#but you immediately assumed I had to be somehow addicted to it just bc I didn't jump on the | Explore Tumblr Posts and Blogs

the-black-birb · 4 years

Text

scars [kuroo]

Pairing: Inked!Kuroo Tetsurou x Tattoo artist!Reader

Summary: Kuroo still holds on to the memories of his high school romance.

A/N: I wanted to write this piece as a birthday gift for @heccingdead bc she writes some of the best angst I’ve read!! But I feel like it got a little out of hand ahflashfslfakslfk also this was highkey inspired by @allywritesimagines and the idea of philophobia

Warnings: implied abuse, minor Kuroo x Daishou, strong language

Kuroo had always been proud of his tattoos, dancing over his body like a mosaic. In the year following high school, he’d gathered so many that at times he wondered if he had more ink than skin.

It was almost addicting, the feel of the needle buzzing over his skin leaving his senses numb. At parties they kept him grounded, always a topic of conversation. He’d trained himself to recall the stories of each – just enough that it wasn’t too personal – without even thinking about it.

He was always delighted to talk about his tattoos – in part because it meant talking about you. At first, it was just normal praise for the artist. “She’s amazing!” he’d tell his friends. “I definitely recommend her; she’s done all of mine.” Of course, he’d gush and fawn over the person who helped him garner so much attention.

But recently, his commentary was becoming a bit different. “She kicked my ass at mario kart,” he told Kenma, who just groaned. Beating Kuroo at mario kart didn’t mean much.

“Her rice cakes taste amazing,” he beamed when him and Bokuto got their weekly brunch. “She taught me how to make them but I can’t get them quite right…”

Bokuto nodded solemnly, taking in all of Kuroo’s excitement. “So, you’re whipped?” was his conclusion after the fourth brunch in a row Kuroo brought up his escapades with you.

“Huh?” Kuroo looked up from his omelet to Bokuto’s owlish eyes. “Nah, man,” he laughed. “She’s just a cool person, you know? Not many people can be artists and bakers and-“

“Gamers,” Bokuto finished, smirking at Kuroo. “You’ve said.”

Before Kuroo could protest once again, Bokuto (to his friend’s relief) changed the subject to ease Kuroo’s discomfort. But the words still lingered in his mind.

You were a lot of things to Kuroo. A business acquaintance at first (and the only tattoo artist near him that he could afford fresh out of high school) but recently a friend and confidant as well. It couldn’t be helped; if you were to hand draw each and everyone of his tattoos and hear his stories full and uncensored you were bound to become close with him.

But he knew there was more to it than that. He’d been drawn to you from the start.

“So why do you want to get a tattoo?” you’d asked him when he first went to consult you. At the time he had no idea who you were, or rather what you would become to him, and he had nothing to lose, really. Assuming this tattoo would be his last and he’d never have to worry about you again, he gave you the honest truth.

“I wanted to cover this up,” he pulled up the sleeve of his shirt to reveal his forearm and the large scar that adorned it. He expected you to wince at how ugly it was or at least show some sort of pity (people usually did, it was why he covered it up), but instead you stared at it like a painting. You didn’t have to say anything to him, for your eyes screamed beautiful as you gazed upon him like a miner finally striking gold. He wanted to shrink under your gaze, to become smaller and smaller. But you were so passionate he couldn’t look away.

“I’ve never done a tattoo over a scar,” you admitted (which wasn’t particularly surprising considering you were his age). “But I’d like to give it a shot. If you don’t mind me asking, how did this happen?” You didn’t miss the way Kuroo flinched away from you when you asked, but were polite enough not to bother him over it.

“Well, I got into a knife fight…” he started teasingly, deflecting the question. If he came up with enough funny stories, usually whoever asked would stop bothering him.

“Hilarious,” you cut him off with a straight face. “Give me the real story or don’t bother,” you asked, cleaning your supplies. There was certainly no fooling you. Kuroo swallowed, chest tight at the memory. Well, it wasn’t like he had anything to lose, except pride.

“There was an incident with a clothing iron,” he explained slowly, thinking back to it. “I got into an argument with my ex…” He tripped over his words. The scars was old news but his relationship status was still fresh in his mind. “…while I was doing laundry and lost track of the iron.” His voice trailed off as he gulped. You’d probably laugh at him or pity him or say something that made him want to get up and leave immediately, all ideas of a tattoo forgotten.

Instead, you kept rummaging through your supplies without faltering. “Must’ve hurt like a bitch,” you hummed, unfazed.

“So what tattoo were you thinking of?” you inquired, sitting in front of him with a blank paper and pencil and an excited smile that Kuroo would never forget. “Let’s talk.”

It was the start of an unlikely friendship. His first tattoo (a beautiful chain of red flowers, each representing one of his teammates from his old volleyball team) was gorgeous, so much so that he found himself coming back for more. To his surprise, you always asked him why he wanted a tattoo (although he supposed you already had to know the meaning in order to draw it so there wasn’t much use in asking) and he never hesitated to answer.

Except for one time, when he asked for a small semi-colon on the area behind his ear. He’d asked you for it out of the blue, knowing it was simple enough for you to sit him down and do it quickly. But his pale face and blown out eyes had you skipping the usual questions and consultations, choosing instead of make him wait until after you got off work to drag him back to your apartment where you could listen to him in the peace and quiet of a home.

He supposed that was when you two become more than just an artist and customer. You were eerily perceptive and so you’d already known plenty about Kuroo; you’d etched his whole identity into his body after all, but this was the first time the two of you allowed it to leave the workplace.

At such a brutally slow pace he hadn’t even realized it, you had seeped into all the cracks in his perfect exterior. In all his ramblings to you about this tattoo and that tattoo and what they all meant, you’d somehow become his crutch to hold him up while he fell apart.

It was his fault, after all, that he’d trust you with so much information. Every tattoo had a story, and he knew most of them weren’t pretty. Yet you always took them in stride, never making him feel like any less of a person.

He wanted (read: wished) that were reason enough to love you, but he knew that wasn’t true. He was a sob story in the making and you were electric. Your eyes made him feel like he was on fire, as if the world he’d been living in was a shitty blockbuster movie and you were about to make it an award-winning novel. You were addicting and loving and you made Kuroo hopeful. But he’d long given up on waiting for a happy ending. Even if Bokuto was right, you deserved better than him.

Still, that didn’t mean he couldn’t indulge in your friendship (or your rice cakes). A casual friendship was safe; he could laugh and joke and pretend you didn’t know why he still covered his arm with the scar even after covering it up or why he’d never quite see volleyball the same way again. As friends and away from your workplace, none of that mattered.

And so, he hadn’t hesitated in welcoming you into his home that same night even as Bokuto’s words bounced around in his head (he couldn’t skip out on movie night, after all. It was tradition!).

“What’d you bring tonight?” he asked teasingly. It was routine: after you’d found out Kuroo had yet so see a single one of your shitty rom coms, you took responsibility to make sure he saw every single one. You’d supply the movie; he’d supply the snacks. It was normal for you at this point.

“Ten Things I Hate About You,” you grinned, smile so infectious he felt the corners of his lips tugging upwards.

“It better be than the last one,” Kuroo quipped (the last one was pretty in pink and Kuroo just couldn’t wrap his head around why Ducky didn’t get the girl), but before you could retort he was off to his kitchen to prepare the popcorn.

