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#i am blatantly discussing endgame shit
midnakoopa · 7 years
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OKAY. I’d like to take a moment to put my thoughts about Super Mario Odyssey together, for real this time.
Casually discussing spoilers for the game, especially endgame, below. Big ol’ spoiler warning and whatnot.
Aaaa, where to even begin? I’ll start with the New Donk City festival. Because while the game had been great up to that point, the festival was the first huge “holy shit” moment for me. Just. Building up to this festival, and the payoff is a neat throwback segment with That Song, You Know The One™ playing. Real good shit.
More minor detail I noticed is that Mario’s idle animations may vary based on his clothes. Like, wearing the aviator suit or parka in Shiveria makes him do his regular idle instead of his cold one. And he’ll react if he’s wearing warm clothes in a warm area. And these are just the little touches I live for.
Also. Holy shit. Mario. Fights a fucking dragon? Like. Just, a real-ass dragon. Bowser just has an actual fucking dragon. One that would not look out of place in, say, Skyrim or Dark Souls or some shit. This came at a moment where I’d been through enough of Odyssey to think nothing could surprise me anymore. But fuck if I wasn’t surprised the hell out of. Good boss, too.
And then we get to Bowser’s Castle. Bowser’s Japanese Castle. I can’t think of much specific to say, because. I kind of love the entire thing? I’m really into Japanese architecture. The two Bowser statues are particularly good. And the music for the area’s fantastic. In fact, this game’s music all around is fantastic. Then we reach the end and. Bowser’s going to the fuckin moon. Hell yeah. Got a real good boss battle with the Broodals, and then we get the Odyssey to full power.
And then we zoom all the way to the moon. From the second I saw the moon featured so prominently on the world map, I thought to myself, if we don’t go to the moon by the end of the game, I’m going to be super disappointed. And not only do we go to the moon, It’s its own fuckin big ol place with quite a bit to do.
Get to the church and fight a pretty good final boss, followed by the most fucking phenomenal ending sequence. Bowser’s still KO’d, so here we go becoming him and rampaging all the way through the inside of the moon. Culminating in a segment of going around this place that’s falling apart, trying to drop pillars on this bigger pillar to break out, all set to another upbeat, vocal song. I can’t even describe how overjoyed I was the whole time. Just grinning and laughing like an idiot through the entire last bit.
Then comes the Mushroom Kingdom. Which had a bit of a preview in Volbono. But yeah, no, wow, Mushroom Kingdom, pretty good. Got a bunch of Mario 64 throwbacks. As you might expect. And the regional coin outfit is his fucking low-poly Mario 64 model. Which is great. And would’ve been greater if it hadn’t been spoiled for me by some cunt in my fucking youtube recommended videos section putting it right in their fuckin thumbnail. Anyways. I think one of my favorite things in good ol’ MK is that looking up into the light in the castle gets you a star. Speaking of stars. I love how getting a power star makes the Mario 64 jingle. But it really bugs me how they still say “You got a moon” when it’s clearly a star. :V
As for what else. Dark Side. Dark Side is not fucking around. Fight against even harder versions of all the Broodals in a row and then their mech, with just one health pickup after you beat the four of them individually. The reward for which is a fancy king’s crown and outfit. Then afterwards, doors and pipes, leading to challenge rooms that continue to stop fucking around. And I’m glad this shit’s challenging. It’s what I’ve come to expect from Mario postgames.
AND SPEAKING OF WHAT TO EXPECT FROM MARIO POSTGAMES. Darker Side. Culmina Crater. Holy shit. I am pleased to announce that the final level in Super Mario Odyssey is as soul-destroying as any other final Mario level in recent years. And yet as frustrating as it got at points, every run through I could feel myself getting better at it. Bits at a time. To the point where the early bits became. Not exactly “easy”, but you get the picture. And reaching the end, as satisfying as ever. I liked Cappy’s dialogue on the way up the tower. And up the pole, with the music coming in. Also hey. There was a little pixel Rosalina on the side of the tower’s base. And the reward for completing the hardest level in the game. Is stealth camouflage. Invisibility Hat is a neat prize and I’m happy with it.
SO. There’s my impressions of Super Mario Odyssey. What a phenomenal game. A game that there’s still so much for me to do in. Hell yeah actually. This has been me, you’ve been you, Mario’s been everybody, take easy. Koopa, out.
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satanherfuckingself · 4 years
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Hayley Atwell. Publicly Adored Psychopath.
Before I begin, I feel it's imperative to mention that this was not created to cause harm. Do not send anyone hatred or harassment despite what you may read. You are not a monster. Do not stoop to that level. Verbal abuse is still abuse, whether we acknowledge it or not, whether someone 'deserves' it or not.
Please, do not do that. Do not become an abuser. If you feel the need to do something, I will provide solutions for that fact, but hatred and harm will not solve anything.
Keep that in mind. And please stay tuned and read this thoroughly because it's more than just a social call out. It's more than just 'cancel culture' or someone making a big whoop over something nonsensical or even holding someone accountable for their actions. I promise there is a point to this, and it is probably far more important than the title even suggests.
Please, stick with it, and read to the end.
I also feel the need to mention that some of the behaviors discussed in this piece will undoubtedly be quite... disturbing. Proceed with caution if you find it necessary.
And. Let it be known that any claims made here are in fact alleged. Evidence and sources will be provided of course, that's simply a friendly reminder for the... legality of it.
Forgive me if you enjoy this ending because if you have any sense of a decent moral compass, this will probably shatter that enjoyment of it, and forgive me if you do not because this will only make you hate it more.
So I found this blog:
Hydra Support Blog
Really, it's a blog centered entirely around hating Sharon Carter, the very real person that was her actress, Emily VanCamp, encouraging hatred towards this same very real person and her fans for any scrounged up nonexistent reason they can find, without proof, as well as fans of the comics.
They also insult her acting, despite the fact that Emily actually has won awards for her performances while the idol they are so devoted to has not.
All for the sake of the very real bully who actively encouraged, manipulated, and even to some degree, promoted the behavior. Under the guise of promoting her own character.
Why did I call them a Hydra support blog?
Well, quite clearly, they support the Creepy Uncle Theory that Endgame made a point to reward them with, which certainly does require the support of Hydra among other things, but I won't dive into that just yet. It's also because they sound exactly like Zola. Don't worry, we'll come back to it. But they are also quite clearly overjoyed at the idea of someone losing a job for their personal enjoyment.
This is also terrible.
Allow me to remind that this harassment and hatred was not limited to these fans, or fans of Peggy or Steggy. It also existed, to some degree among Romanogers fans, Stucky fans, and Stony fans. You know who you are. And you are certainly not excused from this behavior if you in any way participated in spreading hatred or contempt for the Staron and Sharon fanbase, or actively harassing those fans.
You don't have to like it, you can even rant against it all you like in your personal spaces. But being respectful and understanding should be the common fucking courteousy here. People are allowed to like different things from you. And they are not obligated to agree with you.
Your personal enjoyment is not worth more than someone's job or life. And it never should be.
However, the only actress who encouraged this particular behavior in full, among her fans... was Atwell.
Not Emily, not Chris, not Scarlett, not Sebastian, and not Robert Downey Jr. Some may have made tasteless jokes or even gone along with the situation, encouraging 'teams' among fans for publicity. I wouldn't label complete blamelessness in this case, but it is important to recognize ignorance over malicious behavior, which is the difference here. Because it was nothing to the extent of the tantrum that Atwell threw the moment the spotlight was no longer on her.
So let's talk about Hayley Atwell, and her involvement in all of this, the alleged actions and their implications. Let's take a deep dive into the psychology of it all, and why what she did was actually very wrong. I'll touch on the lack of etiquette and class as well as blatant unprofessionalism needed to consciously do what she did.
Because her behavior is disturbing, it is disgusting, and it has gone unnoticed for far too long. Her portrayal of Peggy makes the relationship canonically abusive. And no one noticed.
People are still defending her, and respecting her, despite what she's done. She is welcome to have a life and live it how she pleases, but not at the expense of other people. We cannot simply reward this type of behavior when it is unquestionably wrong. We cannot leave her with the power to do worse.
A good starting point in understanding what she's done would be here:
Receipts
Who one lovely sweetheart of a blogger decided to compile and I am ever so grateful for, as I'm a lazy shit~. My only regret is that this wasn't seen and still hasn't been seen by enough people, especially by those that rewarded or are even promoting the behavior still. This blogger is a very good person and that is abundantly clear, send her some love and reblog that post if you can. It's necessary more people see it. Thank you, love, you are truly a blessing. So I'm a little bias, I tend to be for good people.
Allow me to expand on it though, as I do have to mention, I have just a few minor additions and concerns. However, sources are provided perfectly, along with plenty of evidence to stand on it's own for what Atwell did. That this was active, deliberate, and intentional to hurt someone's career that wasn't herself. Allegedly.
But, let's also debunk some of Atwell's claims and mention a few other things, starting with all her claims about the relationship between Sharon and Steve. Between being 'disrespectful' and 'incestuous'.
Claims easily found in these articles:
https://ew.com/article/2016/06/06/captain-america-civil-war-hayley-atwell-steve-sharon/
https://www.hollywoodreporter.com/heat-vision/peggy-carter-does-not-approve-899860
https://www.hypable.com/captain-america-civil-war-hayley-atwell-steve-and-sharon-were-disrespectful/
https://www.thewrap.com/hayley-atwell-agent-carter-captain-america-civil-war-kiss-sharon-carter-marvel-incestuous-disrespectful/
https://www.cinemablend.com/new/Hayley-Atwell-Issue-With-Captain-America-Agent-13-Kiss-Civil-War-135197.html
https://www.bustle.com/articles/165038-hayley-atwell-reveals-peggys-feelings-about-steve-sharon-which-are-just-what-youd-expect
https://www.bustle.com/articles/165194-why-captain-america-sharon-carters-relationship-does-a-disservice-to-both-fans-steve-rogers
https://www.themarysue.com/peggy-carter-does-not-approve/
Oh, and look at that last one, including a gif of the psychotic rage it takes to shoot at someone who doesn't belong to you, because you're jealous... And of course, we love a good afterthought in which a real person is less important than a fictional story.
https://screenrant.com/captain-america-mcu-ending-problem-sharon-carter-endgame/
Did I need to include all of those sources? Of course not. Are they mostly along the same lines? Absolutely. But does it make a point of how positively this was covered as the media ran with her words to give her as much press and coverage as she wanted and promote her and only her ideas?
