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kiee0712 · 5 months
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nothing can serve as an excuse for running away, none
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hii guys its been a while anyway . where can i find revstar nuis from the PH I've been daydreaming of throwing nana's nui across the window for days now
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shatlass · 1 year
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macdennis / savior complex (phoebe bridgers)
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icewindandboringhorror · 10 months
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more photo diary posts.. various life images...
#photo context/information described here in the tags since there are no longer photo captions#(from top left to right) Image 1: BIG matcha bubble tea milkshake thing I made lazily by just getting a thing of matcha#ice cream and blending it up then adding some of those bobas you make at home lol.. served in the weird giant wine glass looking thing I h#have. image 2: the moon and two stars (or planets)!! not a very good photo/barely visible but I'm suprised I was able to get anyting#at all.#image 3: one of my WiiFit game scores ghh. A PERFECT score in this game like the minimum you could possibly get though is 15 seconds so#16.9s is VERY close.. ! image 4: some of the eyes I've carved so far out of avocado pits! one of them I even embedded a gem into for#the pupil type part of the eye. I think this is my favorite thing to make so far in my experiments with avocado. I was thinking of making a#whole necklace of eyes or something.#image 5: NASTURTIUMS... MY children.. favorite flowere...#image 6&7 : some little flowers I found in someone's yard. I Just Think They're Neat#image 8: I don't even remember why I took a picture of this it's just at tiny turkey and cheese pinwheel type rolled sandwich thing#maybe because the plate is tiny?? not very notable but. I added it to the photoset when i drafted this a week ago so . keeping it#image 9: a smoothie thing of coconut ice cream and fresh strawberries with some boba#image 10: various sketches from my desk where I jsut draw absentmindedlty on the keyboard tray all the time#if I am allowed to have a white surface near me i WILL draw on it lol#photo diary#eyes tw#eye contact#idk what to tag the eyes as or if it counts since theyre not real it's just painted wood basically? let me know if it should be something#different or another tag
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highdio · 2 years
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I think those ASB pictures with the real world backdrop, as awesome as they are, would have worked better with locations more relevant to each part instead of being just all around Japan. Like how FGO did a similar thing for their 5th anniversary, by putting Servants in real world backdrops based on their lore/country of origin! What do you think?
I get what you're saying. If it helps, their locations were picked for character-specific reasons. Haven't had time to translate most of it yet but basically there's a total of 47 prefectures in Japan and 50 ASBR characters so I guess they thought there was some good synergy there.
The cool part is there's a contest where you can win (what I'm assuming is) a physical set of all 47 postcards by tweeting your favorite image from the campaing with the hashtag #JOJO_ASBR_47都道府県に登場 (pretty sure it's only open to people with a Japanese mailing address).
As part of the campaign, there’s an interactive site where you can explore a map of the country, zoom in on a region and prefecture, and see who’s hanging out there:
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Like here’s Kars in Kagoshima. Caption read,s “A place where you can feel the heartbeat of the Earth... the Ultimate Lifeform will seize control of the Earth from here!!”:
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(fwiw Kagoshima’s home to a number of volcanos.)
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witchblade · 1 year
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very suddenly remembering me calling momo a strong ant last year and i dont remember why
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For those who can’t visit PIGALLE subway station before January 25th… A magician managed to shoot the Ed Banger records exhibition and put in on Google street view! You can now walk on the funkiest subway platform of Paris from all around the world! ⥂ 🎥: edbanger
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bereft-of-frogs · 2 years
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I know people complain about Netflix subtitles but honestly, show me another service that correctly identifies when languages other than English are being spoken in an otherwise English-language production and subtitles them automatically without me having to manually toggle them on and off
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goatsandgangsters · 1 year
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how to find literally any post on a blog in seconds (on desktop)
there are so many posts about ~tumblr is so broken, you can’t find any post on your own blog, it’s impossible, bluhrblub~
I am here to tell you otherwise! it is in fact INCREDIBLY easy to find a post on a blog if you’re on desktop/browser and you know what you’re doing:
