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diminished-fish · 4 years

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References for “A Portrait in Synesthesia”

This fic is COMPLETE now, so anyone who might have been hesitant to follow a wip, here you go! The whole synesthetic package, wrapped up with a nice lil bow on top. :3

For those who might have missed the masterpost: the fic was my contribution to the good omens big bang and is a sweeping, canon-compliant romp through history, told in (almost) all original scenes, with lots of nature imagery and T.S. Eliot. Kind of my own cold open, but with way more feelings and flowers. Also the sea. And an emotionally significant comet.

I had the opportunity to throw all of myself at this project and really enjoyed making it an intense focus for a while. In a way, it was an experiment to see how much I was capable of, which as it turns out, is more than I thought! (there’s a lesson here, probably...). Going this deep with the research and worldbuilding is not something I will likely be doing often for fic writing, but since I did with this one, I figured I’d share a bit of the process.

Under the cut are major spoilers for the timeline, story, and historic events in my recent fic, A Portrait in Synesthesia. I had originally planned to post this information in the end notes of the fic, but at some point, the list got way too long and posting it here became the sensible choice. There is a link to this post in the end notes of the fic, so it will be easy to find your way back here if you get to the end and want to know a bit more about the writing and research process.

The Title:

Putting this bit at the top because I don’t know where else to put it: The working title for this fic throughout the entire writing process was “In Synesthesia.” I almost changed the final title in the eleventh hour to “The Still Point of the Turning World” because of what a prevalent theme Eliot became (that line was also slipped into the story three times at important moments — once for each POV character). I also briefly considered “Always, We Were Enough” as a title, since the conversation with Adrielle at the lighthouse kind of... accidentally became the thesis of the whole story, but that was a bit too sappy even for me, a Confirmed Sap.

And while I’ll be questioning my choice of title for the rest of forever (titling things is hard, y’all), I ultimately thought the more descriptive title was best, and wanted to keep the nod to the song that inspired it all.

Speaking of the song... have you listened to it yet?? It’s great, I promise!

youtube

Synesthesia:

This was my research starting point. Before I dug into any of the historical or astronomical research or even started any serious plotting, I started reading about synesthesia, or, as Psychology Today defines it: the neurological condition in which the stimulation of one sensory or cognitive pathway (for example, hearing) leads to automatic, involuntary experiences in a second sensory or cognitive pathway (such as vision).

Full disclosure: I do not have synesthesia. I spent a LOT of time researching it for this fic and did my best to portray it accurately, in spite of the fantastical elements I added. If I’ve overstepped or gotten something wrong and there are any synesthetes out there who would like to talk about it, I am very open to those discussions. The AO3 comments are always open to that, or you can message me/send me an ask here if you would like a less public forum.

I probably read r/Synesthesia in its entirety, but this thread of first-hand accounts was one of the most interesting to me and provided a lot of the inspiration for how I used the emotional synesthesia imagery.

Besides everyone’s favorite research staring point of Wikipedia, this link is one I got from Boston University’s Synesthesia Project, and it is a pretty exhaustive list of research and books, as well as art and poetry about synesthesia. I have also been working my way through The Man Who Mistook His Wife for a Hat and Other Clinical Tales, by Oliver Sacks which is the book that came most frequently recommended to me in my search. It’s an extremely approachable and interesting look at neurological conditions, synesthesia among them.

As it appears in the fic:

In a broad, generalized sense, Aziraphale and Crowley have a few types of synesthesia in this story. Obviously, I gave it a supernatural/celestial twist and a healthy glug of magical realism, but I did try to keep it firmly rooted in the actual condition. The types of synesthesia they have are:

Chromesthesia: they both have this. Sounds, specifically each other’s voices, have a color association

Lexical-gustatory synesthesia/emotion-flavor synesthesia: Aziraphale has this. Words (in this case, emotions, specifically Crowley’s emotional state) have a taste.

Odor-color synesthesia/emotion-odor synesthesia: Crowley has this. Words (again, emotions, specifically Aziraphale’s emotional state) have a smell.

One of the defining characteristics of synesthesia is that it is constant. If a synesthete connects the number 9 with the color blue, for example, then they will always connect them in this way. This was the major difference between real synesthesia and the fantasy synesthesia in this fic. The sensory/emotion connections for Aziraphale and Crowley changed in subtle ways as their relationship evolved through the ages.

The “binding thread” also had nothing to do with synesthesia. That was me wanting to make the spool analogy work for the body swap, baking it into the entire fic because I liked how the imagery fit with the synesthesia, and then leaning into the magic and the soul memory so hard that I fell flat on my face into magical realism. (A True Fact: I have spent a fair amount of time lying on the floor in the past 6 months, shaking my fist at the cute little plot bunny who grew fangs and claws and dragged me down a rabbit hole that ended up being 100k words deep).

Anyway! Research!

Before I get into space and history and flowers... Yes, I admit to absolutely making up some wacky shit about Europa for the sake of fun banter and making a metaphor work. All those pre-Fall scenes on abandoned Earths are 100% a fantasy setting and I exercised the super fun right of a fantasy writer and embraced the worldbuilding (moonbuilding?). I also just thought Crowley would have delighted in tying a moon’s guts in knots, and Aziraphale would have delighted in the idea of whimsy-for-whimsy’s-sake. Please don’t lose sleep over the scientific inaccuracies.

