to Red anytime she shows up, which were this season 1 would be on brand but after 3 seasons of becoming a better person and an episode earlier this season where he rejected his dudebro friends once and for all, who by the way: Beefer and Mega Football Baby are the worst and I hate them and i’m greatful that their final apperance is rad realizing what a bad influence they’ve been and telling their asses off for their toxic masculinity. But I will however give OK KO credit as their SUPPOSED to be obnoxious, and the crew still dialed back hteir apperances to almost nothing when they realized it went horribly right, versus Rusty whose still mildly to massively annoying, but has yet to be fixed or removed from LIncoln’s crew, despite the show having a good track record for taking problematic characters and fixing them. And i’ve gotten entirely offf topic because all three of them piss me off so much, so let’s move on. Where were we.. ah yes, since Rad being a dickhead this consisently is now an exception not the rule, Enid rightfully demands to know why and Rad.. makes up two very petty, weak and obviously pulled out of his butt to try and cover the real reason up reasons for his actions: Red didn’t follow him back on Social Media, which is both a website and what the website is in this universe apparently which Is brilliant, and that she took the last bit of cake at prom... you know after he realized he was screwing it up and fixed it all with a homoerotic dance fight. Plaza Prom is amazing. When pressed because Rad fired his stupid friends, Rad hastily challenges red to a power battle, which I haven’t had to cover yet: Basically a hero can challenge another hero to a fight, usually for respect, to settle a grudge or who took the last bagle, and it’s a socially accepted thing called a power batttle. Really given it seems like KO’s world has not had a hero civil war, and the one time we’ve seen heroes on heroes outside of these things has been when POINT was acting shady as fuck and thus needed to be stopped, it seems like a resonable mesure, especially since most heroes just.. shrug off damage from battles and stuff after a bit. Unable to convince her girlfriend not to punch her best friend in the face, however much he deserves it, Red gives enid her belt with her time capusles inside, so they don’t go off mid fight and gives her an air kiss. Awww. Enid bemoans the fact this is happening for such dumb reasons when KO relaizes they can just use the belt to fix what once went wrong and end this petty fight before rad dies. First stop, the Bodega a few months ago, which KO proves both by the fact they have mean beans, which theys topped selling months ago and is one of the single best refrences this show did and it’s done a LOT, and the social media feed being from months and months ago, with Beefer bragging elodie beat him up. Ewwwwww.... I don’t wnat to kjnow what he’s into. Gah gotta scrub my brain. ONe brain scrub later Rad needs only one more follower to 100. I hear when you get 100 this happens.

youtube

Rad asks for a follow for follow from Red, who says she dosen’t have her phone. Enid is sure she’s lying, which she is, and follows Rad for her. Also I love rad’s file photo

Seriously they use this any time they need a picture of him. It’s one of the series best runners and is only topped by homer simpsons various terrible ones and this gravity falls masterpiece as being the best stock photo used for a character.

I will use this any time I have an excuse to and I have no shame about that. Anyways they go back but

As things have only gotten more heated at the power battle, so they try the prom to see if that’ll help. Cue PROM. Seriously why they never did a second Plaza Prom episode is really beyond me. Lot of potetinal with that concept.. plus I like episodes that put tons of cast, main and supporting, in one event together, ever since venture bros. It’s always a fun time. Anyways, Enid wants to stop a paradox but KO has already interacted with his past self.. which is the KO enid’s talking to and a great gag. So the two seeing Rad and Red both about to go for the cake decide to pull a destraction: Enid goes over and talks to Red to hold her off and get the cake to rad, while KO does what any sane person would do: Jumps onto Rad’s face while yelling rad I love you, and Rad is clearly more annoyed he’s on his face and this has very obviously happened before. .... I miss this show. Anyway after giving the explination that she’s a shadow clone to explain why her past self is still up there DJing, she offers to dance and the two have a good cute time until enid gets the cake into rad’s mouth and bolts.. and now we get the thing I hinted at earlier. Red talks to the other Alley Teens about it, and notes that while she dosen’t know Enid she kinda likes her.. then backpedals as the teens make faces but are clearly not fooled by they all look really creepy especially Gregg.

WHelp I have ny nightamres for tonight. But yeah this is implied to be what got Red to ask her out in the first place. Time travel is weird and inconsietent. This does give me a chance to adress the fact that the alley teens.. sorta stopped beiing a thing eventually. I mean their stillf riends as of the season 2 openoer but red and drupe show up for their own eps or supportingroles while Gregg just kinda vanishes, poor person. That being said given this interaction and how close they were I DO think their still friends; I mean gregg and drupe was confirmed by the flash forward as they visit rad’s cafe, but Red would still be their friend, they just all likely have more stuff to do as they grow older: by the end of season 2 Drupe has a buisness and gregg is probably in college. But I expect Drupe would be Red’s best woman at her wedding. I mean gregg would probably be her best person but still. Anyways they return to the present again and.

Yeah that. Their now battling in cars and Enid decides to cut the bullshit and just ask Rad why he’s pissed at Red, asking Red to pause the fight, which she agrees to. KO and Enid throw rad int he back of his van tied up and ask him to be honest about why he’s so pissed off. After some dithering he says he lo.. lo.. and instead of saying he loves enid, thank god i’m so sick of love triangles, may they die in a fire, like the episode hinted at it’s a swerve. and unlike a vince russo swerve which ends in A “Buff Bagwell’s mother on a forklift match”.. no really

This is actually a great one: Rad’s fully moved on and I like that, evne if the finale does leave it vauge if those bodegamen at the end are theirs or not, given Rad’s her best friend by the end and she and red would need a surrogate, it’s not a huge stretch to say Rad sperm donored for them and is still a beloved uncle and figure in their lives. Anyways the point is Rad’s real beef is.. suprisingly sweet. Turns out Rad’s still pissed at the whole “Teens humilating, burning and spanking” ko thing and Red posting it online. Which is likely to adress the fact they.. never adressed that and was a good call and a good way to show rad’s growth: he’s not jealous , he’s not mad she’s taking up enid’s time, he’s mad that his best friend is dating someone who beat up his other best friend for just trying to help them then put it online for a cruel laugh. Granted Drupe did the same thing and he not only danced with her but is on good terms with her to this day, but odds are given they see her more and she’s in fact the designer for their mission outfits in season 3, she probably apologized off screen while Red figured KO forgiving her was good enough and just wanted to forget it, running away from things as usual. IT speaks to the diffrence in their personality: Red runs hot is stubborn and takes time to admit she’s wrong, Drupe is very chill and as the series goes on very nice, and probably wanted to get it out of the way asap given she frequents the bodega more often, either in the background or foreground. Anyways after KO reveals he actually enjoys the video as a treasured memory of when he first met the alley teens, disturbing his friends, seriously this kid needed to remerge with his edgelord side yikes, Enid gives rad a headpat and kudos for being normal and Enid decides to take all of them to go fix this. Back in the past we’re back at the bullying and before past red can post, present red explains she should stop and after clarfying this isn’t an end of the world situation, not an unfair assumption given you know time traveler, she reveals it’s for someone unimportant.. but whose important to someone they care about, and that what they were doing was a terrible thing they’ll be ashamed of anyway. It’s a good scene that shows how far red’s come: from pushing everyone but two people awaya nd treating most like garbage in a vain attempt to avoid being who she used to be, to accepting it, finding love, and becoming friends with someone she hurt and accepting she hurt him. Rad is also clearly moved seeing that Enid did indeed choose wisely. Back in the present.

... NO not this time. No instead red and rad are pals, talking about how shredded they are and what not, and while Enid finds it annoying, understandably, she’s glad their not trying to kill each other and dosen’t have to buy Rad’s gravestone or visit her girlfriend in prison. In the alterted timeline, which their also aware of by rad’s comment, time travel just go with it, they were already planning on going jelly surfing and invite enid, and implictly ko along.

So we end on our main trio and Red jelly surfing, Enid and Red sharing a board before wiping out, laughing about it and then, as if you hadn’t already seen the header but fuck it.

Yup. The subtext just became.. text. Awww. In case you were wondering, I do like them as a couple, especially after this quintology, as it’s made me realize just hwo much they click and how much chemistry they have, and by this point their just adorable, their drama gone and they can just be happy and gay together. And that’s something cartoons are doing more of and tha’ts wonderful and it’s wonderful that, with all else he had to wrap up, Ian felt confirming the gay couples lasted was extremley important, as two others are shown married in the finale. And we’ll get to the finale more in a bit, but first Rad floats by with an “I support this”, to approving smiles, and enid thinking he’s a weirdo. Also I love the meta text of having a character voiced by the shows creator say that. KO however is sad that the video is gone but ENid says the memories will last. Rad is understandably not sad about it suggests they make new ones and we end on our quintent taking a selfie together. THE END. Before final thoughts, this wouldn’t however be the last we saw of them. The finale has a bit more as it flashes forwards a bit: the relevant part is one shows Enid take over KO’s mom Carol’s dojo. with red, the two kissing again and alllooking over some supsciously familiar kids who look supsciously like the hue troop, but are probably there great grandparents. While Red dosent’ show up again after that, and could’ve gone back to the future eventuallyf or all we know, I like to think she stayed, and that as noted above, she and enid had kids together with Rad’s help given the similar looking kids we see running the bodega... which admitely was kept vauge by Ian on purpose so fans could draw their own inclusion so that’s the one i’m drawing; rad is still there for them aand still family to them, but isn’t with Enid in a romantic sense, if you think diffrently that’s fine. But My ending is these two crazy kids worked it out and are now happy ever after. and that ain’t bad. Final Thoughts: A fantastic episode with TONS of great jokes, call backs and a great resolution , showing off Rad and Red’s character development greatly,f ixing a possible plot hole and giving fans the kiss that many of them had wanted for some time. ONe of the series best I can’t gush enough about it but I shall stop for your benifit. If you liked this review, subscribe for more, check out the backlog via the convient pages on my blog, and shoot me an ask, wether it’s to suggst an episode or just to ask me about my opinons or yell about them or ask what I think about certain shows or what i’ll cover. And until next time, later days.

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deadcactuswalking · 3 years

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REVIEWING THE CHARTS: 20/02/2021 (Lil Tjay & 6LACK, Taylor Swift, slowthai)

Okay, so we’ve got a busy week ahead of us, actually a pretty massive one to deep-dive through – and it’s immediately obvious from the second song on the chart, but for now, “drivers license” by Olivia Rodrigo hangs on for what I believe is its sixth week at #1, and we’ve got a lot to cover.

Rundown

First of all, why’s this a big week? Well, there is an album bomb – or at least all that the UK Singles Chart allows for album bombs – and everything that could have debuted... debuted high. So in the UK Top 75, which is what I cover, we’ve got an awful lot to discuss. First of all, our drop-outs, other than debuts from last week, include “Baby Shark” by Pinkfong, “Train Wreck” by James Arthur, “Golden” by Harry Styles, “SO DONE” by The Kid LAROI, “Therefore I Am” by Billie Eilish, “All Girls are the Same” by the late Juice WRLD, “All I Want” by Olivia Rodrigo and fittingly, “Skin” by Sabrina Carpenter. We also have a fair few losers, like “Bringing it Back” by Digga D and AJ Tracey down to #16 off of the top 5 debut and all of Fredo’s tracks skidding down off of the album bomb two weeks ago, like “Money Talks” with Dave at #19, “Ready” featuring Summer Walker at #37 and “Burner on Deck” with Young Adz and the late Pop Smoke at #51. We also have “34+35” by Ariana Grande not getting a remix boost at #30 (though it can get the album boost next week), “Love Not War (The Tampa Beat)” by Jason Derulo and Nuka collapsing at #39, “Regardless” by RAYE and Rudimental at #48, “willow” by Taylor Swift at #49, “Lemonade” by Internet Money and Gunna featuring Don Toliver and NAV at #50, “positions” by Ariana Grande at #52, “i miss u” by Jax Jones and Au/Ra at #55, “Midnight Sky” by Miley Cyrus at #56, “Be the One” by Rudimental featuring MORGAN, Digga D and TIKE at #58, “Martin & Gina” by Polo G at #59 (I’m surprised we didn’t get “GNF (OKOKOK)” debut, by the way), “What You Know Bout Love” by the late Pop Smoke at #61, “Watermelon Sugar” by Harry Styles at #62, “Loading” by Central Cee collapsing at #63, “No Time for Tears” by Nathan Dawe and Little Mix doing the same at #65 (probably both victims of streaming cuts), “Apricots” by Bicep at #68, “Really Love” by KSI featuring Craig David and Digital Farm Animals at #69, “Looking for Me” by Paul Woodford, Diplo and Kareen Lomax at #70 and “See Nobody” by Wes Nelson and Hardy Caprio at #73. What may be more interesting than our notable fallers are our notable gains and returning entries, however, as whilst only “Shallow” by Lady Gaga and Bradley Cooper returned to #64, we also have some inexplicable or just plain bad gains. “Roses” by SAINt JHN and remixed by Imanbek seemingly has a second wind at #67, along with “Perfect” by Ed Sheeran at #57 and “Someone You Loved” by Lewis Capaldi at #42, but our other gains are mostly recent debuts, like “Little Bit of Love” by Tom Grennan at #45, “Astronaut in the Ocean” by Maxed Wolf at #44, “Believe Me” by Navos at #43, “Arcade” by Duncan Laurence at #33 and finally, “Friday”, Riton’s ugly Nightcrawlers remix featuring Musafa & Hypeman dopamine re-editing itself into the top 10 at #10, becoming everyone’s first in that category, except the Nightcrawlers themselves getting their first top 10 since 1995, even if it’s just “Push the Feeling On” getting into the top 10 a second, separate time 26 years later... and it’s scary to think 1995 is indeed 26 years ago. Anyway, let’s start to make sense of these new arrivals.

NEW ARRIVALS

#72 – “MAZZA” – slowthai featuring A$AP Rocky

Produced by SAMO, slowthai and Kwes Darko

Now, the charts may be chaotic because of the general weakness of it all but it also allows for artists you wouldn’t really expect to do that well get #1 albums, and slowthai’s riding the waves of controversy, his well-received debut album and, you know, a genuinely very good quality of work, as his sophomore effort, TYRON, debuts at #1 on the UK Albums Chart, and we’ve got three songs from Ty on this singles chart, which is the highest amount the chart actually allows, meaning this is an album bomb. Yeah, an album bomb from slowthai – that’s the one thing you can guarantee ONLY ever happens on the UK charts... well, okay, there are many things, but we’ll get to those later. I’m surprised “MAZZA” didn’t debut higher given the music video, big-name feature, being one of the catchiest on the record and the fact that it’s getting radio play, but it’s still here, so who’s to complain? This track, from the emptier A-side of “bangers” in the first half of the album, relies on a quirky synth loop and a bouncy trap beat for slowthai and Rocky to individually prove themselves on and, yeah, the song is pretty great, with a really infectious hook and mostly really smooth flows, propelled by the charisma that just so easily spreads out of every word Ty raps. The title itself is slang that basically something is “mad” – that in, crazy and fun – and that is fitting for the song, which seems to be at a disconnect between the content, beat and feature. Ty flip-flops between flexing, depression and drug addiction, whilst A$AP Rocky just delivers some flexing... but when it’s one of Rocky’s best verses in years, I’m just glad to have him spitting here finally. This is far from the most interesting track on the record but it’s definitely an empty banger cruising on energy more than anything, which is good because it has that in spades. I’d like to point out though that much like the rest of the first half of this album, it is derivative: this is a beat you could see either Rocky or Playboi Carti on, and Ty seems to be doing mostly Rocky-esque flows with a definite attempt at doing the same ad-lib-focal song structure as Carti would. This is unfortunate by now but I can see him growing out of his influence as time comes, although it is a concern when it’s clearer on your bangers than it is your retrospective tunes, which are also pretty clearly Kanye- and BROCKHAMPTON-inspired. Speaking of...

