#oneida

[unlikevanity]

Alternative ending to Mh would be Alex experiencing white guilt and them both going to therapy.

Inspired by @sickhoondr and a long time hc of mine

I'm Oneida so obviously I'm going to project and say he is too even though he's in Alabama.

#marble hornets #mh tim #tim wright #tim mh #native tim deserves a moment #oneida #mh stuff #alex kralie #sketch #unlikevanity

[jack-the-sol]

Han Yerry Doxtader / Tewahangarahken in TURИ

Sachem of Oriska, He Who Takes Up the Snow Shoe, War Chief of the Oneida

#“It's better when it's made of metal!” #Han Yerry Doxtader #Han Yerry #Tewahangarahken #turn amc #gifs #my gifs #gifset #benjamin tallmadge #caleb brewster #oneida #haudenosaunee #we love representation in media #and its GOOD representation! #period drama #turn: washington's spies

[newyorkthegoldenage]

Four American Indians, dressed in traditional clothing, appear before the Second Circuit Court of Appeals, October 20, 1941. They argued that the Selective Service Act violated their liberty and a treaty between the Indians of the Six Nations. Judge Thomas W. Swan reserved decision. From left to right are: Clinton Rickard, Tuscarora chief; Jess Lyons, Onondaga chief; Harry Patterson, Tuscarora brave and Ivan Burnham, Mohawk brave. The other nations are the Oneida, the Cayuga, and the Seneca.

Photo: MC for the Associated Press

#vintage New York #1940s #Six Nations #Native Americans #indigenous Americans #American Indians #Tuscarora #Onondaga #Mohawk #Oneida #Cayuga #Seneca #October 20 #Oct. 20 #20 Oct. #20 October #Selective Service Act

[oldshowbiz]

Oneida comedian Charlie Hill, one of the few Indigenous comedians to perform at the Comedy Store, could frequently be seen around Los Angeles wearing his Comedy Store T-shirt.

#charlie hill #The Comedy Store #Comedy Store #oneida #Native American #indigenous

[periodically80s]

#New Yorker #1980 #Oneida #chick

[todaysdocument]

Ratified Indian Treaty 19A (first and last pages), April 11, 1793. 

This treaty with the Six Nations (Seneca, Cayuga, Onondaga, Oneida, Mohawk, and Tuscarora) included this wax Great Seal of the State of New York. 

Record Group 11: General Records of the United States Government

Series: Indian Treaties

Image description: A circular seal, just over three inches in diameter, made of wax covered with paper. Depicted in the center is a sun with a face, rising over hills. Below the hills is “EXCELSIOR”. Around the border of the seal is “THE GREAT SEAL OF THE STATE OF NEW YORK”. There is a hole through the seal at the top. 

Image description: Reverse of the circular seal. In the center are spiky rocks jutting out of the water. There are letters at the top of the border, but it’s difficult to see what they say. At the bottom of the seal is an ink “X”. There is a hole through the seal at the top. 

Transcription: 

1)

The People of the State of New York, by the Grace of God, Free and Independent: To all to

whom these presents shall come, Greeting  Know ye that We having inspected the Records remaining in

our Secretary's Office do find there certain Indian Deeds recorded in Book of Indian Deeds commencing

in the year 1748 in the Words Characters and figures following, to wit, "To all to whom these presents

"shall come or may concern: Know ye that We Peter Ojistarare, Johan Jesry Towahangaraghkou, Rawhistoni,

"Paul Tewasgwadeghkow, John Skanondonagh of the wolf tribe, Peter Oneyanha, Joseph Kanaghsaterhon, Cornilius Okonyota, John Onontiyo, Nicholas Sagoyatokare of

"the Turtle Tribe; Lodowick Kaghsaweta, Paul Kanyatashayea and Peter Agwirontongwas of the Bear Tribe,

"Sachems and chief Warriors of the Oneyda and Tuscarara Nations, by and with the advice and consent and in