url.tumblr.com/tagged/croissant will bring up EVERY post on the blog tagged with the specific and exact phrase #croissant. every single post, every single time. in chronological order starting with the most recent post. note: it will not find #croissants or that time you made the typo #croidnssants. for a tag with multiple words, it’s just /tagged/my-croissant and it will show you everything with the exact phrase #my croissant
url.tumblr.com/tagged/croissant/chrono will bring up EVERY post on the blog tagged with the exact phrase #croissant, but it will show them in reverse order with the oldest first 
url.tumblr.com/search/croissant isn’t as perfect at finding everything, but it’s generally loads better than the search on mobile. it will find a good array of posts that have the word croissant in them somewhere. could be in the body of the post (op captioned it “look at my croissant”) or in the tags (#man I want a croissant). it won’t necessarily find EVERYTHING like /tagged/ does, but I find it’s still more reliable than search on mobile. you can sometimes even find posts by a specific user by searching their url. also, unlike whatever random assortment tumblr mobile pulls up, it will still show them in a more logically chronological order
url.tumblr.com/day/2020/11/05 will show you every post on the blog from november 5th, 2020, in case you’re taking a break from croissants to look for destiel election memes 
url.tumblr.com/archive/ is search paradise. easily go to a particular month and see all posts as thumbnails! search by post type! search by tags but as thumbnails now
url.tumblr.com/archive/filter-by/audio will show you every audio post on your blog (you can also filter by other post types). sometimes a little imperfect if you’re looking for a video when the op embedded the video in a text post instead of posting as a video post, etc
url.tumblr.com/archive/tagged/croissant will show you EVERY post on the blog tagged with the specific and exact phrase #croissant, but it will show you them in the archive thumbnail view divided by months. very useful if you’re looking for a specific picture of a croissant that was reblogged 6 months ago and want to be able to scan for it quickly 
url.tumblr.com/archive/filter-by/audio/tagged/croissant will show you every audio post tagged with the specific phrase #croissant (you can also filter by photo or text instead, because I don’t know why you have audio posts tagged croissant) 
the tag system on desktop tumblr is GENUINELY amazing for searching within a specific blog! 
caveat: this assumes a person HAS a desktop theme (or “custom theme”) enabled. a “custom theme” is url.tumblr.com, as opposed to tumblr.com/url. I’ve heard you have to opt-into the former now, when it used to be the default, so not everyone HAS a custom theme where you can use all those neat url tricks. 
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if the person doesn’t have a “custom theme” enabled, you’re beholden to the search bar. still, I’ve found the search bar on tumblr.com/url is WAY more reliable than search on mobile. for starters, it tends to bring posts up in a sensible order, instead of dredging up random posts from 2013 before anything else
if you’re on mobile, I’m sorry. godspeed and good luck finding anything. (my one tip is that if you’re able to click ON a tag rather than go through the search bar, you’ll have better luck. if your mutual has recently reblogged a post tagged #croissant, you can click #croissant and it’ll bring up everything tagged #croissant just like /tagged/croissant. but if there’s no readily available tag to click on, you have to rely on the mobile search bar and its weird bizarre whims) 
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tabithatwo · 1 year
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just a few of my jackie taylor is a lesbian and she knows it (or she at LEAST knows she likes women) thoughts
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the opening. “jackie panting” on the infamous lesbian aunt photo. we are introduced to her for the first time without the other girls as firmly NOT enjoying whatever jeff is attempting while we are zoomed in on a picture of Her And Shauna.
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she fakes it to get him to stop. that isn’t necessarily lesbian on its own, but the way she does it?? the completely unconcerned manner/low effort? this man is so low stakes for her. you know straight women are out there putting on actual Performances. this is not that. she knows she has to keep him in an intellectual/societal way and that’s her only goal
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i don’t feel like i really need to explain this one? if you are a lesbian that ever tried to be with men i think this expression in response to those words speaks for itself lmao. our girl is Tired
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this scene is jackie almost Emotionless. we don't see that a ton, especially not in her day to day. she is apathetic and trying not to Think about what she's doing. i left the subtitles on for a reason bc "today is the greatest" is very in line with "jackie panting" from earlier
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they did NOT want us to miss the "aggressive tooth brushing" (as its written in the script). we have her image FOUR TIMES in this. this scene doesn't read as someone who is only annoyed bc her bf is bad in bed. this screams disassociation and knowing what is expected of you.