Halley’s comet:

I promise not to bog this down with a billion comet facts, but there were a few particular things about Halley’s comet that had me gasping dramatically about how it’s “A.J. Crowley, but a comet!!” Specifically, it’s orbit and it’s structure.

Halley’s retrograde orbit gives it one of the fastest velocities (relative to Earth) of any object in the solar system. I never explicitly worked the “you go too fast for me” line into the fic because I was trying to do original scenes (this particular story lived between the lines), but... just know that tidbit is there and join me in these emotional dire straits. If you like.

The comet’s structure is what is known as a “rubble pile”, meaning it’s made up of a bunch of smaller rocks held together by gravity (read: a hot god damn mess held together by stubbornness).

As it appears in the fic:

The nucleus of Halley’s comet is shaped like a weird lopsided peanut. In fact, one could almost look at it and say it resembles a contact binary star, if such a thing could be a shriveled, misshapen pile of rubble.

Officially, Halley’s comet might have been recorded as early as 467 BC (a comet was recorded in Greece that year— unclear if it was Halley’s, but the timing and the fact that it was visible to the naked eye suggests that it probably was). This was the year I had Aziraphale making the scroll that causes Crowley’s panic in Athens (390 BC). I like to think that some human, at some point, caught a glimpse of it and tried to bring it to light, only to be written off as a crazed conspiracy theorist.

The apocalyptic depiction of Halley’s comet in chapter 9 (Bithynia) is actually based in fact. The comet made its closest approach to Earth (in human memory) in 837 AD, passing within 5 million kilometers. Its tail stretched halfway across the sky and it appeared as bright as Venus to the naked eye.

1910 Halley’s Comet panic. Bonus: c o m e t p i l l s

Where 1910′s appearance was a spectacular sight and one of the closest approaches on record (coming within 22 million kilometers of Earth), 1986′s was the worst viewing conditions in 2,000 years. The comet passed within 63 million kilometers at its closest approach, and had the sun positioned between it and Earth, making it impossible to see from areas with any amount of light pollution, and almost invisible to all of the northern hemisphere.

Historic events and settings:

Chapter 6 (Ostia): This was one of the chapters that I did a bunch of arguably unnecessary research for, since the history and the meat of the setting faded into the backdrop as the scene itself focused on dialogue and train of thought. The port town of Ostia was incredibly engrossing to read about, and between wikipedia’s ever-branching paths, ostia-antica.org, and ancient history encyclopedia’s entry, it ended up being one of the deeper rabbit holes I went down. My original intent for Aziraphale being in town was as a response to pirates sacking Ostia in 68 BC. I had him stationed there to guard against further attacks as the town rebuilt, and had him lingering because he was swept away by the romanticism of the art and the sea and the constant ebb & flow of people. I never found a way to work this in that didn’t feel super awkward and expository since the chapter was Crowley POV, so it was just left it as background noise.

Chapter 6 (pyramid of Cestius): Beyond being a magistrate of one of the four great religious corporations in ancient Rome (the Septemviri Epulonum), little is known about who Gaius Cestius actually was. As the city expanded, his lavish tomb was absorbed into the city walls (circa 3rd century AD), where it remains what he is remembered for to this day. I took most of my information from here (cross referenced with our lord and savior, Wikipedia) and had a chuckle at this poem by Thomas Hardy.

Chapter 8 (Plague of Justinian): The Yersinia pestis bacterium leaves no indicator on skeletal remains, meaning we rely on written records to track its path through history. The 6th century plague pandemic is the first recorded outbreak of bubonic plague, and for the purpose of our story, a certain distraught chronicler was the one on site, writing that history.

A note/cw: I wrote chapters 8 and 12 in October and November, respectively, and did much of my research for them over the summer. I imagine, given the current covid-19 pandemic, these sources would be less fun to follow up on now. Please be aware that the podcast episodes linked here, and the book cited in the miscellaneous refs section, get into pretty grisly details about illness and pandemics.

Chapters 8 and 12 (bubonic plague/The Black Death): I took a fair amount of my notes on bubonic/pnuemonic plague, specifically it’s path of destruction through Europe in the 14th century, from the two plague episodes of This Podcast Will Kill You. It’s pretty fascinating stuff and the Erins are great hosts, so check it out if you’re into delightful nerds bantering about epidemiology!

Chapter 9 (the death of Peter of Atroa): Peter of Atroa was an abbot whose fame as a miracle-worker landed him in a scandal accusing him of exorcising demons by the power of Beelzebub, rather than God. Theodore the Studite’s letter cleared his name enough to avoid execution, but his reputation didn’t fully recover until after his death in 837 AD, when he was canonized as a saint. Peter and Theodore were tough to find extensive information on without passing through a paywall, so I took these scraps and ran a mile with them.

Chapter 13 (Tlatelolco, the Aztec Empire, the Feast of the Dead): I used this site as the source and starting point on much of my research on the Aztec Empire. And listen… I know it looks like a website for babies, and yes, I’m aware that a lot of the articles are literally written for a pre-teen audience, but it’s also one of the most concise, thorough, well-researched, and — perhaps most importantly — easily-searchable sources I found. Most of the pages cite papers and archaeological journals and I was able to jump to SO many other great sources of information. Mexicolore has my undying love and devotion for making my research process easy and fun and also having lots of pretty pictures.

Most of the physical descriptions for Tenochtitlan and Tlatelolco (surrounding landscape, canals and causeways, chinampas, etc.) started here.

