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instantalpacarunaway · 5 months

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A Distinctive Guide to Crafting Exceptional Professional Headshots

In the contemporary landscape of digital connectivity, the impact of a compelling and distinctive headshot cannot be overstated. Whether you're a budding actor, a corporate professional, or a freelancer, your headshot serves as the initial introduction to potential collaborators, clients, or employers. Check this site to explore how mastering the art of professional headshots can elevate your image and make a lasting impression.

I. Unraveling the Essence of Headshots

Before delving into the technical intricacies of headshot photography, it is paramount to grasp the significance of these images. Professional headshots serve myriad purposes, including:

First Impressions Redefined: A meticulously crafted headshot serves as the inaugural encounter between you and potential collaborators, employers, or clients. It should radiate professionalism, warmth, and self-assurance.

Brand Artistry: Your headshot is an integral facet of your personal brand. It should seamlessly align with your industry and the narrative you wish to convey, acting as a beacon that sets you apart in a crowded professional landscape.

Virtual Persona: In the era of digital prominence, your headshot is omnipresent on social media, professional networking platforms, and corporate websites. It assumes a pivotal role in establishing credibility and fostering meaningful connections.

II. Preparing for Your Moment in the Spotlight

The foundation for an outstanding headshot is laid through meticulous preparation. Here are key steps to ensure you step into the spotlight fully prepared:

Wardrobe Alchemy: Choose attire that not only mirrors your professional persona but also complements your skin tone. Opt for solid colors to maintain focus on your visage, steering clear of distracting patterns.

Grooming Mastery: Devote attention to personal grooming, encompassing hairstyle, makeup, and grooming routines for men. A well-groomed appearance serves as the cornerstone for an overall professional allure.

Demystifying Your Audience: Delve into the expectations of your intended audience. Different industries may harbor distinct norms regarding dress codes and demeanor, warranting a nuanced approach.

III. The Photographer: Your Creative Partner

The pivotal choice of a photographer lays the groundwork for the success of your headshots. Consider the following factors:

Seasoned Expertise: Seek out a photographer well-versed in the intricacies of headshot photography. Scrutinize their portfolio to ensure a nuanced understanding of capturing compelling professional images.

Artistic Compatibility: Each photographer possesses a unique artistic flair. Choose one whose style harmonizes with your vision for the headshots. Engage in open dialogue about your expectations, seeking examples from their diverse body of work.

Mastery of Tools and Illumination: A professional photographer should command the right equipment and possess expertise in its utilization. The orchestration of lighting is critical for capturing nuances and sculpting a refined aesthetic.

IV. Navigating the Day of the Shoot

Embrace Authenticity: Before the shutter starts clicking, take a moment to center yourself and radiate authenticity. A proficient photographer will adeptly cultivate a relaxed atmosphere conducive to genuine expressions.

Seamless Communication: Maintain a fluid line of communication with your photographer throughout the session. Share any preferences or concerns, and remain receptive to their expert guidance.

Prowess in Posing: Collaborate with your photographer to uncover the most flattering poses. Subtle adjustments in posture and expression can metamorphose a good shot into an exceptional one.

V. The Artistry of Post-Processing

Following the shoot, the artistry of post-processing comes into play, enhancing the final images through:

Chromatic Precision: Harmonizing colors to ensure faithful representation and a unified aesthetic.

Subtle Retouching: Applying minimal retouching judiciously to eliminate distractions while preserving a natural and authentic allure.

Precision in Cropping and Composition: Fine-tuning composition to spotlight essential elements, accentuating the face and upper body.

VI. Culling the Gems

Discerning the Selections: Scrutinize the proofs provided by the photographer and handpick images that resonate with your professional persona. Solicit input from others to gain a holistic perspective.

Uniformity Across Platforms: Foster consistency by employing the selected headshot across diverse professional platforms, from social media profiles to websites and business collateral.

Conclusion

Embarking on the journey to master the art of professional headshots demands a fusion of meticulous preparation, a collaborative alliance with a skilled photographer, and an unwavering commitment to detail during post-processing. By assimilating the essence of headshots and adhering to the steps delineated in this distinctive guide, you can confidently project a unique and indelible image, leaving an enduring impression on those who encounter your professional visage.

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creativecourse · 5 months

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Mastering IPhoneography Information Mastering iPhoneography is a course designed to teach individuals how to consistently create compelling, branded content for social media using only their iPhones. The course focuses on taking and editing photos with an iPhone, offering practical guidance for creating high-quality content that strategically attracts new business and allows for creative control. Learn how to consistently create compelling, branded content for social media- all with your iPhone. What if you could create branded content that would strategically attract new business, enable you to have creative control, and give you confidence and inspiration DAILY? And do it all with your phone?! Well you can, and you can do what you want. This course will focus on JUST taking and editing photos with your iPhone. I recommend purchasing the BUNDLED Create Killer Consistent Content course if you are interested in this information as well as branding and visual strategy! Imagine if you could… Organically grow traffic with quality content Have people recognize your branded content before they even see your name Be confident in your aesthetic and strategy… because it’s not fake, it’s authentically who you are and what YOU like Create compelling content with what's already around you Have full creative control, DO WHAT YOU WANT and DO IT YOURSELF Who is this course for? Your social media platforms are not growing You are a solopreneur, content creator, or manage social media accounts You want to create compelling content that reflects you and drives traffic to your product You’re creative and love social media, but are inconsistent and in-cohesive You don’t have a budget to hire someone in creative marketing...but you do have an iPhone What You’ll Learn In This Course? Stage photos to create content Take and edit (really edit..NOT filter) photos with your iPhone Find and create the best lighting for your photos Create a consistent aesthetic for your photos Think creatively about content creation with what's already around you And you get to do it all at your own pace, online. *This course will have an emphasis on Instagram as the primary social media platform About Author Hi! I'm Jordan Hefler. I am a creative entrepreneur, photographer, and social media influencer based in Baton Rouge, Louisiana known for my love of color, music, and personal expression. I spend my days celebrating an inspired, chromatic lifestyle and helping people and brands visually translate their identities. I have a Bachelor of Fine Arts in Photography and a minor in Art History from Louisiana State University, and have professional experience working in photography, graphic design, and creative marketing. I live by the mantra "Do What You Want" and am passionate about inspiring others to pursue their own creative endeavors- doing what I want and what I love has given me the most rewarding experiences! More courses from the same author: Jordan Hefler

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delicatemagazinedreamer · 9 months

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Global Camera Lens Market Is Estimated To Witness High Growth Owing To Rising Demand for High-Quality Imaging

The global Camera Lens Market is estimated to be valued at US$ 4,520.0 million in 2021 and is expected to exhibit a CAGR of 8.0% over the forecast period 2022-2030, as highlighted in a new report published by Coherent Market Insights.

