so here's what i'm thinking
it's not kindergarten, guys. it's sixth grade.
bigb and pearl are definitely the "average nickelodeon fan" and "average wings of fire/percy jackson/warrior cats fan" alliance
grian's got wheelies. the clockers keep trying to make him use them on the playground so he trips and falls and EATS SHIT LOSER!!!!
(bdubs said that. etho taught him it and bdubs doesn't know what it means)
btw, the clockers are absolutely those sort of. smartasses who are meaner, cooler, and better than you.
bdubs is an art kid, cleo is one of those writing/reading kids with no thanks to some kid named joe hills (lie) ... and scar... well actually scar is just very charming
grian and jimmy are half brothers. watcher something or the other i don't really care i just think their dynamic is super funny
i'm stealing the "boogeyman is an intense game of tag" and making it more of a cheese touch thing
team ties are all in advanced math. except for skizz, who after immediately getting tagged by both scott and bdubs, was put under the protection of them. impulse holds a goddamn grudge, and no eleven year old is willing to test his patience
martyn and scott were those two friends in the friend group that never interacted as much as they interacted with others, but now that ren's moved schools and jimmy's migrated friend groups, they're suddenly best friends?? they team up with the clockers and occasionally taunt jimmy, trying to win him back
pearl and bigb are definitely tree climbers, pearl brings eight wings of fire books into the tree with her every day and bigb consistently watches in astonishment as she climbs the tree with one hand
they spy on everyone from up there
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Was poking around AO3 for kicks and giggles, and I find it fascinating how so many folks can just go ah, yes, this story Inspires me to Create, while this…not so much.
I know this isn’t entirely fair given the discrepancy in the amount of media per franchise, but here are the AO3 works counts for Dune, Star Wars, and Star Trek, all sci-fi classics that also have new additions to their respective franchises.
Especially given how Star Wars itself draws heavy inspiration from Dune, I just find the differences in these numbers interesting! And I feel the same! SW does appeal to me a lot more than the bloodline obsession/freaky eugenics/religious manipulation themes of Dune, which also exists in SW but far less.
(Also, while I really loved Chani in the new film, I definitely personally did not feel any shipping sparks between her and Paul, I just wanted her to get away. The guy does NOT deserve her in any way. (then again, I also felt no shipping sparks between Padmé and Anakin, so this could just be a me thing…))
This also reminds me of how the James Cameron Avatar films are a huge fandom flop, despite the budget and blockbustery fanfare they got.
To be clear, I don't necessary think media needs to spark fandom creativity in order to be good or worthwhile, and there's plenty of stuff I enjoy without feeling the need to create, so this isn't meant to be a criticism per se.
But I was just contemplating about different media and themes that inspire me and makes me want to engage in a community, versus stuff that doesn't.
If you have any thoughts, feel free to share!
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Hot take but I think what we saw in chapter 13 was necessary.
I don't think a lot of people realize how important it is for Araki to portray what he did, even if it extremely difficult to take in. Let me explain.
Araki has discussed about topics like racial and class disparity through both Steel Ball Run and Jojolion, but JOJOLands is different because the discussions are now very direct. We had Chapter 1 open up with police brutality and Chapter 13 open with intense bullying; both acts were committed by people of higher social standing/power and seemingly White (or white passing) and both are harming a dark-skinned queer individual. Not only that, remember that Hawai'i is an island stolen and colonized by the US and many indigenous individuals who were supposed to live and maintain kapu are being forced to endure housing problems, loss of culture, etc. due to gentrification and exploitation of its lands. 2020 was when we saw global protest towards the deaths of George Floyd and Breonna Taylor due to police brutality, which has spread as far as Japan in terms of demonstrations and rallies. Araki has made it clear that he tries to take real world experience into his writing, and this is no different. He is also no stranger to portraying law enforcement throughout his parts without glorifying or downplaying their behavior.
As a mutual of mine (who themselves identify as a black GNC individual based in US) has put it, those who identify or even appear as Black while identifying as trans-femme or women are subjected to some of the worse kinds of oppression possible in America. Queer women of Color are one of the most susceptible to sexual violence-- especially when they are young, and the darkness of their skin really plays into it. This is transmisogynoir; it is a hard pill to swallow and acknowledge, even if it feels excessive, and its a multilayer of oppression that connects a person's racial identity, gender, and sexuality as targets of discrimination. It's the fact that one is POC, a woman, AND queer that makes one a target--- not just one or the other. You can’t turn a blind eye to this because it happen constantly throughout America's history and American society even today, but you can't simply water it down or downplay it. In fact, many victims of transmisogynoir have no choice but to downplay their experiences because of their Black identities or because they appear too dark to be taken seriously; when they, especially if they are Black, try to hold people in power accountable, these individuals are suddenly labeled aggressive, indignant, etc. and they are further discriminated for attempting to speak up. Dragona downplaying the bullying isn't them just trying to avoid further conflict but a reflection of how many who were in similar situations like Dragona are forced to simply forgive and forget the trauma they have to endure. To downplay it ourselves is reinforcing the narrative that individuals like Dragona in real life should remain silent and endure their harassment rather than rightfully protect themselves and others from it.
