Titanfall 2 - Violent Symbiosis
After ALOT of procrastination, it's finally finished. whilst there are of course things I'd change, I'm overall pretty happy with how it turned out. Enjoy it, or don't!
->Music used<-
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Because Cal is part of tl(4)j, people he knows would visit. Which means Hera, Han, and Greez would argue over who has the better ship.
this is a competition between a Honda civic, a 1990 Volkswagen golf, and what would happen if Ferrari made an RV. greez is winning
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Every single song in Hazbin Hotel (after the pilot) feels like the only intention behind their creation was to become the new quirky song that every teenage artist uses for an animatic of their own OC's lore (like "My R", "The Other side", and others).
If i was still 14, i would have think that every single song was a masterpiece and design an OC lore around them. But now that i matured and got actual taste, for me they are all generic pop songs that annoy me by trying to convice me they are super "deep" but the lyrics looks like a poem made by a 12yo who's sad because their Roblox girlfriend broke up with them.
"Out for love" is the perfect example for this, like, what the fuck is that. Its literally "Stronger than you" but as a shitty generic pop song with the most lazy lyrics ever.
Its so surprising for me how the songs of this show are so praised, even people saying that "they are better than Disney musicals", like, how.
So sorry, i seriously hate all these songs and think they could have been way better (especially "you didnt know", this one frustrates me, because it could have been so great and epic but it just, isnt, idk how to explain it), they're not even catchy, they just suck.
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Thinkin abt The Long Halloween film, (& spoilers for it), and remembered someone once complaining they made Gilda’s character bad in the film adaptation of The Long Halloween and a whole ‘she’s just evil because she can’t have kids anymore’ trope and like??? I have to kick in a door and say HUH??? What movie did you see?? Like the character is hella different from the comic yes, but 1, not necessarily in a bad way, a 2, that’s not her motive??? At all?? Like she’s not happy about that, but she’s not ever a ‘im inhuman now I can’t bear kids…’ The woman wants revenge because she experienced an insane trauma, and a betrayal, and the justice system is so broken that even as a lawyer herself, doing everything right, it left her empty and broken and abandoned too.
If anything, she’s just a strong foil for Harvey. She is never like ‘I can’t bear kids so now I must kill’— she’s like ‘I was in love and engaged to the man of my dreams and pregnant with our child, starting my career and family and unbelievably happy, and then his mafia father said ‘no’ to the union and child, and he just…abandoned me. For the family. I fought it, and he didn’t. He didn’t stay, he didn’t protect me, he didn’t love me. He didn’t even try. He let them cut my child out and kill it in front of me while I went kicking and screaming and fighting under the blade 8 months pregnant in a gang nonconsensual abortion, and left me literally hollowed out and alone to ‘recover’ from that, and nothing changed for anyone but me. I died that day, and no one faced ANY consequence. Not even guilt. I lost my ability to do my job, I lost my future, my hope, my ambition, my kid, my plans, my personality, my desire, my emotions, my being. I walked around as a shell. And when the justice system failed me, I found a lawyer who cared and was gunning for that mafia family, and married him, gave him more reason, but even he and Batman and the whole police force weren’t enough to stop them, so I decided to do it myself. I killed them, one holiday at a time, until everyone I wanted dead was fucking dead, and I got my justice.”
That’s an incredibly understandable, well done motive. What she did to Harvey specifically is fucked as hell, but she’s not a badly written lady. I love her comment about Harvey at the end that “We were so similar. Just. What was inside him hadn’t been ripped out yet.” Because she knows (and literally says) how broken and hollow what happened to her made her, and she can tell that what’s happened to him by the end of the story has done the same thing. She’s an incredibly cold and brutal character, but the bitch is well written.
Like, she’s an excellent tragic film noir parallel for Harvey in the film. They go through almost the same trajectory. She is a hopeful young lawyer who believes in Justice who is betrayed and broken by the Roman’s people, and turns to extreme violence outside the system to get her justice when the ‘right way’ fails her. Harvey is literally the exact same thing, and scarred the exact same way, and changes to violence because of it. They both even say the very iconic ‘It had to be done’ close to the end of the film, in their last major scenes. Not echoing each other—neither hears the other. They just felt the same. The deep tragedy of the narrative is that in her search for justice, Gilda did to Harvey what was done to her—an utter betrayal and abandonment by beloved spouse. And he does not do to her what Alberto did. He takes the fall for her, even after the things she’s done, to him, because he loves her. The narrative repeats, the cycle of pain repeats, with the Roman at the heart of it, but with slight aberration because of the people involved this time. And if that ain’t film noir.
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Can we talk about how good spn cinematography used to be? We were getting actual good establishing and tracking shots, something rarely seen later on. Also where did all the fog go? Most sets used to be so delightfully misty and dimly lit. The lighting in general was amazing, yes give me lights shining through blinds or visual contrast symbolism. Also it’s a shame that they dropped the muted color palette for an oversaturated, bright mess. I’ll take the grungy look of s1-6 over the sitcom looking late spn, but we can’t ever have nice things with this show.
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