Without invitation, you made quick work of setting his living room up for movie night. This, too, was part of your unspoken agreement, especially when he started leaving extra blankets and pillows out for you to work with. When he entered back in with cinnamon-coated popcorn (it was your favorite), you’d already had everything up.

He whistled, settling in beside you. “You’ve outdone yourself,” he observed. As always you grinned up at him, curling up into his side as he held the bowl for you to share.

“You gave me more to work with,” you responded, grabbing the remote to set up the movie.

Kuroo tried his best to relax next to you, but Bokuto’s words were still swarming in his head. He couldn’t like you, it was too dangerous. You were already everywhere, all over his body and in the food, he ate and the shows he watched. If he were to fall for you and if anything were to end badly, he’d be heart broken.

Too soon Kuroo’s mind was brought back to the end of high school, talking with Nohebi’s captain. Deciding to never talk to him again, covering up all traces of him from his body. Getting tattoo after tattoo to forget him and rid his body of all traces of him.

“You should leave.” Kuroo was speaking but he couldn’t hear his own voice.

You turned towards him, looking hurt but unsurprised. “What’s wrong?” you asked, hand squeezing his forearm supportively. He hated the look way your eyes looked at him. He wished you’d look at him with pity like everyone else did. It would’ve been so much easier if you looked at him like he was only a ghost of the past, the same way Kenma and Bokuto did whenever they stopped themselves from mention “taboo topics.” Like volleyball and Daishou and clothing irons.

But you didn’t pity him or baby him. Your eyes weren’t scared at his sudden outburst or worried to approach him. All he saw was understanding. You knew. Of-fucking-course you knew. You, who helped him cover up all his scars. You, who let him stay at your apartment whenever his started to feel too big for one person. You, who suggested he got a tattoo to remind him to breathe (4-7-8, written in your handwriting) and he took it.

Kuroo wanted to be proud of his tattoos, that covered his body as his own personal shield. He wanted to admire your handiwork and relish in the way he could forget about who he had been before them. But he knew they were simply reminders of unseen scars. He swore he was healing while he bled out, haunted by memories of the past.

“Whatever’s wrong, you can tell me,” you told him, voice like a promise. He knew it was true, that he could tell you and you’d coddle him while he cried and make him feel like the only person in the entire world. He knew you were magic; you could tell by the way his muscles tensed that something was wrong. Your electric eyes saw him.

But all he could think about was a steaming hot iron and the apologies that followed. He pictured empty apology after empty promise and letting it excuse pain and tears too many times. He could barely recall how difficult it was to unwind himself from a web of being loved only when it was convenient, how it took him months to realize something was wrong.

Kuroo knew being with you would make him feel loved, but he was so damn scared he couldn’t love you back. He couldn’t bare the thought of using you in the same way he had been used.

“You should leave,” he repeated, pulling his arm away from your touch. He wished he could linger in it, but he was certain too much and he’d be addicted.

He wanted (read: hoped) you would argue with him just a bit. Tell him you wouldn’t leave him alone like this and pull him towards you like they always did in your shitty rom coms. But they were actors who knew what came next, and you were real. So real that he could reach out and hold you close and so selfless that you knew when it was time to leave.

You didn’t say anything to him as you backed away, grabbing your things. Kuroo was frozen in place, worried if he moved that he would forget the warmth of your hand on his arm. He knew he fucked up, but he could handle that. He made mistakes all the time. It was easier this way, he was sure.

Until you were one foot out of the door, looking back at him. “You know,” you whispered, eyes looking somewhere far away from his apartment. “You’re not the only one with baggage.” Your voice trembled. “Even if you were, it’s lighter to carry it together.”

Kuroo wished you had slammed the door shut behind you so he didn’t have to sit up straight, only to see you were gone. Even without you in the apartment, your presence was everywhere. All over his body and in his damned pillow fort and in the cinnamon spread over his popcorn. Even when you were gone, he was still with you.

He rolled his head back, not sure what to do. Numbly, he found his way to his phone to send a quick text to Bokuto.

You were right.

Right about now he’d usually think about getting a new tattoo, maybe text you to spitball an idea. He sighed as he leaned back into the blankets you had so gleefully set up for them to share. “I guess that’s not an option anymore.”

None of it made sense to Kuroo. His last breakup was liberating, like a breath fresh of air, and here was on a Saturday night about to watch a romcom to forget about you. He was certain it was some sort of cruel irony that it was only now he was starting to realize how hurt and in love he’d been.

He wondered (read: prayed) if he’d find salvation in you yet again.

#kuroo x reader #haikyuu kuroo x reader #kuroo tetsurou x reader #haikyuu x reader #haikyuu angst #haikyuu fanfic #haikyuu kuroo tetsurou x reader #haikyuu x you

234 notes · View notes

theartoflivingalways · 4 years

Text

i’ve been awake for over 24 hours

I haven’t been on tumblr in years. i stopped using it after high school, but I don’t know why. but now I’m back tonight, because I needed someone to talk to, but I have no one to listen. i have friends, i have family, i have a boyfriend. i have a therapist. but no matter what: i feel so unheard, so unseen, and so ignored by everyone in my life that i literally feel like i have no one to truly turn to. for anything. so, here i am. hope i get a warm welcome!!!

here’s the thing: i’m NOT a depressed person. i’m not sad, i don’t have any major mental health issues apart from anxiety and some adhd. and before you take that the wrong way, please don’t. i just got my master’s degree in social work and i’ll be starting my new job as a therapist in a couple of weeks.

but, i’m also NOT a happy person. tbh, i can’t really describe my overall ~mood~ or whatever you wanna call it. i kinda just wake up and survive the day, every day. i take it one day at a time ... kinda like what AA says to do; but no, before you ask or the thought crosses your mind, i’m not an addict. at least not a alcohol/other drugs addict ??? sorry

maybe this is why there’s no one to listen when i need them to. i fucking ramble about literally nothing before getting to the point.

it’s weird that i’m writing right now (ok, typing???). i haven’t done this since i was little. it feels good to do this, to have some sort of outlet when you feel so fucking unseen and unheard by every. single. person. around you.

so i haven’t slept in over 24 hours. it’s my own fault for sure and i have adderall to thank for that (yes i’m prescribed). i decided to start a blog again because i’m sitting here, still wide awake in my apartment, alone, while my boyfriend is sound asleep in my bedroom.

so what’s my fucking problem??? why do i want someone to talk to?? i don’t know honestly. i just feel like lately all i do is listen to others, help others, give myself completely to others. and in return, i get nothing. nothing even close to what i give, or to what i’m capable of giving. which is sad. not for me particularly (maybe?), but for others, yes, i think so.

i’m not saying that i expect anything in return for helping others, because i don’t. i didn’t enter the field of social work for the fucking money. and i know a lot of fucked up shit is going on in the world right now, and in no way do i want to minimize ANY of that. i’m just feeling a little lost and lonely, so i’m hoping this is a new outlet for me to sort out those feelings.

the last couple of hours, i’ve had a LONG string of thoughts. if you read through, you’ll eventually found out how they started. but one of the things i’ve been wrestling with in my mind is the type of person i am.

you see, it’s difficult to be “that” person for others your whole life, especially all the fucking time. if you’re anything like me, you know what i mean by that. and if you aren’t anything like me, well, first of all congrats!!!!, and secondly, i’ll explain what i mean.

