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eriexplosion · 2 months

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MOVING FROM SOME EASY EPISODES TO THE HARDEST. OUTPOST.

Do y'all remember the hype for this episode like we knew it was THE Crosshair episode and everyone was absolutely thirsting for it.

"A new friend is made on a harsh and unforgiving outpost planet" WHO WROTE THIS SUMMARY?

Like yes technically accurate as it doesn't specify that the new friend survives the friendship.

Crosshair clearly paying much more attention to the regs these days, at this point I do think he's pretty much had all his bullshit beaten out of him when it comes to thinking he's better than anyone else. Just in time for Crosshair's Worse Time Parade to start.

Much like Hemlock, Lieutenant Nolan is established as absolute garbage the instant he sees Crosshair taking like two seconds to breathe out of his helmet and tells him he's out of uniform. If The Bad Batch can do one thing it's write a man that sucks.

AND THEN HE MAKES IT WORSE WITH "I DON'T LIKE USED EQUIPMENT"

Literally would kill this man myself and he's been on screen for 30 seconds

THE ICE VULTURE <3 OUR BOY'S NEW MOTIF <3

MAYDAY. MAYYYYYDAYYYYYY.

HE IS HERE!

God Mayday was complicated because like I loved him from the moment I saw him but also like, coming into this episode just logistically we knew anyone that showed Crosshair a hint of kindness was almost certainly going to get killed, so Mayday is loved for the exact thing that put him on the path to narrative doom. Reinforcements or no reinforcements, it doesn't matter, Mayday was never leaving Barton IV alive.

They waited 36 rotations. 4 days longer than Crosshair was left to nearly starve on a platform. If I remember correctly (I'm not there yet) Crosshair says the trip took 2 hours. None of their lives were worth two hours.

THE WAY MAYDAY HAS TWO, TWO MEN LEFT UNDER HIS COMMAND. ONLY TWO. HE HAD TO WATCH THE REST ALL DIE UNDER HIS WATCH. I AM SO FUCKING UNWELL ABOUT HIM.

I really love the name Hexx btw

"Respect is something to be earned." And immediately Nolan goes nuclear to insult him because he wasn't instantly given unconditional deference.

YEP IT WAS TWO HOURS. TWO HOURS OUT OF THE WAY.

I am going to scream from the layers of unfair this is.

The way Mayday's voice softens a touch when left alone with Crosshair though, always gentler with another clone.

I'm still not over the LONG pause after Mayday introduces himself, like Crosshair is trying to dig past the shields he put up between himself and his situation to remember his own name. He probably hasn't heard it at all since Cody.

Mayday looked at Crosshair and apparently felt the desperation for company rolling off him in smothering waves because he instantly is just like 'you're under my wing now'

That he's been out here over a year meaning that the Empire has been established for over a year is a lot to take in like god Crosshair has been away from home for so long.

"You'll freeze to death in that armor" He is like 10 seconds from wrapping Crosshair in a blanket I swear to god I'm only slightly projecting.

"Vicious creatures, but you have to admire 'em. They find a way to survive." GOD I LOVE THAT LINE. ABSOLUTELY FANTASTIC.

Using the explosion through heat vision to completely screw Crosshair's up for the shot was such a good excuse to have him just wound the guy instead of kill him, lol.

Still was surprised to see a blood trail in this cartoon, but sure they can't show us any sign of Tech's body right (YES I AM STILL ON THIS AND WILL BE UNTIL THEY SHOW US THE BOY)

Goddddd him putting Hexx and Veetch's helmets next to all of the others. His very last brothers, the men he was responsible for, god I am in tatters about it. Every second of this episode is just. Grief and Pain.

"Remind me not to die on your watch" Don't worry you're the only person that's been nice to him in months he will literally drag you through hell to save your life. Crosshair just has what we call "Something is wrong with him" disease and all of his words pass through the cortex that makes him rude before getting to you.

My thoughts on this mine disarming scene are Many but let it just be said that I still cannot believe they put this on my screen, it was made explicitly for me to be feral to.

Mayday has learned fast how to talk to Crosshair though, gotta give him some snark back.

"They're... gone." "And here we are. The survivors."

GOD I AM UNHINGED ABOUT THIS.

"If I don't hear a boom then I'll know it worked." "Glad you're confident in your work." "Oh I'm confident, I'm just not stupid."

I just love this back and forth dynamic that they hit perfectly and immediately.

Hey Crosshair actually wins a hand to hand fight all he has to do is sneak up on them and not give them the opportunity to actually hit him back.

Shout out to the guy whose first instinct was to try and RUN MAYDAY OVER WITH A CAR like it didn't work but impressive ingenuity.

Clones dying to guard the gear intended for their replacements god it makes me ILL.

"We're good soldiers. We followed orders. And for what?"

The entire thing is designed to drive a wedge into Crosshair's brain and break through the thick shield he's built around himself where he is so sure if he just follows orders Well Enough maybe he can make everything he's done and lost worth it in the end but he can't because he never had a future in the Empire and no amount of sunk cost fallacy will change that.

AND JUST IN TIME FOR HIS EPIPHANY WE GET THE AVALANCHE.

Literally would be so fascinating to see exactly what was running through Mayday's head when he chose to push Crosshair out of the way of the rock instead of jumping to safety himself. He just met this guy, he's not technically responsible for him, but Mayday has lost every single soldier he was in command of, sole survivor of his unit, and he finally, finally had the opportunity to save someone. If he only saves one person, maybe he's done something worthwhile.

And honestly, Crosshair is trying to do the same back to him. Just Mayday dies knowing he succeeded and Crosshair lives knowing he failed.

I am fucking destroyed by this episode by the way like it is so unbearably good and also tragic as hell.

Mayday trying to get Crosshair to leave him behind and the music when Crosshair decides absolutely the fuck not. That they have one helmet between them and Crosshair put it on Mayday's head and not his own.

THE MUSIC AS CROSSHAIR IS SO DETERMINED TO DRAG HIM BACK AND THE ICE VULTURE OVERHEAD MY GOD.

The moment of them huddling together in a tiny little hideaway in the rock ends me too, like, images that stick in my head forever.

And despite everything Crosshair made it he got Mayday back to the outpost alive, he did everything to accomplish the impossible and it should have been enough, but it wasn't all because Nolan doesn't value either of their lives enough to even lift a single finger for Mayday.

Like Crosshair accomplishing the impossible through sheer stubbornness only to have it pulled away at the last second I am in AGONY.

