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#john wick x helen
johnwickb1tsch · 4 months
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picture of domesticity ~ john x wife!reader fix it imagine
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So... what if you were married to John Wick and the writers didn't kill you off just to give the male protagonist the excuse to go on a rampage? And everything John goes through in the movies is so he can come home to you, rather than agonize in just the memory of you?
You're in the car with your new puppy Daisy on your lap when Iosef proposes to buy the 'Stang. John does not like it when he leans in the window, leering at you as much as the car. You don't understand the exchange the men have over your head, though you understand John's body language all too well.
When the creepy boy goes you turn to your husband, hugging Daisy to you. 'It's so hot when you speak Russian," you say, trying to lighten the tension in the car.
He looks at you with an eyebrow raised, the corner of his mouth ticking up despite himself. You've always had that effect on your so- serious husband.
"What did you say?" you ask.
"I called him a bitch."
You giggle, scratching Daisy's ears. "John!"
"What? He said it first."
You sigh and reach over to take John's hand, feeling the tension thrumming down his arm. Usually you can calm him down with just a touch, but this time he remains wound as a spring. You have just been for a drive in the country. 'Let's go home, baby."
He does not calm down when you get home either, though. He is quiet in his agitation. But you know his every tell by now, and you know something isn't right.
He disappears into the basement for a little while. When he returns, he doesn't smell like book glue, but something more chemical.
Gun oil, you realize.
It's been a long time.
"Is everything OK?"
Now you are beginning to worry.
"I'm sure it's fine," he says, opening his arms to you. You snuggle on the couch with Daisy for the rest of the afternoon.
When you wake to the sound of a crash downstairs you almost are not surprised. John's side of the bed is empty. Daisy tries to dash away towards the ruckus, but you secure her in the closet, but not before withdrawing your Beretta 9mm from the jewelry safe.
It was a wedding present.
By the time you descend the stairs, the intruders have been rendered into corpses. John stands in the kitchen with a blood spattered face, looking feral. It catches your breath in your throat.
You are not half as horrified as you should be.
You have not seen that suit in a long time.
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Only later do you find out it was the son of your husband's old associate, Viggo Tarasov.
John says the matter is closed, but you aren't so sure.
When a beautifully dressed Italian with impeccable manners appears at your door, your heart falls to your feet, and you just know they are going to try to take him from you again...
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meetmeinthematinee · 1 year
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Oh Hey, remember I used to write John Wick stuff?
Check out my Masterlist!
Guaranteed no spoilers for Wick 4 since....I haven't written anything in quite a while but I've been eyeballing my WIPS again my friends and maybe just maybe......
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romangoldendreams · 6 months
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With every look he got from her he only got her soul broken into pieces, her fragility not hidden, that porcelain doll facade, helpless, broken.
She was weak, and they both knew it. She was intelligent and determined in her work, for everything in life, but not for problems or difficult situations. All of her was torn from top to bottom, and depression, sadness and everything that makes up the word strength disappeared from her person. She totally lacked the energy that he had, and it was precisely because of that weakness and disability that she openly showed that made him fall in love with her, lose himself in her gaze, in that tattered body, and heal his soul stained by fear, broken by injuries, because she was coward while he was brave enough for both.
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kiwisbell · 2 months
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helen ; chapter one
dear joel
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Si vis pacem, para bellum. Or, the inciting incident.
series masterlist | my masterlist pairing: joel miller x f!reader tags/warnings: 18+ (MDNI), john wick AU, (retired) hitman!joel, husband!joel, graphic violence, established relationship, artist!reader, love as worship (and blasphemy), blood + injuries, murder, cars, joel lifts reader once, reader has hair, oral sex (f receiving - aka munch!joel returns), married fluff, angst, threats of rape/SA, home invasion, disgusting awful men, childhood/religious trauma, the typical alcohol + smoking + profanity, erotic paintings, dividers by @/saradika word count: ~ 8.2k a/n: so i'm posting this and sprinting away because i'm terrified. that being said, this story means more to me than words can say and i sincerely hope you enjoy what i have to offer. thank you so much for reading, and please let me know what you think!! gigantic thanks to @cavillscurls for beta reading this chapter and being generally incredible throughout this whole process. i couldn't have done it without ya baby ❤️ next
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PREFACE
“Love is my mover, source of all I say.”
— The Divine Comedy: Inferno, Canto II.
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The blood is tangy, near-sweet, as he swipes his forearm over his mouth and smears crimson on his shirtsleeve. It tingles faintly on his lips and crackles, warm as the melt from a late-winter snow. He feels it settle in the grooves of his palms, the hairs of his beard. He’s drowning in it. 
Joel Miller grins as the punch rocks his jaw. 
His opponent hits hard, but he’s slow. He’ll take five punches in the time it takes to wind up for one. Joel brings his arm up to block the next and delivers a blow to the sternum with his knee as his opponent’s guard drops. Wide open, the man stumbles a few steps back, choking down the telltale wheeze of being winded. Joel marches forward, relentless in his crusade, grasping him by the scruff of his neck, teeth bared like a mad wild dog, and bears his skull down on the side of the railing. Around them, the wind howls and lashes at his clothes, but he still hears the pained scream as if it were poured into his ears. 
The man drops to his knees, and Joel grabs him again, bashing his head repeatedly against the steel bar, the lapel of an Italian leather coat bunching between his fingers, tainted by rainwater and the fist of the man who's about to take his life. 
And fuck, Joel wants to make it last. 
But there's a knife in his opponent’s hand, conjured from the darkness of his coat pocket, and Joel must release him to avoid the lethal slash of the blade. Blinking blood and lashing rain from his eyes, the man lunges with a snarl, and Joel recovers from his lost victory, stopping him with his fingers curled around his opponent’s wrist. He brings his hand to the crook of the man’s elbow and uses his leverage to snap the bone.
Yowling, the man drops to his haunches, the knife clattering to the ground. Joel, chest heaving, stands over him, flexing his fingers as he readies his fist for the killing blow.
His name leaves the man’s bloodied mouth, accompanied by a mouthful of crimson-tainted saliva spat on the ground at Joel’s feet. 
“Joel…” He lifts his head, cradling his own broken arm, and sneers. There’s a chilling glow of satisfaction in it. “Did you get your perfect life, Joel? Do you really think you’ve won? It won’t ever stop. Not after you’ve killed me, not after you’ve killed all of them. Is that what you’re going to do? Kill them all?”
Joel staggers backward to pick up the knife, clamping his hand over the curve of his opponent’s shoulder, and drives the blade down into his neck.
“Yeah.”
He leaves him slumped against the railing, choking on his own blood, and limps his way to one of the beaten-up Range Rovers whose front right bumper was totaled in the crash. Joel groans as he settles into the front seat, gnashing his teeth together as he lifts the hem of his dress shirt to inspect the damage. 
The bullet has pierced the soft flesh of his stomach. Blood blossoms bright through the white fabric and spirals outward. Joel blinks away rainwater and pulls his phone from his pocket, the screen smeared with blood. He doesn’t know if it belongs to him.
He grits his teeth and makes a call. 
In the back of his head, Joel vaguely recalls an old song of prayer. He used to watch others sing it while he lingered in the shadows at the back of the cathedral. He would memorise the shape of the words leaving their mouths and wonder how a benevolent God, who had shaped man—perfection—from red clay, could have made him. 
He would lower his head as if swept up in a tide of repentance, examining the bones beneath his hands. The flickering of tendons. The bulge of veins as he delicately folded his fingers into a fist.
Red clay. Blood. The old dance of serpent and man.
He was fourteen when he escaped.
Joel looks down at his bloodied hands. They’ve grown since then. They’re stronger, thicker, scarred. There are no pictures of him as a young boy, but if he saw one, he knows he would not recognise himself. Not his eyes nor his hands nor the set of his jaw. God makes man makes boy. He is destined for Hell.
The call goes to voicemail. 
Joel curls his hand into a fist and whispers a prayer.
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Something cool and wet collides with Joel’s forehead as he stalks into the airport. It’s begun to rain. 
His target gate is close, and he's early. The press of bodies begins to crowd him. Prickling body spray and sickly-sweet perfume and sunburned skin from Spring Break return flights. Joel shoves through them, unseen, unnoticed amid the rowdy din of reunions. The collar of his shirt sticks to the nape of his neck. It’s the sensation of being strangled, clammy palms slick against his own skin. He adjusts his jacket and tightens his grip on the black fabric dangling from his hand. 
Joel waits by the gate, his eyes flitting between its apex and the people milling about him, reuniting with partners and parents and children. Nobody seems suspicious, but his fingers still dance upon the blade hidden in the inner lining of his leather jacket. Those performing wide berths around the scowling man try not to make eye contact. Most don't notice his presence at all. 
He waits, flicking his sleeve up every couple minutes to check the time on the inside of his wrist. Every tick of the thin hand registers in the pulse of his heart against his ribs. 
He hears the suitcase before he sees it—and it’s hard to miss. One wheel is wonky, and the case stutters in its path along the polished floor. It’s huge, pink, hideous. 
His hand dropping from the blade in his pocket, Joel makes his move. 
You see him approaching and drop the lopsided suitcase, shrieking as he takes you up in his arms. 
He swings you around twice, holding you firm against him, your fingers grabbing desperately at the locks of his curly, brown-grey hair. Joel nestles his face in your throat and breathes in: vanilla and shampoo and the unmistakable scent of a you he can never shake. Home.
You shudder into him, your feet barely scraping the floor as he holds you around the waist, one hand cradling the back of your head. Joel lets his eyes close. 
Daisies made of diamonds dangle from your wrist, connected by a fine golden chain. He can feel the faux petals dig into the back of his neck, etching their shape into the phantom pain of the ink peeking out from his collar. Sometimes, his skin would pull back with the needle, briefly protruding from his body like a tent made of flesh, as if grasping feebly onto some innocent time before the black hands of Dürer were permanently his. His to remember. His to loathe. 
There is a slight in the way his gift to you, wrapped snugly around your wrist since the first anniversary, kisses the old wound, the tip of the cross, and all he feels is the echo of agony. He holds you tighter.
“Can’t breathe, honey,” you croak, shoulders shaking with laughter. 
Joel mutters an apology, loosening his grip on you just enough to pull away and cup your face in his hands. His thumb traces the curve of your jaw, and you beam up at him, smoothing back the hair you’d tousled with your fingers. A curl swoops back down over his forehead.
“Hi,” you say softly. 
“Hi,” says Joel, already on his way to kissing you, his mouth slanting over yours. 
He tastes of mint and smells of his dark cologne, pine, Joel. Your Joel. And you kiss him like it—your hand cupping the nape of his neck, the other sliding up his strong, broad back, your lips meeting in a consuming kiss that knocks you off-kilter. He bends slightly over you, keeping you upright with a large hand on your lower back. 
“Never leave again,” mumbles Joel, grinning against your mouth, his hand sliding down your arm to your left hand, where two glimmering bands rest on your third finger. Your hands intertwine, and he bumps his nose into yours. 
You give him another short kiss. “Get me out of here.”
Joel slides your raincoat over your shoulders and you slip your arms through. He presses his lips to your forehead and closes his eyes, letting himself linger briefly in your space before he scoops up the handle to your affront of a suitcase and escorts you out back to the car. 
He opens the passenger-side door to let you slide into your seat, securing your case in the back, and makes his way around the vehicle. You reach for the collar of his jacket and pull him toward you for a kiss, grasping his jaw between your thumb and forefinger. He grins crookedly when you pull away, bushing the pad of his thumb across your cheekbone. 
“Missed you,” he says.
You sink your teeth into your bottom lip. “Yeah? How much?”
He reaches across the console and kisses you deeply, making you gasp into him as his hand slips underneath your silky little blouse and fits his fingers in the grooves between your ribs. Your skin prickles with goosebumps under his touch as his exploration migrates to your belly, sliding south, ever lower, his hand playing at the waistband of your panties—
“Okay,” you laugh, smacking his hand away. “Okay. You’re paying for parking, Miller.”
“I’ve got money,” he says plainly, dipping his head to kiss you again, his pupils fattening as he tries to gorge on all of you at once. You place a hand on his chest, enjoying the strong pulse of his heartbeat where you typically rest your head, and gently push him back. 
“Take me home,” you coo, your gaze sweeping fondly over the face that hasn’t changed, that you cannot forget, “and show me how much you missed me.”
His wedding band coolly kisses your cheek as he retracts his hand, reluctantly turning his key in the ignition. “Yes, ma’am.”
He’s always been a meticulous driver, expert in the way he flattens his palm on the wheel, his other on the back of your headrest, turns the car out of the spot, and merges onto the freeway. When he no longer needs his other hand, he gives it to you, and you bring his long-scarred knuckles to your lips. 
His hands are marked by years of use, of abuse, speckled with little white scars, freckles, divots, curves. You already know the lines in his palms, have traced them and painted them and put them under sensitive study with your body. But you turn his hand over nonetheless, your own fingertips careful in their examination, following their contours as if searching for a change. But they’re the same—he’s the same—and so you tuck your fingers between his and bring your palms together in a warm, awaited kiss.
It’s only been a month, but you study his profile as if years have passed. He’s still Joel, still surly, plush lips curved into a permanent pout, the space between his brows marked by a ponderous gash, the vein in his throat fluttering in silence when a driver cuts him off or he spots a car following too closely. He’s a good study, practised in his stoicism. 