A) Market Overview: Camera lenses are integral components of cameras that focus and enhance the quality of the captured images. They play a crucial role in delivering high-quality photography and videography experiences by offering a range of focal lengths, zoom capabilities, and image stabilization features. The increasing trend of smartphones with multiple cameras and the growing popularity of DSLR and mirrorless cameras among photography enthusiasts are key factors driving the demand for camera lenses.

B) Market Key Trends: One key trend in the camera lens market is the growing demand for high-quality imaging. With the advancements in camera technology and increasing consumer expectations, there is a rising need for camera lenses that can capture crisp, clear, and detailed images. Manufacturers are focusing on developing lenses with higher resolution, wider apertures, and better autofocus capabilities to cater to this demand.

For example, Haesung Optics Co. Ltd., one of the key players in the camera lens market, offers a wide range of lenses with advanced features such as aspherical elements, ultra-low dispersion glass, and multi-coating technology. These lenses provide photographers with superior image quality, reduced chromatic aberration, and enhanced color reproduction.

C) PEST Analysis: - Political: The camera lens market is influenced by government policies related to import/export regulations, intellectual property rights, and security concerns associated with imaging devices. - Economic: Economic factors such as disposable income levels, consumer purchasing power, and economic growth contribute to the demand for camera lenses. - Social: Changing consumer preferences, increasing social media usage, and the popularity of photography as a hobby drive the demand for camera lenses. - Technological: Technological advancements in lens manufacturing, such as the use of advanced materials and coatings, image stabilization technologies, and improved autofocus systems, fuel market growth.

D) Key Takeaways: - The global Camera Lens Market Share is expected to witness high growth, exhibiting a CAGR of 8.0% over the forecast period, due to increasing demand for high-quality imaging. Continuous innovations in lens technology and the rising popularity of smartphones and cameras among consumers are major drivers for market growth. - North America is the fastest-growing and dominating region in the camera lens market, owing to the presence of major key players and a highly developed photography industry. The increasing adoption of advanced photography equipment and the emergence of professional photographers contribute to the region's market dominance. - Key players operating in the global camera lens market include Haesung Optics Co. Ltd., Largan Precision Co. Ltd., Tamron Co. Ltd., Sunny Optical Technology (Group) Company Limited, Sunex Inc., Kantatsu Co. Ltd., Ability opto-Electronics Technology Co. Ltd., Genius Electronic Optical Co. Ltd., AAC Technologies Holdings Inc., SEKONIX Co. Ltd., and IM Co. Ltd. These players focus on product development, technological advancements, and strategic collaborations to gain a competitive edge in the market.

In conclusion, the global camera lens market is witnessing high growth due to the increasing demand for high-quality imaging. Technological advancements, changing consumer preferences, and the popularity of photography as a hobby are driving market growth. North America is leading the market, and key players are focused on innovation and collaborations to stay competitive in the market.

#Camera Lens #Camera Lens Market #Camera Lens Market Size #Camera Lens Market Share #Camera Lens Market Insights #Camera Lens Market Demand #Consumer Electronics

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daclippingpath · 1 year

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Why need photo retouching services in print media

Photo retouching services have become a crucial aspect of the print media industry. With the advancement of technology, the demand for high-quality images has increased dramatically, and photo retouching has become an indispensable tool to achieve that. In this article, we will discuss the reasons why photo retouching services are necessary in print media.

Enhancing the Quality of Images: The primary purpose of photo retouching services is to enhance the quality of images. This involves adjusting the brightness, contrast, color balance, and other elements to create a visually appealing image. Retouching can also be used to remove blemishes, wrinkles, and other imperfections from the subject's face, making them look their best. In print media, images are a crucial part of the content, and photo retouching helps ensure that they look as good as possible.

Consistency in Branding: Branding is an important aspect of any business, and consistency is key. In print media, images play a significant role in establishing and reinforcing a brand's image. Retouching services can be used to ensure that all images used in a brand's print media have a consistent look and feel. This can be achieved by adjusting color tones, brightness, and other elements to match the brand's style guide.

Removing Background Distractions: In print media, images are often used to draw the reader's attention to a specific subject or message. Background distractions can detract from the overall impact of the image, and photo retouching services can be used to remove these distractions. This can involve removing unwanted objects, adjusting the background color, or changing the background altogether.

Correcting Camera Issues: Camera technology has advanced significantly in recent years, but even the best cameras can produce images with flaws. Photo retouching services can be used to correct issues such as lens distortion, chromatic aberrations, and vignetting. This helps to produce images that are sharp, clear, and accurate, making them more suitable for use in print media.

Improving Composition:Composition is an important aspect of photography, and photo retouching services can be used to improve the composition of an image. This can involve adjusting the crop of the image, removing unwanted elements, or rearranging elements within the frame to create a more visually appealing composition.

Saving Time and Cost:In the past, photo retouching was a time-consuming and labor-intensive process. Today, photo retouching services are available that use advanced software and techniques to retouch images quickly and accurately. This not only saves time but also reduces the cost of photo retouching, making it more accessible to businesses of all sizes.

Catering to Specific Requirements:Photo retouching services can be tailored to meet specific requirements. For example, a beauty brand may require images to be retouched to highlight the products and remove imperfections. A real estate company may require images to be retouched to remove distracting elements and enhance the visual appeal of the properties. Photo retouching services can be customized to meet the specific needs of each business, making them more effective in achieving their goals.

In conclusion, photo retouching services are necessary in print media for several reasons. They help to enhance the quality of images, maintain consistency in branding, remove background distractions, correct camera issues, improve composition, save time and cost, and cater to specific requirements. With photo retouching services, businesses can produce high-quality images that are visually appealing, effective, and cost-efficient.