HE GAVE MAYDAY HIS SNIPER RIFLE TO USE AS A CRUTCH FOR GODS SAKE

Crosshair taking Mayday's helmet off and at least giving him one last moment of human connection before it's over

The voice acting in this moment is absolutely unbelievable but especially on 'Help him' like give DBB all the money in the world because I was shattered.

THE FACT THAT THEY MADE US LISTEN TO MAYDAY GURGLE COUGH OUT HIS LAST BREATH AND SEE THE INSTANT HIS EYES ROLL BACK AND CLOSE

"He served his purpose as a soldier of the Empire" OWN WORDS THROWN BACK INTO HIS FACE LIKE A FUCKING PUNCH

The way Crosshair's words drop back down into a growl as he says "You could have saved him." is so good too.

The music as it all reaches its boiling point, as he sees the vulture's shadow, then Mayday's body, then the vulture itself just. Oh god. This episode is a masterpiece and I'm still not over it. I don't think I'll ever be over it.

Like I still cannot BELIEVE we got this shot? The rock wings? I'm? Inconsolable?

Crosshair really probably thought he was going to die right there next to Mayday and honestly I think he was okay with it, in the worst way possible. Also him unconscious here is literally THE most relaxed I think we've ever seen his face.

But because this is only the start of Crosshair's Life Getting Much Much Worse he gets to live and wake up in a horrible science lab!

The sedative injection is much worse given the way that they torture him later.

"Cooperate and you might survive."

Literally one of the best episodes of anything I've ever seen I still cannot believe that we got it, truly. This episode is like 95% of the reason I have faith in the writers pulling through on the Tech Issue because I don't think anyone that gave Crosshair this episode arc would actually kill Tech off in such a stupid way on a completely pointless side quest.

I'm still on the rock wings and will be until further notice.

#the bad batch rewatch

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gin-juice-tonic · 8 months

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in your opinion. can you watch Fionna and Cake without having seen adventure time? or are they too connected. I know nothing about either but it keeps coming on my dash so I’m curious

Now Fionna and Cake has only had 4 episodes so far, so bear in mind my response to this might not hold up once more come out, but

I've only seen sporadic episodes of the first 4 seasons of adventure time (out of 10) like, a decade ago, and I'm having a pretty good time.

You're gonna be out of the loop of quite a few things, but so far there is context sprinkled in the show through flashbacks and stuff that will help you a little. You wont be able to like, make predictions as well as people with the full context of the show can though obviously.

If that wouldnt damper your enjoyment then i say go for it. I dont think there's anything wrong with starting in the middle of everything. It's like how Star Wars starts with episode IV.

#ask stuff #if you want a list of wiki pages you should probably read if you want to be more in the know i can give you some lol #you might want to maybe at least watch like- a clip of what the ice king is like #just for reference when they talk about him

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zombified-queer · 1 year

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Ive been meaning to get into the Hotel.. whats the speedrun guide? If you dont mind sharing

Anon I am kissing you on the forehead I am SO glad you asked, bestie! Please also feel free to come into my DMs and go "WHEN THE LOBBY BOY!!! AND THE MANAGER!!! AND THE OWNER!!!" so I can be like "Oh bestie I KNOW!!!"

THE HOTELPOD SPEEDRUN GUIDE FOR PEOPLE WHO HAVE BUSY LIVES

(written by Kwiyatsi, who has some form of Hotelpod Cordyceps)

SEASON 1:

really you just need the first two episodes and then owner i-iv. the rest is flavor text. jenny range HIGHLY encouraged but not needed. also noreen highly recommended but not needed for trespasses.

SEASON 2:

burger baby and cracker man are the only episodes that matter, emotionally. we love burger baby and cracker man. but they are flavor text. really just skip to echo box and then return.

SEASON 3:

look man i'm gonna be straight with you this whole season is the most "plot" it gets. if you really want to run it you should do "a guest checks in" and then jump to avoid and finish the season from there.

SEASON 4:

the only "plot" is the owner v, x-x, and judy blashy. the rest you can skip. i rec carl larpe because madam is there and so is the manager. GIRL'S NIGHT [explodes into gore]

SEASON 5:

again, this is plot-heavy but you can skip down to we are watching and listen through to The Auditor and then skip until you get to the NYE double whammy of it's new year's eve + reaper's envy.

And then you should be current! Feel free to roam through the episodes. As I understand it the Bonus episodes like "The Pets" are more soft-canon goofs than Plot Required Episodes. Also Trespasses is soft-canon? I think? But it's tasty.

#The Hotel Podcast #Anon. Bestie. Come join me. Come off Anon and into my DMs and howl #we are in this TOGETHER friendo!!!

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selfish-solace · 15 days

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i have to say it’s kind of funny seeing people reblog my poorly made fo4 essay after the show came back. welcome back haters. If anyone’s curious about my thoughts on the tv show, it’s not my thing. i don’t really like it. i think the props department and the set people did a fantastic job but i think all the problems ive pointed out about fo4 carry into it heavily. and everything about like. everything. I don’t like the brotherhood as a milita, and it’s. Weird. To see west coast brotherhood portrayed as that.

to be clear, i have not finished the show nor do i plan on finishing it. i got about halfway through and im not going to hold the parts I haven’t seen against it. for the purposes of this rant, pretend that all you’ve seen is 4 episodes. act like this is still cable. and don’t get fucking weird about the fact I decided I wasn’t into it and dropped it. i don’t care if you personally think these issues are fixed by the end of the show.

ive always been an insane fallout conspiracy theorist and i was expecting to at least get super mad about the lore but im just. kind of apathetic. i think personally, that it’s fucking baffling that they decided to make their one main black character . like that. Maximus is like, constantly failing or being incredibly cruel to another person. like, when he put a razor into his only friends shoe for no reason other then social clout. i don’t know if they considered the optics of making the entirety of the brotherhood horrifically abuse the only black character because i genuinely believed for like the first three episodes that there was going to be some kind of “this brotherhood is racist” reveal, but no. I don’t think they thought about that. i don’t think they thought about much, to be honest. it feels like every new bit of information we get has to be delivered to us in the most unsubtle of ways. And that makes it boring to me. i don’t like how there’s essentially nobody normal in the wasteland except Lucy, because like. that’s really never been the case.

yeah, sure, there’s a bit of cruelty in everyone in fallout. that’s how this world works. But this show beats you over the head with the conclusion that everyone must be not trusted and everyone is to be feared and the wasteland really has fallen into complete anarchy. i think the complete destruction of shady sands and the ncr is a direct concequence of that choice. bethesda fallouts are kind of stuck in the old world apocalypse, and i just. think that’s kind of boring. the whole fantasy of fallout is seeing how things can change, and it feels like sometimes Bethesda takes “war never changes” too literally. like yeah. but that’s not what the quote means. it’s about how conflict is always the same, not how the world around it stays the same always. i also just think the fact there’s really nothing new or original to explore here is .. boring.