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the necklace touch!! the way jackie associates this pendant w shauna comes up so much. shauna has been embedded in this scene throughout. jackie clearly hated hooking up w jeff and she looks in the mirror and touches her necklace after with This face
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think about how jackie reacted to jeff. how she looks at him, the faces she makes when he leaves, her general energy. now in contrast we’re gonna see how she reacts to shauna (both shauna and jackie jump from disdain when seeing jeff to giddy little idiots when seeing each other) see also: YOUR KISSES ARE WICKED
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this is FLIRTING the little faces she makes and her reachy little arm and her giggling? this is jackie flirting. we see her do this w jeff *in public* when its performative, but she's actively choosing to flirt with shauna right now like if you don't see that idk what to tell you
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do not get me started about the music but this caption is killing me (see also: FLIRTY EXPRESSION)
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the language she uses discussing deciding to sleep with jeff. "i've decided its time" and my ultimate favorite "its more poetic that way." thinking of sex w men as a task and fictionalizing it?? removing herself from the act itself?? lesbianism!! AND directly after the sleeping with jeff convo, jackie jumps into their dorm colors (PINK AND GREEN i could do a whole side tangent about hyperfemininity as a signal of lesbianism but i digress) and her tone is way more excited and invested than the one she used for sleeping with her bf
in conclusion, that’s my little lesbian
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fireflysummers · 5 months
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Heroes, Gods, and the Invisible Narrator
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Slay the Princess as a Framework for the Cyclical Reproduction of Colonialist Narratives in Data Science & Technology
An Essay by FireflySummers
All images are captioned.
Content Warnings: Body Horror, Discussion of Racism and Colonialism
Spoilers for Slay the Princess (2023) by @abby-howard and Black Tabby Games.
If you enjoy this article, consider reading my guide to arguing against the use of AI image generators or the academic article it's based on.
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Introduction: The Hero and the Princess
You're on a path in the woods, and at the end of that path is a cabin. And in the basement of that cabin is a Princess. You're here to slay her. If you don't, it will be the end of the world.
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Slay the Princess is a 2023 indie horror game by Abby Howard and published through Black Tabby Games, with voice talent by Jonathan Sims (yes, that one) and Nichole Goodnight.
The game starts with you dropped without context in the middle of the woods. But that’s alright. The Narrator is here to guide you. You are the hero, you have your weapon, and you have a monster to slay.
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From there, it's the player's choice exactly how to proceed--whether that be listening to the voice of the narrator, or attempting to subvert him. You can kill her as instructed, or sit and chat, or even free her from her chains.
It doesn't matter.
Regardless of whether you are successful in your goal, you will inevitably (and often quite violently) die.
And then...
You are once again on a path in the woods.
The cycle repeats itself, the narrator seemingly none the wiser. But the woods are different, and so is the cabin. You're different, and worse... so is she.
Based on your actions in the previous loop, the princess has... changed. Distorted.
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Had you attempted a daring rescue, she is now a damsel--sweet and submissive and already fallen in love with you.
Had you previously betrayed her, she has warped into something malicious and sinister, ready to repay your kindness in full.
But once again, it doesn't matter.
Because the no matter what you choose, no matter how the world around you contorts under the weight of repeated loops, it will always be you and the princess.
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Why? Because that’s how the story goes.
So says the narrator.
So now that we've got that out of the way, let's talk about data.
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Chapter I: Echoes and Shattered Mirrors
The problem with "data" is that we don't really think too much about it anymore. Or, at least, we think about it in the same abstract way we think about "a billion people." It's gotten so big, so seemingly impersonal that it's easy to forget that contemporary concept of "data" in the west is a phenomenon only a couple centuries old [1].
This modern conception of the word describes the ways that we translate the world into words and numbers that can then be categorized and analyzed. As such, data has a lot of practical uses, whether that be putting a rover on mars or tracking the outbreak of a viral contagion. However, this functionality makes it all too easy to overlook the fact that data itself is not neutral. It is gathered by people, sorted into categories designed by people, and interpreted by people. At every step, there are people involved, such that contemporary technology is embedded with systemic injustices, and not always by accident.
The reproduction of systems of oppression are most obvious from the margins. In his 2019 article As If, Ramon Amaro describes the Aspire Mirror (2016): a speculative design project by by Joy Buolamwini that contended with the fact that the standard facial recognition algorithm library had been trained almost exclusively on white faces. The simplest solution was to artificially lighten darker skin-tones for the algorithm to recognize, which Amaro uses to illustrate the way that technology is developed with an assumption of whiteness [2].
This observation applies across other intersections as well, such as trans identity [3], which has been colloquially dubbed "The Misgendering Machine" [4] for its insistence on classifying people into a strict gender binary based only on physical appearance.
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This has also popped up in my own research, brought to my attention by the artist @b4kuch1n who has spoken at length with me about the connection between their Vietnamese heritage and the clothing they design in their illustrative work [5]. They call out AI image generators for reinforcing colonialism by stripping art with significant personal and cultural meaning of their context and history, using them to produce a poor facsimile to sell to the highest bidder.
