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lune-redd · 2 days

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Hello, it's Lelly.

As you may know, I have recently deactivated my Twitter account. A lot of people are speculating I left because I was being harassed for drawing my older depiction of Bubbles from The Powerpuff Girls as chubby. However... that's not the direct reason I left. In fact, I didn't really see much of the comments of folks on there getting riled up about it as I muted the tweet the morning I saw that it blew up. I was only merely aware of it all by being told about it from friends, with there being some other users on the site making other really fuckin' stupid comments about my art.

This does however lead into why I actually left Twitter, and it's because of Twitter's overall toxic nature. Overtime, I've really gotten sick of how absolutely revolting Twitter has become to experience. The site is basically built around dunk culture and doom scrolling. You know that one tweet of someone making an example of Twitter's utter stupidity by using pancakes and waffles as an example?

I bring this up because I think this fits my point about how Twitter has this thing of assuming the absolute worst about the most insignificant things, even the most innocuous. The "Bubbles obesity" comments weren't the only stupid comments that came out of that post. I also got a quote retweet that I was "forcefully feminizing Buttercup", even though the whole fucking point of that drawing was to depict a usually tough character in an unusual situation for her. I have also gotten stupid comments on other drawings though, like the one where Mitch pushes Buttercup down for trying to look taller than she is and I got called a misogynist for it, though I'm pretty sure that one was bait (Twitter users have a tough time figuring out what is and isn't bait, it's dunk culture that I'm about to talk about really doesn't help this).

The site's dunk culture is also really fuckin' bad. Quote retweets are a disease, as unlike Tumblr's reblog comments, quote retweets count as a different post. Someone disagrees with you? Show your audience how stupid they are on your page! Hey, are you trying not to see the most abhorrent racist statement imaginable? Well TOO BAD FUCK YOU here's a le epic own giving them all the attention in the world even though one of the most common internet rules are DON'T FEED THE FUCKIN' TROLLS YOU IDIOT. Oh hey, are you trying to explain how you prefer a certain artistic choice over another in something you like? Well you're a deranged ungrateful whiny nitpicker, get owned!

I've seen so many of my friends be belittled for simply discussing their artistic preferences of things they're passionate about. I'll never forgive y'all for beating down my friend for saying he prefers the original Crash Bandicoot design over his redesigned look in Crash 4, even when he had legitimate reasons for why he felt that way. I'm sick and tired of it all. The reaction to my art is only a mere example of the shit I despise about that site.

I had been planning on leaving Twitter for quite some time, as my follower count was growing nearer and nearer to 10K. I had planned on leaving after 10K followers because that amount was wayyyy too fuckin big for me to handle. I'm a young and growing lad, and I felt it wouldn't be good for my mental sanity to handle all that, so I dipped. The amount of attention I've been getting is simultaneously both wonderful and extremely overwhelming. Even the explosion of new followers and asks on here is quite the load! (Seriously, calm the fuck down y'all) I am very grateful for all the supportive asks I've gotten even though I won't be able to answer them all, thank you all so very much.

tl;dr I didn't leave Twitter because I was being harassed or anything, but rather because of the site's overall toxic and belittling environment.

Adios.

-Lelly

#if youre confused by my wording im so sorry i dont often write long paragraphs like this in my spare time

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mareastrorum · 2 days

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These are just initial thoughts, and perhaps I’ll learn something that changes my mind on it, but I’m glad to see Critical Role making the leap to their own subscription service with Beacon.

As a lead in: I’m an attorney that has some background in IP law, though it isn’t what I practice currently. I’ve kept in contact with several active practitioners, particularly those that represent small-time creators either in their own independent practice or via nonprofits. I do not have an extensive Rolodex of IP peers, nor do I spend the money to keep up on IP CLEs. I’m just someone who used to know a ton because I did heavy research and work in that space, and that hasn’t been the case for years.

So here’s my thoughts a bit on the IP angle:

The primary reason I’m happy to see this leap is that CR is taking active steps to keep control over its IP. It’s a boring thing to most people, but when I start paying attention to a specific creator (authors, directors, companies, etc.), I tend to be very attentive to how they use their IP. How freely do they license their marks to partner with other creators to make merch? How often do they allow others to make adaptations or derivatives of their copyrights? What is the quality of those products? What is the supply chain like? Are those third parties objectionable in some way? Were the other parties faithful to the original works or marks? Was this a cash grab or an earnest effort to make something worth the price tag?