Production House (BD)

GulFesha Plaza, Suite#N-12(12th floor), 8, Sangbadik Selina Parvin Road Moghbazar, Dhaka-1217 BD Email: [email protected]

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publicgreys · 2 years

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Paintshop pro parallels toolbox

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You can buy the Corel PaintShop Pro 2020 Ultimate (Download) on sale now at Access to the Creative Collection provides dozens of unique brushes, textures, and more than 100 royalty-free backgrounds to benefit making impressive composite and retouched images.Image adjustments can be made to single files or an advanced batch processing function lets you apply corrections to large groups of photos at once. AfterShot 3 is a dedicated raw file processor for editing and enhancing your photo library.Alternatively, you can use a wide range of brushes and other tools to sketch, draw, and paint from scratch, as well as apply various painting styles and effects to your finished works. Painter Essentials 6 is a photo-painting software that transforms your photographs into illustrative-styled digital art.PhotoMirage Express lets you turn any image into an animation and then share them directly to social media for a more dynamic viewing experience.A one-year subscription to Parallels Toolbox is included and provides 30 tools to benefit storage and file management in order to achieve optimal running conditions.GRFX Studio provides access to thousands of creative photo effects for producing striking and distinct looks to complement your imagery.Included with PaintShop Pro 2020 Ultimate is a bonus sextet of additional applications to further round out your post-production capabilities. Supports 64-bit third-party plugins including Adobe plugins and brushes.Works with the device of your choice to fix lens and photo issues like distortions and chromatic aberrations.Easily export to Photoshop, Painter, or CorelDRAW.Save your work in multiple formats and experience fewer disruptions with autosaving.Add eye-catching effects with templates, text, brush strokes, gradients, stamps, and more.Create artistic photo compositions and HDR photos with multiple layers and masks.

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deadlinecom · 2 years

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robertmatejcek · 3 years

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Glam Flowers: Yarrow - digital media - robert matejcek - 2021

'The world, although well-lighted with fluorescents and incandescent bulbs and neon, is still full of odd dark corners and unsettling nooks and crannies.'

- Stephen King

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chromatmedia · 7 years

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#playboi carti #playboicarti #awge #cash carti #cartiseason #magnolia #wokeuplikethis #asap mob #vlone #chromat media #chromat media photography #hip hop #rapper #xxlfreshman2017 #xxl freshman

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chrismalcolmhnd2c · 4 years

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Editing Workbook: Folio One Introduction

BRIEF: People Make Glasgow

Where might you find good resources/ tutorials for the following? Name at least 3 sources of good online tutorials.

https://helpx.adobe.com/uk/photoshop/user-guide.html

https://helpx.adobe.com/uk/photoshop/tutorials.html

https://phlearn.com

https://photoshopcafe.com

https://helpx.adobe.com/uk/bridge/user-guide.html

https://helpx.adobe.com/uk/support/bridge.html

https://spark.adobe.com/page/ZYS1NsR6NKqfH/

https://www.photoshopessentials.com/basics/what-is-adobe-bridge/

https://helpx.adobe.com/uk/lightroom-classic/user-guide.html

https://helpx.adobe.com/uk/lightroom-cc/tutorials.html

https://www.theschoolofphotography.com/courses/lightroom-course-online

https://www.photoblog.com/learn/lightroom-tutorials/

Other programs: Make a list of other programs that photographers might use to edit enhance photographs.

1/ Capture One

https://www.captureone.com/en

2/ Affinity

https://affinity.serif.com/en-gb/photo/

3/ Pixlr

https://pixlr.com

4/ Gimp

https://www.gimp.org

5/ PhaseOne Capture One Pro 20

https://www.captureone.com/en/products-plans/single-user/capture-one-pro

Mobile apps: Make a list of useful mobile apps for photographers.

1/ Adobe Phone Apps

https://www.adobe.com/uk/creativecloud/catalog/mobile.html

2/ Snapseed

https://snapseed.online

3/ Geometry Club

https://geometryclub.org/app/

4/ PicsArt

https://apps.apple.com/us/app/picsart-photo-studio-picture-editor-collage-maker/id587366035

5/ Pixlr

https://apps.apple.com/us/app/pixlr-photo-collages-effect/id526783584?irgwc=1&aosid=p239&cid=aos-us-aff-ir&irchannel=13631&irpid=221109&clickid=WLGziny4LxyORNRwUx0Mo3ERUkE0B72Vm2YOVg0&ircid=7613

File types refresher:

File type

RAW

+ The best quality image file is captured

+ Extensive options in post-processing and image manipulation

- Time needed to convert and edit photos

- Bigger file sizes mean more storage needed and longer post-processing times

JPEG

+ Small file size so good for social media and emailing

+ Universal format that doesn’t need proprietary software

- Loss of quality due to image compression

- Less opportunity for image manipulation in photo editing software

TIFF

+ Ability to manipulate photos extensively in photo editing software

+ Option to print at the highest quality and at much larger sizes

- Much bigger file sizes (more storage needed)

- Longer transfer and loading times due to file size

GIF

+ Small file sizes makes these ideal for use on the web

+ Files can contain animation

- Limited colours means it is not the best choice for photos

- Does not support partial transparency like drop shadows

ADOBE PDF

+ PDF can be opened on any device with any operating system in exactly the same form in which it was created

- It’s not free to edit PDF files

- It’s easier to edit files in other formants than in PDF, because PDF files must be edited in specialised programs

Choose another that you might use

DNG

+ Ability to use image processing software such as Lightroom and Photoshop

+ Possibly guard against inability to open or access files in future

- Extra time needed to convert camera raw files to DNG (if your camera does not have the option to supply files in this format)

Choose another that you might use

PNG

+ Lossless compression means good image quality

+ The ability to maintain transparency

- Quality will not be good enough for printing at any size

RAW workflow: In photoshop.

Add an appropriate diagram from the web.

Source: https://chriseyrewalker.com/my-complete-photography-workflow-in-10-steps/

Explain the need to develop a good digital workflow.

Why workflow matters

Photography workflow is the sequence of steps and actions you take to edit your photos, work them up to a result you consider finished, and share them with the world. Editing photos can be like baking a cake or assembling flat pack furniture. You start with raw ingredients, or loose parts, and use an ordered sequence of steps to put the thing together. In a good photography workflow, the end result is a perfectly crafted image, securely stored for future use, all with the least possible effort.

Efficiency is important. Without a good workflow, at minimum you’re wasting time. Worse, you run the very real risk of losing your most precious photos. Forever. A couple of years ago I knew a wedding photographer, then aspiring to become professional, who lost an entire wedding shoot because of relatively simple errors in her workflow. (In short, the mistakes derived from a convoluted importing method and totally inadequate backups.)

Maybe you’re only taking pictures for fun? If you’re planning to continue with photography, you still need to use an effective workflow. If you don’t, your photo archive will become a beast, very difficult to tame. And your images won’t look as good as they could. No fun.

