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#polly churchill
gloriousclio · 3 months
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Time Crossed - complete!
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Epilogue
The warmest thank you to pandamug, who is an absolute STAR of a beta. Thank you for all your kind words and your sharp eye over so many years, and this story in particular. I’m so grateful for your friendship, my buddy. You should go read her Oxford Time Travel story, To Say Nothing of the Kitten. I reread it every time I finish rereading To Say Nothing of the Dog. 
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loycspotting · 6 days
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8. Ewan McGregor Movie Review: Emma (1996)
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Plot: "Emma" is a movie based on the Jane Austen novel of the same name. It boasts a large cast of talented, recognizable actors. The titular character, Emma, is played by Gwyneth Paltrow. Supporting actors include Jeremy Northam, Toni Collette, Alan Cumming, Sophie Thompson, Polly Walker, Greta Scacchi, and of course, Ewan McGregor. Several of these actors will go on to work with Ewan again in future projects. The movie is about Emma Woodhouse, a young socialite. Although she is an available bachelorette, she enjoys secretly matchmaking couples in her town instead of finding love for herself. She believes greatly in her matchmaking skills, though her pride and naivety cause her to fumble more often than not. When Emma befriends Harriet Smith, a debutante with unknown family heritage, she makes it her mission to find her new friend a fitting husband. Instead, she finds herself more trouble than she knows what to do with.
Ewan Review: Ewan plays the character Frank Churchill. Frank is the stepson of Emma's friend and former governess, Mrs. Weston. He is a charming young man who thrives on being the center of attention. When he arrives in town to visit his father, the townswomen immediately become enamored with the handsome bachelor. Even Emma, who previously thought she was not interested in marriage, can't help being swept off her feet by the gentlemen's advances. Ewan wears a wig in this role I believe because his hair would still be short from filming "Trainspotting." It's not a bad wig but there were some moments where I had to squint and say "yeah, I don't think that's his hair" lol. He uses an English accent for this role and honestly, it doesn't sound very good. He's done English accents before but this one just doesn't sound natural especially compared to his co-stars. He sings twice in the movie! He performs two duets and the first one always makes me laugh because of how he randomly jumps in. He's also in a dance scene which was really fun. As far as his performance, it's nothing special in my opinion. Again, maybe it's because he was surrounded by a large cast of talented actors, but he didn't seem to shine like he normally does. Or maybe he was tired from filming four movies back to back and the fatigue had begun to set in. Luckily, since his character is a minor one, it doesn't really matter and I still had a good time watching him.
Screentime Percentage (numbers are rounded to the nearest whole number): Ewan is on screen for a grand total of 13/121 minutes making his SP 11%.
To Ewan or not to Ewan: Is the movie worth watching for Ewan content alone? My opinion is no. He's a fun perk that you get with the movie but I wouldn't turn it on just to see him. Is the movie worth watching in general? Yes! It's fun. It's cute. It has a happy ending for everyone. It even won two Oscars for best movie score and costume design. It's a calm, low stimulating movie that's still entertaining.
Where to Watch: "Emma" is currently available for rent on YouTube and can be streamed on Amazon Prime Video if you have a subscription.
Conclusion: If you like period pieces then I think you'd like "Emma". It's a beautiful movie and a nice change of pace from the overstimulating movies of today.
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look-at-the-soul · 1 month
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Every little thing you do- Part 3
Tommy Shelby x reader
Series master list
A/N: I’m sorry I couldn’t post this past Saturday something came up, so next part will be posted on next Wednesday and so on until I go back to post each Saturday. ♥️ Thank you for reading and engaging in this little idea! It means a lot!
Word count: 3,038
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After listening to the doctor assure her that the baby was fine last week, Y/N had a lot of time to think and digest all the major changes she was about to face. She couldn’t help but stay up at night and cry endlessly on her own, but after a few days Y/N had finally made a decision. It wasn’t easy, but like her grandmother had said, she didn’t have many options.
Polly had also talked to her with her heart on her sleeve. She had assured her that in the end, women did well with or without a man by their side, her own husband passed away after getting too drunk, Tommy’s father wasn’t the best example to lead a family, Y/N knew too well how their relationship ended up, Ada had married Freddy only for him passing away too soon and she had raised Karl on her own.
She was right, but there was a huge difference, regardless of the useless men in their lives, they still had their last name as support. It didn’t mean anything, but legally it granted them more rights than being a single mother. The injuries on her back had been healing, she was now able to wear her regular clothes and even though she still flinched at times from the pain, it felt nice to move around more freely.
At least she had a place to sleep and food to eat, so at the moment she got it covered. She needed to save as much money as she could though, she had to think of the future.
Staring out the window, she noticed Tommy parking outside, so she rushed downstairs.
“Tommy,” Y/N greeted him. He had been to London, but barely stayed for a night. “How was your trip?”
Tommy hesitated for an instant. Under different circumstances he would’ve shared the new business Mr. Churchill had mentioned at their meeting, but he thought Y/N already had enough in her plate to add anymore pressure. He was still deciding how to manage everything with the Russians and until he got clearer instructions he’d try to keep her out of it.
“Good. I still need to go back next week though.” He followed Y/N into the kitchen, placing a small paper bag on the table. “Brought you something.”
Y/N filled two cups of the tea she started earlier and as she was about to take them to the table, Tommy rushed to get them from her hands.
“I can walk around with them, Tom. I’m only pregnant.” Y/N chuckled at his sudden protectiveness.
“Yeah, what if you feel dizzy? You could burn yourself.” He added worryingly.
But Y/N was busy drooling over the bread Tommy brought.
“Well?” Tommy gave her a long look as he added sugar to his tea.
Y/N looked up at Tommy with her mouth full, the bread was so good!
“Oh! Right… I just wanted to ask if you’re still good with the idea of me living in Arrow House? I don’t want this to cause you troubles with someone.” She took a deep breath and stared down at her hands.
Tommy blinked a couple of times in confusion. “Problems with who? What do you mean?”
It was hard to put her feelings into words, the right words as a matter of fact. Lately she had been having lots of big feelings, lots of things to be afraid of…
Y/N moved nervously. “I’ve never been noisy about your personal affairs Tom, and I don’t want to be in the middle in case you’ve a-a you know… a woman in your life.” She admitted, her voice trailing off by the end.
He squinted his eyes, not quite believing what he just heard. Then he started laughing, a loud, genuine laugh. “This is ridiculous, you’ve nothing to worry about.”
Only then, she dared to look at him, to read his expression.
“Is this what’s keeping you from accepting? Y/N, look,” Tommy took a few steps towards her, his hands found their way to her cheeks to make her look at him. “I’m going to help you no matter what. Just tell me if you accept or not, I’ll take care of the rest.”
They have had each others back over the years, and now it wouldn’t be different.
“I do need to ask you for a favor though.” Y/N folded her arms. “I will need that job you offered me as secretary a while ago.”
“But you’re pregnant.” He protested.
She was already shaking her head. “I don’t want your pity or charity, I need to work.”
With a sigh, Tommy found himself nodding in agreement. She was stubborn and wouldn’t stay still for too long.
“Deal. Although if you feel sick…”
“I’ll take it easy, I promise.”
