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#i'm not even sorry y'know
the-punforgiven · 2 months
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Hey, I'm really sorry to have to ask y'all, but my family and I are being evicted from our home and we can't really afford to live anywhere else.
We've been saving up for a while and we've found a place we can almost afford, but we're still short about $4,400. So like, if you have anything you can do to help I'd greatly appreciate it, but like, I get that times are tough all around so I totally understand if you don't
Here's a link to my paypal, but like, please only donate if you've got the cash to spare, I don't want anyone to go hungry on my account
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mono-socke · 8 days
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Day 18: Web
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i constantly had 'interweb' by poppy in my head while drawing this
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For $5 USD stop making everything about that goddamn show for five minutes.
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ahxiang · 2 years
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with the focus on the revolving door again in ep 16, i just want to say a little smth abt the door as an autistic person myself.
i know some ppl are frustrated with wyw's difficulty in using the door, saying it infantilizes her and that "she's a 27 year old lawyer, she's seen a revolving door before, she knows how they work." but the thing is, it's not abt her being familiar with revolving doors at all. at least not in the way you think. it's not "oh look at this lady, she doesn't understand this door bc she's autistic." it's a sensory issue.
autism affects our senses and the way we process them. what many allistics don’t understand about autism is that we’re not just overly sensitive to sounds and bright lights. we can be underly (is that a word??) sensitive to stimulus as well and have a hard time controlling our senses. this includes all seven senses. that right, seven. there’s the five you know, but also two you probably don’t: the vestibular sense and proprioception. these two have to do with body awareness, balance, and spatial orientation. that’s why many of us walk “weirdly” (if i ever catch you saying someone walks weirdly i am coming into your house and punching you in the face) or are clumsy. we have issues with our bodies in relation to the world around us and often have a hard time balancing. i walk into walls all the time and miscalculate and walk into doorways instead of through them. 
so it’s not that wyw doesn’t understand the social concept of a revolving door, but that they’re difficult to navigate through due to her vestibular and proprioceptive sensory issues. i myself have a hard time with revolving doors! so pls no more “this makes her look dumb” or “this is so unrealistic”. if wyw is bad representation and is stupid for having problems with a revolving door, then i’m an unrealistically stupid autistic that walks into walls.
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Hell-o guy, gals, and non binary pals, this is your Cabin Crew Leader Thoth speaking! Welcome aboard this Flight of the Dead with Mwt Airlines! Thank you for your attention while I go through some important safety information for you!
In preparation for departure, be certain that your mummy is laid flat and your canopic jars are stowed. Make sure that your carry-on offerings are placed completely under the coffin in front of you. Portable shabtis are not approved for use inflight, however, you may use protective amulets when advised by your crew. Please direct your attention to Ammit in the cabin. For everyone’s safety, Osiris’ regulations require your compliance with all hieroglyphic signs and invocations, or Ammit is allowed to eat you before we serve inflight pA.t cake.
Please review the ‘How Not to Get Your Heart Eaten’ card in the seat pocket in front of you. It explains what a heart scarab is as well as the favourite bribe gifts of all the 42 Assessors of Maat. Your sarcophagus serves as an approved flotation device. To use it, pull up and take it with you to the nearest usable exit. After exiting the flight, place your arms through the straps and then hug coffin lid to your chest. As the flight attendants are pointing out, there are exits here, here and, here (Ammit at this point twists in classic ‘Walk like an Egyptian’ poses to demonstrate this).
Take a moment to locate the exit nearest you keeping in mind that the closest usable exit may be located behind you. If there is a loss of this flight’s divine power, don’t worry; you’re already dead so oxygen isn’t needed where you’re going! As a reminder, smoking is not permitted in any area of the aircraft because all of you are covered in very flammable materials. We don’t want a repeat of Tutankhamun do we! Finally, we ask you not to distract the duatlings with knives on the wings. If you upset a creature who’s dual wielding knives that is on you.
On behalf of Anubis, the incorporeal embodiment of Ma’at and your entire crew, it is our pleasure to have you aboard.
Enjoy your flight to Aaru!