"the presence of the said Nations at a public Treaty held at Fort Herkimer in the county of the Montgomery with

"his Excellency George Clinton Esquire Governor of the State of New York and the other Commissioners of In-

"dian Affairs of the said State for the consideration of the sum of Eleven Thousand five hundred Dollars

"in Goods & Money to us in hand paid at and before [illegible] ensealing and delivery of these presents, the receipt whereof

"We do hereby acknowledge  Have Given, Granted, Bargained and Sold, and by these presents  Do fully freely and

"Absolutely Grant Bargain and Sell unto the People of the State of New York all that certain Tract of Land situate

"in the said State and on the West Side of the Line commonly called the Line of Property established at a

"Treaty held at Fort Stanwix in 1768, and on the North Side of the Pensylvania Line, Beginning at the

"Mouth of the Unadilla or Tianaderha River where the same empties into the Surquchanna River, thence up

"the said Unadilla or Tianaderha River ten Miles measured on a straight line, thence due West to the Chenen-

"go River, thence Southerly down the said Chenengo River to where it empties into the said Sasquchanna River

"& to the said Line called the Line of Property, thence along the said Line to the place of Beginning so as to comprehend

"all the Lands belonging to us the said Oneyda and Tuscarora Nations lying South of the said Line to be run from

"the said Unadilla or Teanaderha River to the Chenengo River and North of the Division Line between this State

"and the State of Pensylvania, Together with all Ways, Waters, Water courses, Rivers, Riverlets, Creeks and Streams

(of)

[page 2]

16.)                     

"Onaakaronton his x mark LS Tehoghweakaronto his x mark LS Kaghnunrayen his x mark LS Agwirontong-

"waghs his x mark LS Anonghsighraghtha his x mark LS Oniatariyoo his x mark LS Kaneyaggh his x mark

"LS Geo: Clinton LS Pierre Van Cortlandt LS Ezra L Hommedieu LS Abm Ten Broeck LS Peter Gansevoort-

"Junr. LS Richd. Varick LS Witnesses Present Sam Kirkland Missry. Interpreter John Lansing Junr. Jos.

"Brant, David Hill, John Tayler, Malachi Treat, Abm Hardenbergh, Peter Otsiequette, Aghwistonisk his x mark,

"Oneyanka his x mark, Coll. Honyery his [mark] mark, Oneida Chiefs. Onangaiekhon his x mark, Fhoghnawayen

"x Senekas. - Be it Remembered that on the Twenty fifth day of November in the year one thousand seven hundred and

"ninety one before me John Sloss Hobart one of the Justices of the Supreme Court of the State of New York came Samuel Kirkland,

"Clerk, Missionary and Interpreter to the Six Nations of Indians, who made oath that he was present and did see the Twenty

"-Eight Sachems, Chiefs and Warriors of the Onondaga Nation of Indians whose names are written opposite to their respec-

"tive Seals severally seal and deliver the within written Ratification as their Voluntary act and deed for the purposes and uses therein mentioned,

"he having previously thereto faithfully and truly interpreted the Contents of the same from the English into the Indian Language unto the said

"Sachems, Chiefs and Warriors in such a manner that it was fully understood by them and that he also saw the Commissioners on the part of the

"State of New York in the said Ratification Mentioned severally seal and deliver the same as their Voluntary act and deed for the purposes and

"uses therein mentioned, and that John Lansing Junr. and the Eleven other persons whose names are signed as Witnesses were present and did see

"the said parties Seal and deliver the said Ratification; and I having Examined the same and found no material alteration therein do al-

"low it to be recorded Jno. Sloss Hobart. The preceding Instrument refers to the Treaty recorded in pages 150 & which is dated the 12th.

"of September 1788, and is a true copy of the Original, Examined and compared therewith this 5th. day of April 1793 (the words "alias Land Car-

"rier" in page 170 being interlined) By me Robert Harpur D Secry."