when you’re “that” person for others, like myself, it’s easy for other people to walk all over you. take advantage of you, take you for granted, expect you to ALWAYS be there no matter the cost. and of course, why wouldn’t they? you’re always there to help. you’re ALWAYS there to offer support, guidance, and advice. you’re nurturing. you listen. you’re a fucking irreplaceable, loyal to death friend. if you’re VERY much like me, you’re also the one person in your family who isn’t a total fuck up (at least not publicly?)

you’re also nonjudgmental, and you were blessed with the curse of being empathic towards others at all times. empathy of course is beautiful and a very good thing to have in this life, but do you know how hard it is to feel for every single person around you.. and not have anyone feel for you???? damn

also, you never let anyone down!! ever. you’re reliable, dependable, trustworthy to the point where it’s almost sketchy because like??? who can be that way to everyone else at all times? you guessed it- people like me and people like u!! (if this is even semi-relatable, i’m sorry)

but people like us, like you, like me, tend to do this thing where we keep the same shitty fucking toxic people around that have hurt us, continue to hurt us both indirectly and directly, and who have let us down time and time again, because we continue clinging on to the fucking useless hope that “someday they’ll change”. someday, they’ll realize how fucking important you are to them and how shitty their lives are, and would be, without you in it.

you- we - also live by honesty and truthfulness, and assume others just live by this as well. but then you’re proved wrong over and over and over again, yet you never fucking learn your lesson because you are STILL hopeful that somewhere, somehow, deep down, other people DO stand by the morals you try so hard to stand by in life. most of the time, though, you’re completely avoiding the reality of other people and their experiences and who they really are, only to try to fit your own narrative of how you see things and how you think things should be.

if this sounds anything like you... i’m sorry. i know it all too well.

i grew up as the “golden child” in my family. not just my immediate family. my entire fucking family. the pressure to be perfect has lead me to develop debilitating anxiety in my 20′s, and it is what it is, but like, why the fuck couldn’t i have anxiety in high school like a normal teenager? why now?

so yeah my anxiety’s pretty bad. it’s pretty bad tonight, which is why i turned here. to tumblr. to try to write out my thoughts. which, by the way, i’m sorry, because this is an absolute fucking mess and makes no sense. if you are reading this, though, thank you. thank you for listening when no one else seems to.

anyway. growing up with the pressure of being *perfect* has a cost. at least for me it did: 1) anxiety of course, and 2) perfectionist tendencies. these have literally- LITERALLY - ruined my entire college and graduate school experience. perfectionism combined with anxiety is a recipe for fucking disaster, and i’ve been cooking it for years.

i am deliberately writing this without proper punctuation/grammer/whateverthefuckyouwanttocallit, not capitalizing my letters etc., because i want to not have to be so perfect all the time on here, if this is something i’m going to stick to. i know that sounds silly but it’s actually been very difficult for me to write in all lower-caps and i’m very worried that no one will even read this and HEAR ME because of my literacy negligence (i have no idea if that’s even a real thing or if it even has meaning but it sounded right)

do u want to know why i decided to write this though, truly? what lead to me feeling like i’m “spiraling” - apart from no sleep in over 24 hours now? well, get ready to laugh, because i truly think i’m pathetic and going crazy.

i went to dinner tonight with my boyfriend and his fam. our waitress was a girl i used to know years ago in high school. my boyfriend knew her too. in fact, he knew her VeRY well. for the sake of my anxious overthinking, i don’t feel like going too much into the details of *that* situation, so thanks in advance for understanding.

anyway. this corny bitch made a joke about the current political environment. i won’t say what exactly, because i’d really like to keep my identity as concealed as absolutely possible on here. but long story short, no one really laughed - every one just kinda smiled awkwardly. but you know who did laugh? my boyfriend :)

TO ME, it seemed intentional. she wasn’t fucking funny, for one. she made a bad - no, a very bad- joke. like one of those corny dad jokes. not even a dad joke actually. a step-dad joke, except your step-dad is a loser that you hate, who treats ur mom/dad bad, has no sense of humor or a horrible sense of humor and idk, just fucking sucks you know ???

sorry that got kinda dark and it was unnecessary but do u know what i mean??? and no, that was literally not relevant to me or my family system/structure in any way. just kinda came to me, ya know? ...writing works in mysterious ways man

alright so if you don’t agree, that’s fine. i already told you to get ready to laugh, because i am well aware of how insane i fucking sound. but you know what makes anxiety & perfectionism 100x harder to cope with? insecurities. and i’m FULL of them.

so anyway. we left dinner. him & i were driving home. i will admit that i did have some wine at dinner, and i wasn’t drunk but i definitely was feeling cocky enough to stir the pot with him. so, i casually said, “hey... didn’t you date _____?” *insert annoying waitress’s name who i knew once upon a time*

i said it very calmly. very coooool. v collected and nice. he said “no? i’ve never even talked to or hungout with that girl”.

i wish u could see my face as i’m writing this right now bc i cannnot. like i gave u a choice.... the opportunity. tHE SIMPLE opportunity - a chance - to be fucking honest................................

this dude. straight up. lied to my face. about this fucking girl. ???????

YEARS AGO, they most certainly did talk. a lot. in fact, my crAZy ass searched their names on facebook to find their old little love notes to each other that they posted on each others’ walls. which were very cringey but nothing that made me feel jealous or insecure (for once). after all, they were from years ago- i’m talking 5+ - so likeeee.... why would he lie (:

oh and they definitely did hang out because.... i remember clearly.... a PICTURE OF THE two of them *together* *hangin* (prob bangin too) (sorry) years ago in this now-waitress’s bedroom. i believe it was a ~webcam photo~ that they took on the new mac computer her parents prob bought her. so this photo is now NO WHERE to be found. and believe me, i looked. no, i LURKED. i went to the beginnnning of her instagram posts and deep into her uploaded facebook pictures. ok, not ‘deep’, i literally got to the first pic she ever posted on FB just to try to find this damn picture. and it took me for. fucking. ever. because this bitch has prolly posted a million pictures in the last 5+ years like who does that???

but i swear to fucking whatever the fuck that this picture exists. i have fucking seen it. i’d describe it in perfect detail right now as if i saw it today, but, once again, i’m concealin my identity, yo, so i can’t do all that. v sorry

anywho. this dude - who i call my boyfriend (and yes i love him very very much and our past is absolutely fucked but that’s a whole other story for a very different time) - had the nerve, the audacity, to tell me to my face, that he “definitely doesn’t have a picture with her” because “they’ve never hung out or talked before” ... ?!??????

obv i sent him screenshots of the dirt i dug up on facebook from 5+ years ago (i.e., the old posts between them in case ya forgot during my rambling) bc like, caught ya in a lie sir. red handed.

i might be late on mentioning this part, but here’s the fucking kicker (and i’ve never used that phrase and i don’t know why i said that but ok?): TODAY, for the first time in MONTHS, literally!!!, bc of the virus and the quarantine and all that, i got ready today for dinner with his family. like actually got ready. i spent HOURS doing my make up. i don’t even remember the last time i did my make up, ok. i dressed in a really cute outfit. i felt fucking very good about myself. i thought for sure when he’d come pick me up to go to dinner he’d at least say something. at least acknowledge it. he has literally only seen me in raw form for too many days now. like, complete bare face and sweat pants basically every day since march.

but. did he even look at me twice?!!? no. did he mention anything about how i looked? how it was drastically different from my everyday attire the last couple months? did he take 2 seconds out of his day to say something corny or flirty to me? even just, “you look beautiful”??? honestly i would’ve even appreciated, “you look beautiful, for once” ???

did u guess the correct answer? well if u didn’t, it’s N O.

but u know who he did look at twice.

our waitress at dinner.

i think i wrote enough for one night. if u think this is my anxiety/perfectionism/insecurities combination spiraling out of control after being tamed incessantly for 20+ years, PLZ TELL ME.

but also, if you have a fucking brain, you’d know that:

1) this is definitely NOT the first time i’ve responded to something like this the way i did, and

2) i really just needed to ramble on and vent about all the shit that’s been going through my mind the last 2 1/2 hours, so there’s that.

have a good night get some sleep!!! thank u for ur time.