This time, it was Tommy who pulled her in for a hug, grateful because Y/N accepted the help he was offering genuinely.
“What made you change your mind from your initial decision?” He asked with curiosity.
Y/N took a sip of her tea, feeling grateful after noticing her stomach was taking it nicely. “My grandma helped me see it through. This is the most decent offer I’ll probably get.”
“So you’re accepting because it’s your only option?” Tommy teased.
“Shut up.” She shoved him slightly on the shoulder.
She still needed to send a letter to Lady Winchester to let her know she wouldn’t be able to return to work. Until now she had lied and said she got sick and didn’t want to risk her, but she needed to digest this upcoming change first.
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Later that week, Y/N had officially moved into Arrow House. She didn’t own many things other than her clothes that her grandmother managed to take from her house, her hairbrush and a small bag that Polly gave her. So here she was, on her way to an unknown future full of uncertainty, but with a little baby growing inside her. And the incondicional support of the people who were so close to her heart.
Everyone in the Shelby family had been nothing but kind and welcoming to her, offering to help her carry whatever she had on her hands, telling her how they would welcome the baby with a peaky cap and defend her from cruel comments.
Her eyes danced around, she still gasped at the sight of the spacious foyer, the only difference she noticed is that it now had more furniture and different curtains.
“Mary.”
“Good evening Mr. Shelby, may I take your coat?” A maid welcomed them, moving fast to get the coat from him, she then pointed at the briefcase. She even had uniform!
“This is Miss YL/N, she’ll use the guest bedroom I asked you to prepare.” Then he turned to face Y/N. “Mary will help you with everything, please make yourself at home.”
“Nice to meet you.” Y/N admitted with a smile, but deep down she was in shock to see that a maid was practically guessing Tommy’s every move.
“Of course Mr. Shelby.” The maid gave her a subtle look, but didn’t ask any more questions. “Follow me Miss.”
Turning around, Tommy changed his mind. “Actually… Mary take her suitcase upstairs, Y/N come with me.”
Feeling overwhelmed, she followed him, crossing a huge room, Tommy explained her it was his office, he was holding the door open for her to walk in.
“An office! Look at this place… it’s bigger than our kitchen and living room together.” Y/N couldn’t believe this, she took her time to take everything in; the impressive desk, the endless bookshelves -some where still empty-, the fireplace. “You got a painting?!”
Tommy looked down, understanding her surprise. “Is it too much?” Sometimes it all felt surreal to him.
Y/N didn’t think it was her place to point wherever it was or not too much, he could do whatever he pleased with his wealth.
“It’s just I’m not used to all of this.” She shuddered.
There was something different sparkling in his eyes. It was like she was watching the boy with big dreams and killer smile all over again.
“Yeah… me neither.”
Tommy took a long puff of his cigarette, but Y/N wrinkled her nose.
“Are you feeling sick?” He noticed the sounds she made, she was holding her stomach with one hand.
“I think it’s the smell of the cigarette.”
“Shit.” Tommy opened the window and curtains to allow some fresh air to get in and then he stomped his almost untouched cigarette on the ashtray. “Better?”
“Thanks.” She then chuckled. “Sorry I don’t want to be a burden for you.”
“Hey it’s fine, it’s just a cigarette.” He waved at the air to keep the smell from concentrating in the room.
A knock on the door caught their attention, Y/N even jumped in her seat a little.
“Mr. Shelby, dinner will be ready shortly.” Mary announced.
He nodded and asked for a glass of water for Y/N.
“This feels so surreal if you ask me.” She made a funny face that made him laugh.
“I guess I’ll get used to it.”
Pouring some whiskey into the new glassware set he got, he thought about it.
“Look at us.” Y/N said absently, her face moving towards the ceiling. “Who would have thought you’d get a place like this and I’d be expecting a child without a male support.” She rubbed a hand on her still non-existent bump.
Tommy clicked his tongue and gave her an offended look. “What about me?”
“You know what I mean.” She added after noticing his eyes fixed on her.
“How about dinner?” He offered his hand to Y/N. “Let’s see what the chef prepared. Ey?”
Earning another chuckle from Y/N guided her towards the opposite end. A huge table set just for them.
“There’s another painting!” Y/N pointed through gritted teeth.
A huge portrait of Tommy hanged immaculately on the wall. She could barely keep up with the things going on in her life, but it seemed to be surprise after surprise with his own news.
“Just ignore it.” Tommy suggested taking his place at very end, right under the painting. “I needed to spend some money.”
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Rolling her eyes at him, Y/N joined him unsure. “Where should I sit then?”
Patting the place next to him, Tommy stood up. “Right here, next to me.” And he held the chair for her, like a true gentleman. A gesture no one had ever made towards her.
“Are you sure I can’t sleep downstairs? I’ll take me forever to walk down… image how I’ll roll down once I get all heavy?”
The image of her swollen stomach invaded his mind for a second, Tommy stopped with his hand holding the glass midway, until he shook his head a little.
“You always love to exaggerate it, it’s not so big.” He added as come back.
“It’s huge and you know it.” She added just before the maids brought their plates.
Y/N was about to take a bite of her food when she noticed something.
“Tommy.” She whispered, making Tommy lean forward. “Do they have to stay there and stare? This is awkward.”
Tommy laughed freely.
“Mary, would you give us a moment?”
“What if you need-”
“I’ll call you.” He interrupted.
She was surprised to see them following Tommy’s requests in a heartbeat. They were eager to please him in every possible way.
“This is insane, they’re watching your every move.”
Tommy chuckled unsure of what to say, he was still trying to adjust to this new lifestyle, trying to be part of a select club to fit in the upper class.
“Well I’m paying them a ridiculous amount of money.”
“You know what I mean.” She stated smirking.
He did, of course he did.
This was the kind of things people like he and Y/N could only dream a few years ago.
“Just enjoy it, you’ll get used to it.”
He smiled at his friend, understanding her confusion. A major change like that in his life didn’t happen overnight, it took time and a lot of effort to built the fucking empire he now owned. It was about damn time that he started getting a small luxury like that property or the service for the place.
Y/N had to admit the food was delicious, she had never tasted anything better than that meal.
“I’m really proud of you.” She expressed as they finished. “It’s like you made your dreams come true, you made it out of Small Heath not from the back door, you made it through the main gate.”
Tommy swallowed hard, Y/N was the only person that had celebrated with him the small victories just as the big ones. He was lost for words, to realize that she felt proud of him meant more that he could express.
“Would you like dessert?” Mary asked folding her hands.
Turning to face Y/N, Tommy realized the way her eyes sparkled. “Just one for her, please.”
She groaned. “This is going to be a problem, you’re going to make me put on some weight with all of this food.”
“Well you need to feed that baby.” Tommy leaned his elbows on the table.
“You don’t even know how grateful I am to have you in my life, you’re saving our lives.” She touched his arm.
“That’s what friends do.” He chuckled as he saw her mouthwatering expression over the plate.
A few moments later, Tommy walked her towards her bedroom.
“This is insane, a small living room inside my bedroom?!” Y/N couldn’t believe how spacious it was.
“There’s the walk in closet, and this additional wardrobe, the vanity… everything you might need.” He added pacing around, slowly. Hands hiding in his pockets. “I think you will particularly enjoy this.”