All this describes an iterative cycle which defines normalcy through a white, western lens, with a limited range of acceptable diversity. Within this cycle, AI feeds on data gathered under colonialist ideology, then producing an artifact that reinforces existing systemic bias. When this data is, in turn, once again fed to the machine, that bias becomes all the more severe, and the range of acceptability narrower [2, 6].
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Luciana Parisi and Denise Ferreira da Silva touch on a similar point in their article Black Feminist Tools, Critique, and Techno-poethics but on a much broader scale. They call up the Greek myth of Prometheus, who was punished by the gods for his hubris for stealing fire to give to humanity. Parisi and Ferreira da Silva point to how this, and other parts of the “Western Cosmology” map to humanity’s relationship with technology [7].
However, while this story seems to celebrate the technological advancement of humanity, there are darker colonialist undertones. It frames the world in terms of the gods and man, the oppressor and the oppressed; but it provides no other way of being. So instead the story repeats itself, with so-called progress an inextricable part of these two classes of being. This doesn’t bode well for visions of the future, then–because surely, eventually, the oppressed will one day be the machines [7, 8].
It’s… depressing. But it’s only really true, if you assume that that’s the only way the story could go.
“Stories don't care who takes part in them. All that matters is that the story gets told, that the story repeats. Or, if you prefer to think of it like this: stories are a parasitical life form, warping lives in the service only of the story itself.” ― Terry Pratchett, Witches Abroad
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Chapter II: The Invisible Narrator
So why does the narrator get to call the shots on how a story might go? Who even are they? What do they want? How much power do they actually have?
With the exception of first person writing, a lot of the time the narrator is invisible. This is different from an unreliable narrator. With an unreliable narrator, at some point the audience becomes aware of their presence in order for the story to function as intended. An invisible narrator is never meant to be seen.
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In Slay the Princess, the narrator would very much like to be invisible. Instead, he has been dragged out into the light, because you (and the inner voices you pick up along the way), are starting to argue with him. And he doesn’t like it.
Despite his claims that the princess will lie and cheat in order to escape, as the game progresses it’s clear that the narrator is every bit as manipulative–if not moreso, because he actually knows what’s going on. And, if the player tries to diverge from the path that he’s set before them, the correct path, then it rapidly becomes clear that he, at least to start, has the power to force that correct path.
While this is very much a narrative device, the act of calling attention to the narrator is important beyond that context. 
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The Hero’s Journey is the true monomyth, something to which all stories can be reduced. It doesn’t matter that the author, Joseph Campbell, was a raging misogynist whose framework flattened cultures and stories to fit a western lens [9, 10]. It was used in Star Wars, so clearly it’s a universal framework.
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The metaverse will soon replace the real world and crypto is the future of currency! Never mind that the organizations pushing it are suspiciously pyramid shaped. Get on board or be left behind.
Generative AI is pushed as the next big thing. The harms it inflicts on creatives and the harmful stereotypes it perpetuates are just bugs in the system. Never mind that the evangelists for this technology speak over the concerns of marginalized people [5]. That’s a skill issue, you gotta keep up.
Computers will eventually, likely soon, advance so far as to replace humans altogether. The robot uprising is on the horizon [8]. 
Who perpetuates these stories? What do they have to gain?
Why is the only story for the future replications of unjust systems of power? Why must the hero always slay the monster?
Because so says the narrator. And so long as they are invisible, it is simple to assume that this is simply the way things are.
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Chapter III: The End...?
This is the part where Slay the Princess starts feeling like a stretch, but I’ve already killed the horse so I might as well beat it until the end too.
Because what is the end result here?
According to the game… collapse. A recursive story whose biases narrow the scope of each iteration ultimately collapses in on itself. The princess becomes so sharp that she is nothing but blades to eviscerate you. The princess becomes so perfect a damsel that she is a caricature of the trope. The story whittles itself away to nothing. And then the cycle begins anew.
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There’s no climactic final battle with the narrator. He created this box, set things in motion, but he is beyond the player’s reach to confront directly. The only way out is to become aware of the box itself, and the agenda of the narrator. It requires acknowledgement of the artificiality of the roles thrust upon you and the Princess, the false dichotomy of hero or villain.
Slay the Princess doesn’t actually provide an answer to what lies outside of the box, merely acknowledges it as a limit that can be overcome. 
