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#larryclark
terrain-vague · 1 year
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Close-ups. Kids, Larry Clark, 1995. @chloessevigny @rosariodawson #chloesevigny #rosariodawson #kids #larryclark #colorpencildrawing #carolineandrieu (à New York, New York) https://www.instagram.com/p/CotubBwrLXa/?igshid=NGJjMDIxMWI=
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jamfromwkym · 2 years
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“ɪᴍᴘᴇʀꜱᴏɴᴀʟ ᴍᴀꜱꜱ ᴘʀᴏᴅᴜᴄᴛɪᴏɴ ᴛʏᴘᴇ” #impersonal #productiontype #tremaineemory #natelowman #supremenewyork #kaws #larryclark #jeffkoons #takashimurakami #damienhirst #dashsnow #richardprince #georgecondo #johnbaldessari #louisvuitton #virgilabloh #denimtears #rammellzee #markgonzales #terryrichardson #malcolmmclaren #futura2000 #iphonephotography #popeyemagazine #hypebeast #highsnobiety ##unprecedent #sidelinetokyo #jamfromwkym (錦糸町) https://www.instagram.com/p/Cj_irLnBjxu/?igshid=NGJjMDIxMWI=
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movietitlescollection · 8 months
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HAPPY BIRTHDAY NAN GOLDIN!
We sourced “Ivy in the Boston Garden, Back”, 1973, by contemporary photographer Nan Goldin (b. 1953) to accompany an elegant and iconic photo by William Klein “Painting + Coffee: Simone D’Allencourt, Fabiani”, 1960, a lavish rich and saturated setting of a model seen from the front; the combination of the two images gave added meaning to both photographs.
“While still in college at the School of the Museum School of Fine Arts, Nan Goldin spent two years recording performers at the Other Side, a Boston drag bar that hosted beauty pageants on Monday nights. This black-and-white study of Ivy, Goldin’s friend from the bar, walking alone through the Boston Common is one of the artist’s earliest photographs. The portrait evokes the glamorous world of fashion photography and hints at its loneliness.”
Nan Goldin is a photographer and activist. Her work often explores LGBT subcultures, moments of intimacy, the HIV/AIDS crisis, and the opioid epidemic. Her most notable work is “The Ballad of Sexual Dependency”, a slide show, which documents the post-Stonewall gay subculture and Goldin's family and friends. She lives and works in New York City, Berlin and Paris; her work is a long list of museums around the world including The Tate, Getty, Met, Moma, MFA Boston, Tate
Goldin cites three primary influences on her work: Dian Arbus, Michelangelo Antonioni and Larry Clark.
#nangoldin #williamklein #glenngisslerdesign #artadvisor #diannearbus #michelangeloantonioni #larryclark #theballadofsexualdependencey #photography
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badgaymovies · 2 years
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Kids (1995)
Kids by #LarryClark, "the script’s conservative lecturing makes sure that the trouble they get into is something they bring on themselves without anyone learning or growing in any way."
LARRY CLARK Bil’s rating (out of 5): BB USA, 1995. Guys Upstairs, Independent Pictures, Kids NY Limited, Killer Films, Miramax, Shining Excalibur Films. Story by Larry Clark, Screenplay by Harmony Korine. Cinematography by Eric Alan Edwards. Produced by Cary Woods. Music by Lou Barlow, John Davis. Production Design by Kevin Thompson. Costume Design by Kim Marie Druce. Film Editing by Christopher…
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larsfredriksvedberg · 2 years
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#bradrenfro #nickstahl #bully #larryclark #2001 @larryclarkofficial https://www.instagram.com/p/CY81O33qYLD/?utm_medium=tumblr
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chrissorensen · 2 years
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Moving sucks but the nice thing about going through everything is finding things you'd lost track of. Several years ago @larryclarkofficial's gallerist in NYC held a big sale of his work where you could come into their gallery and go through boxes and boxes of 4x6 prints of Clark's and buy them for some low price that can't I remember. I got these two. Happy I found them. . . #larryclark https://www.instagram.com/p/CYEysAjOmCQ/?utm_medium=tumblr
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sixteensaltines · 3 years
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Larry Clark, April, 1971
I was born in Tulsa, Oklahoma in January 1943. When I was 16 I started shooting valo. Valo was a nasel inhaler you could buy at the drugstore for a dollar with a tremendous amount of amphetamine in it. We would work up a shot and shoot it. I shot with my friends everyday through high school. When I was eighteen I left Tulsa and went to art school and studied photography. In 1963 I went back to Tulsa and shot valo and took pictures for a few months. Then I went to New York City to become a magazine photographer but I was drafted so I did two years in the army.