He then pointed at the window seat. Y/N gasped in surprise, she hadn’t noticed it.
“Woah… Tommy.”
When she turned around, Tommy noticed the tears in her eyes.
“Hey what’s wrong?” He stepped closer.
“You’re just so good to me, I can’t thank you enough for providing a roof to sleep under.” Y/N sobbed.
Her vulnerability broke him. It tore him apart to realize how hard this was to her. His arms found their way around her immediately.
Emotions coming out in the form of tears.
“Y/N… talk to me.”
“It’s just…sad to see my own family doing this to me. The days I spent at Watery Lane, they never went to ask how I was doing.” A sudden sob interrupted her explanation. “To check if I needed something.”
He didn’t know what to say, her family’s message was clear and he could only imagine how she was feeling.
“But you’ve my family,” he offered rubbing her back, “we’ll be with you every step of the way. Try to forget about it, you need to be calm.” He then took a step back, but kept touching her arm, “Think of your baby.”
That seemed to do the trick, because his words made Y/N smile.
“You’re so right.” Y/N took a deep breath. “Scott made his choice and so did my family. From now on it will be this baby, me, Grandma, you and the Shelby family. That’s all I need.”
A half smile appeared on her face. He knew the process wouldn’t be easy, it’d take her some time to rebuild herself, but she had the determination and courage to carry on with whatever obstacle life decided to make her face.
A flash back ran through Tommy’s mind, he went back to the warehouse and he could still hear Scott’s pleads for his life. The blinders had been playing with him for a while and Tommy took his time. But when he faced him, Scott’s eyes were fully swollen, an ugly lip cut and several bruises all over his face.
“You thought you could fuck off like a rat?! Ey?!” He shouted in his face, yanking his hair so Scott could be face to face with him. “Thought it would fun to mess around with Y/N?”
A twisted smirk appeared on Scott’s lips, and it didn’t go unnoticed by Tommy so he moved his hand back and hit him hard across the face with his fist several times.
“This is for fooling Y/N.” Tommy announced and kicked him.
“And this for not taking responsibility over the baby.” He kicked Scott between his legs this time. “Fucking coward.”
Now, with Scott lying on his back groaning in pain, Tommy stepped over him, holding him by the shirt with one hand. “And this for telling me to fuck off.”
It took three blinders to make Tommy step back, he was determined to finish him. He had to take deep breaths through his mouth from the exertion and adrenaline rush. His heart was pumping so hard and fast against his ribs.
“I want you out of the city and you better never come back. Because next time I’ll fucking kill you.”
End of flashback.
“You’re safe now.” Tommy helped her gently to sit on the edge of the bed. “You can have a new beginning here with your baby. I can assure you, you’ll get everything you need.”
Tommy offered Y/N his handkerchief.
“You deserve everything good in world Tommy.”
She knew that he meant every word, and most importantly, he’d keep his promises.
“Now have some rest, you’ve been through a lot.” He groaned as he stood up.
“At what time should I be at the office?” Y/N asked when her friend reached the door.
“8:00 o’clock,” he winked, “but I’ll drive you. Good night.”
As she thanked her best friend one more time and wished him good night, Y/N stared at the spacious bedroom. It was unbelievable, a dream she was afraid to wake up from.
Her heart still felt heavy for not having her family’s support, but in some way she felt secure and protected under Tommy’s wing.
And for now, that was enough.
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Part 4
Master list
Tag list: @lyarr24 @runnning-outof-time @cillmequick @datewithgianni @cloudofdisney @gretelshelby @garrison-girl-08 @lespendy @onlydeadcells @fastfan @stevie75 @prettylittlehoneyeyesxoxo @esposadomd @forbidden-forest-witch @ange-thoughts @moral-terpitude @elenavampire21 @forgottenpeakywriter @thenattitude @winchestergirl22 @zablife @elk96 @blondie-22 @imichelle-l-rigby @allie131313 @already-broken144 @peakyscillian @babaohhhriley @shaddixlife @sloanexx @sydneyyyya @lau219 @adaydreamaway08 @pono-pura-vida @thomashelbyswife @darleneslane @lauren-raines-x @everythingelseisextra @kmc1989 @red-riding-wood @lovemissyhoneybee @theendlessvoidofdarkest @wannabeperfectionists-blog (can’t tag) @yeppaweshallsee (can’t tag) @skydisneylover (can’t tag) @holacia3 @galactic3a (can’t tag) @mysticalbouquetwolf-posts @ietss @abaker74 @natalie--rushman @elliaze @justrainandcoffee @teawonderfultea-blog1 @galactict3a
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padfootdaredmetoo · 11 months
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Hi! How are you doing?
I've never made inquiries before. Could you write about the Thomas' daughter's allergy to tobacco? A strong cough and watery eyes when someone nearby smokes, which began from the first days of her life
I hope it won't bother you. Love your writing💗
Dear Anon,
You could never bother me love! Thank you for saying you love my stuff <3 hopefully, you enjoy this too! Thanks for writing in and for waiting!
Warnings: Mentions of difficult birth, Lizzie being ill, lots of tension, happy ending peaky related themes.
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Allergies
He looked down at the little bundle of blankets. A small pudgy ball protruded from the top of it and Thomas wondered how something could look so new and yet so old at the same time. She was a darling little girl who had a shocking resemblance to a red, puffy, Whinston Churchill. Then he remembered what John, Ada, and Finn had looked like when they were born. Just as small and wrinkled. Thinking of where she had just come from it made sense.
Panic shot through him as he thought about Lizzie. He pushed those emotions down and tried to focus on his daughter. Again the fear of knowing she might be the only thing left of his family caused his stomach to lurch. Her eyes opened and she glared up at him. 
“You look squished, but you're still the prettiest girl I have ever seen.” He whispered. She seemed to take comfort in his voice and he realized he should probably pick her up and hold her. Poor thing should be stuck to her mother’s side. He picked her up and enjoyed the way she wiggled against him. 
She had no idea who her father was, only that he was her father and that she was safe there. For a moment Thomas was grateful he had been one of the older boys in the family. Being with children was not difficult for him. 
He walked over the windows and looked out at the dark sky. 
“Your mum is a tough lady, eh? Don't have to worry, she’ll come back.” He said in a low voice, was it to comfort the baby or himself, he wasn't sure. Feeling the heaviness in his heart threaten to take over he reached into his pocket and lit a cigarette with his free hand. 
He took a long drag feeling the smoke pull him together. He blew the smoke over his shoulder away from the baby. 
Looking back outside he heard a little cough. He looked down at her and was engulfed with that mixed feeling of pity and the urge to laugh. 
Her little red face was even redder and her eyes were glassy as she started to cough. Thomas wasn't sure what had caused it for a half second till he brought the cigarette back to his lips to hold her with both hands. 
“Fuck.” He said in a defeated tone. To confirm his suspicion he blew a small puff closer to her only for her to erupt into a coughing fit which she started to fight to breathe. Panic shot through him knowing all too well what that feeling felt like. Before flashes of the war could break into his mind he quickly put the cigarette out and brought her over to the window opening it. He rocked her back and forth and eventually, she settled against his chest. 
No smoke. He thought about how often a cloud of smoke followed him. It was as apart of him as his own shadow. How on earth was he to manage this? Remembering how scary the sound of her breathing was he have to figure it out. 