His nose is artful. Its convex slope, pronounced, strong, curves deliciously into his upper lip, the soft greying hairs in between a space of waiting. His mouth, soft, learned, often languageless, is what you know best of him. You know it like your own—can trace its shape in the dark, hands behind your back. The strong jawline, the slight wrinkles beside his eyes, ones he never had before you met him, the patches of skin disrupting the fullness of his beard: they’re the picture of the man you married, and there’s always something you’re disappointed in discovering you’ve missed. A something you’ve never noticed, a something you wish you could go back and add to all your canvases. 
When you left him at the airport, it was a freckle just beneath the hollow of his throat. Now, it’s the frayed hairs just behind his ears, crimping in frizzy patterns that don’t match the languorous curls on the rest of his head. They look singed, as if he’d put a match to himself. 
Maybe it’s making up for lost time, for all the days you’d missed being away from your Joel. But there’s a second, smaller something: the little round scar beneath those wild hairs. You lift your hand to it, and before your thumb can make a pass over the white, puckered skin, he speaks. 
“It’s a burn.” Merging off the freeway, he pulls into a gas station. His fuel ticker is tapping gently at the E. “From a cigarette.”
Your heart tips off the edge of a yawning chasm, and your hand pulls back in a wary twitch of your fingers. Throat tightening, you feel a distinct pressure behind the T of your nose and forehead. “From the people who raised you?”
A muscle in his jaw spasms, and he lifts your joined hands to his mouth. “None of that,” he says softly, meeting your eyes that well with unshed tears. 
No tears for me, he once said to you. Not until I’ve earned ‘em.
You sniffle, watching him nuzzle his cheek against the soft flesh of your wrist, his lips finding your vein and following it halfway up your forearm. 
“Tell me about your show.” 
You let him tuck your tears away in the grooves between his joints and smile. “Successful, but lonely. So many people knew my name, and I’m pretty sure I knew about a quarter of theirs. Made me feel like some snobbish pig.”
“Nah, that’s my job,” says Joel. “Everybody loves you, baby.”
You roll your eyes. “Either way, the gallery was a hit. The triptych sold for the highest at the auction.”
Joel smirks. “The nude ones?”
“Yeah, dirtbag. The nude ones.” Your smile is dry, still somehow saccharine. 
“I liked those,” says Joel, fingers playing upon your upper thigh. 
“Perv.”
He playfully smacks your thigh. “Goddamn right.”
“It was good. It was. But I missed you.” Your voice breaks, and Joel squeezes your fingers in response. “Could hardly sleep without you there.”
He nods like he knows. And you know he does; he barely sleeps, even if you’re on top of him. “I know everybody loves you,” he says, “but next time you go away, remember I love you most.”
You blink away the shimmer of tears so you can see him clearly. “Casanova.”
“That's right,” he says, nosing his way into another kiss. “Don't ever leave me again, baby. My heart can't take it.”
You shake your head, laughing into his mouth as your tears slip onto your tongue. “Never again,” you whisper, “unless the hotel food is good.”
He nods. “I’ll make an exception, long as I can go.”
You grin. “You know… if I’m at home all the time…”
“We’re not getting a puppy.”
“Joel—”
“No.”
“Don't you want to make your wife happy?”
He faux-snaps at you like a dog, catching his teeth around your earlobe. “As a goddamn clam.”
You gasp as you feel his mouth suckle gently at the sensitive spot beneath your ear. “I… I want… We should at least talk about…”
“Hmm?” 
He’s playing with the hem of your blouse, deft fingers leaving warm imprints on the soft skin of your belly, fingers enveloping your precious heart when he places his hand on your upper back. The organ pounds under his touch, pouring its blood into his palms. 
You haven’t felt his touch in so long.
“I want…”
Joel hums again, prompting, his pinky finger dipping under the strap of your bra and pulling back, snapping it against your skin. 
“What was I talking about?”
He chuckles, bringing his lips back to yours. You grasp for him greedily, trying to fix him to you this time, your fingers bunching the fabric of his T-shirt. But he’s pulling back, his forehead falling against yours. 
“I’ll consider it,” he says, “if you can convince me.”
Giddily, perhaps stupidly, you smile. “I’m very prepared to convince you.”
“Uh-huh. I don't doubt you, baby. How ‘bout you let me fill up the car first?”
The throbbing bass of house music Dopplers as another car approaches the gas station. Three men exit the vehicle, one of them already lighting a cigarette while the other two make for the convenience store. One is wearing a backwards cap and the other a pressed suit. 
Nice move, you think, sinking back in your seat a little as Joel slides out of the car, smoking by a gas pump.
“Nice ride,” says the man at the opposite pump, puffing at his cigarette. 
“Thanks,” says Joel with a polite smile, locking the nozzle in the fuel tank and folding his arms over his chest. He’s hovering by the passenger door, halfway to blocking you from view.
The man surveys the hood, his fingers gently tracing the cool silver. “Boss Mustang 429. She a ‘70?”
“‘69,” says Joel.
“Very nice,” muses the man, drumming his hands on the hood. You feel the crude vibrations in your spine and straighten in your seat. This man—this kid, all his puffing and grinning and loud music—is bad news. Your stomach coils taut when his gaze shifts from Joel to you, staring hard through the windshield. 
“How much?” he asks Joel. 
You notice the minute stiffening of the muscles in Joel’s shoulders. “What?”
“How much for the car?” 
Joel pushes off the car and dislodges the pump, brushing the kid aside on his way back to the driver’s side. “It’s not for sale.”
The kid wanders to the passenger-side door before Joel can turn on the car and roll up the window. He leans his elbows just inside, his face mere inches from yours, and you can smell the sickly, cloying smoke of his cigarette as he blows it in your direction. 
He says something to Joel in Spanish that makes your husband’s hand still on the wheel.
And your Joel, your courteous Joel, your never-the-shit-stirrer Joel, narrows his eyes at the kid and says something in kind, his voice a low scrape that shudders through you.
It’s too fast for you to hear, and you never learned Spanish, and you were under the assumption (until right fucking now) that Joel never did, either. But he starts the car and rolls up the window, and you’re peeling away from the gas station before the kid can reply. 
“That was…” You cast around for the words and instead rest your eyes on Joel, whose jaw looks ready to snap. “Joel, honey, when did you learn Spanish?”
He’s silent for a long while, and you would assume that he didn’t hear you—if you didn't know that he has stellar hearing. When he pulls onto the long stretch of road, signalling your first firm tug away from the stifling noise of civilization, he finally speaks. 
“Picked it up in the Marines.” 
“What did he say to you?”
Joel’s skin is stretched taut over his knuckles. “Somethin’ stupid.”
You hum, letting him linger in silence for the remainder of the trip. Scenery, green and grey sky and the drizzle of rain, swoops by the window, and you're going home. It isn't much different from what you found in Vancouver, but it's familiar. It’s the smell of the air after the rain and the way your shared home comes into view the same way it always has. 
It isn’t a modest home. You and Joel had it built before the wedding, both eager to get away from the city and exist in relative peace when your job allowed it. It sits low and broad, geometric pillars framing the front porch, sleek modern lines in black and white. Your compromise: he assumed responsibility for the exterior, and you took everything within. Joel pulls into the garage, next to your beige SUV, and helps you and your hot-pink luggage out of the car. 
The walls are littered with canvases. Mostly, there are paintings of Joel. The first time you brought him to your studio, a few weeks into the relationship, he’d sat stone-still for hours. You don't recall even a twitch of a finger. He’s in shades of blue, red, green, grey. He’s sitting, standing, lounging, sleeping. His lashes lie in repose over his cheeks, eyes closed, sometimes open, often averted. You’ve captured him in bed, by the pool, in the kitchen, in your studio. Like a spider, you’ve ensnared his shyness, his care, his devotion, weaving it into a tapestry of oil, watercolour, pastel. 
You’ve never sold a single one. This Joel—whose eyes are sometimes closed, sometimes open, often averted—is for your eyes only. 
The curls at the nape of his neck are creeping under the collar of his jacket. Winding your finger around a rich brown lock, you give him a tug. “You haven't been taking good care of yourself.”
Joel brings your hand to his mouth, kissing the rings on your finger that bind you to him. “You told me you liked it long.”
“You told me it itches.” You shrug his jacket off his shoulders and trail your hands up his muscled arms. “It's not about me, honey.”
Joel hums, cradling the crown of your head in his palm and pressing a lingering kiss to your forehead. “When will you learn”—another hand around your hip, tugging you forward by the small of your back—“that everything is about you?”
You narrow your eyes at him. “That's a good answer, Mr. Miller.”
He grins crookedly, backing you against the kitchen counter. “Yeah?”
You scratch his scalp and feel his mouth descend on your jaw. “Mhm. You’ve been practising.”
“Didn't have much else to do,” he grumbles, fisting the fabric of your blouse and untucking it from the waistband of the old jeans sitting low on your hips. “My wife was gone.”
“You're getting whiny,” you chide, smacking his hand away from your fly. 
“Is it working?”
“You really wanna make your wife happy?”
“Yeah, baby. Yeah.” He looks down at you like he's close to pleading. 
“Then you'll let me cut your hair,” you purr. 
His pout lasts as long as it takes for you to get his hair soapy and your fingers in his curls, massaging slow and sweet. You take your time ridding him of the excess length, chopping carefully, your hands assured of their strength. You tell him to tilt up and look down and to the side, honey, and he obeys because it's your hands, and your voice, and he's pliable as molten glass. 
You get lost in the musical shhhick of the scissors cutting through hair, humming a tune that does not match, and he's reminded of ballet. Watching you in the mirror is like seeing the dance through a glass he cannot permeate. You may be touching him, but most times he's struggling to grasp you in your entirety. 
He sees an angel in his sleep, reaching out with a hand made of gold to guide him up from hell. 
You tell him more about the gallery. You tell him about whale-watching and being too seasick to take photos for him like he'd requested. Joel wants to shake his head but he stays still and tells you it’s okay, baby, all I wanted was to know you were happy. 
And you tell him I was happy. But it would've been better with you.
And he's joking, telling you I’d be throwin' up on the other side of the boat, but his body feels cold when you set down the scissors and leave his side. 
“How’s Tommy?” you ask, rubbing gel between your palms. This, he knows, is your favourite part: styling him up all pretty like your personal doll. 
It’s his favourite part, too. He holds you around the waist while you work. “He’s panicking.”
“Oh, come on,” you laugh. “He's read every book on the shelves. And your brother doesn't read.”
“Books can't prepare you for the real thing,” says Joel. “‘Least, that's what Maria told him.”
“Maria’s probably right.” You thread your fingers through his locks and watch with a smile as he closes his eyes, his forehead dropping to your belly. “But that doesn't take away from the fact that Tommy will make a great dad.”
Joel hums, pressing a kiss to your belly. “He’s been askin’ after you to paint their nursery. Want me to tell him to fuck off?”
You're beaming, curling one lock of hair around your finger and dangling it teasingly over his forehead. “Tell Tommy I'd be delighted. Maria shouldn't be doing any of that, pregnant as she is. You should smack some sense into your brother.”
“I tried every day when we were little. Didn't take.”
You give his styled hair a finalistic tug and brush it back from his ears. “Such a good model for me,” you coo, dropping into his lap, “just like always.”
“And what do I get?” he says, watching his own hand cup your breast, thumb ghosting over the soft swell, obscured by layers of fabric. 
Your wicked eyes feel heavy on his skin. “What you always get.” 
You take his hand in yours and lead him to the bedroom. You’ve done this a thousand times, it seems, this methodical undressing, made new with every hour spent apart. The dance replenishes in the sunlight, coming alive as spring blossoms, never stale, never withered. There is something new to discover each time. 
Joel kisses you, staggering backward until he’s sitting on the edge of the bed. You climb onto his lap without breaking the kiss, your arms winding around his neck as he tucks you into him. His cock is a hard, heavy weight between your thighs, accustomed to the touch of his hand alone in the month you've been apart. 
The revitalising warmth of skin-on-skin strikes him true, blooming like blood from his heart. He clutches you so close that your heartbeat skitters from your chest to his, your mouths exchanging breaths, your bodies sharing heat. He knows nothing but the shape, smell, sound of you. 
He trails his knuckles up and down your spine and wonders if he can make certain that he will die like this. He doesn't want to know an afterlife. It will spoil the memory of his very last moment, when he brings you in close and kisses your soft cheek and lets the darkness gently pull him down. 
The sisters at the orphanage would tell him things. You will never know peace until you know Him. You cannot know a person’s love until you know His. You will never understand, child, what it is to breathe, until every breath you take is in His name. Joel drags his open mouth up the column of your sternum, its golden pillar, his tongue dipping to taste the nectar that pools in the hollow of your throat. He tastes you instead, and he feels he has not cheated God. 
You gasp his name as he licks molten salt from your skin, and he feels the golden hand curl around his heart. His lids grow heavy with every taste. Intoxicated, he seeks more, putting his mouth to the crook of your neck. Your back arches, your chest flush with his own, melting and moulding together. Every second of time spent apart withers and dies. 
You have taken Joel to bed and felt him angry, happy, morose, insatiable—but the Joel you’re feeling now is tired. A drowning man finally cresting the surface, he touches you like he never will again. Your skin bunches and folds under his too-eager hands, rubbing you raw. Your muscles pull taut as you try to accommodate his frantic mouth. He bites you and your lips part in a silent scream. He pulls your hair and you gush, your chest hot, prickling with friction and sweat and heat. 
There is anguish in the way he holds you. It feels deep as a wound, old enough to still ache when it rains, old enough that you were never around to know him when it was cut into his body. You want to rescue him from the wordless pain, the agony that has no name. 