Quite frankly, im tired of the brotherhood. Im tired of the ncr. Im tired of the “find your family” plot. Im tired of the enclave. there’s nothing to mix up the formula. and im sorry, but i think the characters are boring too. i think that Walton goggins ghoul is not very interesting. I think Lucy’s arc is just. kind of predictable. because she’s literally just doing what people tell her with a kindness twist. fallouts always had these cool ass side characters, like, every dlc character from new Vegas. obviously it’s hard to translate that into a show, but who’s favorite is going to be the weird old lady? who’s honestly going to be interested in the horny farmers plight? does anyone care about that guy maximus was friends with? every character just falls flat for me. and that’s why i dropped it. because the new things it brings are just.. boring. and the things they keep the same are boring too. Genuinely, i had a better time watching the resident evil netflix show. at least that was interesting. I don’t care if you like it. I don’t think you’re a bad person for liking it. I get why. I just didn’t. be respectful in the notes please.

#fallout critical #fallout

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frankendykes-monster · 6 months

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Countdown to Halloween 2023, Ranked

43. Swamp Thing (1982)

42. Curse of Bigfoot (1975)

41. The Haunting (1999)

40. Orca (1977)

39. Teenagers Battle The Thing (1958)

38. The Beast (1975)

37. Don't Go in The House (1979)

36. Countess Dracula (1971)

35. Hillbillys in a Haunted House (1967)

34. Beware! The Blob (1972)

33. Alien Space Avenger (1989)

32. Baby Blood (1990)

31. Shriek of The Mutilated (1974)

30. The Mutations (1974)

29. Phase IV (1974)

28. Curse of The Faceless Man (1958)

27. The Sadist (1963)

26. Jennifer (1978)

25. The Wasp Woman (1959)

24. Noroi: The Curse (2005)

23. Girls Nite Out (1982)

22. The Monster of Piedras Blancas (1959)

21. The Cat and The Canary (1927)

20. Tell Your Children (Reefer Madness, 1936)

19. The Company of Wolves (1984)

18. It's Alive (1974)

17. The Wolf House (2018)

16. Michael Jackson's Halloween (2017)

15. The Girl Who Knew Too Much (1963)

14. The Omega Man (1971)

13. Gamera: Rebirth (2023)

12. Student Bodies (1981)

11. Night Caller From Outer Space (1965)

10. Inhumanoids (episodes 1 - 5, 1986)

9. Blind Woman's Curse (1970)

8. Maniac (1980)

7. The Child (1977)

6. Zombie 3 (1988)

5. Return of The Living Dead (1985)

4. Spider Baby (1967)

3. Basket Case (1982)

2. Messiah of Evil (1973)

Godzilla (1954)

Woof. Okay. This has been a mostly disappointing viewing experience.

Critical difference between this year's countdown and the past two is that now that I have stable employment, there is far less time to be watching horror films. I normally begin the countdown in September but we started in July of this year and still barely managed to crack 40, with my original goal being a full 100 this year. Timing. As such a lot of my plans and possible viewings were cut short and compared to last year specifically we fell back on a lot of "seen it already" at least for the top of the list.

This year's batch of viewings were largely blah, but a step up from the shitshow I put myself through last year (watching nearly every Texas Chainsaw sequel does things to a person). As such it'll be difficult to conjure up words for a decent chunk of these mostly because yes, these movies exist, I watched them, I would not recommend that you yourself watch them. That is all. If I write briefly on a given film that's not necessarily an indictment of its quality as there a decent number of these that I saw and enjoyed it's just their impact might be a bit fleeting. You will know which ones I actively disliked. I mostly just want to write about the top five or so but I will play fair.

Our grand loser this year is Swamp Thing, the DC Comics adaptation by Wes Craven. I watched this pretty much entirely because I finally got the Alan Moore Swamp Thing run in paperback this year after quite some time of having it on my to-buy list. Longtime Rachael/Ray/Ratchet fans may recall me reading it in early 2019 alongside [REDACTED]. Still one of the best Moore comics, and a second volume of Swamp Thing wouldn't have been possible without the success of this film. For context I did read the early Swampies by Len Wein and Bernie Wrightson and my general reaction to those was a'ight but there was definitely material for a serviceable film adaptation there. This is not that serviceable film adaptation. I'm not hung up on details like how Abigail has no connection to Arcane now despite being his niece in the comics, but this film is just kind of painful in how relatively unambitious it is which is saying something for Swamp Thing sword fighting another human mutation at the end of this. It's just silly and stupid and not scary or awe inspiring or anything, the Swamp Thing suit sucks, the action sucks, any sense of pathos is not there or gone, it stretches for 30 minutes too long like it's a padded TV pilot, the only highlight is being able to see Adrienne Barbeau's breasts. Fuck this it's a miserable experience to sit through. My mistake for watching a Wes Craven film that doesn't have "Scream" in the title.

Our next shitter is the two-for-one abomination that is Teenagers Battle The Thing (1958) and Curse of Bigfoot (1975); these are the same movie except Curse of Bigfoot has a 25 minute opening scene framing device that is bizarre given that "The Thing" of the original film is a Native American mummy of some sort unearthed by a group of white high school students. It's the rare personal pet project movie made for fun by some locals but the only highlights are the occasional kill scene, Curse of Bigfoot ranks lower just for making me sit through it longer. Blah.

