#aria mit 30

[study-with-aura]

Friday, September 8, 2023

I needed to take the photo with my wite-out because I used it so much this Geometry lesson. For some reason, I kept getting my numbers flipped or confused. I am happy that it is Friday. I think my brain needs a rest. However, I also kept my pen case close to remind me to remain positive despite all the mistakes. Mistakes are not truly mistakes if a lesson is learned; they are a learning experience.

Tasks Completed:

Geometry - Reviewed properties of rigid transformations + learned about compositions of rigid transformations + practice

Lit and Comp II - Reviewed Units 1-3 vocabulary + completed writing exercise on passive voice + read Chapters 19 and 20 of The Adventures of Tom Sawyer

Spanish 2 - Reviewed saber and conocer + reviewed preterit -ar verbs + reviewed gustar

Bible I - Read Genesis 34-35

World History - Reviewed terms + prepared a PowerPoint presentation on Homer

Biology with Lab - Completed the structure fits function assignment + took a quiz on the scientific method

PE/Health I - Read a health article

Foundations - Read more about cautiousness + took a quiz on Read Theory + reviewed information on time management and study skills

Practice -Practiced assigned pieces for 30 minutes and worked on memorization

Khan Academy - Completed Unit 1: Lesson 2 of World History + completed Unit 1: Lesson 2 of High School Biology + completed Unit 1: Lesson 2 of High School Geometry

Duolingo - Completed at least one lesson each in Spanish, French, and Chinese

Activities of the Day:

Ballet

Pointe

Journal/Mindfulness

-

What I’m Grateful for Today:

I am grateful that my grandparents are staying a little while longer even if it's due to weather conditions.

Quote of the Day:

Knowing yourself is the beginning of all wisdom.

-Aristotle

🎧Aria mit 30 Veränderungen 'Goldberg Variations' BWV 988 - Johann Sebastian Bach

#study community #study blog #study inspiration #study motivation #studyblr #studyblr community #study-with-aura

[harmony-balance]

J.S Bach - Goldberg Variations BWV 988 | Aria mit 30 Veränderungen - Nat...

#youtube

[boyiwakwambvukuta]

https://music.apple.com/us/album/aria-mit-30-ver%C3%A4nderungen-bwv-988-goldberg-variations/1468018313?i=1468025884

[clamarcap]

Ercole e Ebe

Reinhard Keiser (9 gennaio 1674 - 1739): antologia di brani dal Singspiel Die Verbindung des großen Herkules mit der schönen Hebe (1699) su libretto di Christian Heinrich Postel. Yeree Suh, soprano (nei nn. 6 e 7); Elbipolis Barockorchester Hamburg. Ouverture Menuet [2:55] Entrée alternativement avec le Trio [3:40] Aria alla battaglia [4:30] Aria con oboe solo [6:02] «Betrübter Geist», chaconne…

View On WordPress

#Christian Heinrich Postel #Elbipolis Barockorchester Hamburg #Reinhard Keiser #Yeree Suh #Youtube

[inhocsignovincesvinces]

Das Erbe

30 Jahre lang war Prinz Arias, der älteste Sohn Hermenexildos Erbe auf das Herzogtum Galicien.

Zweifel an seiner Eignung bestanden schon früh. In einem rätselhaft passiv-boshaften Schachzug holte König Alfonsu den jungen Arias an seinen eigenen Hof nach Oviedo und stellte ihn unter die Obhut seiner Mätresse. Hermenexildo konnte sich damals nicht gegen seinen Freund und König stellen. Die Entfremdung von seinem ältesten Sohn begann.

Mit der Volljährigkeit trat Arias als Hauptmann der Reiter in die Dienste seines Vaters. Hermenexildo war ein verständnisvoller Vater, doch noch mehr war er ein pflichtbewusster Herzog und es konnten ihm die Geschichten die über Arias kursierten nicht gefallen.

Abgehobenheit, Quälerei und doppelte Standards. Das war es was Arias auszeichnete

Lange liess sich Hermenexildo Zeit, mit 50 enterbte er seinen ältesten Sohn "aus Gründen die in dem Wohlergehen Galiciens liegen"

Hermenexildo genoss zu dieser Zeit bereits einen unantastbaren Ruf. Arias nahm es ohne grossen Groll hin und wurde nach dem Tod seines Vaters und der Machtübernahme seines Bruders Gaton, dessen engster Vertrauter.