Absolutely...
To put it all very bluntly, I disagree with her. Why?
Well, for starters, we know that 'Peggy' had initially moved on from Steve. She'd married, had a family, supposedly loved this family and even had grandchildren. The character had always, comics alike but even in the MCU, been meant to signify and aid in Steve moving on, just as she did, from the past. It was a minor role, but still vital, and quite endearing when done this way.
But according to this, these articles and Atwell herself.
Peggy never loved the husband she'd initially married, or the family she'd made.
They were only placeholders for Steve.
According to her, Steve wasn't allowed to move on from her. Wasn't permitted to find happiness, beyond her, even though her character had blatantly stated she wanted him to in 'CA:TWS'. As proven even by Atwell's feelings towards Romanogers. Seemingly any woman that wasn't Peggy was an absolute 'no' for her. Because he belonged to 'Peggy'. I didn't know... slavery was a thing for her, but as far as I know, people cannot and should not be ownable.
Under no circumstances, even with married couples, should the people involved be considered property. They are individuals and human beings. Point blank. Period.
But let's make an exception in her case and say that this is true. Well, apparently this controlled permission and ownership extends to Sharon as well?
Now I'll ask, why is Peggy's opinion, a woman Steve had previously only shared one kiss with, had never even managed to share that one date with, relevant at all?
A woman who, need I remind you is well into her 90s by the time we see her again, is Steve still supposedly all she thinks about? All she thought about all those years? Why was a picture of... him on her desk in the 70s, as portrayed in Endgame, when she should have been married, with children, well into her 50s mind you but somehow still young, and apparently, none of her family is as important as Steve?
How is that healthy?
She was tantamount to an ex-lover at that point. Even if they had slept together, as Atwell claimed, and Evans and the writers disproved. Are people supposed to consult ex-lovers before they start dating someone else? Especially ones that get married and live their lives? Is there some unspoken rule I don't know about? Or in another sense, I wasn't aware she was also his mother and could decide for him, a grown man with a right to his own decisions and autonomy, who had initiated the romance with Sharon, what he could and could not do.
Ideally, Peggy would have cared more about Sharon, a niece she had supported in her endeavors and helped raise, rather than a man she admired symbolically and had shared one kiss with, and never managed to date. Just because she didn't get dick from him. Ideally, she would have cared more about the family she'd allegedly made after moving on from this man's death. A family, Sharon would have been a part of.
Her concerns shouldn't have been cockblocking Steve and saying he couldn't have Sharon and vice versa, they should have been whether or not he's treating Sharon right. And far more protective over Sharon, than possessive over Steve.
In fact, a good great aunt who'd truly loved both of them, faced with this situation, I would have even imagined trying to set them up, and being that scandalous older woman~, who's lived her life, had fun, loved her family, and wants to see him happy with someone else.
Because that's what true love is.
Wanting to see the person you love, happy, even if it's without you, even if it can't be you that gives them that happiness, especially if you've had to move on in your own life and can't be with them.
I fail to see how Steve moving on after she has too, qualifies as 'disrespectful'. Even if you find it tasteless that he kissed Sharon after her death. Could he have asked for her permission and blessing for the relationship? Of course! Maybe he should have, I think this would have even made it better. The difference being, a Peggy who truly cared about him would have given her blessing, not withheld it.
But what about the 'incestuous' aspect?
Well, that's also a no. At least... not technically, and certainly not before Peggy was forced back into the relationship, before Steve willingly and knowing became Sharon's uncle. And Peggy's placeholders were set aside like chopped liver. Steve was certainly in a peculiar situation that maybe doesn't look the best from the exterior, and in the original version of the comics, Sharon was merely Peggy's younger sister. However, the comparison of his situation is easily explained and understood in much better lighting with some simple imagination.
Take for example, and let's even make Sharon a more direct descendant just to drive the point home, if Steve were an ancient vampire.
Let's say... this vampire Steve has a brief romantic fling with a young and beautiful Peggy. They do not sleep together. But share some feelings, some sweet passings, and a single kiss. However, Steve goes dormant, for years and years and years on end. However vampires do. Peggy is understandably sad for the moment, perhaps upset. But she moves on. She understands, she falls in love with someone new, she has children, and her children have children, and so on and so forth. She lives a normal human life.
Steve wakes up.
And he meets Sharon. A however many greats granddaughter of the woman he was once infatuated with. But he may not necessarily know this. They look nothing alike. But maybe there's something special in the bloodline that draws them together, that draws him to her.
Oh, and by the way, this is starting to sound familiar. Ever heard of the 'Vampire Diaries'? Except Elena and Katherine do in fact look exactly alike.
Yet no one bats an eye at this or calls it incestuous.
The point being, he falls in love. And she does too. And maybe this time, he decides he wants someone to be with, to hold, wholly and completely. And he turns Sharon into his immortal lover. (There's a fic idea for anyone that wants it~!)
Perhaps this was even something that under circumstance, he couldn't offer to Peggy, or she had even rejected.
This is not incest, in any way, shape, or form. This is a man, faced with a circumstance, in which he moves on. And is happy to do so. There is nothing wrong with that.
Could it be a little strange that he happens to fall for someone in Peggy's bloodline? Sure. But it's still not incest.
Unless~, he falls in love with Sharon... before deciding on takebacksies and finding a way to go back in time just to be with her however many greats grandmother. Possibly even ensuring that his own blood is part of Sharon's, or erasing her from existence along with any of the other family that Peggy had allegedly loved.
The first one is perfectly understandable. The second one is disgusting.
Peggy makes it incestuous.
But I suppose, according to Atwell, Peggy was also incapable of love.
Not just loving other people besides Steve, but love in general. Because this is called obsession, and it's sick. It's disturbing. Can't tell the difference? Here, that should help. This one too, very informative and does a good job of simplifying this concept for the average person. And what a coincidence. Oh, and look, another. And another.
Seriously, this is what Marvel, and Disney, a modern day company that should be responsible with it's messages and stories, glorified and normalized for the public.
If you're going to write a horror story, at least say it's a fucking horror story. Or take the goddamn criticism when someone tells you it is objectively bad.
So, not only did this woman completely fabricate and romanticize a crush, an unhealthy one, and blow it up to be a real relationship along with convincing everyone of the lie, she put others down to do so in order to get what she wanted, regardless of the price that others had to pay for it. Lovely. I think her claims completely undermine and disregard the legacy Peggy had left behind, and the love she would have otherwise had for her family. I think it's a gross mischaracterization of her that misses the mark on who 'Peggy Carter' was and what she represents.
Did you know that in the comics she has a relationship with Gabe Jones? One of Steve's own Howlies no less, and a wonderful representation of an interracial love fighting for what's right, together, especially for the time period?
Where's that love story, that doesn't require Steve to be a creepy uncle for her sake and is more than just an obsessive crush and single kiss?
Why does Sharon not matter to her? Why did her husband not matter? Why did her kids not matter?
And if you're under the assumption that Steve was this person the entire time, why did Hydra not matter growing within S.H.I.E.L.D.? Why did Steve's own principles and who he was not matter to her anymore, as long as she was getting dick? Why did Bucky not matter, being tortured by Hydra for the 70 years she got to get off?
Nevermind, I guess she treated him like shit anyway, even if ideally, the flirtatious little shit Bucky was would have been the best man at Steve's wedding to her, an uncle to her kids, and the best friend that Steve had in his life with her.
Why did Sharon still not matter to her? Nor her other family which she apparently lied to? Why did young Steve not matter enough to tell the truth to? And lie about Alzheimer's no less. Why did she seem to find it fitting to lie to everyone?
Let's continue.
If that's not enough, let's talk about the cry that Steve somehow 'wasn't good enough' for or 'didn't deserve' Peggy when the kiss of Civil War happened.
Okay...
How?
Because if your reasoning for the logic of putting someone down, telling them they are lesser, and 'not good enough' or undeserving of you, is because they choose to 'move on' and not be with you, or choose someone else over you?
You are a terrible person. And I would not want to be the object of your affection.
That is deliberate psychological abuse. And if you tell anyone that sort of thing, just because they don't or can't return your feelings, you are a fucked up person. Fuck you. That is disgusting.
Do not ever tell someone this just because they can't or choose not to love you. Apologize if you ever have, especially to someone you do love. Love is not always an active choice. And this is guilt tripping, manipulating, gaslighting someone into a situation where you put them down for your personal benefit, and that is nasty, unacceptable behavior that no one should tolerate.
Call out someone's own terrible behavior if they are doing something wrong, do not jump to the conclusion that this means the person is worthless. There is a difference. Harmful behaviors can be changed. People can change and get better. We should strive to be better.
However, the aforementioned? That is what psychopaths do to ensure their control over a relationship, run if someone is doing this to you. Find a way to get out of there if you can, because that is fucked up, and no, you deserve better than that. Do not let them belittle you.
And yet, this was... completely glorified by the media, even rewarding someone who committed to this type of behavior. Especially after the fact.
How many articles are there out there that critique Endgame versus those that promote this ending and actively defend it? Giving Disney good press?
But luckily, Atwell only did it with the characters, right? It's only fictional, right?
Yeah, that's why we didn't see Emily in Infinity Wars or Endgame... That's why, even though she'd been hired for a job she had earned, they kept kicking her down the road like a bent, empty can. Worthless and usable, and not a real person at all. Why did they hire her if this had 'always been the plan' as they claimed? To disgust everyone? To make the ending as fucking shitty as it is and have people praise them for it? To publicly embarrass and humiliate her, just because?
The lack of class and just... human decency necessary to commit this kind of behavior is easily seen with a hypothetical comparison, simply with another well beloved actress I will admit might not be a fully fair comparison. But that's because this actress is amazing and not many people compare to her.
But let's take a pause and also consider the actions of Atwell's coworkers, since none of them did quite what she did. None of them... did quite what she did.
You know who else would never do this, even if she'd been playing Peggy Carter and got her show cancelled? Who realistically, wouldn't have gotten her show cancelled because she actually is amazing and would be worth watching, hands down, no complaints.
Sandra Bullock.
And I'd hate to name drop like that or put her on the spot, but just consider it for a moment. Sandy B. as Peggy Carter. Already, beautiful, elegant, amazing, maybe a bit funnier, compassionate, kind, and playing the part of the loving aunt for Sharon perfectly. Even more comic accurate probably! Sandra Bullock would never take time out of her day for any reason, to put down one of her costar's characters and talk trash about this character and the relationship she's in with another character... Ever. Period.
