Many, many thanks to all of you who participated in Elder Cats Appreciation Week! I cannot express the extent of my appreciation for those of you who participated, both big and small, every day or just one or two. It was wonderful to see a variety of new content and positivity for the older cats, and look at all the different ways you all contributed. This was so much fun and I hope to do this again sometime in the future!
I do encourage you that, in spite of the appreciation week being over, to continue playing with these characters and including them in your stories and HCs and fun - to reflect on why they are often left out/reduced to singular and otherwise flat roles/antagonized either due to their inherent age, or argued younger because they’re more “well liked” over others. At the end of the day, the goal of this week was to shed some light and appreciation on characters that are often neglected in fandom, and the best way to continue that work is to open yourself further to those you may not otherwise consider. Even just a little bit. That’s how we continue to broaden our horizons.
Happy days to all <3
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The Northern Town Percy Jackson Peter Johnson Musical: (another) Appreciation Post
Quick Intro: So I made a previous appreciation post (short and sweet) about the official TLT musical here, a musical I would also greatly recommend to any Percy Jackson fan stumbling on this post who hasn't seen / heard of that musical, but that is not truly relevant to this post. I've decided that in the spirit of appreciating the adaptational musicals more in this era of us finally having a TV show, here's a post dedicated to a musical many of you have probably never heard of...
Calling all Percy Jackson and musical fans! Calling all Percy Jackson and musical fans!
If you haven't seen them, take this to be a recommendation post appealing you to check out the Northern Town Percy Jackson parodies!
To start on vibes: if you have seen or heard of Starkid's A Very Potter Musical (AVPM), the humour is quite similar I feel but a bit more Gen-Z-esque. This musical has managed to coalesce the entire plot of Percy Jackson and the Olympians into 1.5-2 hours in a way that greatly pays homage to the books and wraps everything up in a cohesive yet bonkers way (very similar to the way AVPM managed to form a cohesive yet bonkers Harry Potter plot combining the elements/events of all 7 books). You can tell from the watch that the people writing an acting in this are Percy Jackson fans, and have read the entire series again looking for ways to reference and and joke about the series in ways that convey their enjoyment of the original series too.
It has different vibes to the official TLT musical, but somehow is just as camp? The 1st version (linked above) is a jukebox musical filmed in essentially a patch of grass with a terrace, including some classic songs: for a start, it opens with I'm Just a Kid by Simple Plan (which is pretty PJO core honestly, and really echoes that "borderline-emo borderline-teenage borderline-angst" I associate with my first readings of Percy Jackson-), and has Poker Face by Lady Gaga in the Lotus Casino scene (I think that alone should be a convincing point). The 2nd version (linked below) is updated with snazzy outfits, 2 videos for the 2 acts and an original score with some banger songs (I would recommend Achilles Heel and Nobody's Sidekick as personal favourites- particularly Achilles Heel, which I believe has some really well done lyricism and composition).
The running jokes in this show are killer, with bits like Percy repeating his age constantly ("I'M TWELVE") and Luke's age increases pretty much every time it's mentioned. If you had to watch 1, I would say watch the 2nd version just so you can appreciate the original score more, which likely reflects theythe emotions are trying to portray much better as the lyrics apply specifically to this production. For instance, there's a song called 'Backbiter' sung by Luke, the title referring to the name of Luke's sword that I find makes a very interesting comparison. You also get better audio and lighting, aspects like that that make it better to watch on youtube, as well as more running jokes. However I'm always one to appreciate the silly 2000s energy of the initial version, and it feels like something you'd do for fun with your friends (which it was for them, according to this article!). If you appreciate that energy too, then here's your recommendation to watch that version right now.
All in all, I cannot stress how fun this musical parody is, even though it seems pretty underrated- at the very least, not many people are out here referencing it on this site. I believe this deserves to be recognised in the Percy Jackson fan consciousness for its ingenuity and just general fun nature. This post probably won't reach a lot of people, but I'd like to think it reaches enough people that more of us can appreciate this adaptation online. I've seen a lot of people say in the lead up to and the release of the TV series: "FINALLY we have a good adaptation". While I am as stoked as everyone else about there being a well-made show as well now, I'd also like to remember and appreciate the adaptations that came before and left a mark on this world as good adaptations of Percy Jackson in a time where the movies were all that most people knew about, and all we thought we'd ever get in way of adaptations. Between the TLT musical and the Northern Town parodies, I believe these musicals gave us the adaptations that the unhinged PJO gang and their just-as-unhinged fan following deserve.
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I really liked this ep 😭 the first two felt a little weird to me because it felt like things were moving really fast n that (in some places) they were trying really hard to get this season’s key plotlines into place in a way that felt somewhat abrupt to me but they’ve gotten into the groove now… also congratulations to nandor on his transgenderism. and bisexualism
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i wanna know more why that anon came to interrogate me about my theatre worker status....why did you want to know..?
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Donnie Darko stands the test of time because there is no deeper meaning. Any message the film is trying to communicate can be read as the exact opposite. Does Donne escape fate in the end by terminating the timeline that leads to the fated deaths? Or does he succumb to fate, and we’re all the mishaps along the way the natural consequences of fleeing fate? The plane only ever flies in the original, terminated timeline, it can’t exist if that world didn’t exist naturally. But it’s only because of the plane that the next world exists
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