                                                                     ~~~~~~~~

    All which WE have caused to be Exemplified by these Presents: In Testimony whereof

We have caused these our Letters to be made patent and the Great Seal of our said State to be hereunto affixed Witness

our Trusty and well beloved George Clinton Esquire Governor of our said State General and Commander in chief

of all the Militia and Admiral of the Navy of the same, at our City of New York; this Eleventh day of April in the year of

our Lord one thousand seven hundred and Ninety-Three, and in the Seventeenth year of our Independence.~

#archivesgov #April 11 #1793 #1700s #Early America #Native American history #American Indian history #Indigenous American history #Iroquois Confederacy #Seneca #Cayuga #Onondaga #Oneida #Mohawk #Tuscarora #New York #Indian treaties

[arthistoryanimalia]

#TurtleTuesday:

“Sky Woman (she/her)” by Karen Ann Hoffman (Oneida)
Wood, velvet, glass beads, Czechoslovakian crystals, cotton thread, sterling silver beads
“Adopted from the artist and living with the Field Museum in 2018”
from the Field Museum’s Native Truths: Our Stories, Our Voices exhibition

#native american art #first nations art #indigenous art #contemporary art #2010s #oneida #Karen Ann Hoffmann #turtle #Sky Woman #Field Museum #Native Truths: Our Stories Our Voices #exhibition #museum visit #turtle tuesday #animals in art

[enchi-elm]

Turn Week 2023 Day 4: History Nerdery

...I know it’s my prompt and all but the sheer thought of going through everything I’ve learned about North American colonial history of the late 18th Century since getting into this fandom stresses me out.

William Benemann’s Male-Male Intimacy in Early America remains my bible for contextualizing intimacy between men during this time period, including the attitudes, and the leniency and loopholes (surprisingly!) that the era made available for something that was still considered a sin. My favourite thing in that book was the full transcript of the letter William North wrote Benjamin Walker (pg 116 in the above link) in November of 1792. (Go find it, it’s... illuminating and a little heartbreaking).

Anyone who’s read my most beloved of my fanfics, You’ve Caught Me Between Wind and Water, knows where most of my research time goes, so here are some other things I really liked learning for that story...

Justine Crump’s The perils of play: Eighteenth-century ideas about gambling had some really cool ideas, including this absolute monster of a quotation:

In a bygone age the chain extending from God to his lowest creation had seemed fixed and secure. Now God was abstracted from the world and His representative, the King, stood on shaky ground. Neither seemed sufficient to guarantee the social order.

Yep, thanks, I will take a chapter title from that and use that as a central theme in the chapter, don’t mind if I do, you absolute genius.

I really liked learning about the Haudenosaunee Confederacy and what amounted to a civil war happening during the American Revolution as the Oneida and Tuscarora fought with the Patriots and the Mohawk, Onondaga, Seneca, and Cayuga fought with the British. And all this because I wondered who the guy who was next to Caleb in some of the later seasons was.

If we wanna talk about something the show got grievously, insultingly, wrong, we can start with Tewahangarahken (Han Yerry) being a sidekick in Caleb’s scouting party when he was in fact the chief warrior of the Wolf Clan and leader of the Oneida warriors that joined Washington at Valley Forge.

That image is part of a painting of the Battle of Oriskany, where Tewahangarahken (”He Who Takes Up The Snow Shoe”) and his warriors fought. His wife Tyonajanegen (”Two Kettles Together”) was also there and loaded his musket.

(Also just now I learned that Tewahangarahken and his men joined Lafayette in a reconnaissance-in-force mission after they arrived at Valley Forge! I’m really enjoying this book Forgotten allies: the Oneida Indians and the American Revolution by Joseph T. Glatthaar and James Kirby Martin.)

Here he is in the show, played by Matt Ukena:

And like, this is the other travesty: you could have at least given us a shot of this man’s face up close and in daylight, I mean come on! Look at him!