She has class, grace. And she's a truly, genuinely good human being. In fact, I would wager to say, she'd make jokes about it to promote the relationship. As the crazy aunt who's constantly trying to set Steve up with someone new, probably her niece, and embarrassing the shit out of him. And that image is just fucking adorable.
Can you picture it? It's pretty amazing, right?
Now can you really defend Atwell's actions knowing they could have been avoided and a real person, real people, not hurt with them?
I guarantee this ending would have never happened had someone at least like Sandra Bullock been cast as Peggy Carter. Even if she did happen to 'ship' Peggy and Steve more than she did Sharon and Steve. Even if she did 'joke' about it. Especially when there's a point the jokes go too far. And I'd wager to say, she'd even focus more on helping Emily VanCamp, than putting down her character and sicking her pack or rabid bullies on her to try and get her to kill herself.
What the actual fuck has to be wrong with someone to do something like that. Even without giving the direct order.
And sure, maybe fans do ride the crazy train a bit to much. But the least we could expect from Bullock would be a public statement regarding the behavior, and letting fans know that she doesn't condone it and would want them to stop.
I challenge you to find anything along those lines that Atwell could have done. I tried.
And there was nothing.
Let's continue with the character analysis and talk a bit about the implications of this ending.
So far, we know Peggy hated Sharon, her own niece, that she 'owns' Steve and has all rights to his autonomy and decisions, doesn't care about her husband or family if Steve isn't somehow part of it, and would label Steve 'unworthy' of her if he somehow decided he loved someone else. Not just Sharon, but anyone.
Let's also not forget this is a woman who shot at him for having kissed someone else in front of her. When they weren't together. Would you want and choose to date someone who shot at you for doing that?
I mean, I suppose I don't personally know you, maybe you're into some kinky shit. But that doesn't really seem to healthy to me.
Let's talk about little Steve and Erskine, and the promise Steve made to him as well as himself. His character development over the movies and what this ending requires not just of him, but of Peggy too.
From the first movie, we know that even when Steve wasn't capable of doing more, when his body didn't permit him to, he always wanted to do more. Erskine in his dying moment asked him not to forget his heart. The man that would choose to do good above all else. To help those around him that maybe couldn't help themselves. This is an invaluable lesson I think we could all learn from, within our capacities of course.
Bucky even tried to stop Steve from hurting himself, because he worried about him. And then followed him because he admired what the little guy... had always stood for. And against.
“I don't want to hurt anyone. I don't like bullies, I don't care where they're from.”
By the end of the film, Steve has lost someone incredibly dear to him that he grew up with, Bucky, and makes the decision to save thousands of lives that would otherwise be lost over his own personal enjoyment. Because it's the right decision. And he tells Peggy it's his choice. He doesn't hesitate. He doesn't expect to survive, but he keeps his promise to Erskine above all else, and stops Hydra, or so we think.
We later discover Hydra has survived all those years through Zola. Growing in S.H.I.E.L.D., under Peggy's watchful eyes... holding Bucky for all that time.
With the addition of Endgame's Creepy Uncle Theory, that little tidbit of the story, we've been given two interpretations. There's also a lot of lines that lose all meaning, from Steve, Peggy, and Sharon.
“When I see a situation pointed south, I can't ignore it.”
“Sometimes, all we can do is our best, and sometimes the best is the start over.”
“She kept so many secrets, I didn't want her to have one from you.”
“I don't know, the guy who wanted all of that went into the ice 70 years ago, I think someone else came out.”
But let's go back to those interpretations, both of which require someone to suffer on Steve and Peggy's behalf for a minimum of 70 years. Apart from becoming a creepy uncle who apparently had been only using Sharon as a replacement for her. And of course abandoning everyone who loved him just to get laid. This may not be easily seen or understood at first glance. But it is easily explained and should be painfully obvious.
If Steve is present in the main universe that entire time, choosing to do nothing, he has:
Abandoned Sharon.
Abandoned his family, the Avengers.
Abandoned Bucky.
Abandoned the principles he lived by and thrown away promises to all those he held dear. Including his promise to Erskine, who gave him that power to do more to begin with.
Left Hydra undisturbed and even prospering under his beloved wife's organization, allowing people to die and suffer, including Bucky who we know is tortured and in and out of ice for those years.
Be perfectly happy with the sexism, racism, and just general bigotry of the time period. Something that at least comics Steve Rogers has been proven to hate so much, he actively made himself go forward in time permanently, after only saving Bucky, because he couldn't stand it. No amount of Peggy to fix the situation for him. She's also never mattered as much as any other love interest to him. Not even Blind Al, that one's obscure~.
Be perfectly happy to do nothing while a situation is pointed south, even though he has previously stated incapable of doing so? While he knows what will happen or that people are suffering and dying for him and Peggy, what he will do to Sharon, and just completely and utterly not giving a shit.
Huh... Well, none of that sounds 'good'. I guess it also means he completely regrets his decision to save all those lives and sacrifice himself. A decision... I assumed he was the type of person to be able to make more than once if necessary. Because it was who he was. And supposedly, what Peggy even respected him for. I assumed Peggy would have also respected this decision, not backtracked to make him actively do the opposite of this very thing for 70 years. Possibly even... if we're to believe Hydra is allowed to run rampant all those years, potentially thousands of lives to be killed on his behalf instead.
Huh, I guess it was a pointless decision.
“We don't trade lives.”
Right?
And we're supposed to believe Mjolnir, a tool essentially measuring 'selflessness' and humility, purity of heart, 'worthiness', would be perfectly fine with labeling this behavior as 'good' as well.
That just seems like a pipe dream for every sod who can't get laid and has a backwards moral compass, but let's not dive into that.
Despite the fact that he's also abandoning all sense of self and is nothing more than a mindless puppet at this point. Through 'Steve Rogers' choosing this ending... he is actively doing wrong, and knows it. He is actively allowing Hydra to prosper, and... essentially...
Proving Zola right.
“We won, Captain. Your life amounts to your death, a zero sum!”
Familiar now, isn't it? But I guess every message we learned about Steve, in light of everything, in light of Peggy, is meaningless so long as he's... getting laid. Or 'happy'.
That doesn't sound fucked up at all, being perfectly okay with people suffering on your behalf. But I suppose it's no surprise that the people who love Atwell so much and are perfectly okay with her behavior feel the same way...
And here's the thing, I don't think 'Steve Rogers'... the real one in context of his story anyway, would be happy in a setting he needs to let others suffer on his behalf, and ignore their suffering, in order for him to be happy. Looking at his character just over the previous movies, I'd say this would in actuality be literal torment for him.
Spidey gave a perfect rendition that completely embodied everything Steve Rogers stands for and had stood for in those movies.
“When you can do the things that I can, but you don't, and then the bad things happen... They happen because of you...”
What a coincidence. And another important message.
If you actually think a man like Steve, a first responder by nature, who always seeks out the goodness in others and wants to help people, would suddenly sit on his ass and allow people to suffer for him? When he couldn't even do this while too small to make any real impact?
You are delusional. And it is disturbing that you would somehow label that as 'good', as 'cute', as 'healthy', as 'right', as 'true love'. As 'happy' for him.
This is a man, forced into retirement, under the 'guise' of a 'choice', when in reality, it is atrociously horrible writing that disregards anything about who he was and what he stood for. That had he been real, this would have been a disservice to him and is certainly one to every important message the character has, and the history behind him. He would have been stuck in this world. Trapped, and held back from doing anything. By someone who supposedly 'loves' him?
Love doesn't hold people back or hold on possessively like a fucking parasite, it sets people free.
Why would she do that to him? Why would she sit back and assume all of those things are 'okay'? How? Why would anyone want her to??? I thought Peggy was supposed to be a good character inspired by upholding his message. Did she break the vial? Did she keep him in her basement? Did she tell him to sit on his ass and 'look pretty' while she did all the work? A fucking horrible job I might add, if she just lets Hydra run rampant and kill Howard for her sake. How is someone like that admired as a 'good' person?
Nothing about this is 'good'.
This ending is not 'beautiful'. It is a horror story masquerading as something 'pretty'. It is an abuse story being normalized to a vast and unknowing public. At best, a horribly irresponsible message to send the public... and at worst... a reflection of what's wrong with society as a whole. Possibly with ulterior and deliberate intentions.
In order for this ending to happen, Steve Rogers must cut ties with his family and abandon all he loved, loves, lives for, all sense of self... all for Peggy, and solely Peggy's, satisfaction. Seems oddly... familiar to a certain situation his best friend, who seemingly means nothing to him, happened to be in... for 70 years.
Let's reverse the roles. If Steve had been a female to do this for a man's sake? The first thing people would notice is how unhealthy the relationship is. How obsessive it is. How harmful it is. And how disgusting the normalization of it is. In a media that has a far reach and should be so much more fucking responsible with the messages they send their viewers.
Knowing that there are so many sacrifices, ones that shouldn't be made, and that every sacrifice comes from Steve's end, would you willingly call this relationship healthy? Beautiful? 'True love'?
When in reality, they'd only shared one kiss, and never dated?
Yeah. Seems legit.
On the flip side, you have that other interpretation, right? The one where he's in an alternate universe and lets his Peggy live her life with another man, but steals this Peggy both from her future husband and himself.
You'd think it gets better, right? I mean he can fix this universe in full, he might fuck something up and we might consider it a bit irresponsible to play with timelines like that, but he can always just go back if it goes too bad. He's earned it, his shot at this life, still disregarding Sharon and now... a version of himself. A Steve still trapped in the ice. Still suffering on his behalf. While he lives out his life with supposedly this Steve's girl, this Steve's Bucky, and this Steve's entire potential life.
Oh, and apparently this Peggy really doesn't care about the Steve trapped in the ice, since she's also fine with a replacement that's totally different from the one she knew~! That's not weird or fucked up at all.
Leaving him to wake up, alone, in the future having known the life he wanted was knowingly taken by someone else. Someone selfish enough to leave him in the ice. Bucky's alive and safe from Hydra, yay! Apparently... no version from this alternate universe is worth giving the shield to though. So I guess Steve ultimately didn't love these replacements as much. And of course, this is assuming Steve doesn't also just leave this universe as is for everything else terrible to happen.
This is assuming he gives a shit at all. Because if he had?
