A bit of crack for Child of Mors: A List of Things Found In Mors' Desks (Ongoing Project)
*cackles*
There's lists going around among Regis and co and some historians on what the weirdest things found in those desks are. Here's some of the highlights:
a Cosmogony with so many annotations basically nothing is readable anymore
a shard of the Crystal (Regis will craft that one into a Carbuncle figurine for Noctis)
drafts for an indoor fishing place because Regis likes fishing
drawings Regis did as a toddler
picture of Mors's Shield Machaerad, cheeks puffed up like a chipmunk from eating so many Ulwaat berries at once
biography notes for one Augura Lucis Caelum (She was an older sister to a King and restored lost art. She got banished by her nephew for not conforming to his cultural reformations.)
carefully written and annotated profiles of possible wives for Regis (the last profile added was of Aulea, on which Mors simply wrote 'he will marry her')
a letter in an unknown language
a humongous picture book about Solheimr reliefs, also annotated by Mors
3 rocks
a lock of red hair so dark it nearly looks black
a love letter to Fabricas Lucis Caelum, the female King of Lucis who restructured the whole city and upon whose plans the modern city was build
a hate letter to Fabricas Lucis Caelum, the female King of Lucis who restructured the whole city and upon whose plans the modern city was build
stickfigure sketches ridiculing prominent nobles
a sheet of paper simply reading 'WHAT THE FUCK????' written by Mors and in pink glitter pen
tax forms with dicks drawn all over them
sticky notes full of insults directed at Bahamut
a letter to Bahamut apologising for those insults
28 notes
·
View notes
the audacity you literally have to make a GENOCIDE SURVIVOR (whose entire culture was decimated by the fire nation) proudly work for the imperial fire nation army in some fuckass au? zutara shippers are never beating the colonial apologism allegations.
Woah, okay, I wasn't expecting this. I'm a firm believer that people should, first and foremost, treat each other on the basis of respect, so I'll do my best to explain this to you, clearly, and with the benefit of the doubt in mind, okay? I'm a nice person like that.
First of all, I'm working under the assumption that you haven't read these posts, and thus don't have all the information I've shared about the AU. I've been as clear about this subject as I can be, especially in my replies but, for the sake of fairness, I'll say it once again again:
I do not condone nor find it moraly correct to justify a victim of war joining the side of the ones responsible for her people's genocide.
I try to view this AU, and war in general, through a mature, realistic lense. Turning Katara into a victim with glorified Stockholm Syndrome isn't really my style. It's honestly insulting and deeply disturbing for me, as a creator, a woman of color born in a country that has a very, very long history of colonialism, and an empathetic human being, that anyone would believe me capable of thinking like that.
That being said, I know I really shouldn't, but would you like me to give you a step by step response?
(...) proudly work for the imperial fire nation army (...)
Okay, like I said before, I'm going to assume you saw only the artwork, didn't read either the tags or the two separate, in depth posts about the characterization and plot in this AU I made literally twenty four hours ago, and drew your own conclusions instead.
First of all: Katara doesn't proudly work for the Fire Nation army. That's her cover, as it is Zuko's. She joined Zuko and his crew, all traitors to the throne and good, honourable people, under the pretense of hunting the Avatar. Truly, they're destroying the Fire Nation military from within. And are, most definitely, not proud soldiers of the Fire Lord.
Katara hates the Fire Nation. But if joining a Fire Nation crew is what she needs to do to end the war, she will do it.
And, honestly, these are not excuses. But context is important, and it's not healthy to draw conclusions from the title instead of actually reading the book, if you know what I mean. It could get you in trouble some day.
And, please, I'm begging you—this has been talked about a lot, and I don't really like drama all that much, so I won't even rise to the accusations of condoning a non consented, colonialist and abuse apologist relationship.
That's just rude.
247 notes
·
View notes
My trip to Ireland got me thinking more about the relationship between Seán and Molly, or at least the differences between them as characters. Like I think they love each other deeply, they've been together since birth. The problem is that for as alike as they can look and act on the surface, twins are still going to have separate personalities. They're both survivors, but they have very different approaches to that survival.