(Photo by David Muller)

#turn week #history things #turn week 2023 #turn amc #Oneida #Tewahangarahken #Matt Ukena

[3-feet-high-and-rising]

#neilson powless #tour de france #indigenous #oneida #cycling #king of the mountain #u

[meztlijaguar]

«I love you» in different Native American languages Qunukamken = I love you (Alutiiq Language, Alaska) Chiholloli = I love you (Chickasaw, Oklahoma) Ayóó’áníínísh’ní = I love you (Diné, Navajo, Arizona/New Mexico) Moo ‘ams ni stinta = I love you (Klamath-Modoc, Oregon) Ktaʔwãanin = I love you (Mahican Dialect, Stockbridge-Munsee Tribe of Wisconsin) Konnorónhkwa = I love you (Mohawk, New York) In ‘ee hetewise = I love you (Nimiipuutimpt, Nez Perce Tribe, Idaho) Nu Soopeda U = I love you (Northern Paiute, Nevada) Gizaagiin = I love you (Ojibwa/Bad River Ojibwe, Wisconsin) Kunoluhkwa = I love you (Oneida Tribe, Wisconsin) Thro sii muu = You are dear to me (Pueblo of Acoma, Acoma Keres dictionary, New Mexico) Eee-peinoom = I love you (Pueblo of Isleta, New Mexico) Amuu-thro-maa = I love you (Pueblo of Laguna, Laguna Keres dictionary, New Mexico) Shro- tse-mah = I love you (Pueblo of San Felipe, San Felipe Keres dictionary, New Mexico) ‘Ho’doh’ee’cheht’mah = I love you (Pueblo of Zuni, New Mexico) Kʷ in̓x̣menč = I love you (Salish, Washington) Gönóöhgwa’ = I love you (Seneca Tribe, New York) Ixsixán = I love you (Tlingit, Alaska) I daat axajóon — I’m dreaming of you (Tlingit, Alaska) Ma ihkmahka — I love you (to a male) (Tunica, Tunica-Biloxi Tribe of Louisiana) Hɛma ihkmahka — I love you (to a female) (Tunica, Tunica-Biloxi Tribe of Louisiana)

#Native American #NativeAmerican #Alutiiq #Chickasaw #Diné #Navajo #Klamath-Modoc #Mahican #Mohawk #Nimiipuutimpt #Paiute #Ojibwa #Ojibwe #Oneida #Acoma #PuebloofIsleta #PuebloofLaguna #PuebloofSanFelipe #PuebloofZuni #Salish #Seneca #Tlingit #Tunica #Love #Amor #foryou #parati #fyp #foryoupage

[20th-century-railroading]

The first of the L3b Mohawks built by Lima is eastbound with a freight at Oneida. 1948

#nyc #new york central #1948 #trains #freight train #history #oneida #new york

[dustedmagazine]

Learning to go out again:  Jennifer Kelly’s 2022 in review

Meg Baird plays Chicago

Meg Baird calls it “people practice,” the ordinary skills that we require to interact successfully with other human beings. Small talk, the appropriate amount of eye contact, a certain minimal degree of comfort in crowds: these are all things that eroded in the pandemic.  And going even further, I’d add we ran short of “leaving your living room practice,” the difficult process of readjusting to unpredictable environments again. I got really bad at that in 2020 and 2021.

So, while 2022 was, in many ways, a joyous return to the norm, it was also deeply uncomfortable. Again and again, I’d show up far too early to shows and avoid talking to strangers.  I’d mistake soundchecks for music. I’d get bands mixed up and think the opener was the headliner or at least the second band. It was like I’d never been to a show in my life.  But gradually, over a year that was really genuinely rich in opportunities to see live music, I started to remember why I loved it — and how to be marginally less annoying to everyone around me. And I got to see some wonderful performances.

