#migi ni ma girl
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running from the thought of your death (@slink-a-dink :])
#artfight could not wait AGSJSGSJS#ANYWAYS MORE VOCASKY DOODLES#looked at ucero too hard for a little and i was suddenly on the floor#analysis moment#like...#i think them always being on the move is sort of representative of them running away#in this case it's thoughts of owil's 'death'#so really star has not moved on mwehe tasty angst#ALSO LISTEN TO MAIRIEUX AND MIGI NI MA GIRL#migi ni ma girl is kind of a roundabout but it does mention ego shit a little!! fitting for them#sky children of the light#sky cotl#art#my art#sky oc#ucero#now the vocatags#右に曲ガール#migi ni ma girl#harufuri#メリュー#mairieux#n buna#also owil ig???#shes just a silhouette but uhm#yeah shes there
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Migi ni Ma Girl | Harufuri feat. Kasane Teto SV
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What is your favourite teto (and and vocaloid in general) song?
my favorite teto song would be "migi ni ma girl" by harafuri!
as for vocaloid in general... maybe "white happy" by maretu? this isn't a very certain answer, as i like a lot of vocaloid songs ^_^;;
lately, i've been really liking "daibousou!" by hayapan and "the 3 travelling basic needs" by picdo, as well
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People are always asking “which is your fave Eve song?” but they never ask “which is your fave Eve cover?” And I think it’s sad bc he has banger cover tbh so! I wanna hear your opinions! 👀
Btw these are only his YouTube covers I know he has more in his Niconico but that can be it’s own set of polls
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youtube
Song title: Migi ni Ma Gaaru
Producer: harufuri
UTAU: Kasane Teto
Mood: dejected, defeatist, longing
Why you should listen: a surprisingly energetic song about a girl who never winds up going the right way.
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July 17, 2022
VOCALOID LEGENDS - 2019 Part 3
#473 - Umitagari (MARETU) [Hatsune Miku]
Achievement Date: 19-04-01, Upload Date: 15-05-02
Originally translated as disillusioned, because that’s what the song is about. Being disillusioned… and wanting to bear something, like a baby, which is what the title actually means. In terms of MARETU songs, this is par for the course.
#474 - Positive Dance Time (Kinoshita) [Otomachi Una, Kagamine Rin]
Achievement Date: 19-04-04, Upload Date: 17-10-12
Probably the song that most people think of for Kinoshita? Astoundingly positive and poppy, the song is heavily inspiring and romantic with that ‘shall we dance’ leitmotif. There is something about Kinoshita that makes it want to sing but hard to cover.
#U-5 - Migi ni Ma Girl (harufuri) [Kasane Teto]
Achievement Date: 19-04-04, Upload Date: 15-01-04
Also known as Girlving to the Right… but that’s so awkward of a name. Harufuri makes nice rock ditties, although the intro to this is odd and long. Teto sounds quite artificial here, which is interesting considering its versatility that is Teto’s strength.
#475 - Violence Trigger (HachiojiP) [Hatsune Miku]
Achievement Date: 19-04-06, Upload Date: 18-12-23
Another COMPASS song. Tuning is more squeaky than his usual tuning, and he goes hard into his commission songs like his latest commission for ProSeca, and honestly I think he goes a bit too hard. Even the lyrics goes too hard, but not in a disturbing way.
#476 - Clockwork Girl (Drop) [Hatsune Miku]
Achievement Date: 19-04-08, Upload Date: 18-12-09
Again, another COMPASS song. Drop has some good songs, but I believe they are mostly rhythm games or Touhou songs, because the duo (Drop did the music, Hatsuki Yura did the lyrics) has only one song here. Well, it does its job.
#477 - If you don't play this song a million times, I'll die! (Tamao) [Hatsune Miku]
Achievement Date: 19-04-09, Upload Date: 17-12-31
One of two songs brought on this list after the death of wowaka, and you can see why this song got on the list. The song itself is perfectly decent, lyrics are what it says on the tin, so there’s nothing to write about. I’m surprised this has a YouTube version.
#478 - Strobe Last (Shiina Mota) [Hatsune Miku]
Achievement Date: 19-04-09, Upload Date: 11-01-20
Another ‘tribute’ to someone who left before wowaka, and second from the deceased producer. Part of the Strobe series, which are four versions of the same song which evolved with him (the last version will hit the list soon). This is the stripped, tricked-out version. The refined and varied instrumentation is what sells this song.
#479 - Like-Love Climaxitis (Denpol-P) [GUMI]
Achievement Date: 19-04-10, Upload Date: 14-02-13
Koyori’s rock-based love song once again shows up here. The song combines the rock swing beat with a hint of melancholy which Denpol-P is known for. Song is basically about jealousy, kind of a one-sided love thing? It’s what it is.
#480 - Imagination Forest (Jin) [IA]
Achievement Date: 19-04-12, Upload Date: 12-05-19
I believe this is the… I don’t even know what it is. There’s like three versions, okay?!