[kuqevelumig]

Moultrie game spy m-100 bedienungsanleitung samsung

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https://kuqevelumig.tumblr.com/post/694028542128848896/cloer-toaster-bedienungsanleitung-polar, https://kuqevelumig.tumblr.com/post/694028480371949568/track-guide-2-bedienungsanleitung-polar, https://tusuhawejuta.tumblr.com/post/694028389347196928/logilink-wl0128-bedienungsanleitung-pdf, https://bitobabefer.tumblr.com/post/694028490497982465/citizen-funkuhr-bedienungsanleitung-yamaha, https://kihuferuhac.tumblr.com/post/694028471551344640/ephorus-handbuch-englisch.

[tobbpenztazembereknek]

#Spotify

[opera-shitpost]

Opera arias to wash your hands to

With the Coronavirus going around (and even without it, people) washing your hands is very important. Here are some arias to help you measure the 20-30 seconds you should spend handwashing.

Richard Wagner: Lohengrin

Nun hört, wie ich verbot’ner Frage lohne: Vom Gral ward ich zu euch daher gesandt: Mein Vater Parzival trägt seine Krone, Sein Ritter ich - bin Lohengrin genannt

Richard Wagner: Tannhäuser

Dir, Göttin der Liebe, soll mein Lied ertönen! Gesungen laut sei jetzt dein Preis von mir! Dein süßer Reiz ist Quelle alles Schönen, und jedes holde Wunder stammt von dir.

Giacomo Puccini - Turandot

Dilegua, o notte! Tramontate, stelle! Tramontate, stelle! All’alba vincèro! Vincèro! Vincèro!

Giacomo Puccini - Tosca

Vissi d’arte, vissi d’amore, Non feci mai male ad anima viva! Con man furtiva quante miserie conobbi aiutai. (Honestly you could stop after anima viva but who cares)

Guiseppe Verdi - Nabucco

Va, pensiero sull’ali dorate; va, ti posa sui clivi, sui colli, Ove olezzano libere e molli l’aure dolci del suola natal! (Again, it’s a little longer then you need it. Keep singing while you dry your hands idk)

Guiseppe Verdi - La Traviata

Sempre libera degg’io folleggiare di gioia in gioia vo’ che scorra il viver mio pei sentieri del piacer

Guiseppe Verdi - Rigoletto

La donna è mobile Qual piuma al vento, Muta d’accento E di pensiero Sempre un amabile, Leggiadro viso, In pianto o in riso È menzognero

Georges Bizet - Carmen

L’amour est un oiseau rebelle que nul ne peut apprivoiser, et c’est bien en vain qu’on l’appelle s’il lui convient de refuser. Rien n’y fait, menace ou prière, l’un parle bien, l’autre se tait

Wolfgang Amadé Mozart - Die Zauberflöte

Der Vogelfänger bin ich ja, stets lustig, heisa Hopsasa! Ich Vogelfänger bin bekannt Bei alt und jung im ganzen Land. Weiß mit dem Locken umzugehn und mich auf’s Pfeiffen zu versteh’n

Not an opera but an operetta and still a banger:

Johann Strauß II - Die Fledermaus

Ja, sehr komisch, hahaha Ist die Sache, hahaha Drum verzeihn Sie,  hahaha Wenn ich lache hahaha... Ja, sehr komisch, hahaha Ist die Sache, hahaha!

Have fun singing and washing your hands! And stay healthy!

#opera shitpost #my personal go-to is tannhäuser #opera arias #giacomo puccini #lohengrin #richard wagner #nessun dorma #tannhäuser #guiseppe verdi #corona #coronavirus #handwashing #turandot #tosca #la traviata #nabucco #bizet #carmen #johann strauss #die fledermaus

[yagi-mk]

Bach - Aria mit 30 Veränderungen Goldberg Variations BWV 988 - Rondeau | Netherlands Bach Society

ヨハン・セバスチャン・バッハ (Johann Sebastian Bach)

ゴルトベルク変奏曲 (アリアと30の変奏曲)  BWV 988  BC,L9

ジャン・ロンドー(Jean Rondeau)

#バッハ #ゴルトベルク変奏曲 #アリアと30の変奏曲 #BWV 988 #BC L9 #Jean Rondeau #ジャン・ロンドー

[verdiprati]

Upcoming Performances by Dame Sarah Connolly

[NOTE: this post is now out of date. Check the schedule tag on my blog for the most recent version of this list.]