Tenochtitlan and Tlatelolco were independent cities, but shared a border (kind of like a city and a suburb) and the small island on Lake Texcoco (located where present day Mexico City is). Tenochtitlan was the capital city of the Aztec Empire, and besides cross-referencing Mexicorlore, the link in the previous bullet point, and Wikipedia, I got a fair bit of information from these essays.

Tlatelolco’s market was the major hub of trade and commerce, and saw 20-40,000 people trading PER DAY. Research on the market started here.

Chapter 14 (Terschelling and the Brandaris lighthouse): While I strove for historical accuracy as much as possible in this fic, I did take some liberties— especially with the island of Terschelling and the Brandaris lighthouse (yes, it’s real!) circa 1350-1435.

The village of Brandarius is based on present day West Terschelling— a settlement founded as a direct result of the lighthouse. In the middle ages, both the village and the lighthouse were named after Saint Brandarius (or Brendan of Clonfert: ‘The Navigator’, ‘The Voyager’, ‘The Anchorite’, ‘The Bold’; patron saint of divers, mariners, and travellers). It’s still a relatively small village today, and it was a surprisingly difficult task to find historical records for Brandarius/West Terschelling dating back to the 14th century that say much beyond “it existed.” I loosely based the village off information found here, and named it “Brandarius” instead of “West Terschelling” based on the information found here.

The original lighthouse was built in 1323, destroyed by the sea in 1570, and rebuilt in 1594. Since there were no records (that I could find) of what the original lighthouse looked like, I loosely based the height and floor plan on the current tower, and made up everything everything else about the interior. The interior was based on information about other live-in lighthouses, specifically this one which is roughly the same height as the Brandaris.

The present day Brandaris lighthouse sits directly in the middle of West Terschelling. For the sake of that sweet Self-Imposed Exile + Cryptid Lighthouse Keeper drama, I took the liberty of making my fictional village of Brandarius teeny tiny and setting it slightly apart from the lighthouse.

Miscellaneous references:

In addition to the podcast, details about plague in chapters 8 and 12 were gleaned from the book The Great Mortality by John Kelly. It’s a cool read if you’re into nonfiction that reads like fiction, but does have some rather graphic passages so proceed with caution.

Yaretzi’s maquizcóatl/Aziraphale’s memento. To clarify, they were NOT the same item. I pictured Aziraphale cherishing the memory of the day by the lake with Yaretzi so much, that once he acquired the bookshop and had a place for all his kitsch, he hunted down a bad luck dragon of his own.

Here is the Aztec creation story about sun cycles and Earth’s rebirths that Yaretzi told Aziraphale. Another version of it.

In the scene in Mexico where Aziraphale briefly remembers, I used an analogy about a moment that hovers and flits away as “quick as a hummingbird.” Besides just liking the words, this was a nod to the legend of the cempasuchil flower. I originally had Yaretzi telling Aziraphale that story too, but the chapter was just way too long and something had to go.

In my very first outline, I had Aziraphale’s grief and personal growth chapter taking place at a Día de Muertos festival in Mexico. When the plot and the timeline finally got ironed out and I realized only half of that story was going to take place on Earth, I ended up focusing on Aziraphale’s brief relationship with Yaretzi instead of the festival itself (she was always the important bit). I also found myself married to the idea of that chapter happening in the 14th and 15th centuries, which meant the scenes in Mexico take place before Spain invaded and the festival was based solely on its Aztec roots. Because the plot shifted in this way, a lot of research went on behind the scenes that never made it into the fic, but for anyone interested in the Aztec Feast of the Dead, Mexicolore was my starting place again. From there, I found my way to reading about Mictecacíhuatl, the Aztec goddess of death, who was the main focus of the festival.

This isn’t research, but it might interest, like… three of you, so here you go. The scenes in Heaven (Aziraphale’s solo chapter in general tbh) were hard to write. One of those walls you hit with writing where you kick and punch and bang your head against it for months (literal months, I started wrestling with it in August and it didn’t come together until the end of January) but can’t seem to make any breakthroughs. Inspiration truly comes from unexpected places though, and when @gottagobuycheese sent me this Gregorian chant generator it actually… worked? I cranked that hum slider up to 100 and left it there for a few days (to the chagrin of my spouse) and lo— Zophiel.

There’s a cool legend about Saint Brendan of Clonfert’s sea-faring journey in search of the Garden of Eden that has nothing to do with this fic beyond being neat parallel. If that happens to be anyone’s cup of tea, the story is here. The tl;dr version is here. My original vision for the lighthouse included carved whales (St Brendan’s attribute) over the front door, and images from this story (the island of sheep, the Christmas island, the paradise island of birds) drawn on the walls of one of the bedrooms used by previous keepers’ children. Continuing the theme of “how stories echo” if you will. It felt really awkward and out of place once I wrote it in though, and that chapter was already so long once I got through all the plot bits I wanted, so it was left on the cutting room floor.

Speaking of taking liberties with the 14th century, I did fudge the timing a bit on the art created by Crowley and Adrielle. Drawings, especially pencil sketches, have their historical roots in the late 15th century, and I’m chalking this one up to the fantastical setting of the Good Omens universe. In a fantasy world where angels and demons walk among us and the earth is literally 6,000 years old, I feel like inventing pencils 100 years early is small potatoes. ¯\_(ツ)_/¯

This is the edition of A Midsummer Night’s Dream that Crowley nicked in Norwich. There are some really wonderful illustrations and scans of full pages under that link. I may or may not have lost a few hours down that research rabbit hole for a few throwaway lines (no regrets, I fall like Crowley).

