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#dont look at it too much its kind of a sketch
sleepyseals · 6 months
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[Image Description: Two unfinished digital paintings / sketches of the hatchling and Hal from outer wilds. they are standing with their arms around each other and the hatchling has their head leaning on hal's shoulder as hal watches the supernova in the distance through the doorway of the museum. the first image is the scene viewed from behind with everything lit in bright blue with dark shadows. the second image shows hal's face looking in fear towards the light and is only partially colored, the rest sketched over a gray background. End Image Description.]
something you'll run back in for when the house burns down
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infizero · 5 months
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just finished watching the og scott pilgrim movie for the first time fucking loved it
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favoure · 1 year
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Hello Favour :) I wanted to ask if you had any tips for poses and expressions? I found your art from the aggie (is that how its spelled?) event and Im OBSESSED! Your arts phenomenal, and your poses are so expressive! :D
Have a great day and thank you <3
HI HUNTER !!! sooo glad u enjoy my art i am honored . . . . for the aggie sketch i . i honestly just picked up this reference pic from pinterest xD literally spent an hour before the aggie planning that sketch out, searching for other pieces that had a sorta soft and sweet vibe and leaving those open alongside the ref so i can "Absorb it into my brain"
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for tips regarding poses and expressions... IM JUST REALLY PICKY WHEN PICKING OUT REFERENCES TBH 😭😭 Like i wont stop searching until it fits the mental image i have and until it has the feelings im trying to convey in the piece . i also frequently use statues as inspiration too ig . went ham with explaining my thought process in the tags btw i got shyyy ^_^
#asks for ain#IS THIS ANYTHING . im reaaaaally bad at giving tips for poses n expressions SAWRRY#I DONT HAVE ANY PREPARED ADVICE WHEN IT COMES 2 THESE. I CAN ONLY PROVIDE MY THOUGHT PROCESS OTL#ITS BC BC . I SWEAR ITS JUST MY PERSONAL TASTE THAT MAKES ME LEAN TOWARDS THESE KINDS OF POSES YK#AND WHEN IT COMES TO EXPRESSION I JUST THINK OF WHAT FEELING IM TRYING TO MAKE THAT CHARACTER CONVEY#OR WHAT I WANT THE OVERALL PIECE TO FEEL LIKE#actually that can apply for how i think abt poses too#especially for ship art im very particular about how the characters should interact n where their hands should go#i think hands r important ....#also feelings . what u want ur viewer to feel when looking at the piece ur making i put so much thought into feelings ....#im mostly using duo pieces as an example here but it can also work for solo chara sketches tbh .....#like i think about what part of the character i wanna emphasize#most of the time i show off the face bc . well i think i draw pretty faces DFJHFGDF#but other times i might wanna show off a part of their body instead#like with pieces w scar sometimes i want to show off the Scitties . or his Abs . so i figure out a pose that emphasizes those ....#the focal point of the piece ..... bc i want u to LOOK there yk#but i also think about the attitude of the character and how they act ... if they're charming or smug or serious etc etc#gotta keep them Sorta in character after all (a bit of ooc is fine . as a treat . and if done well LOL)#im ESPECIALLY picky w how i interpret my characters too... very particular with my version of them that lives in my head#Understanding of anatomy would help lots too#forgot 2 mention that im an anatomy FREAK i love obsessing over proportions and getting them right and making them look nice#ANYWAYS U PROBABLY ALREADY KNOW ABOUT THESE GYAAAAA but still ..... i hope it makes u think about poses and expressions differently .......#like in a POSITIVE WAY !!! its sm fun to think abt poses and expressions tbh u can fit a lot of meaning into even the subtlest of details#tldr IM PICKY AND I OVERTHINK ^_^
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ironmanstan · 1 year
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So much work to do but im actually doing it which scares me more than the fact i have work to do and u can tell bc i keep fucking posting like this
#laid out all my sketches i needed.. updated my carrd projects list... finalized art piece.. sketched concept.. studied from art book#fucking insane. insane. so scary so scary.#like idk it is so weird i think being depressed mustve made my adhd so much worse ?? i couldve never done this before#everything is still hard and i have to genuinely push and will myself to even attempt working on anything but like#i have enough will to win and start ? i dont lose my focus as much when im in it and if i do i know to take a break bc im understimulated?#i still forget basic things and to do things a lot but i dont catastrophize about it as much i get upset and then just fix it..#its so weird did i just fucking learn to self regulate??? is that what i was missing this whole time ???????#u get punished for like lacking focus and self regulation and have a defeatist mindset bc doing anything = punishment#but then you break through that fear and just throw yourself in and make yourself do things and u can work WITH the adhd????#my parents fucking scammed me bro imagine if i had been raised and like helped instead of called worthless for everytime i fuck up#WHY DO I HAVE TO LEARN THIS AT ALMOST 19. STUPID STUPID STUPID#even my old therapists.. oh you have adhd maybe if you just change your diet you will function WOWWW SOOO HELPFUL#HOW DOES THAT HELP ME LEARN TO BE AWARE OF MY SELF AND NEEDS AND REGULATE THEM TO WORK WITH MY MENTAL HANDICAPS HUH. QUICKLY#stupid... i hate every adult in the world you are all useless and do nothing <- is an adult#its so crazy 2 me to function even a little... i guess i learned easily finally bc i self analyze way too much sometimes#but like i genuinely for years predicted id just like. go right back to being majorly suicidal or something in college#bc i could barely handle highschool or getting assignments done#now im meeting deadlines on the reg... like idk. i think it is such a rare and strange and kind of sick feeling#to know like young you would look at you and be surprised or shocked . and its so sad bc like idk.#its like oh i never believed in myself huh. or believed i could have a place in the world and function and be alright#and then u have to grieve all the time you spent never trying bc u didnt think trying without failing was possible like what the hell!!!#crazy...#the gamer speaks uwu
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ganondoodle · 1 month
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its still rough but as far as im gonna get for now, cant decide on the tentacle colors still nkfdnvkdfn
possible name for lad is Pan or Paktolos (just bc .. reference to midas legend even if this midas got nothing to do with it; oh yeah, a bonus midas sketch .. he needs a proper redesign too)
tentacle lad may look mean here (i genuinely dont know why i drew him like that) but hes a big sappy softie, even carries a picture of midas in a locket around- next to the demon teeth hes collected he doesnt leave the island much anymore and mostly manages everything on it, his people call him by royal titles sometimes bc hes been a very competent leadership figure but he doesnt put value in any titles-
