MC Meets Lucifer in the Music Room
"Ah, you're here," Lucifer greets me as I step into the music room.
"Of course," I reply. "You told me to come here before class, after all."
"I know. I'm just not used to people being quite so...obedient."
"I can imagine. Your brothers don't seem to want to listen to you very much." That gets Lucifer to faintly smile.
"That's a topic for another day. Several days, as a matter of fact, I digress. There are a couple things that are more important right now. Firstly, how have you managed to make pacts with three of my brothers in such a short amount of time? You're not forcing them, are you?" I shake my head.
"Mammon did it out of spite. Levi felt like he needed to when I borrowed the vinyl from him, and he didn't allow me to stop him until it was too late. Beel's the only demon out of the three that I've wanted to make a pact with." Is this another test? I feel like it is.
"Interesting. Why Beel?"
"He seems genuinely interested in getting to know me, and in return he's shared some things with me that I don't think he's told anyone else. Mammon and Levi seem to just want to use me for their personal gain."
"I see. Thank you for the insight. Now, you never did tell me what happened the night you gave me that vinyl, which I find peculiar, because you've been very upfront with me about everything else so far." Somehow, I'm not surprised he's brought this up.
"Well, obviously no one was there to stop me from sleepwalking, so the white light was able to take me to the top of the stairs." My head begins buzzing in pain.
"Were you able to meet the person that's been calling to you in your dreams?"
"Yes." The buzzing intensifies, but it's still managable.
"Did they do anything to you?"
"Well, he--" The buzzing turns into an explosion, and the pain brings me down to my knees. Lucifer kneels down and grabs my shoulder, worry written all over his face.
Stop prying into my business! Belphie screams in my head. You've done enough damage; just leave me alone! Lucifer's mouth tightens, and I realize that the youngest brother has used me as a mouthpiece.
"Once you're able to get up, you're free to go," he tells me sternly.
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i really need to finish this one day
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Apprenticember! Day 7
Let’s go back to their physical description, but go even deeper! Do they have tattoos, piercings, scars, etc? What sort of clothes do they like?
Jamie has several scars all over their body (they used to be super clumsy in the earliest months after coming back to life), but the most evident is definitely the one they have on their left arm.
Both Jamie and Asra hate talking about it, but this also happend because of an accident.
At that time Jamie had a lot of troubles regulating his magic and its strenght, and after this particular accident Asra almost stopped trying to teach him magic altogether because of how bad it scared him. It took a lot of time to convince him to give it another shot.
Interestingly enough that scar appeared in a pretty reminiscent spot.
Both Asra and Val fucking hate it.
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dressrosa really is the best arc........it really just is.......
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Trying to write the Beta Trolls session, and I like to imagine everybody actually trolled Sollux to check if he was ok after the glub, bc, well, the guy kinda died. And now was back.
I feel like this is the best summary to how I imagine Sollux and Equius' relationship to look like.
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I rly hope Scott Pilgrim Takes Off really doubles down on making it clear that Scott is a mess of a person who has never had a moment of introspection at the start of the story so badly. I need people to stop treating his precious little life phase especially as a thing that doesn't suck specifically because of Scott himself.
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I love expanding Conjunx Endura and Amica terms to include others nuisances amd also the fact they established that Conjunxing can be poly! You can have a triad with all three Conjunxing, a mech Conjunxing two separate people etcetera.
Also the fact Conjunxing is supposed to be incredibly rare, it's just the Lost Light was basically the Love Boat and already had Conjunx Georg on there with Chromedome.
Caminus's relationship with Amica and the fact they form intelrocking groups called sororities is fascinating to me (and probably why everyone assumed everyone on Caminus was a female Transformer for ages).
One of my friends is designing a whole list of other kinds of Endura relationships covering all sorts of relationships. I also think considering Endura relationships are called "elective kinship" that means Cybertronian's should get to formally recognize someone as their weird uncle or their cousin they only see at barbeques or there wifes platonic life partner they will never be rid of. Which yes is a narrow list but examples!
That's cool as hell! Chromedome was contagious and spreading the love bug lol
Caminus' culture with Amicas and Sororities is intriguing, especially with the concept of otherwise being considered societally "uncool" if you didn't have one by a certain age
There is so much possible variety, and part of me is silently hoping we get to see these terms used in another canonical continuity no matter how slim that hope is
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well. i DO know how joan of arc felt.