#481 - Toki Wasure Bito (Shigotoshite-P) [KAITO]
Achievement Date: 19-04-13, Upload Date: 09-04-27
KAITO at its most melodramatic as he is about to die. He dies a lot in his songs, doesn’t he? Almost as much as Len… KAITO’s emotion comes in full here, and he needs it. Why do all KAITO songs sound the same? There’s no variation for him.
#482 - I Don't Care Who, Somebody Go Out with Me (Takkyu Shounen) [Kagamine Len]
Achievement Date: 19-04-14, Upload Date: 12-12-01
Len at its most pathetic. I love it. It’s one of the shorter songs on this list, although it packs quite a punch. I just love all the VOCALOID characters on the PV and well, all the variations are cool to see as well, and easy since this is very short.
#483 - Theater Love Song (n-buna) [SF-A2 miki]
Achievement Date: 19-04-15, Upload Date: 15-02-23
Miki finally makes it onto this list, with one of the more prolific miki producers, n-buna. Miki has a light voice which really fits n-buna and you can see where MikitoP comes from, yes that’s what the name is for. I’m just kind of sad that miki is not popular because honestly miku n-buna can get grating at times. And miki actually seems to sing about something instead of the abstraction of Miku n-buna songs. Maybe it’s just me.
#484 - I-ya, I-ya, I-ya (Neru, z’5) [Kagamine Rin, Len]
Achievement Date: 19-04-15, Upload Date: 17-11-10
Neru continues his funk phase with this groovy song with lyrics about wanting off oneself… well, more about not getting anywhere in life. The infectious melody and glorious use of trumpet amply mask this very depressing and relatable song.
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Can I request either Sou's version of 右に曲ガール (Migi ni Ma Girl) or Rib's cover of Dramaturgy? Thank you so much!!
uploaded both :) I've gotten the rib cover of dramaturgy request twice by now iirc, so I decided to do the 10 second trick to avoid copyright. Hope it doesn't bother anyone much, but that's the only way I could upload it!
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PROBS LIKE...i wanna be honest and say any nayutan remix (sand planet + migi ni ma girl + nice to meet you mr earthling + odore vr dance are the only ones i know of but)
OH ive only listened to his vr dance one do you have links to the others :0
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Migi Ni Ma Girl - Harufuri (Romaji)
(Please tell me if you spot any mistakes!)
前に倣って歩くだけ 泳ぎ出すのは暗がりの眼
mae ni naratte aruku dake oyogi dasu no wa kuragari no manako
側に座って笑うだけ 相槌を打つだけなら達人
soba ni suwatte warau dake aidzuchi utsu dake nara tatsujin
声に弥立って黙るだけ 鼓膜と両の膝が震えてる
koe ni yodatte damaru dake komaku to ryou no hiza ga furueteru
土に潜って観てるだけ スタンディングオベーション怖いな
tsuchi ni mogutte miteru dake SUTANDEINGU OBEESHON kowai na
したい、したい！したいのになぁ したい、したい！混ぜてくれよ
shitai, shitai! shitai no ni naa shitai, shitai! mazete kure yo
したい、したい！ したいのに何にもない
shitai, shitai! shitai no ni nan ni mo nai
酩酊
meitei
ダラステイラ ダラステイ
DARASUTEIRA DARASUTEI
空に飲み込まれては泣いてる
sora ni nomi komarete wa naiteru
ダラステイラ ダラステイ
DARASUTEIRA DARASUTEI
そこに自己は無いのさ
soko ni jiko wa nai no sa
泥酔
deisui
ダラステイラ ダラステイ
DARASUTEIRA DARASUTEI
誰もが左を指差しても
dare mo ga hidari o yubi sashite mo
ダラステイラ ダラステイ
DARASUTEIRA DARASUTEI
いつもその少女は右に曲ガール
itsumo sono shoujo wa migi ni ma GAARU
夢に向かって歩くだけ 溺れ出すのはまた別の話
yume ni mukatte aruku dake obore dasu no wa mata betsu no hanashi
其を嘲って笑うだけ 殻の中から放たれたる槍
so o azakette warau dake kara no naka kara hanataretaru yari
喉が詰まって黙るだけ 息も出来ない位に真空
nodo ga tsumatte damaru dake iki mo dekinai kurai ni shinkuu
沼に嵌まって観てるだけ 希望の射す光が眩しいな
numa ni hamatte miteru dake kibou no sasu hikari ga mabushii na
痛い、痛い！痛いのになぁ 痛い、痛い！涙が出ちゃう
itai, itai! itai no ni naa itai, itai! namida ga dechau
痛い、痛い！ 痛いのに何でもない
itai, itai! itai no ni nan demo nai
酩酊
meitei
ダラステイラ ダラステイ
DARASUTEIRA DARASUTEI
海に飲み込まれては浮いてる
umi ni nomi komarete wa uiteru
ダラステイラ ダラステイ
DARASUTEIRA DARASUTEI
そこに意思は無いのさ
soko ni ishi wa nai no sa
泥酔
deisui
ダラステイラ ダラステイ
DARASUTEIRA DARASUTEI
誰もが左を指差しても
dare mo ga hidari o yubi sashite mo
ダラステイラ ダラステイ
DARASUTEIRA DARASUTEI
いつもその少女は右に曲ガール
itsumo sono shoujo wa migi ni ma GAARU
酩酊
meitei
ダラステイラ ダラステイ
DARASUTEIRA DARASUTEI
空に飲み込まれては泣いてる
sora ni nomi komarete wa naiteru
ダラステイラ ダラステイ
DARASUTEIRA DARASUTEI
そこに君はいないのさ
soko ni kimi wa inai no sa
泥酔
deisui
ダラステイラ ダラステイ
DARASUTEIRA DARASUTEI
誰もが後ろ指を差しても
dare mo ga ushiro yubi o sashite mo
ダラステイラ ダラステイ
DARASUTEIRA DARASUTEI
いつもその少女は右に曲ガール
itsumo sono shoujo wa migi ni ma GAARU
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[Live Report] Sou ONEMAN live “Salir“
Link to natalie’s article here.