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sysig · 3 months
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Don’t be silly! Okay, be a little silly (Patreon)
#Doodles#UT#Handplates#Sans#Papyrus#Could also be general Undertale again but y'know lol#Silliness is the only thing on the menu I'm sorry but we're out of everything else it's the one remaining option#Speaking of silliness! I started that first one in an attempt to draw Sans' blind side and then-#I had a 50-50 chance of what direction to have him face and I picked the wrong one brain why lol#Well he was still fun to draw anyhow lol it all works out#Tired Papyrus toting an even tireder Sans around#I imagine Undyne called him to do something and he just brought Sans along since he was already carrying him lol#Sans waking up in random places like ''Ah. Papyrus-teleportation'' lol#Another mini set based on me and smol! Just try and stop me!!#We frequently talk about dreams right after we wake up if we happen to catch each other - and remember lol#And one of her dreams was just so absurd that the harder I imagined it the funnier it got lol#So I gave it to Sans to enjoy lol - him enjoying when Papyrus is intentionally silly with him makes my heart happy <3#Papyrus plays his straight man so often that when he does come in with something funny it just catches Sans off guard haha#Pleased all the way around!#Also ft. a slight headcanon I have about Sans' lowercasedness lol#About his voice being naturally quiet and all that - that even when he laughs really hard it's still on the quiet side#Tires him out but it's kinda breathy#And if you can believe it I am Still getting used to drawing Sans' face pftbltl#He's so roundy! I feel like he'd be easy to draw and then I do and like#Sometimes yes sometimes no! I'm starting to recognize which features do it but dang I wasn't expecting him to be harder to draw than Papyrus#I feel like Papyrus' design is a little more forgiving - like if you mess up a detail you can still be like ''Okay but that's like 95% him''#With Sans it's like ''Well I did Something. And now he's Extremely off-model. Could I tell you what I did? Uhm'' Lol#I'll get it figured out! I will!
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aeb-art · 9 days
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is this out of character? yeah a little, but i'm laughing so
finally got to draw @8um8le's mall toons again 🥺💕 i missed them so much
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bhaalsdeepbat · 1 month
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Because of the implication that Karlach didn't know any of the more devious shit Gortash was doing while she was employed by him, I HC that he sold her at a point where he couldn't be as covert in his private dealings. Like it was a point where she clearly was going to be a liability and she's good. Too good. Like to her core.
And there isn't a whole lot different between himself and the tiefling rascal he took in so she could support the parents she loves so much. I think that at a certain point he'd just be kinda aggravated because, to him, her view of the world is so idealistic. I like the idea of him having a little bit of petty jealousy, but I can't see that being the motivator for the sale. I think he really believed she was strong enough to handle it - because he was strong enough to withstand the hells - and wanted her to be humbled, in a way. he needed her to have a taste of the real world, so to speak, because his understanding is that it's a cutthroat world and all people are pawns, regardless of age or relation.
that's not a way karlach can live tho
and then she comes back, broken, sure. she has her whole thing where she can consume the soul coins, which ultimately has her viewing lost souls as tokens/pawns in the way gortash sees all people, but she clearly struggles with it and it wasn't a choice she made, but something zariel pushed on her so she could survive.
regardless, karlach's optimism is unwavering and she's still so vivacious. She's angry, understandably so, she has scars, she's done shit she isn't proud of, but she, herself, was never corrupted. when she escapes, she immediately goes full hero mode, she just has the burden of the soul coins to bear bc NO ONE can come out of that situation completely unscathed. and remember the types of friends she made in the hells!!! her one only helps her if it comes with a double-edged sword. despite that, she doesn't prevent it from allowing her to bond with the companions.
so she comes back proof that you can go through what Gortash did and come out mostly in tact. you may be hurt, she shouldn't have HAD to go through that, but she's fighting for a better future for herself (even if that means dying to not return to avernus). Unlike Gortash, she doesn't need to bring the world to heel to pay for the cruelty it showed her.
in fact, everything she went through just makes her appreciate the little good in her life even more and motivates her to aggressively protect her friends.
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okayto · 20 days
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I'm in a reference class right now and I just get so irrationally angry about the requirements.
Like, obviously, the purpose of the class is to make sure all the theoretically-future (or sometimes current) librarians know how to actually look things up AND verify sources AND in a wide variety of subjects and topics. Yes, good, valuable, important.
