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#juniper wwd
where-is-my-pen · 3 years
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So I watched a few clips of that god-awful Walking With Dinosaurs movie from 2013 except the voiceover was removed. Let me tell you, it was a GAME-CHANGER. The purely visual storytelling is so much better than what ended up getting released in theatres, and if I remember correctly, the voiceover was a last-minute addition anyway. The visuals are stunning and I actually find myself really liking the story and characters when they're presented this way. Anyway, here's my headcanon: Patchi is female and her and Juniper are the lead matriarchal pair of the herd.
If you pay attention to the design conventions of the Pachyrhinosaurus herd, you'll notice that the males are all an olive grey-green in colour while the females are sort of peachy-orange. The males also flush their frills with bright red and sulfur yellow colouration when they're fighting one another. Patchi, though presented as male in the voiceover version, starkly contrasts with the other males of his herd in the sense that he appears much more... *feminine.* Being that, unlike his brother Scowler, Patchi is the same peachy-orange as his sisters and the other females in the herd. His frill also never flushes with colour like the other males' do in his adulthood, and he never changes to match the grey-green of the adult males. If you had only ever watched the narrator-less version, you'd likely assume Patchi was female when you see how dissimilar to Scowler she looks. There's really nothing in the film itself that implies Patchi is male aside from what's stated in the voiceover, and of course the generally assumed heterosexuality of characters in media. Patchi is shown as being interested in another young Pachyrhinosaur, and fights Scowler for her and for leadership of the herd. Because of this, based on how people perceive animal behaviour, people assume Patchi is male. A few other things that can support Patchi actually being female is that she's generally shrugged off by Scowler and Bulldust when she tries to participate in activities with them; knocking over small trees, rolling in the dust, or sparring. Scowler actually *chases* after Patchi at first before the two of them bonk heads, implying Patchi initially had no drive to engage in headbutting with Scowler. All of these things could be interpreted as Patchi having the desire to lead the herd and prove her strength and cunning against the males, but because she's female, she's met with looks of disapproval from her contemporaries. This could also be why Scowler so vehemently despises her in their adulthood; making a show of driving Juniper away from Patchi when he first takes over leadership of the herd, and ignoring Patchi's calls when crossing the frozen lake. After she usurps his leadership through saving the majority of the herd from the breaking ice, Scowler finally gives her the fight she wants and she loses. Though she gives up briefly, she's spurred into action by the memory of meeting Juniper for the first time (that's some lesbian passion right there), and in the end, she wins leadership of the herd not through brute strength in a fight with Scowler, but through her boldness and encouragement of the herd to fight back against the Gorgosaurs. She proves herself as a reliable and strong leader without a show of physical prowess. The nest of eggs at the end is interpreted by most people to belong to Patchi and Juniper, but the two of them have clearly left the nest almost entirely unattended, so I personally don't think it's theirs. Patchi runs off a Troodon and Juniper is seen grazing a pretty decent distance away, appearing to be pretty unbothered that a nest of what people assume to be *her* eggs was almost decimated by a predator. At this point, I think the pair of them have taken on the duty of being the herd guardians, watching over the year's brood and chasing off predators from nests whose mothers have gone off to forage. So yeah, these dinosaurs are gay. I reject the voiceover version because it sucks, and the 25 minute long Bendytick Crumbledump version as well because that one was only shown in museum theatres and I've never seen it, so it doesn't exist.
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#sundayfunday - What is your sip of the Day gonna be?🥂☀️ . Having the Day off tomorrow I was going for something rather simple, yet really tasty and quenchy for this yet Another sunny Day here in Scandinavia☀️🙏🏼 . I have written about the infusion bags from @oxiginbotanicals and how they Can turn the Classic G&T experience into something quite more complex and cocktail-ish🍹 . Paired with only Nordic products (think globally, shop locally) this really made my Day - especially After all the stress that was the Royal Wedding and WWD (whisky Day)😅 . This Also lead to Another great event Coming up; Negroni week and World Gin Day on the 9th of June - do prepare your self 😋 . In todays creation I opted for the bag called Café Marmelade, having orange🍊, Coffee ☕️, cardamom, rosemary 🌱 and juniper - really dig this one - as if made for the tonic concentrate from @malmotonic 👌🏽 . To top all that delisciousness I opted for batch 0023 made with among other things; quince - really digging quince this season🤤 . LADY MARMELADE . 5 CL Gin Batch 0023 (@radius_distillery ) 2.5 CL Tonic concentrate Stir for 20 seconds ⏲ Add plenty Ice ❄️ Top with soda water 💦 Add infusion bag and let Work 2-3 minutes ⏲ Gentle stir Gently enjoy🧡 Gently skål🥂 . Enjoy sunday all my good friends ☀️🥂 . #cocktails #drinks #ginandtonic #gintonic #bartender #vodka #bar #cocktail #mixology #wine #alcohol #ginlovers #fevertree #gintime #ginstagram #drinkup #tonic #drink #craftcocktails #love #party #whisky #food #foodporn #drinkstagram #beer #craftcocktail #ginoclock #photooftheday (her: Viborg, Denmark)
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ladystylestores · 4 years
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Soraya Bakhtiar Unveils Azaleo Fragrance Line – WWD
https://pmcwwd.files.wordpress.com/2020/06/thumbnail_azaleo-pink-web-res-2.jpg?w=640&h=415&crop=1
LONDON — Social media influencer Soraya Bakhtiar had started reevaluating long before the coronavirus pandemic forced the entire world to do the same.
Looking at the increasingly competitive and, at times shallow, social media landscape, she began taking a step back from her popular Instagram account, opting for fewer press trips and brand partnerships in favor of perfumery classes and frequent trips to Grasse, in southern France, where she dreamed up her new brand, Azaleo.
Three years on, Azaleo is launching as three niche luxury scents, which Bakhtiar intends to use as a vehicle to tell stories around wellness and spirituality.
“Treating yourself with a perfume is going to become a luxury to make you feel good. It’s not about having to smell good, it’s about self-care and being true to yourself,” said Bakhtiar in an interview.
It’s a proposition that feels especially relevant today, when consumers are looking for a little more meaning and substance when they shop.
That’s exactly what Bakhtiar has been offering these past few months. As the pandemic delayed the spring launch she had planned, she focused on the world of the brand, offering insights into astrology, online crystal workshops and Instagram Live conversations around healing and self improvement.
“I tried to set the mood and introduce elements that reflect what the brand is about, from the crystals to collaborating with an astrologist on posts. I’ve been building a community around all those elements and now the perfume can just seal everything together,” said Bakhtiar.
“It was a blessing not launching earlier, as we are now talking to a different consumer,” she said, adding that she’s come to know how she and the consumer have been evolving through the crisis.
The Azaleo perfumes.  Courtesy Photo
The finished product appears to be as thoughtful and well-considered as Bakhtiar has promised.
The scents that mark the launch will be sold exclusively online on the label’s web site, which channels the soft-edged, otherworldly spirit of the brand with touches of pink and illustrations of the sun aplenty.
The bottles come tinted in shades of pink and orange, with engraving instead of stickers and bottle caps that resemble a planet in space. “When you look at what’s out there, most perfume bottles are black-and-white with a sticker. They don’t have a lot of identity,” she said.
The debut fragrances have been designed with “a layering story” in mind, in response to a gap in the market that Bakhtiar said she noticed early on.
“Everyone is promoting layering, but none of the fragrances [out there] has actually been created to be mixed together. It’s just really a marketing tool to sell two perfumes, instead of one,” she said, adding that she chose to include a base that can work on its own, or complement the other two scents on offer.
“We want to give the choice of layering — or not — because some people are very loyal to the way they wear perfume. They’ve been wearing the same scent for 10 years. If you tell them to forget what they’ve been wearing and now wear two perfumes, they just won’t be into it.”
Bakhtiar designed the perfumes with complementary notes and chose softness and subtlety as the common thread.
The base, dubbed Voile de Lune, was created to be “a second skin” of sorts, with fresh notes and a touch of intensity with musk.
“It’s the feeling of the moon caressing your skin and that piece of fabric that’s soft and dreamy,” said Bakhtiar.
The second scent is called Sun to Soul and aims to capture the feeling of “summer in a bottle” with floral, fruity notes reminiscent of holidays. But it’s not too sweet, like so many floral scents on the market.
For the third scent in the collection, Bois Boheme, Bakhtiar wanted to use creamy, milky sandalwood and add the right dose of sweetness, with notes such as black pepper, juniper and iris.
The scents were developed with an independent perfumer in Grasse, who allowed Bakhtiar to be present in the labs throughout the mixing process in order to create something completely customized for the label.
Each perfume retails for 150 pounds, so Bakhtiar was keen to keep the brand niche and with a limited online-only distribution, despite the risk this potentially entails.
The Azaleo perfumes.  Courtesy Photo
With more than 126,000 followers on Instagram, the majority of whom are avid luxury shoppers, she has been able to create a certain degree of demand around the brand from the get-go.
This is more than another Instagram-driven brand, though, with Bakhtiar looking to chart a path and delve deep into the niche perfumery market.
“The niche industry isn’t really niche. You see all those brands now at duty-free, but perfume has to be special, almost secret. If that means selling less then I’m OK with that. I can [always] create a more mainstream product that belongs in duty-free if I want to have high volumes,” she said.
As the brand takes off, Bakhtiar said she will look to make the shopping experience even smoother with samples that can be mailed out, as well as expanding the brand’s feel-good, spiritual universe into other products in the future.
“I don’t want the brand to be about perfumes only. We can move into candles, body, hair, anything that revolves around smells and scents or goes on the skin. I was even thinking about going into jewelry,” she said.
“This time at home gave me so much perspective on how we’re going to come out of the crisis and I wanted to create this ecosystem that beyond the products, is also about wellness and mental health.”
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