You want to know what has made him this way. Because there are times when you see your husband and it strikes you suddenly that a different person exists in the black of his eyes. Because there are parts he keeps hidden, for your sake or his. Because there is a little boy in his chest who's been hurt and you do not know how to save that sliver of him. 
Leftover hairs from his trim sting as your bodies slide together. Your scalp prickles at the desperate way he holds you at the crown of your head. You whisper his name and he looks up at you in the darkness, and there is water brimming beneath his irises. 
“Tell me what you need,” you say. 
He brings his hand between your thighs and touches the wet, warm place he seeks. You nod, letting him roll you onto your back, his mouth trailing kisses down your navel. When you squirm, he pins you by your belly, his palm flat to your skin. When you mewl his name, your chest heaving, he nods his head in reply, dipping his head and sliding his hot tongue through your slit. 
Joel is the prayer you chant. He kneels at the edge of the bed, bringing your thighs around his ears, closing his lips around your clit. You cry out, your hand flying to his hair, tugging him closer, eliciting a groan from his chest. It rumbles through you, his face buried in your pussy, his hands fastened around your thighs. He places searing kisses between your legs, lighting you ablaze, leaving scorch marks wherever his lips touch you. 
“Tell me you're mine,” he says, and the fractured sound of his voice cuts into your skin. He's watching you, his pupils puffy and seeking, hands squeezing, desperate. “Please.”
You whimper at the sight of the kiss he places on your clit. “I’m yours,” you tell him, reaching for his hand and threading your fingers through his. “I’m your wife, Joel. I’m not going anywhere. I’m yours and I love you.” 
He lowers his head, an apostate seeking redemption, and his tongue slides heavily over your clit. At the suction of his mouth around the slick pearl, you gasp, “Oh, God,” your head thrown back, your spine arching into his palm. The cut of the diamond on your finger is sharp against his skin. 
Joel relishes the cool bite of the gem as he licks through your folds and his saliva mingles with your wetness. He kneels with fervour, presses his mouth to you as if whispering his confessions through the lattice, and makes you his. 
The flat of his tongue is scalding, his palm a brand. He licks and sucks until you’re quivering, suffocating his hand in yours, and he wants to bare the imprint of your sigh forever. He should be the one submitting to you, and here you are, lending him your body to please, if only for another moment. Joel flicks his tongue over your clit, takes it into his mouth, and makes you sob his name. 
I’m yours. 
Yours. 
And it sounds so permanent that, for a second, he believes it himself.
You come with your back curving and your hips grinding and your nails in his skin. Joel doesn’t stop until you’re begging him to, until you push yourself onto your elbows and tell him to come here.
You swing your leg over him and bring your mouth down to his. Joel squeezes his eyes shut and kisses you so deeply that it bruises him somewhere he cannot reach. His hands cupping your face. His cock heavy between your bodies. The sun lowering, casting you in bronze. He loses his grip on the world.
“Now,” you whisper in the growing dark, “it’s your turn to tell me.”
You lift yourself onto his cock and bring yourself down, and Joel’s fist opens against your back. “I’ve been yours since the restaurant,” he rasps. 
You beam at him, and dusk ends.
There is a thumping beyond your bedroom door.
Joel hears it before you. In a flash, he hooks his leg under your knee and rolls you over, pinning you under his body. He reaches for the nightstand on his side, throws open the drawer, and pulls a gun. 
You grasp his shoulders, nails digging into flesh. Eyes meet in the slippery darkness. Wide, careful. Words wordlessly exchanged. 
Your fluttering heartbeat begins to pound in your ears. The noise migrates down the hall. 
Footsteps. 
In the kitchen, glass shatters, and your stomach swoops, down and back up, lodging in your throat. 
“Joel,” you whisper, your own voice trembling out of you. He shakes his head, his finger coming to his lips. Your body begins to tremble. The chill digs a pick into each knob of your spine as it climbs up to your brain stem. 
Your home begins to pound with its very own heartbeat. You can hear its tightly-wound tension in the walls. Nobody breathes except for your husband, slow and steady, hovering over you with a gun in his hand. 
You hadn’t known he owned a gun.
His hips ground you against the bed and his fingers intertwine with yours, bringing your hand to his chest. His heart pounds strongly into your palm, his eyes narrowed, fixed to you. But you know his focus is split down the middle, divided between keeping you safe and listening. 
Your breathing peters out until it’s silent as the breeze outside the window. A man’s voice carries from the kitchen, and another answers. Joel shifts slowly off the bed and brings you with him, handing you his T-shirt and boxers. He tucks himself into his jeans and pulls another shirt over his head while you silently dress. The fabric slips from your hand as your trembling fingers struggle for a purchase. Once you’re dressed, Joel pulls you into him, pressing his lips to your forehead. 
“Under the bed,” he whispers. 
Oh, fuck that.
“You want to go out there and confront them by yourself? Are you fucking crazy?”
He shuts you up by lowering his mouth to yours in a scorching kiss. “Do not fuckin’ argue with me,” he rasps, his teeth scraping against yours. You open your mouth to do exactly that, but another glass shatters, and you flinch away. 
“Under. The. Bed.”
And he’s gone, leaving you alone, helpless, the predatory prowl of his gait something unfamiliar to you. It’s learned, utterly silent, the curve of his elbow guiding your gaze to the gun held behind his back. His head juts out before him, peeking around corners.
There are dust bunnies underneath the bed. You’re a better cleaner than Joel, but he makes an effort. He gets lost in it sometimes, sweeping his way through the house as if there’s a grid on the floor, precise in his methods. He doesn’t attend to the details, like the corners of the trim or the grooves in the floorboards. And yet, your floors are polished. Your plants are watered. He cares for you in quiet ways, when words fail. 
Your heart thuds against the hardwood through the thin fabric of his T-shirt. It smells of rain and him. There are no more noises coming from the kitchen.
You drop your head into your folded arms and will yourself to breathe. The claustrophobic space between the bed frame and the floor edges in on you. The only light disrupting the vignette is the small lamp. You’re alone. 
When you lift your head again, a pair of heavy black boots stares you right in the face. 
You bite down on your scream as your heart swoops down into your stomach, pressed hard against the cold floor. Though you do not breathe, the thrum of your heart echoes in your throat as the sputtering of an engine in the dead of winter. The boots leave scuff marks on your floors, the boards groaning under the weight. The owner is heavyset, likely male from the size of his feet. And he's calling for you. 
“Here, pretty kitty.” He pitches his octave high as he taunts you. “Come on out, sweet girl. Don't make me mad.”
You watch the path of his boots across the floor as he approaches the nightstand, throwing open the drawer and rummaging through your belongings. 
Objects roll under the bed with you as he periodically drops them, careless in his vandalism. Your journal lands next to your head with a thunk, and you hear the low buzz of your vibrator in his hand. “Hmm, kitty likes to play.” And it lands on the floor, rolling to a cool stop in the groove between two boards. 
Petrified, you can only watch him stalk across the room, his heavy footfalls thundering in your ears. He whistles a tune you don't recognise, and you wonder what's taking your husband so fucking long. 
Joel, cries your heart as the man halts in his tracks, lowering himself to the ground, taking a knee. JoelJoelJoelplease—
And there's a spark of recognition when your eyes meet in the dark, like you've been acquainted with their black depths, before you're scrambling out from under the bed and kicking him square in the face with the heel of your foot. 
He grunts, holding his nose, free hand grasping for you like wisps of smoke. You crawl to your feet and begin to run, only for him to wrap one cold hand around your ankle and pull. 
You crumple back down to the floor with him, barely saving your own skull from cracking on the hardwood as you throw your hands in front of your eyes. The impact to your elbows radiates up to your neck, and you scream your throat raw, kicking out at your assailant, your blood roaring, weeping. 
With a firm kick to his throat, you force him to let go, his hand flying instinctively to his windpipe. He wheezes something crude, probably, but you’re running—limping, mostly, slamming the bedroom door behind you with a shattering thud that quakes the frame.
“Joel!” you cry, turning the corner in the hall, feeling the walls as you go as if your own home has become foreign to you. What if he’s dead? What if you’re about to stumble over his body in the dark—the only body you’ve ever been able to know as something more than a vessel for art, for a painstaking study? That body, the body you could trace in the black with fingertips, not brushes, does not make itself known. 
“JOEL—!”
A hand comes to rest on your cheek. It is not Joel’s hand. It is no hand at all, but the edge of a blade, a cool stinging thing that nicks the tender skin beneath your eye. 
Blood from his nose drips down his mouth, staining his teeth red. You feel a small thrill of victory. 
Joel is on the kitchen floor in a heap, vaguely stirring from the impact of a baseball bat to his ribs. The bat which a second intruder now uses to smash the framed pictures on your wall. Glass rains down on him. Shards have cut Joel’s soft belly, shredded the fabric of his shirt. Your captor holds you by the hair.
A third man smokes a cigarette, sitting on your countertop, swinging his feet back and forth, and it strikes you that he’s really only a kid. Twenty-five at most. You know young hands, young eyes. Your pencils and paper know them better. 
“Nice of you to join us,” says the man from the gas station, making shapes of the cigarette smoke. You watch the way it curls around the low-hanging light. 
“Joel,” you whisper, the salt of your tears stinging in the wound on your face. “Baby, please… get up…”
“He’s fine, chiquita,” says the kid. “Don’t waste your energy.”
Joel’s eyes peel open, his hands blindly grasping for something he does not have. He’s curled in on himself to protect himself from the inevitable next swing of the bat. You wonder if he’s been struck in the head, and you can feel pieces of your heart slowly wilting as petals untended.
His gun, you realise, your eyes dropping to the belt of the man who holds you hostage. It’s tucked into his waistband, but you cannot reach it with your arms trapped in front of you. His arm is a heavy band around your chest, glueing you to him, helpless. You’re fucking helpless and you cannot get to him and he will die.
Your Joel will die and he will know pain in the way you want him to know love. 
“Let him go, please. You hurt him.”
The kid sniffs, tossing his cigarette to the floor beside Joel and jumping down from the counter to stomp it out with an expensive sneaker. “He disrespected me,” says the kid, leering down at your half-conscious husband like a speck of dirt on a polished glass. “But he doesn’t matter.”
You choke on your sobs, writhing in your captor’s grasp in a futile effort to feel not-so-suffocated, not-so-stuck. “You can have anything you want. Please, take anything. We have money, we have cars, we have paintings. They’re worth something, I promise you. Just—just look up my name. They’re worth a lot, please, just take them and leave us alone, please—”
The anger explodes through the gash in his face where he’d put the cigarette, that yawning maw eager to swallow blood and pain. “I don’t want your fucking paintings!” he screams, stalking toward you and yanking you free of the other man’s grasp. 
Your stomach swoops as he shoves you, hard, to the floor. This time, your arms do not take the blow. It is your temple that absorbs the impact, striking hard on a floor already flecked with blood. Black seeps through paper. Your eyes darken. A man—you do not know which—is speaking.
“Go on, Emil, have some fun with the bitch,” he says. “We can put her up in the kennel when we’re done with them both.”
You hear the rustling of a belt as the man above you flicks open his fly, laughing all the while. 
You're still blinking hard to clear the fog when you hear a growl rumble in your husband’s chest, the faraway noise of a fist meeting flesh, the scuffle of feet across your freshly-washed floors, the first gunshot. 
Your cheek meets cool hardwood as you succumb, the shape of your Joel’s rage etched into your eyelids. 
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There’s a painting on the wall depicting two bodies in orgasm. Curved spines, feverish hands, dimples where fingers meet flesh. There is a hole in the canvas where the woman’s heart should be. A splatter of blood taints the image where the man drags his open palm down her back. 
His face is obscured, but his mouth is on her throat, exposing the cut of his jaw. The scruff of his beard. Careful strokes of oil paint join their bodies in harmony. It’s knocked askew on the wall. 
He’s rusty. 
He can feel it in the taut pull of his shoulder as he brings his arm back for the death blow. The blade comes up against the rough skin beneath the man’s chin, slicing him open just beneath the scruff of his beard. Blood bruises the hardwood floors, and although the man is already dead, Joel grasps him by the hair at the crown of his head and brings him down against the wall. 
His shoulder aches. His finger joints crackle. His knuckles are already bruised, his abdomen sore. He spits out pinkish saliva and turns his attention to his next job. 
His gun now back in his hand and its thief dead, Joel puts a bullet between the eyes of the third man, and another in his chest. The baseball bat clatters to the floor.
He thinks of the first time he wanted to kill for you and couldn’t. 
A man at the bar had groped you while you were out with friends. A little tipsy, you told Joel as he tucked you gently into the passenger’s seat, wrapped in a pretty black dress, and fell promptly asleep. He remembers the cool flutter of your hair from the air vent. He remembers the way your lashes spread like spider legs on your cheeks at every red light, the way the street lamps turned you golden. 
He remembers the man’s name. His face. His address. Some of the little wrinkles in his brain still hold echoes of information he'll never need again. But he keeps it tucked up there anyway. Maybe it reminds him of what he could never do, now that he had you. 
It seems the rules have been bent. 
Glass crunches underfoot behind him. Joel turns just in time to see the retreating figure, the fucking coward, sprinting for the door. He fires a shot that chips a piece of drywall and goes nowhere significant. Cursing himself, Joel hears the roar of his Mustang come to life as the kid leaves with his fucking car. 
Everything has a price, he'd said, blowing smoke in your face. Including your bitch. 
Joel curls his hand around the hilt of the knife. Blood begins to crust along the edge. Some of the blood, he realises, has been stolen from your sacred body. There is a cut on your cheek. 
And does your bitch have a price? Joel had replied, glancing behind the kid at the lackey he'd brought along. He seems to like you. 