One last rabbit hole...

I saved this bit for the end of the post since it’s not really research and I don’t know how interested people will be in this kind of thing. Also... this is a lot more emotional and personal than the historical aspects of the fic. This is just what I was feeling and thinking while I was writing, and this story is absolutely the kind of thing I expect everyone to take something different away from. If you read the fic, took your own meaning from it, and want to keep that meaning without me tarnishing it by babbling about symbolism (first of all, high five, I love you, thank you for hanging out with me and my stories), then feel free to skip the rest of this post. <3

But! For anyone who wants to know more about what I had in mind with the flowers and nature metaphors I worked into the story, read on!

The tag “it’s an OT3 where Earth is the third” is something I really worked to pull to center stage. In my mind, Earth was a fully formed character who also spent the pre-Fall storyline being jerked around by God and having its memory wiped. It experienced transformations, pain, heartbreak, joy, and love just like Aziraphale and Crowley did, and I wrote it as falling in love with the two of them over the course of the Earth Project, then remaining very much in love for the entirety of iteration 23 (the current iteration). “Memories that are buried in places deeper than the mind” referred to the soul imprints being formed, but also Earth’s buried memories— seeping through the cracks to connect them via synesthesia in emotionally charged moments, allowing them to find each other from orbit in iterations 20 and 21 (music and the sea), and pulling them together in moments of distress like Constantinople and Barcelona.

In the vein of “Earth as a character,” I used plants (mainly flowers), topography, and weather as Earth’s “voice” in the grief chapters when Crowley and Aziraphale were separated from each other and going through their individual arcs. I’m not sure it technically counts as flower language, since all the flowers featured in the fic were wild and growing in nature, but (almost) all of them served a metaphorical purpose.

Flowers:

Jasmine (for the moon): Aziraphale’s flower. Love, beauty, sensuality, good luck, purity. The rational hedonist.

Marigolds (for the sun): Crowley’s flower. Grief and remembrance of the dead, lost love, the fragility of life, creativity, winning the affections of someone through hard work. The fallen artist.

Purple Hyacinth: Earth’s flower. Regret, sorrow, a desire for forgiveness. The witness. These were the wildflowers that grew in the orchard/vineyard on the penultimate Earth, where Aziraphale and Crowley managed to work out the differences they couldn’t by the sea. Hyacinths are also the hazy images they would see in those moments of vulnerability, compassion, and compromise.

A fun aside! In very early drafts, the placeholder name I was using for angel Crowley was Jacinto, which is a Spanish/Portuguese name meaning “Hyacinth.” It was meant to be a reference to both the flower and the Greek myth of Apollo and Hyacinth, but my brain absolutely could not disconnect it from Manny Jacinto (and kept insisting on imagining Crowley calling Aziraphale homie and calling everything dope). Eventually I leaned into the Latin and landed on Joriel, then attached my banner to the Achilles and Patroclus myth instead of Apollo and Hyacinth, but the name Jacinto still makes me think of starmakers.

Honeysuckle & morning glory, climbing the oak tree: Aziraphale + Crowley + Earth. Seen in chapter 10, when Aziraphale and Crowley shake hands on the Arrangement. Two plants whose vines grow in opposing spirals. In nature, they have a symbiotic relationship, twining around each other in order to climb trees, walls, and fences, allowing both of them to grow higher than they could alone.

Or: local woman sees this tweet, hasn’t known peace since.

The deasilwise / widdershins (clockwise / anticlockwise) thing got sprinkled throughout the story, with deasilwise being the “angel direction” and widdershins being the “demon direction.” Halley’s comet, with its backwards orbit, orbits the sun deasilwise, even after Crowley becomes widdershins.

Amaranth: Immortality, unfading affection, finding beauty in inaccessible places.

The garden in the dunes and Petya’s travelling garden:

Where Aziraphale took a methodical, Kubler-Ross approach to dealing with loss, Crowley’s process was meandering and chaotic. The garden in the dunes was where it all came to a head— his way of throwing all of his emotions on the ground like a big jumbled pile of pick-up sticks, then slowly sorting through them and putting himself back together. There was a whole lot of Earth/flower speech going on in those scenes.

With the exception of zinnias, the garden was made up of perennials or self-sowing flowers. This happened “off-screen” as I could never find a decent way to work it in, but... the zinnias which Crowley bullied into being perennials returned to being annuals and died off after he left Terschelling and sometimes I still cry in the shower about it.

Zinnias: Adrielle’s flower. Endurance, lasting friendship (especially friendships lasting through absence), goodness, daily remembrance. This one is also a small self-indulgence on my part since Adrielle was something of a self-insert. My mother loves zinnias and, growing up, our house was absolutely surrounded by them in the summer. Anywhere there was a free patch of dirt, Mom planted zinnias. They’re a scrappy, weird looking flower that doesn’t have a smell and a lot of people find rather ugly... and I love them with my entire heart. There is no flower on this earth that fills me with more whimsy, nostalgia, or childlike contentment. Also butterflies love them.

Chamomile: Patience. Fresh chamomile flowers are very aromatic and smell like apples.

Daisies: Transformation. Also simplicity, loyalty, and new beginnings.

Poppies: Restful sleep or recovery, peace in death, remembrance.