BUT I hate it so much. I hate questions that sound like they came from an alien whose best human impression comes from old chatbots: "Who is Zora Neale Hurston? What is she known for? Does Sparkle Library have any of her books?" why are you asking the first two questions if you clearly know them enough to ask the third "What's this geologic feature I saw in town? What's its history? Where is it?" can I point you to Google Maps please "What is the meaning of the word fandom?" why am I required to find you four verified resources on a dictionary definition "Can you help me find articles about this topic" yes but our professor hasn't actually given us examples of how they'd 'verify' articles so IDK if this will work even though it's literally exactly how I'd do this in my actual library job where I provide reference services to college students.
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katierosefun · 3 months
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actually as much as i love mike and harvey together. i feel so sad for rachel zane because imagine falling in love with your coworker and then you learn that your coworker is a fake lawyer but not only that, your coworker is a fake lawyer who would literally do anything for his boss. he'll literally leave you at the altar to go to prison for his boss. he'll try to quit his job multiple times but keep coming back because his boss asked him to come back. he'll move to seattle with you, and you'll breathe a sigh of relief because it means that it can finally just be the two of you, but then you learn that he's inviting his stupid former boss to join them. and his stupid former boss agrees. you smile because your husband is so stupid happy at the idea of working with his former boss again, but you've seen this film one too many times before, and you are going to be subject to watching your husband choose his stupid former boss-slash-friend over you again and again and again and again and again and ag
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if dorian didn't show up, do you think louis would have shot minnie?
I do. I know some people think either he wouldn't have or he would've missed so that's why the writers had him shoot Dorian instead, but mmmmmm no, I don't personally think so. I like to think that if he had taken the shot, his shaky hands would've caused him to shoot her fatally.
Mostly because I'm already so normal about the fact that of the Ericson crew, Marlon and Louis are the only ones with a body count. Well, that we know of, but shown to us in the game, at least. Plus, we know it's Louis' first kill.
Like yeah, Clementine and AJ become part of the crew and they have bigger body counts, and if we're counting indirect kills caused by actions, then Tenn has a count... and I guess everyone has blood on their hands for blowing up the boat... but I'm talking about killed directly with a weapon like....... I lied, I'm not normal about that at all, Louis and Marlon are the ones who have killed someone in Louis' route. I'm also not normal about the fact that Louis kills Dorian and then even as he's clearly in shock, he tries to go with Clementine to get AJ, and then later on when they talk about it, he says it feels like bile but not quite and he's glad he has it in him to do it.... listen, listen, listen... I'm obsessed with that.
Anyway, so if Louis shot Minerva, I think he would've accidentally killed her and can you imagine? He's already enough of a mess after killing the woman who pinned him down and tried to cut his finger off [or succeeded] but he knew Minerva, they were friends before the twins were taken. Even Violet couldn't kill her even though that would've been the smarter thing to do, and we know thanks to meta knowledge that killing her would've saved lives, but Violet couldn't, and I don't think Louis would intentionally either.
Speaking of Violet, if Louis killed Minerva, I hate to think about what that would've done to Vi. I think she might've actually left at that point, like what was planned before it got changed to her being burned. I don't think she would've attacked Louis over it, though, like yeah she attacked Clementine in the cell but Louis? I don't know, but I don't think so just because it's Louis and he'd be a mess about it anyway.
Though if he did kill her, it would be a neat parallel to draw... y'know, because Louis forgave AJ for killing Marlon even though he was pissed and heartbroken, and Violet was annoyed with him the entire time... but could she ever forgive Louis for killing Minerva? Y'know? We already have a similar parallel with AJ shooting Tenn, but still.
If Clementine killed Minerva in that moment, though, then I could see Violet attacking her since in her eyes, Clem proved her right.
So yeah, I get why they added the Dorian kill to his route. It adds another compelling element to Louis as a character, but we also need Minerva alive for episode 4; Louis can't kill her, he can't miss, and he's not going to stay with her because we need Violet to stay on the boat and him to be on shore for all routes.