After the jump: an unofficial schedule of Dame Sarah Connolly’s future performances. Those of you in Britain may catch a performance in London, Cardiff, Leeds, Oxford, Gloucester, Bath, or Lewes. Those on the Continent may see her in Berlin, Madrid, Paris, Antwerp, Amsterdam, Geneva, Zeist, Baden-Baden, Vilabertran (Catalunya), or Capestang (Languedoc). And finally, those of us in North America have engagements in New York and Philadelphia to look forward to! Don’t live near one of these places? Take in a concert from afar: I am adding online broadcast and livestream details as they become available.

This is not an authoritative list. These are the upcoming performances by Dame Sarah Connolly that I have been able to learn about from Dame Sarah’s agent's website (Askonas Holt), Operabase, Bachtrack, Dame Sarah's Twitter, and generally ferreting around the web.

I sometimes list concerts that are not yet officially confirmed; you should of course check official sources before making plans and be aware that cast changes and cancellations can happen at any time.

I have added links to venue, ticketing, and broadcast information where available. Tips on new information are always welcome! Please contact me via email (verdiprati [at] selveamene [dot] com), Tumblr messaging, or ask box (plain prose only in the ask box; anything with links or an email address will get eaten by Tumblr filters) with corrections or additions.

Handel, Giulio Cesare (title role) at Glyndebourne, last two shows on July 24 and 28, 2018. In a revival of the legendary 2005 production by David McVicar, with the Orchestra of the Age of Enlightenment conducted by William Christie (June 10 - July 6) and Jonathan Cohen (July 10 - 28). With Joélle Harvey as Cleopatra, plus Christophe Dumaux and Patricia Bardon reprising the roles of Tolomeo and Cornelia respectively; also starring Anna Stéphany (Sesto), John Moore (Achilla), and Kangmin Justin Kim (Nireno).

Recital of English song at the BBC Proms, Cadogan Hall, London, August 6, 2018. With Joseph Middleton. The repertoire includes works by Britten, Bridge, Vaughn Williams, Parry, Holst, and several others—all of whom “studied or taught at the Royal College of Music”—with two world premieres by Mark-Anthony Turnage and Lisa Illean.

[Broadcast] As with all BBC Proms performances, this one will be broadcast live on BBC Radio 3 and should remain available for listening on demand for about a month afterward.

Appearance at a charity concert to benefit the Ligue contre le cancer, Capestang, Languedoc, August 11, 2018. Dame Sarah’s participation is mentioned in English-language writeups here and here. There are very scant clues as to what repertoire she might perform.

Recital at the Schubertíada Vilabertran, August 18, 2018. With pianist Malcolm Martineau and viola player Jonathan Brown. Repertoire includes songs by Brahms, Mahler’s Kindertotenlieder, and English songs by Richard Rodney Bennett, Ivor Gurney, and Frank Bridge.

[New! Broadcast] I can’t figure out how to deep-link the schedule on the radio station’s website, but this concert is scheduled to be broadcast live on Catalunya Música. I can’t promise that it will be available for listening on demand later, but CatMúsica generally makes concert recordings available (sometimes after a few days’ delay) here. (You may need to click “Tots” to see the full list. Concerts expire from the website after about a month.) UPDATE: Sorry, false alarm! I was looking at a schedule of live performances in the region, not the schedule of radio broadcasts. Oops! There is other programming scheduled at the time of Dame Sarah’s recital at Vilabertran. I believe the recital will be recorded but presumably we will have to wait a few weeks or months before it comes up for broadcast.

[Masterclass] Public masterclass at Wigmore Hall, London, September 19, 2018. Part of Dame Sarah’s residency at the Wigmore. Tickets go on sale to the general public May 29.