He’d promised Lizzie and Pol no more liquor but now he’d have to ditch smoking too. A flare of frustration ran through him. The whole situation was a big mess from day one. His thoughts became harsh and only broke when he looked down at the center of all his problems. 
The center of all his problems, and his entire universe. Guilt poured over him like cold water. It had been a long and uncertain birth, and now Lizzie was somewhere broken. 
Broken and unreachable. She was in the hands of the doctors now. He held his little daughter closely and watched her eyes flutter as he said a prayer for his new wife. 
______________________
Polly was irritated. She wasn't asked to attend the birth which was fine, but she wasn't sure how much support Lizzie would have gotten from Thomas and the hospital staff. 
Hospitals were places for death and sickness, not for bringing life into the world. Too many lost souls wandering around. She sighed and gave up waiting. Picking up the phone she dialed the hospital. 
The news she expected came through clearly over the receiver. Close family was now able to come and visit, except they clearly didn't think to call her to tell her everyone was okay. 
Polly threw on her coat and stepped out in the brisk early morning air. Arriving at the room and looking around she could see that everything was certainly not okay. 
Thomas’s hair was striking up from his fingers running through it. He was pacing the messy room with a small bundle attached to his shoulder. Coming into the room she walked up behind him and saw the dark blue eyes of her niece peering over his shoulder. 
Thomas turned and almost walked right into her jumping out of his skin. No one had ever been able to sneak up on him before. She wasn't sure what to say till she realized that Lizzie, nor her things, were in the room. Her heart wrenched but seeing the fright in Tom’s eyes she pulled herself together. 
“Fuck sake scared the life out of me.” He grumbled quietly.
“Sorry, love.” She said kindly, in a tone she hadn't used since he was small. “Do you want me to take her for a moment? Have you eaten?” She started fussing over him and was grateful that he had accepted her help. 
She took her niece and tears prickled in her eyes. 
“Lizzie is going to be alright.” His voice was tight. “She’s going to be in recovery for a few days though. When she wakes up we can take her over.” He looked out the window to avoid Polly’s gaze. 
“Are you alright?” She asked hesitantly not wanting him to snap in front of the baby. 
“She’s too small, she won't take a bottle but she’s hungry, and she’s allergic to smoke.” The last part caused the edges of her mouth to curl. The image of Thomas being up all night without drinking or smoking was not something she thought would ever be a reality. 
“Pol Im serious she gets really ill - her lungs just” His voice caught again and he went back to staring out the window. 
“I’m not laughing.” She said calmly. “I’ll have some people go the house to air the place out.” This seemed to make him relax a little. 
Just then she started to cry out, Thomas automatically reached out for her and then relaxed when Polly waved him off. Poor thing was hungry and Pol was grateful she came out as round as she did. She had enough on her to wait a while for Lizzie’s milk to come in. 
She brought the bottle to her lip and laughed as she stopped crying to glare up at her. 
“You look just like your da.” The baby’s face stayed just as stony when a nurse came through to tell them that Lizzie was up and requesting them. 
She followed Thomas anxious to look over Lizzie and make sure they had done a good job with her. 
Her dark eyes greeted them. Her face was puckered from an argument and Thomas had never been happier to see someone in his life, this Polly was sure of. 
She looked shocked, eyes wide as Thomas bent down to hold her tightly. She gave Polly a look and it took a lot to keep from laughing again. 
“Here she is now.” Pol brought the babe over and moved to the chair in the far corner of the room. She said a prayer thankful that their little family had made it through the night. Her prayer was interrupted by Lizzie's voice.
“What do you mean I can’t smoke?!” Lizzie hissed at Thomas and Pol got worried they would scare the babe. “Bring the doctor in I’m going to cut him myself.” 
“It’s not you, it’s her. She’s allergic. Gets really sick - Her lungs - You can’t - she just-” His voice was wavering again and Pol was relieved that Lizzie registered that he was scared for the little girl. 
“Oh, she was ill?” Now Lizzie’s voice was worried.  
“Yeah, but I caught it quickly.” He reassured her. “Pol is going to get people to clean the house and air it out.” 
“Oh, no. Tom.” Her voice got high and she clutched the little girl tightly. “It must have been a horrible night.” 
“No, no it was nice. She’s excellent company. Just glad you are alright.” He put on a brave face and Pol had hope that this experience would only bring them closer. 
She had cleaners go through the house and brought them food. Surprised that Thomas took the time off work to stay by Lizzie for her recovery. The family struggled at first but adapted to smoking outside. 
It was a curse till she was a teenager, in which Tommy rejoiced knowing it kept her far away from pubs, parties, and nightlife. Not to mention if she had friends over to play or for sleepovers they had to come to their smoke-free house. If a boy wanted to take her out for dinner, they ended up eating alone in the kitchen at the house as restaurants were no better than pubs. 
(Unfortunately, the only boy in all of England that didn’t smoke happened to be the son of Alfie Solomons)
(Hehehehe can’t help but sneak that pairing into everything I write)
Hope you enjoyed it love! <3
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divinekangaroo · 2 months
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Read one analysis, and im confused. Is Lizzie to be blamed for Graces death? Is she to be blamed for Tommy sleeping with her soon after?
Lizzie x Angel can be considered the precipitating event, but Lizzie had zero influence or control on the long decision tree which followed which led more directly to Grace's death.
Based on the attribution analysis we frequently apply to, for example, working backwards from deaths at our workplace to determine points to target for change, for example,
If the Shelbys ignored L x A (took no action), would Vicente have hired an assassin to shoot Tommy and accidentally hit Grace? No.
If L x A hadn't happened, would Vicente have hired an assassin to shoot Tommy and accidentally hit Grace? No.
And because both of these if/then scenarios immediately before and immediately after what is seen as the 'precipitating event' result in a "no the death would not have happened", the analysis re attribution actually commences at this first step:
What was the first decision 'fork in the road' after this apparent precipitating event (of LxA hook up) which started the path down towards Grace being shot? (because it's actually this first decision that starts the cascade, NOT the 'precipitating event'. Remember: if the precipitating event is ignored, the death does not happen. It's the response to the precipitating event which actually starts the cascade towards the death.)
In my mind it was John (and maybe Arthur) deciding to take the path of violence and firebomb Angel's restaurant. Note: they had not even spoken to Lizzie at that point. She only found out there was an issue with Angel at the wedding!
At every point along the decision tree, John (and Arthur) made the choice to apply more violence. Vicente then chose to respond by matching their violence. John (and Arthur) then stepped up the violence another notch. Vicente then matched that higher violence. All the way to Angel being murdered, so Vicente hired an assassin.
That said, there *were* other contributing factors influencing the overall context, which may have led to influencing John (and Arthur and Vicente) to believe violence was the only possible decision at each decision point:
-Tommy has no tolerance for unrest, likely part pressures of both his rapid territory expansion + the deadly Russian scheme, and when everyone is part-way down this path of violence, gives a speech to his family where he makes it clear things have gone too far for apology, and outlines force/violence as necessary because he cannot have anyone stepping out of line right now. It is unclear in my memory if Tommy ever expressly told John/Arthur to kill Angel, but whether or not he did, this speech alone set a frame in John for further violent response as the appropriate action.
