When Mike Wheeler, red faced and still faintly tear stained, asks him how he knew he liked both Steve doesn’t know how to tell him it was his sister.
Before Nancy Wheeler it had only been boys. Before Nancy Wheeler Steve had been sure he was gay and knew well enough to keep it to himself; dating around enough to earn himself a protective reputation. Before Nancy Wheeler there’d been Marcus Summers, from the baseball team, during freshman year. Steve had gone to every game, and had been forced to make up excuses about schoolwork and his other commitments when asked why he hadn’t tried out for himself. Before Nancy Wheeler there’d been Tommy Hagan. The summer between seventh and eighth grade had been very kind to Tommy, he was sunkissed and boy next door sweet, Steve had wanted to hold his hand and count the freckles across the bridge of his nose.
Before Nancy Wheeler there’d been his first love, a boy who only visited one summer, the year Steve turned ten. His name had changed every time they hung out but he’d favored E’s. Eli, Emmett, Elliott, Eric, Excalibur, Excelsior, and once for about an hour Wayne. His hair brushed his chin in pretty brown curls and his big brown eyes were always bright with excitement. He always got storm off mad when any of the other boys they’d played with that summer said he was acting like a girl, E would run off to the woods and Steve would always follow. E always came up with the best games anyway, he didn’t like playing soccer or HORSE or anything else with rules that couldn’t be bent; he preferred imagination games where they were knights or wizards. He didn’t laugh when Steve said he always liked playing house, but never wanted to be the dad because why would he want to be someone who never wanted to spend any time with his kids. E who, while insisting on being called Samwise all day, was his first kiss.
Cause he knows what Mike wants to hear. He’s seen the way Mike and Will have danced around each other since the last portal closed. He’s heard the things Mike has said to and about Will. He’s heard all about the week that Will was in the Upside Down. He’s heard all about the summer of ‘85. He’s heard all about the final off again that seems to officially mark the end of Mike and El romantically. He knows that Mike wants him to say that he’d never even thought about boys before he met Eddie. That there’s just something special about Eddie that makes him want to give up his lady killing ways. That Eddie was different. That it was okay that he was having these scary new thoughts, maybe Will was just an exception.
And Steve doesn’t know how to have that conversation. When he realized he liked both it was a relief, that maybe he could have something normal and wouldn't have to spend his life lying or hiding.
But Eddie was different. Eddie was special. Eddie was probably it for Steve which is scary in a different way that he’s not ready to touch yet -- not when it’s only been three months.
There’s never been another girl since Nancy Wheeler, not really
There will never be another boy after Eddie Munson.
So he tries to help, as best he can. It’s easier with Eddie there, not quite dozing against his shoulder -- the kid’s emergencies always seem to come so late at night these days. “When I was ten, there was a boy whose name kept changing who decided prince charming should get to kiss his faithful knight. And when I was sixteen, your sister-”
Mike’s goodwill diminishes quickly as his sister gets introduced to the conversation.
“Stevie,” Eddie says. It’s not an admonishment for bringing up Nancy. It’s awestruck and watery. “You remember that?”
“Of course I remember the first boy I ever loved," that word catches up with him a second later. Remember.
Cause there's Eddie with his riot of brown curls and his Bambi eyes. Eddie, who has explained why soft feminine words chafe against his skin leaving him itchy and anxious. Eddie, who has an Uncle in Hawkins. Eddie who moved to town the summer before he entered high school with a buzzed head and his mother's last name. Eddie who finally settled into an E he liked best.
"Wheeler, here's a tip from me to you," Eddie says, his advice is always better received than Steve's anyway, "if you have to ask you probably already know."
"Straight people don't really spend much time wondering if they aren't really straight," Steve agrees.
They don't rush Mike out the door, a crisis is a crisis and even in the wake of new discoveries Mike deserves to be heard out. Deserves a chance to cry and rage and feel those emotions someplace safe from his Reaganite father -- just as much as Will deserves to have someone who knows what they want come to him, deserves better than experimentation.
They cross the bridge from late into early by the time Mike sets off. The sun is creeping up over the horizon and Mike looks solid, certain; the dawn hints at the man he is growing up to be. Though every instinct of Steve's begs him to drive the kid home, Eddie's soft hand lingering at his hip holds him fast. They wave instead, encouraging Mike to go home and to bed before he does anything; knowing his front bike tire is already pointed toward the Byers-Hopper place.
"The first boy you ever loved, huh, Stevie?" Eddie teases before the door has even managed to click shut.
"And the last, I'm hoping, if I play my cards right."
"You were always pretty good at that. You were the only person that summer who called me by my name, except Wayne."
"It was your name." He knows that's too simple. Knows how hard Eddie has had it, continues to have it. But that summer it had been that simple, Eddie trying on names like shirts each one fitting until they didn't. "For what it's worth, I like Eddie a lot more than Excalibur."
"Oh fuck off, I was going through a fantasy knight phase. Which I know you remember."
"Right a phase, and how much longer is this fantasy 'phase' going to last?"
They're the kind of tired that makes you feel drunk, when Eddie tackles Steve and sends them both to the floor and to giggles. Eddie might not have been his bi awakening, but Steve is pretty fine with him being his everything else.
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Okay, so I have read a lot of fics where Dogma joins the Coruscant Guard post-Umbara as a way to protect him, or he joins the Guard because the 501st doesn't like him, but I have a new CG Dogma AU concept.
