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#m;juri
ofwindydays · 2 months
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Open for @exitiumstarters
Juri wanted revenge. He was exhausted, tired, and above all angry. No matter what he did, they will always be targets. Walking home, a target. Getting his car towed a target, just merely existing meant being a target. And he was tired. FUCK PEACE, FUCK THE OEA, AND ABOVE ALL FUCK ASHER SIMMONS.
Juri though used the knife the hunter gave him, big mistake on his end before stabbing the oea member. There was a sneer before he pointed his knife in no particular direction.
"Which one of you motherfuckers are next!!!" Juri said with a hiss.
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transmascutena · 5 months
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ohtori dashboard simulator
🐄 calf-kin Follow
WHO KEEPS LETTING ANIMALS LOOSE IN THE HALLWAYS
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🎹 sunlitgarden Follow
Has anyone else noticed that time is really weird?
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🧅 onion-princess123 Follow
making lunch for my beautiful boyfriend <33
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snail-lover-deactivated011998
just made dinner for my roommate ^_^
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girlprince-deactivated121997
i never ever wanna walk up another flight of stairs again in my life once this school year is over
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6524771891-deactivated Follow
what the fuck does our student council even do like actually
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🌹 touga-kiryuu Follow
If it cannot break its egg's shell, a chick will die without being born. We are the chick. The world is our egg. If we don't crack the world's shell, we will die without being born. Smash the world's shell!
#deep #inspirational #poetry #poetic #quotes #literature #dark academia
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🌹 ohtori-official
If you or a friend/loved one is currently attending Ohtori Academy, please remember that you can get a free counselling session in the abandonded building at the edge of campus.
- Souji Mikage
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🪺 lonchura-oruzivora Follow
if someone i hate just so happens to fall down the stairs while i'm walking by how is that my fault 🙄🙄
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⚔️ kendocaptain Follow
just got my ass kicked by a middle school girl for the third time in a row dhmu..
#sad #vent #delete later
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🐄 calf-kin Follow
🐄 calf-kin Follow
Anyone who voted no DNI !!!!!!!
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🎭 abc-ko Follow
reblog if you think the chairman should fund the drama club more instead of spending all the board money on sports cars
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snail-lover-deactivated011998
Akio Ohtori Call-Out Post
Keep Reading
#in other news i'm dropping out of school #goodbye forever i will not miss any of you
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hershuargames · 3 months
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Teenage boys need consideration😉
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sleevebuscemii · 1 year
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jury duty is insane because it captures the exact essence of being part of a group project at a community college
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remy2fang · 6 months
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Like Teacher, like student.
The M. Bison F.A.N.G one was made back in April 2020 for Bison’s birthday.
The A.K.I. one was made recently when I hit over 2222+ followers on Twitter. It’s a modest number, but I can’t skip on commemorating 2222. It’s a FANG account after all lol.
Tbf, I jumped from 800 (or less) to 2222 in a span of a few months due to my SF6 male mods, especially after my Luke Morrigan and Jamie Felicia mods got viral ( https://x.com/remy2fang/status/1668445962791174144?s=46&t=iEGeYIIN_aP028wRnoVcUQ) . I haven’t modded much recently mainly because I’ve been focused on FANG and AKI content. I love FANG so much, and I’m so happy to see him again in SF6. Heck, I’m more excited for an NPC than I am for any of the roster characters lol. I love A.K.I., she is my self insert because she represents my love for FANG, but my goodness I suck playing her. Well, I’m not particularly good at competitive fighting games myself and just like to play them leisurely. Lol all I have to do is get good with her so I can be worthy of being AKI enough. Now, let’s see far I’ll go because I know I’ll be distracted either doodling some ridiculous thing, modding something, or going out away from my laptop 😅😅
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deus-ex-mona · 16 days
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allowed to kiss his gf:
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not allowed to kiss their gfs:
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maxwell-grant · 6 months
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I’m curious, what are your thoughts on Seth from street fighter?