Tulips: Each tulip color has its own meaning, but the most common thing they symbolize is deep love. That said, I mainly chose this one for their prevalence in the Netherlands, as well as being very colorful perennials.

Pansies: The love or admiration that one person holds for another, free thinking, remembrance.

Lily of the valley: Rebirth, the return of happiness. They also have a very strong, very sweet smell and can grow in cool climates. These were the main reasons I chose it, rather than any of the religious connotations.

Lavender: Silence, devotion, serenity, grace.

Orchids: There’s... actually no deep symbolism with this one. Nothing intended anyway. Orchids, lavender, and cranberries are the dominant native plants on the island of Terschelling. I thought they’d be pretty in the dunes.

I am also a music-must-be-playing-at-all-times kind of person and I came out the other end of this project with FIFTEEN (15) playlists. Some of them are all instrumental playlists that I used to set the mood while I wrote certain scenes/segments, others are lyrical and tell a story or helped me sort out the story, some chapters got entire playlists all to themselves (looking at you, 14th century). The main playlists are linked in the notes on AO3, but I may collect them all in a tumblr post at some point if there’s an interest.

This entire project was an enormous labor of love that took up pretty much all of my free time for six months. So, if you read this far... thank you for coming on such a long journey with me!! Truly, deeply, and from every corner of my heart, thank you for reading. <3

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ao3feed-queliot · 5 years

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assistance

by patrokla

“You should be in bed,” he says, voice a little uneven, throat sore, and Eliot shakes his head helplessly and looks up at the ceiling for a moment.

“In a minute,” Eliot tells him. “You have to do something for me, first.”

Anything. He did anything. He might even do it again, if he had to.

or: Quentin is alive. Eliot is helpful.

Words: 1091, Chapters: 1/1, Language: English

Series: Part 3 of means and methods

Fandoms: The Magicians (TV)

Rating: Not Rated

Warnings: Creator Chose Not To Use Archive Warnings

Categories: M/M, Other

Characters: Quentin Coldwater, Eliot Waugh

Relationships: Quentin Coldwater/The Monster, Quentin Coldwater/Eliot Waugh

Additional Tags: Unreliable Narrator, Panic Attacks, Implied/Referenced Dubious Consent, Implied/Referenced Rape/Non-con, what might kindly be described as, Very Unfun Hospital Conversations, Trauma, and despite all of this:, Hopeful Ending

read it on the AO3 at http://archiveofourown.org/works/19227136

#ao3feed #fanfic #the magicians #queliot

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relucant · 5 years

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i am legit so terrified my mother is going to give herself a stroke before i escape in a week. and because she cares about nothing except her own anxiety and the cat, despite my begging her in literal tears to help put a plan in place for what happens to my father if that does happen, to the shock of no one, she has done zero to make that happen even a little.

i mean, the cat is sick, which obviously puts her even more on edge than always -- i love the cat more than life itself and i would take a bullet for him in an instant, but he is pretty much her therapy animal and the only thing keeping her even remotely tethered to this earth. and he’s 11, and has liver problems, so yeah. it’s scary. but like, it’s also basically textbook UTI -- which last week at the vet, even before he started feeling sick, the vet was like “i’m going to go ahead and test him for a UTI, i think it might be possible.” i hate it when people are like “oh, it’s okay, he’ll be fine!” because maybe he won’t be, and that’s terrifying, but also like... the cat’s having some intestinal ickiness and doesn’t feel good isn’t quite apocalyptic yet.

and my father is garbage to be in the same room as, absolutely, but like... there’s also ways to cope somewhat with him, and she just is in such a constant spiral of literally paralytic anxiety that she just... won’t do absolutely anything to make her life slightly less miserable even it requires changing her behavior even a tiny bit.

“he just... he just came in here earlier, and just, i had all the magazines stacked up on the chair, and he just picked them up and threw them on the bed!” okay yeah, because he’s an asshole with dementia, but like, can you tell him not to do that? “stop attacking me!”

having a full-on panic attack, sucking in breaths, finally gasping out, “he- he came in here, and he said he was going to do laundry!” while bursting into full sobbing. “he- he can’t do his laundry! he doesn’t use bleach, and he- he just throws his underwear full of shit into the laundry!” yeah dude, that’s fucking awful. but erupting in earsplitting shrieks of “NO YOU CAN’T FUCKING WASH YOUR UNDERWEAR YOU HAVE A PAIR BECAUSE I JUST FUCKING CHECKED” well, have you considered, “no, don’t, they need to be bleached, i’ll do it tomorrow.”

obviously, “calm down” has never made any situation better in the entire history of anything, ever. and her situation sucks. mine is probably worse in the immediate, because i have two parents who don’t know or care that, like, i’m a human being and not their maid/emotional support punching bag, respectively, but i have a way out, and she doesn’t, so that’s awful. and it’s going to be awful, at least until he dies, but again, like, it doesn’t have to be absolutely, intentionally as horrifying awful as it can possibly be, because making anything a little better would require her, like, doing something.

i keep trying to get on her case about looking into, like, actually getting treatment for her crippling anxiety disorder, even though i’ve been on this futile merrygoround for at least a decade and the circle never changes, because she’s so wrapped up in her cocoon of anxiety i don’t think she wants it to change.

every single time i bring up the possibility of just talking to someone about how bad it is -- like, i dunno, her shrink to start with, who it’s a miracle i even finally got her to go to that even, and i am dubious she’ll continue after i leave, even though she likes her shrink and also her shrink will come to the house, or even just her GP, who she also likes -- she just immediately reverts into, like, “well, maybe i should just start taking my xanax every day again.” no like, dude, that’s like... not a treatment for chronic anxiety. “well it says anxiety on the bottle.” yes. for like... a plane trip.

this exact back and forth has happened probably 50+ times, and she just deletes it and reuses it over and over.