#72 – “terms” – slowthai featuring Dominic Fike and Denzel Curry

Produced by Mount Kimbie, JD. Reid and Kenny Beats

It’s crazy to see production credits from Mount Kimbie and Kenny Beats on the UK Singles Chart... but with that said, you’d expect that to end up as one of the best songs on the chart, especially with this trio of artists. Sadly, the tracks that debuted this week are not close to my favourites off of the project, but if songs like “45 SMOKE”, “push”, “nhs”, “focus”, “PLAY WITH FIRE” and my personal favourite, “i tried”, aren’t going to chart, then I guess we can deal with this to show the more introspective side of the record and slowthai as a whole... except this song is exceptionally shallow in that lane, discussing the downsides of fame in a way that feels tired and done before, even on the same album – and we’ll get to that in a bit. Dominic Fike discusses his words being “jumbled” when in reality I don’t think anything Ty has said has been confused or taken out of context. It doesn’t help that this beat has a drowned-out guitar sample that just sounds ugly below a dark, menacing 808 and trap percussion that take Dominic Fike out of his element so much that he just sounds awful on the hook. Slowthai may have a faster flow here but he’s remarkably unfocused content-wise, and Denzel Curry doesn’t deliver more than a badly-mixed Memphis rap interlude that you can barely tell is him. This is far from bad, I do like the subtle vocal samples in the chorus and slowthai’s second verse about his daily schedule is genuinely really great, but it feels like wasted potential. Fun fact: This is actually Denzel’s first ever song to chart in the UK... if you can even call it his song. We’ll see Ty more later as we get higher on the chart.

#60 – “Cover Me in Sunshine” – P!nk and Willow Sage Heart

Produced by the Struts

Okay, so this is a song by P!nk with her young child daughter... Hmm, okay, so this is a ballad relying on acoustic guitar picking and some really ugly echoed percussion as well as two voices that go from meshing not at all to meshing too well together for voices 30 years apart. I’d like to end it here because this song really isn’t interesting past the novelty factor and some strange mixing in the first verse especially but as a bland uplifting “Fight Song”-type song, I guess it works though I don’t know about you but if I were going through a global pandemic right now with no real source of income, no end in sight and constant governmental error that’s killing thousands of people nationwide, I wouldn’t want a child who was born into millionaires telling me that it’s all going to be okay... oh, yeah, we are in that situation and I don’t want to hear this at any point, especially because this is generic and frankly, not worth anyone’s time.

#54 – “Mixed Emotions” – Abra Cadabra

Produced by TR the Producer

Okay, so when I said this would be a big week I did not mean or expect that it would be a good week, as we can tell already, but Abra Cadabra is here with a “thugs-need-love-too” track to drive that point home. Apparently a snippet of this went viral before its official release in a Valentine’s Day EP I didn’t know existed, which I honestly don’t get because there’s nothing stand-out about this song, like, at all. It’s got a guitar-based trap beat as Abra Cadabra croons in his admittedly pretty interesting, rich voice but he’s not saying anything interesting and this beat is just incompetent, with those badly-mixed swooshing sound effects that come in way too many times, and the fact that half the song is lacking percussion for no reason other than to make the beat sound busier than it is, even when it already has that ugly acoustic guitar lick playing through the whole thing in the front of the mix and... yeah, what’s the point in really critiquing this? Abra can’t even really hold much of a flow, especially in the meandering second verse, so not much of value is lost when this inevitably drops out next week.

#53 – “Big” – Rita Ora, Imanbek and David Guetta featuring Gunna

Produced by Mike Hawkins, Toby Green, Spenser, Sam Martin, David Guetta and Imanbek

This is the lead single – if you can call it that – from a trainwreck of a collaborative EP by COVID-19 super-spreader Rita Ora and everyone’s favourite Kazakh DJ, Imanbek, who seems to be chasing hits here with no real gain. You can already tell this is going to be hilariously bad, right? There are four primary artists seemingly picked out of a hat who had never collaborated prior to this EP, with two vocalists that would not mesh at all, and two producers... as well as four others to engineer this mix out so that the actual DJs and producers here become pretty much in name only. So, this is an already pointless song in all capacities, but then we find out that Ed Sheeran had a hand in writing this... this is just prepped for disaster. Fittingly, the song’s bad in a hilariously boring way. It starts with a bassy synth lead and some generic house production before Rita Ora comes in with a really unconvincing delivery that does not help to propel some genuinely bad singing in the pre-chorus and awkward songwriting. “Blame it on the city how I’m ballin’”? “Big tanks looking like Transformers”? It’s even funnier when you note that that line is where the beat cuts out (kind of) and it doesn’t rhyme with the rest of the verse at all. There’s some really bad vocal processing that makes Rita Ora sound overly digitised, much like a lot of Imanbek’s production, but also emphasises her in the mix along with the vocal mixing being generally overly loud compared to the rest of the production, which doesn’t really have a proper drop so it just goes nowhere other than a brief drum fill that comes out of nowhere and serves no real purpose. Rita Ora delivers rap clichés or at least lines I’ve heard before in the most generic possible way in the second verse, with as much charisma as Gunna’s literally phoned-in verse, mixed awfully, where the beat doesn’t even dignify his existence by just staying on the build-up and not even properly giving him the trap breakdown that it’s clearly going for. There’s this one stray kick or 808 note in that verse that goes nowhere. It’s honestly hilarious how dreadful this song is, lacking any groove or punch that it would need to become even a guilty pleasure... if you still use that term, anyway. Just fascinating. Anyway, let’s get to the top 40.

#39 – “CANCELLED” – slowthai featuring Skepta

Produced by SAMO, Kelvin Krash and Kwes Darko

Yeah, okay, so this song isn’t great either. Although I’m glad slowthai is in the top 40, it won’t be for long and it’s not because of Ty. It’s because this is a Skepta song through and through. He does the hook, has a verse and a presence on the intro and post-chorus. It’s probably good that it is as well because Skepta does the best he can with his menacing delivery over a pretty weak flute-trap beat that sounds as sleepy as Skepta’s flow on the chorus, which is even more awkward when it takes a left turn for an unnecessary post-chorus. Ty brings energy here and some pretty funny lines but is overall a non-presence on his own song, being over-shadowed by the bass knock and interrupted by Skepta’s hook at the end of his verse. Skepta brings a better verse, with some genuinely really fun flow switches but nothing content wise to make this song that’s already barely two minutes feel like it adds anything to... well, anything. The song itself is trying to prove a heavy-handed yet misguided point about cancel culture, which I don’t think even exists, and how it “kills art” when in reality anything further than stans or trolls on Twitter is probably deserved. When a book shop stops selling J.K. Rowling books, it’s not because they’re silencing or censoring art as much as they are not giving profits to a terrible person with too much time and money on their hands. Thankfully, neither of these guys are terrible people but what backlash they have had has been either from a deserved place or not from the left. There was an incident at an awards show with Katherine Ryan that didn’t get him cancelled but got Ty some brief backlash. Everybody swiftly moved on, and nothing changed except I think he delivered some kind of apology, not that I would remember because this song retcons whatever regret he has for it. He also got some backlash from the British news media – see: the right-wing – from displaying a severed head of Boris Johnson on stage, but again, if backlash “killed art”, you wouldn’t have a #1 album. As much as it wants to be a middle-finger to cancel culture, it ends up as a worthless flex track from rappers who’ve done much better. It’s not bad at all – and I’m glad the guy’s having success (I mean, after all, the album is overall good and he’s a fellow Northamptonshire resident). I just don’t think this song really works at all for what it’s trying to do.

#35 – “Siberia” – Headie One featuring Burna Boy

Produced by TheElements and AoD

This is an awfully rap-centric episode, huh? Well, this is from the deluxe edition of Headie’s album Edna, because that trend’s not going away any time soon... and I think Abra Cadabra could learn from this because this is how you do a low-key guitar trap single, with those watery, almost Blink-182-esque acoustic loops under a somewhat off-kilter trap beat as Headie mumbles in his smoother voice and faster, fun flows that do remind me too much of Gunna but overall sound pretty great. The cadences, especially in the chorus, are pretty infectious, and honestly the song could just use with some refinement in the mixing category and with Burna Boy’s verse, as whilst the singer definitely delivers the energy here, his voice is particularly muddy in this mix and his flow is more janky. With some multi-tracking or backing ad-libs, this could have definitely sounded better. The strings and electric guitar that come in at the final chorus were a welcome surprise though, and Burna Boy’s soulful delivery on the final outro verse sounds better than his actual verse, so I don’t really know what went wrong here. The content isn’t all too interesting, but I’m a sucker for geography references so the hook would have always made me chuckle and that’s before the shallow but deserved political commentary in Headie’s verse as well as Burna Boy making... perhaps insensitive references to infections in his more Young Thug-like inflections that do sound fun and more out-there as a contrast to Headie keeping it a bit tighter. Yeah, this isn’t perfect but it’s a pretty good trap banger so check it out.

#27 – “UK Hun?” – United Kingdolls

Produced by Freddy Scott and Leland

And now in stark contrast, drag queens. I don’t follow RuPaul’s Drag Race at all but I very much understand its appeal, especially now that it’s come to the UK on BBC Three, with I believe Graham Norton at the helm. This is a song from its second season that apparently takes homage from Eurovision for a song which has a title that is literally a pun. “You okay, hun?” but because it’s Britain, it’s UK. Very, very clever. At least it’s up-front right out of the gate so you can expect what will end up as pretty dumb fun... and this is immediately obvious from the intro which introduces you to the chorus: “bing, bang, bong, sing, sang, song, ding, dang, dong, UK, hun”. Okay, so this wasn’t ever going to be a prowess in songwriting, although you’d think there’d be something more here given MNEK’s involvement. Each contestant in the race gets a rap verse here over a pretty rote late 2000s dance-pop beat, with varying levels of charisma but ultimately a lot of energy from people who pretty clearly can’t sing, not that it matters when there’s the Auto-Tune slathered on top of the pre-chorus and chorus. I do feel like I’m separated from the show enough to be completely mystified by this, but really, the song’s not bad, and I can dig the upbeat synths in the chorus, even if the childlike novelty of it makes it a lot less enjoyable to me, personally. At the end of the day, it’s a sugary pop song about confidence with a pretty great fourth verse about loving yourself for who you are, so I can’t hate that. Also “gender-bender, cis-tem offender” is kind of a bar.

#25 – “We’re Good” – Dua Lipa

Produced by Scott Harris, Emily Warren and SLY

Future Nostalgia is a great album, and like all great albums, it needs a mediocre deluxe edition with snippets of leftover, unfinished tracks and remixes... no, wait, no album ever needs that. Sadly, life doesn’t go my way all of the time, so Dua released a “Moonlight Edition”, the fifth version of the album to be released as far as I know, and other than a hilarious JID collaboration in the form of “Not My Problem”, it’s not worth listening to past the first 11 tracks that were already on the standard edition. This track is the worst of them all, stripping away any of the disco groove and grandiose strings that defined the vibe of the album for a really bland, vaguely tropical trap-pop tune. The only remnant of the disco theme is the chorus referencing cocaine, which seems bizarrely out of character if anything, although it doesn’t help that Dua sounds checked-out, especially on the verses but also on the chorus which definitely takes some inspiration from emo-pop in those guitar tones but not in those awkward, first-take vocal deliveries that make the chorus flow pretty awfully. This songwriting is consistently janky too, with the overly short bridge serving no real purpose and the song itself feeling like an under-written, over-produced waste of everyone’s time. I’m surprised Dua couldn’t debut higher than #25, but at the same time I understand why people aren’t enjoying this as much as the prior singles, because this is bad.

#23 – “Commitment Issues” – Central Cee

Produced by mokuba

This guy is just releasing a bunch of singles and squandering any potential I saw in him, huh? Well, okay, this is from an upcoming album but that doesn’t make its acoustic guitar loops any more interesting or the content any more dissonant from its hard-hitting UK drill beat and his aggressive delivery. Like, there’s nothing about his flow or the instrumental that makes sense for a song where he’s apologising to his ex and trying to convince her to come back to him... at all. I’d get annoyed by a song that’s not cohesive in its content, but this one is annoyingly so, with the content never giving a reason for the dark, menacing 808 slides other than the... arguments with the woman he describes in the hook? It does kind of work with the flow there, but, like... why? Why does this exist? This isn’t convincing, it can’t be a banger because of its overly-specific break-up themes and it’s just a mess of a song, not helped by the fact he goes off trailing in the second verse about how many “hoes” he has, which is honestly kind of funny given in the first verse, he acknowledges that his ex hates those types of lyrics. Man, Central Cee was onto something with the jazz-drill on “Loading”, where did any of that go?

#12 – “Love Story (Taylor’s Version)” – Taylor Swift

Produced by Taylor Swift and Christopher Rowe

The original “Love Story” is one of my favourite Taylor Swift songs. There’s something so sweet and Mew Mew Power about it. I don’t know if that’ll work as an adjective for anyone else but what I’m saying is it really emphasises the inner “white teenage girl in the 2000s” that many have hidden in them, with its cute banjo intro and honestly kind of funny misinterpretation of the original Romeo & Juliet text, none of which has been fixed in this new version. Out of the stuff I’ve heard from the country-pop era of Taylor’s work, it’s definitely one of the catchiest, most melodramatic choruses, probably second to my favourite from this era, “Mine”. Well, this new version has to be made so that Taylor Swift can own the rights again to her music that Scooter Braun sold after she left the Big Machine label. Honestly, I think I prefer a younger Taylor Swift in the context of such a cutesy, pretty song with all its childlike novelties – I mean, a 30-year-old Taylor Swift won’t misremember details from Shakespearean texts. Not to say that she sounds bad here because she sounds great, especially over the more refined, modern production and the incredible strings in the chorus that are emphasised in this mix. I can’t say that much of a cover that takes the original and does exactly the same thing with it, just with a more modern instrumental that honestly has a pretty epic instrumental bridge. Ultimately, this is taking a great song and making it sound better and more accessible for an audience a decade or so detached from the original “Love Story” and it sounds pretty great doing it.