he rescued midas from the demon hunters that kidnapped him years ago to bring one of the biggest and most influencial empires to collapse after his older sister, who was the empress, was unexpectedly dying- midas being the next in line the empire doesnt really exist anymore at this point, midas now leading missions around the island instead, or going around keeping up to date with politics and tensions since his husband (tentacle lad) and his people are of a kind that is largely being kept a secret and would be a target for demon hunters as well, despite them not being demons (they look monstrous but are more based on animals, are native to earth, cannot change form, age only somewhat slower than humans and have no control over any elemental magic more than a very skilled human can have- which is basically not even noticable and usually gets passed off as 'talent' in the way a skilled sailor can feel the approaching weather in the wind)
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the-s1lly-corner · 29 days
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Ej, Lj, Masky, Hoodie, Masky, Ticci Toby and Bloody Painter x reader who draws them
Prize 5/5 for @reivelmin !! I hope you've enjoyed all of your prizes WOOHOO!! I had a blast writing them, hardly ever get the excuse to write for some of these characters EHEHEHEHE
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EYELESS JACK
I've always headcanoned that Jack was always a bit of an artist himself, although the most he does it sketch every now and then to keep his kind busy. He points out some techniques he recognizes and asks you about it. It.. actually takes him a moment to realize that all of the drawings are him. You can practically hear the gears turning in his head before he tries to move on. This opens the window for the two of you to draw together every now and then.. though jack is always a little embarrassed.. flustered.. with the knowledge that you have so much of him in your book
LAUGHING JACK
Very loud when saying he loves it. Hes flipping through the pages before pausing, looking you dead in the eye. He makes a comment about how you must be soooooo obsessed with him. Hes teasing you, of course! He offers to draw you in return.. though dont expect anything crazy, Jack's not.. the best artist- and hes okay with that! Loves looking through your art whenever you offer it. Would kick his feet in the air while looking through the pages. Sometimes you give him sketches to color, to keep him busy while you have to go do something
MASKY
He already knew what you were drawing him before you ever have the chance to show him. The man is silent and is constantly keeping an eye on you.. he does NOT know how to be a normal roommate!! You probably dont get the chance to show him yourself, because he points at a stray pencil marking that you forgot to erase. Worst jumpscare of your life, if you werent already aware of his presence in the room... he.. actually gives a thumbs up. Which doesnt seem like much but considering that he doesnt really emote, that's a huge thing... now does he think it's a little odd that you have a bunch of sketches where hes the reference? A little, but he does offer some good poses and lighting due to him tending to lurk in the shadows
HOODIE
Very similar to Masky but at least he pretends to not know. You walk up to him with your sketchbook and hes so obviously playing dumb but its.. sweet that hes pretending. He takes his time looking through all of the art, where some of the others get too excited and flip through it all. He doesnt talk, but he does communicate that he thinks it all looks great via sign.. oh he would definitely start leaving sticky notes with doodles around for you to find
TICCI TOBY
I think Toby would be a little overwhelmed, he didnt think anyone would be interested in him enough to want to fill an entire sketchbook with him. He tries to cover up his shock by lightly making fun of the situation. Though every tease he tries to draw out falls flat, as everytime he goes to poke fun of something about the art he trails off. Besides, he couldn't bring himself to actually make fun of the stuff you make.. if it's a gift, you offer to take it back but he quickly shuts that down. Its like the Bob's burger friendship bracelet audio, "no fuck off its mine"
BLOODY PAINTER
As an artist himself, he asks you about what materials you used as well as the techniques you used! Unlike EJ, Helen is more thorough in his questioning and knows a lot more fancy terms.. he points out the good parts of your pieces, and catches himself before giving his criticisms.. he at least makes sure that the criticism is wanted before just unloading (and even then hes constructive! Hes well aware that just dunking on someone does nothing to help them grow). It actually strikes his ego a lot that you would dedicate so much time and material to just him, and it inspires him to make something for you in return. If he didnt know you were an artist prior to this, he offers to paint with you.. whether as a collab or just simply working parallel to one another! Just please pay no mind to him staring at you more intently while hes at his canvas...!
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evercelle · 2 months
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i really love your lineart!!!!!!
sometimes in the inking stage i kind of mess up about the thickness about the lines and such. and in general it looks stiff in comparison to the sketch. any advice for a novice?
thanks!! wow it's been two years since someone asked me about lineart :') in addition to the stuff i wrote in that post, some ways my process has changed since then:
using a pen at lowered opacity w/ velocity variation:
(example used is ciro pen!) if you draw a fast stroke it thins out, but consistent speed/pressure gives you a uniform width. it took me awhile to get used to bc developing speed + control just takes practice, but i like how pens with velocity make it quick to vary line width easily. (it might be a placebo effect but i also feel like drawing with these types of pens forces you to have more line confidence, bc it's very visually apparent when you go slow or unsteady...haha)
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2. sketch vague, draw detail in later
for pictures that i draw separate lineart for, i usually do rough bodies/shapes and then draw in details while inking. if there's too much detail in the sketch, i think it's easy to focus too much on following the sketch perfectly with your lines, so it gets really stiff and loses the motion in the original sketch. example sketch -> lineart
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3. the "this is fine" or "eh fix it later"
try not to overwork it! its fine if there are holes... and the lines dont connect... and the width is weird... it is okay.... employ the time honored techniques of "it's fine" it or "ill just fix it later" lol i tweak or add details as part of coloring to correct places where the lineart got weird. you can probably see it better in this process vid i posted before, but i also drew an example today ft. my boy gaming
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like any other skill, i think developing skill + speed with lines follows with time and practice, but i totally empathize with the struggle against it looking too stiff... getting past the mental block of trying Too Hard and losing the charm is tough. you can do it!! i hope this helps!