When you’re starting out in digital photography, you need to develop good habits early.

Source: https://digital-photography-school.com/digital-photo-editing-workflow-better-images-capture-output/

1/ What software did you use to optimise/ name/ select these? Where did you store them?

File management

Name Three places where you will store your images.

Memory Card/USB Drive

+ Small and portable.

+ Easily share files documents with other devices.

+ Simple to operate.

+ Cheap to buy.

- Easily infected with viruses or malware.

- Easy for users to lose or break them.

Computer HD

+ Fairly affordable and easy to use.

+ Higher capacities than those available with small USB drives.

- This type of physical storage doesn’t last forever.

- Don’t usually come with password protection or advanced security features.

Cloud Based Back-up

+ Your data to be accessible from anywhere.

+ Allow clients to view select files through cloud sharing platforms.

+ Off-site storage so useful in disaster recovery.

- Security is a major concern for businesses using cloud storage solutions.

- Possibility of remote failure of server.

- Can be expensive.

Name File management software.

1/ Adobe Bridge CC

2/ CyberLink PhotoDirector 10

3/ Magix Photo Manager Deluxe

Explain the need for good clear file management.

Good file management is important to allow you to quickly and easily locate images.

1. Everything is easier to find

2. See how you’ve progressed

3. You’re forced to review the good with the bad

4. It will teach you to avoid recurring mistakes

5. Discover ideas you want to revisit

6. Find themes and begin developing a vision

Source: https://digital-photography-school.com/8-reasons-organize-your-photo-collection/

People make Glasgow: Editing tasks.

Manage files:

Store and rename you files.

Where have you saved these images?

Camera Memory Card, External Hard Drive and One Drive in the Cloud

Contact sheet:

What software did you use?

Adobe Bridge

Place an of your ‘People make Glasgow

How straight forward was it to make this in your selected software?

Quite straightforward, I selected the shots I wanted in Bridge’s “Output” tab, selected the number and size of images I wanted on a sheet and exported them as a PDF file.

Explain two methods of Black and white conversion from an RGB original.

From Bridge, an image can be opened in Camera RAW and converted by selecting the “B&W” option in the top right-hand side.

In Photoshop, a new “Black & White” adjustment layer can be selected.

BLACK AND WHITE CONVERTION:

Choose three of your ‘People make Glasgow’ images and show before and after edits below.

Before: file name: _DSC0464.NEF

After: CMalcolm_HND2C_PMG1_103.jpg

Before: file name: _DSC0483.NEF

After: CMalcolm_HND2C_PMG1_007.jpg

Before: file name: _DSC0496.NEF

After: CMalcolm_HND2C_PMG1_044.jpg

Evaluate how the edits have changed/ enhanced the feel of the image.

For these shots, I first corrected the image in the “Optics” tab of Camera RAW to correct any chromatic aberrations. Next, I converted to B&W and checked the exposure and colour temperature. I then added a small amount of clarity and adjusted the contrast, shadows, whites and blacks. Next, I opened them in Photoshop and cropped them a small amount.

I think all the edits have worked well and by making the adjustments described above, I feel I have met the brief by providing more high contrast “gritty” and engaging images of Glasgow’s people.

People make Glasgow finished canvas, make a selection of your best images and display on one A3 300 ppi canvas.

How do you feel about your final series of images?

I think the final series of images work together well to give a flavour of the different characters that make up Glasgow’s people.

#editingf1

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gagosiangallery · 5 years

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Gerhard Richter at Gagosian 976 Madison Avenue, New York

November 4, 2019

GERHARD RICHTER Prints Opening reception: Friday, November 8, 6–8pm November 8–December 21, 2019 976 Madison Avenue, New York __________ I can make no statement about reality clearer than my own relationship to reality. —Gerhard Richter Gagosian is pleased to present editioned works by Gerhard Richter spanning fifty years. Throughout his distinguished career, Richter has remained at the forefront of contemporary abstraction and image-making, embracing haptic process and technological advancements in equal measure and harnessing found imagery in groundbreaking ways. Editions are a central feature of his practice. He modifies details and sometimes entire compositions from his oeuvre, producing artworks that are simultaneously self-referential and new. Divergent in medium, scale, and style, the editions mirror Richter’s mercurial artistic processes and explore the dynamic relationship between source image and pictorial representation. Many of Richter’s prints are based on personal photographs. He produced his earliest edition Hund (Dog) (1965) by sweeping a paintbrush across a still-damp screenprint depicting the family dog; blurred with a visible texture from the brush hairs, the resulting image is a print that references both painting and photography. Richter also rephotographed newspaper illustrations, altering them to simulate the appearance of industrial print media. In Flugzeug I (Airplane I) (1966), he purposely misaligned the screenprint’s two layers of gray ink, mimicking the errors common to off-register printing. Other early works, such as the offset print Elizabeth II (1966), were intentionally printed with shifted plates to create a moiré pattern.

Betty (1991) poses questions of identity and veracity in portraiture and printmaking. It is titled after Richter’s daughter, who is depicted here in a floral robe, her head turned away from the viewer. The image is layered in mimesis: it is offset-printed from a photograph of Richter’s iconic 1988 painting of the same name, which was itself painted from a photograph of the subject taken by the artist. Richter’s portrait speaks with the intimate visual language of a family photograph, yet its repeated technical mediations refute any affective connection with the anonymous subject. In 1993, as a special project for the international journal Parkett, Richter produced Grün-Blau-Rot (Green-Blue-Red), a sequential series of unique small paintings following a basic chromatic principle. He applied the same three vivid oil-based pigments onto 115 uniformly sized canvases with a squeegee, employing the regimented process of his Abstraktes Bilder series, which allows for the relatively uncontrolled interaction of color. Made by the artist’s own hand without the restraining grid of the printing process, each work exists as a unique variation on the same theme. Richter’s oeuvre continues to function as a creative springboard in his 2011 series of Strips. To create these large-scale inkjet prints, he digitally divided his oil-on-canvas Abstract Painting (724-4) (1990) into 4,096 vertical segments. Segments were then randomly selected and repeated until they lengthened out into thin horizontal strips of uniform color, allowing a single painting to spawn multiple new images. Clean and crisp, appearing as sort of horizontal barcodes, the Strips subvert their painterly origins with an air of modern detachment. Richter’s impulse to modify and reinterpret his own works resurfaces in Cage Grid (2011), a series of inkjet prints created by dividing a photograph of his 2006 oil painting Cage 6 into a four-by-four grid of squares. _____ Gerhard Richter, Betty, 1991, offset print on lightweight card with a layer of nitrocellulose varnish, mounted on plastic, in artist’s frame, 37 7/8 × 26 1/8 inches (96.1 cm × 66.2 cm), edition of 25 © Gerhard Richter 2019 (07102019)

#Gerhard Richter #Gagosian #Gerhard Richter Prints

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derekblair78 · 6 years

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Workflow

Photography workflow is the sequence of steps and actions you take to get from taking your photograph, editing the photograph, working them up to a result you consider finished, then sharing them with the world. Editing your photos can be like baking a cake, making an airfix model or assembling flat pack furniture. You start with raw ingredients, or loose parts, then you use an ordered sequence of steps to put everything together. With good photography workflow, the end result is a perfectly crafted image, that is securely stored for future use.