All my friends back in Tulsa were into burglary and armed robbery and did time in the penitentiary. Also my younger sister was now shooting. I went back two or three times and in 1968 I spent the summer with my friends and did pictures and 16mm film and tape recordings. I didn’t do many pictures because there was so much dope around. We had more than you could shoot. We lived in an apartment with some girls who were prostitutes and then had some tricks who were doctors so we had everything from liquid amphetamine to morphine pharmaceutical. The police were hot on everybody and busted the door down a few times. I was arrested for weed in one bust and the police took my camera and film and recorder and tape. I got the recorder and camera back a year later abut they still have some film and tape. During that visit one of my friends got ten years and Billy had to leave town and everything was breaking and the girls had to leave town too. I didn’t think I’d ever go back there again. I went back to New York for a year but nothing was happening and I was doing hard dope for awhile so I went to North Carolina and stayed with a girl who was a painter there. We went to New Mexico in the summer and I got with another girl and live there. My sister came through town from Tulsa, f-cked on speed with her outlaw husband and told me Tulsa was shaking with my two oldest friends back in action. I went down for a few days and Billy overdosed on morphine and died. My other pal Ripper was longhaired and crazy after that dope. I left but went back right away in January 1971 and did photographs. I’m back and I’m skuffeling to write something to go with the pictures. I’m making the final prints now in my New York pal Ralph Gibson’s studio and his Lustrum Press with publish it in the fall.
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birthday0402 · 3 years
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- Stie-lo × Larry Clark × WACKOMARIA - 7/10 release @larryclarkofficial @mine_denim @wackomaria_guiltyparties 写真家で映画監督のLarry ClarkとWACKO MARIA、Stylist野口強の主宰する Stie-loによるトリプルコラボレーション。 1971年に出版したLarry Clarkの処女作「TULSA」からイメージをセレクト。 展開アイテムはWACKO MARIAの得意とするHAWAIAN SHIRTSと Stie-loによるCREW NECK T-SH、HOODED SWEAT SHIRTS。 この豪華なコラボレーション なかなかお目にかかれないと思います。 オンラインでも発売予定ですので、是非ご利用下さい。 店頭優先のため、ご希望に添えないこともございますので、ご了承ください。 ----------------- BIRTHDAY -------------------- 福岡県福岡市中央区大名1丁目2-37-1 selva西大名 Ⅱ 1F open AM11:00 〜 close PM 8:00 ℡092-721-1125 #MINEDENIM #DENIM #2021ss #mens #womens #DENIM #SKINNY #BASIC #larryclark #wackomaria #コラボ #hawaiian #shirt #tshirt #hoodie ⠀ お問い合わせはこちらまで。⠀ ⠀ [email protected]⠀ ⠀ 810-0041⠀ ⠀ 福岡市中央区大名1丁目2-37-1 selva西大名1F⠀ ⠀ TEL/FAX ⠀ 092-721-1125 /092-721-1125⠀ ⠀ 営業時間⠀ 11:00~20:00⠀ ⠀ 無休⠀ ⠀ ⠀ ⠀ #mens #simple #fashion #ootd #snap #mn_snap #selectshop #fukuoka #大名 #BIRTHDAY #mens #birthdayfukuoka ⠀ #new #ootd #outfit #cordinate #womens #Ladies (BIRTH DAY -Fukuoka-Selectshop) https://www.instagram.com/p/CRD6GgRLQoh/?utm_medium=tumblr
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jordisonsucks · 4 years
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an underrated gem
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disimulando · 4 years
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Kids (1995), dir. Larry Clark _______________ #kids1995#larryclark#leofitzpatrick#justinpierce#chloesevigny#rosariodawson#90sfilm#kidsmovie#harmonykorine#moviescene#filmstills#indiemovies#cinephiles#filmaesthetic#movieclips#cinefilos#cinephilecommunity#movielover#greatmovie#filmbuff#filmlover#moviefan#movieoftheday#cinemalovers#moviegeek#bestmovies#movieworld#instafilm#instacinema#moviepic (en United States of America) https://www.instagram.com/p/B7jjDe5o3-2/?igshid=1944gof04rjb0
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tizianomazzilli · 4 years
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Late night spinning! #larryclark https://www.instagram.com/p/B5Y-QN0n_rc/?igshid=1u44ujzfmxa2j
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jamfromwkym · 2 years