#why #me #cantsleep #upfor24hours #adderall #waitress #insecure #perfect #anxiety #sorry #helpme #help #needsleep #dontwanttotho #goodnight #getsomerest #ily #thanku

4 notes · View notes

thesnhuup · 5 years

Text

Pop Picks — July 1, 2019

July 1, 2019

What I’m listening to:

The National remains my favorite band and probably 50% of my listening time is a National album or playlist. Their new album I Am Easy To Find feels like a turning point record for the band, going from the moody, outsider introspection and doubt of lead singer Matt Berninger to something that feels more adult, sophisticated, and wiser. I might have titled it Women Help The Band Grow Up. Matt is no longer the center of The National’s universe and he frequently cedes the mic to the many women who accompany and often lead on the long, their longest, album. They include Gail Ann Dorsey (who sang with Bowie for a long time), who is amazing, and a number of the songs were written by Carin Besser, Berninger’s wife. I especially love the Brooklyn Youth Chorus, the arrangements, and the sheer complexity and coherence of the work. It still amazes me when I meet someone who does not know The National. My heart breaks for them just a little.

What I’m reading:

Pat Barker’s The Silence of the Girls is a retelling of Homer’s Iliad through the lens of a captive Trojan queen, Briseis. As a reviewer in The Atlantic writes, it answers the question “What does war mean to women?” We know the answer and it has always been true, whether it is the casual and assumed rape of captive women in this ancient war story or the use of rape in modern day Congo, Syria, or any other conflict zone. Yet literature almost never gives voice to the women – almost always minor characters at best — and their unspeakable suffering. Barker does it here for Briseis, for Hector’s wife Andromache, and for the other women who understand that the death of their men is tragedy, but what they then endure is worse. Think of it ancient literature having its own #MeToo moment. The NY Times’ Geraldine Brooks did not much like the novel. I did. Very much.

What I’m watching:

The BBC-HBO limited series Years and Years is breathtaking, scary, and absolutely familiar. It’s as if Black Mirror and Children of Men had a baby and it precisely captures the zeitgeist, the current sense that the world is spinning out of control and things are coming at us too fast. It is a near future (Trump has been re-elected and Brexit has occurred finally)…not dystopia exactly, but damn close. The closing scene of last week’s first episode (there are 6 episodes and it’s on every Monday) shows nuclear war breaking out between China and the U.S. Yikes! The scope of this show is wide and there is a big, baggy feel to it – but I love the ambition even if I’m not looking forward to the nightmares.

Archive

May 19, 2019

What I’m listening to:

I usually go to music here, but I was really moved by this podcast of a Davis Brooks talk at the Commonwealth Club in Silicon Valley: https://www.commonwealthclub.org/events/archive/podcast/david-brooks-quest-moral-life. While I have long found myself distant from his political stance, he has come through a dark night of the soul and emerged with a wonderful clarity about calling, community, and not happiness (that most superficial of goals), but fulfillment and meaning, found in community and human kinship of many kinds. I immediately sent it to my kids.

What I’m reading:

Susan Orlean’s wonderful The Library Book, a love song to libraries told through the story of the LA Central Library. It brought back cherished memories of my many hours in beloved libraries — as a kid in the Waltham Public Library, a high schooler in the Farber Library at Brandeis (Lil Farber years later became a mentor of mine), and the cathedral-like Bapst Library at BC when I was a graduate student. Yes, I was a nerd. This is a love song to books certainly, but a reminder that libraries are so, so much more. It is a reminder that libraries are less about a place or being a repository of information and, like America at its best, an idea and ideal. By the way, oh to write like her.

What I’m watching:

What else? Game of Thrones, like any sensible human being. This last season is disappointing in many ways and the drop off in the writing post George R.R. Martin is as clear as was the drop off in the post-Sorkin West Wing. I would be willing to bet that if Martin has been writing the last season, Sansa and Tyrion would have committed suicide in the crypt. That said, we fans are deeply invested and even the flaws are giving us so much to discuss and debate. In that sense, the real gift of this last season is the enjoyment between episodes, like the old pre-streaming days when we all arrived at work after the latest episode of the Sopranos to discuss what we had all seen the night before. I will say this, the last two episodes — full of battle and gore – have been visually stunning. Whether the torches of the Dothraki being extinguished in the distance or Arya riding through rubble and flame on a white horse, rarely has the series ascended to such visual grandeur.

March 28, 2019

What I’m listening to:

There is a lovely piece played in a scene from A Place Called Home that I tracked down. It’s Erik Satie’s 3 Gymnopédies: Gymnopédie No. 1, played by the wonderful pianist Klára Körmendi. Satie composed this piece in 1888 and it was considered avant-garde and anti-Romantic. It’s minimalism and bit of dissonance sound fresh and contemporary to my ears and while not a huge Classical music fan, I’ve fallen in love with the Körmendi playlist on Spotify. When you need an alternative to hours of Cardi B.

What I’m reading:

Just finished Esi Edugyan’s 2018 novel Washington Black. Starting on a slave plantation in Barbados, it is a picaresque novel that has elements of Jules Verne, Moby Dick, Frankenstein, and Colson Whitehead’s Underground Railroad. Yes, it strains credulity and there are moments of “huh?”, but I loved it (disclosure: I was in the minority among my fellow book club members) and the first third is a searing depiction of slavery. It’s audacious, sprawling (from Barbados to the Arctic to London to Africa), and the writing, especially about nature, luminous.

What I’m watching:

A soap opera. Yes, I’d like to pretend it’s something else, but we are 31 episodes into the Australian drama A Place Called Home and we are so, so addicted. Like “It’s AM, but can’t we watch just one more episode?” addicted. Despite all the secrets, cliff hangers, intrigue, and “did that just happen?” moments, the core ingredients of any good soap opera, APCH has superb acting, real heft in terms of subject matter (including homophobia, anti-Semitism, sexual assault, and class), touches of our beloved Downton Abbey, and great cars. Beware. If you start, you won’t stop.

February 11, 2019

What I’m listening to:

Raphael Saadiq has been around for quite a while, as a musician, writer, and producer. He’s new to me and I love his old school R&B sound. Like Leon Bridges, he brings a contemporary freshness to the genre, sounding like a young Stevie Wonder (listen to “You’re The One That I Like”). Rock and Roll may be largely dead, but R&B persists – maybe because the former was derivative of the latter and never as good (and I say that as a Rock and Roll fan). I’m embarrassed to only have discovered Saadiq so late in his career, but it’s a delight to have done so.