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Even post-revamp, still fairly awkward and out of place as a Street Fighter character (even if that is very much the point and always has been), but as a villain, they really won me over, there's a lot of great stuff here. Seth is a self-hating robot in a CEO outfit who poisons the world around them and whose grand plans involve imitating the actual main villain while insisting they are a different unique being (unlike their 26 exact clones), and stealing the creations of everyone else around them, who then dies and gets a sexy cool makeover to become a gruesome aimless murderous ghost, who chases traces of it's creator around to kill him unaware that it's dying with every step it takes and that it's chasing something that isn't there. They went from Frankenstein's Monster play-acting as a cold calculating unfeeling chessmaster who everyone could tell was full of shit, to the Bride of Frankenstein as a barely-held-together dangerous yet tragic monstrosity that everyone reacts to with disgust and pity. They went from what we used to think AI would be, to what AI actually is, and I'd say they were pretty ahead of their time for that alone.
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(art by z3dd)
Now, IV Seth was pretty uncontestedly the least popular of the Street Fighter Final Bosses, for fairly similar reasons to Gill: they were seen as too much of a fantasy supervillain, they didn't "fit" the series, they were too weird and awkward and out-there, and where as Gill at least got a pass because of his presentation and style and sheer contrast with Bison (although that "pass" only happened because people turned around on 3rd Strike), Dollar Store Dr.Manhattan was just lesser than Gill and Bison in every way and thus was a dissappointing final boss, an out-of-place comic book supervillain who didn't justify their existence.
Granted, the series actually had way more of a precedent for Seth than it ever did for Gill, given the presence of prior cyborgs and shapeshifters (the Shadaloo cyborgs from the animated movie that Seth was directly based from, Twelve and Necro) plus Gill, and the door for comic book supervillains was blasted open in the first place with Bison (and all the fighting game bosses that descended from him). But still, Bison's thing was that he was one-in-a-million, that he broke the rules as an dishonorable intrusion, that if you reached high enough to topple the greatest fighter (Sagat) you could fight the greatest fighter's boss, a man so powerful rules and structures could not apply to him and only your fists stood between him and global domination. Since obviously you can't take a step back and you can't do the same trick twice, that formula had to be tweaked for Gill and Seth: Gill was presented as someone above even Bison on the food chain and scope, a distant immortal bearing divine judgementt on trespassers, where as Seth was defined by their role irrevocably beneath Bison, and the walking inferiority complex that ensues.
They are a Bison project, one of 26 exactly like them (which means canonically most of the fighters got to defeat "a" Seth, which really does not make them very impressive), growing from Bison's leftovers to lead a subsidiary of Bison's organization, continuing Bison's plans, with their grand plot being just an imitation of Bison's plan to control Ryu's power, and generally acting and speaking and doing things exactly like Bison while uselessly whining that they are NOT Bison and that they will succeed where Bison failed, while the narrative makes no secret of the fact that Bison is still alive, still pulling the strings, and that he was perfectly fine until Seth started getting a little too big boy pants for his liking, and now Bison's gonna put his homegrown Pinocchio in the shredder with little to no difficulty and take the reigns as Final Boss again. Which, granted, did do it's job in building Bison back-up again, but didn't do a thing to negate the idea that Seth was a superfluous, inferior rip-off, given that textually, this is how they were presented as.
Even the characters didn't seem to take them very seriously, certainly not as seriously as Bison, and that was BEFORE the breakout rock star of the IV series, Juri, debuted to ensure that Seth wouldn't even be the most popular new villain. It is the least surprising thing in the world that Seth would achieve much greater popularity, in part, by being redesigned to be more like Juri. And part of what made Juri appealing was the fact that she was a conniving, cool, unique loose cannon villain ready to make Seth eat shit over thinking that they could control her, they became the big-headed authority figure for our punk bad girl to kick like a pinata. Unlike Vega and Balrog, who only talked a big game, Juri actually got to kick her dipshit supervillain boss to the curb, and we all loved her for it.