Stage 1. Capture Whatever the end result you have inside your head, you should always strive to take the best image that you possibly can, and in most cases, try to finish the photo as much as possible in-camera. Regardless of camera, wether it be digital or film, you should always be working to master your camera techniques, composition, exposure, light, lens and what you see.

Stage 2. Import

Digital Camera - Copying files from removable media i.e Secure Digital card, Compact Flash and its new iteration XQD, onto more permanent storage can also be called downloading, ingesting, transferring, etc, but the end result is the same. to copy all of your images from your cameras memory card, then save them to a new folder on you computer, then back up everything right away.

Film Camera - Develop your film, then take the negatives and import them onto the computer by scanning, using either a flatbed or a dedicated negative scanner. Save all of your exposures into a new folder on at least one hard drive, then back up everything right away.

You should always have your images saved on at least three separate media sources: Your master working drive (computer). A current backup of the master drive (external hard drive). A complete historical archive, stored in a separate physical location from your master and working backups (i.e server, NAS or cloud).

Stage 3. Organise After your photos are copied onto your working drive (and backed up!), sort through the pictures to separate your best or favourite images from the rest. The best way to do this is with ratings (e.g. stars). Keep all the photos from a single shoot together in one folder and use the ratings to annotate your selections. During this stage you should also apply and enhance the metadata associated with your files, i.e keywords, copyright and contact information are just a few of the many types of information which can be embed within a digital image.

Stage 4. Develop instead of using the darkroom to edit or develop images or exposures, in digital photography we use Lightroom to process and make each image look as good as it can be. Developing is the term most often used by Lightroom users, to enhance, adjust, post-process, and simply edit are common terms to describe this stage, which itself is can be broken down in several steps.

Develop steps

Crop and straighten - Changes the composition, cropping can be the most significant change you can make to a photograph. Adjust exposure and tones - The tonal range of an image refers to the various levels of brightness, from pure white to solid black. Tone is independent from colour and simply setting the white and black points can have a huge impact on an images overall appearance. Contrast, which is the variation between light and dark tones, determines how much impact (or punch) a picture has. Naturally, some pictures will look best as low contrast and vice versa. White balance is the process of removing unrealistic color casts, so that objects which appear white in person are rendered white in your photo. After setting the white balance, consider making other colour adjustments, such as saturation and vibrance, which will affect how pure and vivid the colours appear, or just convert your image to black-and-white. Apply local adjustments - These are edits you make only to small areas of the picture. Examples are to dodge and burn (lightening and darkening) and selective colour adjustments. Apply noise adjustment - Noise appears in digital images captured at high ISO, in the dark, or ones that are significantly underexposed and can be recognised as soft coloured blobs or grainy speckles. By varying the amounts of noise reduction, most images can be improved Apply sharpening - Sharpening is all about contrast. The more contrast along the edges equals more sharpness. Retouch - Many pictures contain elements that you want to remove. In some cases, these are artefacts — undesirable results of digital processing or camera characteristics i.e noise, chromatic aberration, fringing and sensor dust spots. Other issues were retouching is necessary can be, there’s something ugly in the frame, blemishes on skin or to whiten teeth.

Stage 5. Output After you have edited your photos to a level you’re happy with, think about reproducing them, this can be as a high quality printed reproduction i.e photo book, fine art prints, etc, or for sharing online, this require you to follow specific parameters for exporting your image or files from your editing software to either your printer or to file to give or email to the company or individual you use to produce your prints.

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amsterdamwhitney · 3 years

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Maira Abbasi “Harmony Moon and Tree” Oil and Mixed Media on 3 Dimensional Wood 30” x 30” Maira Abbasi is committed to color and luminosity of form, creating chromatic exotic and sensual paintings which reverberate with fantasy, seduction, and spirit. On View: Amsterdam Whitney Gallery in Chelsea, October 9 - December #amsterdamwhitneygallery #painting #photography #sculpture #newyorkart #internationalartist #nationalartist #natureart #floralart #newyork #chelsea #chelseagalleries #chelseagallery #highlinegallery #highlineart #museumart #hamptonsart #beachhouseart #malibuart #midsummernightsdream #abstractart #figurativeart (at Amsterdam Whitney Gallery) https://www.instagram.com/p/CT4mBGfLBkZ/?utm_medium=tumblr

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erhiem · 3 years

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Photography thistle brown. Image courtesy of Gauntlet Cheng

Cuckoo Mess Anges D Mode! ‘What’s in fashion?’ You are welcome here. What a stylish seven days have been! This week, as of now, we’re bringing you our go-to picks on the best shows, including Matthew Williams’ double whammy, a dispatch from New York’s totally popping New York, and all you need to know about BALENCIAGA’s Instagram black-out. is required !!! Crazy, we know! Read on to find out what’s in fashion.

Photography ryan o’toole. Image courtesy of Bianca Saunders

Raise a glass to Bianca Saunders!