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i officially have the vampire chronicles brainworms bc i'm reading the vampire lestat rn and i keep thinking back to when the first trailer for the amc show came out and ppl were like "um......lestat only kills BAD ppl >:(" bc like......that's not true at all. yes, when he first gets turned, he's like i have to create a system for this or i'm going to lose my mind (which bads news bud you already lost it) and he only kills thieves and muggers and stuff. but then he has his mental breakdown in renaud's theater and says, and i quote:
"What sublime idiocy that I had dragged that paltry morality with me, striking down the damned ones—seeking to be saved in spite of it all? What had I thought I was, a righteous partner to the judges and executioners of Paris who strike down the poor for crimes that the rich commit every day?"
and then later that night he eats a beggar woman and her child while they're seeking shelter in a church (and trying to get him to a doctor bc he's covered in blood and they think he's injured) and says that their blood tastes better bc of their innocence. and then louis says in iwtv that lestat saw them (vampires) as beings akin to god who acted as independent agents doling out life and death at their own discretion. and this is something i find so fascinating about lestat as a character which is he is always constructing some sort of self mythology, some code or story about himself to define himself and then he carries it around until it begins to chafe and then he completely throws it away and recreates himself in hopes of eventually manufacturing an identity that makes his existence have some sort of meaning. bc that's really what he's looking for, a version of his story/life where everything is profound and nothing is simply (cruelly) by chance
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┊ ┊⋆ ┊ . ℒ ༄ؘ ۪۪۫۫ ♡ 𝓐 𝓕𝓐𝓡 - 𝓞𝓕𝓕 𝓜𝓔𝓜𝓞𝓡𝓨◞ accepting ⋰ unprompted ⤸ SANEMI
"--no."
it's the obvious reply. new orders have come in - ones that'll ( hopefully ) allow their number to be maintained & perhaps even grown. so simple, like he's been stupid not to see- though the master hasn't offered any scorn. up against foes more powerful, it makes sense to make themselves stronger than the sum of their parts: teams of hashira will fall less quickly, leave behind their duties less easily.
so, okay. fine. whatever. annoying, but not a problem--- excepting exceptions:
traitorous cunt - obanai is teamed up with kanroji. one will move heaven and hell before managing to break that up- uzui & shinobu are forming a toxic power duo, rengoku's taking the mist brat under his wing.
himejima's staying behind for a month to train the straggling newbies fresh out of final election. that they might, mumbling mantras, turn into something like a recruit before the end of that.
which leaves---
his knees ache against the shiny floorboards.
tomioka's knees are inches from his, the man quiet & poised as if he came out of the womb tearlessly.
"i'm not fucking doing it." profanity slips out / choked after - the crawling burn of shame is invading his skin. tomioka makes no protest at all: pristine. he does not argue against the order, no matter how he eschews their company outside of them. "i-" the master's smile is painted on, patient.
...is he being childish..?
"...i- ugh."
the itch of thrill / shame's stinging burn --- the threeway meal he's being made into by d e n i a l ' s wilful struggle. he can do this. technically. but he doesn't want- ... "...fine." fuck. fuck! fuck. @sanyemi
If it's to help maintain their ranks, then that was that for Giyuu. His job, his very purpose, was to hunt down demons. These new orders wouldn't bother him. Though, it would be his first time truly partnering with another Hashira since his missions with Shinobu ; perhaps, somewhere deep inside his heart, that made him anxious. It wasn't his place to be standing beside the pillars. It never had been. It was a fact he knew well. Let him be replaced by the true water Hashira, and let it be soon.
But until then, he would keep fighting. It didn't matter the conditions.
❝ Understood. ❞ Is his only response. Whatever it was the master wished, he'd do. As long as Giyuu was able to keep killing the demons, it was fine.
Shinazugawa ... their personalities would definitely clash. He's not opposed to it, as long as it doesn't hinder their goals. No. The true Hashira were more then capable. More then him. It was himself that could only hold them back. Teaming up with Shinazugawa ... he had to be extra focused.
Shinobu was someone who forced her way into his life. It's a fact that ... he doesn't mind, at all. It made their missions easier. They split up often, when the situation called for it. Giyuu preferred to work alone after all ; a fake. A scam. At least, this way, he could focus on his task, and leave it at that.
And truth be told, when Shinobu approached him last, he expected ... her to be partnered with him. It was a cold shock when she teased him for it, as if reading his vacant expression with ease. Try to make friends with the others, then you won't be so disliked by everyone. She apologised after, but, was he really ... not well liked?
❝ It's fine. Our primary goal is to slay demons. ❞ Never bats an eye in his direction Perhaps, also, just a bit ... unsure of how to approach Shinazugawa. Shinobu did a lot of the talking, enough that it made Giyuu talk back. He doubted they'd have such idle chatter.
Giyuu doesn't wait before exiting, once the Master had bid them a farewell. It would be fine. They trained together for this purpose.. so that's what should matter most. If he's lucky ... if they can talk ... maybe he could learn more about Shinazugawa. He just wasn't quite sure how.
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Des and Alex would be soooo domestic. Alex comes back after beating the shit outta infected and Balckwatch troops and just. Collapses on Dana's couch.
They argue over who's allowed to use the controller first and end up watching horror movies for about half an hour before the power and signal cuts out bc all over the island bc they're making sure nothing gets in or out.