Wagner, Das Rheingold and Die Walküre (Fricka in both) at the Royal Opera, London, September 24 through October 28, 2018. A revival of Keith Warner’s Ring Cycle, with Antonio Pappano conducting. For cast and date details, see the ROH web pages linked above. As of this writing, the ROH is only allowing customers to purchase tickets for an entire cycle of the four operas; I’m not sure whether they’ll allow separate booking later. The October 28 performance will be livecast to cinemas; the October 18 performance, also marked “Filming,” is presumably a dry run for the camera crews and/or a chance to gather additional footage for promos and perhaps an eventual DVD release (we can hope).

[Broadcast] As mentioned above, the October 28 performance of Die Walküre is scheduled for livecast to cinemas. You can use this page to search for a screening near you—if you live in the UK, Europe, South Africa, or the US. At the moment, there do not appear to be any screenings scheduled elsewhere.

Mahler, Das Lied von der Erde at the Royal Festival Hall, London, September 29, 2018. With Stuart Skelton and the London Philharmonic Orchestra conducted by Vladimir Jurowski. In a concert with Mitsiko Uchida playing Mozart’s Piano Concerto No. 27.

Appearance at “Opera For All” anniversary show at the English National Opera, London, October 10, 2018. Repertoire TBA.  Somewhat ironically, tickets for “Opera For All” start at a hefty £45 for a few seats far back in the Upper Circle and Dress Circle, and climb steeply to £75 for the next cheapest price bracket. Update: the powers that be at ENO seem to have realized the error of their ways. As of this writing, I’m seeing tickets for £15 (very few seats), £45, and £55, as well as the pricier options (£75 and £125).

Mahler, Das Lied von der Erde at the Philharmonie Berlin, October 14, 2018. With Torsten Kerl and the Rundfunk-Sinfonieorchester Berlin conducted by Vladimir Jurowski.

[Broadcast] The concert listing on the RSB website includes a notation “Konzert mit Deutschlandfunk Kultur,” implying (I believe) that it will be broadcast on said radio station. As of this writing, it is still too early to confirm this on the radio station’s site, but keep an eye out closer to the date.

Recital of English song at the Oxford Lieder Festival, October 22, 2018. With Eugene Asti. Songs in English by numerous British composers including Rebecca Clarke, Muriel Herbert, and Sally Beamish. There is a good deal of overlap with the selections on Dame Sarah’s recent album “Come to Me in My Dreams.”

Concert with the Tenebrae Consort at Wigmore Hall, London, October 24, 2018. Part of Dame Sarah’s yearlong residency at the Wigmore. The mostly English repertoire centers on a new piece by Judith Bingham setting poetry by Ivor Gurney. The choir throws in some Schoenberg at the end. 

Blow, Venus and Adonis and Purcell, Dido and Aeneas in concert at the Concertgebouw, Amsterdam, November 3, 2018. With the Early Opera Company conducted by Christian Curnyn. Dame Sarah’s co-stars are Jonathan McGovern, Lucy Crowe, Dame Felicity Palmer, and Rowan Pierce.

Tippett, A Child of our Time at the Paris Philharmonie, November 7 and 8, 2018. With Michelle Bradley, Mark Padmore, John Relyea, and the Orchestre de Paris conducted by Thomas Adès in a concert also featuring symphonic works by Berlioz and Adès.

Recital at the Bath Mozartfest, Guildhall, Bath, November 13, 2018. With Joseph Middleton. Repertoire to include “Deh, per questo istante solo” from La Clemenza di Tito as well as songs by Schubert, Ravel, Debussy, Gurney, and Ireland. The Bath Box Office website says “Online booking for this event opens at 09:30 on 30 Jul 2018.”

"L’invitation au voyage,” song recital at Wigmore Hall, London, November 16, 2018. With James Newby and Joseph Middleton. The repertoire is Ravel-centric but not all by Ravel himself. Part of Dame Sarah’s residency at the Wigmore and also part of a Ravel song series being presented by the venue over the course of the year.

Beethoven, Missa Solemnis at deSingel, Antwerp, November 21, 2018. Part of a tour by Le Concert Olympique and the Arnold Schoenberg Chor. With Malin Hartelius, Steve Davislim, and Hanno Müller-Brachmann; conducted by Jan Caeyers.

Beethoven, Missa Solemnis at the Philharmonie Berlin, November 23, 2018. Part of a tour by Le Concert Olympique and the Arnold Schoenberg Chor. Tickets appear to be on sale here. With Malin Hartelius, Steve Davislim, and Hanno Müller-Brachmann; conducted by Jan Caeyers.