As you’re certainly well aware, fashion awards season is underway. Following the announcement of Matty Bowen’s double win at the International Woolmark Awards a few weeks ago, we now turn to the ANDAM Awards, great lady List of French fashion awards instituted by Nathalie Dufour. This year’s final seven were basically a hit list of some of our favorite talents – Bianca Saunders, Casablanca, Aria, Ludovic de Saint Cernan, Roch, GmbH and Grace Wells Bonner – so whoever took home the €300,000 cash from Balenciaga CEO Injections and Sal’s advice from Cedric Charbitt would have been totally deserved. Given the nature of fashion contests, though, there can only be one winner, and this year — after blown up the panel with her upcoming SS22 collection — Bianca Saunders scooped up the main gong! She said on the announcement, “I cannot express in words how thrilled I am to receive such a prestigious award and I am truly honored.” “Consulting with such a major player in the industry, as well as financial support like this, will really help me grow my business and realize my lifelong dream – establishing Bianca Saunders as a global fashion brand. ” A dream we are sure will come true. M / s

Image courtesy of Acne Studio

Acne Paper launches new book

Earlier this week, Acne Studios gave us the . took a trip down memory lane with the launch of acne paper, a book that celebrates the legacy of Acne Studios’ brief but remarkable time in the editorial arena. To celebrate the occasion, we asked Thomas Persson, the magazine’s former editor-in-chief, to tell us the stories behind some of the most iconic moments from its collection. If that doesn’t convince you to see it, we should also add that the 560-page coffee-table tome also includes a portfolio by photographer Christopher Smith and new essays by Sarah Mower, Vince Aletti, and Robin Muir. More than just a nostalgic return to the world of fashion editorials, it’s a priceless window before social and digital media took over the game. KK

Photos courtesy of Hunza G, Chromat and ISA Boulder

Designers pushing swimwear

It’s a new world, darling! And after this summer, if your wardrobe isn’t spacious, exuberant, and eco-conscious, you can’t sit with us. Luckily, these four swimwear brands; Issa Boulder, Chromat, KNWLS and Hunza G are here to redefine what it means to be ‘bikini-ready’, showing you what can actually reduce your impact on the planet while still Aa fab beach look is pulling off. From Isa Boulder’s pursuit of what it means to be “oddly sexy” to an appreciation of chromate’s curves, cellulite, and scars, to bikinis made from recycled Lycra yarn, these new jean labels are defying conventions and their own rules. are making. Read more here. KK

Balenciaga logs off

Eight years ago, Phoebe Philo said that “the best thing is when you don’t exist at Google.” Her adage still holds, although if the recent antics of some of fashion’s biggest players are to be noted, the best thing to do today is when you’re not on Instagram. Following in the footsteps of his Kering stablemate Bottega Veneta, Balenciaga has cleaned up his Instagram account! And in case that wasn’t drama enough for you, they have done so just days before the much-anticipated fashion revival of Demna!! fashion gasp!!! Unfortunately, we don’t know more from you what that means, but the timing and the fact that the account itself goes live will mean a big fucking moment is in store. And much more to keep your eyes glued to your screen fast! xoxo M / s

Alex Takes a Moody Beach Trip

Think about a trip to the beach, but make it appealing. Matthew Williams did just that to present his latest collection for 1017 ALYX 9SM’s, “BEYOND.” In a Brody movie, the American designer took us on a surreal sci-fi trip to the shores of Planet Alix and fielded a rich collection with hippie-inspired styling, futuristic textures, and oversized hoodies. A colorful bikini with matching leggings, a structured double-layered hoodie, distressed jersey, soft cotton dress with twist and knot details, and an armor-like leather moto jacket, it was a perfect synthesis of fantasy, comfort, and wearability—one that Just what we all want from a post-pandemic look! KK

Givenchy Resort in Paris Was About an American

Think your schedule is packed? Well, imagine what Matthew Williams must have looked like! Long booked and busy, these past seven days the California-based designer created the Alyx . left my latest collection for and A whole ‘Nother One for Givenchy! In his latest outing for a Parisian home, he decided to focus on the spaces he calls home. “In my collection, I always speak to living reality,” he says. “For Spring 2022, our first pre-collection runway show, I wanted to bring together my American roots and my brand new life in Paris.” Here, a sense of transatlantic cross-pollination came through strong in the pieces, suggesting a unique sense of Parisian chic – think high-collared dresses with armor-like leather sleeves and cut-out slinky evening dresses. Jacket – street and quirky with a healthy dash to American. “There is an energy to strike out for a new adventure, of creating something familiar yet completely new,” says Matthews, a key vehicle for that sense of newness is his collaboration with Seattle-born, Mexico-based artist Chito. , whose looks, accessories and even expressive graphics feature on the Rimowa suitcase. Chapeau, Matthew! Who doesn’t love an American in Paris! M / s

Photography thistle brown. Image courtesy of Gauntlet Cheng

Gauntlet Cheng takes to New York at night

New York, New York, it’s one hellish city… and it’s back! In fact, as you may have seen on your screen when all the elite fashion lesbians in town together livestreamed Madonna crawling over a bar and bubbly (we love it!), the Big Apple is alive and kicking once again. is killing. There are very few people, however, more thrilled to see life return to their streets than Esther Gauntlett and Jenny Cheng, the combined force behind — you guessed it — Gauntlett Cheng, and stylist and photographer Thistle Brown. In fact, they’re so excited that they even paid tribute to the lively night spirit of their newly-revived hometown in their recent campaign, featuring none other than Coco Gordon Moore. Here, all three of us need to know about the photos, what they missed most about New York at night, and their post-wax party essentials. M / s

hi friends! For those not familiar with Gauntlet Cheng, quickly tell us the story behind the brand, and how you work together. Esther Gauntlet: Jenny and I met about 7 years ago while interning together at Eckhaus Latta. Our first shoot with thistle was in 2018 at a love motel in New Jersey. We connected immediately and realized that he really understood our clothes and the way we work.

And for those of us not in New York right now, tell us: What’s the atmosphere like? like: It’s just honestly crazy. The roads are completely packed and there is a kind of mental energy everywhere. We shot it in Times Square on a Saturday night and I assumed it would be quiet – theaters are still closed and that was before a lot of restrictions were lifted. It was really wild though – people on ATV bikes, people everywhere and kids taking prom pictures. I feel like we were all a lot more excited and excited out there.

thistle brown: New York is definitely back, alive and kicking!

jenny cheng: Plus, it’s hot in New York right now, and we’re all reconnecting and embracing each other despite the stickiness.

Photography thistle brown. Image courtesy of Gauntlet Cheng

What is the story behind the campaign? TB: I moved back to NYC after living in New Zealand (where I grew up) for a few months. I think I leaned back on my teen melancholy albums while I was there. I couldn’t stop listening to PJ Harvey City Stories, Sea Stories. The album is a love song for NYC, it’s about being young and open to a city that treats you like an unlikely lover. When the girls asked me to shoot something, I thought we needed to shoot in the thick of it, to bring back the lights and all those vibes of Manhattan.