Another thing to add is that the way Japan portrays and treats the LGBTQ community, particularly the trans community. In Japan, the process to legally change your gender is complicated and requires a lot of steps that include, but not limited to, being diagnosed with gender identity disorder, proving you have no kids/guardianships, and sterilization. This causes a lot of individuals to be forced to quickly transition as a means of getting their gender recognized, which takes away the time to let them explore at their own pace, and this is due to how the process can lead to hindering career and life opportunities that wouldn't be hindered had they already transitioned or stayed closeted. Many Japanese trans individuals unable to go through the process quickly either remain closeted or move away from Japan to transition at their own pace. So, as a result, the trans community and its struggles is not as noticed compared to outside of Japan. Another thing to add is that the trans community in Japanese media is often portrayed as comedic relief or a gag. Oftentimes, the trans character or character who diverts from gender conformity (i.e cross-dressing, acting more flamboyant) is the butt of the jokes. Some thing to note is that, when Dragona was first introduced, a lot of people thought that Araki put Dragona in simply for comedic purposes. I had people joke about how Dragona is just there because they believed Araki is trolling. Not only that, the racial issues that Japan has often results in jokes towards non-Japanese individuals in media, especially if they are of darker skin color.
So, Araki putting Dragona in these difficult situations is also meant to subvert expectations that his Japanese, and possibly Western, audience may be expecting. The expectation was to laugh and toss Dragona aside as a single-dimensional character, but Araki instead forced us to face the trauma through Dragona's experience head-on. We are made aware of Dragona's situation, how real and difficult the struggle is, and we end up emphasizing with it rather than laughing at it. Through this, we get a glimpse into real life experiences of trans POCs without it being downplayed and have it show how Dragona is a fleshed-out character with importance to the series. As some have put it, this chapter proved that Dragona isn't just a side character but arguably a complex individual on the same level of importance as Jodio. I don't think it would have been easy to have the same impact if another approach was taken.
While talking to others who identify as trans and/or GNC about their thoughts on the chapter, I was told by many of them that, while Dragona's experience hits close to home and was hard to digest, they appreciate seeing it being expressed and hope it will help other people understand their struggles. One noted how the introduction of Smooth Operators with the backstory as empowering, seeing the Stand as a symbol of surviving the trauma that comes with trans discrimination. I do find this a bit telling with how many people online who are against Araki's portrayal barely mention what trans/GNC people have said about it.
My main concern, as well as what I see people have rightfully critiqued, is the excessive trauma reinforcing the fetishization and violent voyeurism towards trans individuals; it also reinforces the problematic narrative that dysmorphia can only happen as a result of trauma and the trans experience can only be full of pain. There's also the issue that Dragona's experience also happened while they were under age and their harassment is similar to that of Lucy. It's a common trope in Western media to put marginalized people into these situations while upping the ante simply for clicks and pleasure, and even worse when the character portrayed is a minor. As I reiterate, it is a very uncomfortable chapter to read and I don't find it enjoyable at the slightest. Just because I understand why it is necessary doesn't mean I condone the approach done. I also understand Araki as a Japanese man can only relate and portray a queer American's experience to an extent. But, at the same time, the exposure was necessary because it gives us the awareness and a voice to trans people that is lacking within media even today. We need to be aware and acknowledge what our BIPOC trans community goes through as a means of being better humans--- and especially our younger community members. We need to make our society safer for them so they can thrive and have the respect they deserve. Oftentimes, that starts with how they are portrayed and how their experiences are portrayed. While it is still a journey and not every representation will be perfect, we can't simply toss it aside and bash those who try to show something realistic just because it is uncomfortable.
I only hope that Araki wrote Dragona and these scenes as a result of doing extensive research and reaching out to actual POC queer individuals, particularly transfemmes/women, to understand their experiences and have their blessings to use their words to shape Dragona. I feel like that would show that Araki was serious about discussing these issues through his characters rather than simply using Dragona's traumatic experience it for entertainment. I have higher expectations for Araki now, knowing that it may not be the last time he shows a character experience harassment and possibly have Dragona be harassed again, so I will keep my eyes open for this.
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