Beethoven, Missa Solemnis at the Festspielhaus Baden-Baden, December 1, 2018. Part of a tour by Le Concert Olympique and the Arnold Schoenberg Chor. With Malin Hartelius, Steve Davislim, and Hanno Müller-Brachmann; conducted by Jan Caeyers.

Appearance at the Glyndebourne Tour: Golden Anniversary Celebration at the Queen Elizabeth Hall, London, December 4, 2018. Sir Thomas Allen and Sir John Tomlinson are also appearing at the concert, and the Glyndebourne website says “More performers will be announced in the coming weeks.” The program has not been announced yet but I will be surprised if Dame Sarah doesn’t reprise an aria or two from Giulio Cesare. I don’t see a way to purchase tickets online but they apparently are available by phoning the box office.

Wagner, Das Rheingold (Fricka) at the Teatro Real, Madrid, January 17 through February 1, 2019. In a production by Robert Carsen; conducted by Pablo Heras-Casado. Co-stars include Greer Grimsley (Wotan) and Sophie Bevan (Freia) among others.

Berlioz, L’Enfance du Christ with the BBC National Orchestra of Wales at Hoddinott Hall, Cardiff, February 15, 2019. Sir Andrew Davis conducts; the other vocal soloists in the all-Brit, all-excellent lineup are Andrew Staples, Roderick Williams, and Matthew Brook.

Recital with Julius Drake at the Concertgebouw, Amsterdam, March 5, 2019. Works by R. Schumann, Brahms, Wolf, A. Mahler, and Zemlinsky.

Recital with Julius Drake at the Grand Théâtre de Genève, March 7, 2019. I don’t see the repertoire mentioned on the theater’s website as of this writing, but presumably it will be similar to the works presented in Amsterdam and Philadelphia in the duo’s other recitals this month.

Recital with Julius Drake at the Teatro de la Zarzuela, Madrid, March 11, 2019. Works by Brahms, Wolf, Roussel, Debussy, and Zemlinsky.

Recital with Julius Drake at Wigmore Hall, London, March 15, 2019. Part of Dame Sarah’s yearlong residency at the Wigmore. Repertoire TBA, but may have some works in common with those programmed for Connolly and Drake’s other recitals in the same month. Listed in the season preview brochure [PDF].

Recital with Julius Drake at the Kimmel Center, Philadelphia, March 22, 2019. Sponsored by the Philadelphia Chamber Music Society. Repertoire includes works by Brahms, Wolf, Roussel, Debussy, and Zemlinksy.

Wagner, Götterdämmerung (Waltraute) at the Metropolitan Opera, New York, April 27, May 4, and May 11, 2019. In a revival of Robert Lepage’s production of the Ring cycle, with all shows to be conducted by Philippe Jordan. Oddly, the entire cast list seems to have disappeared from the Met website, but Operabase confirms my recollection that Dame Sarah was once listed there. Dame Sarah’s co-stars in Götterdämmerung (according to notes that I took when the cast list was still on the Met site) include Christine Goerke (Brünnhilde), Stefan Vinke / Andreas Schager (sharing the role of Siegfried), Edith Haller (Gutrune), Eric Owens (Hagen), Evgeny Nitikin (Gunther), and Tomasz Konieczny (Alberich). The de-listing of the entire cast is very odd though and I would take this information with a grain of salt; perhaps there is some rejiggering going on. Update: the Metropolitan Opera announced in a tweet on August 9 that Dame Sarah will be replaced by Michaela Schuster in all performances of Götterdämmerung.

[Details TBA] Appearance at the Internationaal LiedFestival Zeist (Netherlands), late May, 2019. The festival dates are May 17-26. Programming details have not yet been released as of this writing, but Dame Sarah is mentioned as one of the performing artists.

Elgar, The Dream of Gerontius with the Hallé and three choruses at Victoria Hall, Leeds, June 1, 2019. Barry Banks and David Soar are the other vocal soloists; Simon Wright conducts. General ticket sales (for non-subscribers) begin August 18.