Honestly, I like how CR run their business. They have a history of tapping fans and fellow small businesses when making new merch or spinoffs. They embrace the culture of fan-made derivative works, both by featuring fanart/cosplay and by sharing their success. Do you know how rare it is for a company to pay fan artists for their already-made and freely posted work and then sell books of it? Let me be clear: CR bought a limited license from each artist so they could print and sell each work in a physical book, then paid the cost of publishing that book with no guarantee that CR would make that money back, let alone profit. I have a copy of the collector’s edition art books: they’re actually very well made and the packaging definitely cost a pretty penny. That’s not a rainmaker idea, that’s genuinely risking financial loss to sell something people could access for free if they wanted to.

The art books aren’t a one-off either. Darrington Press is CR’s separate LLC for tabletop games. (It’s good business practice to split off companies that handle products in different industries.) CR has also made shows based on those games, and the Candela Obscura series has quite a dedicated audience. Everything about Candela belongs to them: the game itself, the rule book, all the art in the book, the web series based on the game, and merch. It’s so successful that they invested in scheduling a live show for Candela later this month. That’s HUGE.

Contrast that with the distribution of Campaign 1 and the first 19 episodes of Campaign 2. CR cannot host those videos themselves; Geek & Sundry still exists and still holds what I presume to be distribution rights (but I don’t have the contract to review). So G&S gets to host those videos on YouTube and reaps the advertising. I can’t speak to whatever share CR gets from that, but considering that CR is locked out of hosting their own copies of those videos, I doubt it’s much, if any, revenue. (If you’re wondering why CR just didn’t buy those rights back, I ask: what incentive does G&S have to sell something that’s making them money for no cost?)

Knowing that background about G&S, I was wary of CR choosing Amazon to host and distribute The Legend of Vox Machina. Originally, TLOVM was not the plan; CR had a kickstarter for an animated special based on C1. It was only because they blew past the goal that CR was able to make an entire season. The reasonable assumption is that choosing Amazon had to have secured CR additional funding for future seasons of the show, which seems evident from how quickly season 2 was announced, Mighty Nein Animated is also going to be a thing, and that season 3 of TLVOM is scheduled for fall 2024. CR had the option of just doing 1 season and keeping it purely in their control, but going with Amazon meant they could animate more of their works. Animation is expensive. I cannot stress enough how doubtful I am that CR would have been able to afford this many episodes and both campaigns if they had not gone this route. As wary as I was in the start, it paid off, and it’s going well—so far. Hopefully CR doesn’t regret that decision if Amazon tries something sleazy. But, as before, we don’t have the contracts and can’t know how secure CR’s position is if any dispute came up.

CR also partnered with Dark Horse Comics to make Vox Machina comics and Might Nein Origins comics. What’s especially surprising is that each of the cast had a hand in writing the MNO comics for their characters, with Matt listed for multiple. That isn’t very common with comic adaptations. Often times, IP owners let comic companies go ham with minimal oversight. Being listed as one of the authors comes with IP rights that have to be negotiated. That means that Dark Horse had to talk with CR about whether that warrants more or less revenue going to which party in exchange for that—or, alternatively, whether the comic gets made at all. That’s a ballsy move. You think people can just demand to write the comics that a publishing company is going to pay to print? Pffft. CR wanted some creative control, and that is a big ask. However, Dark Horse still has the distribution rights, both digitally and for physical copies. You couldn’t buy the comics from CR until they came out with the library edition, a book bound compilation of 4/8 comics. But the publisher is still Dark Horse; CR is just allowed to sell the book directly from their own site as well.