You teeter on your way to standing, and Joel rushes to catch you before you can hit the floor. He flicks on the safety and sets his gun aside, cupping your face in his bloodied hands. 
Your eyes, blurred with tears, struggle to meet his. They're fixed to the man in a heap over Joel’s shoulder—the man who'd cut you. 
“Baby,” he says. 
Trancelike, you shake your head. 
“Baby, I gotta see you're still with me. Don't look at him; he ain't important right now. You’re important. Hear me?”
His voice is gentle, guiding, his thumbs hooked just behind your ears, hard eyes flickering between each of yours. 
“You killed them.”
“Yeah,” says Joel as the pad of his thumb traces the soft skin beneath the cut on your cheek. Your fingers curl around his wrists as if you’re trying to strangle him, temper him. 
“You’re hurt.” Your soft cry inverts his ribs, sits heavy and wrong in his chest. When your glassy eyes slide to meet his at last, Joel remembers the second time he wanted to kill someone and couldn’t. 
A man from your past had visited your apartment and told you he wanted to try again. You'd politely escorted him out and laughed it off. Terrible in bed, you’d joked. 
Joel remembers kneeling in the cathedral, surrounded by the lick of a thousand votives coaxing sweat from his glands, as he tried and tried to find faith and only felt the agonising scrape of the floor against his kneecaps. 
He remembers the first time devotion meant something to him. In the name of your second gallery showing. Paintings lined the walls depicting couples in embrace. “Which one is us?” he asked. 
“I don't sell those,” you’d replied. 
“Why not?”
“Because you're only for me,” you told him. “But I’ll tell you a secret.”
He’d ached to hear it. Even leaned in, a co-conspirator. 
“There isn't any devotion in these paintings. They're all hired models.”
“Then why bother at all?” he'd asked. “Why call it that?”
“Because I like showing people that there’s love in the world. And because devotion means something to me now.” You’d looked up at him and tucked your hand in his and he knew what all those nights spent kneeling meant. 
Faith, he thinks now, glaring at the shallow cut on your cheek, is knowing your purpose. 
The wound is his purpose. 
“I’m not hurt, baby girl. We need to pack a bag, okay? I have somewhere for us to stay.”
“Are they—are they coming back?” you ask, your bottom lip wobbling. 
Joel swallows bile and a bit of blood. “No. No, they won't be comin’ back. But we need a safe place while I take care of things.”
“Take care of things.” 
Your echo is ominous in his ears, and when your eyes leave him again to watch the way the blood trickles into the grooves between the floorboards, Joel knows what you will say next. 
“Who are you?”
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greenmanalishi · 1 year
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*CHAPTER 4 SPOILER*
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evren-sadwrn · 3 months
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i love how in scenes where john wick thinks about his wife, there’s always either light or the color grading turns into yellow/gold
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helen will always be symbolized through sunlight/light because SHE is john’s light. the reason for his defiance against the high table and the reason he is so disciplined into getting the freedom he deserves away from the criminal underworld
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lycheeloving · 1 month
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trying my hand at John Wick texts. broadening my horizons, etc
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thewhumpcaretaker · 3 months
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Cover I drew for my WIP, The Broken Veil, a Helen Wick x John Wick fanfic. Check my pinned post for updates!
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askjohnwick · 1 month
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The Broken Veil Masterlist
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The Broken Veil, a John Wick x Helen Wick fic, has migrated from The Whump Caretaker, my main blog, to this side blog. I don't intend to write more, but please feel free to enjoy and to review what is available.
AO3
Cover
Chapter 1: Let Me In
Chapter 2: The Price to Pay
Chapter 3: Miracle
Chapter 4: Always Exist
Chapter 5: Bloodless, Airless
Chapter 6: The Horde
Chapter 7: How to Shoot
Outline for Rest of Fic - in case you wanted to know where it was going
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johnwickb1tsch · 5 months
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FIC:
(most y/n fics are fem gender but [attempted] no real mention of specific appearance, race, body type) The Night Nurse - John x Helen CH 1 │ CH 2 │ CH 3 │ CH 4 │ CH 5 │ CH 6 │ CH 7 │ CH 8 CH 9. CH 10. │ A03
you're the worst thing (i'm addicted to) - John x Helen'sSister!Reader fic │ Part 1 │Part 2 Part 3 Part 4 Part 5 A03 The Girl Next Door ~ Constantine x Vampire!Reader Fic Part 1 Part 2 (based on below imagine)
Imagines:
John x Helen'sSister!Reader Imagine John Wick x Tarasov'sDaughter!Reader Imagine Constantine x Reader x John Wick Imagine Young!John Wick & Model!Reader Imagine part 1 part 2 part 3 part 4 John x Wife!Reader Fix it Imagine
BITTERSWEET Yandere!John x fem!reader coffee shop au (this totally turned into a fic) Part 1 Part 2 Part 3 Part 4 Part 5 PART 6 PART 7 PART 8 PART 9. PART 10 PART 11 PART 12 PART 13 PART 14 PART 15 PART 16 PART 17 PART 18 PART 19 PART 20 PART 21 PART 22 PART 23. PART 24 PART 25. PART 26 PART 27 PART 28. PART 29 PART 30 PART 31
OTHER KEANUVERSE CHARACTERS:
Constantine x Vampire!Reader Neighbor Imagine
Donaka Mark x MartialArtist!Reader Imagine
Donaka Mark x Secretary!Reader Imagine
THE DEVILS' TRIANGLE - Tex Johnson x Reader x John Wick (x Constantine) Yandere Collab with the diabolical @treedaddymcpuffpuff & @sweetwolfcupcake *so many dead doves here be warned...* Original Imagine COVER Part 1 Part 2 Part 3 Part 4 Part 5. Part 6 Part 7. Part 8 Part 9 Part 10 WIP
EXCESSIVE FORCE - Tom Ludlow x Nurse!Reader collab w the AMAZING @treedaddymcpuffpuff CH 1 CH2 CH3 CH4 CH5 CH6 CH7 CH8
THE BASTARD'S MISTRESS - a don John x servant!Reader fic
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googoobabajogwick · 1 year
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A John Thanksgiving.
Words: 3176
John Wick x sibling! reader
Summary: Helen really wants John to invite some family over for Thanksgiving dinner with her family. Hard part is John doesn’t have any family, but he does have you and that’s the closest thing he’s got.
Warnings: weed smoking lol
John and Helen had been married for two years now. He had never been happier. Everything felt so perfect, so normal, so domestic. His wife knew little about his life before her but she still knew he was an ex assassin. It had taken a while for him to tell her but how could he not when they were planning their wedding.
Helen took it much better than expected, though she was mad he waited six months before the wedding. Her family, they were very judgemental. No matter how hard he tried John didn’t feel like he could be good enough in their eyes. He didn’t really care but family was important for her so he tried.
Thanksgiving was coming up and this year the two of them decided to host again. Last year, her family had made remarks on the lack of family on John’s side but he shut them down by saying they were busy. That was a lie. He didn’t have any family, not any he’d like them to meet at least. Yet Helen had asked once more,
“Are you sure? No friends or family you’d want to invite over?” She was careful with her words, John was a solitary man but he thought for her.
“I suppose there may be two people I could invite..” he scratched at his beard.
The way her eyes lit up made his heart soar. There was no way he could get out of this one.
That led him to where he was now. Old ass notebook with numbers important to him in it laid on his worktable. He hadn’t needed it since he retired but some people were in it he thought he’d ask. Those two people were you and Marcus. His two ‘best friends’ as Helen had put it after he explained your relationship.
Marcus was John’s first choice as he had met Helen at their wedding. He’d said yes the minute the words left the ex assassins mouth. A thanksgiving dinner at the wicks house? Now that was just too hard to pass up. The sniper asked his friend if he planned to invite anyone else and when he tossed the idea of inviting you, Marcus busted out with laughter.
“That’s a great idea!”
So here he was, dialing your number on his old rotary phone. It rang and rang to the point he thought you weren’t going to answer. He did feel a bit disappointed, it would be nice to see you and Helen would love to meet you again. Right as he was going to hang up when he heard you answer.
“Oh my God am I dreaming? Fuck you asshole! It’s been so long you haven’t called in months!” You shouted over the phone though he knew you were playing.
“Yeah, sorry I’ve been busy.” He grimaced over the phone, “I, uh, Helen wanted me to ask if you’d like to come to our thanksgiving dinner this year.”
John could hear you as you shuffled around on the phone and then the sound of papers being flipped. He rolled his eyes. You weren’t doing anything, he knew it. His foot tapped as you made him more and more impatient. He knew if you could see him you’d have a shit eating grin on your face.
“Hmmmmmmm.” You exaggerated,” I guess I could come. A little upset that it’s Helen who wants me to come and not even my own big brother though.”
The two of you weren’t brother and sister. He was starting to regret asking you. You were ten years younger than him, a baby found outside in the alleyway. People always made jokes that you two were like siblings and it was true. You teased him like crazy and he kept you out of trouble. When you were ten and he was twenty you’d bug him like an annoying little sister.
John’s punishments when he’d mess up or do something that pissed off The Director, were to help the younger kids learn to fight and shoot guns. You of course were a part of that group and although you annoyed the shit out of him, he was always softer with you. Even when you were fifteen and bit his leg.
“Please be normal. Her family doesn’t know, they are a bit-“ Pretentious, egotistical, snobby, stupid fucking assholes, “Judgy?” He was trying to be nice.
“HA! Me? Not normal, yeah right. See you on turkey day Johnny!”
You hung up and John stood there for a moment. This was a big mistake. Any other day he wouldn’t care. If it was a normal dinner that would be fine but he was really starting to think of the consequences of inviting you to a holiday dinner with Helen’s family. He took a deep breath.
Shit.
Helen, of course, was ecstatic to hear you were coming. You’d met her once and it was at their wedding. She thought you were hilarious and fun but her favorite part was when you’d share stupid stories about her husband. It was nice to hear about his youth as he was very private, only sharing what he thought was necessary.
She herself wished her family wasn’t so rude but she had hope that they would soften up someday. The long haired woman was hard at work in the kitchen with John as her helper. He was a very sweet husband who demanded she let him help. If she asked he would do it all himself. He kissed her cheek as he moved to get the turkey out of the oven.
Marcus was the first one to show up and was leaning against the kitchen island with a glass of wine in his hand. People were starting to arrive. John was thankful his mentor was good with people, already charming multiple of Helen’s female relatives. Everyone was intrigued by him, their in-laws' mysterious friend..
Then he heard it. John and Marcus locked eyes with each other. His friend smirked as your booming bass approached his home. Helen looked up wondering what that noise was but based on her husband’s face she knew exactly who it was. He should have invited Jimmy.
Before he knew it you were letting yourself in. Dressed in a sports jersey, sweatpants and a huge oversized zip up hoodie you called out for him.
“Hello! Jonathan, I'm here the party can officially start!” You belted out while shutting the door behind you.
When you turned to greet him you saw everyone staring at you. They were dressed in suits and dresses. Your mouth was agape. You were always super expressive and sometimes it got you in trouble. About to ask if you were in the wrong house John and Helen ran to greet you.
She was shocked as you grabbed her shoulders and left two big kisses on both cheeks. Then you hugged John hello while also scolding him for not telling you there was a specific attire, not that you cared. They introduced you to everyone before you found Marcus. He looked dashing as ever and you told him so.
Things were going very well so far. Helen’s family questioned you about your profession, finding it very odd when you told them you were a doctor. They believed a doctor would hold themselves to higher standards but you just laughed it off because you were the best of the best.
You didn’t get to see much of John as he was busy following his wife around, hosting the holiday. Your elbow hit Marcus’s arm. He looked at you and chuckled knowing exactly what you were hinting at. Your old friend looked so uncomfortable, not that anyone but you and the man next to you could tell. He leaned down so you could hear him.
“Like a lost puppy, look at him..” He shook his head and smirked.
“I want to say it’s sickening but, I actually find it pretty endearing. She’s a very nice woman.” You watched them.
“That she is, sweet too.” He agreed.
The two of you continued to catch up until the socializing became too much. You excused yourself and went out back to smoke. There would be no way you’d get through this without it. Although you hadn’t ever been to their house you made yourself at home. The cool breeze was welcoming compared to the stuffiness inside. You pulled the pre rolled joint out of your pocket and right as you were about to light it you heard someone clear their throat.
It was Helen. You felt a bit bad because you did pull out drugs on her property but she surprised you by sitting down across from you. She seemed a bit stressed but still smiled at you. You almost had the wind knocked out of you when she asked if you would share. In a way you felt guilty like you were a bad influence on the good kid but she was older than you and you were always told to respect your elders.
You lit the joint, taking the first hit and then handed it to her. She took a small hit and started coughing. You handed her your water and she took a sip before laughing. Your hand brought the joint up to your lip to take another inhale. This was top of the line shit, you hoped she would know that. The warm fuzzy feeling started to settle in your mind and you couldn’t help but laugh with her.
“God, I haven’t smoked in years!” She sounded excited.
The two of you spent the next few minutes in silence just passing the rolled joint back and forth. Half way through it though you started talking. Like weed tended to do, you talked about life and all that jazz until the topic of John came up. She told you she was so happy you came and that she knows he’s happy as well.
You were surprised he hadn’t followed her out here. Helen explained to you that as much as she loved her family she hated that they were so rude about her husband to him himself and her. Next year they wouldn’t host, she had enough of all the tension and how everyone getting along was all fake. You agreed with her and finished the joint.
“Tell me something about him that no one else knows.” She giggled behind her hand.