What I’m reading:

Just finished Marilynne Robinson’s Home, part of her trilogy that includes the Pulitzer Prize winning first novel, Gilead, and the book after Home, Lila. Robinson is often described as a Christian writer, but not in a conventional sense. In this case, she gives us a modern version of the prodigal son and tells the story of what comes after he is welcomed back home. It’s not pretty. Robinson is a self-described Calvinist, thus character begets fate in Robinson’s world view and redemption is at best a question. There is something of Faulkner in her work (I am much taken with his famous “The past is never past” quote after a week in the deep South), her style is masterful, and like Faulkner, she builds with these three novels a whole universe in the small town of Gilead. Start with Gilead to better enjoy Home.

What I’m watching:

Sex Education was the most fun series we’ve seen in ages and we binged watched it on Netflix. A British homage to John Hughes films like The Breakfast Club, Ferris Bueller’s Day Off, and Pretty in Pink, it feels like a mash up of American and British high schools. Focusing on the relationship of Maeve, the smart bad girl, and Otis, the virginal and awkward son of a sex therapist (played with brilliance by Gillian Anderson), it is laugh aloud funny and also evolves into more substance and depth (the abortion episode is genius). The sex scenes are somehow raunchy and charming and inoffensive at the same time and while ostensibly about teenagers (it feels like it is explaining contemporary teens to adults in many ways), the adults are compelling in their good and bad ways. It has been renewed for a second season, which is a gift.

January 3, 2019

What I’m listening to:

My listening choices usually refer to music, but this time I’m going with Malcolm Gladwell’s Revisionist History podcast on genius and the song Hallelujah. It tells the story of Leonard Cohen’s much-covered song Hallelujah and uses it as a lens on kinds of genius and creativity. Along the way, he brings in Picasso and Cézanne, Elvis Costello, and more. Gladwell is a good storyteller and if you love pop music, as I do, and Hallelujah, as I do (and you should), you’ll enjoy this podcast. We tend to celebrate the genius who seems inspired in the moment, creating new work like lightning strikes, but this podcast has me appreciating incremental creativity in a new way. It’s compelling and fun at the same time.

What I’m reading:

Just read Clay Christensen’s new book, The Prosperity Paradox: How Innovation Can Lift Nations Out of Poverty. This was an advance copy, so soon available. Clay is an old friend and a huge influence on how we have grown SNHU and our approach to innovation. This book is so compelling, because we know attempts at development have so often been a failure and it is often puzzling to understand why some countries with desperate poverty and huge challenges somehow come to thrive (think S. Korea, Singapore, 19th C. America), while others languish. Clay offers a fresh way of thinking about development through the lens of his research on innovation and it is compelling. I bet this book gets a lot of attention, as most of his work does. I also suspect that many in the development community will hate it, as it calls into question the approach and enormous investments we have made in an attempt to lift countries out of poverty. A provocative read and, as always, Clay is a good storyteller.

What I’m watching:

Just watched Leave No Trace and should have guessed that it was directed by Debra Granik. She did Winter’s Bone, the extraordinary movie that launched Jennifer Lawrence’s career. Similarly, this movie features an amazing young actor, Thomasin McKenzie, and visits lives lived on the margins. In this case, a veteran suffering PTSD, and his 13-year-old daughter. The movie is patient, is visually lush, and justly earned 100% on Rotten Tomatoes (I have a rule to never watch anything under 82%). Everything in this film is under control and beautifully understated (aside from the visuals) – confident acting, confident directing, and so humane. I love the lack of flashbacks, the lack of sensationalism – the movie trusts the viewer, rare in this age of bombast. A lovely film.

December 4, 2018

What I’m listening to:

Spending a week in New Zealand, we had endless laughs listening to the Kiwi band, Flight of the Conchords. Lots of comedic bands are funny, but the music is only okay or worse. These guys are funny – hysterical really – and the music is great. They have an uncanny ability to parody almost any style. In both New Zealand and Australia, we found a wry sense of humor that was just delightful and no better captured than with this duo. You don’t have to be in New Zealand to enjoy them.

What I’m reading:

I don’t often reread. For two reasons: A) I have so many books on my “still to be read” pile that it seems daunting to also rereadbooks I loved before, and B) it’s because I loved them once that I’m a little afraid to read them again. That said, I was recently asked to list my favorite book of all time and I answered Leo Tolstoy’s Anna Karenina. But I don’t really know if that’s still true (and it’s an impossible question anyway – favorite book? On what day? In what mood?), so I’m rereading it and it feels like being with an old friend. It has one of my very favorite scenes ever: the card game between Levin and Kitty that leads to the proposal and his joyous walking the streets all night.

What I’m watching:

Blindspotting is billed as a buddy-comedy. Wow does that undersell it and the drama is often gripping. I loved Daveed Diggs in Hamilton, didn’t like his character in Black-ish, and think he is transcendent in this film he co-wrote with Rafael Casal, his co-star. The film is a love song to Oakland in many ways, but also a gut-wrenching indictment of police brutality, systemic racism and bias, and gentrification. The film has the freshness and raw visceral impact of Spike Lee’s Do the Right Thing. A great soundtrack, genre mixing, and energy make it one of my favorite movies of 2018.

October 15, 2018

What I’m listening to:

We had the opportunity to see our favorite band, The National, live in Dallas two weeks ago. Just after watching Mistaken for Strangers, the documentary sort of about the band. So we’ve spent a lot of time going back into their earlier work, listening to songs we don’t know well, and reaffirming that their musicality, smarts, and sound are both original and astoundingly good. They did not disappoint in concert and it is a good thing their tour ended, as we might just spend all of our time and money following them around. Matt Berninger is a genius and his lead vocals kill me (and because they are in my range, I can actually sing along!). Their arrangements are profoundly good and go right to whatever brain/heart wiring that pulls one in and doesn’t let them go.

What I’m reading:

Who is Richard Powers and why have I only discovered him now, with his 12th book? Overstory is profoundly good, a book that is essential and powerful and makes me look at my everyday world in new ways. In short, a dizzying example of how powerful can be narrative in the hands of a master storyteller. I hesitate to say it’s the best environmental novel I’ve ever read (it is), because that would put this book in a category. It is surely about the natural world, but it is as much about we humans. It’s monumental and elegiac and wondrous at all once. Cancel your day’s schedule and read it now. Then plant a tree. A lot of them.

What I’m watching:

Bo Burnham wrote and directed Eighth Grade and Elsie Fisher is nothing less than amazing as its star (what’s with these new child actors; see Florida Project). It’s funny and painful and touching. It’s also the single best film treatment that I have seen of what it means to grow up in a social media shaped world. It’s a reminder that growing up is hard. Maybe harder now in a world of relentless, layered digital pressure to curate perfect lives that are far removed from the natural messy worlds and selves we actually inhabit. It’s a well-deserved 98% on Rotten Tomatoes and I wonder who dinged it for the missing 2%.

September 7, 2018

What I’m listening to:

With a cover pointing back to the Beastie Boys’ 1986 Licensed to Ill, Eminem’s quietly released Kamikaze is not my usual taste, but I’ve always admired him for his “all out there” willingness to be personal, to call people out, and his sheer genius with language. I thought Daveed Diggs could rap fast, but Eminem is supersonic at moments, and still finds room for melody. Love that he includes Joyner Lucas, whose “I’m Not Racist” gets added to the growing list of simply amazing music videos commenting on race in America. There are endless reasons why I am the least likely Eminem fan, but when no one is around to make fun of me, I’ll put it on again.