They banter over how the movie should or will end, when Des knocks on the door and Alex is all over him when he opens it up, like a massive koala bear. Des is so used to Dr. Mercer doing this, then trying to pretend like it was Des that jumped him like he was losing his mind that it's actually refreshing how Alex is unabashedly cuddling him.
They go over to the apartment that Des took over since most people left the vicinity of Penn Station days after Balckwatch was shooting people in broad daylight and Alex asks "wanna see something I just learned? It's cool as hell". Ofc Des agrees and it's just a montage of them play fighting as Alex shows off ALL of his abilities bc he knows Des won't be scared off or scream, with crashing and ungodly noises of destruction.
Dana peeks in hours later when things are finally silent and sees the two of them snuggled up on a completely destroyed couch (that was destroyed last time they did this, is the damn thing respawning?) and assumes they just got done doing some of the most disturbing sex stuff ever. She doesn't wanna know, doesn't ask, but can't get away without them seeing her and saying hello. It feels like the worst experience every time this happens to her bc she assumes that they're having ungodly weird virus on human sex, and they do, just never the time she peeks into the apartment. They're just playing.
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Look, all I'm saying is that if I found Catapult & The Jeweller's Hands back when I was first questioning my sexuality I would have a ball with some of those lyrics
(Like the speed in which this shit would find it's way into my journal):
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you ever just. minding your business, wanting love but not seeking it bc of of who u r as a person or w/e, and end up stumbling into a silver fox of a man who is head over heels for you (but married!! oh fuck) and conflicted about his feelings for you, and end up with him deciding to be a sugar daddy that wants to cuddle you every chance he gets bc this is not how I anticipated my hot girl summer to go
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Scott Pilgrim is, I think, the best example I can think of for establishing a setting's Nonsense Limit.
The setting's Nonsense Limit isn't quite "How high-fantasy is this". It's mostly a question of presentation, to what degree does the audience feel that they know the rules the world operates by, such that they are primed to accept a random new element being introduced.
A setting with a Nonsense Limit of 0 is, like, an everyday story.
Something larger than life, but theoretically taking place in our world, like your standard spy thriller action movie has a limit of 1.
Some sort of hidden world urban fantasy with wizards and stuff operating in secret has a nonsense limit around 3 or 4. A Superhero setting, presenting an alternate version of our world, is a 5 or 6.
High fantasy comes in around a 7 or so, "Oh yeah, Wizards exist and they can do crazy stuff" is pretty commonly accepted.
Scott Pilgrim comes in at a 10.
If you read the Scott Pilgrim book, it starts off looking like a purely mundane slice of life. The first hint at the fantastical is Ramona appearing repeatedly in Scott's Dreams, and then later showing up in real life.
When we finally get an explanation, it's this:
Apparently Subspace Highways are a thing? And they go through people's heads? And Ramona treats this like it's obscure, but not secret knowledge. Ramona doesn't think she's doing anything weird here.
At this point, it's not clear if Scott is accepting Ramona's explanation or not, things kind of move on as mundane as ever until their Date, when Ramona takes Scott through subspace, and he doesn't act like his world was just blown open or anything, although I guess that could have been a metaphor.
there's a couple other moments, but everything with Ramona could be a metaphor, or Scott not recognizing what's going on. Maybe Ramona is uniquely fantastical in this otherwise normal world.
And then, this happens
Suddenly, a fantastical element (A shitty local indie band finishing their set with a song that knocks out most of the audience) is introduced unrelated to Ramona, and undeniably literal. We see the crowd knocked out by Crash and The Boys.
but the story doesn't linger on the implications of that, the whole point of that sequence is to raise the Nonsense Level, such that you accept it when This happens
Matthew Patel comes flying down onto the stage, Scott, who until this point is presented as a terrible person and a loser, but otherwise is extremely ordinary, proceeds to flawlessly block and counter him before doing a 64-hit air juggle combo.
Scott's friends treat this like Scott is showing off a mildly interesting party trick, like being really good at darts.
The establish that Scott is the "Best Fighter in the Province", not only are street-fighter battles a thing, Scott is Very Good at it, but they're so unimportant that being the best fighter in the province doesn't make Scott NOT a loser.
So when Matthew Patel shows off his magic powers and then explodes into a pile of coins, we've established "Oh, this is how silly the setting gets".
It's not about establishing the RULES of the setting so much as it is about establishing a lack of rules. Scott's skill at street-fighter battles doesn't translate to any sort of social prestige. Ramona can access Subspace Highways and she uses it to do a basic delivery job. It doesn't make sense and it's clear that it's not supposed to.
So later on, when Todd Ingram starts throwing around telekinesis, and the explanation we're given is "He's a Vegan" , you're already so primed by the mixture of weirdness and mundanity that rather than trying to incorporate this new knowledge into any sort of coherent setting ruleset, you just go "Ah, yeah, Vegans".
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trying to nail down eli's character rn (aka my fanon version of danielle)
so here are some characters i can see her taking after
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