#asks#twdg louis#twdg minerva#twdg clementine#twdg violet#twdg marlon#twdg tenn#honestly whenever i see someone say louis is the boring option i'm just like '.......that's your opinion but also how can you say that??'#then again i'm sure other people look at me saying violentine just isn't for me and they say the same thing so y'know... i can't talk haha#also time is such a weird thing because i look at the entire cell scene in louis' route and like... i'm not even mad about violet anymore#like yeah i still don't believe she was brainwashed like i'm sorry y'all only believe that because kent said something about it#not because there's all this evidence toward it in game like vi being pissed at clementine makes sense she doesn't need to be brainwashed#for it to work like her being vulnerable and easily manipulated into submission makes perfect sense especially with minerva there#it's like everyone was pissed that she attacked clementine and people needed a way to excuse it so it's not violet's fault when like...#that's literally what makes it interesting like calm down it's okay if violet is pissed and scared and behaves accordingly#also my controversial opinion of the day that i'll hide here in the tags so maybe people won't find it sksksk but#I personally find the concept of vinerva and the doomed tragedy of it more compelling than anything violentine did#like i'll defend violentine and i do believe it's an important and good ship it's just not my personal favorite#anyway but then the whole thing with lilly and minerva is so good and louis screaming FUCK YOU at minerva?? amazing love it so good#i love when the soft character who never chooses violence is so pissed off that all that anger they have boils to the surface and it's raw#like... he's SO mad he's SO furious he's SOOO UPSET like he wasn't even like this when marlon died or anything like he hit his limit#and then shooting dorian through the mouth while an accident is just well done i love it and i love his reaction of mortification#and apologizing and YET he still tries to go with clementine he's trembling and can barely string together a sentence but he wants to go#he wants to help her he wants to save aj THAT is the gut reaction he has after everything that just went down#'louis isn't loyal or good for clem because of the vote' babe tell me you don't understand any nuance of louis' character without telling m#it's fine IT'S FINE you don't have to agree and i just have to remind myself that it's fine not everyone likes louis we're okay#this drives me crazy in the best way like y'know what? i love the cells scene in louis' route all of it even the stuff i used to rant about#even the stuff that used to piss me off now i'm just like 'no wait past cj was dumb she wasn't looking at it this way aaaaaaaa' sksksks#that was my tag ted talk about the cell scene thank you
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skrunksthatwunk · 4 months
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you go to a lesbian blog and find it says women only!! no men allowed!!! and go oh! excuse me, um, what about other lesbians? plenty of lesbians are genderqueer... and they go well, okay, go fuck yourself tim chop off your sweaty dick and stop calling yourself a lesbian. you do not have a dick, actually. you think about that fact often, even though it does you no good. you do not tell this person that.
you go to another lesbian blog and it says women only and you try again, and this time they change it to wlw + nblw only (non-men who love non-men :D). and you'll say hey i appreciate that but gender's not really that cut and dry for a lot of people. someone could be both a man and nonbinary, for instance. i just worry that you're looking at nonbinary as a generic third gender, or an extension of womanhood. i mean yeah you include nblw in your tags but all your posts are about pussy-havers exclusively. what's with that? and they say go fuck yourself you pervy man pretending to be a lesbian. you tried to sneak in but i won't let you.
so you go to a lesbian blog with a dozen or so posts about queer people needing to be more weird about it and you sigh in relief. but you still see the men dni. that's odd. hoping for the best, you say hey! i know you mean well but please maybe don't put men dni at the end of the lovely posts on your lesbian blog bc some lesbians are men. and they'll be like ok!! well you're allowed ;) and you say no that's not. no. some men are lesbians not just me. you think about your own dicklessness and wonder if that's why you were given entry. and you add that even if male lesbians are allowed, there's no indication of that. how would anyone know without asking? and they're like ohh gotcha gotcha well men dni + this is for sapphics only!! and you'll be like ok well that treats the concepts of men and sapphics as mutually exclusive identities and i just told you that's not true and you agreed with me so.. i don't think that solves our problem. and they're like. ok. fine. men dni but genderfluid and multigender people are allowed! and you're like no see that's. that's still the same thing.. you're saying the same thing just with different words. if you don't want men to interact but you're fine with multigender/genderfluid/etc ppl interacting then you either don't see them as Real Men (because they don't reach a standard of Full Manhood) or Complete Men (because they're only Part-Time Men), both of which suggest that they are, in some way, not men or less-than men, which is invalidating and defeats the point of the exception in the first place (accommodation) OR that you don't really mean the dni which is confusing and inconsistent and makes guydykes feel weird and uncomfortable and excluded from the lesbian space you're trying to cultivate. and they're like um. ok. so. cishet men dni? and you're like well i think that makes more sense, but what if someone identifies as both a cishet man and a sapphic? again, if we're trying to accommodate the genderfucky populace then that has to be a possibility that is considered. and they say god you people are never happy. what do you want me to do? what am i supposed to say to keep the right men out? and you pause. you empathize with the need for a space free from dudes trying to fuck you straight and feminine. dudes