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redr0sewrites · 5 days
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ATSV Characters with a Goth S/o
heeeeeyyyyyy guys 😇 *slowly sliding the 100+ REQUESTS in my inbox to the side to make room for a new special interest*
🥀Cw: none, mostly fluff!!!
🥀Pairing(s): Hobie x reader, Miles x reader, Miguel x reader, Spot x reader
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Hobie
he would LOVE any type of alternative partner tbh- he just LOOOVESSS that ur goth and will support you 100%
people who go against societies expectations/standards and don't fit in with the norm intrigue him, and your style is probably what piqued his interest in the first place
y'all definitely wear matching fits sorry i don't make the rules- hobie just can't pass up the opportunity to match w you!!! whenever you go to meetings within the spider society he always brings you along, regardless of whether or not you're a spiderperson and hobie loves showing off you and your style
MAJOR "THATS MY PARTNER‼️" VIBES
look me in the eyes and tell me hobia would not absolutely rock some funky eyeliner LIKEEEEE- he def lets you practice on him and will do your makeup for you too!!!
hobie loves thrifting with you, there is no way he isn't a major thrifter and you both definitely DIY a lot of your clothes
HE MAKES YOU GUYS MATCHING PUNK BATTLE VESTS FOR YOUR ANNIVERSARY, AND MAKES SURE THAT IT MATCHES UR AESTHETIC AS WELL!!
hobie absolutely has BLESSED music taste, but while he usually listens to rock, punk, dad rock, or post-punk type of music, i def see him enjoying more gothic/new wave music- especially if u introduce it to him!!!
i see him enjoying bauhaus, sisters or mercy, scary bitches, etc- he'll also give YOU a lot of music recommendations and help to expand ur taste!
hobie would also accompany you to any protests or conventions that you wanted to attend, and would act as your scary dog privileges
YOU TWO DEFINITELY GO TO CONCERTS TOGETHER OMG. I TOTALLY SEE THAT AS A SPONTANEOUS DATE THAT YOU TWO ENJOY A LOT
honestly hobie is a lovely partner to have if you are goth, and he's not only supportive but VERY enthusiastic about your fashion and lifestyle!
Miles
hes such a sweetheart!!! he definitely supports you if you're goth and asks a LOOOT of questions lmao
miles draws you and your fashion a lot, and will def design makeup or eyeliner ideas for you too!!! while ik this is more associated with punk, i also see miles drawing you a few custom patches and stuff like that
your kind of like his muse in a way, and miles just really enjoys sketching you, especially since you have such a unique aesthetic and such cool outfits
HE HAS DEFINITELY GRAFFITIED U SOMEWHERE‼️
he loves watching you get ready and do your makeup. seeing you do perfect eyeliner wings and heavy makeup in general lowkey relaxes him, and he just loves admiring you
im sorry but miles knows absolutely nothing about goth music or culture, ur gonna have to introduce him to a lot of the songs/bands!!!
while i don't think he's huge on the music at first, i think it would grow on him over time. its definitely the type of thing that he loves because YOU love it, and he sees how mu much you enjoy it so he starts listening to it as well so he can talk to you about it
i think his favorite band would be the cure, and his fav songs would either be boys dont cry or the walk (both by the cure- idk why thats so specific but they just kinda fit his vibe yk?)
miles likes holding hands a lot, and he loves when you wear rings or gloves or something along those lines because it just reminds him so much of you! your hands just feel different compared to other peoples and he just loves how unique you are
if you have a lot of piercings, miles would definitely ask about them or buy you specific jewelry for piercings!!!!
overall, very very cute and supportive about your style!!! (he lowkey gives bi wife energy, and iyk what in talking ab then ily mwah)
Miguel
he's pretty indifferent to your style at first, i don't see him as the type to judge much based on appearances. its your personality that really throws him for a loop, and a part of him admires your dedication to making yourself look how you want to look and truly living to be your best self, regardless of what others think
if you think miles knows nothing about being goth then be prepared for miguel bc he knows NOTHINGGGG- no music, no history, no political views, zero, zilch, nada, goose egg
if he cares about you i do see him being intrigued about your style, and once you two are officially dating is when he'll show more interest in your personal fashion sense
he strikes me as the type to like, NEVER listen to music, so he literally only listens to the music you like!!! he does find himself occasionally humming the tune of some strawberry switchblade song or casually listening to a siouxsie and the banshees song while he works, and over time you influence him a LOT with your music taste. he definitely associates any and all goth music with YOU, and that's probably why he starts enjoying it.
he's a "hand on you at all times" type of guy, and while he is rarely touchy with others, miguel is definitely keeping you close. your fashion makes that convenient for him, and he loves pulling you into a kiss by grabbing onto your belt loop or something of the sort
miguel loves how you look with and without makeup on and isn't afraid to tell you that, however, he really likes it if you incorporate his colors or color scheme into your makeup one day. he'll never admit it, but you keep catching him admiring you with the smallest smirk on his face every few seconds
if anyone ever gave u shit for what you wear and how you dress, especially someone in the spider society, you'd practically have to restrain miguel from drop kicking them across nueva york- he doesn't want anyone to be rude to you , and while he knows you can stand up for yourself, he just gets protective at times
Spot
goth? whats that???