-Churchill keeps Tommy so busy/stressed out of his mind with seriously high risk, life threatening illegal activities such that Tommy couldn’t pay attention to brewing turf wars/friction, enabling a space where John escalated matters without Tommy's oversight (and what was Arthur doing? why didn't Polly know? Why did John and Arthur act without consulting Polly? So even with Tommy's distraction, what was John and Arthur doing to not establish this was appropriate?)
-Hughes keeps Tommy from actually attending the Vicente 'truce' meeting, leaving a space where John and Arthur go to town with humiliation and mockery. Tommy would *not* have approached this meeting this way; he is particularly businesslike even with his enemies, and even when he does mock (eg the IRA 'Chosen One' scene) it's more sardonic and contextual and not as...personally, racially, weirdly childishly targetted in the way John and Arthur did
-Something shifty *is* going on with Angel. He is a shifty dude. I have a detailed theory but it's a tangent to this point.
-Vicente is well aware of the humiliation/destruction of Sabini and highly sensitised to being treated in the same way. There's also a range of ethnic and racist factors in here too which further sensitise Vicente to not take it (Sabini says swallow, I say spit)
-(and you can go further back to frame their daily lives and also the war as a contextual contributing factor: these boys are all primed for violence being seen 'as the answer' because frequently, it was the answer. And in fact was integral to several of their successes, too.)
Then we go all the way down the other end of the decision tree and ask:
2. What was the final decision "fork in the road" just prior to Grace's shooting which resulted in Grace being shot?
For me, this was (offscreen!) Vicente hiring an assassin BUT SPECIFICALLY deciding the best place to assassinate Tommy was at a public charity event *held* by Tommy. One reason might have been access, but we also have to consider the way Vicente was at the point of really wanting to destroy Tommy by now. Assassinating a gangster like Tommy publically at a major 'stepping into' legitimate society milestone would have destroyed the Shelby family name in so many spheres, both criminal and society. It would have left the family after Tommy's death battling to hold their territories and without ability to leverage Tommy's financial legacy all that well. Ultimately it was a decision for maximum humiliation of Tommy Shelby and hurt of the Shelbys, to kill Tommy at his 'triumph' moment, instead of sniping him, ambushing him in his car, doing it in an alley or at his house. But because this decision of public assassination venue was made, this meant Grace (and many other people!) was present and at risk of being shot by accident, which is what happened.
.
I also think a little on motive: between Angel, John, Vicente, Tommy, Arthur, Lizzie is the only one in the 'people involved' chain leading to Grace's death who did not have ‘violence or harmful intent to others’ in her motivation. She never influenced or directed steps towards violence, whereas all the others did. If you apply a 'violence begets violence' / 'eye for an eye' approach it wasn't Lizzie's fault either, she never turned it towards violence diretcly or indirectly, that was all with John (& Arthur) and Vicente, with framing from Tommy influencing John.
Or you could consider a legal culpability angle too, if you like: Vicente and the assassin are culpable for Grace's murder. John (maybe Arthur) are culpable for Angel's murder. John and Arthur are culpable for property damage, arson and assault (causing permanent blinding). Angel *might* be culpable for fraud (false identities/false representations) but given there were no direct or consequential flow-on damages (financial or otherwise) from his fraud it's hard to say (and he's dead anyway!). But what did Lizzie do? Date a guy - who probably approached her, given the mores of the day - and invite him to a wedding? There's no legal culpability there.
It just really gets to whether you believe the precipitating event (Lizzie hooking up with Angel) is the sole source of blame or whether it was the - call it at least - eight decision points along the chain, mostly in John (and Arthur) and Vicente's control, where each time the decision was taken to *increase* the violence to the point of murder and retribution. Based on having to work with lawyers and specialists unfortunately frequently to analyse deaths on sites and work out how they could have been avoided, it is often misapplied to blame the 'precipitating event' which appears the obvious problem - as above, it is frequently the first decision in response to an otherwise *ordinary* and low/no risk precipitating event, and the subsequent cascade, where the failures that lead to the death occur.
.
I have seen a reading that Lizzie got with Angel just to get back at Tommy, but...really? She is so invested in the Shelbys; there is no hint or undercurrent that she was intending to betray Tommy's business information. Even if she knew who Angel was, so what? He didn't fit in the definition of "foreigner" - he was born in England! And, let's not forget, no one told her that Angel was a risk to the business until after the restaurant was firebombed and Lizzie was at the wedding wondering where the hell her boyfriend was. John could have told Lizzie before choosing violence to break it off with Angel, and she probably would have, such is her investment in the Shelbys.
I do think Lizzie was primed to fall for/be vulnerable to someone like Angel, following her humiliation at Epsom where Tommy 1) did not acknowledge her faltering expression of love/care, 2) asked her to play the prostitute, 3) set her up for assault/rape and 4) probably came into work within the week after this happened to Lizzie and announced he was getting married and had a kid on the way. Imagine her looking for someone with the same kind of 'air' as Tommy (danger/intelligence/power) in order to clear out her head of any remaining longing for Tommy. But I certainly don't think she ever thought her association with Angel would *hurt* Tommy or the business in any way - Lizzie was just trying to move on.
Depending on how you consider the hints about Angel, he could have been deliberately honey-trapping Lizzie to spy on Tommy, but I don't think she was aware of this at that S3-E1 point (and again -- John and Arthur didn't tell her anything before they destroyed the restaurant!)
[I do like to consider how symbolic both Grace and Angel's names are, though: how Angel being murdered leads to Grace being murdered. There is no salvation for this family is there. And, the symbolic parallel in their names and deaths made me wonder if there is also that symbolic in their roles: Grace was initially a honeytrap for Tommy, so...was Angel a honeytrap for Lizzie? But that's drifting from the point of your question sorry...]
---
Ah, Tommy and sex again. So I’m always intrigued at takes that make Tommy (who has ALL the power) deciding to sleep with Lizzie somehow Lizzie’s fault?
They made it clear in the show TxL only have sex ‘when Tommy wants’. How she says it makes it clear he’s not doing it out of want for her…sex for him appears to be some kind of release/anxiety thing too, like having sex is a momentary way to feel better, even if briefly.
And really, I do think about the power imbalance: Lizzie’s job/money and personal dignity is now dependent on Tommy being able to hold his shit together and keep doing what he does. She *could* say no to him, but why would she? She is infatuated/in love with him, she’s financially dependent on him, her social status is dependent on him, and she does also *care* for him as a person and very much probably a friend. She’d know better than anyone how Tommy uses sex as that kind of anti-anxiety release. She would accommodate his needs no matter her own hurt at doing so, in the hope he hurts less / hurts himself less, which is a pattern she demonstrates again and again.
So if they have sex ‘too soon’ after Grace dies, well, it’s probably Tommy’s fault as the initiator and the holder of power, and only minorly Lizzie's fault for not saying no (dear god when can we stop blaming women for not saying no), but really, why is there any fault to consider at all? Grace is dead, there’s no infidelity or broken promise — and remember the sheer pressure Tommy is under in S3. And we're upset the guy has uncomplicated 'take me out of my head for a moment please' sex with a once lover/prostitute for a bit of relief? Such a terrible judgement to apply to him (and Lizzie) for someting that doesn't matter and which is effectively consensual and hurts no one else, given all the other actually bad things Tommy does that would merit such judgement.