Speedrunning through a bunch of these because theyre all varying degrees of bad and I don't want to spend any longer writing about these than you probably do reading about them: The Haunting is awful and I don't even super care for the original film so adding shitty CGI monsters and a moral lesson of "it's about family!" doesn't help. Orca is a shitty Jaws cash-in that's like a reverse Moby Dick where the sea animal hunts down the human, nice finale where the orca and shitty poacher guy are fighting it out in the Arctic but otherwise avoid. Don't Go in The House is a mysoginistic torture porn movie that really doesn't sell the "seemingly normal guy is a closet nutcase" thing even though movies made before and after have done it well (see Maniac several paragraphs below). The Beast is advertised as this really scandalous porno film but most of it is French aristocrats sitting around in stuffy rooms arguing about real estate. I think I only watched Countess Dracula for its inclusion in the "if this is her vibe I would fucking cum" meme and it's barely worth bringing up at all. Hillbillys in a Haunted House has an absolutely lovely Tennessee country soundtrack that I wish I could listen to without having to watch the actual movie which is devoid of both scares and laughs. Beware! The Blob gives off the feeling of sitting at a funeral for a family member that was just distant enough for you to be aware of them but not actually be upset but it's still a funeral so it's not like you're smiling, stick with the 1988 Blob film. Alien Space Avenger has some decent gore effects but that's all I can recall from it. Shriek of The Mutilated has one of the best titles for an otherwise uninspired yeti movie that has a needless third act twist about it being a cover for a cult and blah blah blah fuck you. Baby Blood has an alien mutant whatever crawl up a woman's vagina into her womb and she has to eat people to feed it and yeah I'm actually struggling to remember what happens here. The Mutations has a scene where a guy cuts into a tree and it bleeds, I think he's played by Donald Pleasance. Yeah, it's like Freaks except it plays to the freak show straight so you get to laugh at all the outcasts of society, no thank you.

Some odds and ends that I'd say are decent-to-pretty-good: Phase IV has some footage of ants and synth music. All you need is some footage of ants and synth music. Curse of The Faceless Man employs a rarely seen archetype of the living statue monster, it's cute. The Sadist is another starring vehicle for Arch Hall Jr., who was also the star of last Halloween's Eegah! (1962), though this film is a bold trendsetter for the 1960's with Hall being a unhinged killer holding people for ransom until they can fix his car and he can make a getaway. The film lives and dies by Hall's performance and it's mostly the latter until we get to an absolutely superb final act with him hunting down his remaining victims, it makes the whole film worth seeing. Jennifer is an oddball that plays out mostly like a character drama ("It wasn't my fault Daddy it was that stupid hillbilly bitch Jennifer") that suddenly remembers that it's supposed to be a cash-in of Carrie (1976) in the last 20 minutes and cue our titular character being able to summon and control snakes to send after her tormentors. Girls Nite Out is a plodding meandering slasher that's oddly hypnotizing considering so much of it takes place in pitch-black night and the killer is wearing a bear mascot costume with serrated knives hidden under the glove, not sure what fully to make of it. The Monster of Piedras Blancas is made up of leftover parts from the Gillman, Mole People, and Metaluna Mutant, but still manages to star in a decent enough film that gives a sense of what a series of monster attacks would do to a small seaside community. The Cat and The Canary is "cute" for lack of a better term being a horror comedy before the former genre had fully crystalized. Reefer Madness is horror adjacent more than anything but a hilariously good time about how the use of "marihuana" will drive today's youth into becoming crazed fiends and get involved in organized crime.

We can do this.

The Company of Wolves has an excellent story book like setting an atmosphere that you can't get in films nowadays and it's a shame that it's mostly remembered for its transformation sequences. it's Alive is the best Larry Cohen film by default of not sucking but it's still not "great", genius however for playing the concept of mutant newborn killer baby completely seriously without any sense of humor to the proceedings. The Girl Who Knew Too Much is almost a parody of giallo films which is interesting given those hadn't fully sprang up in 1963; absolute highlight is the main character being interviewed in bed by doctors and reporters and the like that yes she did see a murder and no she doesn't drink. I've always been fascinated and haunted by I Am Legend and while The Omega Man doesn't really capture the novel to a superb degree it's so beautifully shot that it lands high in the rankings for that alone. Night Caller From Outer Space is hilarious to me because of how it shifts halfway through from a Hammer-esque mystery about a meteorite with radioactive properties to a film about an alien that lures women in through a modeling advertisement. Blind Woman's Curse I've mentally confused with Irezumi for a while now (haha all 1960's Japanese genre films where woman have large animal tattoos on their backs are the saaame), and it's one I mostly watched for being directed by Teruo Ishii, but there's enough bloody yakuza fights and cats licking up blood for me to stick around; not the strongest Meiko Kaiji vehicle compared to Female Prisoner Scorpion or Lady Snowblood. Maniac I find mostly interesting as a precursor to American Psycho (2000) but also it's probably the only serious film to successfully pull off it's ending trope (which I will not spoil here). The Child is an absolutely lovely 1970's only-a-dozen-people-made-this-and-not-much-more-watched-it horror that oozes atmosphere, I could watch stuff like this all day. Aaand Zombie 3 is far and away the best film that Lucio Fulci has been involved with that I've ever seen. I love random scenes and set pieces of ghouls just massacring people that are shit out out of luck.

Okay, now for the ones I actually want to write about.

The Wasp Woman is one that sticks in my head way more than any other random monster movie that Roger Corman directed in the latw 1950's. I've said on here and Letterboxd that it could have served as a standard pop-feminist piece about how the cosmetology industry is built on misogyny and invariably a monster is accidentally created because of that, but this most recent viewing has made me sort of "get it" because that might be what the film is going for considering Susan Cabot's performance leads me to believe that she is aware that she is becoming a homicidal wasp monster but views it as a tragic means to an end where she still has the ability to have a new advertising campaign with her as the star. Tragic. This is why you don't wear make up.

Both Noroi: The Curse and The Wolf House are ones I didn't care for whatsoever but I put them in places on the ranking that I thought were fair given that people should probably watch them regardless of my personal thoughts. Noroi's format didn't really lend itself to the escalation of tension and reveal of information that the plot demanded and I found myself thinking it meanders quite a bit. The Wolf House was an odd one where everything that was happening onscreen bounced off of me mostly because I felt intimately aware that I was watching a movie, that someone had made something and that I was now being shown it. Blah. People like these so don't let me stop you.

Our animated offerings this year...

Michael Jackson's Halloween more than anything feels like an unlicensed creation that later had an English fan dub commissioned, not something that actually aired on CBS twice. Any laughs that I found in this thing were the unintentional type as we open up with Bubbles talking and being Jackson's chauffeur; you know exactly what you're getting into. Very little of the plot is explained but I'm assuming Jackson (who has no lines given this was made posthumously) orchestrates a dark fantasy adventure to hook two...teenagers? People in their late 20's? And convince them to follow their dreams of performing instead of working a deadend dayjob. I'm not sure who the actual audience for this was given it feels like so much of it was made for children but I will say anything that has this much of Michael Jackson's music in it can't be all bad, though I'm not sure why they didn't largely stick with tracks from the album Thriller (in the contention for best album ever, I don't care).