he's lowkey such a nerd, and spends too much time being science-y and planning on how to beat spiderman to actually get caught up on fashion
spot doesn't know how he pulled you tbh, but he appreciates you nonetheless!!! he thinks you and your aesthetic are something to be admired, and will unabashedly tell EVERYONE he knows about you
he will shoplift any clothing or jewelry that you want, and he'll even take you to other dimensions where there are better alternative clothes as well
spot doesn't really have a face to do makeup on, but he'll offer to do yours for you! surprisingly enough he's pretty good at it, though he does work pretty slowly
spot loves fiddling with your accessories, whenever he's standing near you he's always reaching out to touch you in some way shape or form. he loves playing with any chains or necklaces you wear, and will help adjust them so that they lay correctly
he helps you get ready in the morning!!!!! if ur the type of goth to wear corsets, he makes lacing them up SO easy and will gladly do it for you
i personally hc that spot HATES seeing himself in mirrors/pictures, it reminds him sm of what he used to look like, but he LOVES taking photos of you and your style!! whenever you are wearing a cute outfit or have funky makeup on, spot adores just taking photos of you
if you ever did a makeup look inspired by him and his spots he would probably CRY :(
URGRHHRHHRRR I LOVE ATSV SMMMMMMM!!!! this post will DEFINITELY have a pt2 w more characters!!!!! i swear tho atsv literally pulled me out of the most horrendous burnout ever i FELT the artblock and writing block lift off of my body as i watched it. IM SO INVESTED I MADE A SPIDERSONA...
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meruz · 13 days
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i hope this hasn't been asked before. what size do you make your canvas? and do you crop it to fit other socials (like Instagram for example)? i hear that 300 dpi is standard. i never know if it's good to make my canvas big or not.
hi i think this ask is like at least 4 months old but i was scanning my sketchbooks from last year and i abruptly remembered i had gotten this ask because i had made a little chart in my sketchbook trying to figure out how to answer it
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anyways theres pros and cons. and the size of your canvas is really going to depend on personal needs + preference. how good ur computer is, how complicated ur art style, how comfortable drawing feels, how much disk space you have to spare, what youre gonna end up using the art for in the end...300dpi is standard for PRINTING specifically, if you only plan to ever post things online then 72dpi works great and will save you space (fun fact a lot of professional animation files i deal with are 72dpi. and those eventually go on your tv screen). but personally i make everything i draw 300dpi because i am always printing stuff for cons, zines, etc and its nice to have the option even if i dont end up printing.
when I was a teen I used to draw on a rly shitty laptop and i made everything 800x800px 300dpi because big canvases would cause a lot of lag and also the resolution on this laptop was pretty small so 800px was a lot of the screen already. now i have a slightly better laptop with a bigger resolution and i sketch on giant 10000px-40000px canvases with the hard round brush and no shape dynamics or transfer whatsoever to minimize lag. when it comes to making a final illustration when i know ill be using a bunch of layer effects/blending modes/colors/mixing brushes etc etc ill generally crop the canvas down to the 6000px range. most illustrations i try to make sure are comfortably printable on tabloid size paper so thats pretty much anything hovering around or above 3000x5000px w 300dpi (so 11x17in). HOPE THIS HELPS?
EDIT: OH ALSO re: socials. i always ALWAYS size down my art to post on the internet. i think its crazy when other artists dont. because why would i ever let the internet have my hi-res file for free. also in general i think it looks better if you do the resizing yourself because if you don't then many social media sites will compress your file for you! a lot of people will post a hi-res file to twitter and then go "Wow twitter killed the quality of this img!!!" UH YEAH because they have an automatic image compressor. because they need to save space too lol and they dont want your image to take 248263895 years to load. same with instagram and to a lesser extent tumblr. when i post anything on social media i resize it down to 1200px-1600px on the longest side... its a little arbitrary but im kind of basing it on the smallest resolution of widely available screens. mostly because i think it looks stupid when u open up an image file fullsize and u have to scroll to see the whole thing... also iirc instagram only takes images up to 1080px before it resizes them? granted if you upload something smaller than that itll also resize it up which will look worse so I think bumping the numbers just over 1080px is pretty safe.
I should really be bringing the dpi down to 72 too when i post online but often im too lazy to do that. but it will technically help ur image load faster and stuff. and make it less likely for people to yoink it off the web and print it themselves.
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filibusterfrog · 5 months
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I absolutely love your art! It makes me so happy that I literally get overexcited sometimes and have to take a break to stim. You convey so much expression and depth with even the most basic/fewest lines (meant in a good way!!), your sketches, finished colour pieces, all the different brushes and textures you use, the various styles, they're all absolutely awe-inspiring. I enjoy checking your page so much, your artistic talent and your creativity in world building so much is incredible.
I was wondering how long it took you to get so good at making art/being so creative and thinking outside of the box? And also if you have any tips to get better at art? Or what helped you advance overtime?
(I'm so sorry this is so much word vomit, sometimes I'm too shy to talk to people and sometimes I cannot stop)
what a lovely ask! thank you anon this made my day :)
to answer ur questions:
getting better is a continuous process, though as with anything sometimes you take steps forward and other times you take steps back (been feeling kind of drained of all creative energy this year due to irl things out of my control so i havent met my own expectations, but that happens!). so yeah im hesitant to put a time limit on 'getting good'
actionable advice on getting better at art:
-draw what you love, you dont have to do things just because you think they'll make you improve.
-look at your own art after its finished and think about what you can improve on next time without being mean to yourself
-draw lots of different things, figure out what you like best
-steal poses, art styles, techniques etc from artists you like. do studies if you want, its good to steal (with credit)
good luck!!!
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shewreckz · 2 months
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Hey your art is pretty whimsical and radical my gender non specific broseph, per chance would thou be able to enlighten us on how you draw such bodacious fine art? Like how you draw bodies and fave and what have thee. (Fr tho your art really cool and I'd like to see how you make it)
okay i have whipped up a quick little visual of my thought process while drawing!! it might not be the best cause im not the greatest at teaching but if anyones curious ^_^
first lets start with how i draw bodies
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a lot of people like to do the "skeleton" method which is where you draw lines and circles to plan out where the limbs should be. honestly i really dislike doing that because i like to always have volume and shape in mind when drawing bodies, but if it works for you thats great.
instead i separate the body into different pieces, kinda like an articulated doll. i think it helps visualize all the moving parts in a 3d space and makes posing and perspective a lot easier. i can also always add the detailed anatomy on top of this basic model like you see on the left. its always important to work from simple -> complex. drawing a pose while being too worried on anatomy will really hinder your drawing process.
to improve doing this it really just takes practice and observation. i could be here all day talking about proportions, and how many heads high a person is, and each specific muscle group, but i reccomend you go and watch videos and study professional artists on your own. as someone who has been drawing and studying these things for so long, i barely think about how many heads high a person is when im drawing a body. its kind of like learning how to play and instrument or driving a car. it becomes second nature eventually, but you have to apply those skills and work through that period of time where youre still trying to program it into your brain.