Tell me why... defrosting the alternate Steve to live out a life with his own Peggy, to at least make sure one of them got that 'happy ending', could still do good, without abandoning anyone, could kick ass, could fix everything in this alternate timeline, maybe even with a few tips from this time traveling Steve, somehow wasn't acceptable compared to 'Steve Rogers' actively and willingly doing, and allowing terrible things to happen, and abandoning everyone else who loved him.
Once again, cut off from his family and replacing them all with clones.
This is supposed to be better?
Did he ever really love Peggy, or just the way she looked since any identical twin happened to work just fine?
Tell me why, if Chris Evans just wanted to stop playing the role, Steve going back for just the dance and asking for Peggy's blessing to marry Sharon, presumably after they'd actually made an effort to develop the relationship, presumably after Peggy has made her peace with loving someone else, and then coming back to not abandon his family or any of his principles or promises he made, or just who he is in general, and proposing to Sharon with Peggy's blessing and understanding, wouldn't have been better and more respectful in all ways?
With the characters, with their history, with their messages. Tell me how it wouldn't have been better to simply have him out of the spotlight and training recruits, but still actively being who he was and doing good somehow couldn't have been acceptable?
There, I can write a better ending than those quack professionals Marvel hired. Simple, easy, done. Where's my fucking job~?
Instead of demolishing every part of who he was, using an anti-bullying character... to reward bullying no less?
Even if Evans wanted to retire or would have made a decision like this, doesn't mean Cap would have ever even remotely done something similar. At least not a good version of him. Upholding the symbolic moral message the character presents would have been easy, but they were too stupid to even try.
Tell me how this ending doesn't disrespect a previous almost 60 years of an established comic relationship, a relationship need I remind in which Sharon was pregnant with Steve's child, one sadly lost, and later shared an adopted son with him. A relationship, that should they disrespect and retcon for Peggy's sake, will only serve to make Steve Rogers seem like a terrible person with no sense of loyalty to a woman he supposedly loved and has spent a good chunk of his life with. As opposed to sharing one kiss or brief romance with. For all intents and purposes, Sharon being his common law wife.
Ironically, the very thing Atwell claimed this relationship did in the MCU, despite the fact that her character only shared a single kiss with Steve, canonically. And she lied and actively manipulated fans into believing it was so much more. When... watch the movies, it wasn't.
Tell me how this ending doesn't disrespect the characters, including Peggy, and the messages they have conveyed, the convictions they've held over the years of their history, and the symbolism which I would argue is much more important, that they represent. Tell me how it doesn't somehow disrespect and belittle Bucky, Erskine, the idea that Howard was Steve's friend, or that any of the people Steve loved actually mattered to him, beyond Peggy.
Beyond getting laid. Because deny it all you want, that is what this ending boils down to. That is the only reason it exists.
Or, actually, I'd wager it also exists to actively squash the importance of the messages the characters convey.
Here's an idea. Johann Schmidt and comics Hydra Cap both have more conviction and loyalty to their cause than EG Cap. And Schmidt post IW/EG arguably causes less harm than EG Cap actively allows to happen right beside himself, because Schmidt is incapable of doing much as the stone's guardian.
And at least Hydra Cap made sense within the context of his storyline.
Prove me wrong.
That's the sort of Cap you have to support to like this ending. Hydra complacent, bigotry complacent, and completely castrated, or at the very least, willing to replace everyone he loves with clones while he takes an alternate Steve's life. Frankly, that's not a Cap I think anyone should support. And I don't think any fans, especially Peggy or Steggy fans should be somehow proud of the fact that this is the sort of 'Steve' that Peggy gets.
I mean... I suppose it is in fact the kind of Steve that sort of Peggy, equally complacent and horrible, would deserve? But that doesn't really stop it from being gross, does it?
Is that really what you'd want as a fan?
I've mentioned that Atwell's alleged behavior is inappropriate, excessive, disturbing. And I'll also mention, this kind of obsession for fictional characters is unhealthy. So why did she do this? Why the behavior at all, why did she go out of her way to essentially hurt Emily, discreetly of course, without people noticing? Why all the manipulation?
Well... it gets worse. And this is certainly where that allegedly becomes very important.
Take a moment to think for a minute about who benefited from this ending and how.
Atwell, most certainly, at Emily's expense of course. At the expense of fans. And an actual well written product we wouldn't get immediate buyer's remorse from. And of course maybe one that doesn't insult our intelligence?
You could assume she simply wanted money. Though somehow... that doesn't really fit. Maybe spotlight? That makes a little more sense, though just as bad. It's seedy, it's spiteful, it's uncomfortably close to a bad Harlequin manga villain. If you've ever read one of those.
They're based off old trashy romance novels if that gives any reference.
Except... what if you replaced every instance of 'Steve, Sharon, and Peggy', with instances of herself and Chris? With the names, 'Chris, Emily, and Hayley'.
Except Emily is happily married now, and can easily identify the difference between a romantic interest in her work, and in real life. Can easily discern a job from her private life. Because that's what a good, stable, actress or actor can easily do.
Suddenly, the situation takes on a very different meaning.
How creepy would that have been for her to do? Along with easily dismissed by the public.
Keep in mind, this is a woman who publicly admitted to, and even in plain view, groping this man, multiple times, without his explicit consent because she 'couldn't help herself'. Okay. Big deal, right? So she touched his 'man boobs' a couple times. He laughed it off, it was all good fun. Why would he complain, it's different, men shouldn't be complaining about being touched without their permission by beautiful women. Despite the fact that they're not, nor have they ever been, in a romantic relationship together.
It's perfectly appropriate for a woman to grope a man as she pleases, whether he is in a relationship with her or even other people, or not. He can't feel uncomfortable because of this, only woman can. Why would he ever be uncomfortable about it, and if he was, he would have said so. He loves her, they're friends!
Let me know if the hypocrisy needed for that logic is falling through the cracks here, because that seems like a dangerous double standard to set.
You shouldn't be allegedly or otherwise, touching or really molesting, in her own words 'groping', anyone publicly and suddenly, especially without their consent. But let's assume he was okay with every single time it had happened. Okay. Sure. Fine. It's his body to decide with who can touch him like that, who can invade his personal space and how, right? And besides, he loves the attention and being objectified by women.
That's clearly why he'll make an effort to actually call out and put people on the spot who pretend to talk to him through a faked photoshopped encounter, right? Clearly why he absolutely hates that.
Now let's assume he wasn't.
Why would he ever admit to that if the response we can expect is that 'he's a man, so he should be okay with it'? As if men somehow don't have a right to their own bodies or can't be sexually harassed and molested, abused, raped, you name it. Objectified maybe? Why would we be suspicious of the behavior or tell someone that it's wrong, without the full story even though it's happening in our plain view?
Playfulness and comfort between friends is one thing, boundaries between them is another, and friends can still cross boundaries they shouldn't. Sometimes they do. Consider the fact of a known straight man and a woman who is attracted to him, and suddenly the implications change. The man, so far, has not shown even remotely the same attraction.
But why would we suspect her behavior would entail anything other than support for her own character that she played, and the ship she was a part of, which had been respectfully written out of the story and made to move on? It's not like she was actively dragging down a woman, a real person, another actress that essentially got in her way, and the part she wanted to play. Kissing Chris Evans.
It's not like she claimed she'd be the best choice for Sharon's actress in blonde wig before Emily was cast. Oh wait...
Was that in that little blog sourcing everything she did and claimed? I can't remember.
And this is all speculation of course. But I think it's very important speculation. And especially, is a reason to be suspicious of everything she did. But I of course can't read her mind, only look at what she did do and what there's proof of. Allegedly.
Seems like an extreme extant to go to to to get an extra kiss from an actor, right? An actor who, mind you, dated other people, not her, and seemed to ultimately choose his dog over anyone. And of course, since we're speculating.
Under the pretense that 'Peggy' gets 'Steve', 'she' got the 'man' that everyone else wanted, right? She lived that fantasy, married him, and had kids with him, and everyone else is just jealous of her. The characters are meant for each other, she can take no blame in what's done with the characters.
Except when encouraging hatred among her fans and negative press for the company and story so long as it doesn't revolve around her.
In this light, looking at the facts, her alleged behavior is extremely creepy.
When you consider the fact that Evans suddenly, and I mean suddenly wanted to quit playing the character, seemingly out of nowhere when just a year before still wanting to do so, and at the same time, he admitted to loving the idea of continuing to play Cap, and even the prospect of doing a movie with Deadpool and Wolverine. Something that would have been brilliant by the way, and I lament that it apparently won't happen every day.
Source
Yes, there is a very special relationship there, read a fucking comic~.
Let's consider the fact that Evans said this about his 'final scene of Endgame'. To sow just a little bit of discord. Of course, there's no guarantee that this scene had anything to do with that one he shared with 'Peggy'. Speculation.
Let's assume it did. Let's go beyond and say, Hayley was the entire reason Evans wanted to quit. The entire reason he wouldn't fight this, and was done playing the character. Let's assume this was the last straw for him, and that he quit just to get away from her.
Allegedly.
Let's assume for just a moment, he was no longer comfortable or happy around this woman. And she was breaking him down. Let's assume he was just tired of all the bullshit, had maybe even seen it for what it really was, was even creeped out. And decided, sure. 'I'll keep my mouth shut... as long as I don't have to deal with her'.
We can also assume he's being... strongarmed into silence somehow, either by the company or by her. Maybe I'm going out on a limb here, but that man hasn't looked the slightest bit happy as of late, and it's noticeable in his interviews. Maybe there's a reason for that. But maybe this idea is pushing it a tad too far, let's take a step back for a moment and remember the simple fact that this is speculation.
Based on alleged actions and circumstantial evidence.
I could absolutely be wrong and I am willing to admit that.
If Chris Evans wanted to call me out on this, correct me about Atwell and her behavior specifically towards him in this regard, I would welcome it. Even if he managed to prove me wrong about the bullying, provide an article or interview of some kind that does in fact prove her innocence, I would be more than happy to take a look at it and retract everything I've mentioned here regarding her, and her behavior. Even delete this post, and publicly apologize to her.
I want to be wrong about this, because it is fucked up, it is creepy, it is something he should not have had to, or have to ever deal with. It is not something Emily should have ever had to deal with, let alone the fans.
Nor is it something that we should simply tolerate and accept from Hayley Atwell. From or towards anyone.