Seán is the negotiator. He's able to talk without giving too much of himself away, the funny friend who you suddenly realize you know nothing about. He's willing to acquiesce to certain ceremonies in order to maintain some semblance of self-governance. He believes he is able to protect core aspects of his identity by playing along, and at the end of the day that's what's important.
Meanwhile, Molly is the defiant one. In comparison to Seán, she wears her heart on her sleeve. She is incapable of bluffing. She lacks the subtlety Seán has. She refuses to give anything up because she already views it as an erosion of her identity. It is all or it is nothing. She won't convert, she refuses to acquiesce, she won't stop rebelling. What's important is that she stays whole.
They're both driven, but their methods of pursuing that drive inherently harms the other. Molly rebels and the warfare ravages Seán. Seán allies with the Ascendancy and Molly is punished for refusing to get with the program. They love and want what is best for the other, and neither of them particularly enjoyed being part of the empire. They both love to drink and dance and be merry. However, for most of their history, they just haven't been able to figure out how to survive together. And that's where the breach between them lies.
9 notes
·
View notes
luke doesn't do hatred ( not out of some conscious decision out of the goodness of his heart. he just doesn't, and it takes too much effort to hold unto it when he feels it. there are some people he hates, but it takes a lot so it's a short list. the list of people he wants dead is longer than the ones he hates, frankly ), but he definitively holds a grudge against the baratheons.
2 notes
·
View notes
If you try to resist Duncan recruiting you into the Wardens as a Circle mage, Irving has some interesting dialogue about how the Circle isn’t the place for you and that you have a rare talent that shouldn’t be squandered.
Gwyn absolutely doesn’t fight his recruitment because he has some self preservation instinct, but that’s a big part of the reason Irving was trying so hard to get him out of the tower and into the Wardens. Watching a once-in-a-generation magical prodigy start vibrating with anxiety and despair because he’ll never actually be able to test himself or do anything meaningful with all that talent, except maybe entertain some bored nobles as a court enchanter, is also a disaster waiting to happen and Irving knows it; better to seize the opportunity to get him out as soon as it presents himself.
2 notes
·
View notes
After a refreshingly long stretch of not having to look at that obnoxious political picture in my coworker's mailbox every time I move around this office, he cleaned out the box and now that picture is prominently visible again.
It is wrong to remove something from someone else's box and run it through the shredder. I should not do it. I will not do it. But I am fighting the urge so hard.
I already feel like I'm in enough trouble with him after having the audacity last week to ask him to turn down his incredibly loud volume. I was polite, but the response was initially to not understand and then to try to argue with me ("What are you listening to?" I explained I had headphones but could still hear his video through them) before reluctantly turning it down. He's older and I know he probably has trouble hearing and I don't want to be insensitive, but at the same time loud (political) videos are disruptive in a shared office.
Not sure yet how (or if) to speak to my boss about this (she's very results-and-quick-problem-solving-focused and might think this is trivial), but at some point I might need to. If only to ask what's the best way for me to cope with the nonsense without building to an explosion of repressed frustration.
15 notes
·
View notes
I loved your addition to my sad Moonchaser snippet! And now I can't stop thinking about this being a canon compliant ficlet, and James and Remus don't speak after this and then James and Lily die. Remus doesn't see Harry until POA, and as much as he loves Harry, it also breaks his heart every time he sees the boy and knows that he only exists because James walked away from Remus and their marriage. 😭
Thank you!! I'm really glad you liked it. I know you warned us that what you'd written was unfinished but I was loving it so much that when I got to end I just needed the rest of it 😂
And oh my god, yes to this being canon compliant. And it could be even worse if Harry had been told that James and Lily genuinely loved each other (because that's what everyone outside of their dead circle of friends knows), and Remus has to continuously battle with himself on whether or not he should let Harry keep thinking this, or if he should tell him the truth. Even though the truth is that not even his parents really wanted him, and that he was only ever born as a means to an end.
12 notes
·
View notes