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after you get a hang of the basics you can take this basic model and draw all types of body shapes with it. i say its always important to play around with making your body types diverse. its not only fun to do but helps make all the characters you draw unique and recognizable. (dont be like vivziepop).
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dynamic posing can be the hardest thing to master for a lot of people. the best way to learn how to pose is to not think about it too much and just doing it. for example in my figure drawing class we had to sketch out gesture drawings from a picture in 15 seconds. excercises like that help a ton in making you feel more comfortable when drawing from a reference. you should definitely reference a LOT when it comes to poses, it helps build this visual database so that eventually you can get to the point where you can just draw accurate and dynamic poses from memory. after getting to this point eventually you kind of start thinking of your canvas as this tangible 3d space and considering your characters in 3d space helps make the poses feel a lot more realistic and interesting.
ok now a quick little tour into how i draw different faces yaaaayy!!!1!1!1
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main thing with my art is that i LOVEEE drawing dynamic face shapes i think its so important to avoid drawing the same slim faces over and over. shape language plays a big role into this. like for example the face on the middle is more square, the one on the left is more oval and the one on the right is more circle. shape language helps communicate so much about your character without even saying a word about them and just helps differentiate people from a glance.
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facial features also play a huge role into making your faces different. these are all drawn from the same exact face shape but look like entirely different characters by adding variety in the features. different noses, eye shapes, lips, etc. can make such a huge difference
i think before any of that its important to learn the anatomy of the face though. again im not gonna go into how many eyes wide a face it or how far the nose is from the mouth but like its always important to learn the fundamentals before stylizing stuff. again the face is a 3d space and if you dont consider your face a 3d plane the features will kind of just look like theyre floating on your characters face like soup...theres a lot of great resources and tutorials online take advantage of those!!! and reference from artists you like too it helps a ton.
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and then you mix that all together and Boom you have cool and interesting faces. you will best that same face syndrome in no time if you take my advice Trust...
anyways yeah thats the soda design philosophy hit that like button if you liked it or douse me with tomatoes and kick me off the stage if you think i give bad advice ill leave the decision up to you
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decafbat · 2 months
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i really like how much depth your art has, do you think you could show how you break down bodies when sketching if that makes sense? it’s something i struggle with a lot in my art! 。゚(゚´ω`゚)゚。
ok apologies in advance, this is probably going to be a really long and tangential rant about art that may or may not actually help you in learning how to construct bodies. im just gonna put it under a cut to save everyone from seeing this huge text wall.
i dont think its gonna be possible for you to replicate my methods here, because theyre mostly just really specific shortcuts for finding certain proportions and reference points for anatomy, which i'm fairly versed in, but not as much as i'd like to be. the shortcuts you'll need will be different from mine. im glad you think my art has depth, that is something i am trying to seek very intentionally right now, and i dont think im even close to the depth of form i am actually aiming for. so like. this makes making a tutorial kind of inherently hard. nevertheless, i threw this quick sketch together after like 3 failed attempts. (i was doing those attempts digitally, ended up giving up on that and going back to traditional because its what im most comfortable with rn)
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i didnt get all the steps i took to get here because scanning that much would be cumbersome but ill try to explain how i got here. i start with the head almost every time.
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i use a lot of symbolic/graphic shapes when drawing heads and dont stick to using forms very often besides the circle at the center of the head, which i use as the base to form these graphic shapes around. think of it like "wrapping" the ball in various textures and masses. the eyes are usually "textured" onto the head, notice how the her left eye looks narrower then her right. of course i try to make sure her bangs sit along the curve of the sphere and her ears look like they sit on opposite sides of the head. its easy to forget that part, making the head look unsymmetrical. the particular masses of leica's head would be her snout, which is just a curve extended slightly outside the diameter of the ball, and her hair, which are two strange organic shapes that are quite hard to draw, two hair sprig anime antennae things (forgive me, i forgot the word for them,) and the back of the head, which i usually need to extend slightly. its a little too extended here, needs more on the top, i fix this in the final pass. this was a quick sketch, so i didnt focus too hard on the forms of the head beyond the most essential ones for her design, but i sometimes highlight the form of cheeks with curved hatching, or try to make the eyes appear more sunken-in as they are on human faces. i dont know how to proportion the neck and torso correctly until i draw the head, so i always do it first. next, i did the torso.
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so heres why i said that you probably wont be able to replicate this approach. you do kind of just have to practice anatomy, i cant just make it make sense because im not very good at explaining this stuff, but ill try to go through what i did here. so, i generally use simplified bone shapes to find proportions and reference points, as well as more complicated shapes like those of elbows and knees. i try to study fairly often because im not satisfied with here im at with this stuff yet. of course, i dont think i'll ever be. so i'll usually start with the ribcage, add a shoulderblade out the back to find the shoulder, the armbones come out of that, the bone in the upper arm connects to the ulna with a sort of three-pronged attachment, one big knurl in the middle, which forms the thrust of the elbow, two little ones on the side. i think those are part of the ulna but i dont remember. see, you dont really have to know what exactly they do as long as you know what they look like. the ulna does some goofy rotation shit i dont understand, connects to the wrist, and then we have a hand, which, i mean, im not good enough at hands to even be telling you how to do it, but i just have a big squarish mass and some little hotdog fingers coming out of that. you can see on her left hand that ill have a big circle forming the the area on the hand where the thumb attaches... theres more depth to the hands, i think you can easily find better tutorials then i could offer. anyway, under the ribcage theres the pelvis, represented with a box. ill get into that when i talk about the legs. i wanna briefly talk about the way i add the flesh and fat to the bones.
