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#fondation maeght
desimonewayland · 8 months
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Georges Braque
Bassin Braque, 1964 - mosaic
Fondation Maeght, Saint-Paul de Vence, France
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frenchcurious · 1 month
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Affiche d'exposition Sam Francis pour la Fondation Maeght Paris (1983). - Source Heritage Auctions.
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garadinervi · 9 months
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Saul Steinberg, Nuits de la Fondation Maeght, (offset lithograph), 1970 [MoMA, New York, NY. © The Saul Steinberg Foundation / ARS, New York]
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arspacis · 3 months
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La Fondation Maeght
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atypical60 · 2 years
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If It’s Tuesday, This Must Be St. Paul de Vence
If It’s Tuesday, This Must Be St. Paul de Vence
Tuesday, June 28, 2022 The weather report is calling for rain.  We had planned on heading to St. Tropez today so I could check out the flea market. My wish list included searching for a vintage Louis Vuitton Samur bag and the market has a great vintage bag vendor. But due to the oncoming threat of rain, we decided against it. My new jam. Taking my vintage LV Bags and having the Vachetta…
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pikasus-artenews · 7 months
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JEAN PAUL RIOPELLE Parfums d’Ateliers/Essence of studios
Jean Paul Riopelle è uno di quegli artisti che hanno traghettato la pittura dai canoni del primo Novecento al contemporaneo
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musatge · 1 year
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La Vie
Aimé Maeght, né en 1906, orphelin lors de la première guerre mondiale, a été récupéré par la Croix Rouge de sa région du Nord et déplacé dans les Cévennes, de la mort de son père et de son déracinement, il en a fait une force et a travaillé intensément pour vivre ses passions. En 1952, après des années de lutte contre la maladie, son fils Bernard est mort à 12 ans. Au lieu de se plaindre, de…
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haraldbulling · 2 years
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Der Schweizer Milliardär Jean Claude Gandur liebt die Kunst der 1950er- und sechziger Jahre. Die Fondation Maeght ermöglicht einen Einblick in seine Kunstsammlung. Vorbild und Nachfolger: Jean Tinguely verneigt sich mit der beweglichen Skulptur „Méta-Herbin“ 1955 vor seinem Mentor Auguste Herbin. Der ist mit dem Gemälde „Bien“ präsent.
(Foto: Roland Michaud /Archives de la Fondation Maeght / ADAGP Paris (2022) / VG Bild-Kunst, Bonn)
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cyarsk5230 · 1 month
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lepetitlugourmand · 3 months
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Pirouette - le Néo-bistrot des Agitateurs qui jongle avec les codes
Haute voltige d’une gastronomie décomplexée et parfaitement bien dans ses assiettes, qui jongle entre grands classiques et comfort Food aux twists savamment ajustés. Les Agitateurs (lire article) qui avaient bousculé la scène gastronomique niçoise d’une cuisine créative et vivante, rapidement récompensée d’une étoile, réussissent à nouveau à secouer avec adresse les papilles des gastronomes de la…
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germanpostwarmodern · 11 months
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Fondation Maeght (1959-64) near Saint-Paul-de-Vance, France, by Jose Luis Sert
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desimonewayland · 8 months
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The Miró Labyrinth at La Fondation Maeght
This magical site-specific work was devised by Catalan artist Joan Miró with the help of his ceramicist friends, father and son Josep Llorens Artigas and Joan Gardy Artigas. Incorporating ceramic, Carrara marble, iron, bronze and concrete, the monumental piece brings sculpture, architecture and nature together. The Labyrinth is explored by following a white line painted on the walls, representing Ariadne’s thread from Greek legend, before visitors come face-to-face with fantastical animals from Miró’s personal mythology.
Photos from Studio DeSimoneWayland, June, 2018.
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a-moment-captured · 3 months
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“Les Sculptures" Jacquemus' Fashion Show at Fondation Maeght in Saint-Paul-De-Vence
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museumelina · 8 months
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Germaine Richier (1902-1959), Nu ou la grosse, 1939-1942, Paris, Centre Pompidou + L'homme qui marche, 1945, Paris, Centre Pompidou + La forêt, 1946, Saint-Paul-de-Vence, Fondation Marguerite et Aimé Maeght.
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mybeingthere · 9 months
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Anne Madden is particularly well known in both Ireland and France where she has divided her time for the past forty years. Of Irish and Anglo-Chilean origin, Anne Madden spent her first years in Chile. Her parents returned to Europe to live in Ireland and in London, where she subsequently attended the Chelsea School of Arts and Crafts. During this period she was impressed by an important exhibition of American painting at the Royal Academy. It was Abstract Expressionism that opened up new possibilities of experimentation for her at that time. She later met some of these artists in Paris and New York among them Jean-Paul Riopelle, Joan Mitchell, Mark Rothko, Lee Krasner and others with some of whom she exchanged works. The techniques employed included palette knife and paint flows and soon involved the use of multiple canvases as a means of creating pictorial interactions.
She began to exhibit in group shows in London and Dublin from the age of 18. The Burren and her love of wilderness informed these early paintings. Her work was then interrupted for three years by a series of operations on her spine. During that time she met the painter Louis le Brocquy who was then working in London. They married in 1958 and set up house and studio in the south of France, where two sons were born to them, Alexis and Pierre.
From the mid sixties on their comparatively reclusive life in Carros village was changed by the opening of the Fondation Maeght in Saint-Paul, where over the years they were constantly meeting painters, sculptors, writers, poets, and musicians forming friendships resumed in Paris and elsewhere. In 1965 Anne Madden represented Ireland at the Paris Biennale, before regularly exhibiting in that city. From the 1960s she began to pour paint onto the canvas making a series of abstract landscapes influenced by her time as a young girl in the west of Ireland, near the Burren in Co Clare. Between 1970 and 1979 she embarked on a large series of vertical works, their size determined by her height and reach. Reflecting on life and death, the works derived from megaliths and other prehistoric monuments seen in the Burren were elegiac in nature. In the 1980s Madden stopped painting for a time and devoted herself to drawing. This resulted in a series of large works in graphite and oil paint on paper entitled Openings, which formed the exhibition of her work at the Fondation Maeght, in 1983 and represented her in ROSC '84.
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erinmartin35 · 3 months
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✍️ - Blog #10 While exploring Fondation Maeght, there were numerous instances where I felt guided through moments, influenced and "primed" by the surroundings. 
One area that left a lasting impression was La Fontaine. This fountain immediately grabbed my attention, because of its captivating movement embodied within its sculptural design.
La Fontaine was meaningful to me as I felt it symbolized life's unpredictable journey. The fluid motion of the stainless-steel pipes is similar to the twists and turns of my own experiences. 
The pivotal moment when each pipe tips and releases water is similar to moments in our lives where we break down and release emotions.
This piece was brought to life by Pol Bury in 1978. It's not only a static sculpture but a dynamic one connecting both steel and water. 
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