Rex sends Dogma to the Guard specifically to look after Fox. He KNOWS Fox is overworked and the Guard is understaffed, but Fox just isn't asking for help as much as Rex would like, so he sends Dogma over because if Rex can't be there to look after Fox himself, he might as well as send the next best thing. Dogma is a little skeptical about it at first, but Rex tells him that he is legitimately the best man for the job specifically BECAUSE of his personality (he's got reason to believe Fox will have a soft spot for someone who reminds him of Rex).
He tells Fox that this is something he and Dogma discussed because the kind of work the Guard does is a better match for Dogma, but that he's also one of Rex's most impressive soldiers. Fox sees right through Rex and is not impressed at being assigned a babysitter, especially not some barely-not-a-shiny sergeant from the 501st. It's almost insulting, but the paperwork has already gone through so he can't say no or just send Dogma back.
But Rex knew what he was doing and Dogma IS a lot like Rex and he thrives in the Guard and it turns out he gets along incredibly well with Fox and, due to some special insider info from Rex, is perfectly capable of helping keep an eye on his new Commander.
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Okay the thing is with the Williams decision is that it's obviously so horrendously shit at a personal level. Logan should NOT be having to pay for someone else's mistakes, let alone this severely. And because of this whole situation, there's an insane amount of pressure on Alex to perform well now too.
But they don't have the luxury of looking at it solely on a personal level, because the whole reason they're in this mess is because of funding (and their lack thereof). As insane as it might seem that they're doing this so early in the season since we don't even know what place they might be fighting for later and whether this would make a difference, that's exactly why they have to do it. Placing higher in constructors means they get more money, which improves their chances in the future. Sure, this might not amount to anything later, but it also might be what gets them that extra place and extra money.
Objectively, putting Alex in the car is the best decision for the team.
Should they have been in this situation at all? Of course not. Is it fair that Logan is taking the consequences of everyone else's mistakes? Of course not. But they don't have the luxury of ignoring what's best for the team right now, however much it completely sucks
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of ten’s companions, if the doctor couldn’t handle losing them and crossed his own timeline to trick them into traveling with future!him instead of past!him so that he’d have a little more time with them:
rose would do it. first because bless her but she has the situational awareness of a rock, and legitimately would not realize this isn’t her doctor until his facade starts to break down and he starts bleeding grief-laced love for her at every turn. but once she does realize it, she’s both deeply sympathetic and a little scared that she could make him into this. it’s a lot to be confronted with having that much power over someone, to break them so thoroughly. rose would try to get back to her doctor, but while she’s with the future version, she tries to do what she can to ease his pain. (she also tries to figure out a way to subvert her fate. she fails.)
i think martha would be harder to trick. she can smell desperation on the doctor like a bloodhound. she is so tapped into the fact that this man wants to off himself so bad and that she’s 90% of his self-restraint, so present her with a doctor who is lacking that and she’s onto him immediately. however, assuming he gets her to come with him, explains why he’s doing this, there’s like. a minute where she’s kind of. not flattered exactly, but surprised, giddy with the realization that he’d come back for a little more time with her, especially if this is early season 3 martha. which would all come crashing down around the time that he reveals that he wasn’t pushed to this by losing her to some tragedy or her death or anything- but that she chose to leave. that is the point at which martha goes ‘oh i need to get the fuck off of this tardis right now’ and ghosts the past!doctor that she was also traveling with because holy shit, man.
donna, like rose, is easily bamboozled into following the wrong doctor home, provided that he shuffles her along into his tardis too fast for her to argue. but she catches on far quicker than rose does. like, three minutes tops of watching the doctor move through the tardis in a way that’s definitely not enthusiastic piloting and looks more like guilty panic. and then she yells at him for lying to her. and she yells at him for kidnapping her. and then she stops yelling because he’s gone sort of still and quiet and his eyes are just broken. and he doesn’t explain himself, he confesses. donna is going to try to stay with him after this btw. because how do you go back to looking your best friend in the eyes when you know he’d take everything you’ve become away from you, even to save your life? and this is still the doctor, he still did that to her, but he regrets it. regrets it so much that he can’t live with it, he’s breaking time and space just to hear her say his name again. and donna doesn’t want to lose him anymore than he wanted to lose her.
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a quick helpful reference guide:
Children's books - Target demographic is generally up to like age 10 - basically elementary school and below, for us Americans.
Middle-grade books - Target demographic is approximately middle schoolers (ages 11-15).
YA (Young Adult) - Target demographic is about 15-20ish year olds, so high schoolers and early college.
There is such thing as "upper middle-grade books" (targeted more towards the upper range of middle grade, so middle schoolers going into high school) and other such more specific intended target demographic age ranges within those groupings.
What these ranges mean is that the books differ in how they present subject matter to be appropriate to the intended audience demographic. Obviously, books geared towards younger kids are going to be shorter, use simpler language, and present concepts in ways that are easier to understand for younger children. As the target age demographic increases, the length, word choice, and presentation of topics will become more complex. The actual subject matter within the book itself is unrelated to this classification system for the most part - the books are graded on what's presumed appropriate for that age-range in terms of how children learn and their presumed literacy and reading comprehension at that age, rather than the topic itself.
Rick Riordan is a middle-grade author, and his books are usually middle-grade - including the entirety of the Riordanverse and Daughter of the Deep. The only exception is The Sun And The Star, which is loosely either upper middle-grade or YA, as Mark Oshiro is a YA author and co-authored it.
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