“but -- but i don’t want to quit drinking! i can’t, not right now with what’s going on!” like honestly fair enough, that train has left the station. so like... okay, don’t. if you go to a doctor who refuses to treat you unless you quit drinking, like... go to a different doctor. i asked my shrink, and she’s kinda like yeah, obviously, drinking isn’t great on psych meds, but for most anxiety meds, it mostly just decreases their effectiveness (and don’t drive, which she doesn’t anyway), not kill you, and still probably better than nothing.

and then after the xanax response, and then the drinking response, she just shuts down any further attempt at the conversation and starts crying about whatever asshole thing my father last did, which she completely did not in any way at any time ask or tell him to, like, not do that. until she’s so upset she starts banshee shrieking at him for doing a thing she never once told him not to do. (or vice versa)

and i realized the other night that what gets to me so much (among a million other things) is like... the exact shitty ways he behaviors towards her, and that she comes sobbing to me about, are like... unsettlingly similar to ways she behaviors towards me, if in different ways.

like, come into her room, sit down, talk blankly at her about stupid shit and then get annoyed when she tries to actually respond? kiiinda like every time she comes into my room, sits down, complains to me about the exact same thing she complained about last night, and then gets upset when i try to have a back and forth conversation.

“he just -- he just says the same thing, over and over! five times in the last two days if we have money for the gardener! he’s asked me twice today what the baby’s name is! he told me three times he’s going to go get the mail! it’s like talking to a r*tarded toddler!” (excuse that word, not sure how to rephrase)

yes mom, and that’s the 10th time this week you’ve said it’s like talking to a toddler, and i’ve said yes, it is like talking to a toddler, because he has dementia, he cannot form new memories, and two minutes later you just wail that it’s like talking to a toddler, again.

and the cycle continues, because i know perfectly well it’s as pointless to think there’s any chance of her making any significant changes in her behavior or grasp on her mental health, any more so than my father whose brain is nearly chewed up and spat out by now. but she’s still in there just enough that i can’t help feeling like i could almost get through to her if i could figure out how. and when she’s not near my father, like when we were up in new jersey with my brother and sister in law and baby nephew, her anxiety abated to the point that lke, yeah, she still had a meltdown when faced with like, a single step, despite being surrounded by three able-bodied adult humans, but overall, mentally, was like at like 70% a fairly normal elderly woman, kinda dotty but doting on her grandchild and puppies and basking in at least one of her children turning out with an apple pie life (about 15 years later, but still pretty perfect). and so i’m haunted by all the what-ifs, what if she can just survive until my father dies and she’ll be okay, so maybe i can still help, so maybe i should keep trying, even though i know, i know, i know.

and i try to keep in mind that it’s also easier for me because, like, my father more or less likes me, as a person -- i don’t think he’s ever loved me, or is capable of love (except for our pets, which honestly is a fairly big redeeming factor, i suppose) but he thinks i’m interesting, and my brother, and that if he was manipulated into having kids by whatever the hell he used to do, his resentment of our existence is tempered somewhat by the fact that he’s kinda pleased with how we turned out, and i have one or two pleasant memories of sitting on the trunk of his old car as a small child pointing out the pleiades, or drunkenly reciting ts eliot on the kitchen floor. my mother does not get that leeway; he thinks (or acts, at least) that since he did his duty and got married and procreated, her entire existence should be devoted to his convenience -- not even comfort, just convenience, and making herself exist as little as possible.

which plays into the cycle again because then i, unfairly, resent my mother for that more than him, because it genuinely did not occur to me even as a precocious kid that fathers were supposed to, like, love their children until i was at least in middle school if not later; it still jars me sometimes, bitterly, when i see dads who are just like in love with their kids. but my mom was my mom, so as it became clear that she never actually wanted to, like, parent anyone either, she’s the one my hurt and pissiness channels to.

anyway if anyone actually read all of this, i know i say the same shit over and over about this, but it’s so complicated not many of the few people i talk to one on one know what’s going, and i don’t want to over-vent, but i feel like i’m about to claw my skin off with the anger and frustration and regret, so thanks.

in a funny-scary sign-off, so i finally convinced my mother to get a mini-freezer so i can stock it full of real food before i bounce to eurasia next week, and it came today; instructions said to let it sit for a few hours after getting it in place before plugging it in, so i hauled it into a convenient dining room corner and forgot it. fast forward i come out to the kitchen to check on the huge vat of minestone soup i’m making and my father is lumbering triumphantly out of the kitchen pantry with a frayed probably 40 year old extension cord in his hand.

i blink at him, immediately concerned. he’s like, “i think i’ll go ahead and hook up that new... thing-a-ma-jig! ‘cause the thing on the plug, it’s got the three things [prongs], but the things in the walls, they’ve only got the two things! so i’m gonna just go ahead and plug it in here!”

i’m like, “NONONONONONONO!” because like (a) common sense and (b) the manual was specifically like do not do NOT use an extension cord, and if you MUST make ABSOLUTELY SURE it has these EXACT SPECIFICATIONS and is IN NO WAY SHAPE OR FORM SOME DECREPIT CORD-SNAKE YOU DUG OUT OF THE DUSTY BOWELS OF YOUR KITCHEN PANTRY (i may have exaggerated that last bit). he’s like what?? i explain that to him, in fewer words, and that i in fact have an adapter specifically to convert two-prong to three-prong.