Seth's major saving graces were their gameplay, which made them very popular competitively, plenty of aspects of their design, and the fact that all of the above worked to make Seth a character who, while not terribly compelling in their own right, did a lot to make other characters more interesting, like Abel, who was designed to be a good counterpart to Seth and not remotely interesting besides (although his stint as Guile's manchild partner in SFvsT has it's moments), or like Juri and Bison, giving them an enemy they could actually defeat to gain street cred. Frequently you need villains that only exist to let other villains be cooler by comparison or retain their dignity or put one over. Sometimes you need a Cluemaster in place of your Riddler, a Mac Gargan to make all the other Sinister Six guys omlook better by comparison, a Zant to fill in screentime for Ganondorf or a Hobgoblin instead of a Green Goblin. You need your in-betweeners even if, and sometimes especially if, they will never be anyone's favorite character. Which is a harsh thing to say about Seth, but for a while they definitely didn't seem like anyone's favorite baddie, but instead someone who made their favorite baddies look way better by comparison.
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And Seth worked in this regard especially because their design was built on the idea of them being unnatural, contemptible and out-of-place. I actually think Seth's original design does work, and has been vindicated over time. Seth is a cybernetic intelligence made by scientists to consume and imitate all the brilliant techniques that the World Warriors spent years/decades perfecting, a twisted mockery of their beliefs and achievements. They look like a living yin-yang and conducts themselves posing like a Shinto god, but there is no spirituality or soul to anything they do. They are a grotesque, soulless husk that can only imitate, can only cruelly replicate the evil of their creator and not even do a terribly impressive job at it, and all of their attempts to convince others they are in any way different or unique ring hollow. They are one in many many Bison back-up bodies even among the playable cast, and all of their achievements are meaningless, either already belonging to Bison or stolen and repurposed by Bison and others.
There was plenty about Seth that already worked and was just held back by a not-particularly impressive design or presentation. The grand trick that SFV pulled was basically giving them a new one, and taking everything about Seth that used to be implied and subtextual, and basically making it textual, making it a scream they can only repeat ad nauseum, and in the process making one of the most tragic SF characters as well as one of the coolest.
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Now, yes, you could argue that SFV Seth kinda missed the point in a big way by actually giving Seth a distinct and interesting design best described with the "not to be a lesbian but oh god oh fuck jesus christ" meme, when the character being soulless and unoriginal was important to their make-up. But it was never a terribly interesting idea (already done by the likes of Twelve or the Cycloids), certainly not for a fighting game character let alone a Final Boss with such massive standards to live up to, and shades of it still impart in the new design in a far more delightfully twisted way. It's Seth, except they are Juri now. They've been remade in the image of their true enemy, their hateful minion that ruined their plans, led Bison to them, killed and broke and stole them to be remade using a discarded Doll body from Bison's scrap pile, and the process has revived Seth into a pitiable broken record of itself.
The new design greatly emphasizes the corrupted Shinto / yin-yang elements of before, adding splashes of color and powerful glowing lines to the design that make it so that, while they looks less cadaverous, they look much more the part of a corrupted imitation of a deity, so that despite being downgraded from boss status they actually look much more like something you'd face as a Final Boss, something that could stand next to the other Final Bosses. And that glow-up extends to their moveset: Instead of pasting together improvised and half-hearted recreations of iconic special moves, Seth now directly steals and perfectly replicates the skills from whoever they're fighting. Seth conducts themselves with greater power and swagger this time around, with tons of new animations lifted from powerful past Capcom villains like Demitri or the Heritage to the Future take on DIO, and it works. Because even now, Seth can only imitate greatness from others. Seth has perfectly captured advancements in A.I tech because they can learn, grow, and even imitate to near-perfection, but they cannot meaningfully improve, and they are dragged down by incohence, chaos, errors and glitches in programming. In short, the fact that they are an artificial intelligence to begin with.