#2 – “Calling My Phone” – Lil Tjay and 6LACK

Produced by Non Native, Bordeaux and G. Ry

This chart week ended up being less of a beast to tackle than I thought it was, mostly because there are a couple good fun songs sprinkled in the range of mediocrity here. Now this is the final song to discuss and... this is just as inexplicable as “drivers license”. If it weren’t for the streaming numbers, I’d be convinced this is an error and this should have been switched with the second-highest debut, as it makes no sense for Lil Tjay and 6LACK to debut at the #2 spot in the UK. For context, Lil Tjay is an Auto-Tune crooner from the Bronx, in a similar vein to a Lil Tecca or A Boogie wit da Hoodie, who I thought would completely disappear post-“Pop Out” given he seemed to be on the Lil Tecca route as most of his other singles just couldn’t stick the landing other than I guess “F.N.”. Admittedly, that might be because they were pretty bad, and I think he actually kind of ruined “Pop Out” by killing its momentum with his non-existent presence and gross Auto-Tune whine, but he seems to have gotten a lot of traction since then from a posthumous Pop Smoke record as he wastes time on “Mood Swings”, which became a pretty massive hit for Tjay and the late Pop Smoke, with a lot more longevity than I expected, even though it was my personal least favourite on that posthumous album. 6LACK is more for the alternative and hip-hop head crowd, known less for his street bangers than he is for his smooth alternative R&B collaborations with guys like J. Cole. He has mainstream attention and has tried to cross over before, but ultimately he’s probably better guest-starring on robotic Gorillaz singles with Elton John of all people... or at least that’s what I thought, because they seem to have just released a single with no real promo other than TikTok previews and a music video, and it blew up immensely almost immediately. Maybe it’s good timing given Valentine’s Day but this seems like a combination of weak charts and a genuinely organic sudden hit, pushed by a label of course but not without word of mouth and... I don’t know, I’m kind of clueless on why this is so big here, and seemingly everywhere, but I’m not complaining. Wait, no, I am complaining because I’m not a fan at all. I can go for smoother, more soulful R&B but something about this is way too jagged for it to work for me, with Tjay delivering some pretty bored, mumbled crooning over melancholy pianos and an infectious but off-beat chipmunk vocal sample that acts a refrain because nothing Lil Tjay does is catchy enough. His verse is really sloppy, as is the piano, and the percussion is kind of just gross in how it’s mixed. Thankfully, 6LACK is here for some brief relief on the second verse, as he actually has a presence with his cruising, subtle multi-tracked delivery that sounds genuinely pretty great and would be at better use with bass that isn’t mastered like this and maybe an actual chorus. In fact, I think this would work as a UK garage song with that vocal sample if you speed up the whole track and add some actual groove to it, so someone please get on that because otherwise I don’t see any reason why this is so high. It’s just lethargic R&B, really just basic and tired.

Conclusion

Yeah, this was a big week but sadly I think it is shrouded in a lot of mediocrity that I think will be gone by next week, so whilst the UK chart chaos can be fun, especially when I’ve got nothing else to do, I’m not sure if any of these songs really stick. Best of the Week goes to Taylor Swift’s re-recorded “Love Story” with a really close Honourable Mention in slowthai’s “MAZZA” featuring A$AP Rocky, just hedging out Headie One. With the worst, we have a lot to choose from but because of its high debut and hence the expected hype, I’ll give Worst of the Week to “Calling My Phone” by Lil Tjay and 6LACK, with tied Dishonourable Mentions to “Big” by Rita Ora, Imanbek and David Guetta featuring Gunna, and honestly Central Cee’s “Commitment Issues” for not working on any level, though it really easily could have gone to Dua Lipa, P!nk or Abra Cadabra. Here’s this week’s top 10:

Honestly, I have no idea what’s coming for next week other than Ariana Grande’s deluxe edition. Maybe Trippie Redd’s pop-punk album can make somewhat of a splash? I don’t know, I don’t think anything too big is coming but I’m probably wrong. I just know that a lot of this’ll be gone by next week. Follow me on Twitter @cactusinthebank if you feel the need to do so and I’ll see you next week.

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groundramon · 6 years

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Homph I finished tri and I wrote down my thoughts as I was watching because I had too many funny shitposts and nobody to share them with bc charlie hasn’t watched tri yet

PS i wont be reblogging tri spoilers (besides MINOR stuff like, digivolutions of already confirmed digivolution lines or non-spoilery shitposts, but I’ll try to tag shitposts as #tri spoilers anyways [digivolutions specific to tri ill tag as well but not ones that were already basically confirmed]) for a while so ur safe here! I’m just gonna like everything/most things because then I can rb em to hisyaryumon lmao (also u should check out hisyaryumon....its me n charlie’s digimon blog)

EP 1:

- ok. alright. ok. good. they’re dealing with kari’s emotions now instead of just. nothing. ok. alright. cool. Still dont like how obscure/”artsy” they’re being with it, this is digimon not kagerou project, but ok.

- Also. I stand by tk and kari being one of the few good straight ships in digimon. just saying.

- kari: this is my fault... me: god damn it shut up you little brat also me: god relatable ALSO me: ill take whatever display of emotions i can get

- I love how nobody believes tai is dead like. They’re upset and worried but they’re also like “nah. he cant be. that fucking asshole just left us in our time of need” (actually only matt is the last one)

- Gabumon i would die for you also im crying and I think that’s the first time tri managed to make me fucking CRY

EP 2:

- I had thoughts but then the 02 kids happened and I entered another plane of reality. I don’t feel real right now

- the only one I can remember is evil!gennai being a dumbass and being like “SUFFER AND SQUIRM YOU PATHETIC HUMANS AS YOU FIGHT OVER THE LAST SEAT” 1. humans are KNOWN for their ability to care for others you dumb obvious fuck and 2. is. is the entire tube going? because that tube can fit too people if they squish. This isn’t a joke I’m serious it can.

- oh yeah also when i saw whomstever the fuck his name is (adult guy who i love but fuck names) and he was all bloodied i was like “its a cold day in hell when i see blood in digimon” (I think there was blood in an earlier ep but shh idc)

EP 3:

- didn’t nishijima start off as a fucking life coach to these kids. What the fuck he was supposed to help them find a career not emotionally scar them by bloodily dying in front of one of them

- im realizing that the reason hackmon was always in his cloak, in the shadows, standing still is that they cannot animate him in any normal position for the life of him. I drew him with better anatomy when i was 14 and didn’t have a tablet. No seriously, look:

I didn’t say it wasn’t bad, you guys are just underestimating how bad the anatomy on this poor creature is. Why cant ppl draw dracomon or hackmon correctly imma cry

- ordinemon has the best reaction faces

the best part about these two screenshots is that they literally cut one to the other, first the first one to the second one and then it cuts back to the first one. They were really proud of these stupid ass expressions.

- I started overcoming my dissociation shock from the second episode and my hypercritical mind was analyzing the shit out of everything that happened (it is Not happy) but then evil!gennai called kari and evil goddess and idk if he’s exaggerating to make her feel bad or if she’s literally a fucking god of chaos and destruction and either way im like

she did kinda like. Watch wizardmon die, watch tai die, watch gatomon get absorbed. The dark ocean is just a metaphor for depression and honestly if 02 wasn’t all over the fucking place I think Kari would’ve had some pretty decent development in it. Actually you know what, I’m using that as an angle to approach Tri at now, wish me luck bc i might actually give it more leeway now

EP 4:

- I’m not dissociating but I forgot to say anything again and I already forgot what happened

- Cant believe mei is fucking dead

EP 5:

- I like to imagine that Tai got there like a few minutes ago, but he was like “well damn guess yall figured it out without me. alright ill just. see if I need to do anything” and then meicoomon was Still Bad so he waited for when she struck just to make the most badass entrance possible. Fucking extra ass bitch

- I forgot to write anything again but uhhh I wasn’t satisfied so anyways lets just get into the Juicy Details

Originally I was actually planning to be kinder to Tri than I expected. Was very invested during it. ‘Round the end of the last ep I realized hmmm no this isn’t working out. Where are the 02 kids. You should’ve brought them in to save the day. That would’ve been SO cool and SO fun. Fucking cowards.

god I’m kinda tired so I’m going to address a couple things I still had problems with, note that this isn’t everything it’s just everything I felt comfortable yelling about without rewatching past eps. Like I forgot nishijima was all bloodied and presumably died in the last part until they brought it up and I was like “????” ALSO DID THE LADY WHO WAS HIS PARTNER OR W/E KILL HERSELF WITH THE GUN SHE FOUND, I JUST REALIZED LITERALLY AS I WAS TYPING THIS THAT SHE FOUND A GUN AND THEN I THINK IT CUT TO BLACK AND I’M

DID SHE FUCKING KILL HERSELF WHAT THE FUCK

anyways my problems:

1. They did joe. really dirty. I’ll write a more proper rant on this sometime later (mostly bc charlie is MUCH better at talking about joe than I am) but basically I can tell you that his character development in the movies squandered his OG character development. He’s basically an entirely different person. Like Tri joe isn’t bad, besides being largely neglected (yes he has a whole half a movie to himself, no that doesn’t make up for it all), its just...not OG joe. He’s a fine character just not the same character, and its NOT fine when you put the two together.

2. THEY DID THE 02 KIDS EVEN DIRTIER IM SO BITTER sorry you nostalgia-blind, money-hungry fucks at bandai, but the 02 cast is PART OF THE ADVENTURES UNIVERSE. The only people who hate 02 are ones who like the characters but hate the mess of the storyline at the end, or are completely irrational and elitist about their love of the digimon series and would greatly re-evaluate their opinions if they watched the original series and 02 back to back. They couldn’t even show them in some kind of group montage at the end??? Standing in the background when they call Mei??? Why couldn’t they call mei from a home phone also, but that’s a less important problem idc that much. It was a cute scene besides the lack of 02 characters. Whatever. AND THE PROBLEM IS LIKE kari and tk? This entire time??? Were like “oh they disappeared. oops” instead of being frantically searching for their lost friends??? Like i get tk and kari probably have fucking ptsd and can’t express any emotions because they watched important people die in front of their eyes at an incredibly young age but also 1. they didn’t address the ramifications of ptsd, so fuck that theory/excuse and 2. THAT??? WOULD ONLY MAKE THEM LOOK HARDER??? and put on a brave face as they look, but inside they’re so scared and so worried. Not just “oh sweet, they were found/saved, theyre in the hospital but that’s fine” like WHAT theyre fucking assholes if that’s what they’d canonically do lmao. God I am SO bitter over the ENTIRE thing with the 02 kids, it would’ve been BETTER if they were deleted from the fucking canon entirely. Would I have still been bitter? Yes. But at least I wouldn’t be madder at TK and Kari too.

3. I stand 100% by the notion that Digimon is not and will never be cut out to be an adults’ franchise. It wasn’t designed for adults, and it can’t be skewered towards adults. These particular characters were designed for kids to relate to and find entertaining. They do not work when placed into an adult setting. Like, can you imagine a character like Ed from FMA going to the Digimon world? I guess in a way that’s just Marcus but like. Just imagine the FMA cast in Digimon Adventure. It doesn’t work. Digimon Tri is basically that except real. Also Data Squad was darker than Adventure so my joke doesn’t even work.

I guess my primary point is that Tri isn’t mature enough of a setup for an adult audience. It puts a focus on being “complex” and “philosophical” instead of working within Digimon’s constraints and making something good and adult out of that. Like! Digimon is a fucking TOY COMMERCIAL. Don’t give me messages about the futility of human life. I want bad puns and emotional characters. That’s what Digimon has ALWAYS been, and ideally always will be. Tri could’ve made itself more mature by dealing with the ramifications of the Digital World’s events, how it affected the kids psychologically and dealing with healing old scars. It would’ve been a more mature take on a story we loved and would use things we loved about the story already - the fact that it took so much time exploring characters’ emotions and was surprisingly mature for the time - to make itself better. You need to take the aspects that drew adults to the show and amplify them, not just slap on a complex story and unfunny dialogue and be like “oh this is fine, right?”

It’s not that Digimon can’t exist as an adult property, its just that if it repeats what Tri did, it’s got no merit and in my eyes the franchise is dead. If it survives I guess I’ll be happy that people can still enjoy it but I find it unsustainable and unsatisfying to fans of the older series. Tri is just a fuckfest of highly specific nostalgia that tries too hard to appeal to old fans without capturing what made the original series so magical, and in part thats because the original series WASN’T FOR ADULTS. I don’t know about the Digimon Story games, bc they’re T-rated so perhaps they’re a better take on an adult Digimon story than Tri? But you either need to make your own characters and lore specifically for an adult-oriented Digimon season, or perish. Also, please make it a series and not a group of movies. Getting four eps every 6-9 months was hell.

I stand by saying Appmon is a more faithful Digimon season than Tri to Digimon’s original spirit. I believe it holds more potential for success than Tri and better embodies the spirit of the older Digimon seasons. It’s dumb, its corny, it has horrible puns, but I LOVE it because it also has a deep dark story and emotional moments. If you dislike Tri and you agree with things I said that make it unlikeable, I highly recommend giving Appmon a chance - if you watch a few episodes and think “oh yeah, I guess this is decent” you’re going to like it. It’s everything Digimon has always been and hopefully always will be, just with a different concept. And hopefully the end of the series doesn’t leave a sour taste in my mouth and I have to redact this statement haha since I’m not done with it yet, but I’ve heard good things about it so I’m hoping not so.

Overall, if you watch Tri, don’t get your hopes up. It resolves everything okay-ish but it’s a pretty forgettable anime on its own and simply doesn’t work as part of the Digimon franchise.

I am, however, pretty interested in what evil!gennai said at the end about Diaboromon and Daemon. It raises interesting questions about the timeline too. We know Daemon is in the dark ocean, so perhaps that’s a hint at a future project? (They did confirm a future project btw, in conjunction with tri being over) But what about Diaboromon? I dont believe that Our War Game (I think thats what its called?) took place after Tri, based on the outfits and ages and stuff, but I also don’t remember the movies that well. Could Diaboromon still be out there too? It’s interesting.

However, because of the lackluster performance of Tri, I don’t have my hopes up and I really hope that this “next project” goes in a different direction. Although I guess if they include the 02 kids, I’ll be somewhat less salty...

Side note, did they ever explain why the gennais went evil? Like ? That’s a pretty important thing. The gennais helped SAVE the human world in 02. And I get that apparently Tri is ignoring 02′s ending but still. It’s shitty, because Gennai was still a good guy in the original too (and also they cant just keep is younger look and act like 02 never happened) MAYBE its something I missed but I dont think so. God there’s just. So much wrong with Tri. I’m very displeased and very bitter and I wanna get back to Appmon asap.

It’s got good moments, its got bad moments, I dont know, I don’t care. There’s nothing wrong with you if you like it, there’s nothing wrong with you if you don’t, and there’s nothing wrong with you if you flip flop and are split like me. I just wish Tri fulfilled its potential instead of becoming a boring mess.