Contrast that with the novels about CR characters. CR partnered with Penguin Random House to publish novels about Vex and Vax (Kith & Kin), Lucien (The Nine Eyes of Lucien), and Laudna (What Doesn’t Break). Liam and Laura were vocal about having some say in K&K, whereas Madeline Roux said in an interview that she had full control over TNEOL. Both of those novels were narrated with CR voices, but narrating a book doesn’t come with IP rights, it just brings in a paycheck. There’s a lot less IP control in there compared to the comics, but this isn’t abnormal for book publishing. To be blunt, I doubt PRH would have agreed to publish the novels if anyone from CR had been a co-author or had heavy oversight over the author or the editing. I don’t think PRH even considered that as an option. Either an author that has already managed to sell X number of copies or nothing. Creative control over a book a huge ask, asks come with reduced revenue, and switching to books from a web series is already a leap. The fact that Laura and Liam had any say is surprising, really.

That was a long meandering tour of what we’ve seen CR do with its IP. The reason I bring up each of these things is that navigating the way to protect an IP in this space is rife with challenges. Different types of IP warrant different strategies because of the cost involved in creating each medium and the challenges placed by industries that have already sprung up around them. Any time that a third party is tapped to create an IP, it’s usually because they already have the funds and resources to create the work, and CR has to negotiate for revenue, creative control, distribution, and—the big one—who gets to be the owner. These are not easy, quick, or fun conversations, and CR is always going to be the smaller company at the table.

Knowing that, I’m not surprised or worried that CR is creating its own independent subscription service with Beacon. It tells me that they’re being careful with their IP whenever they can. A subscription service means they don’t have to trade away distribution rights or give up ad revenue to a third party. They’re in this for a long term investment, and that requires solid income not tied to third parties that can definitely outspend them in litigation in the event of a dispute. A subscription for bonus content is one of many parts in a diverse revenue stream.

(All that said, this isn’t meant to criticize creators that cant afford to do this type of thing. It took 9 years for CR to get to the point where Beacon is financially feasible and a desirable business decision. They have enough ongoing, popular content to warrant paying for a subscription, and they’ve built sufficient trust with their audience that more will be added. That takes time and an awful lot of money.)

As a final note, I take this step as a sign that CR definitely intends to stick around. This isn’t a move people make when they plan on ending the business after the current campaign. I’m glad to see CR is taking steps to secure their foundation and keep making new content.

I’m sure people will chime in on other issues (cost, content exclusivity, etc.), but I hope my perspective gives an idea of why this sort of thing is good for business generally and why it would be good for CR.

#critical role #beacon.tv #don’t trust me I’m a lawyer #I’m not your lawyer #I’m not CR’s lawyer #none of you paid me for shit #I do what I want

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heavenlymorals · 2 days

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The Vampire and the Stag: A Look Into the Symbolic significance of Dutch Van Dir Linde and High Honor Arthur Morgan

Warning: This post has spoilers for Red dead 2

Symbolism is one of the most important visual and literary elements used to push the narrative of Red Dead Redemption 2. The game is chock full of biblical references, animal symbolism, and references to other famous works. Hell, I might've even found a Blood Meridian reference via that Judge Meredith Holden letter, but that might be a reach. In any case, this game uses symbolism to push the story further and I want to do a short little retrospective on my two favorite characters of this game and what they represent in the literary sense.

Let's start with Dutch.

Dutch Van Dir Linde is many things. He's a violent idealist, a romantic, a gang leader, a notorious outlaw, and a legendary gunslinger in his own right.

He's also an allegory for the vampire, and by vampire, I mean the European literary symbolism of the creature.

Let's start off with looks. Right from the get go, Dutch is differentiatued from the rest of the gang members by his luxurious and eccentric appearance, something that the vampire usually has. He had gold chains, personalized gold rings, one with a D and another with a lion. His jacket seems to be velvet, he smokes cigars rather than cigarettes, and his hair is done up in ringlets as we know his actual hair texture is straight rather than curly (Guarma, epilogue, RDR1).

His color scheme is also very stereotypical of the more modern vampire. While other characters usually have a more diverse color scheme, Dutch is suited in reds and blacks the entire main game.

The nature of the undead is also with Dutch via his horse, the Count. First of all, there is just the name the Count that gives off vampire energy (Count Dracula) but there is also the fact that Dutch's horse shouldn't exist. Foals born with albinism, which is the coat the Count is said to have, die because of lethal white syndrome. The Count should have died long ago but it's still alive somehow- he cheated death like a vampire. That's also not mentioning death in the sense that death comes riding on a pale horse.