JC: We wanted to capture a classic New York City look, but with a sense of newness – a spring energy.

What made Coco Gordon Moore your ideal star? TB: I’ve always been inspired by Coco’s mystery, grace and spontaneity. There’s something so outspoken about her while at the same time having a delicate sensibility. To be honest, I could make a book about cocoa.

like: Coco has an incredible energy – everything came alive on her but she really looks home.

JC: Totally, Coco is a star! It was great to see the synergy between thistle, cocoa and the city. It was so magical and so energizing, especially when Coco’s curls were open.

There is quite a sensual, nocturnal energy to the images. What have you missed the most about NYC nightlife? like: I missed the ease of it. The feeling of walking on a hot summer night and you can bump into anyone, and anything can happen.

JC: I used to remember those holiday parties we would throw where we would dress up and see all our friends. Hopefully we can do another one soon.

TBI think New York nightlife is now beyond a relic, we’ve realized that the city can’t function without it. We have a lot of friends who depend on it for income too, so it’s really important that we don’t forget how special it really is.

Photography thistle brown. Image courtesy of Gauntlet Cheng

Tell us about the night Coco is going out. where is she going? Who is she looking at? like: I think there’s a certain undoing in the photos, like she’s going out and coming back from something. It feels like she sorts herself in the big city but is at home and at ease there.

JC: She doesn’t have a plan, she’s taking everything in it, taking it as it goes, feeling a little flirty.

TB: She is just doing her job, looking lost but never alone. Making moves and eventually landing the right party.

Finally, what are your top five post-pandemic New York nightlife? E: Time to wear a dress again! A bag that can fit a bottle of wine you’ll probably drink by the river. The people you love. People you haven’t seen in a long time. It’s only four, but don’t think you really need more than that…

J: Shooting hoops in the park in the evening, eating chips and walking on the river with friends, wearing beach-ready clothes, rose water mist, and feeling sexy in no time.

T: Chapstick, bike at night, showing skin, dancing in the streets or on the river, and smooching crushes you couldn’t catch before.

The post Balenciaga’s black-out and New York’s big return: What’s in fashion? appeared first on Spicy Celebrity News.

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rodpupo2 · 3 years

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Research: Project Defuture The Future

Randolph Lamonier

Randolpho Lamonier, is a visual artist from Minas Gerais, born in 1988.

He developed several works, specially photography articulated with other languages. He deals with several daily experiences in the city as a form of work, in which photography leads to multiple forms of symbolic exchange.

His work moves between different media, with a leading role in the practice of textile art, drawing, photography, video and installation. In his research, word and image are always together and tend to talk about micro and macro politics, urbanities, sentimental lies, chronicles, diaries and multiple crossings between memory and fiction.

The work done in fabric and embroidery brings sentences like: “ In 2040, we legalized love and other less intense drugs”, and is part of a set of creations in which Lamonier elaborates predictions based on thoughts about the present. “ I always create these works from guidelines that I consider urgent”, explains him.

In the words of the artist himself: “I make flags with what I have. I have never been so foreign. I draw poems, calls for help, war cries, everything is very urgent. The air is contaminated, the floor is covered with debris; sheets, pots, ropes, concrete, broom. Under the rubble the seeds grow in a hurry”.

Perhaps something more interesting than his incredible flags, are the themes he addresses, most of the time making a prediction of the future, about things that could happen in Brazil.

He is indignant with everything rotten that has in Brazil, from the corrupt government, the uncontrollable drug trafficking, the misogynistic society that still exists in Brazil and in several Latin countries, up to the violence itself.

He creates these flags in order to have some kind of hope for Brazil in the future, creating an utopia, where the problems would be thrown away.

David A Smith

Is a British designer who is specialized in lettering.

He started his own company own sign writing company in 1990 and after 13 years sold the business in 2003 to concentrate more on hand crafting lettering and glass gliding. His main techniques include water and oil gliding, acid etching, French embossing, screen printing and sign writing.

His career in sign writing began in 1984, when he left Westlands school in Torquay, age 16 and was apprenticed for 5 years with Gordon Farr & associates. They were a traditional sign writers, who had come up through the ranks and Gordon, had an uncanny ability to paint letters, accurately laid out, without even a sketch. Under their tutelage, David became an accomplished draftsman, and a accurate letter painter.

This gathering of talented sign artists, carvers and muralists experts. David passion for creating elaborate, ornate mirrors&reverse glass signs of distinction.

In 1992 he set up his own business in England dealing every aspect of sign trade from vehicle graphics to 3D installations.

In 2012, Smith was hired by the singer John Mayer to design the album cover, of ‘Born and Raised’. The cover was styled like 1900 trade card.

He has also worked on posters and other merchandise associated with the album and single.

He was also commissioned by Jameson Whiskey to design a st.Patrick’s Jameson Whiskey bottle for the brand.

David sold the business, to concentrate more fully on gilding, painting e acid-etching glass, adding cutting, so that he could fully replicate the Victorian glass work he admire so much.

Thomas Burden

Burden is a senior designer at the design boutique “I Love Dust”.

He likes to produce work that references the pieces of vintage tat and printed material he gets from car boot sales and junk shops. Thomas Burden has created work for book covers, ad campaigns, music videos and magazine editorial to packaging, and even animations.

Thomas Burden was always encouraged to be creative, he was allowed to draw murals on the walls of his house, when he was very young. He had many references to do his drawings, in his grandparents house, full of Alpine memorabilia and indigenous art.

Toys weren’t allowed in Burden’s life as a child, so he was always looking at catalogs full of brightly colored things.

So in his works he tries to transmit that nostalgic journey to his childhood memories.

In each work there is a maximization of colors and textures and his great influences are: the film director Wes Anderson and the artist Mark Ryden.

On his own words: “ I was lucky enough to have a pretty idyllic childhood. I grew up sailing and skiing and traveling, so our house was full of souvenirs that parents collected, along with various bits of old boating junk and pieces of old cars”.

As an 3D illustrator / Art director from UK. He had worked with many different clients such as Nickelodeon, The New Yorker, Apple, McDonalds, Penguin, Bloomingdales and Ford.

His signature style is mainly the toys that he was never allowed as child, combined with fairground / neon signage and anything bright and fun that catches everyone’s eyes. He create works in Cinema 4D, also using the Adobe Illustrator, Photoshop and After effects.