Gamera: Rebirth is one I feel like I'm on the outside on compared to most other tokusatsu fans because I didn't really *love* to a serious degree even though, yes, Gamera is finally back. The first three episodes are mostly just kind of a slog for me with the backhalf not doing enough to retroactively make me think highly of it, though giving off End of Evangelion vibes may make me consider that a second viewing must be in order down the line. Rebirth's strongest attribute is that it feels like it takes into consideration and influence from every prior era of Gamera, no stone is left unturned, and it's a marked contrast from how every recent Godzilla property only captures a single facet of their respective character. But that also creates unique issues like how a lot of criticism of ongoing US military presence in Japan is undercut so there can be a white kid in the main cast (because white children were always present in half of the Showa series) or having the ancient civilization that genetically engineered the kaiju now being malicious and actively sacrificing children as a means of reshaping the world gives me vaguely anti-semitic tones, I don't know, Gamera is still here, I guess.

"I was just a little twerp who liked Scooby-Doo and Smurfs, now I was viewing Cthulhu mutants ruin the Earth."

Everyday that we have Inhumanoids is a gift. Inhumanoids is another Hasbro/Sunbow production like G. I. Joe, Transformers, or Jem and The Holograms, and it is truly tragic that it never got anywhere near that level of attention compared to its siblings. The fact that a 1980's action figure tie-in cartoon is named for its antagonists is only the start; the series follows a small paramilitary outfit of scientists named Earth Core that are tasked with more or less saving the world alongside the Mutores, elemental beings, when the Inhumanoids, eldritch abominations, are unleashed. The degree of world-building beyond your typical "good guys vs. bad guys" affair is astounding with villainous humans and virtuous monsters abounding, but Inhumanoids is mostly magical and remembered for saying fuck all to any type of broadcast standards. Seeing giant monsters destroy cities, undead armies, and spelunking deep into the Earth (where nightmares begin...) are just standard fair here, as are witnessing the actual Inhumanoids such as Metlar (basically the devil) or D'Compose (giant undead entity that can zombify people by touching them and uses his ribcage like a jail cell) in action. The first five episodes here are the pilot movie of sorts for the series which only lasted thirteen overall, and they get more grissly from here on out, but maybe it's best that Inhumanoids is the short lived cartoon and no the cartoon that went soft as early as its second season. I will never not love this show, to this day it's one of my favorite animated series from any decade, much less the 1980's.

Back to our regularly scheduled live-action programming...

Student Bodies is a fascinating film for a myriad of reasons the first of which is that there were somehow enough slasher films by 1981 for there to be a comedy poking fun at all the already established genre-cliches. It's essentially Scary Movie (2000) a full 20 years ahead of the curve only actually funny in spite of the subject matter frequently being as juvenile and prejudiced; but it also reminds me quite a bit of Scream (1996) with stuff like two killers working together. All I know is I was in for a decent time when the film opens with three identical shots of a house just with different framing text: "HALLOWEEN," "FRIDAY THE 13TH," "JAMIE LEE CURTIS' BIRTHDAY" and then the killer, The Breather, calls the opening kill girl doing nothing but breathing heavily, she hangs up, he calls back with "I SAID [heavy breathing]."

Return of The Living Dead is one of those films that should have destroyed the any artifically-imposed boundaries between "high" and "low" art. Every aspect of this film is brilliantly made, it just so happens to be made for stuff like Scooby-Doo music overlaid on top of thunderstorms over graveyards where one female character is stripping to the concept of dying. Media involving ghouls is incredibly oversaturated, and this was still the case in the 1980's where a film like this had to redefine the rules to make it so killing ghouls was basically a non-option. It only recently struck me on this viewing that that's the whole purpose of removing virtually all weaknesses they have, to keep the characters as the nail instead of the hammer. Compared to the Romero films, there's never a point where anyone is in control of the situation, it just escalates further and further until there is literally no way out. Taking that into consideration, there's no way this film couldn't have been a comedy that frames people getting swarmed and eaten by ghouls as hilarious.

The soundtrack and the faux-punk sensibilities lend this a daft feeling of "you shouldn't be watching this" in spite of it not being one of the MOST gory horror films of the 1980's. I still don't get how this never broke into the mainstream. I mean somehow people know that ghouls (in this film) speak and only eat brains but I can't go down to Target and get a Tarman action figure like I can one of Michael Myers. As such Return of The Living Dead remains a criminally overlooked film regardless of its subject matter. It's made me laugh and cringe and feel disgusted and revolt at the concept at dying but mostly it's made me feel a delicious sense of joy at seeing corpses rise out of the ground to the tune of "Do you wanna party? IT'S PARTY TIIIME!" Some of you need to sit in the corner and think about your life choices for making stupid shit like Re-Animator (1985) or fucking Shaun of The Dead (2004) more popular than this, fuck you.

The act of watching Spider Baby is like discovering the missing link. For as much as 1960 gave us an explosion of horror (Eyes Without a Face, The Ship of Monsters, Psycho, Jigoku, Black Sunday, etc.) and Night of The Living Dead (1968) reins as the perennial transition point of the genre, Spider Baby is the road by which we go from The Cat and The Canary and The Old Dark House to the likes of The Texas Chainsaw Massacre and Eraserhead, it's magical finding an essential piece of a genre you love so much. Both the former and latter points of comparison are apt as a family of now only children [and their butler] suffering from Poe-esque hereditary illness have their condemned house set upon by distant relatives and everything slowly unravels.

Lon Chaney Jr. is an actor who for the longest time I felt never got a proper chance to shine wherein the last 25 years or so of his career was spent playing as side character actor in independent films. Spider Baby is his crowning achievement. Seeing him smile through almost tears on several occasions as he has to play bridge between worlds of sanity and madness and lie to everyone that he has some sense of control over the situation is brilliant in ways I always knew he was capable of but had never seen before this point. Bravo.

I will never not love Basket Case with everything I've got. This is the epitome of 1980's horror and my clear pick for best of the decade. It has everything from being a grungy putrid grindhouse spectacle to being an intimate character drama to everything presented through a wry ironic lense where you can't tell if any "bad" performances are all done on purpose. Between this, Brain Damage (1988), and Frankenhooker (1990), there is literally absolutely no reason why Frank Henenlotter shouldn't be more popular than Stuart Gordon, Brian Yuzna, and Lloyd Kaufman *combined*. It's tragic that the world of cinema being enclosed and captured by studios again in the late 1980's prevented us from getting more from him, but realistically could we ask anymore than what we already got from Basket Case? I could watch this every day and never grow tired of it. I will never stop making more and more people watch this.