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That's a thing about A.I and robots in general: Sci-fi has spent over a century anthropomorphizing robots and artificial intelligence characters to empathize with and make stories out of, create lovable stock fantasy characters that our culture comes back to again and again, but now that they are a real thing, and they are horrible godless abominations often used to actively make the world worse (even if it's hard to ascribe fault to something that isn't sentient enough to be malicious), we can't really deal with that. It's a cognitive dissonance that sci-fi doesn't look like it's going to catch up for a while now, if it ever will. We still like robots and robot stories and characters too dang much to know how to live with them. We still cry over Pluto, it's unavoidable.
And crying may be a strong term, but SFV actually seriously invites us to feel sorry for the dang thing, and the great final trick SFV pulled was breaking Seth under the weight of being Seth. Under the weight of being lesser, of not being real, of being an artificial creation made in an assembly line and not even the best of it's kind, of being not a terribly popular creation, of being a victim of characters that will get away with what they've done to them because nobody's gonna stand up for Seth, of being a Bison imitation made to house Bison and do Bison's bidding in the meanwhile, and thrown in the trash despite performing exactly as it was supposed to. Seth has faults of personality that make them more than a machine, and less than a person, and if the cast before generally despised them but not to the extent they despised Bison, now most characters outright pity them, as a thing living past expiration date that shouldn't be alive at all.
And because of all of this, in a way, Seth has attained a form of uniqueness. Even among the other villains and tragic characters of Street Fighter, Seth stands unique as a truly tragic, doomed villain, not even really a villain anymore so much as an obtuse, sad disaster. They are maybe Bison's greatest victim now, because even the Dolls (sans Marz) are all getting moderately happy endings, even Cammy and Abel and the Neo Shadaloo goobers got to make new lives for themselves, even Nash got to die by their terms and make his sacrifice count. Seth had nothing besides this. Seth was created for, born into, lived by, and died as an extension of Bison's evil, a tiny little bump in Shadaloo history, a piece of junk that Juri used and broke and tossed aside to resume her miserable life afterwards, and all their revival did was prolong the horror. Just one among endless horrors JP leaves behind when he's through with them.
We have yet to know what became of them after SFV, because many stories from SFV have been dropped or left incomplete in 6 (and many probably for the better), but even though Seth really was a villain and a horrible enemy to all of humanity, you kinda wind up feeling sorry enough for them to almost wish that their SFV ending happened, where they destroy Bison and ascend over their other selves, and still the question of whether they could ever be at peace lingers. This ending just fascinates me to no end, and it makes me think of the quotes that Gouken had to say to them that alone stood as an indication that Seth could be more than they appeared and insisted on being:
"Until you acknowledge the soul within, you cannot use your power for good."
"You seek individuality and identity, but you will not find it this way."
(JP win quote) "Look, you don't have to use your powers to express who you are."
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Until they appear again, that this is the note that Seth as a character goes out on might even imply that this was either their true goal all along, or that Seth has genuinely progressed as a person enough to want something new. That they are now able to seek or at least aspire for peace of mind, where as before there was only a desire for conquest and power, to show the world that Bison was a ghost and that they were the king, the ruler, the greatest fighter of all. Seth constantly expressed disgust and hatred at their other variants, killing them and flying into a murderous rage at being referred to by their number, even expressing in IV a desire to "be the sole survivor of this world" presumably with everything else as data within themselves. Here, they appear before the other Seths in a pose of ascended godhood, even seemingly benevolent, like they're ready to bring their siblings along.
The spiritual elements of their design no longer appear as a corrupt imitation, but an indicator of genuine spirituality. That Gouken was right, that there really was a soul in Seth waiting to be acknowledged, that the exorcism of the great evil that once defined them has allowed at last a pursuit of individuality and identity and self-expression, to reconcile their hatred of themselves (which manifested as a hatred of the other numbered Seths). It's such a fascinating development that it almost, almost makes me wish Street Fighter would dip it's toes a little into multiverse territory, much as I hate the superhero-ification of the series in V. I have thoughts on how MK1 handled this and very mixed ones at that, but the canonization of "every character ending from past arcade modes can have happened in separate universes and we can have it cross over whenever we feel like it" is an idea I do like, if nothing else this ascended development for Seth just seems like too potent an idea to never touch on again.