Helen felt like a teenage girl gossiping about her crush but she had to ask. You brought your finger up to rub at your chin as you thought. What’s something you could say that would shock her or embarrass John. You thought long and hard before the lightbulb went off in your head.
“John can dance. Specifically ballet.”
“No way.”
“Yeah way, he had to wear a tutu!”
“No I didn’t.” You jumped at the sound of his voice.
Damn how quiet he could be.
“I invite you to my house and you get my wife high?” John questions.
“You want some? I have another.” You went to pull it out but he put his hand out to let you know he was okay.
“Don’t be such a fuddy-duddy John.” She chastised him and you almost spit your drink out.
“Yeah John.”
“I came out here to tell you the food is almost ready, not to be ganged up on.”
The two of you laughed before Helen got up to go back inside saying she should probably go inside. She gave him a kiss on the cheek and disappeared into the house. You giggled while lighting up the second joint and he continued to stare at her.
“Did she just call you a fuddy-duddy?”
“Yes. Why what would you have said? Actually-“
“Lame, loser, boring…”
“-I don’t want to hear it.” You snickered and kept hitting the joint.
The two of you sat in silence for a few moments before he let out a sigh. John needed the fresh air, though it might not be so fresh with you here smoking but it was better than in the house. He thanked you for coming and you reminded him that you were always only a phone call away, to which he responded that he knew.
It was nice seeing you, John thought to himself. For how annoying and crazy you could be, he’s glad he did it, and that Helen had pushed him too. He forgot how well you two got along even if he’d only seen you interact once. Meanwhile you were smacked. Maybe you shouldn’t have had that second one. You seemed to overdo it a lot.
Something about the way John was looking at you made you start giggling. When he gave you a confused look you just laughed harder. You were almost laying on the chair as you cackled. It was definitely the weed but you couldn’t breathe from how hard you were laughing. You flicked the roach at him but he dodged it.
“What are you laughing at?” His deadpanned voice made you laugh even harder, which seemed impossible.
“You. Man you’re making me laugh, go back inside! Your lover awaits you!”
John realized he wasn’t going to get anything of substance out of the conversation and got up to leave but not without a small chuckle. You were always so weird but you were still right. He knew Helen was waiting for him and that food was ready by now. You were still laughing as your friend told you to come in for food.
“Give me a minute!” You shooed him away.
*
The air in the house felt almost hot as it greeted you when you came inside. Everyone was sitting at the table staring at you as you made your way to your seat next to Marcus. You looked at them with a raised eyebrow. Jeez, Helen wasn’t joking. Her family did seem judgemental.
“And where were you?” One of the family members asked.
“I went for a walk.” Is all you said even if you wanted to jump over the table and strangle them.
“Smells like it…” Marcus snorted into his glass.
You gave him a light smack and started to fill your plate. The talk of people filled the table but all you could focus on was how good the food was. God damn, Helen was an amazing cook, you don’t think you’ve ever eaten something so good. You thought about how to everyone else you looked more like a hungry dog
devouring your food but you didn’t care.
When you looked up you were correct. Everyone was staring at you. Some in disgust, some in awe and some in confusion. If you looked closer you’d probably see John’s temple twitch at your actions. With slow movements you kept your eye on everyone while still shoving food into your mouth. Helen hid her smile behind her hand.
“What?” You asked with a mouth full of food.
“You say you’re a doctor?” One of the men asked.
You took a big sip of your wine, your mouth was starting to feel dry.
“Yup. One of the best, actually.” Pride, that’s what you felt.
“That’s hard to believe…”
You don’t know who said it but John noticed the way you gripped your knife in your hand. This needed to end now or you’d end it in ways he didn’t want to think about at a nice Thanksgiving dinner with his wife. You stared at the man, almost snarling at him.
“Well, believe what you want but I’ll let you know that I’ve been watching you all night. The way you move your arm I can tell your shoulder hurts you. Is it a torn rotator cuff? I’m willing to bet money on it. Also that your doctor sucks.” Your grip on the knife tightened at the idea of a good time.
“Why you little-“
“Okay! Okay! Let’s just eat. The food is great, let's just focus on the food.” John’s worried voice filled your ears.
The statement was directed more at you, not Helen’s family member. With a slight grumble you let go of the chokehold on your knife and began eating again. Just like that, the whole conversation never happened as you went back into your dream of amazing, sweet and savory food.
*
The night had ended and almost everyone had left. Marcus left right after dinner saying he had something to attend to. It was just you, John and Helen, and also her parents. You were laying on their couch before you realized that you should get going as well. Your bed was calling your name.
As you were getting ready her mother and father walked up to you. You were putting your coat on. Your face did not hide your confusion as to why they were approaching you. Was it because you threatened their nephew at dinner? Not your fault the man had to challenge your skills.
“So, you and John? You’re siblings?” The mom asked.
“Yes, he’s my big brother. He was in charge of me when we were younger.” You smiled.
“In charge?” The father trailed off.
John could feel your schemes in his bones and found you just in time to hear the conversation.
“No blood relation. She’s adopted.” Leave it to John to ruin everything.
“Um you were too! We had a very big family! That was poor.” John just whacked you upside the head when they looked away.
You rubbed the sore spot while grumbling. Asshole.
The parents looked at John and smiled at him and he had to take a second to believe he wasn’t seeing things. Helen’s parents always kept a distance and never, ever smiled at him. Not even at their wedding. It almost scared him.
“We had no idea you were a self made millionaire Jonathan. All while taking care of a sibling. Good job.” Her father put his hand on his shoulder and gave it a squeeze.
John just stood there with his mouth agape. Helen’s parents liked to pretend that he didn’t even exist and now they were smiling and praising him. After a few seconds he shut his mouth and nodded his head. Her parents went to talk to say their goodbyes and left you and him alone.
“Ah Jonathan you have to learn how to work those people. Rich folks, they love any story that fits their narrative. Poor orphan self made millionaire? How inspiring.” You mocked.
John let out a deep chuckle. You were always good at getting people to like you, even if you were annoying and crass. It made sense, you were very smart. You yawned and gave him a hug before he pulled away to open the door for you. You’d already said goodbye to Helen but you called out one more farewell and stepped outside.
“I better be coming back next year.” You laughed when John shut the door in your face.
Helen came up to him and wrapped her arms around him.
“She’s definitely coming back next year.”
He smiled.
“Yeah. She is.”
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john-bracket · 10 months
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romangoldendreams · 6 months
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If he had any damn purpose in this life, it was to save her.
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kiwisbell · 24 days
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helen ; chapter four
nowhere to run
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Si vis pacem, para bellum. Or, the capture.
series masterlist | my masterlist pairing: joel miller x f!reader tags/warnings: 18+ (MDNI), john wick AU, hitman!joel, husband!joel, established relationship, artist!reader, love as worship (and blasphemy), sacrilege in the name of romance, flashbacks, graphic violence, guns, blood + injuries, tommy gets stuck with the babysitting gig, joel is still a bit of an idiot, childhood/religious trauma, joel in a church, violence against pastors, criminal underworld, secrecy/lies, betrayal, Big Angst, we're getting there though, the smut returns, fingering, conflicting emotions, kidnapping, Angry!Joel, cliffhanger (oopsie daisy), the typical alcohol/smoking/profanity, dividers by @/saradika word count: ~ 9k a/n: fucking hell. i'm so sorry for how long it took me to bring this chapter to you, friends! my thesis sucked all the life from me and i had to go on a quick trip to the underworld and back to get it back again. thank you so much to my baby @cavillscurls for beta reading and as always being the biggest goddamn help throughout the process. below is the moodboard that mya made for this chapter and the reason i'm her no. 1 lovergirl. prev | next
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When he was young, he fed stray dogs on the street. 
He would steal sandwiches, pluck out the meat to gnaw on himself, and toss the bread onto the pavement. He would sit back on his haunches just like them and lick his chops when he was finished. Being a runner earned him good money, but it was hard to find jobs that would take a scrawny eight-year-old with dirt on his nose. His memories of those days are far away, foggy around the edges, but he still smells the eye-watering prickle of trash, cigarette smoke, wet fur of the dogs. He still remembers the moist scratch of soaked-through denim after a night sleeping outside in the rain, the bone-deep chill that lasted for days in winter. 
One night, a Sunday in July, a hand stretched out toward him. He had not eaten in days, and he’d begun to feel the stretch of his skin around his ribs. A skeleton haunting the wrong body. The face is blurred now, but he remembers the hand. Long-fingered and a little wrinkled, a bracelet dangling from the bluish vein-ringed wrist, a charm in the shape of a cross. 
The hand brought him from his bed of ratty blankets and old newspapers to a giant cathedral. The bold lettering above the grand doors read The Sisters of Saint Eustace. Joel had been too small, too weak, to reach up and touch the golden words, but they were tarnished with age and buffed around the edges. He looked up at the owner of the hand—the hand which then lowered onto his shoulder, collarbones protruding, and squeezed just hard enough to sting.
He felt the warm soak of the daytime breeze on his face. 
“You must come inside with me,” said the woman. He remembers that the hand belonged to a woman. There was a black hood around her head that made her appear as wraithlike as death itself.
The Creation of Adam was immortalised on the north wall. It was the first thing he saw when he walked inside. 
“I can’t go inside,” he said.
“And why not?”
He turned his head away from the image of Adam and God, whom he did not know at the time, and could never have hoped to know. How could he, after all, when God had never appeared to him? Then, God was only a man, frail and old, reaching out a wrinkled hand. Why should the weak ask for aid from the strong? 
“The dogs need someone to feed them,” he said.
He still does not know God. He does not suspect he ever will. But there’s a warm, soft palm encasing the skin and muscle over his heart, irradiating down to the bone. There’s an intermittent puff of air on the back of his neck, slow and ticklish, the way snow melts. The dog that still lives in the core of him shows its belly. 
You’ve moved closer in the night, your soft skin warming his back where your shirt rides up. You breathe silently, catlike, as measured as the rise and fall of the winter sun. He listens for a while, his chest pushing out to match you. As he settles into the new rhythm, he feels for a moment as if it’s all been a dream. As if he never lost you, never lied. 
His name leaves your sleeping mouth and his heart ceases altogether. It’s the breathless sound of need, of a desire he supposes you’ve forgotten. In your sleep, some stale withered flower blooms under a fresh rainfall, and he wonders what you’re dreaming about. 
Before Joel put his mouth between your legs for the first time, you had forgotten what pleasure tasted like. 
It was July, sweltering, and you were draped across the sofa with his head in your lap. It was date night, and his turn to choose the movie: some god-awful karate action film that was a sequel to a sequel to a sequel and so on, infinitely repeating. Neither of you were paying attention to the exchange of staged punches. You were occupying yourself with threading your fingers through Joel’s hair, and he’d taken to toying with the little bow that held up the waistband of your shorts. You watched him pull the strings until they unfurled only to tie them again with one hand. The white noise of on-screen blows lulled you into a gentle doze as you both lay idle. 
“Joel.”
“Hm,” he said, the scratch of his beard tickling your belly. 
“The door,” you said. “Someone’s knocking.”
“Hm,” he said again, his questioning pitch the only indication he was truly listening. 
“You should probably get it.”
His sleep-soaked eyes fluttered shut, his lashes brushing your skin. He gently squeezed your hip. “I’m just fine here.”
“What if I told you I had a surprise for you? And what if I told you I worked very hard to find your surprise?” you cooed. 
Joel blinked up at you. “You got me somethin’?”
Your heart swelled. “Yeah, I did. Come on, cowboy.”
Outside, Tommy lounged against the hood of the surprise as you guided Joel outside, your fingers over his eyes. 
“I don't like bein’ blind,” he grumbled. “Can't you just tell me?”
“How about I show you?”
You lifted your hands. For a moment, Joel blinked, his eyes adjusting to the blazing light of the sunset, and his lips parted at the sight before him. 
“Jesus,” he said under his breath. “You… got me a car?”
“It's not just a car. Boss Mustang 429,” you said sheepishly. “1969. You know, the one you never shut up about. I thought this might help.”
Joel’s breath hitched, and you watched him swallow it. “How…”
“Tommy called me a while back. He'd sourced it from another garage; it was bound for the dump, but I wanted to surprise you by fixing it up. So… surprise.”
Tommy tossed the keys to Joel, who caught them without even looking. “Your girl can get her hands dirty. Helped me fix up the whole damn thing.”
You tried to gauge his reaction, the slight hollow in his throat where he seemed to store the falling sunlight, a faint sheen of sweat turning him gold. Your heart plummeted into your stomach when he didn't say a word. 
“It's too soon.”
His head whipped around, his brows curving up in the middle. “What?”
You wetted your lips, panic closing your throat in at all sides. “I know we haven't been dating long, but… I don't know, I couldn't pass up the chance. But now I know it's too soon. I shouldn't have presumed—”
Faintly, he shook his head, his eyes darting across your face as if he were trying to trace it, and closed the distance between you. You gasped as he slanted his mouth over yours, his hands cradling your face, old paper and salt and your perfume. You threw your arms around his neck, a buoy for the drowning man whose arms wound around your waist and pulled you so close he could disappear altogether. Maybe he was trying to. Selfishly, you would let him. 
Tommy grumbled something—“You’re welcome, asshole,” probably—and his own car roared to life as it pulled away. 
The car keys jingled in the bowl in your foyer as Joel tossed them blindly behind him, his heel shutting the front door. He kissed you like you were a fever he needed to burn out, and you felt the match strike where his hand curled its heavy weight around your neck. 
“What time do you fly out?” he grumbled against your mouth. 