If Basket Case is the apex of 1980's horror, then Messiah of Evil is the same for 1970's horror. This is one of the most efficient horror films ever made in how not a single frame is wasted, the opening scene is literally a guy running from unseen force, seeking refuge, getting his throat slit, cue title card with synth music that then leads us to a sunburnt hallway as our narrator descends into acceptance of complete lack of control of the situation. Every night shot in this film must be 50 - 75% completely black with whatever headlight or store front there is just making the scenery look like a dollhouse that our characters are trapped inside. There's so many shots of people running away or walking down streets that make them look tiny as the camera is so far.

Every scene is an exercise in building up dread. There's no point where the film relents, something awful is not only coming, it's already here and there's nothing anyone can do. What I love particularly is that the mystery being laid out doesn't offer any answers because there's another mystery on top of what our characters find out only too late. Layers upon layers of dread that even the titular Messiah of Evil isn't the center of. The world is a cruel fucking place where this film languishes in obscurity whilst shit like The Exorcist enjoys mainstream attention. A lot of my taste amounts to "why isn't this thing I like more popular" and cases like Messiah of Evil vindicate me.

"Godzilla is the son of the atomic bomb. He is a nightmare created out of the darkness of the human soul. He is the sacred beast of the apocalypse." - Tomoyuki Tanaka

Generally a yearly trend is that a #1 pick for Halloween is self-evident to me and this year it was Basket Case for all of 30 seconds until I picked Godzilla back up.

There's something to be said how Godzilla isn't quite a horror monster? Terrifying but not necessarily creepy, but what power do things that go bump in the night have against the destruction of everything you know? Everytime I watch Godzilla is like the very first time, when flashing lights out at sea destroy fishing ships I have no idea what happened, or at least any much of a clue as anyone in film does when we're told that the entire ocean exploded.

Godzilla is a reptile, but lacks scales and its entire body is coated in keloid scars. In 1954 Godzilla must have been the largest monster every committed to film, trains are derailed from running against its ankle and bell and radio towers are throttled for being a sensory inconvenience. Godzilla's first on-screen appearance on Odo Island is obscured by a hurricane but the impression is clear; you can't fight Godzilla in the same way you can't fight a natural disaster. When Tokyo is reduced to complete ruin amidst a sea of flames, it's an onslaught of destruction never before seen in a film of this genre. Survivors being afflicted with radiation poisoning shows that Godzilla will claim victims long after being driven back to sea.

There's a sheer apocalyptic dread to all of this sensed by all the characters. Love tries to exist on the edge of annihilation. There's nothing that can be done but persevere and maybe hope tomorrow will be better. A scene that always strikes me is when Serizawa is adamant about not using the Oxygen Destroyer until forcibly confronted with the results of one night of Godzilla making landfall in Japan. The absolute pain felt by everyone in the finale starts here, things couldn't play out any differently as the "scientist of the century" can't join in and celebrate his victory.

Godzilla is a rare perfect film. I will never tire of it.

#long post

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asordinaryppl · 12 days

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A3! Main Story: Part 4 - Act 13: Budding Spring - Episode 6: Current Location

Hisoka: … But this is still just the pre-voting.

Sakyo: That’s right. It won’t affect the finals. It’s just temporary voting results.

Kazunari: True! Ah, that had me startled!

Taichi: We can make up for it if we do our best on the real thing, right!?

Misumi: We’ve got a year~ Let’s do our best!

Yuki: … Still, even though there were so many theater companies, the votes didn’t increase.

Chikage: You can tell with just a quick look at the ranking that it’s mainly influenced by celebrities and influencers.

Chikage: We were at a disadvantage, considering this was SNS-only voting.

Sakyo: There will be SNS voting during the actual thing too, so we can’t say the situation will change.

Sakyo: It’s unlikely we’ll suddenly rise to the top 10 from our current position at 70 during 1Q

Izumi: Then what should we do…?

Itaru: The New Fleur Award has just started, so there's no guaranteed win strat.

Itaru: We don’t know how much theater votes will count for.

Homare: All I’ve understood is… We need to steadily increase our ranking from 1Q through 4Q

Omi: Our only choice is to take advantage of the four opportunities we’re given.

Azuma: I don’t think we need to reach the top immediately, we can build up bit by bit until we reach the 10th place.

Tsuzuru: Four times… Wouldn’t it be better to hold performances that stand out?

Sakyo: No, rather than doing something outlandish, wouldn’t it be better if each troupe performed its own MANKAI Company specialty?

Tasuku: The most important thing is to make sure that the fans who come to watch our plays leave satisfied, for sure.

Tsumugi: I think focusing on theater votes is a good idea. They are worth more points than SNS votes, after all.

Tenma: We have no choice but to make sure our audience sees our best, just as we’ve always done.

Masumi: We don’t need to change what we’ve been doing.

Tsumugi: You’re right. Let’s put on the best play possible. Same as always.

Misumi: Yup, yup! There’s no point to keep worrying about the ranking~!

Muku: That’s true… We've just got to do all we can.

Juza: Yeah. As we keep gaining experience, we’ll grow as actors. Even if that’s crude, it’s all we can do.

Banri: So, we’ll be holding performances as usual, yeah?

Homare: If we’re going with our usual schedule, then the Spring Troupe would be the next ones up.

Tsuzuru: Being the first ones up in a situation like this is makin’ me anxious… If we fail here…

Itaru: It’s scary to think how our results will affect us in the long run.

Citron: There is no need to worry! We just need to put on our usual Spring Troupe performance!

Sakuya: That’s true. We were nervous during our first performance too, but if we had failed, we wouldn’t have been able to have connected to the Summer Troupe.

Tenma: That’s how it is. If it wasn’t for you guys, the Summer Troupe wouldn’t even exist. If anyone can do it, it’s you.

Tsuzuru: Got no choice but to go for it, huh…

Citron: If we could do it at that time, we can do it this time too. There’s no mistaking it!

Chikage: I’ll do my best, too.

Sakuya: We’ve gained experience and one more member since then. I’m sure we’ll be fine.

Banri: And we’ll be supporting you too, of course.

Tsumugi: Let’s overcome our hurdles and reach 4Q.