so, i really can't give a comprehensive crash course on anatomy, but i can point you towards the morpho series, which is where i get most of this stuff from. you can get very far with the volumes Simplified Forms, Fat and Skin, and Skeleton and Bone Reference Points. moving on, i just kind of have a feel for where the masses attach by now. the important thing to remember when drawing fat characters like this is that the fat should "hang" from the bones and flesh, drooping down slightly. leicas fat hangs substantially, so she's not very wide despite her weight. this is important to her character design i feel. i almost always draw characters naked first when doing serious drawings because it will come in handy knowing where the forms of the body are when i add the clothing. by focusing on the way her body looks naked, i can modify the impression of those forms when adding clothes, and when i add them later on in this drawing, leica will take on the distinctive boxy look i try to draw her with.
if you look at the arm, youll see that the place the line of bone sits is very high compared to the whole mass of the arm, the flesh and fat of the arm "hang" from the bone, and then the upper arm squishes against the bent forearm too. even if the anatomy in the arm is indistinct, it can still look convincing when the forms act realistically against one another. the elbow has much less fat connected to it, so its more bony then the rest. this isnt actually consistent on all people so like, think about that kind of thing when designing characters, like i was talking about before, fat can sit in infinite different ways. maybe if i was doing a more objective anatomy lesson i'd draw cath, because i do have a sort of vague understanding of muscle placement that doesnt come through here, but probably would if i was drawing a scrawnier character. let me know if you want that.
a word on the breasts too: they hang a bit lower then you'd expect, keep that in mind. the attachment point is also angled, as the line shows. the line starts roughly in the middle of the torso and ends around the armpit, but the form of the breast can go underneath the armpit or even connect around the fold of fat in the back. many things to think about. i love boob shapes. ok lets finally get on with it and talk about the legs.
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so, the really specific shape of the pelvis doesnt matter that much unless youre drawing a really thin character, so its just a box here. out from the sides of the pelvis, extending out more then you'd expect, is the femur, which ends in a similar joint to the arm. this shape helps me figure out the form of the knee. two masses on each side with a bunch of complex and weirdly shaped bones forming the kneecap, which i have omitted because i dont yet know shit enough to include them. i am learning though. so, obviously the feet are just scribbles here because im just gonna put her feet in socks anyway. you really dont have to do more then you have to. a few tips i can offer here, the butt should hang a bit too when drawing fat characters, i think the butt is supposed to start just below the pelvis if i remember, but take that with a grain of salt. i also didnt really do that here but its hard to tell because she's facing mostly forward. again, i dont think i can really communicate what's going on here. morpho has a lot of great drawings explaining the shapes and muscles of the legs, all things i might focus on more when drawing a scrawnier character. for this case, i regrettably don't go too hard on the legs. also i should note that legs would usually be much longer, leica is really short so ive exaggerated the proportions to communicate that. i may change my mind on that front in the future and give her more grounded proportions. the important thing to remember with legs is just getting a nice hierarchy of forms going. bigger thigh going into smaller calf going into smaller foot. it mostly comes automatically now.
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i added the clothing, shaped up her head a bit, added a bit of fur. i put her in her classic outfit, just a sweater and jeans. i enjoy the big thick folds that come out of these clothes, and big areas of white space too. its nice. i try my best to form all the folds around the forms of the body i drew earlier. thats one case where i really really have no idea what im doing and could never explain it in words. its just some fun intuitive play with loops and lines. this is at around the stage for a sketch where i'd do inks, or if it was going to be a finished pencil drawing i'd erase out parts piece by piece and replace them with nicer and more defined lines and tones.
i guess that's all i can offer , i hope that halped.
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mo49ko · 2 months
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hi, firstly, i love your art so much!! fengqing make me so weak ;-; secondly, do you have any tips for lack of motivation/fear of failure? like that feeling when drawing seems scary because you’re not sure if it’s going to look the way you want it to or it’s hard to get yourself to produce something just because drawing is difficult?
hello!! thank you for your kind words 💖✨ fengqings will always be here for us!!
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i think that if you are not motivated to draw, there's no point in forcing yourself just to produce something, because pressuring yourself will just make you stressed. i think you can get more motivation in many ways, but you should just give it time.
for me, even doing something unrelated to drawing can give me motivation/ideas to draw!! for example, if i go shopping and i see some cute outfits, or a nice cafe, or i went somewhere fun with my friends, it will make me want to draw my fav characters doing it too hehe🤭🤭 in any case, you dont have to feel bad about not drawing. not drawing for 6 months can seem long, but its nothing in comparison to all the years that you are alive 🫡🌟
for the avoiding failure part, you can consider that a drawing doesnt ever have to be finished. one secret about drawings is that you can fix them how many times you want and you can spend months on one drawing if you want !!
i think it's the best thing to accept that you will never nail a drawing in one try. if the arm looks wrong then it just looks wrong and you can just draw over it again. if the face looks bad then you can just erase it and redraw from scratch how many times you want. in my case, i will absolute have like 60 layers of sketch before i colour lol
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me duplicating my layer and redrawing each part until i get it right (2)(2)(2)(2)(2)(2)(2)(2) etc. etc.
you can't fix a thing without putting something down on the canvas first so i say just draw it however. then you can see what looks bad and fix it one by one. just work towards making it look the way you want it to.
i often post a "finished" drawing, and then come back to it months later and redraw some parts and post it again. i just think it's nice to think that you can always decide that you can still work on it!! my drawing is a dear plant that i grew myself by watering it and giving it sunshine over the days. 🌿
for a concrete advice, i would say to look up references even for things that you think you know how to draw.
it gets soso more easy when you stop relying on your brain waves to hallucinate a picture onto the canvas. if you don't know how to draw a hand holding a phone, just google "hand holding a phone stock image" and then copy the position!!
i drew both of these in under 1 minute ↓
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seeing the reference pic made it easier to identify where is mistaken, and helps you improve the drawing easily.
it doesn't have to look exactly the same as the ref, but it helps you visualize better.