Vampires in classic literature are never just about vampires as these charming blood sucking creatures almost always exist to convey a deeper meaning of consumption. In the 1800s, this idea of consumption, with the most famous visualization of it being the older vampire man sucking the blood of young, usually virginal women, is often an allegory for selfish sex and defilement. Vampires in old media could very well be a criticism of wealthy men taking advantage of younger women, taking their virginity, and then tossing them aside and being virtually fine while the women lose everything from respect to family to even lives, which can also be the case with Dutch and Molly, but overtime, the vampire became less an allegory to write sex without outwardly writing sex in the 1800s, and became more a symbol of personal consumption at the expense of others.

The wonderful Professor Thomas C. Foster puts it best: "That's what this figure (the vampire) really comes down to, whether in Elizabethan, Victorian, or more modern incarnations: exploitation in its many forms. Using other people to get what we want. Denying someone else's right to live in the face of our overwhelming demands. Placing our desires, particularly our uglier ones, above the needs of another. That's pretty much what the vampire does, after all." - "How to Read Literature Like a Professor"

Dutch is basically that. He consumes people for the sake of his own goals, his own dreams, and his own delusions of grandeur. He will believe in people as long as those people believe in him, but their belief in him is more important to him than his belief in them.

Dutch seems like a Messiah to the disenfranchised, a Jesus figure of sorts. He seems charming, empathetic, cultured, and different from other men, like the vampire. People are enthralled by him, become obsessed or loyal to him, like the vampire's victims. However, these people, like Arthur, John, Molly, Bill, Javier, etc., are used and Dutch, the vampire, doesn't return the favor as he only consumes for his own favor.

And in the end? People suffer or they die and Dutch moves on to his next victims, even if he did love these people.

Dutch is the embodiment of the vampire in every possible way except in the most literal way, which is the blood sucking.

Now let's move on to Arthur Morgan.

Arthur and the stag are one in the same when it comes to Red Dead's symbolism. If one were to mention a stag in the Red Dead universe, more likely than not, people would think of high honor Arthur Morgan. The Stag is Arthur's symbolism, but let us dig a little deeper into what the stag could symbolize beyond just high honor.

When it comes to animal symbolism, stags are almost as iconic as male lions with what they are meant to represent. All throughout various cultures, the stag usually represents a noble creature. It can represent honor (duh), strength, virility, grace, and regeneration, amongst other things, but I want to focus on interpretations of the stag from a few cultures and how they ultimately relate back to Arthur Morgan.

Considering that Arthur has Welsh heritage, or so we assume, let us start with the interpretation of the stag in Welsh culture and mythology. The stag has a huge presence in Welsh culture and mythology, with even some gods and higher beings taking the image of a stag. However, I would like to focus on the stag as a messenger, a messenger between worlds, which is what Arthur becomes in a sense to John Marston.

John's world for such a huge part of his life as the gang. The gang raised him, fed him, taught him to read, taught him morals, taught him many skills, and gave him a purpose. The gang is his world and for such a huge chunk of his life, it was the only world he knew. Sure, Abigail gets pregnant because of him, but she was a part of that world too.

Arthur was able to see other worlds. Mary wasn't a girl who was downtrodden like Abigail and thus would take on well to the life they lived. She was a normal girl and he was not a normal man. Eliza wasn't part of his gang life either, and neither was Issac. They lived in a different world, in a world of civilization, in a world where they didn't or shouldn't have had to keep one eye open to stay alive. Arthur would jump over to their worlds, even if just for a short amount of time, and then back to the gang- he has seen and experienced both of those worlds.

Arthur then gives John the message that he should leave and be a man and provide for his wife and protect his child by leaving the gang life that destroyed the both of them. Arthur becomes a messenger from one world to another- from gang life to normalcy. And with that message, John experiences a change- a change of character and motives.

The Stag is a messenger and Arthur is a messenger. A messenger to not only John, but to everyone else he tried to get out of there for he experienced two worlds and one is better than the other.

Another interpretation of the stag is the selflessness of sacrifice, which can be shown through the Greek culture of story and mythology and explained perfectly in the story "Iphigenia at Aulis" by Euripides. Iphigenia goes to her father and tells him that she will offer herself as a sacrifice to the goddess Artemis. Sacrifices must be made to keep the gods happy and the people alive and happy. Iphigenia offering such a thing shows her selflessness, her want of wanting others to be safe and sound, even at the expense of herself.