who watch lesbian porn and joke about what they'd do if they were allowed into girls locker rooms. who look at you like a piece of meat, and like someone who looks at women like pieces of meat in the same way he does. you get it. you know. you want a space where you can be sapphic, too. that's why you came to these blogs in the first place. you brace yourself and you say well i don't know that there are "right men" to keep out. i don't know that there's any single label that would accomplish whatever it is you're trying to accomplish. you could go for "sapphics only" or "queers only" and i think that might be the closest thing to what you want, but it's never going to be perfect. creating any exclusive space is going to shut out people you didn't account for, and the broader the label, the more people will be shut out that you didn't want to shut out. and what about people who don't know if they're allowed? what of questioning transbians, where are they supposed to go? and, frankly, i think i might rather my dykey posts get read and appreciated by a gay guy who sees me as a man than a woman who only sees me as a sacred womb, pure from male perversions or violence or whatever. i think community might just be more complex than a dni can handle. and they look at you and say i don't want to not have a dni. i think you're too permissive. you can't just "what about" or microlabel your way into everything. go fuck yourself, i bet you're not even a lesbian anyway. go find a real problem to get mad about.
you go to a lesbian blog. you ignore the men dni because you know you probably don't even count to them. or maybe you do count and, out of respect for your manhood, they'd shun you accordingly. you try to feel okay about that. you scroll past dozens of posts about mediocre men and gagging at straight friends' boyfriends and how gross and undeserving men are of the beautiful women they couple up with and how all women should be gay so they can get treated right and and and and and. you finally find a post about curling into someone you love and feeling at peace and try to lose yourself in it. you know that feeling is what unites you, what makes you belong. you try to focus on it. you think about carding your hands through a butch's hair or lacing fingers with a femme and feeling warm and loved and more yourself than you ever have before. like this is who you're meant to be. you read about lesboys and butch boytoys and genderfucky dykes and big hairy deep-voiced wonderful women (like you want to be someday, like you wish you could make yourself) and you try to ignore the men dni underneath each and every post. and you daydream about meeting someone kind and earnest at a lesbian bar even though you don't think any such bars exist within three states of you and you can't drink and don't want to drink because you need to be in control of yourself at all times so you don't fuck up like you're always about to and here in the nonexistent lesbian bar you feel wanted and safe and in good company. you picture your ideal, happiest self. it is a mistake. ideal-you has a goatee. not the mascara one you smear on and call drag even though you know it's not drag, not really, the beard you call drag because you think everyone would look at you sadly if you told them it was just to pretend you had something out of your reach. a beard that's soft and that you grew and that cannot be smudged away if you get too comfortable with it. the dream shatters. your people pull away from you, their scoffs mixing with the mind-numbing gay girl bedroom pop you learned to settle for just to have something that almost resembled you, they all pull away and turn their backs and do not look at you. you're too close to being a man now, even though you're the same amount of man as before. and they know you're not supposed to interact with men, not as you would with dykes, at least. and it sours. it's all your imagination, all in your head, but it sours.
you sigh. you think about how small you are. how short, how narrow, how feeble. how your voice pitches up when you talk to strangers because it's easier to speak quietly when it carries more, and because you're nervous. because it's a chore to talk, like everything is. you think about testosterone. you think about how your family would look at you, the questions they would ask, your answers they would only pretend to accept. the uncomfortable glances and whispered questions they'd try to hide from you. you think about how small you are, and how small you will always be. how you don't know of a way to fix it, but even if there was one, no one would want you anymore. you'd be the only one thinking it made you a cooler dyke. you think about how you don't even want a T-voice all the time, how you'll never be able to switch it at will, because you don't know how and can't bring yourself to figure it out. you think about how your throat closes around every hint of your own attraction. how wanting is perverse, how wanting is invasive, how wanting is embarrassing and too vulnerable so it must stay anonymous, as an online witness, and how you can barely manage to form or maintain friendships because your brain makes you pull away, always spinning out and struggling to recover from the simplest of interactions. how they'll all leave you and you won't chase after them at all and how that will hurt them. how stuck you get. how it looks like nothing's holding you back, how that frustrates everyone who thought you were going to be more than you were. the people you love who understand except when it comes to being ghosted, being shut out. how you don't want to hurt them. how you can't tell them that because you're stuck. how you turn to stone when touched, how you never reach out, how you lose your speech and can't look at people, how your autism is fun and sexy until it becomes real and you never see them anymore, how much you longed for someone who knew everything without you having to explain, and who loved you anyway. how unreasonable you know that is to expect of anyone. you think about that not-even-real lesbian bar. you think about how you still can't drive. how you can't leave your home on your own, without dragging somebody into helping you. how you can't leave your body. how you can't leave your manhood behind.