IDEK man. By the time T x L are having sex again, Lizzie is also much more aware of how delicate the whole Russian situation is than she was at start of S3; any desire she might have to say no out of personal dignity/pride probably dissolves when she realises she might be one of the few slender threads Tommy’s got to actually get some uncomplicated relief/release from the disaster of, and immense grief and threat of, S3, and maybe stay a little sane for her being able to give him that brief human comfort and care. I mean, he could be going to prostitutes for anxiety release, but given the issues with possible leaks/risks, as well as the way he actually needs care and comfort in his grief not just release, I just. Yeah.
Why are we blaming Lizzie again? I've confused myself lol. She can't be blamed for the S3 sex Tommy has with her. (- edits to add: on the point of 'so soon after grace's death', Tommy's also under massive time pressure. He knows he has to sleep with Tatiana very soon to make his whole ploy successful and keep the wheels in motion; take this 'headcanon' however you will, but I like to imagine he didn't want the first time he had sex after Grace to be with the mad Russian duchess who actually propositioned him for sex on the night Grace died in his arms....I mean, really, what would have been better, Tommy being disaster-fucked by Tatiana first and maybe having a worse breakdown than he did have (that little one in his study), or Tommy having off-screen comfort sex with Lizzie and being able to just keep on keeping on...?)
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peakypolly · 1 year
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All Is Forgiven | Tommy Shelby x Reader
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Request: @runnning-outof-time
Summary: Tommy seeks comfort from Y/N after a job for Campbell results in the murder of an innocent man.
Content Warning: talks of violence, talks of murder.
Word Count: 1,002
A/N: Thank you to K for the request! This is my first imagine and I had a lot of fun thinking up this story, I hope it does Fluff! Tommy the justice he deserves <3 
The house had been quieter than ever before, Shelby Company Limited was in full swing and you were left to your own devices while Tommy was out on business. He was always somewhere else, he left early and came home late. What bothered you the most was how distant you had become to him, he was never truly there anymore. You had heard stories from Polly about how he used to be, long before you had ever met Tommy, long before France. How his smile used to light up the room and how his laugh could be heard from miles away. You thought you were beginning to bring him back to life, to how things used to be. You accepted him long before you were wed, you knew what you were getting into. 
The clock read a quarter past midnight, with nothing else left to do it was time for another drink. You moved towards the makeshift bar Tommy had installed in the living room, grabbed a glass from the wooden shelf, and poured the whiskey. 
“To you Tommy” you mutter as you toast to the empty room.
 Another night and another drink without him. You thought it odd that you were never invited to the Garrison for a drink with your husbands family. You had heard stories from Esme about how loud and rowdy the boys could get, Tommy always kept his composure. You wondered if he ever joined in on these nights without you. Whenever your absence at these family events was a topic of conversation, Tommy’s only excuse was that it was for your own good, as if being purposefully excluded was best for anyone. Esme went to family meetings, you didnt, that thought alone was enough to prickle your eyes with tears. Your spirits lifted however when you saw him. He had entered so quietly, you didnt hear his boots pound against the wooden floors. You were about to tell him how you felt about being left alone every hour of the day until you noticed there was something different about him. The way his eyes sunk into his face, how his head tilted slightly towards the floor, his shoulders slouched. 
“Tom?” You spoke softly, gripping the arms of the chair and raising yourself up, walking over towards him. He brushed his fingers over his chin as if he were thinking hard about his next words.
“(Y/N) I need you” He murmured as he held his arms out for you, then wrapping them around your waist pulling you into him. In return you threw your arms up around his neck, kissing his cheek lightly. Holding him, you felt his muscles which were tensed seconds earlier loosen around you.
“The plans were wrong” He whispered defeatedly 
“What plans Tom? What happened tonight?” you asked softly, you knew better than to ask such personal questions about his business, the business which he kept so closely to him and so far away from you. Tonight was different, the air drier, the walls around you closer, and the atmosphere heavier. You looked up at him, his face red and wet with tears.
“I killed a boy, a young boy- couldnt have been older than twenty. He wasnt supposed to be there, the plans were wrong we had the wrong man, Campbell told me it was the right place he said-” He recounted. 
“Campell?” You interuppted “Inspector Campell? The copper sent from Mr. Churchill? I thought his business here was done?” 
“He weasled his way back into my life like the rat he is, told me to go to this address at this time and kill a man that Mr. Churchill needs dead” He spoke rapidly “I did what he asked and now an innocent man is dead”
You  brushed your fingers across his face wiping away his tears, you had seen him cry before albeit on very rare occasions but not like this, never like this. You felt your heart shatter for him, you knew your husband had killed before but it always had a purpose for the betterment of the family. This time was unlike any other you had seen before.
“Oh Tommy” you mutter, as he sobbed silently into your shoulder. “It will all be sorted out, this blood isnt on your hands, it’s on Campbells he must have sent you there on purpose, i’d kill him if I could”.
“I pulled the trigger (Y/N) not Campell, this is my fault” he sobbed
“He sent you out there, this is his fault darling not yours” you grabbed his hand 
“I’m the devil (Y/N) you married the devil himself” he whimpered
“No, I married you, you are the strongest, smartest, and kindest man I know. Thats why I married you, thats why I love you. You have never made me think otherwise, and nothing,not even what happened tonight could change that”
You lead him over to the couch and sat him down, handing him a glass and pouring his favorite Irish Whiskey into it. “Drink this my love, this too shall pass, and tonight we will honor this man together, we will toast to him and you can let me take care of you Tom” you spoke gently, taking your seat next to him on the couch.
Tommy nodded, taking a swig of his whiskey and sinking down into the couch. You wrapped your arms around him, kissing him gently.
“I’d quite like that, i dont know what would come of me if I didnt have you my beautiful girl” he spoke, his eyes held less darkness than before. 
“There wouldnt be a me without you, and with time you will be okay and I promise Tommy, you are forgiven” you smiled. 
This was the first but not the last of many midnight conversations between you and Thomas, he stopped hiding things from you because he knew you could take it. He knew you would love him no matter what he did because you knew he did it all for you. 
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redrikki · 4 months
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Miscellaneous Literature Masterpost
Chronicles of Narnia - C.S. Lewis
The Start of a Long Summer - Azula steps through a wardrobe to find a kidnapping faun and a wintry kingdom ripe for regime change. (Chronicles of Narnia/Avatar: The Last Airbender crossover) Azula, Tumnus.