Title: Sou takes one big step with this first solo live concert which he considers as “both a passing point and a starting point”
Full translation under the cut!
Sou held his solo live concert “Salir” on May 12 in MyNavi BLITZ in Tokyo.
Following the opening time, the lights went off one by one, and the hall was lit with blue light sticks that signify Sou’s color motif. After the band members came up on the stage, Sou follows, calling to the crowd saying “Let’s go, Akasaka!,” and with that they started the show with “Migi ni Ma Girl (Girlving to the Right).” There were TV units and monitors of various sizes placed on the stage, and the audience also enjoyed the show with images of Sou linked to the screens of those monitors. The second song was be “Nonsense Bungaku (Literary Nonsense)” which was written and composed by his best friend Eve. There was an echo of “rattatta” that can be heard from the audience in response to Sou’s vocals, and the concert hall was embraced with an atmosphere filled with unity. When the intro to “WOZWALD” started, Sou sat down on one of the TV monitors on the stage, giving a more relaxed mood as he started singing.
As song numbers with middle tempos pass by with “Dreamless Dreams” and “Hare Hare Ya,” Sou arrives at the first spiel of the day. Sou told the audience, “I was always running away from holding a solo live,” and relayed his thoughts by saying, “But then I realized that if I gathered enough courage and took a step forward, I would be able to reach other people with my singing.” He then sent words of gratitude to his fans by saying “It was thanks to everyone that I was able to hold a solo live.” He then introduced his next song by mentioning that it was “a song with an emotional attachment” to him, as he starts to perform “Kokoronashi.” Sou’s voice that was full of emotion rang across the hall, and the audience listened to him as their bodies shook.
At the second half of the live show, Sou showed off J-Pop hits by covering Yonezu Kenshi’s “Lemon” and Hoshino Gen’s “Koi,” and so he hyped up the crowd. Responding to the audience’s request during the following spiel, he called out by saying “Is that Sou?,” and the audience responded with a “Refreshingly Sou!” This fixed call & response was done twice, entertaining the audience. Lastly, he tackled upon why he named his live show “Salir,” which was a Spanish word for “to exit, to depart,” and spoke about his own determination: “This live show is both a passing point and a starting point.” Sou then opened up to everyone and said, “I finally took a huge step forward,” and so his performance of “Gusha no Parade (Fool’s Parade),” a song that he composed and wrote, begins. As they waved their pale blue light sticks, the audience leaned their ears into every word that Sou spun himself.
When the main show ended, the live show continued onto the encore. Sou’s figure appears back into the stage, and opens the encore by covering Shiina Mota’s “Q.” Moving on, he follows the performance with a song he uploaded an “utattemita” for when he first started his career, which was “Sekai Jumyou to Saigo no Ichinichi (The World's Lifespan and the Last Day),” and so he further hypes everyone up in the concert hall. Before performing the final song, Sou shyly spoke, “I can’t really meet everyone’s eyes right now.” and then said something that rattled the audience’s expectations for his upcoming activities: “I might do this again. If I do, please come.” He then performed “Regulus.” Sou, after finishing 19 songs, thanked the audience without using his microphone and yelled “Thank you all so much for today!,” and ended his first oneman live show, “Salir.”
After the show ended, the screen on the stage showed that a new album “Shinsou Kara” would be released on July 31, and that there would be a concert tour entitled “Shinsou Kara Mita Keshiki” in August, causing everyone in the audience to yell in excitement.
#sou#utaite#utaite sou#sou utaite#salir#nootranslations#shinsou kara mita keshiki#shinsou kara#noolive
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GUYS HOLY SHIT THE PERSON WHO DID MIGI NI MA GIRL HAS LIKE A WHOLE BUNCH OF OTHER SIMILAR TETO SONGS YES
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下に下だーる
Down Girl（original: Migi ni Ma Girl)
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I hope I'm not troubling you, but will you translate 右に曲ガール? Thank you for accepting requests! :)
Sorry for the late reply m(_ _)m！I’ll add it to my list of things to translate. However, like I’ve said before I’m really busy these days. It might take me a while to find some time to translate it, but I promise I’ll get around to it ( ´ ▽ ` )ﾉ
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