Sound familiar?

Reminds me of a certain dark romantic cowboy.

By the end of the story, Iphigenia's selflessness was rewarded by the goddess, and as Iphigenia's father was about to slit her throat, the girl got replaced by a stag while Iphigenia was escorted to live amongst the gods for her selflessness.

The deer becomes the sacrifice and in a way, Iphigenia and the deer become one and the same. The deer is sacrificed for the sake of others- the stag becomes a symbol of noble selflessness, much like Arthur. Arthur sacrifices himself in order to save John, Abigail, and Jack- a noble cause, a noble sacrifice.

The stag being a noble sacrifice is also associated with certain Native American cultures (I cannot for the life of me think of which tribes they were exactly, but once I find them, I will edit this post). The stag must be killed for people to eat, thus the deer is a noble creature. The consumption of the stag is an allegory of people living better lives or having better days because of the sacrifice of a person. Because of that, the stag is a heavily respected creature.

And given that Dutch's vampire is all about consumption, Arthur's symbolism of being a stag is perfect for their dynamic since the deer is all about sacrifice and nobility and the vampire is all about selfishness and despair.

In any case, the deer represents many things across many cultures, from being a messenger to being a sacrifice, but one thing for certain is that the stag is synonymous with honor and nobility- the person that Arthur tried to be in the end.

Yapyapyapyapyapgodifuckinglovesymbolism-

#rdr2 #red dead redemption 2 #arthur morgan #dutch van der linde #symbolism #literature #vampires #stags #yall did i cook?#i had so much fun with this #also #that how to read like a professor book is godlike

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astersofthesky · 25 days

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I have been so used to hearing L's dub voice in my head (whenever i read fics) and also whenever I watch clips that it genuinely shocked me when i heard the "I am L" scene in japanese and how different they sounded alongside the implications in the attitude of their characters.

L's sub voice holds a natural polite tone normal for the japanese whilst maintaining an air of professionalism and authority. His tone does not sound "condescending" too when he told the task force about how they would've died if he was kira. It was respectful although you can hear the slight disappointment in his voice, as if he's trying not to let it shown out of tact.

Additionally, the way jpn sub! L spoke the "Let's show Kira that we're willing to risk our lives, because justice will prevail." scene sounds encouraging to say the least. He was clearly driven by personal reasons ("But I will win in the end.") but even so, he was speaking in a "we" sense, like he was giving the task force some acknowledgement for their efforts and then pushing them to do better in the investigation.

The dubbed version of this scene, on the other hand, gives a feeling that L like meeting and working with the task force is more of a "chore" rather than of extra help. The perpetually tired tone of dub!L made the "Please don't give out your names so casually." scene translate to "Gosh, they're so stupid." It's both mockery and a warning. Atleast, that's how I interpreted it.

He lets his authority known by the task force without coating it. For example, the "I want to show kira that we're all risking our lives if that's what it takes, because justice will prevail no matter what" scene is very authoritative. Note on the emphasis on "I WANT," like L's telling the team "Yes, we will but under MY orders."

Now this isn't a hate on the death note dub version. I loved the dubbed voice for L and i do believe it also fits him. You could say I was just surprised at how a slight change of tone and delivery could change a scene so much.

#death note #l lawliet #l #death note anime #i wonder if this is also because of cultural differences #with japan being more naturally polite that is

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mayomkun · 4 months

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Insane how many social cues humans have and you're supposed to know them all without being told

#and how they varies in different cultures #people and their funny complicated social structures are interesting to observe but not when you're in the situations #a group of people that fit together is a wonder to me because people are so so different #there are so many hidden rules they know but don't talk about and they just. know how the water flow and go along with it #and most of the time people seem to know how to do that so naturally #truly amazing when you think about it #meanwhile I think it's one of the most difficult thing to deal with #a single gesture or sentence could mean a lot of things and there are endless ways to response to it #I never meant to be offensive or unpleasant but then before I knew it I already did something wrong asfgjk #it's not their fault they misunderstood because I didn't get the hint. I just wish people tell me things directly sometimes #I study people like a bug but I'm also. a bug #delete later