I used to not like Seth, really. They used to be one of my less favorite characters. Now I'd call them one of my favorites, and I'm just feeling horribly sorry for them. I need to know what became of them. Whether they'll still come back for one last torturous round of existence, whether they are heading for some other exciting new development, or whether the very next second after the end of their V story, they simply ended with one of their victory quotes:
"A SERIOUS ERROR HAS OCCURRED."
"A SERIOUS ERROR HAS OCCURRED."
"A SERIOUS ERROR HAS OCCURRED."
"A SERIOUS ERROR HAS OCCURRED."
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solidsmax · 8 months
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Street Fighter x Tekken
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new refs part 1!!!!!!!!!
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ofwindydays · 2 months
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Open for @exitiumstarters
Juri was opening the security system catalogue with a grimace. While they were a bit pricey, Juri has learned that the OEA are not going to back down so easily. He probably had a target on his back the size of Louisana itself. Whether it was because his affilation with Riley or something else- he just couldn't risk getting hurt in the crossfire. He had to live at the very least for luna, artemis, and the countless people he cares about. The sensor went off in the flower shop as he signed.
"Give me a moment please-" He signed. "I'm trying to figure out how to get rid of rabid groupies." His new word he learned for the oea thanks to Briggs.
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transmascutena · 3 months
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some thoughts on photography and memory in utena:
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on the wall in nemuro memorial hall, there are pictures of real people. i'm not sure who they are, but i assume they're of people involved in making the show. either way, they're obviously not real; in the close-up shots of them, they change into pictures of the black rose duelists and other imagery from the show. i imagine it's there as a fun detail by the creators, but also to show how weird and inconsistent reality itself is in the black rose arc.
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as for the black rose duel images themselves, it's possible that they are literal as i've talked about in a previous post, but what i think is more likely, is that utena noticing them is a visual representation of her connecting the dots of what's really been going on in this arc.
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when mikage brings up the idea of memories and eternity, we see the picture on the wall behind utena, of her at her parents funeral. and behind mikage we see one of his own defining memories.
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a pretty clear line is being drawn between memory and photographs. in fact, memories are so important to mikage that photographs are his black rose duel symbol. it's the one he keeps of mamiya and tokiko, altered to look like anthy's disguise, just like his memories are. through mikage we see both how memories of the past can keep you trapped in it, as well as the malleability of these memories. let's look at everybody else:
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saionji has a framed photograph of him and touga as kids on his desk. he values their friendship, or at least the memory of how it used to be. he idealizes the time touga was less cruel (or maybe just the time saionji wasn't aware of his cruelty.)
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miki doesn't have any literal photographs of kozue or the sunlit garden, though his memories of them are often framed as such. he also keeps a picture of anthy amidst his sheet music. she is his idealized memory now.
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juri has the locket of course, inside of which is a cutout of shiori from a picture captured in the moment that ends up defining their entire relationship. is this the version of shiori that juri idealizes? not really, but she is fixated on her resentment of shiori's percieved cruelty, just not the cruelty of taking the boy away. juri keeps this photograph closer than anybody else does with theirs, but she also keeps it hidden. this could mean she treasures her memories the most out of everyone, and is also the least open about it, although i'm not sure i believe the first part.
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nanami has the photo-album of her and touga; she idealizes her relationship with him, as well as their childhood. when she makes the connection that touga is adopted, the photos are scattered all over her bed, probably to represent her emotional state.
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touga doesn't keep any photographs from what we see, which makes sense with everything we know about him. unlike the rest of the council, he doesn't have any idealized memories of his childhood. but he does use akio's camera, so let's talk about that.