#stormy speaks #digimon

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weirdwariii · 6 years

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My Top 20 Albums of 2017 Part 2: 10 - 1

10. Alvvays - Antisocialites: What a delightful album. Like, I should just leave it at that, because I’m not sure what else I want to say about it. This is just the kind of indie pop-rock album that felt plentiful and unavoidable 10 years ago, but doesn’t show up as much anymore. But I don’t think its noteworthy just because it’s filling a niche. It’s just an effortlessly tight album. It sounds good, the vocals are great, the songs are amazing. There’s hints of some interesting inspirations sprinkled throughout (someone was listening to Stereolab…), and I just can’t get enough of it. I wouldn’t be surprised if, in the longrun, this album has some more longevity than most of the other albums on this list.

9. Thundercat - Drunk: Let me start here: I picked up this album on vinyl this year, and it’s one of the coolest looking packages to come out this year; great cover art, lots of art inside, and...the album spread across three 10” discs. To get through the album on vinyl you need the steadfastness to flip three different discs after each side, and to put away each disc and replace it with the next at least twice. That’s a lot of commitment for any album, and the very thought of listening to this album on vinyl exhausts me (considering that my turntable is located on the opposite side of the room from my couch). With that said, I’m pleased to announce that I love this album, despite its presentation. I feel like this is the third year in a row that Thundercat has felt like an important part of important music (see also: To Pimp a Butterfly, You’re Dead! and The Epic), and its good to see that its own name on the cover of his work this year. This is an album that feels uniquely his, and somehow makes a song about watching anime in Japan seem as much of an artistic accomplishment as making the best yacht rock song in 30 years with the help of Michael McDonald and Kenny Loggins. The entire album is an equal parts quirky and soulful trip and hints that future albums could be even quirkier and more soulful. Just, like, listen to it digitally.

8. Rolling Blackout Coastal Fever - French Press EP: So what does this say: For a 6-song EP, these songs must be exceptional if it was better than all those other albums? Or that, as an EP, there’s less of a chance to be bored with it by the end? Well, for what it's worth, this is the only EP on the list, so it clearly did something right. Honestly, if this was at LP length and was 10 songs at the same quality as the 6 presented here, this would probably rank even higher. As is, this is just a breezy and effortless set of indie rock songs from a new band that sounds like they’ve been around 10 years longer than they really have. There isn’t a moment that goes to waste, and I’m always left wanting more at the end - a quality that even some of my favorite albums this year didn’t have. I sincerely hope there’s a full length on the horizon, and that it makes good on the promises hinted at here.

7. Oh Sees - Orc: Sometimes there’s just the perfect album at the perfect time. Maybe its a band that you’re finally getting into as they put out a new album, or maybe it's an album that just seems to mesh with the kind of music you’ve been into lately. Maybe it's an album that just resonates with how you’re feeling in that moment. Sometimes it's all of the above, as was the case here. I finally got into Thee Oh Sees last year, absorbing their two albums in my quest for more music that was in the same vein as Ty Segall’s Emotional Mugger. Between these albums, and King Gizzard’s 2017 output (we’ll come back to that), I was 100% on board the fuzzed out psych-garage-punk bandwagon, and that's when this album fell into my lap. I just love everything about this album. It’s raw, it’s weird, it’s loud, it has the most epic drum solo I’ve heard all year on it. My garage-rock sensibilities were spoiled silly this year, and this album played a huge part in that.

6. Japandroids - Near to the Wild Heart of Life: I read a review earlier this year for this album, and I’m kind of paraphrasing from memory, but it essentially said: “In a trying year like 2017, you’d think a band like Japandroids would have more to say on that, rather than making more fun punk music.” And that literally made me love the album even more. The best response to the darkness of our world, as it turns out, was to remind you of what it looks when you make it to the light at the end of the tunnel. The band doesn’t necessarily do anything they haven’t done before - there are few risks or moments that would sound completely out of place on an earlier album. But they really are great fucking songs. The title track is, hands down, the best song that was released this year. Yeah, maybe this didn’t call our orange meat puppet a buffoon or anything, but it sure as hell will be playing on my headphones on the day that we wave goodbye.

5. Washed Out - Mister Mellow: As we approached the end of 2016 and with the mostly unknown, but likely dark, void of 2017 looming ahead, I vowed to make art more important in my life. It needed to be an escape just as much as a response. And when I felt overwhelmed by the news cycle, or when the inspiration I needed just wasn’t there, Mister Mellow was. Between the “visual album” aspect of this project (that I strongly urge you to check out) and the music itself, it completely fit in with my aesthetic as artist and never failed in giving me a little pep talk. It's not a long album, nor is it an especially deep one. But in terms of style and just being a pool of strangeness to get lost in, this album never let me down. It might not be an explicit reaction to 2017 in itself, but it definitely aided me in creating my own.

4.Tyler the Creator - Flower Boy (or probably, Scum Fuck Flower Boy): The genesis of Odd Future was a weird time for me as an aging fan of music. On one hand, here was this collective of talented young rappers churning out a near-constant stream of albums for free - a concept that was novel and exciting to follow. On the other, between fast-paced Twitter stream-of-thought and community in-jokes, Odd Future definitely felt like the exact moment that I felt like I was an old man who didn’t get what the kids were listening to. And through that, I followed Tyler from afar. He’s a funny guy who you’ve been able to watch mature, year by year, to someone who feels very much like a spokesperson for a generation (am I crazy for thinking this??). This album feels like his most personal, self-aware, and world-aware album in his career, and there’s a quality in the production and the songs worthy of that awareness. I recognize the lack of hip hop music in my list this year, and that’s a very fair observation. My only excuse (and it is just an excuse) is that Flower Boy was just that hard to beat, for me. I listened to this album a lot this year, and I found myself relating to some of Tyler’s own personal revelations.

3. Father John Misty - Pure Comedy: Earlier this year, speaking to a friend of mine about this album, I was voicing my displeasure: “The album is just far too long and says far too much. I just feel like I’ll never have the energy to slog through the whole damn thing.” But, again, 2017. The world needed protest music, or at the very least, music that seemed to understand the world we now lived in. So I slogged through Pure Comedy and...it wasn’t a slog at all. Okay, sure. It’s long. It takes its time. But Josh Tillman GETS it. Its a bad, and darkly amusing, world out there, and he’s here to let loose about it. The album only got better through the year, with every single listen. Even the 13 minute “Leaving LA” centerpiece feels wholey essential, acting as almost an origin story for FJM as much as it's a state-of-the-union on Josh’s personal life. This album didn’t just grow on me this year, it came to feel absolutely essential.

2. King Gizzard and the Lizard Wizard - Flying Microtonal Banana, Murder of the Universe, Sketches of Brunswick East, Polygondwanaland: Not only did it not seem right to pick just one album of the 4 (at the time of my writing this) albums released by KG&TLW this year, but it felt like there was a larger picture here that needed to be recognized. King Gizzard promised 5 albums this year, and of the 4 we got, not a single one disappointed. Not a single one felt like a weak link to me. Not a single one felt like a misstep or seemed inessential. In a year where albums from some of my favorite bands bounced off of me after a listen or two (sorry, Grizzly Bear), this one band somehow made 4 albums that I cared about and kept coming back to. Flying Microtonal Banana and Murder of the Universe were both instantly loveable. They feel right into the same psych-rock wormhole that Oh Sees had me traveling through - especially the latter, with its story-driven sections and spoken words just hit the spot in every way possible. Sketches didn’t resonate with me at first, admittedly, perhaps because of its vast difference in sound from Murder - but I came around on it quickly, and its jazz-leaning pop would actually become the second most listened to of the 4 albums (with Murder being 1st). Polygondwanaland, finally, felt like a singles compilation - a complete set of tracks that, while feeling a little disconnected from each other thematically, shows off everything the band is capable of as well as hinting at what could be on the horizon. I honestly can’t say enough good things about this band, nor can I recall the last time that a band’s entire aesthetic just resonated with me so much. And to bring such a great quantity of music (with equal amount quality) to the table was just...perfect. Or, y’know, close to perfect. Because these albums are only #2 on the list.

1. Priests - Nothing Feels Natural: Nothing Feels Natural was one of the first (if not the actual first) albums I fell in love with in 2017, and it felt like the album that all others would be measured against. And, for the most part, this album always felt like the best. There were times when other albums felt more important in a moment (Murder of the Universe and Flower Boy both immediately come to mind), but when the buzz wore off a little, I was always happy to come back to Nothing Feels Natural. Here, Priests nail both a cohesive sound, yet its done through an assortment of genres. The surf-rock of “JJ” (another contender for year’s best song), the spoken word punk of “No Big Bang” and the new wave of “Suck” all seem to be at contrast with each other on paper, but the entire album flows together effortlessly. The band is tight as hell, and for as much as I want to call them “punk” there just isn’t a lot of the discordant noise I’d associate with that label on this album. There’s a Spoon-esque attention to production on this album - everything feels planned and well thought-out and there’s barely any wasted moments. Musically, I think the album holds its own against almost any other that I’ve listened to this year. Yet, I don’t even think its the music that even puts it here in the top spot - that’d be the lyrics. You’re probably as sick of hearing about the influence 2017’s politics had on music as I am sick of writing about it, so I’ll try and condense it a little...but you get the idea. For songs written prior to the year, they certainly hit all the right spots for the issues that mattered in 2017: Identity. Feminism. Consumerism. Culture. Even if it would’ve been the right album at any time, it still felt especially poignant this year, and the fact that it sounds so great only propelled it the very top.

And that’s it. That was my favorite music of this year. All done. The end. Onwards to whatever black hole of despair 2018 will be.

#weirdwariii2017eoy #music #music list #king gizzard #priests #tyler the creator #father john misty #japandroids #alvvays #rolling blackouts coastal fever #thundercat #washed out #thee oh sees

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yujachachacha · 7 years

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AWM 2017 recap

Things I saw at AWM today plus some bonus content I was informed of by other attendees of the event (roughly in chronological order):

Cinderella Girls

- I know next to nothing about this series except that Rin and Uzuki and that Love Laika duo are popular yuri ships lol.

- I already forgot their setlist OTL sorry I’d probably remember if I listened to some of their songs again. I think they performed 5? STAR, GOIN…uh…

- They pretty much spoke Japanese the entire time and were impressed that the audience seemed to be following along well despite that.

- They did a live skit or something? They showed clips from the anime(?) for each character and had them read a script live. Was pretty cute.

- Lit songs of the set list: YES PARTY TIME (is…is that the right title lol I just remember screaming those words a lot), and of course their closing song Onegai Cinderella.

- Okay to be exact all the songs were exciting but those two were particularly lit. iM@S songs have somewhat difficult calls (at least compared to Aqours) but those two songs are pretty easy to follow along with for wotaing even if you’re not at all familiar with the series.

- They performed one song I wasn’t familiar with because it wasn’t on the AWM Day 0 fan-compiled playlist nor the CG callbook _(:3 」∠)_ I believe this was one of their opening songs, so I started off the concert vaguely waving my KB and chanting “HAI HAI HAI HAI Uhhhh I don’t know the calls for this OOOH HAI OOOH HAI”, thanks for carrying the rest of us, Producers 👌

- Okay a friend has told me that song is Yumeiro Harmony? RIP.

Wake Up, Girls!

- 6 songs performed: Tachiagare!, Koi? de Ai? de Boukun Desu!, SHOUJO KOUKYOUKYOKU, Beyond the Bottom, 7 Girls War, Gokujou Smile. I…already forgot the exact order of the songs, but I *think* at least the first two are in the right places. Beyond the Bottom was close to the end iirc.

- I watched a grand total of 3 episodes of the anime plus the first movie so I’m not particularly familiar with the series, but I got attached to Minyami…to no one’s surprise lol, she happens to be the character whose image color is yellow and has a “nya” catchphrase 🙃 I screamed whenever she got a solo part she’s so cute aaah

- Mayushii is such a good singer holy fuck, kinda reminds me of a super-ikemen Emitsun (except ever since I saw a niconama of her crying hysterically over a horror game I can’t take her seriously :3c).

- They were saying things about having the audience smile or something as a lead-in into Gokujou Smile lol

- They tried to speak a bit of English, but it was mostly basic stuff. They were cute. :)

- I broke a UG (Ultra Green, the green version of a UO/Ultra Orange - which y'all might be familiar with from Snow halation) for Tachiagare and I lost my shit because Shukamod couldn’t find her UG, and she ended up breaking like 4-6 UBs (Ultra Blue, for songs like KoiAqua and MIRAI TICKET) unintentionally in her frantic search for one before I took pity on her and gave her my spare lol.

- SHOUJO KKK was motherfucking lit, everyone lost their shit at the hips great choreography and deep voices.

- Lowkey sad that they didn’t perform 16 sai no Agape because it’s the first WUG song I knew (thanks to King’s ANiUTa playlist) but I don’t have any complaints about their performance tbh. They are really, really good dancers and Mayushii’s singing is so damn ikemen I died.

- Everyone else in ONIBE was 🍝 for Yoppi lol.

- 15min intermission afterwards.

Walkure

- Only 2 members performed but it was still lit~

- These two are so talented??? The audience (me included) completely lost their shit at Ikenai Borderline.

- Shukamod probably had a good laugh at me screaming shit like “OH MY GOD JUNNA IS 16 HOW TF IS SHE THIS GOOD WHAT AN IKEBO HOLY SHIT”

- oh yeah, setlist…uhhh…also can’t recall the titles from the top of my head, but Ichi Do Dake no Koi Nara was one I remember. Really good song holy mother of god.

- Friends have reminded me that there was 5, and the first song was Koi Halation, other was Bokura no Senjou, and also supplied the title of the last song (I know the calls but not the title lol).

- In the MC, JUNNA and Minori talked about how they were really impressed by the American burgers. They wanted recommendations for more delicious burgers and several people in the audience had to start a chant to help them remember. They started to say McDonald’s and everyone screamed in horror until they eventually caught on that people were chanting “In N Out” lmao.

- They spoke so much Engrish bless these kids

- For the MC before the last song (Run ga Pikatta Hikattara), Minori was trying to teach the audience the call for it and was pleasantly surprised when the audience automatically did the call once she started singing a specific part of the song without her having to spell it out for us. What do you take us for, casuals? >:|

- All the solo parts were done by Minori…dunno if that’s normal but that’s what I noticed ¯\_(ツ)_/¯

Aqours

- These are somewhat arbitrary numbers but it seemed like that the audience was made of like 25% CG fans, 10% WUG fans, 5% Walkure fans, and then the rest were there for Aqours. Possibly even more for Aqours, since I saw an insane number of people wearing the caps from the You birthday set lol. I even spotted someone cosplaying Ruby from the recent Time Travel set on SIF, holy shit how did they assemble that costume for AX so quickly… Anyways, of course the entire theater went wild when Aqours was finally up to perform.

- Like for their Christmas minilive and 1st Live, the members entered 1 by 1 through a splash screen introducing their character by default member order (i.e. Chika-Riko-Kanan-Dia-You-etc).