What I’m reading:

Lesley Blume’s Everyone Behaves Badly, which is the story behind Hemingway’s The Sun Also Rises and his time in 1920s Paris (oh, what a time – see Midnight in Paris if you haven’t already). Of course, Blume disabuses my romantic ideas of that time and place and everyone is sort of (or profoundly so) a jerk, especially…no spoiler here…Hemingway. That said, it is a compelling read and coming off the Henry James inspired prose of Mrs. Osmond, it made me appreciate more how groundbreaking was Hemingway’s modern prose style. Like his contemporary Picasso, he reinvented the art and it can be easy to forget, these decades later, how profound was the change and its impact. And it has bullfights.

What I’m watching:

Chloé Zhao’s The Rider is just exceptional. It’s filmed on the Pine Ridge Reservation, which provides a stunning landscape, and it feels like a classic western reinvented for our times. The main characters are played by the real-life people who inspired this narrative (but feels like a documentary) film. Brady Jandreau, playing himself really, owns the screen. It’s about manhood, honor codes, loss, and resilience – rendered in sensitive, nuanced, and heartfelt ways. It feels like it could be about large swaths of America today. Really powerful.

August 16, 2018

What I’m listening to:

In my Spotify Daily Mix was Percy Sledge’s When A Man Loves A Woman, one of the world’s greatest love songs. Go online and read the story of how the song was discovered and recorded. There are competing accounts, but Sledge said he improvised it after a bad breakup. It has that kind of aching spontaneity. It is another hit from Muscle Shoals, Alabama, one of the GREAT music hotbeds, along with Detroit, Nashville, and Memphis. Our February Board meeting is in Alabama and I may finally have to do the pilgrimage road trip to Muscle Shoals and then Memphis, dropping in for Sunday services at the church where Rev. Al Green still preaches and sings. If the music is all like this, I will be saved.

What I’m reading:

John Banville’s Mrs. Osmond, his homage to literary idol Henry James and an imagined sequel to James’ 1881 masterpiece Portrait of a Lady. Go online and read the first paragraph of Chapter 25. He is…profoundly good. Makes me want to never write again, since anything I attempt will feel like some other, lowly activity in comparison to his mastery of language, image, syntax. This is slow reading, every sentence to be savored.

What I’m watching:

I’ve always respected Supreme Court Justice Ruth Bader Ginsburg, but we just watched the documentary RGB. It is over-the-top great and she is now one of my heroes. A superwoman in many ways and the documentary is really well done. There are lots of scenes of her speaking to crowds and the way young women, especially law students, look at her is touching. And you can’t help but fall in love with her now late husband Marty. See this movie and be reminded of how important is the Law.

July 23, 2018

What I’m listening to:

Spotify’s Summer Acoustic playlist has been on repeat quite a lot. What a fun way to listen to artists new to me, including The Paper Kites, Hollow Coves, and Fleet Foxes, as well as old favorites like Leon Bridges and Jose Gonzalez. Pretty chill when dialing back to a summer pace, dining on the screen porch or reading a book.

What I’m reading:

Bryan Stevenson’s Just Mercy. Founder of the Equal Justice Initiative, Stevenson tells of the racial injustice (and the war on the poor our judicial system perpetuates as well) that he discovered as a young graduate from Harvard Law School and his fight to address it. It is in turn heartbreaking, enraging, and inspiring. It is also about mercy and empathy and justice that reads like a novel. Brilliant.

What I’m watching:

Fauda. We watched season one of this Israeli thriller. It was much discussed in Israel because while it focuses on an ex-special agent who comes out of retirement to track down a Palestinian terrorist, it was willing to reveal the complexity, richness, and emotions of Palestinian lives. And the occasional brutality of the Israelis. Pretty controversial stuff in Israel. Lior Raz plays Doron, the main character, and is compelling and tough and often hard to like. He’s a mess. As is the world in which he has to operate. We really liked it, and also felt guilty because while it may have been brave in its treatment of Palestinians within the Israeli context, it falls back into some tired tropes and ultimately falls short on this front.

June 11, 2018

What I’m listening to:

Like everyone else, I’m listening to Pusha T drop the mic on Drake. Okay, not really, but do I get some points for even knowing that? We all walk around with songs that immediately bring us back to a time or a place. Songs are time machines. We are coming up on Father’s Day. My own dad passed away on Father’s Day back in 1994 and I remembering dutifully getting through the wake and funeral and being strong throughout. Then, sitting alone in our kitchen, Don Henley’s The End of the Innocence came on and I lost it. When you lose a parent for the first time (most of us have two after all) we lose our innocence and in that passage, we suddenly feel adult in a new way (no matter how old we are), a longing for our own childhood, and a need to forgive and be forgiven. Listen to the lyrics and you’ll understand. As Wordsworth reminds us in In Memoriam, there are seasons to our grief and, all these years later, this song no longer hits me in the gut, but does transport me back with loving memories of my father. I’ll play it Father’s Day.

What I’m reading:

The Fifth Season, by N. K. Jemisin. I am not a reader of fantasy or sci-fi, though I understand they can be powerful vehicles for addressing the very real challenges of the world in which we actually live. I’m not sure I know of a more vivid and gripping illustration of that fact than N. K. Jemisin’s Hugo Award winning novel The Fifth Season, first in her Broken Earth trilogy. It is astounding. It is the fantasy parallel to The Underground Railroad, my favorite recent read, a depiction of subjugation, power, casual violence, and a broken world in which our hero(s) struggle, suffer mightily, and still, somehow, give us hope. It is a tour de force book. How can someone be this good a writer? The first 30 pages pained me (always with this genre, one must learn a new, constructed world, and all of its operating physics and systems of order), and then I could not put it down. I panicked as I neared the end, not wanting to finish the book, and quickly ordered the Obelisk Gate, the second novel in the trilogy, and I can tell you now that I’ll be spending some goodly portion of my weekend in Jemisin’s other world.

What I’m watching:

The NBA Finals and perhaps the best basketball player of this generation. I’ve come to deeply respect LeBron James as a person, a force for social good, and now as an extraordinary player at the peak of his powers. His superhuman play during the NBA playoffs now ranks with the all-time greats, Larry Bird, Magic Johnson, MJ, Kobe, and the demi-god that was Bill Russell. That his Cavs lost in a 4-game sweep is no surprise. It was a mediocre team being carried on the wide shoulders of James (and matched against one of the greatest teams ever, the Warriors, and the Harry Potter of basketball, Steph Curry) and, in some strange way, his greatness is amplified by the contrast with the rest of his team. It was a great run.

May 24, 2018

What I’m listening to:

I’ve always liked Alicia Keys and admired her social activism, but I am hooked on her last album Here. This feels like an album finally commensurate with her anger, activism, hope, and grit. More R&B and Hip Hop than is typical for her, I think this album moves into an echelon inhabited by a Marvin Gaye’s What’s Going On or Beyonce’s Formation. Social activism and outrage rarely make great novels, but they often fuel great popular music. Here is a terrific example.