ALSO!!!! i will never stop recommending "PureRef" to everyone!! (a software to paste all your reference images to have them on your screen while you draw) !! you can move around the little board window and no need for a second monitor 🌟✨
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in any case, keeping yourself interested in a lot of things will also make it easier to find reference pictures (by searching more precisely) + have more ideas/inspirations to draw!!
in think overall you should just let let your interests take you where they will.
happy drawing !!! 🤭💖🌟
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sourcengine · 15 days
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tumblr is NOT letting me answer this ask directly for some reason so i screencapped it HDFHDG anyways here goes
i vagguelly knew abt otherkin stuff beforehand but that was like. very vague and more in the lense of "eww cringe" bc that was all that was talked abt it
fast forward to me being 16 or so (maybe 17?) and i decide that today on www.tumblr.com im gonna go through the werewolf tag, and between all the art and poems abt werewolves i view a few werewolfkin posts and i go "huh.. thats interesting" bc i only vaguely heard of it but never really looked into it
so i dip my toes into it, and fall into the lake completely, and now im here
from which i will give some advice:
disclaimer: most of this advice comes from a psychological kin perspective, for spiritual stuff i can gather some info if you ask me but overall im not spiritual kin
1: sometimes the answer is not too clear, being alterhuman can stem from many reasons and overlap with many other things, furryness, autism, psychosis, spiritual beliefs, familiarity and importance to an animal or myth, a lot can play into it! for some beings, the experiences are very separate from each other, for others, they may cause each other or be linked or overlap, it can all depend and change around, so dont stress too much on whats what, but if you wish, you can play around and see what belongs to what, ive had the fact im a furry sometimes overlap with the fact im otherkin, and even fuel each other, but i still see them as separate identities, its all a big complicated soup. and i will say to just fuck around and see what labels you see fit
figuring out your kintype can take a while, and its not uncommon that what you first consider to be your kintype may not be the one that you actually feel you are. for example my first through upon discovering kin stuff was that i may be a cat, ive loved cats since i was practically born, ive always wanted to be a cat and themed myself around cats, hell my fursona is a cat! turns out im not one, ive tried and figured stuff out and experimented and well a cat just wasnt it. from this i'd just say to explore different animals or mythic beasts or types of robot etc etc
from that, what has helped me personally to figure out kintype stuff is to see what you desire feel and act, what kind of environment do you crave for? forests? mountains? deserts? theres a lot! what do you wish your body looked like? everyone talks about wanting claws and fangs and such but really think about it, what do you want for your body? what would make you happier? what would make you see your body more as your true self? any particular diet you have or wish to have? any behaviors you've derived from a being? maybe you hiss maybe you bark maybe you knead. do you feel limbs that arent there? such as ears? tails? horns? just look around outside and inside to see what you crave what you do what you want and such
one thing that i did while trying to figure out kin stuff was to just. draw how i view myself in my mind, and not concentrate on design or what i like and dislike on character designs, just like, draw what comes to mind on an "ideal body", you shift around features from the vague idea of who you are in your mind, draw different tails draw different snouts draw different body shapes, and see what fits and sticks, sometimes you can land on yes "thats exactly me", sometimes you can land on "its a vague idea of me but can aid me in figuring it out". thats kinda how it lead to me figuring out im primatekin, i had multiple different attempts and sketches of what i think i look like in my mind, and i just kept going until much trial and error later i found something. it went from "humanoid?" to "halfly animal-like" to "has a long tail" to "small and expressive" and eventually to a primate! (and thats how my mizamonkey design came to be QSHFHD). again for some this may bring a concrete design while to others it may be just a vague guide, not every tip works for everyone.
despite a few points ago where i stated that being obsessed with an animal or myth doesnt always equal to it being your kintype, it sometimes can be! and its sometimes how kintypes can originate to people (if we're taking the psychological otherkin route, this doesnt work too well with spiritual otherkin). sometimes youre just so obsessed and interested with an animal or myth or fiction trope that your brain kinda, adopts it for your identity. this is what happened to me for werewolves, since i was a wee lad ive been OBSESSED with werewolves and i read about them and drew about them and made stories about them that my brain has seemingly just. grabbed it and went "thats you". so look into your childhood or current state of living and see what animals and beings and such you connect with! again just as a few points ago, it doesnt always mean its your kintype, but it can be!
being alterhuman is different for everyone, i sometimes still think of this message i saw ages ago that went "ask 10 therians what being a therian means for them, and you get 11 different answers", so just because this otherkin experiences xyz, doesnt mean everyone does, and vice versa! i used to have a lot of stress about this bc i felt like i was a faker bc i didnt experience like others but after a while i managed to mellow out on it and its making me feel better!
related to that i would be careful about the resources you seek out bc from my experience seeking out resources has been a very 50/50, some tips and advice is great! while others are just why would you follow that. use your critical mind and see what suits you and what helps you.
this is more a personal opinion but i feel like the whole "choosing your kintype" debacle doesnt have a correct and concrete answer. to me if you were to just choose whatever kintype you want it may not actually be the kintype you feel like you are. i would absolutely choose to be a wolverine if i could! but it just doesnt align with my kintype and i cant force it as my kintype even if i tried. i would say that you can "try out" kintypes to see if it fits, its all about experimenting after all. its just that for most, its not as easy as pick and choose. its mainly bc your freely chosen kintype may just not be who you are, if you wanna choose a kintype either way, the community has adopted the term "copinglink" for such. for most alterhumans they did not choose their kintype. again its about trial and error
overall its going to be a lot of trial and error to figure stuff out. it took me 2 years to finally land on my proper kintypes! you may find kintypes and you may drop them. you may find yourself to not be otherkin after all! if you want more personal tips and questions you can message me here or on discord! (but i prefer discord bc tumblrs dm system is kinda cramped and buggy).
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wasyago · 8 months
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Dear Wasyago,
Strange, I have always thought it was spelled as Wasayago. But recently I've realized, I can't read very well.