- To no one’s surprise, they started with Aozora Jumping Heart. @saitou-shuka and I were pretty much screaming our hearts out from the start. Shukamod broke a mega UO during Shukashuu’s intro lmao.

- They were wearing their MIRAI TICKET outfits and their set list basically turned out to be almost identical to their ANiUPa setlist.

- MC (member introductions using their standard character speeches e.g. Kanan going “I guess my appeal point is my muscles?”) after Aozora. They went down the line in the order Aikyan-Furirin-King-Rikyako-Anchan-Shukashuu-Suwawa-Arisha-Ainya.

- They didn’t do their call and responses (T_T) and I noticed that right away when Aikyan went into her introduction, so after she finished speaking I screamed “OHAYOSHIKO” and a few people copied me, I think? Me and Shukamod ended up shouting the call & responses before or after each introduction lol.

- Aikyan mentioned that this was her first time in America with Aqours, and when King did her introduction she sounded so smug going “This is my second time zura~~~”

- Rikyako mentioned that this was actually the first overseas performance for Aqours (which I already knew but it’s still cool to be reminded again) and everyone was hyped.

- Screamed a lot during Shuka’s intro RIP my voice.

- Suwawa started her self-intro and forgot what her lines were partway through so we had a good laugh when she went “Eh, nandake?” all of a sudden lol.

- People were cheering loudly for Arisha partway through her introduction, so she shushed everyone and then went “suki” and everyone lost their shit again.

- Ainya is so tiny omg what a shiny smol girl

- I made the resolution to be the American version of that one guy who always screams “AAAAaIiiNYAAAaaaAAa” at Aqours lives, and according to Shukamod I did a pretty good replication of it :3c

- Rikyako and Suwawa were in charge of the English language MC and their English has gotten really, really good holy crap. Only complaint I would have was the line “Let’s enjoy with us!” (should be something like “Let’s have fun together” or w/e), but their pronunciation and speed were godly. Both spoke a lot, but Rikyako in particular was really active in repeating stuff said in Japanese into English.

- Ainya was really clingy with Arisha lol I don’t remember which MC it was during but Ainya kept hugging Arisha and stuff lol

- Rikyako then said that the next song would be from their first single and everyone got hyped for KimiKoko.

- SHUKA LEAPFROG IN HER MIRAI TICKET OUTFIT WOOHOO SEEING IT LIVE WAS WILD

- KOIAQUA AFTERWARDS WHOOOOOOO SHUKA’S DANCING WAS SO GOOD!!! Also according to some people in other seats there were some audience members who were doing the “IE TAIGAAAA” calls for this song 🙃 Shukamod and I each broke a handful of UBS for this of course haha

- Another MC/small break afterwards! Furirin did that routine she always does at Aqours lives where she suddenly collapses and asks if she can have a water break lol is this gonna be a regular routine now?

- SHUKA ACCIDENTALLY TOOK ANCHAN’S BOTTLE AND FLAILED AND SAID SOMETHING LIKE “OH NO I DRANK SO MUCH OF CHIKA-CHAN’S WATER”

- MIRAI TICKET was announced as the Ep 13 insert song to be performed next! It was fun breaking out the UOs and UBS for this song too~ The “we say yousoro” part was of course enthusiastically screamed by all the You fans in particular o7

- Surprise song Yume Kataru yori Yume Utaou! They brought out pom poms too! Ainya and Arisha had a really cute hug in this song :D According to others apparently the 1st years were also super clingy and were doing lots of group hugs and stuff

Miscellaneous

- I spotted someone trying to record a part of the concert in the beginning and got really mad and pointed it out to the members of ONIBE I was sitting with. We screamed something like “HEY FUCKER YOU WITH THE CAMERA STOP FUCKING RECORDING” at him after the song, which caused a lot of stares but did achieve the effect of getting him to stop.

- When Aqours finished, Anchan became the MC for the closing speeches at the end.

- Minori had a paper at the closing MC with a speech written in English on it lol. She tweeted a picture of it after the performance, but basically it’s something along the lines of “Thanks everyone, In n Out burgers No. 1!!!” lmao

- JUNNA couldn’t come on stage at the closing MC with all the artists at the end because minors (JUNNA is 16) aren’t allowed to work after 10pm lmao, I had been so confused and concerned until that announcement was made and then I just cracked up.

- I saw Anchan making an adorable pouty face during one of the other groups’ closing speech aaaah so precious.

- Furirin and Shukashuu were doing small “ganbaruby” motions off to the side bless these two :’D

- King kept doing the Ohanamaru pose too lol

- Apparently for the VIP meet & greet after the concert, someone did a “hagu shiyo” with their friend in front of Suwawa, and in response Suwawa did it too with Shukashuu.

- Sosa (Korean Twitter artist famous for their NozoEli video comic of Garasu no Hanazono) was apparently at AWM today…AND RECEIVED A CALLBOOK FROM ONIBE. I MIGHT HAVE WALKED PAST ONE OF THE KOREAN ARTISTS WHO’VE I’VE TRANSLATED FOR. I MIGHT HAVE EVEN HANDED ONE TO THEM. WHAT THE HELL??

#love live! sunshine!!#love live sunshine #aqours #awm2017 #ax2017 #wake up girls!#cinderella girls #walkure #seiyuu #my ramblings #gonna jot this down while it's still fresh in my head #im already forgetting stuff fml #hopefully I can remember some more things later...?#apologies for formatting I'm on mobile #I fucking screamed about Sosa reeee #the other ONIBE members were like 'omg stfu yuja u sound like ur dying r u ok'#rushed onto twitter once I found out to tweet at Sosa lol #based on Sosa's reply I...might have sounded a bit too creepily desperate whoops;;;

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madegeeky · 4 years

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Giftening 2020: Obligatory Vote for These Post (spoiler version)

Want the non-spoilery version? Seriously, though, super spoilery for main plot points for a lot of these. Skip the ones you don’t want to know about.

Ones with * are my nominations, so you know where my biases lie. :P Ones in bold are my top pick for the categories. I did not include things that don’t need the boost (like Utena).

ANIME

Aggretsuko - A tv show about an unassuming shy red panda woman who works in an office building and deals with the stress of it by going to karaoke and screaming out death metal. The show largely deals with her making friends with two women who she admires and a dude who likes her. The dude who likes her is actually a geniunely interesting storyline because at the end of the first season (which I’ve not seen beyond), he basically admits that he’s built this image of her in his head that isn’t real and he wants to know the real her. (Which, fuck yeah.)

Fushigi Yuugi* - This is a story about two teens who used to be friends fighting over a man which is literally the antithesis of everything Jet is. And yet, Jet watched the whole damn thing. Watch her squirm as she has to deal with that in a liveblog format. You can get a preview of some of that in Doc’s liveblog of it that she did for Jet.

NON-ANIME ANIMATED

Archer* - This is an animated parody of James Bond made for adults. It's offensive as fuck because Archer, the titular character, is a James Bond stand-in and that character can also be offensive as fuck. In fact, one thing to appreciate about this show is that all the characters are shitty, awful people and the show never attempts to excuse their shitty, awful behavior. Plus, it's one of the few shows where half the main characters are women. I am a tiny bit hesitant to rec this for a liveblog due to the offensivness however, as far as I can tell it's not popular on tumblr, and those are generally the ones that cause the most trouble so...

Daria - The story of a misanthropic teenager, her family, and her best friend. The characters are specifically meant to appear to be tropes before slowly being unveiled as three dimensional people. It's got a dry sense of humor that I think Jet will enjoy. I actually didn't know until years after I watched this that it was a spin-off of Beavis and Butthead (which I hated) so don't let that dissuade you.

LIVE ACTION

Crazy Ex-Girlfriend - I haven't seen past a certain point because it starts going super deep into exploring depression and that is one of my main triggers for a depressive episode, so I cannot speak of later eps. However, this show starts out funny and silly and evolves into a show exploring how toxic the main character actually is and how unhealthy her coping mechanisms are. It's amazing to see a character type whose actions are usually excused or written off as funny instead be specifically called out as being awful and toxic. (It was a Shit Show is still one of the best songs I've ever heard and Mr. Geeky and I sing it to each other whenever shit hits the fan.)

Hannibal* - If you know of Hannibal, you know the basics premise is that of a man who eats people and is chased by the FBI. The writing in this is some of the best writing I've ever had the pleasure of seeing in a piece of media: it's subtle, smart, and trust its audience to follow along without having their hand held. However, what's really great about the TV show is that it's not afraid to do its own thing. It constantly fucks with your expectations and deconstructs and explores tropes in ways I've never seen before. I haven't seen the ending yet but I highly doubt it's going to end in a place where Silence of the Lambs will happen. The acting is fucking great and even though Anthony Hopkins gives an amazing performance as Hannibal Lector, after seeing Mads Mikkelsen play him there's no going back to Hopkins. In general, if you're looking for something original (which is ironic considering it's based on a book and there are several movies) and smart, I cannot recommend this enough.

Russian Doll* - (Doc, please skip this one, as in 5 years when you're done with Two Storms, this is one of the things I'm considering nominating should I ever win a liveblog again.) I don't really know how to explain this show because it's so fucking weird and is so focused on character and ideas that the plot is both super simple and extremely complicated. It's a story about a woman who starts to relive the same day over and over again except, instead of the typical thing where it starts over when she falls asleep, it's only until she dies (so sometimes she lasts for hours, other times for a couple days). However, almost immediately there are signs that something else is going on, that something outside of the main character's repeating day, something has gone horribly wrong. (Count the fish.) It's a very thoughtful, character-driven show, more about exploring ideas than plot which I, personally, didn't mind at all. Another one I highly recommend overall with much less blood and gore than Hannibal.

Xena - IT'S FUCKING XENA PEOPLE! Okay, but just in case you don't know what the show is about is through cultural osmosis, Xena is a show about a woman who used to be a truly horrible murderous bitch and her continual attempts to make up for the wrongs she has done. The main relationship in the show is between Xena and her (girl)friend, Gabriel, and although the show can be ridiculously silly (time is made up and history doesn’t matter!), it also explores deep, dark issues. One of the best things this show explores is the idea of redemption and forgiveness and that perhaps nothing Xena does will ever get her those things.

LIVESTREAM

Crank* - Jason Statham plays a man who has been given a poison that slowly cuts off his adrenaline, meaning that eventually he'll die. He has to do increasingly ludicrous things to get his adrenaline pumping overtime to make up for it slowly being cut off. It's one of the most fucking bananas thing you'll ever watch but is just a bunch of fucking fun. (CW: Public sexual assault. I only mentioned because it’s a scene that last for a bit. It's a complicated scene so I won't get into it here but send an ask if you want more details.)

Dale and Tucker vs Evil* - Dale and Tucker, two hillbilly best friends, are going into the woods to fix up their vacation home when they stumble across some college kids. Random circumstances make the college kids think D&T have kidnapped their friend and so they decide they need to attack D&T to get her back. Hijinx ensue. I don't want to say much more because there's a moment that is, to this day, still one of the funniest fucking things I've ever seen, largely because I did not see it coming.

GAMES

Doki Doki Lit Club - This is a game about games. You play a guy in a dating sim. Your first playthrough everything seems normal enough. You join the literature club, meet and talk to girls, and then one of the girls commits suicide. And then game restarts and the girl who committed suicide just... doesn't exist anymore. Your replay the exact same days but it's as though she never existed. Things only get weirder from there. This game does a great job of turning dating sim tropes on their head, as well as exploring games in general. (Content warning for a lot of things. Let me know if you want more details.)

Slime Rancher (stream) - There's really not much to spoil here. You play a woman who is in charge of a ranch full of slimes. There's some messages you'll find, left by the old owner, telling story about their romance. There also some messages between you character and a deliberately gender-ambiguous significant other. And that's about the closest to story you get. Otherwise it's just catching and ranching slimes.

Subnautica* - Fucking fuck I love this game. When this game first starts it appears to be your typical survival game with no real direction other than what you want to explore. But then you find an alien structure. And you realize that your spaceship didn't randomly crash. And you find out that there's no way get off this planet except to explore deeper and deeper and find out what the aliens were doing on this planet. A genuinely beautiful story, told mostly through entries in data pads and voice messages left behind, this ending is one of the most moving ends I've ever experienced and I never ever would have expected to be able to say that about a survival game.

We Happy Few* - In this alternate universe, the Germans invaded Britain during WW2 (although, through exploring the world, you learn that the differences started well before that). When the story starts up, the Germans have left Britain behind and Britain, for unknown reasons, appears to be cut off and/or abandoned by the rest of the world. The majority of the country is constantly hopped up on a drug called Joy, which is specifically used to help them forget something horrible that happened in the past. (I have theories.) The story starts when your character goes off his Joy and gets kicked out of society. There's a general sense of unease about everything and the more you learn the more that unease grows. The art style is great and the world building fascinating.

MISC (there’s nothing spoilery here but it feels weird to not have it)

Interactive Horror Story Livestream - Doc has talked a bit about this in at least one of her Xmas streams and it sounds amazing. Not only is Jet hilarious with horror stuff but knowing Doc’s writing skill, it will be something that we’d never want to miss.

Bean Boozle When Failing a Hard Game* - I am a sadistic bitch, I admit to this, and I love watching people eat Bean Boozle, the jelly bean of horrible flavors. One of my favorite videos content creators has done is playing an incredibly difficult game and then being forced to eat a random one every time they fail.

#giftening 2020 #giftening recs #spoilers for jetwolf

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princessmelina · 7 years

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Wow after posting this and glancing at the length of it I realize... I should really go sleep now, and who knows what I’ll think when I reread this tomorrow

It’s been... at least 2 months, maybe almost 3, since I had that bout of eating so much I made myself feel awful and then not eating the next meal because I was still so dang full at least twice a week for a few weeks. After I came back from visiting my parents in Oregon and started up with a personal trainer (mainly to increase my strength but also to see if I could get any use from tips on how to eat more like a normal person), between that and karate I seemed to be doing alright, managing my eating well enough, mostly back to just overeating (not to the point of feeling blergh though) on the weekends when hanging out with friends.

But of course I just had to feel overwhelmed enough this week I broke and overate yesterday and today during lunch, so much I felt ugh the rest of the day and couldn’t (or wouldn’t?) eat dinner. But added fun this time, I’ve slept most of the past 2 days away (I sleep more than a person probably should anyway but wow this has been a lot of naptime even for me). And the universe might just be trying to tell me something since in the past few days, two completely separate people I follow reblogged the exact same post that talks about depression meals not just being eating not enough but eating too much too.

Which, okay, probably should have guessed before but I don’t know what triggered it those few months ago and I thought it was just my usual food struggles where I love the taste of everything too much and always want to eat and dealing with all that is tiring enough. But this week I get it. Tried to cheer myself up with my accomplishment on Thursday where my personal trainer got me farther than I expected on my handstand progress but that still didn’t quite work.