What I’m reading:

Colson Whitehead’s Underground Railroad may be close to a flawless novel. Winner of the 2017 Pulitzer, it chronicles the lives of two runaway slaves, Cora and Caeser, as they try to escape the hell of plantation life in Georgia. It is an often searing novel and Cora is one of the great heroes of American literature. I would make this mandatory reading in every high school in America, especially in light of the absurd revisionist narratives of “happy and well cared for” slaves. This is a genuinely great novel, one of the best I’ve read, the magical realism and conflating of time periods lifts it to another realm of social commentary, relevance, and a blazing indictment of America’s Original Sin, for which we remain unabsolved.

What I’m watching:

I thought I knew about The Pentagon Papers, but The Post, a real-life political thriller from Steven Spielberg taught me a lot, features some of our greatest actors, and is so timely given the assault on our democratic institutions and with a presidency out of control. It is a reminder that a free and fearless press is a powerful part of our democracy, always among the first targets of despots everywhere. The story revolves around the legendary Post owner and D.C. doyenne, Katharine Graham. I had the opportunity to see her son, Don Graham, right after he saw the film, and he raved about Meryl Streep’s portrayal of his mother. Liked it a lot more than I expected.

April 27, 2018

What I’m listening to:

I mentioned John Prine in a recent post and then on the heels of that mention, he has released a new album, The Tree of Forgiveness, his first new album in ten years. Prine is beloved by other singer songwriters and often praised by the inscrutable God that is Bob Dylan. Indeed, Prine was frequently said to be the “next Bob Dylan” in the early part of his career, though he instead carved out his own respectable career and voice, if never with the dizzying success of Dylan. The new album reflects a man in his 70s, a cancer survivor, who reflects on life and its end, but with the good humor and empathy that are hallmarks of Prine’s music. “When I Get To Heaven” is a rollicking, fun vision of what comes next and a pure delight. A charming, warm, and often terrific album.

What I’m reading:

I recently read Min Jin Lee’s Pachinko, on many people’s Top Ten lists for last year and for good reason. It is sprawling, multi-generational, and based in the world of Japanese occupied Korea and then in the Korean immigrant’s world of Oaska, so our key characters become “tweeners,” accepted in neither world. It’s often unspeakably sad, and yet there is resiliency and love. There is also intimacy, despite the time and geographic span of the novel. It’s breathtakingly good and like all good novels, transporting.

What I’m watching:

I adore Guillermo del Toro’s 2006 film, Pan’s Labyrinth, and while I’m not sure his Shape of Water is better, it is a worthy follow up to the earlier masterpiece (and more of a commercial success). Lots of critics dislike the film, but I’m okay with a simple retelling of a Beauty and the Beast love story, as predictable as it might be. The acting is terrific, it is visually stunning, and there are layers of pain as well as social and political commentary (the setting is the US during the Cold War) and, no real spoiler here, the real monsters are humans, the military officer who sees over the captured aquatic creature. It is hauntingly beautiful and its depiction of hatred to those who are different or “other” is painfully resonant with the time in which we live. Put this on your “must see” list.

March 18, 2018

What I’m listening to:

Sitting on a plane for hours (and many more to go; geez, Australia is far away) is a great opportunity to listen to new music and to revisit old favorites. This time, it is Lucy Dacus and her album Historians, the new sophomore release from a 22-year old indie artist that writes with relatable, real-life lyrics. Just on a second listen and while she insists this isn’t a break up record (as we know, 50% of all great songs are break up songs), it is full of loss and pain. Worth the listen so far. For the way back machine, it’s John Prine and In Spite of Ourselves (that title track is one of the great love songs of all time), a collection of duets with some of his “favorite girl singers” as he once described them. I have a crush on Iris Dement (for a really righteously angry song try her Wasteland of the Free), but there is also EmmyLou Harris, the incomparable Dolores Keane, and Lucinda Williams. Very different albums, both wonderful.

What I’m reading:

Jane Mayer’s New Yorker piece on Christopher Steele presents little that is new, but she pulls it together in a terrific and coherent whole that is illuminating and troubling at the same time. Not only for what is happening, but for the complicity of the far right in trying to discredit that which should be setting off alarm bells everywhere. Bob Mueller may be the most important defender of the democracy at this time. A must read.

What I’m watching:

Homeland is killing it this season and is prescient, hauntingly so. Russian election interference, a Bannon-style hate radio demagogue, alienated and gun toting militia types, and a president out of control. It’s fabulous, even if it feels awfully close to the evening news.

March 8, 2018

What I’m listening to:

We have a family challenge to compile our Top 100 songs. It is painful. Only 100? No more than three songs by one artist? Wait, why is M.I.A.’s “Paper Planes” on my list? Should it just be The Clash from whom she samples? Can I admit to guilty pleasure songs? Hey, it’s my list and I can put anything I want on it. So I’m listening to the list while I work and the song playing right now is Tom Petty’s “The Wild One, Forever,” a B-side single that was never a hit and that remains my favorite Petty song. Also, “Evangeline” by Los Lobos. It evokes a night many years ago, with friends at Pearl Street in Northampton, MA, when everyone danced well past 1AM in a hot, sweaty, packed club and the band was a revelation. Maybe the best music night of our lives and a reminder that one’s 100 Favorite Songs list is as much about what you were doing and where you were in your life when those songs were playing as it is about the music. It’s not a list. It’s a soundtrack for this journey.

What I’m reading:

Patricia Lockwood’s Priestdaddy was in the NY Times top ten books of 2017 list and it is easy to see why. Lockwood brings remarkable and often surprising imagery, metaphor, and language to her prose memoir and it actually threw me off at first. It then all became clear when someone told me she is a poet. The book is laugh aloud funny, which masks (or makes safer anyway) some pretty dark territory. Anyone who grew up Catholic, whether lapsed or not, will resonate with her story. She can’t resist a bawdy anecdote and her family provides some of the most memorable characters possible, especially her father, her sister, and her mother, who I came to adore. Best thing I’ve read in ages.

What I’m watching:

The Florida Project, a profoundly good movie on so many levels. Start with the central character, six-year old (at the time of the filming) Brooklynn Prince, who owns – I mean really owns – the screen. This is pure acting genius and at that age? Astounding. Almost as astounding is Bria Vinaite, who plays her mother. She was discovered on Instagram and had never acted before this role, which she did with just three weeks of acting lessons. She is utterly convincing and the tension between the child’s absolute wonder and joy in the world with her mother’s struggle to provide, to be a mother, is heartwarming and heartbreaking all at once. Willem Dafoe rightly received an Oscar nomination for his supporting role. This is a terrific movie.

February 12, 2018

What I’m listening to:

So, I have a lot of friends of age (I know you’re thinking 40s, but I just turned 60) who are frozen in whatever era of music they enjoyed in college or maybe even in their thirties. There are lots of times when I reach back into the catalog, since music is one of those really powerful and transporting senses that can take you through time (smell is the other one, though often underappreciated for that power). Hell, I just bought a turntable and now spending time in vintage vinyl shops. But I’m trying to take a lesson from Pat, who revels in new music and can as easily talk about North African rap music and the latest National album as Meet the Beatles, her first ever album. So, I’ve been listening to Kendrick Lamar’s Grammy winning Damn. While it may not be the first thing I’ll reach for on a winter night in Maine, by the fire, I was taken with it. It’s layered, political, and weirdly sensitive and misogynist at the same time, and it feels fresh and authentic and smart at the same time, with music that often pulled me from what I was doing. In short, everything music should do. I’m not a bit cooler for listening to Damn, but when I followed it with Steely Dan, I felt like I was listening to Lawrence Welk. A good sign, I think.

