okay just hear me out modern au where tommy ends up picking up ellie from pre school almost everyday since joel is busy but he keeps meeting teacher maria
okay bestie as a preschool teacher you GOT me with this one. like you got me SO GOOD. this might actually get published to ao3, you got me soooo fuckin’ good right now. i have so many unnecessary details for such a simple plot so here’s a cut
tbh i feel like even as busy as joel is, he’d prioritize picking up and dropping of sarah as much as he can, so maybe he and tommy would alternate???? so on days when tommy drops off, joel picks up and when joel drops off, tommy picks up. sarah goes to a public preschool with a lot of kids, so she gets easily overwhelmed and sometimes needs extra cuddles or kind words in the mornings to make it out of the car.
one monday, a couple months into school, sarah is particularly VERY anxious because there’s a new teacher to replace ms. doherty, who quit unexpectedly on friday “because she said we gave her alooooottt of headaches, daddy.” now, sarah knows nothing about the new teacher except that shes a girl from a place called new york—and sarah doesn’t even know what new yawk IS like, thats So Far Away??? (“it’s not really that far, baby,” joel says to her. “and it’s new york. with an o sound.”) still, sarah is VERY concerned:
is new yawk like another planet???? (no, babygirl.) but what if she’s an alien???? (the school only hires human teachers, baby. they promised.) but what if she’s a SECRET alien??? (she won’t be, i promise.) okay but what if she’s mean???? (if she is, you tell me or tommy and we’ll talk to her about it, okay? she shouldn’t be mean to you.) what if she doesn’t play good music at quiet time???? (you can ask her nicely and i bet she will, baby. just say please and thank you, okay?)
still, even with her questions answered, sarah is very nervous on monday. both joel and tommy go with her in an effort to start her day off extra good, especially because joel can’t pick her up. they reassure her that new york has plenty of nice people and her new teacher will probably be one of them. she also gets TWO WHOLE extra minutes of cuddle time with BOTH of them before she and daddy have to leave the car—it’s half for her and half for them, because they’re honestly pretty anxious for her to like her new teacher too
joel is the one to hold sarah’s hand and walk her inside, because the school prefers only one guardian to drop off at a time. tommy’s nervous, but joel actually seems pretty pleased when he gets back to the car with no sarah in tow. surprisingly, he’s back faster than any time they’ve ever dropped sarah off before. with a proud smile, he tells tommy is that miss maria seems really nice. more importantly, she’s Black, which joel says Sarah got really excited about. tommy pries for more details, and he’s glad he does: apparently miss maria has locs, a few even blue and purple, and the first thing sarah’d said to her was an emphatic “😲😍🤩 i like your hair!!!!!!!!,” to which she had responded “thank you! i like your hair! what’s your name, sweets?” and that’d been that
later, when tommy does pickup that day, he doesn’t know what to expect. most times at the end of the day, sarah is super reserved and a bit cranky, eager to get home to finally have time to herself. tommy’s goal is usually to try and get her to at least wave goodbye to her teachers like joel asks—but, more often than not, she opts for reaching for uppies and hiding her face in his chest until they leave.
today??? no. it takes sarah a full two minutes to even notice tommy’s there because her and this drop-dead-fucking-gorgeous woman in a soft-looking lavender pants and blouse set are finishing up a painting at the easel wall. they’re working on what looks like a brown and purple butterfly, probably the most carefully shaped sarah’s ever made.
tommy’s heart stops when this goddess miss maria finally looks over at him and smiles with perfect pearly-whites, waving him over behind sarah’s back. when she says “sarah honey, i think someone’s here for you!” in her sing-songy toddler-tone, tommy swears an angel gets his wings. sarah turns around, shrieks with joy upon seeing him, and runs down to him with her arms out, yelling all the while: “THOMMYYYYYYY!!!!!”—because sarah’s still working on her hard ts—“thommy!!!! thommy thommy thommy come look!!! i made a butterfly for u!!!!! look!!!!! it matches ms. maria!!!!!! it’s gorgeous!!!!” (she’s been obsessed with calling things gorgeous ever since she heard tommy say it about a harley motorbike last week. joel especially thinks it’s cute, especially because of how she over-emphasizes the j-sound: gor-Jus.)
tommy’s never seen her so excited to show her art off at pickup-time before; usually, she waits until they’re home and she’s feeling less shy to start showing off, but she’s babbling and pointing to it as he picks her up and sets her on his hip: “it’s brown and purple like miss maria!!! isnt it so gorgeous, unca thommy??? do you like it???? aren’t they SO gorgeous????”
and now miss maria is looking at him. and he’s looking at her. tommy knows he’s blushing, and he hesitates—which sarah does NOT appreciate, so she says: “unca tommy!!!!!!! don’t be WUDE! thell miss maria she’s gorgeous!!! she is!!!”
luckily, miss maria saves him by explaining, in a slightly firmer teaching voice: “sarah sweets, that’s okay! we’re only just meeting, and that’s not really something you say to a stranger, okay?”