I want to send appreciation today, to you.
You've taught me a lot about art. You've taught me a lot how to draw certain things, and you have opened my eyes to new perspective of art, ever since I started following you. Colours are brighter, I experiment more, I can see a specter of visuals that was previously hidden from me. It's like gaining shrimp colors.
Your art feels like an art classroom. There's sun pouring in from the windows, and there's tree leaves in front of them. Every time you come in you see different art projects. Paints add on to the tables, that will never scrub off again. There's dirty cups with paint water, and brushes, in the sink. It's lunch break, and there's people here. Some are just doing their math homework right before class, some are working on their sculpture, some are picking out paints, some are working on their new piece, on a fresh canvas. And it is so alive.
Your art feels so alive. Like the leaves, the people, the stains. It's really nice to see, every single time you post, how lovingly you bring a character into the world (My favorite so far is that one doodle of Modern au Gillion eating noodles, I have it in my favorites gallery).
I would like to see some unfinished, maybe forever to be so, doodles that you weren't especially proud of. We'll love it all.
Respectfully,
Marcus Bloodsmith
oh, thank you so much, this is so sweet qwq
im happy to know that you feel this way about my art, and im glad i could help you with some advice! it feels a bit weird to show unfinished or scrapped art under such a nice message, but yeah why not. and its funny that you mentioned the gillion eating noodles one, because its also one of the pieces that i really didn't like and didn't want to post hdgsh. i dont have that many unfinished drawings left because i delete or redraw most of them, but i have a couple that might be fun to share... and i guess it's gonna be a long post bc i wanna tell a little about each one or at least name them.
there's this art of chip, the first time i properly tried to figure out a way to draw him back when i just started listening. redrew this piece later, kept the sketch on the left, but the right one i changed completely because i didn't like the vibe this one has.
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there's this attempt at redesigning caspian after i found out he was a water genasi, plus the first version of that art of caspian, pretzel and gill. this design didn't feel "caspian" enough, it looked too soft and kind where i wanted him to be more layed back and chill and sarcastic and with a bit of an edge. redrew both pieces later. the underwater drawing also has an unfinished background in this version, i added some fishies later so it didn't feel that empty.
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some random sketch of gillion to show off how the lightning scars look on his face and neck. i quite like it, but it didn't really fit in the post with three proper drawings and one sketch so i decided to scrap it.
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there's this drawing where i tried to figure out how the capital of the undersea looked like. i really didn't know where i was going with it and didn't have a good idea when i started drawing, so its a mess of things with nothing to really focus on. i tried to add a character on it later to breathe some life into it, but it didn't work out since i didn't focus it on the character from the beginning. plus i don't like how the colors turned out, and the entire concept of the environment feels weak and boring to me. i still want to draw more concepts of the undersea and try a couple other ideas, but probably at a later date...
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the first version of whatever try it was to design gill's armor. (fun fact, i have more armor designs scheduled for tomorrow). this one i redrew almost immediately, i really didn't like how it turned out and how the legs were cut off and it looked so messy with no real accent point or personality. plus the smaller copy of the drawing in the corner just didn't look good. im not exactly proud of the redrawn version either (that's why i did another one yesterday lol), but im glad i redrew it anyway, it looks a lot better than this one.
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the first sketch of that one gillion drawing. i couldn't figure out the colors for it for so long and wanted to drop the idea entirely. but i left it to sit for a couple hours and eventually got the motivation to come back to it and finish it. for most of the illustration pieces i did for jrwi there were multiple versions, where i just didn't like the first one and redrew the whole thing with a different composition and colors. didn't save any of those drawings tho...
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this drawing of jay but with green wings and a slightly different color shirt. it was actually the first version of this drawing, and i changed the colors to blue later. wanted to post both of them side by side but then decided against it. that's why this drawing survived and was properly saved and not just deleted.
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more recent attempts at designing the chaingel. i like the concept, and the pose in the second sketch is pretty badass, but the execution is just not there. it doesn't feel right, doesn't have the right kind of vibe that this character gives off. so im sure i will try and draw her later when i figure out what's missing and how to show her personality in the way it feels in my head. but these two sketches were never going to see the light of day, so now they're here.
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aand this is it, this is everything that wasn't deleted in the past month for one or another reason. i feel like im more chill with deleting and redrawing things, so a lot of initial sketches and concepts never get saved or seen by anyone. im also on mobile so i can attach only ten files lol. not that it matters, the last two were just random figure drawings for warm up, not much to talk about.
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obsob · 10 months
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Hello! I just wanted to compliment your art style becuase it's so wonderful and comfy looking. I also wanted to ask, do you have any advice for other more beginniner artists?
If not, totally OK. Keep doing what you're doing!
:3
hello! tysm!!
idk what specific advice would be helpful for you, so heres some general stuff!
for my colour palettes i generally just generate palettes from paintings/art i like in procreate! idk if there are websites that can do this for u if u dont use procreate i imagine so? i dont often 100% stick to one palette for a piece, but sometimes i like to challenge myself to! its a good way of making you use colours u dont usually do. i find having a good range of palettes to choose from helps me decide what kind of vibe i want for a piece! something i always do when colouring is do a warm yellow underpaint under everything - this is partially so i can do 'alpha locks' for ease but also it gives everything a nice consistent undertone which helps! if im not sure on a palette when im doing the line art i will purposely not shade in sections to give me more wiggle room with the colour choices.
for drawing people i feel as though i should recommend doing figure drawing but i. do not do that so DJBSDKDB i hate figure drawing so much. when i draw people i just tend to take photos of myself in the pose i want and then if needs be look at some reference images of people w the body type i am drawing and then merge the two in my sketch. i like to look at shapes the body makes and exaggerate them - making things more round or more pointy. for both bodies and faces i dont think too hard about life like proportions - i just hve fun with it! whatever suits the character!
for general inspiration i use pinterest a lot - here are some sc's of some of my main insp board! and a link to my account if u are. curious i guess
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