Earth’s Children - Jean M. Auel
Only a Motion Away - The mother and child reunion is only a motion away. (Druc, Nezzie)
Harry Potter - J.K. Rowling
An Odd Place For It - Southern California is an odd place to find a horcrux but there are stranger things in the Sunnydale High School library. (Harry Potter/Buffy the Vampire Slayer crossover) Harry, Hermione, Ron, Scoopy Gang
Have to Start Somewhere (The Words to Rebuild Remix) - This diary belongs to Ginevra Molly Weasley and no one else. (Ginny)
Hunger Games - Suzanne Collins
Panem and Circuses: A look at the woman who made the Games - As Panem prepares to celebrate the Third Quarter Quell, Games Gab takes a look back at the brilliant innovator who almost single-handedly transformed the Hunger Games from a rather tedious affair mandated by the Treaty of Treason into the entertainment juggernaut they are today. (written before A Ballad of Songbirds & Snakes)
Jonathan Strange and Mr. Norrell - Susanna Clarke
Requiescat in pace - In which Jonathan Strange discovers that returning the dead to their natural state is more difficult than he would imagine. (Jonathan Strange)
Oxford Time Travel Universe - Connie Willis
Primary Sources - In the dark years when the net won’t open, Colin has a lot of growing up to do. (Colin Templer, Kivrin Engle)
Not the Last Goodbye - Polly isn't ready to let Eileen go without saying one last goodbye. (Polly Churchill, Eileen Reilly, Colin Templer)
Temeraire - Naomi Novik
Epistolary - Dear Lady Allendale….yours, etc., Emily Roland
The Broken Earth Series - N.K. Jemisin
Seismic Shift - Schaffa tells himself he will stop if Eitz says no. This one will be allowed to say no. The boy says nothing at all. (Schaffa, Eitz) Warning: Child Sexual Abuse
Tortall - Tamora Pierce
Hole in the Sea - The whales say there is a hole in the ocean and a monster stirring in the deep. (Tortall/Pacific Rim crossover) Daine, Kaiju.
Young Wizards - Diane Duane
So You Want to Be a (Space) Wizard - Finn finds a mysterious book, takes an Oath, and starts one hell of an Ordeal. (Young Wizards/Star Wars Sequels fusion) Finn, Rey, Poe Dameron
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deadendtracks · 7 months
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"John starts a gang war, and Arthur either eggs him on or doesn't do anything to stop him."
Great write up but a clarification - Isn't Tommy the one started the war with the Changrettas by burning Angels restaurant in the first place, a gang that has been at peace for 2 years? What other outcome/message that entails between gangsters? John aggravated the situation for sure, but Tommy is the one that made the need for a sit down in the first place. Tommy handled the Angel debacle poorly, inflated ego I think. For a man who is knee deep in strategies and 10 steps ahead of everyone, this was just pure miscalculation especially during this crucial time dealing with Churchill/Russians? Isn't that why he never blamed anyone but himself for how it turned out?
I've posted about it before, but in that post I wasn't specific enough about the initial meeting with Changretta and also didn't talk about the restaurant fire. So I'll dig into it a bit more here.
It got very long.
In 3.01, there's a scene between Arthur, Michael and Lizzie at Arrow House during Tommy 's wedding. Michael talks about how Lizzie was told with all the other office girls about the rule against fraternizing with foreigners and that Angel Changretta has had a bunch of aliases and runs with the "Naples boys" which I guess means he's in the rival gang, as reasons he's off limits, because of Lizzie's important position in the company. This is often framed as Tommy trying to personally control who Lizzie dates, but that's really not what's going on here -- he's knee deep in espionage with the Russian business by then, and rather than tip anyone off by ordering them all to stay away from Russians, he's just banned dating 'foreigners.'
The discussion of the fire never is explicit about who gave the order: Lizzie tells Arthur "You set the fire." Which is probably a collective 'you' meaning the Peaky Blinders. So it's possible Tommy himself ordered it, but it's also possible this was something Arthur and John did on their own to enforce the 'no fraternizing' rule (or because of John's jealousy, see below). It's ambiguous, because at that point Tommy wasn't necessarily micromanaging everything they did -- in season 2 for example they go burn the pub where Isiah was accosted on their own. They like burning pubs.
But let's say Tommy did order the fire. The purpose of the meeting with Vincente Changretta would have been to restore peace, negotiate, not escalate things into an outright gang war. The fire itself wouldn't have been enough to do that, or Vincente wouldn't be accepting a meeting to talk about it. He would have retaliated. He didn't; he was still willing to talk.
That's the important thing, to me, when I talk about John starting the war -- everything that follows, which I'm going to get into detail about, because I think it tends to be glossed over or forgotten.
Unfortunately, Tommy was called away literally at the last minute and had to catch the early train to London to meet the Russian duke. I imagine he may not have given Arthur and John super specific instructions, just to smooth things over with Changretta in a way that lets him save face but maintains Peaky Blinder power, as Polly mentions later.
That's definitely not what happens.
Go back and watch the scene: Arthur and John start out the meeting in an insulting attitude immediately. If you look at how things are set up, they've left a bunch of horse manure on the side of the table the Italians are to sit on, and the side Arthur and John are standing on is clear. Arthur mentions the fine scent of shit. Both of them take a mocking tone with Changretta, showing him little respect, and John is constantly smirking. This is absolutely not how Tommy would have handled it.
Vincente says there's been peace between them for 2 years. Before he can continue, John interrupts and asks if he wants tea. It's obviously not meant to be polite, but to be further disrespectful. This provokes Vincente. He mentions the restaurant being burnt, Arthur and John joke further about Angel and continue to act disrespectfully.
Vincente: But you tell him from me that my son will walk with any woman in this city. Any woman he chooses. Even if that woman works for the Emperor, Thomas Shelby. My son is in love--
At this point, John starts laughing really insultingly.
Vincente: And if he wishes, he will walk with the woman he loves.
John: OK. You know, it'd be hard for your son to walk anywhere with a bullet in each knee, wouldn't it?
Immediately, the tone changes. Arthur gets serious finally. John looks at Vincente with a dangerous expression rather than mocking. He's making a specific threat on Angel Changretta.
John laughs as the Italians walk away in fury, but Arthur knows shit has hit the fan. He tells Isiah to put extra men in their pubs and tells John not to tell Tommy about the Italians breaking a chair (I read this as "don't tell Tommy we fucked this meeting up and they left angry").
Note: Tommy is still in London and has no idea this has happened.
The next scene Polly walks in to confront John. She says she doesn't want him to do anything about the situation :
Polly: Well, [Angel] heard you threatened him directly to shoot him in the knees and now he's going around Nechells telling everybody he's going to kill you. This is Lizzie's fault to start with, Tommy's for leaving it up to you.
John (acting really juvenile the entire time, look at his body language): What are you talking about? We run London. We run the north, we run the whole fucking country. What do we care about some fucking Nechells Green Eyeties?
Polly: We don't need to be getting involved in all these little piss pots. ...We own the city. But we don't need to rub everbody's noses in it. If the old man decides to make a stand, he might get Sabini feeling sentimental-
John: Sabini's done.
Polly: They're all done. And they all pay up. But we don't want rebellions.
I've quoted this at length because it's important to putting what John did in context, why it was so dangerous. By threatening Angel Changretta and treating Vincente so insultingly, John (and Arthur) have made things worse rather than settling them.
Polly goes on with her 'compromise' which is that Lizzie meets Angel and breaks up with him, saying it was all her fault. Setting aside the way Polly frames John and Arthur's fuckup as Tommy and Lizzie's responsibility both here and above, take note of John's reaction!
It's violent. He sweeps things from his desk and gets up, yelling, then starts talking about how this is all Linda's fault for her Christian talk (referring to Arthur wanting to apologize). Ask yourself why he's reacting violently now, at this point -- when Polly mentions Lizzie talking to Angel Changretta.