There was James Xerxes Fussell’s intricately re-arranged Americana on the eve of a blizzard in January and Jaimie Branch’s mesmerizing Anteloper just a month or so before she died. Our local festival, Thing in the Spring, once again delivered incredible abundance with Lee Ranaldo, Myriam Gendron, Jeff Parker, Tashji Dorji and others all taking turns on the stage. I experienced the twilight magic of Bill MacKay and Nathan Bowles on a back porch in Northampton as the bats darted overhead, as well as the viscera-stirring low tones of Sarah Davachi at a three-story-tall pipe organ at Epsilon Spires in Brattleboro. I got to see one of my very favorite bands, Oneida, at a club in Greenfield, MA, late in the year. I saw my friend Eric Gagne’s band Footings expand Bonny Prince Billy’s songs into epic, twanging bravado. Yo La Tengo came to my tiny little town and tore the place down.  In Chicago for my birthday weekend, I got a chance to hear Meg Baird and Chris Forsyth at a whiskey distillery on the Chicago River. It was a great year. I’m so glad I was there for it.  

It was also an exceptional year for recorded music as, honestly, it always is. Here are the records I enjoyed the most in 2022, but don’t pay too much attention to the numbers. The order could change tomorrow, and I may very well discover more favorites in other people’s lists.  (We’ll have a Slept On feature at some point early in 2023.) I’ve written a little bit about the top ten, but you can find longer reviews of most of them in the Dusted archives. I’ve linked these where available.

1. Winged Wheel—No Island (12XU): An underground-all-star remote collaboration melds the hard punk jangle of Rider/Horse’s Cory Plump, the unyielding percussion of Fred Thomas, the radiant guitar textures of Matthew J. Rolin and the ethereal vocal atmospheres of Matchess’ Whitney Johnson in a driving, enveloping otherworld. Just gorgeous.  

2. Oneida—Success (Joyful Noise): The best band of the aughts has dabbled in all manner of droning, experimental forms in recent years, but with Success, they return to basics.  “Beat Me to the Punch” and “I Wanna Hold Your Electric Hand” are gleeful bangers.  “Paralyzed” is a keyboard pulsing, beat-rattling psychedelic dreamworld. Success is Oneida’s best album since Secret Wars and maybe ever. (I wrote the one-sheet for Success, but I would feel this way regardless.)

3. Cate Le Bon—Pompeii (Drag City): Eerie, madcap Pompeii refracts pandemic alienation through the lens of ancient disaster, floating narcotic imagery atop herky-jerk rhythms.  Abstract and experimental, but also sublimely pop, Pompeii haunts and charms in equal measure.  

4. Destroyer—Labyrinthitis (Merge):  Dan Bejar is always interesting, but the COVID lockdown seems to have shaken him loose a bit. Labyrinthitis is typically arch, elliptical and elegant, but also a bit unhinged. Hear it in the extended rap that closes “June” or in the manic disco beat of “Suffer” or oblique but perfect wordplay in “Tinoretto, It’s for You.”  

5. Horsegirl—Versions of Modern Performance (Matador): Horsegirl elicits a lysergic roar that’s loud but somehow serene, urgent but chilled. The trio out of Chicago were everywhere suddenly and all at once, as sometimes happens to bands, but on the strength of “World of Pots and Pans” and “Billy” I suspect they’ll stick around.  

6. Jake Xerxes Fussell—Good and Green Again (Paradise of Bachelors): An early favorite that refused to fade, Good and Green Again considers old-time music from a variety of angles, often incorporating more than one version of a traditional tune in a seamless way.  The music is lovely, made more exquisite still by James Elkington’s arrangements, which are subtle, right and unexpected.  

7. Lambchop—The Bible (Merge): Stark and lavish at the same time, The Bible catches Kurt Wagner at his morose and mesmerizing best. Surreal sonic textures—including orchestral flourishes and autotuned funk beats—wreathe his weathered baritone, as he traipses through ordinary landscapes turned strange and warped.  