[New!] Mahler, Des Knaben Wunderhorn (extracts) and Janáček, Glagolitic Mass at the Maison de la Radio, Paris, June 20, 2019. With the Orchestre National de France and the Choeur de Radio France, conducted by Jukka-Pekka Saraste. The other soloists for the Glagolitic Mass are Simona Šaturová, Mati Turi, and Christof Fischesser.

[Broadcast] This concert will be broadcast live on France Musique.

Recital with Malcolm Martineau at Wigmore Hall, London, July 23, 2019. Part of Dame Sarah’s yearlong residency at the Wigmore. Repertoire TBA. Listed in the season preview brochure [PDF].

[New!] Berlioz, La damnation de Faust (in concert, presumably) at the Three Choirs Festival, Gloucester, July 27, 2019. With Peter Hoare, Christopher Purves, and David Ireland. Tickets go on sale to the general public on April 24. The concert is listed in the preview brochure here [PDF]; full program details are set to be announced in early 2019. 

[New!] Bob Chilcott, A Christmas Oratorio (premiere) at the Three Choirs Festival, Gloucester, August 1, 2019. With Nick Pritchard and Neal Davies. Tickets go on sale to the general public on April 24. The concert is listed in the preview brochure here [PDF]; full program details are set to be announced in early 2019. 

[Unconfirmed / details TBA] Handel, Agrippina at the Dutch National Opera. Hugh Canning recently tweeted the news that the Royal Opera is planning to offer Barrie Kosky’s new production of Agrippina with Joyce DiDonato in the title role; in a reply that has now been deleted, Dame Sarah mentioned that she and Alice Coote would do the same production in Amsterdam and Munich. (If you are a member of the Sarah Connolly fan group on Facebook, you can see a screenshot there.) Subsequent discussion revealed that Coote would get the Munich gig (in July 2019), so Connolly must be the Amsterdam Agrippina. The DNO has already announced its ‘18-’19 season and Agrippina isn’t in it, so presumably we’re looking towards ‘19-’20 or beyond.

[Unconfirmed / details TBA] Brett Dean, Hamlet (Gertrude) somewhere in the United States. Allan Clayton, who starred in the title role of Brett Dean’s Hamlet at Glyndebourne in 2017, mentioned in a recent interview with the Telegraph that he would be reprising the role at an unspecified date and venue in the US. When prompted on Twitter, Dame Sarah indicated that she would be participating in the revival, too (“I shall be misunderstanding my confused boy again”). Hat tip to Christopher Lowrey, who sang Guildenstern in the original production at Glyndebourne, whose tweet praising Allan Clayton brought the Telegraph interview to my attention. (No indication whether Lowrey will also be cast in the American revival.)

[Details TBA] A future appearance at the Opéra national de Paris is mentioned in the current bio that can be downloaded from Dame Sarah’s page on the Askonas Holt website (click “Publicity Pack”). I cannot find her name mentioned anywhere in the 2018-2019 season, so I suppose we must wait until at least the fall of 2019 if not later.

Previous versions of this list can be found under the schedule tag on this blog. This list published July 24, 2018. Edited July 26 to add the broadcast link for the BBC Proms recital. Edited July 28 to add the US revival of Hamlet. Edited August 5 to add the Catalunya Música live broadcast of the concert from Vilabertran. Edited August 8 to add the two Three Choirs Festival concerts in Gloucester. Edited August 9 to reflect Dame Sarah’s withdrawal from the Met Götterdämmerung. Edited August 16 to remove the (nonexistent, as it turns out) Catalunya Música live broadcast of the concert from Vilabertran, with apologies for the error, and to update the list of locations where the ROH  Walküre live cinema telecasts may be seen. Edited August 22 to add the Paris Des Knaben Wunderhorn and Glagolitic Mass. Edited August 29 to add Dame Sarah’s appearance at the Glyndebourne Tour special event in December. I may continue to edit this list as I receive new information.

#sarah connolly #schedule #performances

[tinyshe]

tzhak Perlman: Popular Jewish Melodies.

