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#jack lenor larsen
nobrashfestivity · 15 days
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Jack Lenor Larsen South China Sea Textile 1972
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almostarts · 2 months
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Pierre Paulin, ‘Ribbon’ Chair, Model No. 582 & Ottoman, 1965,
Artifort, France / The Netherlands,
Jack Lenor Larson upholstery, lacquered wood,
Armchair: 27½ h × 40 w × 30 d in (70 × 102 × 76 cm),
Ottoman: 29.5 w x 19.5 d x 17 h inches.
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coltonwbrown · 2 years
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Textile designed by Jack Lenor Larsen
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vintagehomecollection · 11 months
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Carpet and silver Mylar screens are the materials used to cover two walls in a family living room designed by Jack Lenor Larsen. The designer carried the honey-colored wall-to-wall carpet up the end walls for total integration of the walls and floor.
Barbara Taylor Bradford’s Easy Steps to Successful Decorating, 1971
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3000s · 1 month
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https://aneclecticeccentric.wordpress.com/2013/04/10/jack-lenor-larsen-new-york-loft/
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houseofcatwic · 10 months
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Jack Lenor Larsen vintage velvet sofas
DROOL!!!!!
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matthiasmerkelhess · 1 year
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Posted a new video on YouTube about how I make sgraffito decoration on vessels. The drawing is inspired by a late 1960s fabric print by Jack Lenor Larsen called “Happiness.”
Follow my channel here: https://www.youtube.com/@merkelhess
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outfitandtrend · 2 years
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[ad_1] Arai, who died at 85 in 2017, experimented with a nylon-coated polyester that looked like the gossamer wings of a butterfly; he said it could be made into raincoats weighing less than four ounces. He designed a four-layered jacquard with squares on one side and triangles on the other. He mastered the art of blending manual skills, like tie-dyeing, with the tools of computers and other high technology.“There are several things that made him one of the most important innovative thinkers in textile design,” Matilda McQuaid, a co-curator of the 1998 exhibit “Structure and Surface: Contemporary Japanese Textiles” at the Museum of Modern Art in New York, wrote in an email. “The first is his passion for experimentation, from destroying the surface, shrinking the fabric, to using traditional methods with new materials, like weaving with stainless steel.”Beginning in the 1970s, fashion designers like Issey Miyake, Yohji Yamamoto and Rei Kawakubo gave Arai global recognition within the fashion and textile industries by using his wearable, yet wildly inventive, fabrics in their own creations.“He is the greatest influence on textile design in the world today,” Jack Lenor Larsen, the American textile designer, said in introducing Arai at a lecture in 2004 at the Fashion Institute of Technology in Manhattan.Arai’s textiles are in the permanent collections of many museums, including MoMA, the Cooper Hewitt Museum in New York, the Rhode Island School of Design Museum and the Victoria and Albert Museum in London.Junichi Arai was born on March 13, 1932, in Kiryu, Japan, the eldest of six children of Kinzo and Naka Arai. Kinzo Arai started the family’s weaving company, Arakin Textile (also called Arakin Orimono), in the 1920s, making obis. It was based in Kiryu, about 80 miles northwest of Tokyo.Junichi Arai dismantled his father’s company in 1966, became an independent textile planner and started his own company, ARS, which went bankrupt in 1978. That same year, he established Anthology, which also went bankrupt, in 1987. Still, he was endlessly inventive. [ad_2] Source link
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pristinescarlett · 4 years
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Jack Lenor Larsen
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dream-and-delirium · 5 years
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Jack Lenor Larsen Labyrinth 1967
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nobrashfestivity · 13 days
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Jack Lenor Larsen Brocade Textile 1972
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equatorjournal · 6 years
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Jack Lenor Larsen’s Longhouse, 1966
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splungecoyote · 7 years
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Of all the hues, reds have the most potency. If there is one electric blue, a dozen reds are so charged. Use them to punctuate white, burn into bronzes, or dynamite black.
Jack Lenor Larsen
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keepingitneutral · 7 years
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Izumi Masatoshi Concavity,
Jack Lenor Larsen Longhouse Garden, East Hampton
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garadinervi · 6 years
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Larsen Design Studio, Gin Fizz, 1995, produced by Jack Lenor Larsen Incorporated, New York, NY [Cooper Hewitt, Smithsonian Design Museum, New York, NY]
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publicnews · 3 years
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At Home with Jack Lenor Larsen at LongHouse Reserve - Quintessence
At Home with Jack Lenor Larsen at LongHouse Reserve – Quintessence
In the world of textiles, Jack Lenor Larsen is an icon. As one of the most influential fabric designers of our lifetime, Larsen is an accomplished weaver but also much more. At LongHouse, his home in East Hampton, he has created an extraordinary 16 acre reserve and sculpture garden, open seasonally to members and the public.  With a mission of living with art every day, LongHouse Reserve was the…
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