What I’m reading:

I am reading Walter Isaacson’s new biography of Leonardo da Vinci. I’m not usually a reader of biographies, but I’ve always been taken with Leonardo. Isaacson does not disappoint (does he ever?), and his subject is at once more human and accessible and more awe-inspiring in Isaacson’s capable hands. Gay, left-handed, vegetarian, incapable of finishing things, a wonderful conversationalist, kind, and perhaps the most relentlessly curious human being who has ever lived. Like his biographies of Steve Jobs and Albert Einstein, Isaacson’s project here is to show that genius lives at the intersection of science and art, of rationality and creativity. Highly recommend it.

What I’m watching:

We watched the This Is Us post-Super Bowl episode, the one where Jack finally buys the farm. I really want to hate this show. It is melodramatic and manipulative, with characters that mostly never change or grow, and it hooks me every damn time we watch it. The episode last Sunday was a tear jerker, a double whammy intended to render into a blubbering, tissue-crumbling pathetic mess anyone who has lost a parent or who is a parent. Sterling K. Brown, Ron Cephas Jones, the surprising Mandy Moore, and Milo Ventimiglia are hard not to love and last season’s episode that had only Brown and Cephas going to Memphis was the show at its best (they are by far the two best actors). Last week was the show at its best worst. In other words, I want to hate it, but I love it. If you haven’t seen it, don’t binge watch it. You’ll need therapy and insulin.

January 15, 2018

What I’m listening to:

Drive-By Truckers. Chris Stapleton has me on an unusual (for me) country theme and I discovered these guys to my great delight. They’ve been around, with some 11 albums, but the newest one is fascinating. It’s a deep dive into Southern alienation and the white working-class world often associated with our current president. I admire the willingness to lay bare, in kick ass rock songs, the complexities and pain at work among people we too quickly place into overly simple categories. These guys are brave, bold, and thoughtful as hell, while producing songs I didn’t expect to like, but that I keep playing. And they are coming to NH.

What I’m reading:

A textual analog to Drive-By Truckers by Chris Stapleton in many ways is Tony Horowitz’s 1998 Pulitzer Prize winning Confederates in the Attic. Ostensibly about the Civil War and the South’s ongoing attachment to it, it is prescient and speaks eloquently to the times in which we live (where every southern state but Virginia voted for President Trump). Often hilarious, it too surfaces complexities and nuance that escape a more recent, and widely acclaimed, book like Hillbilly Elegy. As a Civil War fan, it was also astonishing in many instances, especially when it blows apart long-held “truths” about the war, such as the degree to which Sherman burned down the south (he did not). Like D-B Truckers, Horowitz loves the South and the people he encounters, even as he grapples with its myths of victimhood and exceptionalism (and racism, which may be no more than the racism in the north, but of a different kind). Everyone should read this book and I’m embarrassed I’m so late to it.

What I’m watching:

David Letterman has a new Netflix show called “My Next Guest Needs No Introduction” and we watched the first episode, in which Letterman interviewed Barack Obama. It was extraordinary (if you don’t have Netflix, get it just to watch this show); not only because we were reminded of Obama’s smarts, grace, and humanity (and humor), but because we saw a side of Letterman we didn’t know existed. His personal reflections on Selma were raw and powerful, almost painful. He will do five more episodes with “extraordinary individuals” and if they are anything like the first, this might be the very best work of his career and one of the best things on television.

December 22, 2017

What I’m reading:

Just finished Sunjeev Sahota’s Year of the Runaways, a painful inside look at the plight of illegal Indian immigrant workers in Britain. It was shortlisted for 2015 Man Booker Prize and its transporting, often to a dark and painful universe, and it is impossible not to think about the American version of this story and the terrible way we treat the undocumented in our own country, especially now.

What I’m watching:

Season II of The Crown is even better than Season I. Elizabeth’s character is becoming more three-dimensional, the modern world is catching up with tradition-bound Britain, and Cold War politics offer more context and tension than we saw in Season I. Claire Foy, in her last season, is just terrific – one arched eye brow can send a message.

What I’m listening to:

A lot of Christmas music, but needing a break from the schmaltz, I’ve discovered Over the Rhine and their Christmas album, Snow Angels. God, these guys are good.

November 14, 2017

What I’m watching:

Guiltily, I watch the Patriots play every weekend, often building my schedule and plans around seeing the game. Why the guilt? I don’t know how morally defensible is football anymore, as we now know the severe damage it does to the players. We can’t pretend it’s all okay anymore. Is this our version of late decadent Rome, watching mostly young Black men take a terrible toll on each other for our mere entertainment?

What I’m reading:

Recently finished J.G. Ballard’s 2000 novel Super-Cannes, a powerful depiction of a corporate-tech ex-pat community taken over by a kind of psychopathology, in which all social norms and responsibilities are surrendered to residents of the new world community. Kept thinking about Silicon Valley when reading it. Pretty dark, dystopian view of the modern world and centered around a mass killing, troublingly prescient.

What I’m listening to:

Was never really a Lorde fan, only knowing her catchy (and smarter than you might first guess) pop hit “Royals” from her debut album. But her new album, Melodrama, is terrific and it doesn’t feel quite right to call this “pop.” There is something way more substantial going on with Lorde and I can see why many critics put this album at the top of their Best in 2017 list. Count me in as a huge fan.

November 3, 2017

What I’m reading: Just finished Celeste Ng’s Little Fires Everywhere, her breathtakingly good second novel. How is someone so young so wise? Her writing is near perfection and I read the book in two days, setting my alarm for 4:30AM so I could finish it before work.

What I’m watching: We just binge watched season two of Stranger Things and it was worth it just to watch Millie Bobbie Brown, the transcendent young actor who plays Eleven. The series is a delightful mash up of every great eighties horror genre you can imagine and while pretty dark, an absolute joy to watch.

What I’m listening to: I’m not a lover of country music (to say the least), but I love Chris Stapleton. His “The Last Thing I Needed, First Thing This Morning” is heartbreakingly good and reminds me of the old school country that played in my house as a kid. He has a new album and I can’t wait, but his From A Room: Volume 1 is on repeat for now.

September 26, 2017

What I’m reading:

Just finished George Saunder’s Lincoln in the Bardo. It took me a while to accept its cadence and sheer weirdness, but loved it in the end. A painful meditation on loss and grief, and a genuinely beautiful exploration of the intersection of life and death, the difficulty of letting go of what was, good and bad, and what never came to be.

What I’m watching:

HBO’s The Deuce. Times Square and the beginning of the porn industry in the 1970s, the setting made me wonder if this was really something I’d want to see. But David Simon is the writer and I’d read a menu if he wrote it. It does not disappoint so far and there is nothing prurient about it.

What I’m listening to:

The National’s new album Sleep Well Beast. I love this band. The opening piano notes of the first song, “Nobody Else Will Be There,” seize me & I’m reminded that no one else in music today matches their arrangement & musicianship. I’m adding “Born to Beg,” “Slow Show,” “I Need My Girl,” and “Runaway” to my list of favorite love songs.

https://ift.tt/eA8V8J from President's Corner https://ift.tt/2LrEF1I via IFTTT

#President's Corner #SNHUblogs

0 notes