🎧 *Find this recording in our Spotify playlist* : https://spoti.fi/38KdtFX *Click to activate the English subtitles for the presentation*

(00:00-01:00) I.THE JEWISH MOTHER - A Yiddishe Mamme - Traditional (00:00) This song, whose authors are unknown, originated on the stage of the Yiddish theatre at the time of mass emigration of Jews to the USA in search of a better life. It is a song of yearning for the warm and loving touch that only a mother, particularly a Jewish mother, can provide. "A Jewish mother — she is dearer than money.'' "A Jewish mother — how sad when she's so far away..'' II.WHEN THE REBBE ELIMELECH BECOMES SO VERY MERRY (06:49) As der Rebbe Elimelech is gevoyrn asoi freylach Music: Anonymous Moshe (Moishe) Nadir was one of the great Jewish humorists and satirists. Here, with all due respect to the great Rabbi Elimelech, he portrays him as a happy human being, not above the foibles of frolicking with abandon at times of joy. III.REYZELE (12:44) Music: Mordechai Gebirtig A victim of the Holocaust, Mordechai (Mordkhe) Gebirtig created many songs that became very popular throughout the lands of Jewish dispersion. Here a young maiden, wishing to preserve her traditional "purity," implores her secret lover not to whistle when he comes courting. IV.AT THE FIREPLACE - Oif'n Pripetchik brennt a feier'l (16:57) Music: Mark Warshavsky This song, by a protege of Sholem Aleichem, has become the essence of the Yiddish folksong, and a classic of the genre. It is a perfect paean to the very soul of Jewishness (at least in the East-European tradition), expressing the suffering, the tears, the heroism and the tribulations of endless wandering in the exile, the Diaspora. This is portrayed through a touching picture of children crowded around their Rebbe in a heated room, learning the wonders of the alphabet. V.DOYNA (21:06) Music: Romanian Anonymous This tune originated in Romanian folk song and was adopted by the Jewish Klezmers who traveled around playing at weddings and other festivities. (Similarly, many Jewish melodies found their way to the folksongs of other peoples.) The Doyna has thus become one of the most popular Klezmer melodies. VI.RAISINS AND ALMONDS - Rozhinkes mit Mandelen (24:50) Music: Abraham Goldfaden Originally an aria from Goldfaden's operetta "Shulamit," this rapidly became such a hit that it quickly turned into a popular folksong. It is a statement of innocent optimism and faith in the Jewish fate and future. VII.BY THE WAYSIDE STANDS A TREE - Oif'n Weyg steyt a Boim (30:31) Music: Anonymous Itzik Manger was a true folk-poet whose works have rightly become classics of Jewish literature. In the present example a young Jewish lad dreams of turning into a bird, so that he might experience true freedom in all its glory, to nest among the bare branches of a wayside tree, deserted in the wintry storm by all the birds. VIII.A SONG - A Dudele (36:00) Music: Reb Levi Yitzhak of Berditchev Many of Rabbi Yitzhak's songs have become true folksongs. They are all, like the present one, simple and straightforward expressions of the faith in God the Almighty, and of the great inner joy that may be derived from this faith. « Oh, mighty God! O mighty God! I shall sing you a song: You are in the North, and You are in the South. You are in the East, and You are in the West! You, You, You, You.. » IX.WHERE SHALL I GO ? - Vi ahin soil ich Geyn ? (40:55) Music: Oscar Stock Though written by two men of the theatre before the Holocaust, this song became very popular during World War Il in the ghettoes and concentration camps. It depicts the profound dilemma of the desperate Jewish People, persecuted everywhere and at a loss as to ’’where one can go’’.. Violin: Itzhak Perlman Clarinet Solo: Israel Zohar The Israel Philharmonic Orchestra Conductor and Arranger : Dov Seltzer Recorded in 1986-87 Find CMRR's recordings on Spotify: https://spoti.fi/3016eVr Mendelssohn - Violin Concerto in E minor, Op.64 (reference record.: Itzhak Perlman, Bernard Haitink): https://www.youtube.com/watch?v=B_GKh... Nicolò Paganini - 24 Caprices Op.1, Caprice No.24 + Presentation (Century’s record.: Itzhak Perlman) : https://www.youtube.com/watch?v=3iTum... Max Bruch - Violin Concerto No.1 in G minor + P° (Century’s recording : Itzhak Perlman / Haitink) : https://www.youtube.com/watch?v=dUKZS... Traditional Music PLAYLIST (reference recordings) : https://www.youtube.com/playlist?list...

#music #violin #itzhak perlman #popular jewish melodies #history #classical music #instrumental #orchestra

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