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With regards to the less fanciful narratives that comprise our day-to-day lives, it’s difficult to see the boxes and dichotomies we’ve been forced into, let alone what might be beyond them. But if the limit placed is that there are no stories that can exist outside of capitalism, outside of colonialism, outside of rigid hierarchies and oppressive structures, then that limit can be broken [12].
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Denouement: Doomed by the Narrative
Video games are an interesting artistic medium, due to their inherent interactivity. The commonly accepted mechanics of the medium, such as flavor text that provides in-game information and commentary, are an excellent example of an invisible narrator. Branching dialogue trees and multiple endings can help obscure this further, giving the player a sense of genuine agency… which provides an interesting opportunity to drag an invisible narrator into the light.
There are a number of games that have explored the power differential between the narrator and the player (The Stanley Parable, Little Misfortune, Undertale, Buddy.io, OneShot, etc…)
However, Slay the Princess works well here because it not only emphasizes the artificial limitations that the narrator sets on a story, but the way that these stories recursively loop in on themselves, reinforcing the fears and biases of previous iterations. 
Critical data theory probably had nothing to do with the game’s development (Abby Howard if you're reading this, lmk). However, it works as a surprisingly cohesive framework for illustrating the ways that we can become ensnared by a narrative, and the importance of knowing who, exactly, is narrating the story. Although it is difficult or impossible to conceptualize what might exist beyond the artificial limits placed by even a well-intentioned narrator, calling attention to them and the box they’ve constructed is the first step in breaking out of this cycle.
“You can't go around building a better world for people. Only people can build a better world for people. Otherwise it's just a cage.” ― Terry Pratchett, Witches Abroad
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Epilogue
If you've read this far, thank you for your time! This was an adaptation of my final presentation for a Critical Data Studies course. Truthfully, this course posed quite a challenge--I found the readings of philosophers such as Kant, Adorno, Foucault, etc... difficult to parse. More contemporary scholars were significantly more accessible. My only hope is that I haven't gravely misinterpreted the scholars and researchers whose work inspired this piece.
I honestly feel like this might have worked best as a video essay, but I don't know how to do those, and don't have the time to learn or the money to outsource.
Slay the Princess is available for purchase now on Steam.
Screencaps from ManBadassHero Let's Plays: [Part 1] [Part 2] [Part 3] [Part 4] [Part 5] [Part 6]
Post Dividers by @cafekitsune
Citations:
Rosenberg, D. (2018). Data as word. Historical Studies in the Natural Sciences, 48(5), 557-567.
Amaro, Ramon. (2019). As If. e-flux Architecture. Becoming Digital. https://www.e-flux.com/architecture/becoming-digital/248073/as-if/
What Ethical AI Really Means by PhilosophyTube
Keyes, O. (2018). The misgendering machines: Trans/HCI implications of automatic gender recognition. Proceedings of the ACM on human-computer interaction, 2(CSCW), 1-22.
Allred, A.M., Aragon, C. (2023). Art in the Machine: Value Misalignment and AI “Art”. In: Luo, Y. (eds) Cooperative Design, Visualization, and Engineering. CDVE 2023. Lecture Notes in Computer Science, vol 14166. Springer, Cham. https://doi.org/10.1007/978-3-031-43815-8_4
Amaro, R. (2019). Artificial Intelligence: warped, colorful forms and their unclear geometries.
Parisisi, L., Ferreira da Silva, D. Black Feminist Tools, Critique, and Techno-poethics. e-flux. Issue #123. https://www.e-flux.com/journal/123/436929/black-feminist-tools-critique-and-techno-poethics/
AI - Our Shiny New Robot King | Sophie from Mars by Sophie From Mars
Joseph Campbell and the Myth of the Monomyth | Part 1 by Maggie Mae Fish
Joseph Campbell and the N@zis | Part 2 by Maggie Mae Fish
How Barbie Cis-ified the Matrix by Jessie Gender
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catboybiologist · 23 days
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My Sister in Christ, I Pray you Throw off the Shackles of the deadly delusion you've felt before being Reborn.
The Voices of all your Ancestors are calling out to you. Listen closely, and you'll hear them.
They are Screaming. Bursting with Joy at what You are Doing to Yourself, how you are Chemically Enhancing yourself and slowly but surely Transforming yourself into a Living Godess. Your Great-Grandfather and his Father before him and all their Forefathers have been deeply touched by the way you are embracing your Divinely-Ordained Transsexual Body.