you think about finding another lesbian blog and ignoring everything. about skimming it for the parts you can juice some meaning from. the parts men ignore and don't understand, and how typical of you it is to do so. or the parts where you're not welcome and you should accept that, because it's for lesbians only. how you are a lesbian anyway. how you're meant to choose lesbian or man, how each is a betrayal of some kind to yourself or your people, your family, your lovely strangers, your rare friendly acquaintances. about the parts that tell you you're not wanted, that you're ugly and lazy and gross and insert yourself everywhere without even asking. about the parts that tell you you are hated, and how lesbians are above it all by rejecting men. how lesbians are each blessed miracles. about the parts that say you should be ashamed of being whatever twisted confused freak you are, of everything, of looking and wanting or not looking or not wanting, of picking and choosing instead of taking it all in with a smile. after all, shouldn't you take it? or is your ego too fragile, as men's so often are? aren't you tired? good. we're not here for your consumption. and we sure as hell don't want your company or "community" or whatever. didn't you read the sign? no boys allowed. and if you want to come in you have to make up your mind. as if you haven't told them the only answer you have. you're both. you're both.
you know you broke the rule by interacting.
but it gets lonely sometimes. you wonder if they know.
#before i maybe get yelled at:#1) no i do not think ppl are evil for having men dnis no i do not think these are all equal transgressions even#though there is an overlap that should be examined that i think is based in a degree of lesbian separatism + exclusionism#2) yes there are lesbian blogs and people that are cool about genderfucky people. i'm not talking about them#3) this is a stylized vent post about trying to find lesbian content on tumblr that isn't like this. all these dnis/rules are ones i have#encountered. no i do not literally tell these people to change their dnis to suit me. the conversations are symbolic and ideological in#nature. if i find a blog with men dni i generally go somewhere else. it's about emotions. it's about my feelings on that it's not literally#about dming someone demanding they change things. it's not about demanding that You change things or else you're a bad person.#4) it is about the conflicts and hypocrisy and inconsistency of strict and exclusive sexuality labels persisting in gender-diverse spaces#and how it affects me as a lesbian who is a man who is a woman who is fucking whatever else. and yes it is about transphobia too.#5) it's about how lesbians feel the need to exclude men and how i think efforts to do so fail and hurt ppl and are often misguided#tht i think also comes up in like. bi lesbian/mspec lesbian/gaybian discourse. i'm not any of those myself but it seems like there's overla#6) if this post seems whiny and sad and insecure that's because it probably is. i have a right to be all of those things.#7) no i do not think all lesbians are man-hating assholes. i am a lesbian. i love lesbians. i love dykes and most of them are fantastic ppl#i just think the general bullshit of the world leads to this defensive thing that ends up hurting others in our community y'know?#8) i get that my perspective/experience is a bit unusual and many lovely ppl haven't considered it. that's part of why i'm sharing this#nyarla dni#<- sorry man it's too vulnerable. gonna keep this one to the internet-only folks
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redbootsindoriath · 2 years
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@cultivating-wildflowers​ has been rereading LOTR and mentioned that since Tom Bombadil had been around since forever, he was there before the firstborn elves.  He was basically their introduction to sentient beings.  Which is super funny but also super terrible because imagine being an elf, exploring and trying to learn about this new world you’ve found yourself in, and suddenly this strange, short man comes prancing by, singing nonsense, and you begin to question everything you’ve learned so far.
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covenofthearticulate · 11 months
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happy pride, if I see one more rainbow colored gifset of sam’s ass i’m gonna commit atrocities
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uncanny-tranny · 5 months
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How it feels to crochet:
[Video Description: A clip from Family Guy, with the Griffin family sitting at the couch in their home. Peter is stuck in mid-air and looks like Superman in flight. The intro to No Surprises by Radiohead has been edited into the clip.