Sakuya: Let’s do our best!

momo has entered the chat momo: mankai company came 70th even though they won the fleur special award? that’s sus momo: even more sus is companies that haven’t even put on their first show coming out on top momo: i can’t accept this sns voting. why was the pre-vote only sns voting? there were definitely companies that organized mass votings momo: if you use disposable emails you can vote as much as you want, and there were people actually suggesting that online momo: social media clout and irl clout are different to begin with Iv: this yua troupe that got first place was just created by a famous vtalent, yeah? the fact that they got twice as many votes as second place gives me the creeps fr Kar: sounds like a serious situation. you ok? momo: of course i’m not. what should i do if my oshi is shocked by mankai company’s low rank? no way, just thinking about it is giving me depression shiki: there was no helping it this time. the influence of social media is just that big momo: winning just because you’ve got too much clout on social media is wrong Iv: i mean, it’s appropriate considering the times we live in. there are fans who can’t go to the theater performances but want to support their oshi Kar: if anything, couldn’t this be used as a strategy to get people into theater? might just be me tho momo: true, but still

previous episode | masterpost | next episode

NOTES:

(1) the episode title is usually used as the "you are here" indicator on a map app

(2) 22/4 edit: i wasn't sure before, but yua troupe is mentioned again in a later chapter, so i edited its name in

#a3!#translation #a3! translation #sakuya sakuma #tsuzuru minagi #itaru chigasaki #chikage utsuki #towa ichinoe #+ more

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mahoushoujotechsupport · 10 months

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hey its time for episode 4

starting off with one of the funniest fucking scenes in this whole show with suletta just fucking hauling ass right out of there after guel just surprise proposes to her

just want to juxtapose this with her wild feelings speech in 17 about buying rings and wearing the prettiest dresses

this shot just reminded me of a random detail from the manual for chuchu's demi trainer - it says earth house can't afford their own demi trainers so chuchu's is a modified older version because thats the best they could do.

suletta pilots a demi trainer during the whole field test thing so like... does she own or have a demi trainer loaned out for school use or something? i honestly forgot chuchu pilots her own suit in this scene cuz i had just accepted that the demi trainers for practical exams etc were like just there for the students to use whenever

i know this was like probably the easier way to write suletta becoming friends with earth house but lmao why didnt she just ask miorine from the start to help for the makeup exam. baka suletta.

suletta please.

till will forever go down as bestboy in the series tbh. like someone needs to write a fic where he wingmans for suletta while nika does it for miorine

suletta, you naive little baby

there really was absolutely no reason for miorine to get all handsy and possessive here lmao like she could just stood infront of suletta or even right next to her and still had the same confrontation and warning about the other houses being bad news

the 2nd light novel picking up from here and highlighting miorine's jealousy over el4n during this whole arc is perfect lmao

kinda fun to speculate on how suletta saw miorine during the beginning. like she was completely surprised miorine didnt belong to a house. suletta's so awkward and socially inept she couldnt tell she was dealing with the one other person at school who was equally socially inept

i feel like there's a lot of frames i never paused on to read like this one lol. i never realized suletta got so many questions wrong. well "wrong" cuz reading through her answers it almost sounds like she just didnt give the benerit group approved answers lmao kinda like when you get stupid training stuff at work and they're just chockful of anti-union propaganda

never forget the first time we saw miorine's room

i know so many people don't really care about the class conflict in ad stella, but god, i wish they really hadnt dropped the ball on this. like in the 1st cour they had something really good here

obligatory shot of chuchu's dads

miorine rembran will not let anyone insult her woman

does anyone know what this gold gate/door thing was supposed to be? after the second school shooting, there's a shot shown where it's the only thing left standing in that area and i dont think ive ever seen anyone talk about it before

see like even this is good re: class politics. like its not this cut and dry all spacians are evil capitalists thing. mercurian miners were pretty much lured out by the benerit group to be exploited for their labor and then left to dry once a cheaper source for permet was found. bless the fic writers who've turned that into appalachian town suletta because it's such a perfect analogy

suletta mercury literally got decked in the face and we all just focused on the chuchu punch

imagine miorine sitting with her in her room just helping her ice her face

by the way how excited do you think suletta was to call someone senpai just like in her fair use mangas lmao

ok all set with episode 4. ive gotta say, it is super jarring to go back to these slice of life school episodes after everything we've been through in the second cours. like yeah that was kind of the point in having the first half of the series have pretty much no stakes since these kids are about to be thrown into war

you know for all the complaining a lot of losers did when the show started about this not being a "real" gundam series, the only difference between watching suletta's journey versus say amuro's... is that we got to see suletta's life before everything got wrecked. with amuro we just immediately start off at the point where Everything Goes Bad

#g witch #rewatch time #g witch episode 4

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princedetectives · 11 months

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nanako is one of the most well written characters in persona 4

⚠️ major spoilers for p4 up to its 7th dungeon in here (yes im talking to you kaylingo)

ive been thinking about nanako a lot over the past few days and, man, i feel like she doesn't get enough appreciation. she rivals akechi as my favorite persona character ever because of how precious she is, yes, but also because her writing is so perfect.

because, let's be honest, a lot of parts of this game aged poorly, especially in a modern lens. i could make a list. i have made a list actually which i give to my friends who start p4 to warn them (hi kaylingo!). you know, like the bathhouse scenes, the poor representation, the countless times the female characters are treated weirdly. the fat girl who only exists for fatphobic jokes. i could go on. nanako is not included in this.

in fact, nanako is one of the most compassionately written characters i've seen. she is just as important to the whole investigation team as she is to yu. she is never treated as a hassle to watch over. she's actively included in things they do. everyone is gentle with her (her very first social link where yosuke finds out her mom is dead and so softly apologizes, the little things like that). everyone loves nanako. that's so important, both for her and the story as a whole.

the justice arcana

nanako being the justice arcana is pretty baffling at first. the wiki says it's thanks to her deep care about right and wrong, but to me that's not as satisfying as:

nanako reflects everyone's sense of justice

this is clearest during Heaven: nanako's death is the reason the investigation team turns murderous, desperate to avenge her. nanako ends up in danger thanks to nametame's skewed messiah complex. nanako being in danger gives dojima the energy to launch a desperate attempt to finally catch the culprit and save her, wrecking and getting terribly injured in the process. importantly, nanako being in danger is what gets adachi panicked enough to slip up and reveal himself as the killer, thus allowing justice to finally catch up to him.

seeing her like this makes every character's actions much more fascinating. she doesn't deserve anything happening to her in the slightest. it's unfair and unjust. everyone knows this. what we see during Heaven is each character's attempts to save her, even nametame.