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“ᴀɴᴅʀᴇ ¹⁵⁰⁰⁰” #andre3000 #supreme #tremaineemory #natelowman #supremenewyork #kaws #larryclark #jeffkoons #takashimurakami #damienhirst #dashsnow #richardprince #georgecondo #johnbaldessari #louisvuitton #virgilabloh #denimtears #rammellzee #markgonzales #terryrichardson #malcolmmclaren #futura2000 #iphonephotography #popeyemagazine #hypebeast #highsnobiety #supremeshibuya #unprecedent #sidelinetokyo #jamfromwkym “ꜱᴜᴘʀᴇᴍᴇ” (Supreme) https://www.instagram.com/p/CiCs9wmBqEq/?igshid=NGJjMDIxMWI=
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movietitlescollection · 8 months
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royjohnson1971 · 5 years
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impossible to get excited to see the director of one of the movies that marked my adolescence. I remember the day I went to the video store and rented "kids" in the year 97. @larryclarkofficial 🖤 #analog #35mm #film #nofilter #nofilters #photo #photography #filmmaking #filmphotography #kids #larryclark #ae1 #portra800 (en Valencia) https://www.instagram.com/p/B3GAUb6BpVv/?igshid=14utzjztz0kvp
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film-masochisme · 5 years
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Another Day in Paradise (1999)
Directed by Larry Clark
Doomsy’s rating: 65/100
I really don’t like Larry Clark as a whole. His films can be really exploitative, creepy and tending towards hysterical sensationalism, and he doesn’t seem to have much on display in his films other than a lot of boringly navel-gazing nihilism and portentous despair. However, I threw this on and except for a couple of scenes, doesn’t feel very much like Clark’s other films at all. First things first, James Woods’ commanding central performance almost removes any auteurist stamp on the film whatsoever, because he is so ubiquitous in his presence that no one, not even the director can outshine him. The surprising thing is, there’s a lot going on in this movie, despite Woods’ no-holds barred and quite impressive turn. 
When Clark’s directing does show, it’s (hold your breath...) in the painfully close-up and honestly quite invasive sex scenes between Vincent Kartheiser and Natasha Gregson Wagner, which (if Wagner’s subsequent interviews are anything to go by) feel completely wedged in to kind of go along with Clark’s leery and weird obsession with the intimacy of teenagers. In these two scenes in particular, they play almost like scenes the Mitchell Bros. would have directed in the 1970s when they were just starting out. If those scenes were left on the cutting room floor, the entire film would be much, much better. It’s not often that sex scenes in film prove distracting, but the ones here just served as nothing but a big pile of yuck. 
Despite my misgivings about Clark’s choices with certain scenes, the rest of the film is very pointed, gripping, and ultimately rather moving. It has a lot to say about addiction, and specifically about the way that addiction runs through families, even surrogate ones. Anyone that has lived with a family that has problems with addiction will find similarities in at least one character, as all four central protagonists are presented as different parts of the addiction spectrum. First we see Mel (James Woods) and Sid (Melanie Griffith) as almost like adult versions of Matt Dillon and Kelly Lynch’s characters from Drugstore Cowboy, on this kind of free-wheeling descent into hedonistic excess, becoming literal adrenaline junkies as they plan increasingly risky jobs to support themselves and their habits. 
Once Bobbie (Kartheiser) enters the picture, the whole dynamic between Mel and Sid expands, and he is no sooner in their care then he is sucked into their twisted lives, completely predicated on the next fix. Also, it should go without saying, but if you’re looking for hope, this is the wrong film. It’s a fairly grim affair, and aside from a chirpy and often lovely score of Motown and jazz-inflected tunes, is almost devoid of anything other than downtrodden inevitability. This was not an easy film to watch, but it did prove that even directors I don’t like are capable of occasionally making good (or even just watchable) films. Pretty decent little movie :)
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