Buying a house is awful and stressful and I’m so grateful for everything my family is doing to help me (my mom especially, and also my dad and uncle) but I also wish they could just be here to do it for me because I am not adult enough for this! I don’t know what I’m doing! I keep trying to tell that to my mom and uncle because they don’t want to like, barge in on my business or whatever and I’m like please! Take over even! But at the same time I’m also hesitant to ask them for help even though I shouldn’t be because I don’t want to bother them and I feel like I should be handling things more myself. But almost every step of the process so far, every time I send my mom and update of what I’ve done she’s like, oh no, you should have talked with us before you did that. Not because I’m messing up super hugely but I’m still kinda messing up minor things that could add up to be bad for me and she just wants to make sure I get the best deal out of this situation.

This is why I hate being nicknamed the “golden child”, no matter how much anyone might be joking when they say it. I barely ever know what I’m doing, I just seem like I do. I’m just good at not outwardly panicking. But I feel like my whole life - and I keep trying to explain this to my parents but I think they still might not quite get it - almost every decision I make, especially major ones, is made because I’m too afraid of the other options. Get good grades in school? Gotta make sure it happens because what if I don’t get into a good enough college otherwise. Go straight to university after high school instead of taking a year off or going to community college or something? Gotta make sure I do that because I don’t want to lose that in-state scholarship from those tests or whatever and going in-state is easier because then I don’t have to work too hard to find housing or transportation or whatever, I just live with my parents. Parents and sister are moving to Oregon halfway through my college years? I’m gonna stay here in AZ because I know everyone here already and I won’t have to try to make new friends and I can even stay with my grandma who needs a roommate. Move in with my friend after I graduate? Might as well and she’s even doing most of the work, her and her mom, finding us an awesome apartment to live in - and I want to hang out with friends more and feel bad inviting them over to my grandma’s where even if we bother her she’d be too nice to say anything. Take a job at the bakery my friend works at? I need the money and no one else is hiring and they love my friend and now me as well thanks to her. And so on and so forth up to buying this house.

I hate living alone but I don’t think I’m strong enough to live with anyone else still (my sister lived with me for a year after she came back to AZ from Oregon because she missed friends/family here and probably other reasons too, and now it’s been a little over a year since she moved a few blocks away to go live in a house with 6 other friends, and I’m still a little devastated that we couldn’t make it work because if I can’t live in a house with my own sister who I lived with all our lives except for the few years she lived in Oregon, who can I live with where we won’t somehow both get on each other’s nerves?), so I really want a dog (have for a long time anyway but now I’m longing even more for that companionship and thinking of our family dog a lot and how great he was). But this house setup isn’t that great for a dog, especially a big one like I want, and the backyard still has debris and stuff from my uncle’s projects... so logically, let’s buy a house!! (Because I can’t rent because almost nowhere will allow you to keep a big dog, and definitely not a pitbull/pit mix like I’d probably get because that’s what our family dog was and that’s what mostly fills the shelter.)

And also there was that whole thing with the drunk/high guy getting in a couple years ago (okay I shouldn’t have opened the door at like 5am when I wasn’t sure of who it was but normally I know better and plus my cousins and sister were sleeping over at the time... it’s a long story you can ask if you wanna know) and then a few weeks before I visited Oregon this year my door getting kicked in (no one got in but this time I was alone and man! does your body get tense when you hear that bang so early in the morning and it’s just you, your phone, and your knife as you wonder if you’re gonna have to battle someone while in your pajammies - again. also another story too long for this but ask if you feel like it). I don’t even live in a bad neighborhood, it’s like half families and half college kids who don’t even throw loud parties or anything. How do I attract these things???

Anyway everyone I tell that I’m buying a house is so excited and/or proud of me. Megan, you’re 25 and buying a house what a great accomplishment, especially at your age! So responsible! So good with her money! And I smile and nod and in the moment maybe even get a little excited myself because yeah, how cool is that, me having my own whole house that is all mine? And I can have my dog now!! But then I think about how I’ll have to deal with anything that goes wrong rather than asking my landlord uncle, and it’s just so dang much money what happens if I lose this job or something? And how the heck do I think I can take care of a dog when I’m barely managing to take care of myself from moment to moment????

So there’s all that in my head pretty much constantly for a couple months, intensifying after my offer got accepted on this house at the beginning of October. Then last week I have a party and invite a bunch of friends, even a couple that I don’t see as often as some of the others and are like, sort of different circles but not exactly? I dunno. But it was a little strange, not necessarily in a bad way, because almost everyone was split into couples except for me and one of my closest friends (and her sister but I think her sister isn’t quite as... longing for a romantic relationship as we are, or if she is we don’t talk about it the same haha). And that friend and I both felt it I think, wishing more than usual to have a romantic partner of our own (although out of the four “couples” it was really only my sister and her boyfriend together, and my other friend that has a boyfriend it’s long-distance but they text a lot (it’s so cute, he better be good to her or I will travel to his country and punch him if need be) but anyway) so that didn’t help my thoughts this week, even though that stuff’s always in the back of my mind anyway it was pestering me more.

But even worse than that, I’ve been wondering if I kinda messed up my sister’s boyfriend’s visit for her, he lives in California and was visiting for the weekend. And I know she wanted to spend more alone time with him but I convinced them them to come to the Voltron party anyway (it was basically an all-day thing) though I didn’t expect them to stay the whole time, and it’s not like I forced them to stay at my house, but still... I feel like I was being kinda selfish ‘cause I really wanted them to hang out with us. But I also stopped them from going to the guest room to watch anime when they first arrived (because they didn’t want to rewatch season 1 yet again and would rejoin us for s2) and I told them we’d skip it but then I still played the last few eps of s1 because another friend hadn’t seem them... ugh I just feel bad and like I often force my likes and preferences for the way I want things to go on other people like that and sure, like I said I’m not physically forcing any of my friends to participate but pretty much all of them are also nicer than me and might not say anything if they are actually getting bored with the shows I have us marathon? I don’t know. And in this case I’m worried about bringing it up with my sister because if I did kinda ruin her time with her boyfriend visiting (he’s also the friend of the rest of us but still, I understand her want for alone time even more then since she normally has to share him with all of us in other things like when we all go to cons together) I’m not sure I wanna know especially since I can’t change it now. But if I didn’t what if bringing it up influences her to think about it that way and I retroactively mess it up???

I don’t normally doubt my actions so much, what’s in the past is done and I just try to learn from it and get better every time, but for some reason I’ve just been questioning things a lot this week and it’s worn me out more than ever. And my brain (ever since I was pretty young actually) always goes back to “well if only you had a special someone, and you were just theirs and they were just yours, they’d be able to support you through things like this and you could talk with them like you talk with your other closest friends and maybe even things wouldn’t get so bad in your brain because you’d have accomplished the one dream you’ve had the longest and wished for the most - being in love with someone who loves you”. But those thoughts sometimes hurt the worst because of all my dreams that’s the one I can’t force - I can’t accomplish it just by working harder, improving myself, or whatever. I just have to keep looking and meeting people and talking with people and I can’t even just do that since I need to have at least a good-friend-level connection with someone before actually feeling comfortable enough to have real romantic feelings for them and/or go out on a date with them (otherwise as happened once, they ask me out and I agree and then proceed to feel sick with anxiety for like 3 days - because why would they ask me out they know so little about me why would they like me enough to want to go on a date I’m going to completely disappoint them if they think I’m this cool social person when I’m just like that at cons and the rest of the year I just like to stay at home and watch things and read and sleep and write and maybe plan outings, but not go out into the world with little notice - before finally telling them I can’t do it, sorry, it’s me not you I swear). Yet at the same time anyone who is even a little bit nice to me, smiles at me, compliments me on anything, my brain goes straight to “omg what would it be like if this cool person liked you, wouldn’t it be amazing, you two would probably be so great together and go on awesome adventures and hey look at all these great scenarios even though you literally talked with them for less than a minute or maybe have never met them in person at all”.

I’m tired, friends. And I want to be there for my sister who was probably feeling more lonely this week after only a few short days with her boyfriend who I think she really loves. And I want to hang out with my cousins who are both so busy with work. And I want to do stuff with my other friends that they’re so excited to do but I’m just stuck in this... blah. I worked so hard my whole life to be that person that people could count on, the one to cheer everyone up, the one that you can always count on to be calm and happy, but I think it kinda backfired because now people expect things like me being responsible and knowing what I’m doing. And only my parents know most of the problems I have, I don’t want to burden my sister since she rarely talks about her issues and she’s had friends who (probably unintentionally, but still) take advantage of that and go on all the time about their own problems without asking her how she’s doing (at least I try to ask her, but she doesn’t often let it all out). Similarly with most of my friends, we don’t talk as much as we used to about our really big problems, maybe only going to some large stresses sometimes. And it’s really only my one friend who I can talk with about the wanting that significant other thing since she’s the only one I know for sure has wished for it as much as I have (even though we’re both totally awesome single people and know we don’t need anyone, we still would like it...) and also I know she’ll vent to me the same amount I vent to her so I don’t have to worry there. And of course... whoever reads my lengthy rambles here on tumblr knows so, there you go. 8P

Anyway I’m sure everyone who’s alive already knows life’s hard, so I guess there’s not much more to say other than I’m gonna keep chugging along, doing my best, hoping and dreaming even when it hurts (and yes, I’ll also continue to be this dramatic in writing and probably even more so in real life). I hope everyone reading this is having a better week than I have been and if not, I hope you also feel free to rant to me! Because it’s nice to feel like I’m there for someone and possibly helping even if it’s not much more than just listening... and for me getting all these thoughts out of my head and solidified somewhere else helps, even if just while I’m writing it out. 8) I hope you all get whatever comfort you might need too. <3

#rambling

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singingrainbows · 7 years

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Tag Thing

Nicknames: No nicknames (but I do go by Molly in games and such)

Star sign: Scorpio (also my chinese zodiac is a dragon :D )

Height:165,5cm (I think *shrug*)

Time right now: 01:39(start)

Favourite music artist: It's unusual for me to like more than a few songs pr artist lol, so I guess the ones who are the exception to that could kinda be called my favs, even if even that's a stretch for many. I do very much adore the Danish artist Kim Larsen he's like one of our national treasures. He's kinda like wierd cross between Bob Dylan, David Bowie and Elton John among others lol. So yeah I love Kim Larsen. I also love a lot of music by the danish Rasmus Seebach. I have a fondness for Backstreet Boy's second album (I think it was second, the one with the ”everybody rock your body” song (my first ever cd actually)), I really like a lot of Eminems work too; I really love most of Westlife's old works (they also did one of my top fav song of all time Flying Without Wings), I also have a fondness for some of Avril Lavign's old works. Gah let's just say my fav singers/bands off the top of my head are Kim Larsen, Westlife, Rasmus Seebach, and Yui (japanese). I listen to little bi of everything. From Fallout Boy and the occasional Lincon Park and Evanescnese; to Neon Trees, Paramore, and even those two one direction songs (best night ever, and perfect); to oldies like Dolly Parton, and Bob Dylon (yeah prolly add Dylan to fav list too). I like a few Gwen Stefani and Beyonce songs, and even a Taylor Swift songs. I also love Bruno Mars (yeah he should prolly be on the list, maybe, Iunno). I like classic musik and some opera, I like some rap, I folk songs, and country and old and some new. My fav song to listen to atm is prolly All Of You/Me by John Legend (which may just be the most romantic song I've ever heard). I DON'T like synths, and autotunes and all the horrible thing like that, which is sadly the norm in so much music today. I've very rarely seen it used well. It grates, and while some of it may be ok to dance to in a club (like the unholy racket that was crazy frog, actually kinda fun to really dance to on a sugar high) but the problem is that it's never kept there. It bombards the radio stations, which in turn, bombards shopping malls and recntly my god damn grocery stores! WTF? D: So yeah I fucking HATE modern club music! I literally hurts my ears, and stabs at my head. FUUUUCK! (sorry for the rant ^^; ) Not much for Disco, I find the majority of Elvis songs kinda boring, and I'm not much for punk. I do love a good rock song, and I have a fondness for most of the hits thats came out when I was a kid. I like exactly one Spice Girls song (three guesses which, lol) but I REALLY do like that one. I love Aqua and while Barbie Girl will always scream ultra Nostalgia my fav is Doctor Jones. The VangaBoys too, Boom Boom, and Ibiza stand out lol. Achy Brachy Heart will always be fondly smiled at, and Over My Shoulder is still one of my favs (for some inexplicable reason, despite its subject matter being sad, it never fails to make me smile. Must be the upbeat melody, lol.) The danish band Shubidua was played to redicluous levels in my early teens, someone was always putting it on, lol. (That and Kim Larsen.) Their silly, silly songs made us laugh and smile and sing along. Also the Danish song Videoman. I Swear by All 4 One evokes memories of when my parents were still in love and not estraged divorcees, (while I don't regret them splitting in hindsight, no kid likes going through a divorce. Let alone moving a country away and leaving one parent behind. *forget ”every other weekend” I saw my dad 2-4 weeks a year if that.*) that song reminds me of simpler times (not that I long for them, I like my life now, but still). The Soop Shoop Song aka In His Kiss by Betty Everett is and always will be awesome. Las Ketchup was rediculous but fun. Yeah I could go on, but I think that's beyond enough lol. Sorry long babble is long. XD

Song stuck in my head: Can't remember for a blessed moment and I want to keep it that way lol.

Last movie watched: Uh. Prolly a drama or some scifi movie.

Last TV show watched: Underground, Handmaid's Tale, American Gods, so many more. (Also, Game Of Thrones needs to start NOW not in two weeks :O )

What are you doing right now: Writing this, reading an awesome Naruto fanfic, arguing with my cat, smiling at my cat, enjoying that my cat is currently not screaming his head off and hoping lasts, considering attempting to gather my sweet kitty for a cuddle, watching a few anime Hero Academia, *just finished a few too* just started the first ep of Spiral; cat's yelling again ”be quite I'm not giving you a snack! Top scratching the table gah!”; quiet again, please last; playing Pokemon Sun.

When did you create this blog: Uh, like last year I think. It's fairly new.

What kind of stuff I usually post: Mostly reblogs. I'm planning to start psoting some fan theories, musings on stories, and maybe a review or two, I dunno. Who knows.

Do you have any other blogs: Twitter (my primary hang out) and Deviantart.

Do you get asks regularly: No

Why did you choose your url: Uh.

Hogwarts house: Swings between Slytherin and Hufflepuff, with the potential but not really the desire for Gryffyndor.

Pokémon team: I think it was Valor, but I dunno. Also, if I really lived in the pkmn world my occupation would totally be treasure hunter/adventurer.

Favourite colour: Pastel/baby/pale pink and pastel/baby/pale/sky blu are tied for first place, second is pastel/baby/pale purplish blue and pastel lavenderish. I just love pastels, and I'm fond of all lighter shades of blue. I like some reds too. Bright orange and yellow in nature. If it's found on a real rainbow I likely have a fondness for it. Flowers and nature make me happy. I love the sky, and bodies of water. My dream is to live near a lake and a meadow. (I hate grey.)