“but why noooooooot?? you are gorgeous! like my butterfly! isn’t she so gorgeous, thommy?”
“well, yeah, of course,” tommy agrees easily, because she obviously is—and shit. now miss maria is looking at him like he’s a fucking bonehead, because he obviously fucking is. “but—uh, i mean—she’s right, hon’. you gotta listen to your teacher, and that’s not somethin’ you say to a stranger, okay?”
but then, after thinking to her tiny self for a few seconds: “well if she stays my teacher then she’s not a stranger, is she???” sarah asks tommy, then turns her conniving little head towards maria, too. “and you said you’d stay! so can he say you’re gorgeous tomorrow?” then, without waiting for an answer, she’s back towards tommy to finish: “i think you should call her gorgeous tomorrow.”
“i think we should go home, s’what i think,” tommy says, finally deciding to save himself from four-year-old torment. he sets sarah down and pats her on the end with a gentle but firm request to go get her stuff from her cubby, which she goes to do without her complaints of being too tired to walk. maria watches them closely with a close-lipped but relaxed grin. when sarah’s out of earshot, he apologizes. “sorry ‘bout that, ma’am.”
“don’t be,” miss maria teases, crossing her arms. “you did call me gorgeous, after all. i’ve had worse introductions.”
“tommy miller,” he offers, moving to shake her hand. he notices her nails are done-up, a sparkly blend of pretty shades of purple that look tie-dyed on somehow. her hands aren’t soft, not really, but they’re smooth enough to make him shiver as he pulls away. “sarah’s uncle.”
“oh, i know,” she reassures, then nods her head pointedly towards sarah. the little one is coming back towards them with her lunchbox in one hand and her water bottle in the other, walking extra careful so she doesn’t trip over herself like she did last week, tommy guesses. clearly fond, maria continues. “she spent all day telling me about you and her daddy. you’re doing great with her.”
“unca thommy! i’m ready to go!” sarah sing-songs, interrupting whatever miss maria might’ve said next. internally, tommy thanks his niece—the you’re doing great was already enough to make him cry, and he’d rather not do so in front of either her or her amazing new teacher. plopping her lunch and bottle at tommy’s feet, sarah gives not one, but two eager waves to miss maria, hands flapping madly up towards the woman’s face. “bye miss mariaaaaa!!!! i’ll see you tomorrow!!!!”
“bye sarah sweets!” maria says back, waving just as enthusiastically. to tommy, she raises an amused, teasing eyebrow. just loud enough for him to hear as he turns away, he hears her say “bye, gorgeous,” and laugh, giving yet another angel a pair of wings.
it takes everything in him to not fall straight to the floor, toppling his own precious niece, right then. he doesn’t think he even breathes until both he and Sarah are secured in the car, him in the front and her in her carseat. she’s already babble singing mary j. blige’s “just fine,” which they usually play and sing on their way home from school to help her regulate. when he plays the song this time, sarah smiles bright at him through the rearview and says “i already feel just fine, unca tommy!!! but can we still play it, just for fun?”
“of course, baby,” he says, and start singing along with her. he’s feeling just fine, too.
🫶🏾🫶🏾🫶🏾🫶🏾🫶🏾🫶🏾🫶🏾
tagging some homies (btw just let me know if u wanna be tagged in this kinda stuff or not guys! im never sure lol): @becomethesun @clickergossip @boilingcowboy @bumblepony
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So I've spent the past like, two weeks, trying to dissect with my partner what exactly is making 13's first season so... uninteresting and even just bad to us. And today I've finally figured it out!
Obviously just my opinions, disclaimer I've only watched up to the end of Spyfall, this is not intended as hate but rather criticism, and you are completely free to disagree or just ignore the whole post..
I'm going to put this under a cut in order to not take up the whole dash. Topics: The Doctor's autism, and the dynamics between 13 and her companions. So, let's start!
The failure to characterize 13 consistently with past incarnations, especially in regards to the Doctor's naturally rebellious nature and extremely visible autism.
As someone who's autistic, the very very consistent autistic traits in the Doctor are always extremely obvious. And for an incarnation written with that in mind, you'd think that it would be consistent, right?
But here's where something major about the Doctor is missing: so far, as of the end of Spyfall part 2, I have rarely seen 13 engage extensively with her special interests. The only examples I can think of are when she meets Rosa Parks, visits Kerblam!, and when she meets the Solitract.
The Doctor has a strong tendency to get so caught up in their special interests that they basically will not shut up about it when it comes up, often rambling without fully checking if someone is actually listening. I... feel like I rarely see 13 do it that much? Sure, she's happy to explain things when she's asked, and she clearly has special interests, the sheer prevalence it should have in how she engages with the world is just... not really there.