Chris Evans is a human being. Emily VanCamp is a human being. Both of them deserved the utmost respect from Atwell, along with everyone else, neither of them received this from her. Allegedly.
The messages conveyed by that rottenly horrific ending can't even begin to compare to how important this simple fact is.
Real people were hurt. Bullies were rewarded. This should not have happened. We cannot simply allow it to happen now, or in the future. We cannot simply allow more harm to be done, with the continued bullying from that Hydra Support Group I mentioned, and their continued attempts to get Emily fired and Sharon removed from the comics.
That they quite clearly don't give a shit to buy or even read.
Why is this important now, of all times, during a pandemic that is keeping us all indoors with nothing better to do?
Well for one, I'm indoors with nothing better to do than come across bullshit like this. There's also something to be publicly said about female abusers and how important it is that we start to recognize when these situations might be happening. Whether from a man or a woman. And whether to a man, or another woman. If she didn't hurt Chris, she certainly didn't hesitate to hurt Emily.
I have friends... that were living their lives off of the messages Cap taught and inspired in people. Good friends, good people. And maybe it seems silly to linger on something like that, but I can say first hand it is heartbreaking to watch those people get that same inspiration, those same moral messages ripped away, and stolen from them.
And be left struggling with trying to hold on to those messages, but try as they may, not being able to. And then come a few epiphanies, a few discoveries.
This shit. The bullying. The behavior, the fact that we as fans were given a normalized abusive relationship, and told it was somehow good, somehow just, somehow right. That that's the message we are being given in place of everything else...
I had a friend have a panic attack because of this ending, after she tried to rationalize that it was okay, that it was 'sweet', and 'cute', and understandable. Because it hit a little too fucking close to home for her, and now she just relives that, remembers it with almost any part of what her favorite thing in the world was. And that is horrifying to know...
“I helped support this. I gave them money. I dedicated years of my life to following this.”
And it goes so much more beyond regretting that decision. It goes so much more beyond being able to simply move on and somehow keep those symbols, or at least the core messages beyond them and disassociate them from the characters when you can't escape reminders of it. When you can see so incredibly clearly what it really means, what really happened, and everyone else around you just accepts that something so fundamentally wrong is something right.
Here's a question, can you sue a company that's so profoundly built an empire, so embedded itself into your day to day life that you can't escape a personal trauma being reminded of it in something you paid for and actively support for years from this company? Does that count as some form of being publicly irresponsible and projecting harmful ideologies?
Is that something someone can do, or is it just something a 'Karen' would do? Would the sheer evil it takes to become that type of person, to dawn that haircut and demand to speak to a manager be worth it in the end?
“What did it cost?”
“Everything...”
Yeah, it really fucking did.
Oh hey, by the way. Hayley Atwell is definitely a Karen. Just thought I might point that out. Why else would she throw a massive tantrum to get someone bullied out of a franchise because she's not getting her way or the spotlight on her? She's just an evolved one.
Allegedly.
I am all for people policing their own content and being respectful of creators, and understanding that fiction is different from reality. Not every concept will be stomachable or enjoyable by absolutely everyone. Horror in itself is a perfect example of that, especially psychological horror.
I can also say without a doubt that I hate knowing that the people I care about are so heavily affected by something they had initially used to make themselves a better person, that should remain fictional and symbolic but just somehow forces itself to go beyond that.
I hate knowing a corporation could be so irresponsible that this is the message they get billions of dollars for, that this is what they give to the public, that this lack of care or even noticing what they've done and who they've rewarded, and the continued behavior...
The bullying, and despite every piece of criticism screaming at them just how fucked up this is.
But no, they can't take two fucking seconds, to think 'maybe we made a bad move and shouldn't stick by this considering what it's done or is doing to fans'. 'Maybe we should be more responsible with the power and influence we happen to have'...
Except they knew.
“It might end the whole franchise.”
What kind of context am I supposed to imagine for those words. Especially in light of a franchise that had a multitude of plans to continue.
What the fuck does that mean?
And isn't that the most piss soaked cherry on top of this shit cake?
Hayley's words in the interview represent how little she cared about the character, about the franchise, about the fans, or the messages conveyed, as long as she got what she wanted.
And she did.
Publicly... adored... psychopath.
Allegedly.
Cap's core message is something so incredibly vital, I believe, to this world. Especially in these times. Especially when it comes to making progress.
“Doesn't matter what the press says. Doesn't matter what the politicians or the mobs say. Doesn't matter if the whole country decides that something wrong is something right. This nation was founded on one principle above all else: the requirement that we stand up for what we believe, no matter the odds or the consequences. When the mob and the press and the whole world tell you to move, your job is to plant yourself like a tree beside the river of truth, and tell the whole world –"No, you move."”
Especially in a world that will actively tell and show us that human lives aren't worth a dime a fucking dozen to the people we let control our world. Especially when we should be telling these same people.
“No, fuck you, that's wrong.”
And yeah, that fucking sucks. It fucking sucks to have family that is vulnerable to something potentially deadly, to be vulnerable to it, and have no control over that. It fucking sucks to know people you may trust will not even give a shit. And it is fucking hard to keep hope when everything around you just seems to be falling apart.
And you can't do a damn thing.
But this message teaches us just that. To not lose hope. To not lose faith. To keep fighting for what we believe in, and make things better. Isn't that the whole point of criticism? Challenging ideas, beliefs, so that we can discern right from wrong and have a better understanding of what that might be? So that we can improve? What a hell of time it would be to have this message with us. What a hell of a time for us to need this message, now more than anything... and not have it.
What a hell of a time for someone to willingly quit portraying and sending that message... Though I can't say I'd blame him, he's only human, it's a heavy burden to bear, and if Atwell really did do all of this just to kiss him... Allegedly.
Well, I'd wanna get away from her too. Provided it was willing at all. I get mixed signals from that guy. And trust him about as far as I can throw him. I am a weak bitch, so that is not very far... But... professional liar, so.
He could also be the world's biggest troll, cause I don't believe for a second he didn't know how fans would react to this. Which... biiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiitch. But also, RESPECT.
And also, BITCH! Be serious for a goddamn second, this is fucking important!
But this message also teaches rebellion.
What a hell of a message to publicly squander in order to keep people complacent, for the sake of pretending someone gets a 'happy' horrific ending, finally getting laid. Like neither of those things were something that couldn't be found in the future while still preserving the legacy of the character.
Right?
Ironically, it was a message they had helped to represent with Sharon, and still there's the issue of her and fans being publicly bullied and disrespected, once again, a real person, people, for Atwell's sake.
If we only surround ourselves by those that tell us what we want to hear, rather than the truth, we can only stagnate our growth.
If we only care when we are finally forced to face the problems evident, can we really call ourselves virtuous?
If we do nothing knowing something is wrong, what does this say about us?
I'm just as guilty in not noticing these sorts of things as they happen until it's too late, but I'd like to hope I'm getting better and paying more attention, and that we can still do better.
What's the point of all this, and what can we do?
As I said before, I do not want to cause harm. I do not want people to go and harass anyone for alleged wrong doings or behavior of any sort. I do not want people to lose entire jobs or livelihoods over this. But it is clear something is wrong, and we certainly need to right it. I also don't believe any of the parties involved are somehow beyond redemption. Even Hayley.
If Marvel had any sense, especially now, they would retcon this, however necessary, first off. They don't even need Evans to do that, they can do something as simple as making a comic that undoes this nasty ending and saves Cap, and the other characters, from being made into an empty shell and castrated version of himself. Or at least make a solid plan to and very publicly apologize to Emily for the situation and discourage such behavior among their fandom. Hayley would do the same, not just to fans but especially to Emily, and maybe even Chris.
If you ever participated in this behavior and now understand that it was wrong, I would encourage you to go give Emily your love and support and apologize to her for this mess and what she had to deal with on behalf of fans. She deserved far better. She still deserves better.
If Hayley refused to acknowledge or even publicly address this? Or Marvel, Disney for that matter, well it would just go to show that they'd want it all swept under the rug instead of being held accountable for what happened. Something that's certainly a disrespect to Walt Disney , as he was able to make amends and admit to his mistakes publicly, and it's a stain on the legacy he left behind that the current Disney can hardly be bothered to.
And yes, believe it or not, there's a way to not let them do this without aggressive harassment.
My first suggestion is meme the shit out of it. Be an absolute troll and make a joke of this giant fucking joke of a company that can't even put two and two together for basic story elements. To an extant that will publicly embarrass them for sure, be relentless, but don't send hate.
Just show everyone the clowns they are~.
I've been told this can also be a bit mean though. And clearly, we can't simply let them forget it or forget it ourselves.
The second, ask questions. Simply ask for this to be addressed, try to get it noticed as best you can. Send them this across as many platforms as you can to as many people as you can. Or even just the smaller blogs I linked. Repost, reblog, and share this as much as you can and make it something they can't ignore without sending them direct hate and harassment. Copy and paste or just send a link to this in a concerned email to the corporation. Make sure their offices are absolutely buzzing with the news. Ask, don't demand, your favorite MCU actors to publicly speak out about this, please. Keep asking until you get some sort of response.
Without being rude.
Because it may take time, it may take effort, but it is important, and it certainly should be addressed. And never allowed to happen again.
As for Atwell and her bullies?
Well, first let me congratulate her.
She played herself. All those jokes about turning Peggy into a supervillain and that's exactly what she did. With her own wants and desires, not Peggy's.
But otherwise be kind, be courteous, and hold your grace and elegance. Treat her with the same respect you would want for yourself and do not stoop to her or their level. Do not insult her. Ask her, 'what's wrong'? Ask her why she did this, if she's okay. Ask her to stop, to speak out about it, to address the situation and to understand why she didn't do it sooner. Ask her if she's seeking help for whatever psychological issues she may have that would push her to do something like this, wish her well, and tell her you hope she finds the help she needs and learns that what she did was wrong. Let her know you're disappointed if you're a fan.
She definitely shouldn't be allowed to keep relishing in the reward and aftermath of what she did, and she definitely owes Emily, and possibly Chris, an apology for all the bullshit she encouraged and did. Her behavior, allegedly, is fucking creepy.
But she's still a human being, behaviors are correctable.
Simply address the fact that it was wrong and ask her if she understands that. Also maybe that... public molestation isn't okay? Allegedly.
Do the same for her bullies, if they are rude to you, simply tell them:
'Oh... you support Hydra... you're entitled to your opinion, but I'll have to disagree.'