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comradekatara · 1 year

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if i lived in the avatar universe and was from the water tribe and couldn’t waterbend but my younger sibling could and i just had to sit there and watch how powerful they got moving water with their mind and being able to heal and the sheer power and versatility of the form but no matter how hard i tried the water would not budge for me no matter what. well i would simply kill myself. sokka is so strong

#i rmr seeing katara’s waterbending develop and improve for the first time as a kid #and wanting that power so bad #having dreams about being able to move water and waking up distraught that it was just a dream #idk what I’d do if I was sokka #like the fact that he makes peace with it is crazy #I genuinely don’t think I could #and I know being a waterbender comes with a lot of baggage for katata #but it’s also so clearly a source of passion and joy and culture and healing and life and power #and knowing that you could have that... but you don’t!!!#oh man #no wonder he’s so depressed and bitter. honestly #like can u fucking blame him. I cannot #sokka #katara&sokka #but mostly a post about ME! because I want to waterbend #and my only consolation is that it’s physically impossible #imagine it being possible but u can’t! like srsly I’d end it all so quick #anyway i think this is why sokka hits different if ur disabled. iykyk

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bluesidedown · 1 month

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🛫

#we have 16 days and 3 more countries until we get home.#if you think to pray for me and my team we'd really appreciate it. we're all exhausted and we need to keep caring #about the new people we meet and engaging despite cultural differences and language barriers #rn I am filled with a little bit of dread at the thought of getting up and getting on yet another airplane at 630am tomorrow :(#but God is faithful and we have just had a genuinely wonderful few days here and made some amazing connections #unfortunately that also makes it hard because we have to leave.

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themidnightcircusshow · 2 months

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Every new thing I learn about James Somerton's process just drives home how he almost (but really doesn't) knows what he's doing. Yes, of course you use the sources you read as a jumping off point. Of course you copy and paste the important sections into your outline document so you can reread them. That's why you put them in quotation marks.

#James Somerton #honesty time: I totally believe he did this by accident #his entire problem is that he writes like a fandom account with bad takes #his anecdotal evidence that Todd in the Shadows spent a two hour video trying to find sources for?#they're all fandom drama taken out of their cultural context #(yes fandom counts as a subculture and therefore has specific context)#and all of it gets attributed to straight white women coz everyone knows shippers are all straight and cis women /s #he simultaneously treats his videos like bad fandom meta and Documentaries of Great Importance and those just do not mesh #it's part of why his videos were so unbearable if you actually knew what he was talking about #he learned how to make a youtube video essay. He did not learn how to write or study any of his chosen subject matter #I think that's also why he was not expecting to be called out the way he has because I suspect he probably thought everyone wrote this way #a lot of old video essayists especially the Chez Apocalypse bunch were very good at not broadcasting just how much went into their videos #so their style that has now become the norm feels incredibly off the cuff but is heavily researched #but also they are using that research to support their own hypotheses and ideas as you are supposed to #so I wonder if when he got called out he just brushed it off because surely he just writes the same way everyone writes #(and hey fandom posts are rarely cited because they assume everyone knows what they are talking about)#it almost makes me feel sorry for him but all I can think about is how catstrophically bad he is at this job #oh and for everyone wondering: I've found the best way to research is to put quotes in quotation marks #paraphrasing in either different punctuating or a different colour #and your own personal thoughts based on the source in something different again #all with the correct citations for your preferred style #this makes sure you have everything cited so when you put it all together you can do it easily without having to go back through it all #and prevents this from happening #(tbh I'm kinda sad I'm not still teaching. This would have been a perfect meme for how to do your damn citations week)

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nightshadeowl · 7 months

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I probably would be that guy to eat bonemeal or redstone or something if I were a cubito. Outta my way British men I'm HANGRY

#not actually hangry.#passenger status #i really enjoy talking about food in general because it's like. such an easy way to learn about people #everybody's gotta eat. everybody has foods they turn to and foods they don't and cultural particularities and such #so thinking about how that applies to minecraft and how its landscape shapes the culture (esp. food culture) is FASCINATING to me #jay if you're reading this i am once again going buckwild in my mind thinking about the barista stuf #but also like. i absolutely WOULD want to try bonemeal and redstone (so long as it wouldn't make me gravely ill)#it'd be a unique experience i'm sure of that #it's like. have you ever thought about what the air in the nether would feel like? it's like that #i mean bonemeal does exist irl but it's . different.#i wonder if you could use bonemeal in stews as a thickener. with calcium content