“Not until morning,” you said breathlessly, watching him drop to his knees in front of you, taking your little shorts with him. Your chest heaved at the sight of your Joel, made humble at your feet, pressing his searing-hot lips to the bare skin of your belly. “Joel…”
“Nobody,” he said, his voice the velvety drag of night, “is like you. Not a goddamn soul.”
The admission caught in your throat the way a web ensnares dewdrops. The intricate folds of your brain would forever carry the imprint of the words—words no one else had ever said. 
A starving artist, an old teacher of yours had said, remembers every kind word said about their art. They eat from them when there's no other food in the house. 
“You're it for me,” he told you. “There's nothing else.”
You wake slowly, serenely, a yawning ache blossoming in the core of you. 
Maybe that's why, even now, you cannot forget the way he touched you that night. You still recall every thumbprint, every stroke of his tongue, every soft cry into the otherwise empty room. 
The fact is that nobody can love you the way Joel Miller does. Not even when his love hurts more than anything else.
He's watching you now. His eyes are half-open but alert, instinct pulling him closer to your side of the bed. Or, maybe you're the one who’s crawled closer to him. 
“Joel…” 
He doesn’t speak, but you feel the pads of his fingers on your belly, the soft fabric of your shirt bunching over his bruised knuckles, and his eyes shutter at the touch alone, a worn sinner. 
“Tell me what you need,” he whispers, and it's chipped porcelain, the sound of his voice. 
A part of you wants to cry, to let the pressure build until it crests, to feel the salt settle in the pores at the sight of him so close, so open. But you've shed your tears and he’s slept in your bed, and now his fingers brush the hem of your panties, not begging entrance, but asking, wondering—
You say so weakly, “I need you to touch me,” and he nods because he knows, because he's Joel, because your body has not become foreign to him even if you've made your heart a stranger. 
You shiver as his hand dips beneath the cotton, two fingers sliding through the gathering wetness between your legs. Joel's gaze is fixed on you, black as the sky, his bicep flexing as he parts your folds with his fingers. Absently, possessed, you sling your leg up over his hip to spread your thighs. 
The shockwave brings you down as he slides his middle finger inside you, sinking to the knuckle. The gasp that leaves your mouth feels like inhaling glass. You cup the back of his neck for purchase, tugging the little curls at his scalp, and watch as he bares his teeth. 
“That's it, baby,” he says brokenly, the heel of his palm applying pressure to your clit as you writhe. Back in his arms, your heart thunders in your chest, the ache of his absence ringing in each rib like the aftershocks of a blow. He pumps his fingers inside you, curling up against the spot he knows as intimately as his own hand, studying your face as if he has become the artist and you the muse. For a moment, you think you see the reflection of your face in the whites of his eyes, and you’re overcome with a shudder that compresses your spine. 
He’s too close. Too far away. Your hand curls around the scruff of his neck, a misbehaved dog. You’ve let him in, it’s too late, too soon, and you’ve assumed all the blood he’s spilled, taken it inside your body with the press of his fingertips past your begging entrance.
You hate that your body still sings for him, that your eyes cannot shutter, that you cannot shuck the curtains closed despite all he’s done. You hate that his eyes still hold the sorrow you’d seen in him since that very first night, and you hate that you existed so happily, so blindly, with him, in spite of the arid darkness that has always lingered just under the brown you thought you knew so well.
But he’s always known you, and that may be what hurts the most. 
He’s always been keenly aware of your moods, your tastes, your body, and he plays you now like a pipe, lending his body to yours in supplication. Your heart aches as you let him inside, some feeble breach of contract, as if nothing is wrong, as if nothing was a lie.
He slides his fingers from you and spreads them before your eyes, the sight of the slick webbing eliciting a gasp you can barely hear. He licks his fingers clean and dips them back between your bodies, circling your clit with a renewed fervour. 
“Fuck.” Your eyelids droop, your stomach tightens, and the glint of Joel’s bared teeth is that of a wolf’s in the dark. “I’m… fuck, I’m…”
“I know,” he says, “I know,” and you wish he wouldn’t. 
The rhythmic, meticulous path of his fingers is nothing like the desperate writhing of your hips, the feverish grinding, the cries. Prey caught in a trap, you grasp the iron bars of his shoulders tight and beg for mercy. 
And it feels so good, so right, that it slashes open your heart and spills the blood. The cold bite of his wedding ring bumps up against your opening as you blossom, brittle as a new bud, his fingers pumping in, out, in—
“Oh, God,” you whimper, burying your face in his throat, sinking into the familiar warmth. 
Joel grunts, his nose sliding across your temple. “C’mon, baby girl, c’mon… I’ve got you… Can feel it…”
Normally, you would lick and bite and kiss the sweet, humid skin of his throat until you came, soft as dough in his arms. There’s a steel edge to the way you come now, fingers stiffly prickling his scalp, eyes bleeding tears into the crook of his neck. It feels good—good to slash at the bars that cage you in, good to weep over the loss of some willpower you let dissolve.
He doesn’t stop until he’s wrung every drop, inhaling the cloying smell of soiled linen and sticky perfume and saltwater. He closes his eyes against your temple and you can feel the caress of his lashes—wet, like yours.
His lips always carried the faint bitter bite of black coffee, and he always said yours tasted sweet. Like goddamn honey, he’d whispered into your throat the first night you let him inside, and you’d laughed—maybe the graze of his mouth was ticklish, or maybe you thought it was funny: the idea that you could be so sweet. 
Now, you’re splintering as your eyes flicker down to his mouth, plush lips moist but split from the blow of an enemy. If you kissed him now, he would only feel a sharp sting. If you kissed him now, you’d let the blood win out. You would only hurt him and yourself alike.
“What are we doing, Joel?”
His eyes shimmer in the dark, his palm tentatively cradling the crown of your head. The hollow of his throat deepens, and you hold your breath. 
“I’ll be anything you want me to be,” says Joel. “If you want me just to use me, then use me. You can have me whenever you want. I just wanna be someone you need—even if you don’t need me the way you used to.”
The sob lurches out of your throat, your forehead dropping to his as the climax burns out, smoke from a snuffed candle. 
When you can breathe again, you push yourself upright and cross the room to gather your toiletries. “I’m not going to use you. I never should have done this.”
“Stop.” Joel grunts as he stands, apparently forgetting about his wounded ankle. “Don’t say it like that.”
“Joel, let’s just—”
“I don't want it to be like this,” he says. “I don’t want it to hurt when I touch you.”
“It doesn't,” you whisper, hugging your bag to your chest along with a bundle of clothes. “That's what scares me.”
His brows curve upward in the middle and you're overcome by the need to fix your eyes to the floor. “Baby, please… Please just look at me.”
You swipe your thumbs under your eyes and pin him with your gaze. “I feel like I’m mourning a marriage that didn't even end,” you tell him, and Joel lurches forward as if he means to grab the words in mid-air. 
“And maybe we did lose it,” you say softly, though the words sting on the way out of your mouth. “But maybe that's… good. I don't want a relationship based on lies, Joel. I don’t want to wake up every morning next to the man I love and wonder what he’s still keeping from me.” 
Joel lowers himself into the chair by the table like a weight is tied to his chest. He's still shirtless, his wound bleeding through the gauze around his arm, but he's staring at you. Suffocating you. 
Twisting his wedding band around his finger, he says, “If there's even the smallest chance that you really could still love me… that this ain't over, even though I’ve done everything wrong by you… I’m gonna fight for it.”
Not everything, you want to say. Not everything, or I wouldn't be so hurt right now. It’s funny that the words won't take shape—wraithlike as the black ink snaking up and down his back. “I know you will.”
“And if you want all the truth I‘ve got, even if it's bloody, I’ll give it to you.” He leans forward, muscles flexing under inked skin. “You’re my everything. Nothin’ about that has changed. Not one goddamn thing.”
You chew on the inside of your cheek, the tang of iron flooding into your mouth. “It’s not just about the lies,” you say, dropping into the chair across from him. “You've put me on a pedestal. You may be strong and you may know how to fight, and everyone in the world may know your name, but… I don't think I can survive being all that you breathe for. Not if it leads to this.”
He remembers waking up each morning in the orphanage, sunlight turning technicolour through stained glass images of praying hands. He’d always thought the sun was so strong, gathering pieces of itself just to wake half the world, reviving dead plants, rattling the bones that stirred dead in the earth. He’d put his fingers through the many colours just to watch them dance. He’d wiggle his digits and remember he was alive. 
He watched you walk down the long aisle toward him in a white dress, a bouquet of daisies in your hands, the sun carving your path. His hand flexed at his side like it did on those long-gone mornings, and he briefly doubted he’d be able to touch you at all—like you’d disappear, smoke curling around the contours of his fingers, a dream. 
“My heart hurts, Joel,” you say brokenly, your palm flattening against your chest. “I’m not as strong as you are. I’m just a girl who married the man she loved. One day, you're going to realise that I don't bleed gold. I’m not a deity. I’m not someone you go to war over. I’m not fucking perfect, and if you keep treating me like I am, you’re only going to be disappointed.” 
Joel just watches the tears fall, somewhat enraptured by the way they linger like dew on your lashes, until you blink them away and they cascade down the curve of your cheek. He wonders if this is how it feels to be the painter, desperate to capture even a brushstroke of the subject in front of him. He used to watch you paint for hours, holed up in your studio, covered in splotches of oils he would later take his time to wash away. The colours would curl around the drain, a snake poised to strike, and he’d kiss you, his canvas, tasting the poison of paint at the corner of your mouth. 
He’s made something dark of the light that grew inside you. He’s tainted your image with the blood he’s shed, and every one of the thousand cuts has struck true. He thought he was protecting you.
He was only hurting you.
“I just wanted to have you. And you wanted to forget.” Your eyes no longer meet his, tracing the lifelines in the oak table back and forth. “So where do we go from here?”
There’s a troubled tic in his brow, punctuating the feverish flitting of his eyes between each of yours, always restless. “You think I fell in love with you because I thought you were invincible?” 
You lift your head, the whites of your eyes gleaming. Joel brings his chair closer to yours, and you don’t make a move to pull away. 
“I fell in love with you because you’re human,” he says. “Because you’re kind. Because you have a heart bigger than any I’ve seen. Because you’re funny, and talented, and you love to make art, and when you find something you love, you give your soul to it. I love you because you’re an angry drunk and you hate mornings and you’re so fuckin’ frustrating when you won’t give up. I fell in love with you because you were the only person who’s ever taken a real shot at lovin’ me.”
Your bottom lip quivers and he wants to coax the heavy ache from your very soul, venom from the wound.
“You are my everything, baby. You are. And I know it ain't healthy, but I don't care. If that means I see you as a god, fine. You think I can stop lovin’ you the way I do? I can’t. But I never once thought you were perfect. Perfect people don’t fall in love with men like me.” 
You laugh a little, but it’s taut, stuck in the back of your throat. 
“I don’t expect you to forgive me. I’m not even sure I want that. But I do want to be the kind of man you’re willing to love again. You’re my best friend, and I’ll do whatever it takes, you hear me? I’m not givin’ up.”
You sniffle, your quivering hands folded into one another atop the table. He wants to reach out and touch you, pull you back into his gravity, smell your perfume. He wants to do a thousand other things he does not deserve. 
“You’ve killed Manuel’s son,” you say quietly. “There’s still a contract on your head.”
Joel nods. “And he’s gonna pull it.”
You shake your head, lips parted around words you choose not to say. Instead, you look away, and he feels he's lost something he'd been holding. 
“Do what you need to do,” you say, and every syllable cuts him along the bias of the bone. 
He has known your hurt, your anger, your sadness. Something in an artist’s heart has never seen a day of peace, you told him once. He thought it was a joke; he may have even laughed. 
I loved you. 
Joel swallows. “I need you—”
“—to stay here.” The corner of your mouth pulls up despite your sombre tone. “Yeah, I know.”
There’s a knock at the door before he can open his mouth to reply. You stay apprehensively glued to your seat as Joel peers through the peephole only to unlatch the chain on the door.
“Anyone see you come in?” he asks Tommy.
“I’m sure plenty of people saw me, brother. But they can’t do anything, now, can they?”
A muscle in Joel’s jaw feathers. “You bring everything?”
Tommy scoffs, gesturing toward the bags weighing down his arms. “Everything on your fuckin’ mile-long list? Yeah. You gonna let me in?”
Joel ushers him inside and triple-checks the hallway to make sure nobody is lurking nearby. Your voice brightens by a fraction and it feels like an electric shock tingling at his fingertips. 
“Tommy.”
“Hey, sweetheart.” He squeezes your shoulder and drops the bags at your feet. “You hangin’ in there?”
Joel watches from the shadows of the hall, his heart leaden at the sight of you smiling for someone else. He’ll do anything to earn that. He’ll forsake all he has, all he is. He’ll crawl on his hands and knees all the way back through hell; he already knows the way.
“Brought your supplies,” says Tommy, kneeling at your feet and opening the bags. Your brows knit together at the sight of your oils from home, your brushes, your pallets long ago stained with colour. “Heard you were feeling inspired.”
Your gaze lifts to Joel, eyes narrowed. “Is that right?”
He’s sheepish, ducking his head. “Just… thought you might be goin’ crazy, stuck in here.”
“That's not why I’m going crazy,” you grumble. 
Tommy chuckles. “Well, if anything’s missin’, it's his fault. Most of your canvases were destroyed, but these are all good.” 
Your heart feels a little lighter now that you can smell the tangy, cloying scent of your paints and run your fingers over the bristle of your brushes. You give Tommy’s hand a pulse, your thank-you barely snaking past the lump in your throat. “Tell Maria I said hi.”