he’s mystified, demands explanation of how that works; i try to elaborate, that i put the two prong end in the wall and plug the freezer into the three-prong end, and just blank looks. “well i don’t think that’s going to work, i think we should just use this.” i just kinda take it, tell him i’ve got it under control, ignore his aggrieved hissing, and walk away.

i go to tell my mom this, because like gallows humor or gtfo i guess -- she’s like jesus even i realize that’s not a good idea -- and only then do i realize that the extension cord he had so proudly produced was in fact a two prong... to a two prong. so either he didn’t notice that, or more likely, just intended to jam the two prongs into the extension cord and just leave the third prong kinda just... out.

and it’s sad as hell, because dude was an electrical engineer who worked at the absolute cutting-edge of the aerospace industry, like literally worked on apollo 11 at cape canaveral and dementia has eaten his brain to the point he doesn’t understand plugs. but. sometimes you take the laughs where you can get it.

anyway one week one day from right now my plane takes off so please can just like (a) my cat (b) my mother and (c) my father hang on that long (in that order) until i have enough distance to get my fucking head on straight again for a tiny little bit.

#not spn #personal #long long rant #family #dementia #anxiety #alcoholism #am trying not to punch a thing

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quentinsquill · 6 years

Text

Fic: “Cleanup Time” (The Magicians)

Cleanup Time

Author: Lexalicious70

Fandom: The Magicians

Pairing: Quentin/Eliot

Warnings: Tickling kink, footplay if you squint the right way

Word Count: 1,660

Rating: M for sexual situations

Summary: Quentin’s offer to help Eliot clean up the morning after a party at the cottage leads to Eliot’s discovery of one of Quentin’s hidden kinks.

A/N: I don’t own The Magicians. I just wanted to write some Queliot. Comments and kudos are magic! Enjoy.

Read it on AO3: https://archiveofourown.org/works/15828975

Cleanup Time

By Lexalicious70

“Jesus fuck, look at this place!”

Eliot looked up from gathering empty wine bottles, which seemed to litter almost every corner of the Physical Kids Cottage, as Quentin came to the bottom of the stairs. He was still in his pajama bottoms and a thin white cotton tee, his feet bare.

“It was quite a party if I recall. Do I recall? Hmmh. Well, from what I remember.” Eliot dumped another armload of bottles into a green garbage bag.

“It was packed when I went upstairs around midnight. El . . . why don’t you just use magic to clean up?” Quentin asked, and Eliot sighed.

“Because cleaning spells are involved and draining and bad for your skin. So either the cottage looks good or I do, and I think we both know which decision I made.”

“Well here, let me help.” Quentin picked up a glass ashtray crammed with cigarette butts and more than a few burned-out joint roaches. Eliot nodded to his friend and lover.

“Thanks, honeylove . . . there’s some furniture polish and a duster down in that cabinet.” He handed Quentin a smaller trash bag. “Just toss the butts in there and we’ll put them in the dumpster out back.”

“Sure.” Quentin went about emptying the ashtrays, marveling at their number. Eliot floated the trash bags full of bottles out the back door, where they clinked and chimed on their way to the recycling bin. Quentin crouched down and opened a cabinet door. Just as Eliot had said, there was a can of orange-scented furniture polish, a squirt bottle filled with distilled water, and—

“What the hell is this?” Quentin laughed as he pulled the ornate feather duster from the cabinet. It flared wide at the end and was dyed in an array of rainbow colors. Eliot glanced over his shoulder.

“That would be my furniture duster.”

“God.” Quentin twirled it briefly. “It’s like you recycled a lifetime supply of Rip Taylor confetti!”

“Rip Taylor is a legend, thank you.” Eliot took the duster from Quentin’s hand. “And aren’t we sassy this morning!” He punctuated his comment by using the end of the duster to poke Quentin in the chest, and Quentin materialized the squirt bottle into his right hand, raising it in defense as he grinned. Eliot’s amber eyes narrowed.

“You wouldn’t d—”

A several spritzes of the water hit Eliot in the face, cutting off his words. Quentin took a step backward and then fled, laughing, around the couch with Eliot in pursuit. Eliot ran Quentin into a corner and pulled the bottle from his hand and Quentin retaliated, poking at Eliot with the feather duster. Eliot grabbed one end and wrestled it away and turned it on the younger magician, whose entire body language changed the moment the feathers touched his neck. He pulled his arms close to his chest and pressed himself into the wall, laughing and shaking his head.

“Okay, okay, I give, El, stop!” He almost squeaked, and Eliot grinned.

“What’s this? Is Quentin Coldwater ticklish?” He playfully pinned Quentin against the wall and shook the feathers against Quentin’s neck, above the line of his tee. Quentin’s cheeks flushed pink and he squirmed.

“Ye—I mean, no!” Quentin laughed, pushing against Eliot, who took the opportunity to grab both his wrists.