8. The Weather Station—How Is It That I Should Look at the Stars (Fat Possum): Tamara Lindeman drew on Toronto’s vibrant jazz community to form her band for this sixth album as the Weather Station. The band improvised alongside here as it learned the songs. As a result, these songs have the usual pristine folk purity, but also a haze of late night sophistication in elegant runs of piano and pensive plucks of bass.  

9. The Reds, Pinks and Purples—Summer at Land’s End (Slumberland): Glenn Donaldson is pretty much the best at bittersweet jangle pop right now, and this wistful, graceful collection of songs about life’s dissatisfactions is every bit as good as last year’s Uncommon Weather. Plus it’s got a seven-plus minute improvised guitar piece right in the middle, what’s not to love?

10. Tha Retail Simps—Reverberant Scratch (Total Punk): Montreal’s Retail Simps make ferocious garage rock with a bit of soul in its tail feathers. “Hit and Run” sounds like a lost Sam and the Shams b-side and “End of Times – Hip Shaker” with having doing exactly that. If they ever remake Animal House, here’s the band. 

25 more albums I loved: 

Non Plus Temps—Desire Choir (Post-Present Medium)

Joan Shelley—The Spur (Important)

Mountain Goats—Bleed Out (Merge)

The Sadies—Colder Streams (Yep Roc)

Spiritualized—Everything Was Beautiful (Fat Possum)

Superchunk—Wild Loneliness (Merge)

Hammered Hulls—Careening (Dischord)

Kilynn Lunsford—Custodians of Human Succession (Ever/Never)

Oren Ambarchi/Johan Berthling/Andreas Werliin—Ghosted (Drag City)

Green/Blue—Paper Thin (Feel It)

E—Any Information (Silver Rocket)

Sick Thoughts—Heaven Is No Fun (Total Punk)

Pedro the Lion—Havasu (Polyvinyl)

Pan*American—The Patience Fader (Kranky)

Weak Signal—War & War (Colonel)

Frog Eyes—The Bees (Paper Bag)

Pinch Points—Process (Exploding in Sound)

LIFE—True North (The Liquid Label)

Mary Lattimore & Paul Sukeena—West Kensington (Three Lobed)

Wau Wau Collectif—Mariage (Sahel Sounds)

Vintage Crop—Kibitzer (Upset the Rhythm)

Anna Tivel—Outsiders (Mama Bird)

Chronophage—S-T (Post-Present Medium/Bruit Direct Disques)

Sélébéyone— Xaybu: The Unseen (Pi)

Zachary Cale—Skywriting (Org Music)

Jennifer Kelly

#dusted magazine #yearend 2022 #jennifer kelly #winged wheel #oneida #cate le bon #destroyer #horsegirl #jake xerxes fussell #lambchop #the weather station #the reds pinks and purples #tha retail simpls

[oldshowbiz]

Comedian Charlie Hill is today's google doodle logo. 

I'd like to pretend my current book - We Had a Little Real Estate Problem - had something to do with it. 

 It didn't, but get the book anyway.

Learn more about the artist who devised the doodle here.

#charlie hill #indigenous #oneida #Native American

[sexualassbutts]

Women’s Smoke Dance

Oneida Pow Wow 2022

#Oneida #Oneida Pow Wow 2022 #Pow Wow #Smoke Dance

[thecitynative]

An old pic I had in my previous tumblr, I was juat let go from a job I worked @ for 10 years. I started dancing again and had met this girl, we started dating and traveling, and we went down south to Catawba Pow-Wow, where we met up with her people and I got to visit with some of mine. It was a fun weekend cuz I placed. 🤑🤑🤑

#ojibwe #oneida #pow wow #native tumblr #grass dance #detroit native #catawba #south carolina #native american #native culture #the city native #me

[ottimismocinico]

Oneida, 19 marzo 2023, Circolo Magnolia, Milano.

#oneida #post rock #magnolia #le 6 nazioni