Average hours of sleep: It swings. But for an otimal nights sleep I require around ten hours min.

Lucky number: 7

Favourite Character: Lucy Heartfilia from Fairy Tail (probably one of the best female characters (and characters period) ever; Naruto Uzumaki (pre Tobi ”reveal”) from Naruto; Sakura Haruno (pre Tobi reveal), various other Naruto characters; Madoka from Madoka Magica, Usagi/Sailor Moon; various Madoka Magica characters; various FairyTail characters; various Digimon Characters; Harry Potter from HP; various HP charas. A ton of others too, but this list is long enough.

How many blankets do you sleep with: Two summer duvets (sometimes I forgo the one if it's REALLY hot, but my body goes into super shut down mode when I sleep, so I get super chilly. This is not fun on a plane.) In the winter I sometimes pile on one or two or even three blankets. (Then despar when I wake to one or more on the floor.)

Following: 6

Followers: 11 but not because tumblr spazzed out. The real number is iffy. :P

I was kinda tagged by Amarevia. I tag those who wanna give it a go.

#time capsule

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paulisweeabootrash · 4 years

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New Year’s Mini-Review Pack 2019

Another year is over and I want to make the mini-review pack from last year a yearly tradition to announce it.

Sometimes I watch shows that I have something to say about, but I don't feel like writing a real review of them. Here are the five I want to highlight this year.

Happy New Year, nerds!

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1. Food Wars (2015)

Episodes watched: 7

Platform: Hulu

Souma is in the family diner business, trained by his father on expert renditions of “low-class” foods. He expects to continue in the family business, and even rescues the diner (via cooking, naturally) from sabotage by a developer trying to pressure his father into selling the building so it can be replaced with high-rise apartments. But despite that, his father shuts down the restaurant “for a few years” to go abroad and sends Souma to a fancy boarding school for aspiring chefs. The school is sprawling and eclectic in a way only anime boarding schools can be. And, like any self-respecting anime boarding school, it naturally has three things: an absolutely nonsensical student government, an extraordinary level of old-school elitism, and most importantly, duels. Disputes can be settled through challenges of head-to-head Iron Chef-style cooking, with wagers riding on them ranging from "you have to join this club if you lose" to "you're expelled if you lose". As far as I’ve watched so far, there are a few episodes focused on setting up the premise and main characters and a few focused on these competitions between students. Although the latter concept can be tedious because I’m not much of a tournament show person, it is nevertheless fun because this show commits to its absurdity.

Classic W/A/S: 6 / 7 / 3

Weeb: Ludicrous school setups! The main character progressing through a series of duels! Tentacles! In-depth descriptions of Japanese food! It's not the kind of weeb that makes it incomprehensible to those not familiar with the tropes, but it's certainly very Japanese.

Ass: This show has been described to me by several people as "literal food porn", and... yeah. The cold open scene to the first episode contains... uh... basically tentacle porn. I'm sorry. The feelings of characters' pleasure (or revulsion) in food is depicted metaphorically and absolutely over-the-top, often with the pleasure of delicious food being heavily sexualized. And there's plenty of sexualization of both male and female characters even outside of these scenes, although it never crosses the line into full nudity.

Shit: Very well-drawn! The food is particularly gorgeous, as you'd expect, but the other imagery is creative, and the melodramatic writing and music are not bad, even fitting for so outlandish and cheesy a concept.

PS: I haven’t actually tried making it... yet... but the gag dish introduced in ep. 1, grilled squid with peanut butter, sounds good to me, despite the negative results you can easily find... and others seem to agree, since the concept predates the show. Just make a peanut-butter-based-sauce rather than just using peanut butter and it should be fine.

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2. Hinamatsuri (2018)

Episodes watched: 12

Platform: Crunchyroll

Hina, a time-traveling middle-school-aged psychic, arrives in our time, in the apartment of a very confused yakuza operative, Nitta Yoshifumi, who takes her in. Shenanigans ensue, mostly centering around hilarious misunderstandings and the dubious life lessons Yoshifumi and other mobsters impart. Mostly, the comedy and story are propelled by Hina and two other girls we meet early on: another time-traveler, Anzu, who is sent to retrieve her, fails, and gets stuck in our time, and Hitomi, whom Hina meets as a classmate when Yoshifumi enrolls Hina in school under the name Nitta Hina (claiming she is his daughter), and who gets intimidated into taking an after-school job as a bartender that she struggles to keep secret. The show's format is two segments per episode focusing on different slice of life-ish stories (though with solid continuity and more ongoing plot than you might expect for that characterization), and is usually comedic but also veers into drama and incredible sweetness. Hina is deadpan, bad at conversation, and unable to unable to understand the context or motives of what others are saying, in a way that honestly almost makes me think autism(?), but I'm guessing is probably supposed to just be "she was raised in the creepy time travel organization and they didn't train her to socialize". Anzu is a different outcome of the same deprivation: after not returning Hina to their own time, she moves into a homeless camp and quickly takes in the life lessons of the residents, becoming earnest, helpful, and incredibly resistant to spending money, but completely baffled and amazed at how our world works. Hitomi, the only "normal" one, is just... the best. The episode about her first becoming a bartender felt like a backdoor pilot, and if it were I would absolutely watch that spinoff. The first segment of ep. 10, also starring Hitomi, is the funniest "compounding misunderstandings"-style comedy I've seen in a while... and I'm a big Arrested Development fan, so that means something.

Classic W/A/S: 3 / 2 / 3

Weeb: There are some distinctly Japanese traditions depicted, but most elements of the show could be moved to a different setting and "reskinned" for different cultures' organized crime, foods, shopping options, homeless camps, etc., without sacrificing any of the plot or comedy. Mostly, its distinctly Japanese features are that it relies on imagery and exaggerations that absolutely scream "comedy anime".

Ass: Sexual humor and references, occasionally, but not going to far. Recurring nudity, but not full and not for fanservice. Actually, it seems as if they've taken a cue from Terminator and assumed that, for whatever reason, you have to time-travel naked.

Shit: This show is practically made of reaction images. Although it's not the best animated, it's very consistent, clean, and expressive. They do well with how they did it. The show practically demands a second season in its last episode, and I think it could make it all the way down to a score of 2 or even 1 on here if they do so and upgrade the animation a bit. The characters are distinctly and pleasantly designed and rarely does a scene go by that isn't hilarious not because of some kind of rapid-fire jokes thing but because each segment is set up so well and characters play off each other. Hina's lack of affect gets a little tiresome, but the other characters are great, and usually get a large chunk of an episode's screentime.

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3. Is It Wrong to Try to Pick Up Girls in a Dungeon? Arrow of the Orion (2019)

Episodes watched: n.a. — movie

Platform: in theater

Picking up sometime between the first and second seasons of the main series of Is It Wrong to Try to Pick Up Girls in a Dungeon (or Danmachi for short, derived from the Japanese title), this follows the main cast of Bell Cranel and his ragtag dungeon-crawling party on a new quest. Artemis, Greek goddess of chastity and hunting, is in search, via Hermes, of an adventurer who can wield "the Orion" (a drastically OP spear with the power to kill gods themselves) to destroy Antares, a monster who keeps wiping out adventuring parties and has become a threat to the entire world because [spoiler]. A love... square... ensues between Bell, Hestia, Lili, and Artemis, and other various shenanigans happen that will make much more sense if you've seen the main show and its companion/spinoff, Sword Oratoria. I personally didn't find the affection between Bell and Artemis particularly believable, and I didn't expect the ending to go quite the way it did, but I try not to complain about a story not being the story I wanted it to be. Watch it if you're already a Danmachi fan or really really like weird takes on classical mythology. Skip if not.

Classic W/A/S: 3 / 4 / 4

Weeb: Prior knowledge of Danmachi helps immensely, but is not strictly required as there is a and although the show is another "what if we just mix a bunch of mythologies together?" and "what if a real world functioned on RPG logic?" premise, it does occasionally have an idea thrown in that will be foreign to much of the American audience (even if not distinctly Japanese), such as the Buddhist idea of gods themselves being reincarnated (something that also came up in Noragami).

Ass: As the after-credits interview feature says, they wondered whether or not they should keep -sigh- the panty shot. And they went with "yes". Also, peeping on women bathing has, unfortunately, become a running joke whenever Hermes appears in Danmachi, so be prepared for that. Without giving spoilers, though, let me just say I hope not all of the nudity comes off as sexual.

Shit: The monsters are hit-or-miss CGI, sometimes blending with the 2D animation of the rest, sometimes looking so jarring it's actually funny. The 2D art is usually beautiful, though, and as much as I love the show, this is definitely an art upgrade overall. The plot has a few dumb elements, honestly, or at least not well-enough-developed ones, that make me wonder if it could have worked better as a story arc in the show itself (actually developing a relationship between Artemis and Bell). The score is a mix of reused tracks from the show plus some new stuff that sounds pretty Jurassic Park-era John Williams to me. A few subtitle choices are noticeably different from the show, but not consequential to understanding things. There were a lot of ugly audio glitches, especially early on, but I hope that's a problem with the equipment at the theater I went to and not the editing of the movie.

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4. Supernatural the Animation (2011)

Episodes watched: 1.

Platform: Hulu.

This show follows Sam and Dean Winchester, who -- yup, you're on the right blog, and yup, that's "Supernatural" as in the long-running American live action series. For those not familiar, the original is a sprawling drama set in basically "our world except all mythologies and folklores are true", and follows the aforementioned Winchester brothers, who hunt monsters in situations that range from their straightforward monster-of-the-week investigations to meta-humor to multi-season story arcs involving multiple trips to Hell itself. My wife is a huge fan, so I've seen a lot of episodes just incidentally, and enjoyed some of them, but haven't really followed the show. She assures me, though, that this anime adaptation is loosely based on the first two seasons. So loosely that at first she thought it was some sort of interquel or sidestory. The first episode comes off feeling like you're supposed to already be familiar with the main characters -- that they're brothers, that they're monster hunters, why they're looking for their missing father -- because not much actually gets explained. It’s unremarkable and badly-executed and ugh.

Classic W/A/S: 3 / 1? / 7

Weeb: Although the source material is American (and further back, European and Middle Eastern, given the influence of European folklore traditions and the Abrahamic religions on the choice and depiction of monsters), it's presented in a very Japanese style. This is especially true in reworking the original's horror tendencies -- the blood splatter from offscreen and the writhing, lurching body horror that is the shapeshifter seem much more like what little I've seen of Japanese horror than American.

Ass: I forgot to write anything for this immediately after I watched it and I don't care enough to go back and check but I don't remember anything that would fall under the headings of fanservice or general nudity.

Shit: Variable. There are occasional moments of bad CG, occasional low-frame-rate weirdness, and disjointed storytelling compared to what I've seen of the original. The art style is pretty interesting, though, because it's not something you see animated much -- its angular faces and stark shadows remind me of the darker end of American superhero comics. Although it's certainly not the technically worst show I've reviewed in either story or art, I find it extremely unpleasant and do not want to continue past one episode. If you feel like doing so, feel free to tell me if it gets any better.

Content: Violence and horror imagery is somehow both less extreme and more successfully unsettling (at least to me) than those in the original live-action show.

#Food Wars #Hinamatsuri #Danmachi #Arrow of the Orion #Supernatural #Supernatural the Animation #weeaboo trash #mini-reviews #happy new year

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deadcactuswalking · 3 years

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REVIEWING THE CHARTS: 26/12/2020 (LadBaby, Boris Johnson, Ed Sheeran)

It’s Boxing Day in the UK as I write this and I’m pretty tired but we still have to review those charts regardless, especially this chart as this is the Christmas chart – at least it’s being paraded around as such – and hence we have a Christmas #1. For the third year in a row, family vlogger, pseudo-comedian and amateur musician, not to be confused with DaBaby, Mark Ian Hoyle – more commonly known as “LadBaby”, has bagged the #1 for the holiday season. Every time I’ve covered the Christmas #1 it has been this guy and, yeah, I’m tired of it. At least this year he felt some stiff competition, and hey, the songs’ proceeds do go to charity. Oh, yeah, and this guy is the third act to have three Christmas #1s in a row, putting this nobody from Nottingham with a barebones Wikipedia page and a couple million YouTube subscribers on the level of the Beatles and Spice Girls. God, the UK Singles Chart never fails to amaze me. Anyway, that’s arguably not even the biggest story here so let’s start REVIEWING THE CHARTS.