Dialogue:
Louis: Peter, how are you doin' that?!
Peter (distraught): Uh, I... I don't - I don't know, Louis, I'm scared!
End of video description]
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ifyougoillfollow · 11 months
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as we sink into the open sea
M/F, Gen | QPR MicNight | 1720 words | Selkie AU CW: Depiction of Suicide Attempt (non-graphic)
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On the eve of his nineteenth birthday, Yamada Hizashi walks into the ocean and comes back with a wife.
Please understand, that wasn't his intention. Yamada Hizashi is not the kind of man to believe in tales of sirens and sea wives, and he is especially not the kind of man with dreams of snaring one for himself. He is, in point of fact, not a man of any dreams at all. Not anymore.
So he walks into the ocean, figuring that if he can't find the will to keep dreaming, then he can at least find some peace at last. He finds a wife, instead.
Or rather, she finds him.
She finds him as his body hits the sea floor, at the very moment the first wave of doubt rolls over him in one fell, unrelenting swoop, much too late for him to do anything about it. He's so overcome with it he doesn't think much of the figure that glides out of the ocean murk and sidles right up to him. Wide, shark-bright eyes peer at him, so close they fill up his entire swimming, pin-pricking vision, and all Hizashi can think about is how soon he's going to die, and how he’s not so sure he wants to die after all, and how little what he wants matters in this final moment, as in all the rest before it, and then the figure places one cold hand on his colder cheek and kisses him. She's all Hizashi can think of, then.
She's dark-haired and beautiful. And strong. And a good swimmer, too, but that's to be expected. She drags him back to shore, lips locked tight over his the whole way, and she doesn't let go until his lungs are clear of ocean brine.
Hizashi lies there, alive and silent on the cold, wet sand for a good while after. Long enough for the first hint of morning blue to blush over the horizon. The sea maiden lies with him, just as alive, just as silent, and infinitely more at ease. Cozied right up to his side, as if she belongs there, seemingly content to remain there for however long Hizashi has left on this Earth now that she's saved him. Try as he might, he can't figure out whether he's grateful or not. He does, however, remember his manners, on occasion, so when he finally finds his voice again, he uses it to thank her.
"You're welcome," the sea maiden replies. There's laughter in her voice. Hizashi doesn't know what there is to laugh about, though he finds himself wishing she'd actually done so, just so he could hear it. He used to love laughter. Impossibly, he still does.
Yamada Hizashi had a knack for making people laugh, once. It was all he knew how to do, really. He doesn't know much of anything now, least of all how to make the sea maiden in his arms laugh, so he says nothing.
The sea maiden in his arms says nothing either, at first, for just long enough Hizashi startles when she does speak: "Is that it?"
"Pardon?"
"Is that all you're going to say?"
"... Is there more I should be saying?"
"There must be." There it is again – the laugh in her voice. "You don't strike me as the quiet type in the least."
That's what it is – she's teasing him. It's much too familiar to do anything but rankle. "Listen, Miss –”
She snorts. "Nemuri."
"Listen –” his face burns as he realizes that's her given name, and he refuses to say it "– listen, I'm grateful to you for saving me and all, but you don't know anything about me."
She peels away from his side. "Liar."
"Pardon?"
"You're not grateful at all," she grunts through an impressive stretch, current-strong arms flung upward and out towards the heavens. She's wearing a sealskin cape and nothing else, and is so unembarrassed by it Hizashi can't muster up any on her behalf. She winks at him. "But you will be," she adds. Then: "Take off your clothes."
"Pardon?"
This time she does laugh – seagull-like – loud and sharp and to the point. "Well, I don't know much about land folk, but it's my understanding you don't handle being wet all that well."
Hizashi wraps his arms around himself, scowling. "I'll be fine."
"Suit yourself."
The sea maiden stands – or at least tries to. She heaves herself upward in a motion that would probably be fluid underwater, then loses her balance, toppling backwards onto the sand, rump first. The sight of her glaring down at her legs is almost enough to pull a laugh out of Hizashi.
"Stupid things," she grumbles, kicking up sand.
Hizashi does laugh, then, which is a mistake. The sea maiden stands, suddenly sure-footed in her indignation, and uses her newfound mastery over her lower appendages to kick sand in his direction.