And leave it at that. Just take comfort in the fact that you can recognize an abusive relationship and don't support it. You cannot force them to change their minds if they don't want to, do not antagonize them or potentially bring harm to yourself by doing so. And yes, that is admittedly a bit mean, a bit trollish~, and the reality is they probably don't support Hydra... But they also kinda have to to support this ending somehow.
The writers 'confirmed' Hydra Trash Party as canon while the directors 'confirmed' everyone in Steve's life being replaceable.
And he still becomes a creepy uncle while someone needs to suffer on his behalf for 70 years.
Fantastic~! I'm accepting neither and I give you no money until it's fixed! Because it's gross~!
If this situation is addressed by everyone involved, and any allegations and speculations I've made are in fact proven true, but let's say Atwell still publicly refuses to admit to anything she did or apologize to Emily. Even if Disney does. Well, she'll be proving exactly what type of person we suspect her to be. And only then would I consider it acceptable for the company to completely erase her from the franchise in turn and blacklist her from what they produce. Some people might consider that too nice, I think it's reasonable, you're free to disagree.
Not necessarily her character though, Peggy has actually done nothing wrong on her own, she's a fictional character best represented by good writers, and malleable according to that. And I would certainly even encourage much better character explorations and portrayals of her. But Hayley herself, who would then become pretty much a poster child for harassment and bullying, and defending psychopathic behaviors...
Allegedly.
If people try to silence you, ignore you, keep trying, keep spreading the message, keep going as much as you can, until we manage to get this addressed and the situation finally corrected.
Do not support the company, or actress that refuses to address this. Do not support people that do terrible things without holding them accountable. Do not allow them to simply get away with it, but do not lose your own humanity for their sake.
I know first hand how fucking hard it is not to lose your shit when shit like this happens. And nobody notices. But I guarantee, throwing a fit of rage will get nothing done, and they will try to use it against you.
If they manage to prove me wrong in any regards? Great! I will be fucking overjoyed! I hate the idea that evil is actively happening in the world and people do nothing about it, don't you?
And a friendly reminder.
You are not in anyway required to purchase anything from Marvel, any of the actual bullshit content and harmful ideas they refuse to take any criticism or responsibility for. You are not obligated to them just because you are a fan, and you do not owe them anything. If they want our money, they can earn it, but you can definitely get your fixes of good creative content elsewhere, and even support other artists. If this is what they provide, you do not have to support them. You can make your own. For free. And enjoy what others make for free. For any and all people part of an intricate creative community, fan fiction does not just have to be trashy romance or gay ass ships. That is a huge chunk of it, I won't even bother lying about that, I'm under no illusions otherwise.
But it can also be just simple storylines based off what canons you like, simple fan comics that maybe present a different sort of story arc you aren't seeing developed and wonder where you might go with it. It can be action, scifi, fantasy, horror. It can be any sort of fusion that you would enjoy. It can even be insanely good or horrendously bad! It can even be original fiction! And yes, you're more than allowed to publicly critique and parody the work these companies sell you, go write ahead~, and make a point of making something better. Because you can.
Or it can be shipping wars and nonsensical shit and trashy romance and smut. Again, no illusions that there's not a whole lot of that shit.
Or crack. Lots of crack fic.
But the beauty of it is that it's up to you. And you don't owe anyone anything because everything you get to make is free. But keep in mind that goes both ways in this aspect. For you and others, and I'd wager to say there are a lot of writers out there that can definitely do these characters and their messages a much better justice than the disservice and disrespect Marvel has given them and the fans. Especially as of late.
Lastly, especially in these times... do not lose hope.
Do not lose faith in the message Steve Rogers stands for, or in the hopes things may get better. For all of us. And for the character? That he may just yet be saved from quite plainly, all the bullshit. That any of your favorite characters might be given better treatment down the line. And if not?
Save 'em yourself. Make it better yourself. And make it known, no matter what happens, no matter what they do, these messages can't be squandered or destroyed. Hold them dear, and don't accept anything less than them being upheld, no matter how it's represented.
Particularly when you're paying for it. Don't harass small time writers that write self indulgent bullshit for free. Just police your content accordingly, please.
But the message?
That's what's important.
In conclusion?
'Logan' was the better movie. Hayley turned Peggy into 'Monika' of Doki Doki Literature Club. And Chris Evans chose his dog.
“I don't like bullies... I don't care where they're from.”
;)
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zorelle · 3 years
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ZO! (can i call you Zo?) ¿Cómo te sientes con este desastre de los libretos? ¿Estas bien? It's been hard on lots of people so i thought I'd check in <3
Ay que bella que eres. 😩💕😍
Pues primero me reí mucho con que Justo a las horas de hablar salieran fue como mmm que putas, quien soy Adam Sandler en la película esa dominguera del control remoto (aaa) o en la de los cuentos de dormir. Soy Adam Sandler. Y luego pues vi lo que mostraban y me dio una patada de amargura al pecho full.
Estos mensajes se publican vdd? Should I speak in English? How many people here speak Spanish? Anyway. Long rant.
I felt like shit. Then I decided to stop looking at them cause it was making me sick. But it just gets me everytime yknow, I didn't even watch the show when the finale aired like I felt the disrespect even when I didn't know the characters and entered the fandom because of that rage, my original motifs weren't coming from any knowledge of spn and the characters but from anger about poorly handled representation in the media and wanting to discuss queerbating but I got in the rabbit hole I guess and fell in love with the good spn, the deep amazing version that the fandom explores so thoroughly and the coded messages people in the crew implied from the inside that makes it all so compelling. And so... now it's clearly the worst finale to think about, it's like a fresh wound all over again, isn't it.
Like the cruelty with Eileen gets me with those scripts, to have built a relationship but not committing to make it endgame and choosing to have blurry wife, that's so awful. It's just so awful. And you know. To kill off your suicidal protagonist IN THE MIDDLE OF A PANDEMIC.... What the fuck man what's the message it's all just so fucked up I wanna cry again. Why do that... That is so irresponsable and it reads so much like better dead than queer idk... and obviously and most painfully
😑. The [OMMITED]
Waaaa like I laugh at the jokes n the memes but Cas was a lead, was the recently established queer character and they purposefully DID THAT TO HIM this is all so fucked up its just so mean and blatantly homophobic like there's no other way to read it. God how can anyone be like that in this day and age. I was fuming yesterday as I am today and everytime I remember, but yesterday I didn't even want to talk I wanted to break things I had thisanger induced permanent hot feverish feeling in my face I had to take several breaks during the day. It was awful honestly. I feel better today.
How are you? How do you feel? Como te fue con eso? Sabiendo además que lo llamamos ajajaja como ay de pronto sale algo en los guiones :3 JAJAJA NO SABÍAMOS NADA.
Now I'm thinking I don't want anything new to come up. Not if it's like this, I decided to just bury myself in fandom fix-its and fanfic and just... What I really would want is to have a report or something saying the CW is going bankrupt lol that they lost half their viewers because of this or that they somehow regret it or want to fix it but everytime something comes up about them is shit like this.
I'm patiently waiting for your fic to continue and plan on taking your words as the fuckery-eradicading truth.✨
Also did you see thee @northern-sparrow is writing a fix it too? 🙊 It's called a glimpse beyond and like yours it's a WIP. I'm so excited about them aaaa
They coexist in my mind as possibilities far better thought out and interesting and that seem more real than what some rich bastard decided to air and this works heal me up in such a deep way I CANNOT thank you enough. Truly. Like I cannot stress enough what a gift you are to us wounded ppl 🙈 specially on bad days like yesterday.
I gotta publish the ranting drafts I got about my playlist! I'll tag you when I finish the first one and you can tell me if you like them. ☺️ I wanna contribute too.
PS. Of course you can call me Zo. How do I call you? ❤️✨ De nuevo, eres la belleza en pasta preguntando como estoy mk* me da un nudo al pecho me sentí cuidada. Cuéntame como estás tú?
*por si acaso mk is indearing in Colombia lol, it's like bestie✨we use it with friends to mean closeness though it's originally "marica" 😬 so I wanna clarify 'cause I know it's different country to country.
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chibisquirt · 4 years
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Mrs. Chibisquirt, if you're actually doing the ask meme "give me a character and I'll give you five scenarios for maximum emotional hurt" I'd like a Steve Roger's, please and thank you
I am doing the ask meme!  It’s kind of a mental stretch for me because I’m not normally a hurt kinda person, but I’m on vacation and tumblr memes seem just about the right speed, so let’s do it!  
5.  Steve has to travel back to the past, and while there he has an opportunity to meet his dad.  Now, Steve’s in disguise (or something) to avoid upsetting the timestream, and he has a mission he has to achieve, but while he’s there he meets Joseph Rogers and gets to know him a little bit.  Probably Mr. Rogers introduces himself as “Joe” and it takes a bit for Steve to find out his last name and put everything together.  
Joe and Steve talk a bit, before Joe says something about “I just got word, I’m gonna have a baby waitin’ for me when I get back!  I can’t wait to meet him–!” and Steve is all set to tell him and then–
War.  Shit happens.  This is why you shouldn’t have personal discussions on a battlefield, Steven.  
By the time Steve gets to his side, Joe’s already gone.  He never knew.
4.  Steve has lost everyone he ever knew in the past, except for one person.  Whether it’s a vampire, or Logan, or just someone who was really young then and really old now, they’re the only one he has left of his past, the only person he can talk to about the way things were and have them understand.  He’s busy with his team, but he makes time for that friend still; it’s a lifeline that he’s hanging onto as desperately as he can–and then, something happens.  Whether its a fucked up battle, or Magneto, or just old age, the last person in the entire world who understood him is gone, and–oh, wait, shit, this is just Captain America: Civil War, my bad.
3.  Instead of waking up in 2010 (or whatever), or whenever comics say he wakes up (do even the comic writers know???), Steve wakes up in 1980.  “You’re decommissioned,” SHIELD tells him, “and also confidential.  Revealing your identity would be a treason charge, except that, if you even try, there won’t be time to charge you for treason because we’ll have you disappeared and/or dead before you reach jail.  In fact, that’s not your identity anymore.  You have a new name, new birthday, new everything, you don’t get to access your old one, and we’re purging all records of them now.  Even if you do tell people you’re Captain America, you’ll look like a crackpot.”  