He gives you a knowing look. “I’m holdin’ you to your promise, y’know. You still have to paint the nursery.”
You cast your eyes toward Joel, who leans against the wall in the dark corridor. “Yeah,” you say softly, stripped to the bone by the way he watches you, unblinking. “I don't break my promises.”
His fingers twitch at his sides, and the gleam of his wedding ring lingers in your periphery long after you've torn your gaze away. 
“Tommy’s gonna stay with you,” says Joel, “while I take care of the rest.”
The rest. Of course. “Why now?”
“He just killed Cabrera’s son,” says Tommy. “And we don't want to risk anyone comin’ around, lookin’ for revenge.”
“But you said no business can be conducted here.”
“For enough money, a person will break any rule.”
“That kind of undermines the entire concept of your entire Underworld, doesn't it?” you say. “Rules aren't really rules.”
“But there are consequences,” says Tommy. “Just… if you’ve got enough money, you can hide from ‘em for a while.”
“Until they hunt you down,” you utter, looking across the room at Joel. His silence feels like hot hands on your bare skin. You turn back to Tommy. “What about Maria?”
“She's with her mom this weekend,” says Tommy. “Won't even notice I left the house. You need someone to model, I’m your guy.”
“No,” says Joel.
“I didn’t mean I’d get naked,” says Tommy.
Joel clips Tommy’s shoulder on his way to you, and his brother takes the hint to make himself scarce, disappearing into the bathroom. Joel kneels at your feet and places his hand on your calf. The weight of it is warm, carrying words he has no time left to give. 
“This will be over soon,” he says, and he sounds so sure that you almost believe it. 
“And then what, Joel?”
He sets his jaw. There's little of the predator, of the boogeyman, in his eyes. All that rich brown betrays now is a quiet resolve. A promise. 
“Home,” says your husband. “We’ll make another.”
You squeeze your eyes shut only to open them again and find the hand that rests on your skin. He's bruised, bloodied, and violent, but he does not squeeze or press. He never once has. You wonder idly how often he's put those hands on your body while thinking of a time he'd taken the life of another. 
“And what if we can’t?” you ask him. 
The first time you'd unveiled a piece to him—the first piece you'd ever painted of you and him, together—Joel had instinctively touched the supple blue skin beneath the woman’s breast, as quickly as a nurse finds a vein. 
“She’s blue,” he said. “Is that… how you feel? Like you’re… blue?”
“Blue doesn't just mean sadness,” you told him. “It could almost mean serenity. Stability.”
He looked at you, puzzled, for a while, his hand still extended, pressed to the barely-dry canvas. “Where I grew up,” he said, “I was never really taught anything besides black and white.”
“Colours are different that way,” you said. “They mean a thousand things to a thousand people. They can all look at the same painting and feel something unique.” You gave him a wry smile. “You look at a painting of us having sex and see sadness. I’m trying not to read into it.”
He chuckled. “You should know that's not true. And I like the way you think.” 
“You never told me what you think about the painting,” you said playfully. “Do you like it?”
Joel’s hand travelled from the woman’s breast to her hand as if pondering the wash of blues that coloured her skin. Her fingers, intertwined with her lover’s, squeezed down on him—a lifeline. 
“It’s beautiful.”
“It's the way I feel when you touch me,” you said. “Like I’m falling apart and coming together at the same time.”
Joel tentatively reaches for your hand and turns it over in your lap, palm to the ceiling. “If you decide a home isn't what you want with me,” he says, tracing your lifeline, “then that’s all right. But I just… I want to know if—”
“Don’t,” you whisper, pressure accumulating behind the inner corners of your eyes. Joel meets your gaze and it takes all you have to suppress the shudder at the feeling of his thumb making its ghostly pilgrimage across your palm. “Don't ask me yet. Please.”
He bows his head and his hand slips from yours, and you choke on the memory of a love uncompromising, effortless, simplistic. 
“Just come back alive,” you tell him. “Come back to me, okay?”
Joel rises to his feet, and a kiss plants its roots at your hairline. “Always.”
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“When he said to watch me, I don't think he meant the whole time.”
Beside you, Tommy clears his throat, averting his gaze to the floor. “Sorry. Just… it’s impressive, what you do.”
You’re still outlining the tangled limbs of the man and woman, their bodies disappearing into one another, each line indistinguishable from the next. “Well, if it helps, I don't know how cars work.”
He laughs. “Yeah, all right.”
You set down your pencil, casting a glance out the window. Outside, the stars wink down at you. “Will he be okay?” you say softly. 
Tommy sighs. Now that he no longer needs to hide the fact that it isn't his brother doing the books, the sting of the reminder rings in your chest with the sound of his binder closing. 
“I don't blame you, y’know,” he says, “for stayin’ pissed at him.”
“Good,” you reply, “because he's an idiot.”
“Yeah, that's one thing that's never gonna change.” Tommy leans back in the chair, taking a swig from his beer. “I tried to tell him he was makin’ a mistake. He's a stubborn bastard.”
“He is,” you say, frowning at the curl you've drawn over your subject’s forehead. He looks back at you, brow furrowed, one eye visible, the other blending with hers. It's gruesome, in a way: the frenetic lines, the frantic way their fingers dimple one another’s flesh. “But I can be stubborn, too.”
Tommy leans forward, studying the beginnings of your sketch. “I know he's made mistakes, and Christ knows I’m crazy for defending my dumbass brother. But if you knew how much he loved you…”
“Tommy,” you cut in, setting down your pencil. “Loving me isn’t the problem.” The outline of the bodies on your canvas blur as your eyes burn with tears. “I wonder if he ever really left—in his heart, I mean.”
Tommy’s voice is quiet. He’s twirling a small switchblade in his hand. “All he's ever wanted is peace.” 
You cast your eyes toward the ceiling to stop the tears from spilling over, or to find some answer spelled in stars you cannot see. “Then why couldn't he just stay out?” you whisper. “Why did he have to come back?”
“You know, when we were kids, Joel would take all my beatings,” says Tommy, flicking out the blade. It glimmers in a way that catches the light as easily as a flame on kindling. “He'd say everything was his fault when it was really me who knocked over a shitty old vase or vandalised a fresco. And he'd just fuckin’ grin and bear it because that's who he is.”
He’d just been a kid. Just a kid who wanted to protect his little brother, who took every beating, who grew up in a faith he never had faith in. 
The fragile wobble in your voice betrays the steel wall of your back. “He let me fall in love with him, Tommy. He let me give my soul to him.”
He ducks his head, folding the blade back into its wooden hilt. “Yeah, I know,” he says softly. 
“And Maria?” You let out an airy laugh. “How did she react when you told her about all this?”
He doesn't meet your eye, and you feel your stomach turn over as he sets the blade on the table, bringing his hand over his jaw. 
“Oh,” you say. 
“We all do things we’re not proud of. Anyway, I had it easier,” he says, lifting one shoulder in a shrug. “I’m just a mechanic.”
“And my husband’s a killer, right?”
Tommy sighs. “I know you shouldn't take my word for it. But he does want peace. And he came back because he didn't see another choice.” 
On the canvas, the man holds the woman close, pulling her tight to his chest, as if he knows she's about to fall. “I hate it,” you say softly, “knowing he's felt so much pain, and I can't make it better. I hate that this is something he needs to figure out himself, Tommy. I hate that I can't be the person he thinks I am.”
“I think you don't give yourself enough credit.” When you turn to face him, Tommy puts the switchblade in your open palm. Your fingers reflexively close around it, and it's cool to the touch. Smooth. The grain in the wood looks like the wriggling lifelines in a human hand. “You made him leave this life. You got him to care enough to make a real one, and you didn't even know it.”
You flick open the switchblade. “This is beautiful.”
“Gave it to me for safekeeping when he retired,” says Tommy. “It was the prize for completing his first job.”
You frown at your reflection, angling the knife up and down. “How old was he?”
Tommy covers the blade with his hand and retracts it. “Keep it,” he says. “It never belonged to me.”
You try to push it toward him, suddenly repulsed. You've heard from his own mouth about the lives he's taken, but the thought of your Joel holding the very same weapon, sinking it into flesh, slicing through the strings that hold a person together, makes your fingers tremble. “It doesn't belong to me either, Tommy.”
“Maybe not,” he says, “but I think you’d know what to do with it better than me.”
You swallow hard. “A man declares war because he wants peace.” Your thumb slides along the smooth edge of the hilt before you hide it inside your bag. “I can't pretend to understand what you both went through, Tommy. But know that I’m glad you found a good life. And know that if you break Maria’s heart, I’ll make you swallow paint.”
Tommy nods sombrely. “I’ll tip the can myself. We're thinking green for the nursery.”
“Green is good.” You give him a conciliatory smile. 
“Joel’s a good man,” he says. “He's just… misguided.”
“Are you a man of God, Tommy?”
He laughs. “I don't think anyone who came out of that place alive still believes there's a God. If only the Sisters could see us now.”
“I hope they never do,” you tell him. “I hope they never get the satisfaction of knowing they hurt him.”
“I don't think they’d be much satisfied,” says Tommy, “if they knew he'd found peace after all.”
Hours unfold. The canvas sits untouched as you and Tommy sit next to one another, the moon outside slowly enveloped by clouds. The silver silhouette casts a halo through the grey, and you think of your Joel, alone on his warpath, bloodying the ring on his finger. You think of your name on his back, nestled above the praying hands, and the pit of restlessness yawns wide open. 
“He should be back by now.”
Tommy rubs his palms over his thighs, a behaviour you've noticed in Joel. “Yeah, he should.”
“But he'll be okay,” you say, a minute warble colouring your voice, “right?”
“He's Joel,” is all he gives you in return. 
Your fingers twist themselves into knots in your lap until the jab of a car horn outside jolts you back to life. “Tommy,” you rasp, wetting your lips. “Go find him.”
He nods, standing abruptly from his chair and yanking his coat free from the hook by the door. “He’ll kill me for leavin’ you alone,” he says. 
“We both know he needs you,” you say, turning your head to watch the moon peek out from behind the sheet of grey. “Just bring my husband back.”
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There's a distinct sensation that erupts across the skin of a nonbeliever who crosses the threshold of a church. It begins in the floorboards, where the soul of a supposed Christ lingers, and radiates up through the soles of the feet, through the knees, until it circles the brain, persistent as a murder of crows. You don't belong here. 
The little church is nothing extravagant, which Joel has to find a little funny. Five rows of pews on either side, a basin of holy water next to the pulpit, a smattering of devotees kneeling on the padded seats in front of them. He swallows the burn and approaches the pastor. 
“My son,” says the man, spreading his arms wide as if welcoming Joel back from a pilgrimage. “Welcome. What troubles your heart today?”
Joel pulls the Benelli from his canvas bag and blows out the pastor’s kneecap. 
His deafening roar echoes off the domed ceiling and reverberates through the stained-glass paintings of the Virgin Mary. “Fuck!” cries the pastor, scrambling backward with a hand covering his bloodied leg. “Fucking cunt, fucking asshole, vete a la mierda! What the fuck is your problem?”
Joel turns and fires another two shots at the guards on the balcony. One of them tumbles over the edge. The kneeling figures flee the scene, some screaming, some praying. 
“Donde esta Cabrera?” Joel growls, bunching the pastor’s white collar in his bloodstained fist. When he doesn't reply, Joel applies pressure to the wound in his knee between his thumb and forefinger. “Habla.”
“Fuck!” he howls. “He isn't here. Hijo de puta, he's not here!”
“Fine,” says Joel, hauling the man upright with little regard for his obliterated knee. “Then we're takin’ a little field trip.”
Joel knew many of Cabrera’s secrets during his time working for the bastard. He would have changed the codes to the vault, but it’s the same nonetheless. Joel shoves the pastor down the winding staircase and aims the barrel of the shotgun between his eyes. 
“Open the vault.”
“Manuel will kill me,” pleads the pastor.
Joel lifts a brow. “You see me cryin’?”
A pale, trembling hand rises to the keypad and types in the code. Inside the vault, two women are counting piles of cash behind the counter. Joel gestures toward the door with his shotgun. “Ladies,” he greets, “out.”
They scurry out of the vault with their hands in the air. Inside the small concrete cell, safes are embedded in the walls, twice Joel’s height, one of them unlocked and brimming with neatly piled heaps of bound bills and documents. Joel reaches up and unlatches a shelf, watching the avalanche of blood money cascade onto the floor around his feet. With one hand, he produces a lighter from his pocket and flicks on the flame. It ignites the piles of cash and papers as Joel walks out, leaving the wounded pastor on the floor. 
A whisper goes up in flames behind his back. “El espectro.”
At the aggressive slam of car doors, Joel climbs the staircase to the balcony and looks over the rear exit. Outside, Manuel Cabrera and his men cross the concrete toward the church. Joel curses, ejecting the shell from his shotgun and inserting a new clip. The stained glass crumbles with the first shot as he puts a bullet in a bodyguard’s head. The shouts flutter toward the sky in the ensuing panic. Joel hears Manuel cry out his orders: Around the back. You two, flank him. The bastard’s here; go fucking kill him. 
The smell of smoke begins to stick to his throat as he takes another shot. The sound of dress shoes clatters, echoing, across the floorboards below him. “Goddamn it,” he growls. He’ll be flushed out before long if he doesn't move. Joel checks his clip, fruitlessly searches the body on the balcony for more ammunition, and kicks him over the edge. The resounding thud of his corpse against the pews is somewhat gratifying. Cabrera’s men crowd the dead man, which gives Joel just enough time to descend the staircase and shoulder open the back door. The parking lot teems with Cabrera’s army ants, creeping around parked cars as they search for the boogeyman. 