Hizashi cannot stop laughing. He laughs until his new companion loses interest in burying him under sand. He laughs until the sun finally frees itself from under the weight of the horizon. He laughs until he almost forgets he just tried to kill himself.
When he's all laughed out, the sea maiden is still there. Sitting across from him, hands and feet planted firmly in the sand, peering at him with a smile so dry it's a wonder she doesn't hail from land herself.
Without a word, she stands again, solid and steady, all remaining traces of sea legs gone, and hauls Hizashi to his own significantly less steady feet. While he's still reeling from... all of it – the strength of her hands around his, the seafoam-salt smell of her filling his impossibly pumping lungs, the laughter still clanging through every hollow part of him – the sea maiden takes her sealskin cape and drapes it over Hizashi's shoulders.
It's soft and musky and so warm it feels more alive than he does, but, most of all, it's heavy.
Hizashi tries to shrug it off. "Thanks," he says stiffly, "but I said I'm fine."
"I heard you," says the sea maiden, rearranging the cape around him.
"I don't need it."
"I know."
She fastens the cape closed around his neck, patting his chest firmly. It's so long it covers Hizashi all the way down to his shins. On her, it must have just brushed over the sand at her feet. The uncanny warmth of it doesn't seep even as the seafront breeze hits it, makes it flap and flutter around him in a heavy, even bump-bump, bump-bump beat. Nothing could ever hope to reach him past that beat and that warmth.
"I don't want it, either," he lies, because he has to, because he's never known what to do in the face of so much want, because he's always wanted too many things, and he's wanted them too much.
"Neither do I," says the sea maiden, breezy as the morning. "Maybe we should leave it here, lying around. I'm sure no one else would find it, if we hid it well enough."
Hizashi blanches at the thought. He may not be the kind of man to believe in tales of sea wives, but he has heard enough of them to be wary of the kind of man who does. He fumbles for the clasp at the base of his throat. "Just take it back. Go home."
"Hm, I don't think so." She sidesteps his attempts to foist the cape back onto her, walking away backwards, hands clasped behind her head. "I think I'll stick around here for awhile. Explore the land realm. It seems exciting."
Hizashi chases after her, cape held out like a net. "It isn't."
She twirls away again. "Liar."
"It's too exciting, then. Dangerous."
"So is the ocean – didn't stop you from walking into it."
"That was –" Hizashi falters, loses his footing "– different," he finishes lamely, hands fisted in the sand-soiled cape caught under his knees.
The sea maiden stands over him. "You're right," she says, "that was different – I'm not going into this trying to die. I'd say that alone makes my odds of survival look pretty swell, don't you think?"
Hizashi stares up at her, looming tall against the dawn sky, so tall she dwarves the rising sun itself, and has no doubt she'd survive even the drying of all seven seas if it meant she got to live.
"You're naked," he says, because he's running out of arguments, and the will to keep making them.
"I wouldn't be if you gave me your clothes,” she shoots back, “I gave you mine, didn't I? It would only be fair."
The cape is velvet-smooth as Hizashi slides it out from under himself, warmer still from the heat of his body and the sun-washed sand, which slides off of it like ocean spray from mossy seaside cliffs. His sea maiden – Nemuri – takes it from him and helps him back to his feet. She folds it over her arm, as if merely holding on to it for the moment, and arches an expectant eyebrow at him.
Sighing, Hizashi shrugs off his coat. "Yes,” he relents, “I suppose it would only be fair."
On the dawn of his nineteenth birthday, Yamada Hizashi walks into town with nothing but a sealskin cape on his back and a wife.
Or so the townsfolk like to tell it, because the townsfolk love a good fairy tale romance almost as much as they love to pity him. In time, they will come to pity him even this moment and his sea-wild wife, as outrageous as she is beautiful, as the very ocean itself, and Yamada Hizashi will do what he has always done in the face of undue pity, which is to laugh in it and continue loving whoever and whatever he loves, in whichever way he sees fit.
But that will come later. For now, in the rosy light of a dawn he never planned to see, Hizashi walks into town beside Nemuri, the sea maiden who saved his life – the woman who will be called his wife and be so much more – and is content enough to have finally figured out he’s grateful, even if he has yet to figure out much else. The rest will follow, he’s sure, in good time and – even better – good company.
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