Steve says, “Okay,” and goes out, and starts a new life, he guesses, meets some new people, makes some new friends…  Mostly the same kind of friends he had before, so: leftist, marginalized, queer, POC, etc.  It takes him a while to adjust to the whole “red scare” thing being what it is, but he’s getting there, and as far as getting out and dating, well, he’s on the queer scene while looking like that status post the whole “free love” thing, so you might say he’s getting the hang of it…
And then the AIDS crisis happens.  
Steve can’t get it.
But he can pass it on, and all of his new friends can get it.  
No one knows what’s going on.  No one knows how it transmits.  
By the time anyone figures out how it spreads–by the time Steve figures out how it spreads–he’s already infected at least five people, and those are just the ones he knows about.
2.  I’m gonna blatantly steal from @sineala​ here…  Steve wakes up the same as canon, and just as in canon, there’s a war to fight.  
Steve winds up back in cryo after.  
He wakes up again.  After the first time Steve woke up, some of his friends were still alive, but even they have passed by now.    
There’s another war to fight, so he does it.  By the end, though, he’s tired.  Making mistakes.  He loses people–some of them, people he shouldn’t have lost.  He ends up in cryo again.
When he wakes up, there’s another war to fight.  
Everyone he’s ever known is dead.  New York City is gone, too–he tried to save it, during the last war, but… He was making mistakes.  Some of them were big ones.
He fights another war.
He dies– 
–no, wait, he doesn’t die.  He wakes up again.  
By this point, people are worshipping him:  god of war, who appears when your need is greatest to destroy your enemies…  It’s the last thing he ever wanted.  But what else can he do?  There’s a war to fight.  He fights it.
He seeks out cryo, this time.  He’s tired.  He wants to rest.  He finds him a cryo set-up and–
He can’t sleep.  His body collapses, but his mind stays awake.  He tries to kill himself, but he can’t do that either.  He really is a god of war, now, made unkillable by their belief in him.  
He will never be free from blood and death and atrocity, ever again.
1.  My Avengers: Endgame “””fix-it””” idea:  
Steve goes to take back all the stones, as in canon.  To take a stone from Vormir, you have to give it a death, right?  Well, to return a stone to Vormir, you have to give it a life.  
Steve has to return to the past, live out the rest of his life, and change nothing.  Whenever he tries to change something, he sees an orange glow at the corner of his eye and he knows, he knows, that that’s Vormir giving the Stone to Red Skull.  So he can’t let anyone know it’s him, can’t change anything, can’t avert any of the tragedy….  
He’s locked in, trapped, silently screaming in his own mind for the next seventy years.
No wonder he looks old by the time he makes it to that park bench.
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ink-and-star-dust · 5 years
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I don’t even know where to start with vld s8, but I’ll try. Major spoilers ahead.
Overall, there really was a lot that I liked about it. The animation was absolutely stunning and the voice acting was stellar, as always. For the most part I liked the plot, but when they started going into the whole Honerva-wants-to-tear-through-realities-to find-her-family thing I started to get a bad taste in my mouth. I mean, I get it, I do. This kind of show is meant to get bigger and bigger until everything possible is on the line. But I wish it could have stayed on a smaller scale and focused more on the characters. Show more alien races, show more about all the amazing side characters you developed. That’s why I love fanfiction and fanart so much, I think. Most of the time it’s 100% dedicated to the characters. Shows like Voltron just use them as a device to get the most awe-worthy scenes.
As for character arcs, it’s a mixed bag, so prepare for character endgame rants ahead.
Haggar/Honerva must be one of the most disturbing and heartbreaking antagonists I’ve ever seen. The fact that she didn’t have any of her memories as Haggar and was used by Zarkon is horrifying. As Honerva, all she wanted was her life back. She wanted her son, that’s it. And when she went so far for him and he rejected her, she lost her shit. But that would have happened eventually even if he did initially accept her, I think. She was too far gone to live a peaceful life. I completely understand her arc. Do I wish it didn’t go quite so far? Yes. Do I get why it did? Also yes. Moving on.
Hunk and Pidge I love. Hunk gets to meld his love for food and cooking with his diplomacy skills to spread peace and unity. Pidge gets to keep working on the things she loves with her family.
No one else really has an easy endgame to discuss, so here comes the long ranty bits. 
Shiro. Fucking... Shiro. I love this man, ok? I think he’s a fantastic character, and if I don’t think about the disservice to him and Adam then I love the fact that he is a strong gay man who is a leader. The fact that he is gay is a tiny tiny piece to his character. Which I think is important in media. He simply is, it isn’t something that defines him. But on the flip side of that, he is really fucking important representation. The show is aimed at little kids. Until the final snapshot of s8, it isn’t blatantly obvious that he is gay at all. Unless you’re really paying attention or you follow the fandom or the creators, you’d never know. Kids probably wouldn’t pick up on it. He is good representation, but think of how much better it would have been if they hadn’t killed Adam. He would still be that strong leader, still defined by his actions and trials, but it would be obvious that he was also a gay man. While I am a strong supporter of the fact that you do not need a human on your arm to validate your sexuality, I think that having Adam blatantly there as Shiro’s fiancee would have done wonders for kids watching the show. Seeing everything that Shiro did, everything that he went through, how strong he is and how great of a leader he is, and seeing that he just happens to be in love with a man and can still do all that? Wonderful. I’m happy for him, I’m thrilled that he gets a happy ending and gets married and leaves the fighting behind. I just wish that things had been handled better along the way to that. 
Keith’s ending, I still can’t decide about. From the start he has been trying to make the universe a better place. He has had other trials and other goals along the way, but it’s crystal clear from the very first episode that he wants to make a positive difference. When Pidge tries to leave, he stresses that the lives of everyone in the universe is at stake. When he is with the Blades, he fights with them because he believes it’s where he can do the most good. When he’s back with Voltron, the knowledge that there are lives depending on him and the rest of his team is what makes him get up every time he’s knocked down. Family, friends, and the good of the universe have always been his three driving forces. He helps the Galra rebuilt, and(as Lance points out, in true Keith fashion) turns down the leadership role when he’s offered it. I like that a lot. He made peace with his Galra heritage a while ago, but other Galra always treated him like shit because he was half human. The fact that they finally accept him and even offer him a leadership role is huge. But he’s Keith, and Emperor isn’t his style. So he returns to the Blades and helps to turn them into an intergalactic relief force. That, I also like. He’s making a difference, just like he always wanted. Maybe it’s good that he can leave the warrior side of himself behind and appreciate peace, but at the same time it’s such an integral part of his character that setting down his sword feels a little... storybook? Part of me also would have liked to see him with his found family a little more, given how alone he was his whole childhood, but I suppose we do see them staying close through those snapshots at the end, and he is working with the Blades. I’m conflicted, but he’s my favorite character so of course I’m never going to think they did enough for him XD
Allura, I could write a whole damn book about, and I’d have to to be able to properly analyze her endgame. Maybe I’ll do that later. But for now, I’m fairly sure I’m ok with her story. I never thought that she’d make it out alive. She was never a character that I could see living happily ever after on a new Altea, as much as I would have loved that. We see foreshadowing of her sacrifice all through the show, from her constant willingness to put others first(numerous battles, restoring the Balmera, etc etc), to her acceptance of giving her life in Oriande. Actually now that I think about it, Oriande was the perfect foreshadowing of her death. In order to gain the secrets of Altean alchemy, she had to be willing to give her life. That’s the price of it. Alteans are creators. They are lifegivers, and sometimes that needs to be literal. As sad as it is, and as much as I would have loved to see her get to live a peaceful life on the new Altea with her people, I understand her sacrifice. As I stated in the beginning I wish that there hadn’t been the need to take Honerva’s mission so far, but in this type of show it’s kind of unavoidable. People get disappointed if the final battle isn’t an all out shit show where everyone barely makes it out. So respecting that, I understand Allura’s story and appreciate the buildup to it. Mostly. 
And then there’s Lance. Pretty much everything about his ending pissed me off. We started the show seeing Lance as a fiery kid who wanted to be the best, wanted to become a great pilot and explore the universe. Now I understand that he went through absolute hell, he did become a great pilot and he did explore the universe. But a farmer? Idk, it just feels like a disservice to him. Maybe if he had had better arcs leading up to that, it would feel better. But as it is, instead of giving him the arcs he deserved, they used him as a gag character, slipped him in wherever they just happened to need someone, and stripped away everything that made him... him in the beginning. They reduced him almost completely to ‘loverboy lance,’ and I hate it. He spent all of season 6 wallowing and pining for Allura, most of 7 in the background(I will admit he had some great scenes in 7, but that’s another musing post), and literally all of 8 worrying after Allura. He has nothing to him in 8, bar a few scenes with Keith, than as a support for Allura. It’s like they scrapped any plot they had for him after like... season 5? And just devoted his character to being obsessed with Allura so that they could make it seem like his endgame was fulfilling. And before anyone has a chance to say he was obsessed with Allura since episode 1, sure. He did like her from the beginning. But he had substance beyond that. He had insecurities. He missed Earth. He had his goals and his desires and he was more than a lovesick kid. The fact that they think it’s ok to make him a fucking farmer ‘spreading Allura’s message and surrounding himself with things he loves’ pisses me off to no end. It seems like a great ending on the surface, but when you look deeper it’s awful. He’s what, 20? He loved Allura, sure. She was important, and it makes sense that he would love her and that a piece of him always would. But Lance isn’t built for the simple farmer life. He doesn’t deserve to be reduced to someone left in Allura’s wake, he deserves his own fucking story, his own individual goals and missions. Everything isn’t solved and finished by the fact that he got the girl and some altean markings before he lost her.
Then there’s Klance, but that deserves it’s own post lmao
tl;dr s8 was a mixed bag but Lance’s endgame is infuriating.
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shaldreth · 6 years
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I fell in love with Lotor and then realized he's a fucking idiot
AKA: a (bad) dissertation on Lotor's potential as a character and how his motivations basically undermined all of it. 
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Spoilers through the end of season 6; written pre-season 7.  
Let's just get my credentials out of the way first: I recently watched Seasons 1-6 of Voltron in the span of about 2 months. I am vaguely aware of some fandom discourse. I know very little about the original Voltron show or its plot except what I've gathered from a single day browsing the wiki. And finally, I love manipulative trash cans. Doesn't matter if they've got gray morality, complete amorality, or if they're just plain evil: I unironically enjoy their existence (the only exception is Ni Jianyi who terrifies me, but, well, I attribute that to good writing). 