One of the bodyguards ducks behind a Range Rover, and Joel bares his teeth, the wolf at the hunt. He shoots out the front tires, which deflates the car just enough to give him a glimpse of the man’s head. He takes the shot. 
“Puta!” someone cries. Joel ducks as a shot pings off the front bumper of the Cadillac next to him, and he briefly takes stock of his ammunition. Fuck. He would have really liked to keep the fucking high ground. Now, he's as trapped as they are. Rats in a maze of shiny new cars. 
Joel peeks around the corner and feels the heat of a bullet seat through the sleeve of his jacket. He shoulders the sting of the new wound and rounds the corner, raising his weapon and firing. He counts another two, three, five dead, and the moist air begins to cling to the back of his neck, sweat lining his collar, blood soaking his sleeve. He calls Cabrera’s name. He calls again. 
“Let's end this,” he growls. “Come out, and I’ll spare the rest of them.”
An explosion nearby sets him off-kilter, rattling the earth beneath him. The church goes up easily, flames licking the sky, sirens blaring several blocks over, the steady eruption of chaos like golden nectar in his mouth. Joel rises to his feet and continues his charge. 
He calls Cabrera’s name again. He thinks of your body, prone and cold on the floor, reaching for him. He thinks of that night and imagines himself saving you before any of it happened. He imagines turning out of the restaurant that very first night, retreating into the darkness where it was comfortable and you were safe. 
No—he'd gone to the light. He’d let it all topple, and he'd do it again. This world is not where he belongs. You are what the word has led him to. All the gospel and the hymnals and the nights spent praying on his knees to a false god led him to your soft, supple side, not to the jagged edges of this unforgiving Underworld. 
He calls Cabrera’s name again, but he hears the roar of the engine too late. The circle of vehicles crowds him, claustrophobic, and it's Manuel Cabrera who steps out. 
He looks the same as he did eight years ago, when Joel approached him and asked to be released from his contract, if not a little more grey. He's dressed in an Italian suit and his shoes are unscuffed. His hair is combed back and his eyes are sunken into his face.
Something strikes Joel in the back of his head, and he sees the Creation of Adam on the north wall of the orphanage, the wrinkled old hand, the stray dogs. 
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The starchy scent of the canvas sack jolts him awake. Someone yanks it up over his head, and he blinks in the harsh light of day. 
He's in a giant empty warehouse. Light filters through the broken glass windows high above their heads, shards and empty bullet casings and cigarette butts crunching underfoot. Judging from the scuffling of feet around him, ten or so men surround him where he sits in an old folding chair, bound by the wrists. He feels a throbbing ache in his skull and winces. You’ll give him hell for this. 
“It’s good to see you, Joel,” says the silhouette sitting across from him, flanked by two more shadows. Joel blinks them into focus. “It’s been a long time.”
The edges soften until he can see the whites of the eyes, the cool detached gaze, the glimmer of a silver watch. “Manuel,” says Joel. “¿Cómo está su hijo?”
A huff of air is all he gets in reply. Manuel sheds his long coat and leans forward on his elbows. “You know, Joel, my son was a fucking moron.”
“I could've told you that,” says Joel, “and I would've saved you a lot of breath.”
“My son,” growls Manuel, “was a moron, but he was my son. I told him as much—told him there was nothing he could do, not when Joel Miller was hunting him down. And when I asked him what he had done to warrant the boogeyman’s vengeance, he said it was because of a girl.”
Manuel rubs his hand over his stubbled jaw, laughing like the situation is amusing. “Well, that’s good for you, Joel. Good to finally find something you care about, to find a reason. I see you're putting your retirement to good use. Fighting for your very own Helen of Troy.”
Joel says nothing, studying the manic glint in Cabrera’s eye. He recalls that same look from the night he asked to leave, placing his gun on the desk between them. 
“I want out,” he said. 
“Out?” said Cabrera. “And why, Joel, would you ever want out?”
“Because I’m done here,” he said. “I'm done in this world and I’m done with you.”
Joel wonders if Cabrera had been waiting for that exact moment: for Joel Miller, the ghost in the corner of the Underworld’s bedroom, to step forward and give Manuel Cabrera the opportunity he needed to rise to the very top. 
“Very well,” he said after a long silence. “But I want you to consider whether your freedom is worth what I’m about to ask of you. It will not be easy.”
“It’s worth it,” said Joel. “Now tell me what I need to do.”
Cabrera sits across from Joel the same way he did eight years ago, the same insidious gleam in those black eyes, smiling smugly without moving his face at all. 
“You've changed,” he says. “You’re softer, Joel. That wedding ring must've done a number on my killer.”
“Maybe I never stopped bein’ a killer,” says Joel. 
“Maybe not. But the difference is that now, you have a reason to keep living.” Cabrera has the gall to feign remorse as he shrugs his shoulders. “You took my son from me, Joel. You understand how this world works.”
Joel kicks out his leg instinctively, baring his teeth at Cabrera like a caged dog. Two henchmen clap down on his shoulders and abruptly pull him backward in the chair. The rope around his wrists chafe. 
“When I signed that contract,” he growled, “I had nothing to live for. Nobody to love. Until the day she showed up in my life. She gave me a word to follow that wasn’t yours or your God’s.” His mouth hardly fits around the name. Yours has always felt softer on his tongue. “Trust that Emiliano deserved worse than the death I gave him.”
“A woman above God,” Cabrera utters under his breath, rubbing his palms over his thighs before he rises to his feet and grabs Joel by the hair at the scruff of his neck. Joel winces at the prickling sensation erupting across his scalp. Cabrera’s breath stinks of weed. “El espectro,” he says mockingly. “The fuckin’ boogeyman. You're not so scary like this.” 
Cabrera forces Joel to look up at him. The pressure accumulates behind his nose, painful enough to make his eyes water. “You burned my church down, Joel,” says his captor. “Money is replaceable, sure, but the leverage I had on this city… Hijo de puta. Just for a fuckin’ girl, Joel?”
Joel can't help but sneer. “Yeah, I enjoyed that part.”
It earns him a blow across the jaw, and he relishes the electric lash that wriggles down his side. Cabrera lets go of his hair and gestures with a glance to his men before he turns away, plucking his coat from the chair.
“Manuel.”
He watches Cabrera consider it: to indulge Joel, or to let him rot. 
The first hit he executed on Cabrera’s behalf earned him just ten thousand. Then thirty-something, having long ago left the Sisters, the hard wooden floors worn with the pressure of so many kneeling bodies, the Marines, and the sound of warfare, Joel didn’t have many places to stay. He took the red money, earned from the body and probably the pockets of a dead senator, and rented a place. 
Nighttime in the city didn't mean quiet, not outside nor in. That night, Joel sat on the side of his bed in a cockroach-infested Brooklyn apartment whose walls smelled of cigarette smoke, and he put his face in his hands. Leaving one war only to enter another, Cabrera told him, is just the way of life. You, Joel, are a killer. 
But that can’t be all, he thinks now, his hands bound and his blood singing in his heart. He wonders if you're asleep by now, if you've taken to his side of the bed like you used to, if you've stretched your hand across the linen for a taste of the memory of that love-like-sunlight. 
It's your blood, he realises, that courses through him. Your blood that tastes sweet as ichor, your blood that runs in his blue-green veins. It's your blood he hears whispering to him when the dreams go black as pitch and he cannot hope to breathe. 
The last contract he took for Cabrera earned him no prize but his freedom. Nothing but the smell of your perfume and your warm body tucked neatly into his every night and the cool kiss of your twin wedding bands could have satisfied him. He was not just a killer. He’d proven it. He’d lived it in eight years of gentle mornings, kissing you awake starting at the roots of your hair, and he’d loved it as much as they all had tried to make him love a God that never loved him. 
He’d never forgotten how to kill. But he hasn't forgotten how to love, either. That, he figured out all on his own. 
“All I wanted was peace. And your son took that from me.” Joel lifts his head to watch Cabrera: the way his spine stiffens, the way his eyes narrow minutely. “He killed my peace and so I killed him. So you can either pull your contract,” Joel says, feeling the snarl pull at his vocal cords like jagged claws as his voice begins to rise, “or you can die screaming like your bastard son.”
He barely lurches forward in the chair before a plastic bag is shucked over his head, suctioned tight around his throat. Two men hold him down as Joel struggles against his bonds, gasping against the cool plastic. He's overpowered, hands wrenching his shoulders back against the chair. He kicks out for leverage, but his strength is waning, and the brief high of losing consciousness brings him back to you. 
He took you to Greece for your honeymoon—or, rather, you took him. You were more travelled, more comfortable in the bright spots of the world, more settled in the spotlight. He thinks about how the sun adorned your skin like sequins, how eyes followed you everywhere you went, how you would see him frowning at all the attention and quietly take his hand. 
They don't exist, you would tell him. You're all mine now, Joel Miller. And it’s just you and me. 
Maybe there's a scrap of truth to fate. He's always been yours, long before he ever knew your face.  
He basks in the sunlight on the beach for the time being. You wore his sunglasses when yours broke. You let him apply your sunscreen and you tucked your head into his shoulder on the luxurious chair. You fell asleep with your hand on his chest. Joel spent an hour studying the band around your ring finger. 
Maybe Greece was a dream. Maybe the sun was a trick of the light and the clouds were smoke and the sky was black and the memory dwindles to a pinprick and he's grasping onto the image, your smile, your laugh, bells and perfume and a candle set at the foot of a golden statue—
“Stop.”
“Stop,” says a voice, and the air comes rushing back in. Joel wheezes, blinking hard to clear the spots or maybe to preserve the picture. But you're gone, slipping softly away as the brush of your knuckle over his cheek, and Joel is alive again. 
“Tommy?”
His brother doesn't look at him, but Joel sees the brief shimmer of gunmetal hidden in his waistband. 
He can feel the bruises blooming in a circle of fire around his throat. You’ll really be furious with him. 
Joel watches his brother pull the handgun and feels the ropes cut into the tender skin of his wrists, helpless as he feels now. “What in the hell…”
“I’m sorry, brother,” says Tommy, turning the gun on Joel. 
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r1-jw-lover · 2 months
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HULLO!!!!! :P
rank your top five fav ships from the john wick series !! :3
Hi, thank you for the ask. Just wanna put a disclaimer that my first venture into the JW fandom was through the fourth film, so my ranking list will be heavily biased on that movie.
John x Caine
It's not even one year since JW4 is out and John/Caine is already on the top ten most written ships on AO3 within the John Wick fandom.
This pairing has just the right amount of bittersweetness and melancholy for me, and putting it on top of the actors' chemistry, the gay divorced vibes, the bickering, friends to reluctant enemies, the parallels, being each other's mirror, their deep trust, understanding and care for one another, you get my number one JW ship on this list.
The friendship between John & Caine is definitely one of the most developed and convincing out of all the friends John Wick had in the series, and in spite of the circumstances forcing them to be pitted against each other, they still managed to find comfort in the other's presence regardless, and I think that in itself is beautiful.
2. Koji x John x Caine
You know what else is better than putting Keanu Reeves and Donnie Yen together in the same movie? Putting Keanu Reeves, Donnie Yen AND Hiroyuki Sanada together in the same movie.
You have already seen the incredible fanart [1, 2, 3] by the wonderful @ibahibut. They are THE old men yaoi of the recent decade of cinema, period.
The dynamics between the three of them are immaculate. Not only you have John & Caine (explanation above), John & Koji are very supportive of each other, and Koji & Caine have both the closeness and the inevitable tragicness that undercurrents their brotherhood.
All in all, I desperately need a prequel series of this trio.
3. John x Helen
It's the only canon romantic relationship in the series so it has to be on the list. Other than the fact that one of them is dead, I think that John/Helen is incredibly sweet, which make the heartaches even more painful.
John's grief for Helen's passing is one of the main driving forces for the character throughout the series. His almost religious love and devotion to his wife is all the more apparent given that Helen is the reason John had fought to stay alive for as long as four movies.
At the end of the day, John only wished to die not as the Baba Yaga but as a loving husband, finally succumbing to his wounds with Helen being his last thought before dying. (TAT)
4. Akira x Mia
Gosh, I love my lesbian rarepair too much. I initially shipped them merely for the shits and giggles (i.e. Akira getting back at Caine by dating his daughter lol), but then I also come to realise their potential as a pairing story-wise.
Outside of the obvious enemies to/and lovers vibes, I could imagine both Akira and Mia inheriting a lot of angst from their respective "father problems" that they must resolve between each other. Will Akira ever tell Mia about her plan to kill Caine? Will Mia ever understand Akira's revenge against her father? Will Mia decide to step into the fold of assassins because of Akira? Will Akira leave the High Table to be with Mia like how John did for Helen?
As a conclusion... Gosh, I love my lesbian rarepair too much.
5. Marquis x Wuxia DJ
The funniest and best crack ship ever made up in the John Wick fandom, and there's just the two of us, hahahaha. They give off high-school exes who are so, so fashionable and serve cunt while talking shit about the other behind each other's backs.
It's number five on my list because it's that good.
Honorable mention: Cassian x Gianna
Before the fourth movie is released, Cassian & Gianna is the only pairing I could see happening in the background. Cassian's loyalty to Gianna even after she died is very touching, and Gianna seemed very appreciative of it from the short interaction they have in JW2.
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evren-sadwrn · 3 months
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anne magill, “shimmer” | anne magill, “walking home through the park” | delta rae, “chasing twisters” | john wick chapter 4 screenplay | thomas pynchon, “gravity’s rainbow” | jessie burton, “the miniaturist”
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