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#oliver altman
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fairies & pirates ๐Ÿงš๐Ÿฝโ€โ™€๏ธ๐Ÿดโ€โ˜ ๏ธ๐Ÿค
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oldcountrybear1955 ยท 9 months
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Lexington - Oliver Altman
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Robin Williams and Shelley Duvall - Popeye (1980)
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Shelley Duvall as Olive Oyl in Popeye (1980) dir. Robert Altman
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Popeye (1980) Paramount Pictures Walt Disney Productions Dir. Robert Altman
Robin Williams as Popeye Shelley Duvall as Olive Oyl
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barry is a generic marvel white cause he's blond
There's not that many blonde in marvel like comparatively I'm pretty sure marvel and dc have about the same number of blondes each and I keep telling you all it doesn't matter that Barry is blonde he's still a basic white dc character generic marvel characters are just different they're built different
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mothdruid ยท 3 months
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wip tag game!
thank you so much for the tags @bradshawsbaby and @bobfloydsbabe !!
rules: post the names of all the files in your WIP folder, regardless of how non-descriptive or ridiculous. let people send you an ask with the title that most intrigues them, and then post a little snippet or tell them something about it!
poetry professor bob - bob floyd x reader
settle down - brian o'conner x reader
frustrated flip - flip zimmerman x reader
flip late night at office - flip zimmerman x reader
anniversary - phillip altman x reader
cut the ice - jake seresin x reader
up in smoke - bradley bradshaw x reader
physics of love, part five - bob floyd x reader
same person, old mistakes - rhett abbott x reader
gym bloom - bradley bradshaw x reader
felix and oliver - felix catton x reader x oliver quick
holiday kintsugi (christmas) - bradley bradshaw x reader (nickname: birdie)
love in the saddle (valentines) - rhett abbott x reader
scars and all - javy machado x reader
too sweet - carmen berzatto x reader
no pressure tags: anyone who wants to do this! (everyone i'd normally tag has already been tagged)
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Shelley Duvall โ€”ย โ€˜Heโ€™s Largeโ€™ from Popeye (Robert Altman, 1980)
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๐–ฏ๐—‹๐—ˆ๐–ฟ๐—‚๐—…๐–พ : ๐–ค๐—…๐—‚๐—ƒ๐–บ๐— ๐–ฃ๐—Ž๐—‰๐—‹๐–พ๐–พ ๐Ÿธ
๐– ๐—€๐–พ: 28 | ๐–น๐—ˆ๐–ฝ๐—‚๐–บ๐–ผ ๐–ฒ๐—‚๐—€๐—‡: ๐–ข๐–บ๐—‰๐—‹๐—‚๐–ผ๐—ˆ๐—‹๐—‡ | ๐–ฒ๐—๐–บ๐—๐—Ž๐—Œ: ๐–จ๐—‡ ๐–บ ๐—‹๐–พ๐—…๐–บ๐—๐—‚๐—ˆ๐—‡๐—Œ๐—๐—‚๐—‰ ๐—๐—‚๐—๐— ๐– ๐—’๐—…๐–พ๐–พ ๐–ข๐–บ๐—‡๐—๐—Ž
๐–ข๐–บ๐—‹๐–พ๐–พ๐—‹: ๐–จ๐—‡๐—๐–พ๐—Œ๐—๐—ˆ๐—‹ / ๐–ข๐–ค๐–ฎ ๐—ˆ๐–ฟ ๐–ฃ๐—Ž๐—‰๐—‹๐–พ๐–พ ๐–จ๐—‡๐—๐–พ๐—‹๐—‡๐–บ๐—๐—‚๐—ˆ๐—‡๐–บ๐—…
๐–ฆ๐—ˆ๐–บ๐—… ๐—‚๐—‡ ๐–ซ๐—‚๐–ฟ๐–พ: ๐–ฒ๐—ˆ๐—Ž๐—…๐—†๐–บ๐—๐–พ
๐–ฏ๐–พ๐—‹๐—Œ๐—ˆ๐—‡๐–บ๐—…๐—‚๐—๐—’: ๐–ฑ๐—ˆ๐—†๐–บ๐—‡๐—๐—‚๐–ผ, ๐–ฅ๐–บ๐—†๐—‚๐—…๐—’ ๐–ฎ๐—‹๐—‚๐–พ๐—‡๐—๐–พ๐–ฝ , ๐–ฆ๐—ˆ๐—ˆ๐–ฟ๐–ป๐–บ๐—…๐—…
๐–ฅ๐–บ๐— ๐–ข๐—ˆ๐—…๐—ˆ๐—‹: ๐–ก๐—Ž๐—‹๐—€๐—Ž๐—‡๐–ฝ๐—’
๐–ซ๐—ˆ๐–ผ๐–บ๐—๐—‚๐—ˆ๐—‡: ๐–ฒ๐–บ๐—‡ ๐–ฌ๐—’๐—Œ๐—๐—Ž๐—‡๐—ˆ