The lack of it makes it feel like her character is missing something major, and was hard to put together that it was this specifically that was bothering me. I can think of a million examples of each Doctor respectively engaging with their special interests near constantly, but it feels like it's hardly there for 13 in comparison.
As for her rebellious nature, 13 has so far been remarkably passive about capitalistic crimes. I'm sure we all remember her and Kerblam!. And the spiders in the hotel. You would expect the Doctor to challenge the systems that caused those respective problems, encourage the people in those systems to fix it, but she just sort of... doesn't.
She doesn't care the warehouse employees have to save up miniscule wages just to see their family once a year, that they're tracked and constantly under threat of losing what little income they have, that even though society has progressed so this can all be automated, the powers that be are not adapting with that to provide basic necessities to the public, and instead are telling everyone they're lucky if they get to be indentured to Kerblam!. The Doctor stops a man from committing terrorism (because all protesters of these systems are also serial killer terrorists, clearly), and then doesn't stop to deal with the root cause. She just tells him he's wrong, is satisfied the company will hire more humans (put more people in the meat grinder), and leaves.
The spiders episode is a whole thing, focusing more on the side effects of the actual problem, which is capitalist businessmen cutting corners for profit and ignoring regulations, and getting away with it. The message of the episode at the end comes out as "you shouldn't actively kill any living thing for any reason", citing trapping the spiders in a room to die as more humane. But I would strongly disagree.
The humane thing to do for those spiders, who were mutated, suffering, and having a negative impact on both the local spiders and humans, would have been to swiftly kill them. The Doctor cares more about not feeling bad about killing the spiders than the system that made this happen in the first place, or ending their suffering, which feels wildly out of character.
2. The companions don't feel like they have a lot going on, and lack the kind of strange connection past companions have.
So, Graham Ryan and Yaz are all kind of just boring. I see the dynamics and relationships they're supposed to have with each other, but none of it feels compelling. I don't feel any connection to them.
At first, I thought that it was because Chibnall introduced three companions in the first episode. It's definitely a contribution, since having to introduce four major characters compared to one or two isn't the easiest thing to do. But it's possible.
Torchwood introduces six characters to us at the start: five members of Torchwood 3, and Gwen. Every single character feels distinctive, they have clashing personalities that also bounce of each other. The introduction feels great, and you can immediately watch their characters develop and change over the course of the first season.
The Doctor and the Fam? I literally cannot tell you distinctive personality traits about each of them besides basic vibes. It took until Spyfall for them to start feeling distinct. I can't tell you major flaws, major anything. I can barely describe their respective relationships to the Doctor, besides "weird friend with the time machine we know nothing about."
The single thing portrayed as a flaw in the Doctor is that she doesn't like talking about herself unprompted. They don't know a lot about her, but in her defence, they barely ask.
Past companions in New Who always have some strange relationship with the Doctor. Rose is having a situationship with him after he blew up her workplace, and has complex feelings about how travelling with him affects her life at home. Martha is having this weird situation where he's using her to fill the gap left by Rose, while trying to keep his distance, and Martha is just trying to figure out how the fuck to get him to look at her as her own person. Donna decided she wanted more in life, and by god was she going to grab the Doctor and take it, assigning herself his new best friend.
Amy met the Doctor as a child, obsessed over him for 14 years, ran away with him before her wedding, and then dragged Rory along, and ended up with the weirdest family dynamics possible. Rory isn't sure how to feel about the Doctor, and the two of them for some reason take turns being the "mature" one. Clara is overly dedicated to him and deeply enjoys the power trip that comes along with having time travel.
I can't speak about Bill or Nardole, because I haven't actually met them, but I know there's some kind of dynamic going on there.
The point is, every individual has some kind of distinctive and very strange relationship with the Doctor, from the very start. Friends, but something else. Romantically interested in each other, but dancing around that boundary. The 13th Doctor has absolutely nothing strange or compelling with hers so far.
Like, I could think of at least some with what we have! 13 decides Graham is her grandson, because Ryan and Yaz have a grandparent figure, but Graham doesn't, and then extends that to Ryan with deciding to be a great-great-grandparent figure to him.
At least in her first season, she doesn't seem opposed at all to a relationship with Yaz. The Doctor is notoriously weird about relationships. If Yaz panicked and told her mom that she was dating the Doctor, the Doctor could just roll with it and now Apparently They're Dating ???. It could be so fun! But there just... isn't anything!
Maybe it gets better in her second season onwards, but these kinds of things should be established fairly quickly. Like, at least halfway through the first series. I genuinely hoped her first season would be better on a rewatch, because I watched it while it was airing, and dropped the show after because I was just so not into it. I shouldn't have to be doing this much work to make it interesting to me! I shouldn't be enjoying early Moffat Who more than this!
Anyways if you read all this, I am very happy to hear thoughts and counterpoints, just please don't send me hate anons :)
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