So imagine my delight when in his very first episode, Lotor demonstrated that he'd been very competently keeping tabs on the political status of the central Galran Command even while exiled by: rooting out his main opponents, publically humiliating them, and positioning his Generals strategically in the audience to ensure that the crowd's response was positive and enthusiastic, all within probably a quintant or two of getting back. ....And then he blatantly admitted to manipulating public opinion not five minutes later. ....While looking unfairly gorgeous. 
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As character introductions go, it set a really fucking high bar, and I think a lot of people were immediately invested in learning what his endgame was. Regardless of whether his ultimate goals were ‘good’ or ‘evil’, people expected them to be competent and..... worthy. Worthy of all the time and effort that was put into this character, and the show in general. And then S6 happened. So buckle up friends because we’re gonna take an in-depth look at his journey from potential political mastermind to... merely obsessed, like his father. 
Immediately after being appointed Emperor Pro Tem, Lotor goes out and retakes a recently liberated planet to bait out Voltron. Which is.... something that we never actually saw his father do. Ever. Zarkon seemed content to let rebel planets stay lost, which is really silly and not at all a sustainable method of ruling an empire (suggesting that Zarkon probably would have lost control of a large portion of the Empire sooner or later anyway even if Voltron hadn't managed to destroy him in Blackout). Anyway, it showed that Lotor is a competent tactician, since he gets exactly the information he needs and does way more damage to Voltron than he probably expected to. He even follows up properly by calling in reinforcements to save his ass fortify the newly retaken planet, which may have given him a nice boost in popularity back home. 
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(It also set up a number of obvious parallels between Lotor’s Generals and the Paladins of Voltron. Excellent teamwork and loyalty? Check. Cheerful personality? Check. Big strong type? Check. Brooding, dark-haired second in command? Check. ...Wait, that makes Narti Pidge’s parallel. Or maybe Shiro’s, since she’s sometimes mind controlled....? ANYWAY. )
We start to see a couple cracks in episodes 4 and 6, because it becomes clear that Lotor is actually not spending that much time managing the Empire. He's way more interested in getting the materials to build the Sincline ships. At this point in the series he's still doing a great job of evading detection and throwing misdirection everywhere to keep Haggar from guessing what he's up to, so it starts to look like he's trying to undermine the Empire from within. I mean, think about it: he set himself up publically as a celebrity to strengthen the Empire, and then he disappeared and did none of that. He even exiled Throk, one of his biggest political enemies to Buttfuck, Space - Population: Ice Worms after his public humiliation. Which is a really bad idea if you want to keep a guy out of trouble, but a really good idea if you want to give a guy the time and space he needs to get angry, start another rebellion, and further destabilize the Empire. 
Lotor has lived in exile for years; he himself is the perfect example for how people rebel when sent to some corner of the universe with minimal supervision. He should know better than anyone that exile is a bad way to actually get rid of someone, yet he does it anyway. 
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Season 4 pretty much cements the idea that Lotor never actually wanted to rule the current Galra Empire, and was only using its resources for his own gain. He's removed from the position of Emperor Pro Tem with minimal fuss, and probably would have been quite happy to lay low for a while afterwards.... except that his dad then tries to kill him and he does the really dumb thing. I think almost everyone agrees that killing Narti was one of the dumbest things Lotor could have done. He could knock her out? Kill the cat??  Anything other than ruin his own party???
But nah. He stabs Narti and immediately the parallels between his group of Generals and Voltron shatter, because they betray him and try to turn him in to Haggar. Or, rather, he betrayed them.... .....actually maybe the parallels still apply, because I'm pretty sure that if Kuron had actually stabbed any of the Paladins at any point, the rest would have flipped out as well, so really the entire arc may be more of a statement on Galra culture as a whole..... 
ANYWAY, the whole Narti thing might look like the place where everything starts to go south, but it actually doesn't ruin any of Lotor's potential. Killing Narti could either be the callous act of someone who's bad at communication and doesn't actually care about his team (which is his team's interpretation, and a fair one), or it could be taken as a really stupid moment of panic, which I’d argue is a little more interesting, since Lotor never panics. But either way, the outcome was the same: as soon as he had control taken away from him, he turned desperate and all his flaws started to come out. Narti's death was one of the dumbest things Lotor ever did, but I also want to argue that it's the one act that opened up his narrative potential the most, because it could have sparked some interesting discussion about whether all of his actions are due to being arrogant, maladjusted, and self-absorbed... or if any can be attributed to fear.
Unfortunately, while fanfiction capitalized on that potential immediately, the show never really did. I was hoping for a season of self-reflection as Lotor used his intelligence and manipulative skills to sway Voltron to his side and overthrow Zarkon and Haggar in retaliation for his one miscalculation of the series. I wouldn't even have been mad if he had betrayed Voltron again at the end, because it would have been in keeping with his suggested characterization so far, and I like competent opponents with actual realistic goals.
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Season 5 looked like it was on track! Lotor was clearly still doing his best to manipulate Voltron as much as he could from a prison cell, furthering his goals despite his enormous setback. It's not really clear how many of his accomplishments during this season are due to careful planning and how many are due to luck; did he know Zarkon would offer the prisoner exchange? Did he know Sendak was going to be at the Kral Zera? Did he know Shiro was Kuron and would secretly hand over the Black Bayard so he actually had a fighting chance against Zarkon? ....Probably no to the last one, since it hinged on Honerva remembering her son, but who knows. 
Regardless, Lotor takes a lot of risks and makes a lot of progress. He actually becomes Emperor. Dude, holy shit, congrats. Take a breather and regroup!! That big of an milestone should have been enough for anyone, but instead he pushed his luck searching for Oriande, becoming completely dependent on Allura for her guidance and her protection, and then he failed the White Lion's trial. Like, completely whiffed it. Do not pass Go, do not collect $200. The S6 finale makes it clear that Lotor's morals and goals are almost completely opposite Allura's, and that should have been the perfect place to start developing him further as.... you know, an actual emperor and moral counterpoint?
Instead, we got Season 6, where Lotor turned his fakeness meter up to 11 to seduce Allura. ...Badly. Like... really badly. ... Okay, listen the nanny thing was weird, there’s no denying that. She showed up for one episode out of completely nowhere and was never mentioned again. But Lotor felt more natural during that first episode of S6 than he did the entire rest of the season while romancing Allura, and I think that was probably on purpose. His voice and his face and his smile when he spoke with Allura were all the same ones he used during his first scene in the gladiator ring, when manipulating public opinion. I don’t think we were ever really meant to believe in Lotor’s feelings for Allura when his very character was introduced with the same sort of deception. 
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And all of that would still have been fine if he hadn’t had such a stupid final motivation. I suppose Season 6 makes sense when you consider that his ultimate goals actually had nothing to do with the Galra Empire, but it doesn’t feel like a good culmination of his character arc. So, knowing that his ultimate goal was the creation of a new Altean Empire, Let’s briefly review: 
- Lotor spent three seasons manipulating the public to gather support and popularity. The conclusion of this was Kral Zera, where he actually became Emperor. But none of this matters. “Emperor of the Galra” is actually unrelated to “Emperor of the New Alteans”, or whatever. Unless his plan was to marry Allura and spend the next 10,000 years carefully integrating his Alteans into the Galran Empire while giving them every advantage possible, becoming the Galran Emperor didn’t actually have much to do with his Altean goals. His Alteans aren’t Galra citizens. So why spend that much time making himself popular with a race he hated? Narcissism??? 
- Lotor may have also spent three seasons subtly supporting rebellion across the Galran Empire, because he made a couple conspicuously bad decisions when it came to handling his political opponents/rebellion planets. Conspicuously bad enough to be deliberate, given what we know of him as a competent tactician. But supporting rebellion would only have helped him if he had planned to use rebellion to take over, and we just established that being the Galra Emperor doesn’t actually help his main goals. So does that make all the seasons of subtle rebel support.... a side-effect? Carelessness? Supporting the Voltron Coalition didn’t really matter if he intended to replace Voltron with his own shiny robot. 
- Lotor’s generals are all half-galra. Originally, it seemed like he had chosen to align himself with societal outcasts because he could inspire loyalty and comraderie in them, and because after a lifetime of discrimination at the hands of Central Command, they’d probably be willing to support his rebellion. That’s, like, a huge fanfic canon. But instead, his final, power-driven speech suggests that he chose half-galra Generals simply because he couldn’t stand to work with full-blooded Galra. Which makes his close-knit team and all their beautiful parallels with Voltron... accidental??
- Lotor spent let’s say... a season and a half? trying to seduce Allura.  This makes the most sense out of all of his goals, because marrying into the last remaining full-blooded Altean royalty totally fits with the New Altean Empire. What’s stupid here is how he handled it. Instead of coming clean about his Altean colony and, I don’t know, properly hiding his tracks as soon as he realized he could marry royalty?? He left the quintessence farm up and running. We know Lotor can get into and out of the rift way faster than Keith and Krolia, so there was really nothing stopping him from going to hide a couple skeletons in his closet sooner than never. He could probably have won Allura’s loyalty forever if he had presented her with an Altean colony and pretended to need her help restoring Altean culture; instead, he did dumb. 
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I’m just... I’m sad, okay? I’m not sad because he was evil; I’m sad because he didn’t want to be his father, and he absolutely turned into his father, and there were almost no signs of that until the very end. He could have been evil and still competent! While there are parts of Lotor that are really well written, it seems like they were all pushed to the side to make way for his obsession - an obsession he wasn’t even that obsessed about previously!!! - in the final couple episodes of Season 6, and he just... does so many stupid things. 
So really, in conclusion, either Lotor got quintessence sickness, Haggar made a Lotor clone while he was visiting her that one time, or we should all be more sympathetic of Zarkon's stupidity in Seasons 1 and 2 because clearly Galra politics are infuriating enough that being Emperor for a couple pheobs was enough to make Lotor lose his McFreaking Mind. Zarkon had been Emperor for 10,000 years; it's understandable that he was a little quirky.
Also, I saw a post a few weeks ago that basically said “the worst thing that can happen to Lotor is that he comes back from the void and gets obsessed with Allura like in the original show”, and I wish I could find it again, so if you know that post, pls link me. And I agree, that would really really suck, I don’t want that. But I’m hopeful that the writers just decided to adapt his character a little, so that instead of being obsessed with the Altean Princess, he was instead obsessed with Altea, and therefore that arc is already over. But I guess we’ll find out soon! Fingers crossed. 
Feel free to comment with alternate interpretations of everything here!
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