๐–ก๐—‚๐—ˆ๐—€๐—‹๐–บ๐—‰๐—๐—’
๐–ค๐—…๐—‚๐—ƒ๐–บ๐— ๐—๐–บ๐—Œ ๐–ป๐—ˆ๐—‹๐—‡ ๐—ˆ๐—‡ ๐—๐—๐–พ ๐—…๐–บ๐—Œ๐— ๐—Œ๐–บ๐—๐—Ž๐—‹๐–ฝ๐–บ๐—’ ๐—ˆ๐–ฟ ๐—๐—‚๐—‡๐—๐–พ๐—‹ ๐—‚๐—‡ ๐–ข๐—ˆ๐—‰๐—‰๐–พ๐—‹๐–ฝ๐–บ๐—…๐–พ. ๐–ง๐–พ ๐—€๐—‹๐–พ๐— ๐—Ž๐—‰ ๐—๐—‚๐—๐— ๐—๐—‚๐—Œ ๐—†๐—ˆ๐—† ๐–บ๐—‡๐–ฝ ๐—€๐—‹๐–บ๐—‡๐–ฝ๐—†๐–บ ๐–ป๐—Ž๐— ๐–ฝ๐—‚๐–ฝ๐—‡โ€™๐— ๐—„๐—‡๐—ˆ๐— ๐–บ ๐–ฟ๐–บ๐—๐—๐–พ๐—‹ ๐–ฟ๐—‚๐—€๐—Ž๐—‹๐–พ ๐—Ž๐—‡๐—๐—‚๐—… ๐—๐–พ ๐—๐–บ๐—Œ 15 ๐—’๐–พ๐–บ๐—‹๐—Œ ๐—ˆ๐—…๐–ฝ. ๐–ถ๐—๐–พ๐—‡ ๐—๐–พ ๐—๐–บ๐—Œ 15 ๐—’๐–พ๐–บ๐—‹๐—Œ ๐—ˆ๐—…๐–ฝ ๐—๐—‚๐—Œ ๐—†๐—ˆ๐—† ๐—‹๐–พ๐—๐–พ๐–บ๐—…๐–พ๐–ฝ ๐—๐—๐—ˆ ๐—๐—‚๐—Œ ๐–ฝ๐–บ๐–ฝ ๐—๐–บ๐—Œ. ๐–ค๐—…๐—‚๐—ƒ๐–บ๐—โ€™๐—Œ ๐–ฝ๐–บ๐–ฝ ๐—๐–บ๐—Œ ๐–บ ๐–ป๐—‚๐—€ ๐–ข๐–ค๐–ฎ ๐—ˆ๐–ฟ ๐–บ ๐—๐—ˆ๐—๐–พ๐—… ๐–ผ๐—ˆ๐—†๐—‰๐–บ๐—‡๐—’ ๐—‚๐—‡ ๐–ถ๐—‚๐—‡๐–ฝ๐–พ๐—‡๐–ป๐—Ž๐—‹๐—€ ๐–ผ๐–บ๐—…๐—…๐–พ๐–ฝ โ€œ๐–ฃ๐—Ž๐—‰๐—‹๐–พ๐–พ ๐–จ๐—‡๐—๐–พ๐—‹๐—‡๐–บ๐—๐—‚๐—ˆ๐—‡๐–บ๐—…โ€. ๐–ฃ๐—Ž๐—‰๐—‹๐–พ๐–พ ๐–จ๐—‡๐—๐–พ๐—‹๐—‡๐–บ๐—๐—‚๐—ˆ๐—‡๐–บ๐—… ๐—ˆ๐—๐—‡๐—Œ ๐—๐—๐–พ ๐—†๐—ˆ๐—Œ๐— ๐–พ๐—‘๐–ผ๐—…๐—Ž๐—Œ๐—‚๐—๐–พ ๐—๐—ˆ๐—๐–พ๐—… ๐–ผ๐—๐–บ๐—‚๐—‡ ๐—๐—๐–พ๐—‹๐–พ ๐—‚๐—Œ.๐–ค๐—…๐—‚๐—ƒ๐–บ๐— ๐–บ๐—‡๐–ฝ ๐—๐—‚๐—Œ ๐–ฝ๐–บ๐–ฝ ๐—†๐–พ๐— ๐–บ๐—‡๐–ฝ ๐—€๐—ˆ๐— ๐–บ ๐—…๐—ˆ๐—‡๐—€ ๐—‹๐–พ๐–บ๐—…๐—…๐—’ ๐–ฟ๐–บ๐—Œ๐— ๐—‚๐—โ€™๐—Œ ๐—…๐—‚๐—„๐–พ ๐—๐—๐–พ๐—’โ€™๐—๐–พ ๐—„๐—‡๐—ˆ๐—๐—‡ ๐–พ๐–บ๐–ผ๐— ๐—ˆ๐—๐—๐–พ๐—‹ ๐—๐—๐–พ๐—‚๐—‹ ๐—๐—๐—ˆ๐—…๐–พ ๐—…๐—‚๐—๐–พ๐—Œ. ๐– ๐— ๐—๐—๐–พ ๐–บ๐—€๐–พ ๐—ˆ๐–ฟ 18 ๐–ฝ๐—Ž๐—‹๐—‚๐—‡๐—€ ๐—๐—‚๐—Œ ๐—Œ๐–พ๐—‡๐—‚๐—ˆ๐—‹ ๐—’๐–พ๐–บ๐—‹ ๐—๐—‚๐—Œ ๐–ฝ๐–บ๐–ฝ ๐—‰๐–บ๐—Œ๐—Œ๐–พ๐–ฝ ๐–บ๐—๐–บ๐—’ ๐–บ๐—‡๐–ฝ ๐—๐–พ ๐—‚๐—‡๐—๐–พ๐—‹๐—‚๐—๐–พ๐–ฝ ๐–บ๐—…๐—… ๐—๐—๐–พ ๐—†๐—ˆ๐—‡๐–พ๐—’ ๐–บ๐—‡๐–ฝ ๐—๐—ˆ๐—๐–พ๐—…๐—Œ ๐—๐—๐–บ๐— ๐—๐–พ๐—‹๐–พ ๐—Ž๐—‡๐–ฝ๐–พ๐—‹ ๐—๐—‚๐—Œ ๐–ฝ๐–บ๐–ฝ๐—Œ ๐—‡๐–บ๐—†๐–พ. ๐–ค๐—…๐—‚๐—ƒ๐–บ๐— ๐—๐–บ๐–ฝ ๐—๐—ˆ ๐—†๐—ˆ๐—๐–พ ๐–บ๐—๐–บ๐—’ ๐–ฟ๐—‹๐—ˆ๐—† ๐–ข๐—ˆ๐—‰๐—‰๐–พ๐—‹๐–ฝ๐–บ๐—…๐–พ ๐–บ๐—‡๐–ฝ ๐—†๐—ˆ๐—๐–พ ๐—๐—ˆ ๐–ถ๐—‚๐—‡๐–ฝ๐–พ๐—‡๐–ป๐—Ž๐—‹๐—€ ๐–บ๐—‡๐–ฝ ๐—Œ๐—๐—Ž๐–ฝ๐—’ ๐—๐–บ๐—‹๐–ฝ ๐—๐—ˆ ๐—๐–บ๐—„๐–พ ๐–ผ๐–บ๐—‹๐–พ ๐—ˆ๐–ฟ ๐—๐—๐–พ ๐–ป๐—Ž๐—Œ๐—‚๐—‡๐–พ๐—Œ๐—Œ๐–พ๐—Œ. ๐–ค๐—…๐—‚๐—ƒ๐–บ๐— ๐—๐–บ๐—Œ ๐—๐—ˆ๐—†๐–พ๐—Œ๐–ผ๐—๐—ˆ๐—ˆ๐—…๐–พ๐–ฝ ๐–ฟ๐—ˆ๐—‹ ๐—๐—‚๐—Œ ๐—Œ๐–พ๐—‡๐—‚๐—ˆ๐—‹ ๐—’๐–พ๐–บ๐—‹ ๐—ˆ๐–ฟ ๐—๐—‚๐—€๐— ๐—Œ๐–ผ๐—๐—ˆ๐—ˆ๐—… ๐–ป๐—’ ๐—๐—๐–พ ๐–ป๐–พ๐—Œ๐— ๐—๐–พ๐–บ๐–ผ๐—๐–พ๐—‹๐—Œ ๐—ˆ๐–ฟ ๐–ถ๐—‚๐—‡๐–ฝ๐–พ๐—‡๐–ป๐—Ž๐—‹๐—€. ๐–ค๐—…๐—‚๐—ƒ๐–บ๐— ๐—๐–พ๐—‡๐— ๐—๐—ˆ ๐–ก๐—‹๐—‚๐—๐–พ๐–ผ๐—๐–พ๐—Œ๐—๐–พ๐—‹ ๐–ด๐—‡๐—‚๐—๐–พ๐—‹๐—Œ๐—‚๐—๐—’ ๐–ฟ๐—ˆ๐—‹ ๐–ค๐—…๐—‚๐—๐–พ๐—Œ ๐–บ๐—‡๐–ฝ ๐—€๐—ˆ๐— ๐—๐—‚๐—Œ ๐—†๐–บ๐—Œ๐—๐–พ๐—‹๐—Œ ๐–ฝ๐–พ๐—€๐—‹๐–พ๐–พ ๐—‚๐—‡ ๐–ก๐—Ž๐—Œ๐—‚๐—‡๐–พ๐—Œ๐—Œ. ๐–ค๐—…๐—‚๐—ƒ๐–บ๐— ๐—‡๐—ˆ๐— ๐—‹๐–พ๐—Œ๐—‚๐–ฝ๐–พ๐—Œ ๐—‚๐—‡ ๐–ฒ๐–บ๐—‡ ๏ฟฝ๏ฟฝ๏ฟฝ๏ฟฝ๐—’๐—Œ๐—๐—Ž๐—‡๐—ˆ ๐–ป๐—Ž๐— ๐—๐–พ ๐—ˆ๐—๐—‡๐—Œ ๐–บ ๐–ผ๐—ˆ๐—Ž๐—‰๐—…๐–พ ๐—ˆ๐–ฟ ๐—‰๐—‹๐—ˆ๐—‰๐–พ๐—‹๐—๐—‚๐–พ๐—Œ. ๐–ค๐—…๐—‚๐—ƒ๐–บ๐— ๐—๐–บ๐—Œ ๐—๐–บ๐–ฝ ๐—‡๐—ˆ ๐—๐—‚๐—†๐–พ ๐–ฟ๐—ˆ๐—‹ ๐—…๐—ˆ๐—๐–พ ๐—ˆ๐—‹ ๐–บ๐—‡๐—’๐—๐—๐—‚๐—‡๐—€ ๐—ˆ๐–ฟ ๐—๐—๐–พ ๐—Œ๐—ˆ๐—‹๐— ๐–ป๐—Ž๐— ๐–พ๐—๐–พ๐—‹๐—’๐—๐—๐—‚๐—‡๐—€ ๐–ผ๐—๐–บ๐—‡๐—€๐–พ๐–ฝ ๐—๐—๐–พ๐—‡ ๐—๐–พ ๐—Œ๐–พ๐–พ๐—‡ ๐– ๐—’๐—…๐–พ๐–พ ๐–ข๐–บ๐—‡๐—๐—Ž ๐–บ๐—€๐–บ๐—‚๐—‡.
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oldcountrybear1955 ยท 9 months
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GQ Italia - Oliver Altman - Photographed by Michelangelo Di Battista
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Shelley Duvall as Olive Oyl - Popeye (1980)
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sleepythug ยท 2 months
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What are some movies that every aspiring cinephile should watch?