Heaven is my favorite dungeon in the game. in my book it even beats every palace in persona 5. everyone's love of nanako is stronger than ever in the most painful way. there's so much raw emotion and it's so well written the entire way through.

a few characters specifically stick out to me, like naoto, who chides themself for not figuring out nanako could be in danger sooner and being the person to initially suggest turning murderous against nametame.

teddie, who's so distraught over the injustice of nanako's death and his inability to keep the promise that gave him a place in the world that he loses all will to live. he can only live in the human world with her around, and she only comes back to consciousness upon hearing his voice.

and adachi, who, in an episode of the golden anime, is seen muttering to himself alone in the hospital pushing the blame of everything onto yu (episode 6, i told you, yu. the anime is usually really dinky but that episode is genuinely a masterpiece somehow.), which further proves his warped perception of justice. because he cares about her too. the anime proves that to him, yu took his place in the dojima family, and he's extremely bitter about it.

in conclusion

nanako's role as the collective little sister is so important. she helps everyone throughout their social links and brings out the sides of people that wouldn't be seen otherwise. before Heaven, each dungeon was fairly impersonal, saving people they hadn't met before, which drastically changes with her kidnapping.

nanako gives everyone the strength to solve the case. she's the light that guides them to the clues they've been looking for throughout the past 8 months. nanako is the justice arcana because, without her, the case goes unsolved, and it's all thanks to the love everyone has for her. she's the best depiction of anything like this i've ever seen.

#persona 4 #persona 4 spoilers #p4 #p4 spoilers #nanako dojima #talks

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pinkhorsepro123 · 3 months

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So, I just recently watched the 4 episodes of Hazbin Hotel, and MAN IVE GOT SO MUCH TO SAY

Spoilers underneath the read more!

I will be critical of some things, as a writer it's kind of in my blood to be lol.

But I want to first say, it was WELL WORTH THE WAIT. I usually don't like these type of adult shows, yet I still loved watching it, and am having trouble not rewatching it already lol.

I'm going to go over my few criticisms first before I go over the, many positives. (Not all of them, I'll be here writing this all night lol

My main problem is the fact that those who watch it without knowledge of the Pilot will be quite confused. I feel like, they should've either remade it or even put it on there as the first episode.

Also, at first I found the musical bits to be embarrassing, but at the same time they're perfect. If it didn't have them, I don't think it would be Hazbin Hotel.

Katie Killjoy, her voice is not, right- I understand though if that's the only time we'll hear from her. If not though, definitely needs a new one. The only other voice I despise is Val's, it might be because I love how ParanoidDJ does him. It just, doesn't scream the pimp to me. The rest, even if at first I found it meh, as time went on I grew to love them. (Nothing against the voice actors of course! Just doesn't fit the characters)

For EP 4, my only complaint is that there should've been a content warning before it. Even just saying that there's triggering topics ahead would've sufficed. Although those who know Hazbin Hotel knew what Angel was going through, there will be a few that join without knowing that, only to stumble upon a real fucked up situation they weren't prepared for.

On the situation, I didn't know of the leak I've seen people mention, but istg if I see one more saying it was abuse being sexualized-

It was the purest form of abuse, rape, addiction and sex trafficking, uncensored forcefulness. Angel Dust is a bdsm porn actress who is owned by his pimp. Obviously he's going to have shit done to him, and a lot of it is stuff he's high as a kite while doing.

How the fuck is that sexy? It's one, a song about being fed "poison", shows just enough that you know what's happening but doesn't show more, and in the end he's having a meltdown wishing for help. If it had full sex scenes I could understand that line of thinking, but it doesn't. So yeah, I don't understand it.

Ok tangent is done-

That's pretty much all of my complaints, now for the positives!

The 1st episode finally fixed the major plot point in the pilot, being the angels themselves. It wasn't explained why the angels themselves kill sinners, and the whole just why it's considered overcrowded despite not seeming bursting at the seams (especially considering all the dead bodies around-). The story makes a lot more sense too, the background of why Lucifer and Lilith are the way they are.

Adam, is fucking hilarious. Like seriously, if you can make that kind of character funny you're doing something right. Charlie is perfect, they did a really good job at making her not too innocent. Vaggie and Charlie's relationship is amazing, the fact that they're equals and all.

Angel Dust, they did a pretty good job on showing how good his mask is, yet showing the small cracks every episode. Husker's voice, I was unsure about it at first but by the 2nd episode I loved it. Alastor, perfect. The fact he's so powerful yet still wants recognition is great in showing he is human.

The three V's time!

Vox, well disregarding personal hc's for him, he is GREAT. His personality is funny, and makes so much sense, his voice actor is great, his design mwah, what else can I say?

Velvette, I fucking LOVE HER. Her accent, new design, personality, amazing! There was so little content for her I always wondered what was going to happen. Now, I can say with confidence they did her well.

Other than his voice, Val is done really well. His act in front of Charlie is perfect, and the fact that he seems to love pushing others buttons for entertainment (as shown by Vox) makes so much sense. His narcissism and abusive nature is on point.

The Overlord meeting was really cool. The characters, the way they interact, their designs and voices, love them. Alastor just being on the side is hilarious too.

As a multi shipper, I love both RadioDust and HuskerDust(and many more, basically if the ship is healthy and cute I'll probably like it) ... So I can safely say THAT DUET WAS FUCKING AMAZING-

It's so them too, the fact Husker is horrible at comforting others but still manages to, Angel at first being suspicious, only to slowly let down his walls and join in.

Charlie at Angel's place, I never expected honestly. I didn't know how I expected it to happen, but not in the studio-

Their relationship is really pure considering everything, and it's nice to see.

I think that's, about all I have for my critiques and compliments, well as much as I can give before I explode-

There's only a few things I'm gonna be disappointed if they don't talk about in the series, the main thing is how Charlie is trying to "redeem" Angel Dust by getting him off drugs, completely incorrectly-

I hope it'll be talked about- and finally, I hope Vark is going to be a thing still, the little guy was so coot.

Even if he looks completely different I'm just fine with that. He's a shark pet! What more could you want lol

Ok My head hurts I've stared at this screen for much too long.

Thanks for coming to my Ted talk

#not dsaf’s #hazbin hotel #hazbin hotel spoilers #ramble #critique #omg I'm so happy I watched it #there's flaws but that's what makes me love it all the more

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