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wellhalesbells · 5 months

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LIAR YOU TOTALLY WATCHED ONE SEQUEL!!! 😉💜

https://www.tumblr.com/wellhalesbells/736050291745652736/friendraichu-jackironsides

HAHAHAHA, I should clarify that I just mean for super hero-y ones. I mostly watch the first one and rarely watch the second (or anything after...... or remakes, lol), I think the only Marvel one I've seen in recent history is Thor: Ragnarok. Actually, the Spider-man franchise pretty much encapsulates how I interact with Marvel properties: I saw the first trilogy because it was new and exciting at the time, then they remade it too fast and I refused to pay for something I just saw, that was so recent in my memory from the release date I could still remember exact scenes from it (THERE WERE ONLY FIVE YEARS BETWEEN SPIDER-MAN 3 AND THE REBOOT - THAT IS NOT ENOUGH TIME FOR ME TO GIVE A SHIT ABOUT THAT AGAIN. HOW IS THAT ENOUGH TIME FOR ANYONE TO GIVE A SHIT ABOUT THAT AGAIN???), then I watched the first Tom Holland one (fourteen years I can vibe with) and nothing that followed because that's generally when the gimmicks and cameos start in lieu of good story-telling, or they make it dark and gritty because that's the only way to ground this superhuman, right (I assume a random white guy: "Should we fridge a lady? Yeah, we should probably fridge a lady"). The first one generally at least tries to have a soul because they have to introduce the character and make you care about them but many of the ones that follow (the few I've seen from when the MCU was just starting out and I had hope *coughs*Iron Man 2, Thor 2, etc.*coughs*) are just cash grabs that don't try because you already love this character and there they are, right there, so money please!

Meg 2 however..... EPIC, NO NOTES. It knows if I was a shark girl, I was probably a dinosaur girl and it gambled correctly. That's what you're watching this for? Have three sharks and an unnecessary (probably stupid expensive) dinosaur intro that is nearly completely irrelevant to the story but that you will also not want to live without and for an extra special bonus: oblivious husbands and their brilliant daughter. Like. You got me nailed, my dude. Will watch every subsequent sequel, no questions asked.

#i do understand that spider-man is a bullshit studio thing #and that it's a marvel property that belongs to sony and i implied everything is under the mcu umbrella #(and i honestly don't fault them for remaking it. instead i just don't understand how there was an audience for it???)#but they're all guilty of the same shit for different but also EXACTLY THE SAME reasons #they want to fleece money from me. because that's how it feels: like i'm being swindled #they're not earning my money through good content but instead through brand recognition and shared cultural touchstones #YOU CAN'T HAVE MY MONEY MOUSE #sony you can when it's miles (that is a sequel i DID watch and that DID have a soul imo) :))))#something similar (cash grabs) are pretty much the exact reason i stopped reading marvel comics too #capitalism ruins everything #for a moral everyone knows *snorts*#also generally the sequels have bigger budgets and just to quote freckle...... sometimes things that are expensive are worse #great things sometimes come from people having to work within constraints and when you aren't given any....... terrible things can happen #like bbc sherlock lolol. AHEM #basically if i watch a sequel now it has to be a character i am VERY invested in so i'm willing to be burned - deadpool or miles #or it has to break containment from people who will go see anything with a marvel sticker on it to people who..... won't #and still recommend it - like ragnarok #(i wonder if NOT going the dark gritty route and instead having a fun story with a conflict that wasn't dependent on outdoing every #other conflict that came before it in this whole universe had aNYTHING to do with its success. hrm. it's a mystery!)#normally i would answer this privately but i had to explain about the sony thing so you would know i KNEW about the sony thing and then....#tag explosion and now it has to be public and i'm sorry i went on a mouse rant. I HATE THE MONOPOLY MOUSE I JUST DO.#IT'S BAD AND IT MAKES BAD LAZY THINGS THAT KILL CREATIVITY (AND NOW ALSO FUNDS GENOCIDE SO)#!ask

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