Barbara Kruger

Barbara Kruger is a postmodern artist who was born in 1945 in New Jersey. Having grown up in a middle class family, her first job was as an operator. In 1965 she graduated from The Parson Design School in 1965 and worked as an art director in different magazines. By breaking some barriers of the modern art, Kruger and other women artivists ( art + activism) demonstrated not only against the bonds of patriarchy in society, but also within cultural production. Being an artistic medium an environment built largely by male hegemony, feminist art presents itself as a mean of liberating women. Her works examine stereotypes and the behaviors of consumerism with text layered over mass media images. Rendered with black and white, with a red background, Kruger’s works offer up short phrases such as “Thinking of You” and “I shop therefore I am”. Kruger uses language to broadcast her ideas in a myriad of ways , including through prints, T-shirts, posters, photographs, eletrônico signs and billboards. Despite the work of feminist artists of the twentieth century to change the way women are portrayed in the art world, today this representativeness still confined by a backward ideal. Thus, the work of Barbara Kruger proves to be even more relevant and undoubtedly necessary today.

Mike Perry

Mike Perry is an artist that makes paintings, animation, sculptures, books, public art installations, monographs, silkscreens and more. Mike Perry was born in Missouri, United States, and grew up in Kansas City. He started drawing at the age of four. He attended to the College of Art in Minneapolis, and earned a degree in graphic design. Mike Perry's style of using extremely vibrant colors, and making totally stylized designs with a lot of personality is something that draws my attention mainly. His letters are always around a totally imaginative space, which can be both a forest and even a city. The creativity in making those compositions for his posters is something very captivating, not necessarily making a poster that matches with the reality, but doing something perhaps lysergic. His works can be considered love notes to the abstract, unknowable future that is all possible in the present. Illustrator Ana Benaroya said that , “Mike Seems like a modern surrealist to me. His works feels like a childhood memory of slipping down a giant water slide during summer. Slippery and wet and innocent but not innocent. His drawings feel like they just fell right out of his brain onto the paper”. I think he is a great influence, especially for this project. Because I'm wanting to go overboard with the lyrics and the drawings, wanting to do something totally experimental, doing something absurd and creative at the same time. And with this nature theme, I want to make posters with extravagant animals and unconventional scenarios. How he uses photoshop and Procreate for most of his work. I would like to use Photoshop again for this job to continue to learn painting techniques.

Filipe Grimaldi

Filipe Grimaldi is a lyricist and designer. He has been working in the graphic design market since 2006 and, in recent years, has been focusing on the study of manual techniques of calligraphy, lettering and letter painting, migrating part of his work to the development of letterings and commercial decorative painting.

He even give practical classes in ateliers of other institutions. His works can be seen on walls, slates and thousands of plaques that circulate around with his characteristic traits.

Filipe Grimaldi works on the primary chromatic contrast, a key element for the graphic construction of the alphabet.

Letters, words and sentences are organically raised, avoiding the precise math of right angles.

I met Filipe Grimaldi at EBAC in 2019, when he taught a class of typography, teaching how to make a freehand letter. I was impressed, because I saw great perfection and lightness when he drew those letters.

In addition to using several very vibrant colors in his works, even looking like a lettering of an entertainment show.

He even painted on a mural at EBAC, where even I had the opportunity to give a light brushstroke in one of his letters.

For 13 years, Filipe has been specialized in manual techniques of calligraphy, lettering and letter painting. In his own words: “ My authorial research and commercial activities ended up leading me to rescue the calligrapher profession, an almost extinct activity in the development of technology and printing and clipping machines”.

Currently, he teaches typography and calligraphy, for college students, with the goal of encouraging people to try more hand-made letters.

Wayne White

Wayne White is an American artist, typographer, cartoonist and puppeter. A former set and character designer for the television show Pee-Wee’s Playhouse, White produces ironic, often subversive imagery. On Pee Wee’s Playhouse where his work for his set and puppet designs won three Emmys; he also did many voices on the show. He is best known for his word paintings composed of oversized, three dimensional text painted onto cheap landscape paintings he finds at thrift stores and markets. In 2000, he began painting words and phrases, on thrifted lithographs. “When you think about it, you’re surrounded by giant letters and words everywhere”. White said once. “We don’t take for it granted, but the whole American landscape is nothing but a giant letter forms”. One Journalist said his opinion about White’s paintings: “the weirdest landscape painter in America, White uses master painting techniques to create the illusion of words and phrases surreally disappearing into the horizon or jutting out from each lithograph’s place setting.” White’s famous “word art” paintings hang in museums and galleries across America. His paintings features technically proficient and wildly colored phrases that are funny and sarcastic. And critics have praise White’s series for being entryway to the artist mind. Over the past years, White has worked primarily as a fine artist with solo exhibitions of his paintings and sculptures in galleries in New York and Los Angeles. In 2006, he created a giant head sculpture, with a giant lettering next to head. This marks one of White’s other passions, which is sculpting, and he like to exaggerate on the expression, of the characters that he is sculpting.

Joshua Noom

Joshua Noom is a famous illustrator who was born in Australia, in 1988. He is very popular in the social networks, specially in Instagram, where his minimalist illustrations and typography have earned him over 60,000 followers. He had created several illustrations for musicians and major brands like, Miller High Life, Sony, and Warner. Today Noom lives at Florida, and he is specialized in detailed and bold illustrations combined with an organic sense of typography. One of his most recent works, was recreating the Bible’s cover, with many other Christian artists. Each artist offers a visual entry point focused on a particular biblical theme or passage, setting a tone of reflection as readers engage with the Bible. I’ve been looking at Joshua works, and I really like the feeling of gritty and inky that he puts in his illustrations. Some of his works feels military inspired and masculine, while other pieces feel soft and feminine, like some vintage postcards that he produces. Something that Josh uses in most of his work, and that connects with my posters, is the use of wild animals and different situations. It can either make a tiger surfing, or even protest posters for the preservation of wildlife. He has a very intense passion for animals, and he enjoys drawing them in very expressive ways. With strong colors, with its minimalist style, and texts with different fonts around it. In a interview Josh even discusses his style “ My inspirations for my style are mostly from music and other art, but one artist that I’ve been diggin’ is Mark Conlan. My style has just kind of developed over the time and I think I will probably keep evolving. After many attempts of trying new things and figuring out what works for me, and what doesn’t for me. I prefer to draw in a more minimalist style, specially using my ink pens. Animals are one of my inspirations, specially here in Florida, we got many different species of birds and reptiles, so like to sit somewhere, and draw any animal that appears, and try to create a composition with different typefaces, to make future posters.

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