Rundown

As I said before, this is the “Christmas week” so throughout the UK Top 75 there are a lot of holiday songs re-peaking or reaching new peaks, before dropping off entirely the next week. Let’s start as we always do by listing the drop-outs from the chart, of which there are quite a few notable ones. Most of our top 40 debuts from last week are gone, like Taylor Swift’s “champagne problems” and “no body, no crime” featuring HAIM, as well as “Show Out” by Kid Cudi, the late Pop Smoke and Skepta. We can also say goodbye to “Sunflower (Spider-Man: Into the Spider-Verse)” by Post Malone and Swae Lee, finally after 54 weeks and a surprise return earlier this month, in addition to other top 10 hits like “you broke me first” by Tate McRae, “See Nobody” by Wes Nelson and Hardy Caprio and “What You Know Bout Love” also by Pop Smoke, as well as some more minor hits like “Wonder” by Shawn Mendes, “Lonely” by Justin Bieber and benny blanco, “Train Wreck” by James Arthur, “Golden” by Harry Styles and “Plugged in Freestyle” by A92 and Fumez the Engineer, but I can see almost all of these rebounding hard next week so I don’t think there’s much to worry about here. For fallers, since Christmas has really consumed everything about this chart this week, we have some big ones that’ll find themselves back in the top 10 or at least top 20 next week like “positions” by Ariana Grande at #19 (the first non-Christmas non-debut song to appear on the chart, by the way), “Sweet Melody” by Little Mix at #20, “Whoopty” by CJ at #22, “34+35” by Ariana Grande at #28, “WITHOUT YOU” by The Kid LAROI at #31, “Prisoner” by Miley Cyrus and Dua Lipa at #35 alongside “Midnight Sky” also by Miley at #36, “willow” by Taylor Swift off the debut to #37, “Get Out My Head” by Shane Codd at #38 and “Paradise” by MEDUZA and Dermot Kennedy. We also have “Therefore I Am” by Billie Eilish at #43, “Really Love” by KSI featuring Craig David and Digital Farm Animals at #45, even “HOLIDAY” by Lil Nas X at #49, “Mood” by 24kGoldn featuring iann dior at #54, “Loading” by Central Cee at #59, “Head & Heart” by Joel Corry and MNEK at #60, “Monster” by Shawn Mendes and Justin Bieber at #64, “Blinding Lights” by the Weeknd at #66, “Dynamite” by BTS at #67, “Lemonade” by Internet Money and Gunna featuring Don Toliver and NAV at #72, “Levitating” by Dua Lipa with the biggest fall down to #73 and finally “No Time for Tears” by Nathan Dawe and Little Mix at #74. To put the dominance of holiday music on the charts in perspective, if we take the songs that are not either explicitly Christmas-related or a clear Christmas #1 campaign (i.e. LadBaby), the song at #38 would be at #10 and our #1 would be “positions” by Ariana Grande at #19. “Whoopty” by CJ, that entered the top 10 last week and dropped to #22 this week, would be at #3. There are 11 songs in the top 40 that never made an effort to take advantage of the holiday season. When we get into some of our debuts, it’ll be even clearer how big Christmas is in British pop music. Anyway, let’s skim through our gains and returning entries, most of which are Christmas or Christmas-related. For returning entries, we have the comically awful “Lonely this Christmas” by Mud at #71, last year’s scam attempt at a Christmas #1, “River” by Ellie Goulding at #69, “The Christmas Song (A Merry Christmas to You)” by Nat King Cole at #63 (which I’d appreciate more in the top 20 like it is in the US every year – this is a classic), “2000 Miles” by the Pretenders at #62 (again, incredible song that deserves a higher holiday peak each year), “Christmas (Baby Please Come Home)” by Darlene Love at #58, “Santa’s Coming for Us” by Sia at #55, “Have Yourself a Merry Little Christmas” by Sam Smith at #53 and for whatever reason, “Holy” by Justin Bieber featuring Chance the Rapper at #41. In terms of notable gains – and I stress notable, since a lot of higher-up Christmas songs had small gains but still good performance - we have “Santa Claus is Coming to Town” by the Jackson 5 at #57, “Let it Snow! Let it Snow! Let it Snow!” by Frank Sinatra at #56, “White Christmas” by Bing Crosby at #52, “Baby it’s Cold Outside” by Brett Eldredge and Meghan Trainor at #51, “Forever Young” by Becky Hill at #50 (both off of the debut), “Baby it’s Cold Outside” AGAIN by Michael Bublé and Idina Menzel at #47, “Love is a Compass” by Griff at #46, “Feliz Navidad” by Jose Feliciano at #44, “Cozy Little Christmas” by Katy Perry at #42, “Let it Snow! Let it Snow! Let it Snow!” AGAIN by Dean Martin at #39, “Sleigh Ride” by the Ronettes at #34, “Christmas Lights” by Coldplay at #33, “Santa Baby” by Kylie Minogue at #32, “Mistletoe” by Justin Bieber at #29, “Jingle Bell Rock” by Bobby Helms at #27, “Wonderful Christmastime” by Paul McCartney at #26, “Holly Jolly Christmas” by Michael Bublé at #25, “All You’re Dreaming Of” by Liam Gallagher at #24 (thanks to a Christmas #1 campaign that crashed and failed), “It’s the Most Wonderful Time of the Year” by Andy Williams at #23, “Happy Xmas (War is Over)” by John Lennon and Yoko Ono with the Plastic Ono Band featuring the Harlem Community Choir at #21, “One More Sleep” by Leona Lewis at #18, “Merry Xmas Everybody” by Slade at #17, “Underneath the Tree” by Kelly Clarkson at #15, and finally, “Rockin’ Around the Christmas Tree” by Justin Bieber illegitimately notching a spot in the top 10 at #8. Finally, we can get onto the new arrivals, although something about this next one tells me that we won’t be in line for anything all that good.

NEW ARRIVALS

#70 – “I’ll be Home” – Meghan Trainor

Produced by Meghan Trainor

...for Christmas. She’ll be home for Christmas. I guess she just can’t finish sentences, even though her cover art has the full title. Anyway, this is a 2014 original Christmas song that went nowhere except Sweden. It’s not anything like the Bing Crosby and wasn’t nearly as successful, mostly because it’s a jingly, inoffensive ballad tacked onto a silly Christmas EP that also features Fifth Harmony and Fiona Apple of all people – who probably should have charted her track instead – as well as the deluxe edition of that debut record Title that nobody liked. At least in this, she’s not going for a faux-retro style, or at least one that I can find the inspiration for, and is just singing over this oddly jaunty piano melody – which sounds pretty albeit bland – as well as some swells of strings and acoustic guitar that do work sonically. The content implies that Meghan Trainor is in contact with Santa Claus personally, and that he gave her the advice to be home with her lover this Christmas and... that’s why this charted, isn’t it? Well, it’s not her fault – it’s not a “stuck with u” moment, but it is dodgy that she decided to put this on her own Christmas record that was released in October of this year, which can’t seem unintentional. I’d be lying to say this isn’t a pretty little tune from Trainor and her voice does fit this instrumental, but a jazzy rendition from someone with a deeper, smoother voice, would work wonders with the content. Oh, and that Christmas record features guest appearances from both Earth, Wind & Fire and Seth MacFarlane, as well as her dad, because, you know, sure, 2020.

#65 – “Gnat” – Eminem

Produced by d.a. got that dope

I can’t tell if I’m underestimating Christmas or overestimating Eminem when I say I expected an album bomb – or whatever that equivalent would be in the UK and our land of silly chart rules – from the deluxe edition of his pretty damn terrible album, Music to be Murdered By. This 3/10 trainwreck consists of two hours I’ll never get back of either great beats wasted by Eminem’s corny, stiff flows and painfully unlikeable delivery or obnoxious, unlistenable beats that are dated enough for Eminem to start going on his Relapse “killing women in funny accents” shtick, which was awful then and even worse now when he tries to replicate it. Marshall, you’re 48, and I know that you’re just “messing around” but if you’re going to treat the album as a cinematic masterpiece within the album and its thematic Alfred Hitchcock interludes, you have to understand that the audience will see it as that way as well, so you having fun and being painfully unfunny in the process over cutting-room-floor trap instrumentals cannot slide. At least Kamikaze had some genuine anger and dare I say some actual balls in how it tackled controversy and dissed everyone he could think of off the top of his head. The last record was angry and bitter, this one’s just tired and lazy, and that’s before we get into some of the ugliest bars, instrumentals and cadences Slim Shady’s ever put on record, which is especially present on “Gnat”, a lightweight trap banger with some acoustic guitars not dissimilar to those that would appear on a Lil Baby mixtape, complete with questionable bass mixing and really bad hooks. On the verses, he sends a death threat to Mike Pence, but on the chorus, his bars are “like COVID” because “you get them right off the bat”. I don’t know about you, but in 2020, I don’t want to hear Eminem harmonising with producer tags, making topical and insensitive pandemic references, or spitting sex bars with coughing ad-libs. Before the beat switch, his flows are some of the sloppiest and drawn-out he’s ever used, and yes, I’ll admit, that second beat is a lot better and Em kills it over that instrumental – but only for a brief moment before we have a third beat, which Eminem is pretty great over, especially with that sax and sweet piano keys overlaid with hard 808s and Eminem’s rapid-pace, quick fire flow... and then he raps the chorus again and I want the song to end as quickly as it started – thankfully, it does end rather abruptly. Just wasted potential all throughout – if that beat switch and flow was a guest verse on damn near anyone else’s record (Em has made tracks with Don Toliver of all people, and he could work), this could be great. For now, Em, you know Kris Kristofferson? I think you should Piss Pissofferson. Forever. Look that up, by the way, that’s a lyric on the record because of course it is.

#61 – “In the Bleak Midwinter” – Jamie Cullum

Produced by ???

I had only briefly heard the name “Jamie Cullum” before this, but he is an English jazz-pop singer and pianist who’s basically useless and uninteresting but, hey, at least he has a radio show on BBC Radio 2. Sure, I mean that might have been the reason that Amazon Music picked him up for an exclusive project for which this is the biggest single. It’s not on Spotify, it’s not even on Genius, and it’s barely on YouTube but since it is, I should tell you that this is his first charting single since 2009 and it’s a remarkably uninteresting rendition of a Christmas carol done a lot better by Jacob Collier – and that one’s on Spotify – so yeah, your sleepy piano arrangement and tone that makes you sound like Robbie Williams half the time and Beck the other, doesn’t interest me. Goodbye.

#30 – “Afterglow” – Ed Sheeran

Produced by PARISI, Fred Again and Ed Sheeran

If we inexplicably remove everything Christmas-related on the chart, Eminem’s “Gnat” would have debuted at #20, and this new track from Ed Sheeran, already stunted from being released on an unconventional day, would have hit #5. Regardless of chart position, Ed Sheeran’s back with his first solo single since Divide. Yes, I’m purposefully ignoring that collaborative project he put out in 2019 because as far as I know, it doesn’t exist. At the end of the year, when things are looking as if he could start touring again, Sheeran predictably releases his lead-off single. This song in particular is a heartfelt ballad from Ed to his wife, who he wishes to be there forever and even if they aren’t together at any moment, whether he’s touring or they separate for whatever reason, he’ll “hold on to the afterglow”. I won’t lie, it’s a really sweet and convincingly sold love song from Ed, even if it’s not anything new, it does feel like a different approach since he’s a newly-wed man now. Although I’m not a fan of this somewhat muddy mixing that somehow messes up just a guy and his acoustic guitar, making what should be a really pretty, ethereal and mellow track sound almost ugly, which doesn’t flatter Ed and his limited delivery at all, especially when he starts getting multi-tracked in the second verse and whooshing sound effects of strings pop up in the mix, and, yeah, it just sounds cheap and gross at this point, which is really a waste of incredible content and a great performance from Ed, who sells everything as well as he can. I understand how this is supposed to be down to Earth, so a perfect mix wouldn’t make sense, but if you’re going to make him harmonise with his own background vocals and even show signs of belting, give him some more grandiosity and go full out instead of restraining him so that it just sounds jarring. With a different mix this could be one of Ed’s best tracks since the melodies are on point, the song feels really heart-warming and sincere, especially coming from Ed to his wife, but we won’t get a remaster anytime soon, I imagine, so for now this is just pretty damn good. I love the cover art as well, painted by Ed himself, and released alongside the single as a bit of a Christmas gift to fans, as well as the start of what I’m pretty sure will be a promo cycle. If this is a good peek into what that album will sound like, it’s safe to say I’m more than excited than ever to hear from Ed Sheeran.

#5 – “Boris Johnson is a Fricking Jerk” – Kool & the Gang

Produced by ???

Okay, so the song’s calling Boris Johnson something stronger than a “fricking jerk”, and the song is decidedly not by soul legends Kool & the Gang, although I’d love for that to happen sometime. This is a family show, of course, so we have to take some liberties. This track originates from a comedian from Basildon, Essex of all places, and whilst we don’t know his name, the songwriting credit on Spotify is given to contemporary British poet Wayne Clements so maybe he’s behind this, who knows? Whether he is or not, I can tell you the history behind this comedian’s music, as he has been making crude short singles about controversial topics in British society and politics for a while, including some about Nick Clegg that charted, although never higher than #63. He retired in 2016 but after writing an autobiography, the guy’s back and he released a compilation of punk rock tracks, all of which are small and profane, with a “band” of puppets that I also can’t name. State-controlled Russian television networks – because, sure, again, it’s 2020 – say that he will start touring in 2021, mostly because he’s finally reached that mainstream audience with this family-friendly tune about Boris Johnson. Here’s how Vick Hope and Katie Thistleton introduced it live on air during the mid-week chart reveal.

Now at #19, we've got a track about Boris Johnson that has so many bad words in it, we can't play it on daytime Radio 1.

Ah, you cowards. Wait... Anyway, I’m pretty happy that the British public can stick it to Boris and the heartless Tories that follow him and currently rule the country, even if it is all a bloody stupid joke from an anonymous punk rocker. We can dig into Boris for his failures on Brexit, mishandling of the pandemic, disgraceful reality-star-esque personal life, that he wasn’t even born in the UK yet is basically a nationalist, his history of Islamophobic commentary, his crap excuses for journalism back in the 2000s or even his clown-nose, blonde bowl-cut “hair style” he adopts whilst addressing us on live television feeding us lies and misleading statements that turn into retcons the next time he has to address the nation, whether it be on Brexit or COVID-19 tiers and regulations, both of which are a confusing mess to both sides of Europe that exist to drift us away from where we should be going as a nation, and further into the realm of political party tribalism that we know absolutely does not work in the States and that we mock the Yanks for. We’re more than the sick man of Europe, we are the America of Europe. I guess you could say Ireland is our Canada, but we don’t even have a Mexico to make us look better, we just have other western, central and northern European countries that may be flawed but are far ahead of whatever the hell this shell of a union is in 2020, less than 80 years after the creation of our National Health Service. People will look to pundits and newsreaders like Piers Morgan, entertainers like Phillip Schofield, war veterans and charity-givers like Captain Tom Moore, and even politicians like Boris Johnson, as the “heroes” of Britain’s 2020 but it’s increasingly clear that absolutely no-one is a hero, and it’s the people’s right to be upset. Hence, nearly exactly a year after Boris Johnson cheated his way into power by smear campaigns and elitism, we have this song debuting at #5. Unfortunately, the song doesn’t go into any of that. It just repeats the title in an anthemic – and considerably agreeable – refrain that is an undeniable punk hook. The riffs and guitar work here isn’t of any interest, but the guy’s delivery is powerful and furious, so I’ll give the song credit: it’s not just correct but it’s really good, especially for a one minute runtime. He also released some satirical MIDI-level synth-pop remix with gross Christmas sleigh bells and hi-hat skitters, because, say it with me, it’s 2020. I wouldn’t recommend the album though, it overstays its welcome by the time you get to “Jesus Died of a Stranglewank”.

#1 – “Don’t Stop Me Eatin’” – LadBaby

Produced by who cares?

I can’t get mad at this lazy “parody” of Journey’s “Don��t Stop Believin’” about sausage rolls, or even its Ronan Keating remix, which is LadBaby doing a favour to Ronan Keating, if anything. Sure, my blood boils with the idea that this incompetent Internet personality from the East Midlands – which I think I’m sadly also able to describe myself as – got the #1 over Mariah Carey, or even that Boris Johnson diss track, but it’s going to the Trussell Trust and it’s ultimately an inoffensive, vaguely happy track that even gets the vegans involved. I, for one, prefer “Boris Johnson is a Sausage Roll”, a version of our #5 you can – and should – play on the radio even after Christmas. I don’t have anything more to say about this guy so piss off, LadBaby, you can’t even get the album cover right to the song you’re parodying, thrice in a row.

Conclusion

Best of the Week is definitely going to the Somethings for “Boris Johnson is a Something Something”, with an Honourable Mention to Ed Sheeran’s “Afterglow”. I can’t bring myself to give a charity single Worst of the Week so I’ll spare LadBaby the honour and grant it to Jamie Cullum for his greedy Amazon exclusive trite, with a Dishonourable Mention for “Gnat” by Eminem, for just being wasted potential all across the board. Next week, everything Christmas-related will be gone and we’ll get a bunch of returns and hopefully some new, interesting returning entries. We might even get the impact of Playboi Carti’s long-anticipated album – and I hope so because it’s fantastic – but that’s wishful thinking. Anyways, I hope everyone had a happy holiday season. Here’s our top 10:

Thank you for reading. You can follow me @cactusinthebank for more rambling about pop music and occasionally politics, and I’ll see you next year.

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