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the camera is, much like the car, a tool that only akio is shown to own (although, wakaba does mention a photography club in episode 34.) like the car, it is used to facilitate his grooming (specifically of touga and saionji when he takes those shirtless pictures with them.) and, also like the car, he offers to lend it to touga, to make him feel more like an equal part of the whole thing. unlike the car though, touga accepts the camera.
the photoshoot scene in episode 37 has a transition where the camera shutter sound effect is played over the previous scene. over the shot of utena and anthy holding hands after confiding in each other about akio. i think it's to show that he's always watching, and that they can never truly be free of him as long as they're in ohtori.
i think it also shows the idea of akio framing the narrative of the show as a whole. he plays a sort of director role in it, in that he directs the events happening, as well as how they're portrayed. it's no coincidence that he is quite literally behind the "camera" in episode 33. like the car, a symbol of akio's power and sexual abuse (which is not-coincidentally also present in all of the photoshoot scenes,) his camera (his narrative, his biased framing of events) is ever-present.
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and then there's the most important photograph in the show, the frame it all ends on. the picture utena and anthy took together is, unlike every other photograph, used as a look into their future. the reason they take it in the first place is because utena realizes she has no photos of anthy, which distresses her, presumably because she worries that their friendship might not last forever, and she wants something to remember anthy by. this obviously comes with the risk of making anthy an idealized memory, like every other person put in a photograph in this show, but instead it ends up as a symbol for their love. akio may have set up the camera, but anthy (with the help of chu-chu) manipulated their positions so her and utena could hold hands. she also cuts akio out of the frame, much like she cuts him out of her life in the last episode. she doesn't want his presence to tarnish her and utena's memory anymore (although he isn't completely gone from the photograph either, as he will never truly be forgotten.)
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arcadebroke · 1 year
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shinigami-striker · 6 months
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Jessica Straus as Juri Han | Tuesday, 11.14.2023
As of 2023, Jessica Straus has voiced Juri Han since Super Street Fighter IV in 2010, therefore making her one of the only few English voice actors/actresses to reprise her role by the time Street Fighter 6 was released ( 5 months and 12 days ago).
Games:
2010
Super Street Fighter IV
2011
Super Street Fighter IV: 3D Edition
2012
Street Fighter X Tekken
2014
Ultra Street Fighter IV
2016
Street Fighter V
2023
Street Fighter 6
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remy2fang · 3 months
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Old art of F.A.N.G mains from 2021 to 2022. Mono, Mortsy, VegaPatch, MetalQueerSolid, DeeAncer, NovaSpec, Rotten Seagull. I wanted to show my support for them because they’re all absolutely incredible. And they are wonderful people in real life too. I find it astounding that many of them mained F.A.N.G as far back as Season 1 for Street Fighter V. A low tier character with an unorthodox design and personality. Like, I know people would be asking why stick to FANG when there are better characters than him? FANG was not strong for the majority of the game’s lifespan, and he wasn’t waifu/husbando material either lol (at least for mainstream fandom). How can people stick to such a character? There are several answers to this. F.A.N.G mains find him fun. They said he has neat tools, his play style clicks with them (many of them prefer charge), they love playing difficult characters, and/or they genuinely love his odd design and personality. I’d say they’re all very good reasons.
And then there was Mono’s CEO 2021 win where he grabbed the #1 spot. That was absolutely momentous. There’s even a fantastic documentary on it too.
youtube
There was also Xian that made F.A.N.G work in Season 1. He was so good that he placed at #9 with F.A.N.G at Capcom Cup 2016. Be mindful that I wasn’t part of the FGC back then so I don’t see it myself, but reading about it sounded very inspirational. Though I wouldn’t be surprised if Xian’s performance was one of the reasons why F.A.N.G got nerfed for Season 2 😂😂. That comes to show that F.A.N.G wasn’t a totally bad character just as long as people gave him a chance and lab with him.
I still have more FANG main art, but the max is 10 pictures per post. I’ll make another post on another day, which would include art for Capcom Cup IX because 3 F.A.N.G main’s qualified for that year (VegaPatch, Mono, Mortsy) and VegaPatch placed at #7. Update: Here’s the post:
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deus-ex-mona · 16 days
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bae love 2: jurikou boogaloo
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matsudadojo · 2 years
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Street Fighter V Character Story (Juri)
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