“Quentin, you’ve been very very naughty this morning, so I’m afraid I’m going to have to punish you!” He wrestled Quentin over to the couch, where he pushed him down onto his back and force-pinned his hands behind his head. Quentin’s bare toes wiggled and he squirmed, but there was no fear or panic in his dark eyes—they’d played these kinds of games in the past and he knew that he had nothing to fear. Of course, he’d hidden his ticklish nature up until now, and the gleam in Eliot’s eyes told him he was about to pay for it. A murmured spell whisked his tee shirt away, leaving his pecs and underarms exposed. Eliot regarded them thoughtfully and Quentin shook his head.

“Come on El, let me up, I’ll say I’m soorraaaa!” Quentin’s plea turned into a cry of surprise and a spurt of helpless giggles as Eliot attacked his chest with the feather duster. Quentin tried to twist away, laughing and gasping even as little electric tingles of pleasure raced down through his groin each time the feathers brushed across his nipples. He tried to conceal his reaction by pressing his inner thighs together, but his cock started to give interested little twitches that he knew Eliot would notice. “Eliot, come on!”

“Oooh, an invitation!” Eliot crowed before straddling Quentin until their groins touched, tailored linen against the soft flannel of Quentin’s pajama pants. Quentin bit his lower lip as Eliot brushed against him a few times and then spun the duster with his long, clever fingers, eyeing Quentin’s taut underarms. Quentin shook his head, his flat belly heaving as he tried to suck in his breath for the onslaught he knew was coming.

“El don’t, donnnnnnohmygodaaaaaaah!” Quentin cried before bursting into hysterical giggles as the feathers attacked. They flitted along his underarms, above the elbow, then nestled deep into the pits, where Eliot let the opposite end of the handle poke and tease. Quentin felt his face grow hot as his breath grew short. He tried to beg for mercy, but more giggles bubbled up from his throat as Eliot tickled one arm, then the other, before moving down to his side. Quentin went pliant beneath Eliot’s long, slender frame, no longer able to resist. He lay there, squirming, red, and chuffing out breathless laughter. Eliot finally pulled the duster back and grinned down at Quentin.

“My poor helpless little Q,” He cooed. Quentin let out a shuddering breath, expecting a reprieve, but then his eyes widened as he heard two dull clunks—the sound of Eliot’s loafers hitting the floor.

“El, what—” Quentin began as Eliot’s red-and-black fine argyle socks fluttered down to the floor as well. Eliot leaned over, kissed Quentin’s nipples each in turn, then pulled Quentin’s pajama bottoms down to reveal an erection that was already flushed and dripping. Eliot smiled and reversed his position so his back was to Quentin, his knees bent. Quentin opened his mouth to speak and ended up gulping down what felt like most of the cottage’s air in a shocked intake of breath as Eliot swallowed his erection, dug his bare toes into Quentin’s sensitive sides, and attacked his feet with the feather duster. His whole body bucked hard but Eliot hung on like a determined cowboy, using his leg muscles to stay balanced as his toes wiggled against Quentin’s sides. Quentin’s mouth dropped open as the sensory information flooded his brain and nerves, registering a mix of pleasure and tensing muscles and the contrast of overload and wanting more. Eliot’s talented tongue was doing devastating things to the head of his cock and Quentin’s hips bucked even as he tried to draw his feet away from the duster. His own toes jerked at the stimulation and he found that Eliot had force-pinned his ankles to prevent him from kicking. His head rolled back and forth along the couch’s fabric, sweat forming along his temples and underarms, his body winding into something so tight and tense he could barely recognize it as his own flesh.

El— Quentin tried to say but nothing came out but noises that were tangled in a potent mix of pleasure and sensory information that didn’t know what it wanted to report. Eliot’s shoulders moved as his head bobbed up and down and Quentin moaned as the tension and Eliot’s weight made him feel deliciously submissive and the press of Eliot’s toes and his hot tongue running along the underside of his cock and fuck, fuck, FUCK—

A warbling, choked cry bubbled up from Quentin’s throat and he froze, the cords in his neck standing out in tortured relief as his climax overtook both conscious thought and physical action. He came hard, shooting down Eliot’s throat in pulses that felt white-hot in their intensity. A sound like the explosive mass flight of a flock of huge birds filled his ears, grew louder, then faded. As the last of the contractions wracked Quentin’s body, he realized that the duster was no longer working at his feet but Eliot’s left arm was moving frantically. Hot spurts of his lover’s seed hit his upper thigh a moment later as he reached his own orgasm, and Quentin let himself drift, secure in Eliot’s presence, the feel and scent of him. When he finally stilled, Quentin felt his hands and ankles go free and he lifted his right hand to stroke Eliot’s back. The taller man turned to face Quentin, his wilting cock hanging free. He grinned.

“Well. Looks like we have more to clean up now.”

“I hope we didn’t kill the couch,” Quentin chuckled, his nerves finally settling, and Eliot ran a hand through his hair.

“I think Margo might know a spell for that. And I’m pretty confident that’s not the first time this couch has been abused.” His amber eyes seemed to almost glow with the aftermath of his pleasure as he zipped up his slacks. “Also? You, Quentin Coldwater, are not nearly as vanilla as you want people to think.” His grin softened. “I love that.”

Quentin blushed a little as he pulled up his pajama bottoms. “You caught me off guard,” he claimed as he reached for the feather duster, but Eliot held it out of his reach.

“Ah ah! This little implement is graduating from its home in the cleaning cabinet to its new home in my closet. For use in the future.”

“Next time I’ll see you coming!” Quentin grinned, and Eliot patted his cheek.

“Only if I face the other way, Q.”

END

#The Magicians #queliot #fic #I was blue so I wrote smut

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