battleship potemkin (sergei eisenstein, 1926)
city lights (charlie chaplin, 1931)
M (fritz lang, 1931)
freaks (tod browning, 1932)
brief encounter (david lean, 1945)
out of the past (jacques tourneur, 1947)
the third man (carol reed, 1949)
late spring (yasijuro ozu, 1949)
kiss me deadly (robert aldrich, 1955)
a man escaped (robert bresson, 1956)
touch of evil (orson welles, 1958)
la dolce vita (federico fellini, 1960)
peeping tom (michael powell, 1960)
man who shot liberty valance (john ford, 1962)
the exterminating angel (luis buรฑuel, 1962)
shock corridor (samuel fuller, 1963)
kwaidan (masaki kobayashi, 1964)
dragon inn (king hu, 1967)
playtime (jacques tati, 1967)
once upon a time in the west (sergio leone, 1968)
two-lane blacktop (monte hellman, 1971)
aguirre, wrath of god (werner herzog, 1972)
touki bouki (djibril diop mambety, 1973)
the conversation (francis ford coppola, 1974)
the passenger (michelangelo antonioni, 1975)
nashville (robert altman, 1975)
the killing of a chinese bookie (john cassavetes, 1976)
mikey and nicky (elaine may, 1976)
sorcerer (william friedkin, 1977)
days of heaven (terrence malick, 1978)
blow out (brian de palma, 1981)
8 diagram pole fighter (lau kar-leung, 1984)
mishima: a life in four chapters (paul schrader, 1985)
tampopo (jลซzล itami, 1985)
blue velvet (david lynch, 1986)
something wild (jonathan demme, 1986)
landscape in the mist (theo angelopoulos, 1988)
sonatine (takeshi kitano, 1993)
salaam cinema (mohsen makhmalbaf, 1995)
fallen angels (wong kar-wai, 1995)
taste of cherry (abbas kiarostami, 1997)
cure (kiyoshi kurosawa, 1997)
the thin red line (terrence malick, 1999)
beau travail (claire denis, 1999)
yi yi (edward yang, 2000)
all about lily chou chou (shunji iwai, 2001)
memories of murder (bong joon-ho, 2003)
dogville (lars von trier, 2003)
tropical malady (apichatpong weerasethakul, 2004)
silent light (carlos reygadas, 2007)
sparrow (johnnie to, 2008)
holy motors (leos carax, 2012)
phoenix (christian petzold, 2014)
personal shopper (oliver assayas, 2016)
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gurumog ยท 2 years
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Popeye (1980) Paramount Pictures Walt Disney Productions Dir. Robert Altman
Robin Williams as Popeye Shelley Duvall as Olive Oyl Paul L. Smith as Bluto
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bitter69uk ยท 8 months
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Recently watched: compellingly bizarre 1977 made-for-TV psychodrama The Strange Possession of Mrs Oliver. Tagline: โ€œShe wanted to be someone else. But when she became โ€œSandyโ€, her new friends wanted her dead.โ€ Wikipediaโ€™s synopsis: โ€œIts plot follows a bored housewife who takes on an alternateย persona that starts wreaking havoc on her life. Karen Black plays the title role, a dowdy, downtrodden housewife plagued by recurring nightmares of funerals, black flowers, fires and a woman called Sandy. Seeking an escape from her stifling lifestyle and dull husband, who only wishes her to have a baby, Black dons a low-cut red blouse, blonde wig, garish makeup and a new identity. She is also compelled to buy a house in a beach community where it would appear a woman who looks just like her once resided - before her tragic demise. It turns out that the woman Black pretends to be may actually existโ€”and may have more than a passing knowledge of the occult.โ€
Told in a deliberately fragmented, jarring and nightmarish style, Mrs Oliverโ€™s themes of shifting, merging and uncertain female identities recalls Hitchcockโ€™s Vertigo (1958) and anticipates David Lynchโ€™s Mulholland Drive (2001) and Robert Altmanโ€™s 3 Women (1977). (I could easily imagine Lynch remaking this with his muse Laura Dern in Blackโ€™s roles). No one played โ€œwomen on the verge of a nervous breakdownโ€ quite like the reliably volatile Black, and the dual roles of Miriam / Sandy showcase her at her most alien and tormented. Sandy is associated with a disco-fied version of Frankie Avalonโ€™s 1960 hit โ€œVenusโ€. When she dances to it, we get copious cleavage and crotch shots โ€“ ah, the seventies! The men in Blackโ€™s life are portrayed by George Hamilton (as Miriamโ€™s straightlaced husband) and Robert F Lyons (as a hunky ominous stranger whose mustache makes him look an escapee from a 1970s gay porn film). Watch for guest star appearances from two incredible veteran character actresses: Gloria LeRoy and Lucille Benson. Thanks to Sam Pancake for bringing this curio to my attention via his essential Monday Afternoon Movie podcast. The YouTube print is murky but watchable.
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