You always have to Remember your Truth. You were born a Transsexual. Forces beyond your control made you Stray from The Path of Sacred Transsexuality, and made you Forsake your God-Given Transsexual Nature. But it was still a part of you, no matter how much Others Denied or Attempted to Erase It.
Your Fate has in it embedded a Transsexual Greatness, just like every single Transsexual born on this good Earth, it is written in the Stars for All of Us.
You Cannot Change Fate, No Matter How Hard You Try.
It is Never too late to Embrace your Essence and who you Truly are, underneath all the masks, disguises, drugs, pharmaceuticals and covers.
A Holy Bearer of the Sacred Essence of Life:
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I Pray For You, My Reborn Sister.
Someone find a shitty jpg of an instagram model that's been reposted and redownloaded through piniterest, reddit, an email chain, 9gag, and then back to pinterest, and then slap this text on the side as a poorly cropped caption
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antlerlad · 11 months
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Queen Mara Sov observes her retinue of Queensguards.
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[marasjur comm for @thesafehex !!! thanks so much for this comm hehe i had so much fun]
[as a note, tumblr has finally added the ability for me to do image descriptions from desktop, so those will no longer be in the caption but rather embedded within the image]
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decadentworld · 5 months
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Just uploaded the 4th episode with embedded captions! Link in comments
Edit: Just to make it clear, I didn’t create the captions! I found them on sites like my-subs.co and then embedded them to the videos
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hirocimacruiser · 4 months
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FD3S
Fully armed with Veilside Aero, powerful
Fully certified aero FD3S
I said, ``It's a rotary after all.''
I often hear voices. That's right,
Rotary has a unique feel that reciprocating doesn't have. It feels like it's spinning, but tuning is easy and the effect is great.
That's one of its charms.
After changing to FD, the engine
became a sequential twin turbo, and the power in the high rotation range became much more exciting. The combination of a completely lightweight body and a powerful engine means there's no need for more power. When it comes to FD class, initially
It would be a good idea to spend money on aero and suspension parts instead of engine tune. Therefore, we recommend this Veilside full aero FD. After all, it has a beautiful finish, just like the demo car at the shop. The silver body and suspiciously glowing aero parts create an indescribable atmosphere. Properly set aero
is cool. This FD has a normal engine,
An ARC cleaner box is attached to the intake, and it is equipped with a boost meter, Apex muffler, etc. The boost meter is embedded in the A-pillar, but since the boost is not being increased, there should be no need to worry about engine trouble.
When looking for an FD, it is safe to buy a dress-up tuned car like this one and then tune the engine yourself. Also, Aero is quite expensive to buy new, so it's like this.
It can be said that used cars are a bargain.
PIC CAPTIONS
●The interior looks just like when it was new, and you can't believe it's a 4-year-old model. Other than the boost meter built into the A-pillar, there are no noticeable changes to the car.
●The engine is completely normal, and the air cleaner has been changed to an ARC one. The FD is quite powerful even in normal condition, so it's a good idea to hone your skills before tuning the engine.
●Of course, the powerful VeilSide Full Aero is officially certified. This huge rear spoiler is also beautifully finished to match the FD's supple body lines.
INFO BOX
Infini RX-7
1992 model, inspection date October 9th
Mileage 19,000km 2,580,000 yen
Tune data: Veilside
Full aero kit
MOMO Steering
boost meter
Apex muffler
ARC air cleaner
- Blitz Blow Off Valve
GET 8 stage shock
Modena 17 inch Aluminum
SHOP INFO
Rabin Corporation
1-2-2 Shibahara-cho, Toyonaka-shi, Osaka 560
06-846-7864
Most of the FDs and FCs we handle have normal engines. We don't want any problems to arise after the customer has purchased the product. SA22C is also always in stock.
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dandelion-idk · 1 year
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Did you know?
There's actually a secret Sunken scroll embedded in the code of the first Splatoon game on the Wii U. To access it, you have to beat the final boss 69 times hitless (if you get hit one time the number will restart), once you do it you will get a pop up congratulating you, while warning to not share the contents of the scroll as it is only for the freshest squids. The scroll shows young cap'n cuttlefish and octavio from sunken scroll 16 kissing, with the caption "my fucking cod! these bitches gay! good for them! good for them." Telling you the nature of the sunken scroll already puts me in the eye of the nintendo ninjas so I can't actually show the image but I promise it's worth doing the hassle. Good luck!
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