Notice that John only threatened Angel in the scene with Vincente when Vincente talked about his son being in love with Lizzie.
In both of these cases, John has an outsized reaction to mention of Lizzie being with Angel Changretta -- he's the one who is jealous, he's the one who is angry about the whole thing.
Polly tells John not to do anything, and 'it'll all calm down and nobody will lose face.' Again, an important line, because she's talking about dialing down tension with the Changretta family.
John's response? "I'll take his fucking face. How about that?"
In London, Tommy is only just now meeting with the Russian duke!
Next scene: Angel Changretta is picking up a suit from the tailor. John is there, assaults him, shouts at him to "stay away from Lizzie" and then cuts his face with a razor, disfiguring him.
Only then does Tommy get back from London. By the time he gets back the war has already started. It hadn't started with the restaurant fire, because Vincente didn't retaliate then, he'd only come to talk. The war starts because John deliberately starts it by attacking Angel Changretta!
When Tommy walks into the situation, it's too late for "apologize" and "compromise" because of John, specifically. Possibly if he'd gone to Vincente Changretta at that point and spoken to him, there would have been a way out of the war, but from Tommy's reaction, I think his stance is that once things have escalated that far they'd look weak and open themselves up to more 'rebellions' from other gangs if they didn't react swiftly and harshly.
You mentioned Tommy's flaw being inflated ego here; I don't think that's it at all. I think if you look at the context of the day Tommy had -- meeting the priest, the insinuations about the priest abusing children at Grace's school, being ordered to take the meeting in London, the whole way he's been coerced into this business in the first place -- I do think this contributed to him ordering them to basically squash the "rebellion" by extreme force.
He says the line about "if we lift our heel off their necks now, they'll just come at us." -- It's a wartime reaction, and he's feeling besieged on all sides at this point. This is something he can control and so that's the tactic he takes.
You can argue about whether or not it was a good decision, and it does end tragically, of course.
But he wouldn't have been put in that position if not for John!
The matter of Tommy blaming himself is a complex one -- and I've already written way too much tonight. But to me, he blames himself because he wasn't there at that first meeting, and Polly outright blames him for not being at the meeting. He blames himself because he sees himself in a way as the superior officer who is ultimately responsible for the actions of his soldiers, and because he escalated things when he got back from London. I also think he has a pattern of taking responsibility for the things his brothers do onto himself and tends to never articulate out loud his feelings about some of this but that's a whole other meta.
Of course a lot of this is up to interpretation; but I don't think the fact that John's the one responsible for starting the war with the Changrettas is one of them. That's just factually what happened.
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irenethewoman · 6 months
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Mrs. Shelby - Chapter 20 - Gangster
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@ell0ra-br3kk3r June 1924, Warwickshire
Tommy simply cleaned up and drove away. He had to complete the final deal. I sat on Charlie's bed, staring out the window absentmindedly. I couldn't quite put my finger on it, but I just really disliked that Russian woman. Maybe it's because I didn't know how to handle her, and I don't like things slipping out of control. Plus, she was too fearless, too crazy, and her gaze towards Tommy seemed too naked, as if my husband could be used as a bargaining chip. I dare say she wouldn't mind making love to Tommy right in front of me. God knows what goes on in the minds of these Russians!
Fortunately, I won't have to see her again after today. The sky gradually brightened, and I listened to the birds outside and the sound of cars passing by, feeling tired. Wrapped in a cashmere shawl, I leaned back on the sofa and closed my eyes. My eyes were just a bit tired…
"Mrs."
I opened my eyes and saw Jenny with apologetic eyes. "Sorry to disturb your rest, but Mr. Mos called, looking for Mr. Shelby."
I felt a bit dizzy when I stood up, thankfully Jenny supported me. "Mrs., would you like to have something to eat first?"
I smiled and shook my head at her, picking up the receiver. "Good morning, Officer Mos. I'm Diana Shelby. My husband is not at home. You can tell me what you need, and I'll relay it to him word for word."
"Alright, I understand. Thank you for your cooperation, Mrs. Shelby."
As I hung up the phone, I almost stumbled to the ground. Luckily, Tommy caught me in time and carried me back to the bedroom. "What did Mos say?" Tommy skillfully massaged my legs.
"Birmingham Police issued arrest warrants. Arthur, John, Polly, Michael, none of them can escape." I looked at my husband with a heavy heart. It was Churchill's blatant threat: he knew Tommy's weakness was his blood ties, but not arresting me and Charlie was to avoid Tommy causing chaos. Not arresting Tommy was to keep him obedient and working for him.
Churchill's problems are easy to solve, but I can already imagine the resentment the Shelbys will have towards Tommy after today.
Tommy kissed my lips. "You should rest, Diana. You're carrying a child." He looked at my slightly bulging belly, touched it, and said, "Don't worry, everything will be fine."
"And then what? Are you going to handle everything on your own?"
"Diana, you're pregnant." He finally looked up. "I don't want anything to happen to you and our child."
"Then what? Are you going to bear everything on your own?"
"Diana, you're pregnant." He finally looked up. "I don't want anything to happen to you and our child."
"……"
I was awakened by the noise downstairs.
I got up from the bed. My head was still dizzy, and I felt confused. I turned the doorknob, wanting to see what was happening outside, but found that the door was locked.
Then I remembered Mos's call this morning.
It began.
I sat back on the bed, closed my eyes, and waited for the commotion to pass.
I heard someone fiddling with the doorknob of our bedroom, trying to open the door.
I heard Tommy's angry questioning, suppressing his anger. "If you have any dissatisfaction, you can say it out loud. What are you doing sneaking around my wife's door?"
… It was Linda.
They were arguing, and I couldn't hear it clearly through the door, but I knew Ada, Esme, and Lizzy Stark had also joined in. Advice and arguments mixed into a mess.
In fact, Linda couldn't argue with me. In fact, among the people I know, there are few who can win in a verbal dispute with me. And as a sister-in-law, as the wife of the head of the family, I have absolute confidence in handling Linda and Esme's dissatisfaction and soothing their emotions. But Tommy is too cautious and worried. He's afraid they'll impulsively hurt me and my unborn child, so he locked me in the bedroom.
Finally, at the cost of a slap, the noise outside returned to calm.
I was awakened by the noise downstairs.
I got up from the bed. My head was still dizzy, and I felt confused. I turned the doorknob, wanting to see what was happening outside, but found that the door was locked.
Then I remembered Mos's call this morning.
It began.
I sat back on the bed, closed my eyes, and waited for the commotion to pass.
I heard someone fiddling with the doorknob of our bedroom, trying to open the door.
I heard Tommy's angry questioning, suppressing his anger. "If you have any dissatisfaction, you can say it out loud. What are you doing sneaking around my wife's door?"
… It was Linda.
They were arguing, and I couldn't hear it clearly through the door, but I knew Ada, Esme, and Lizzy Stark had also joined in. Advice and arguments mixed into a mess.
In fact, Linda couldn't argue with me. In fact, among the people I know, there are few who can win in a verbal dispute with me. And as a sister-in-law, as the wife of the head of the family, I have absolute confidence in handling Linda and Esme's dissatisfaction and soothing their emotions. But Tommy is too cautious and worried. He's afraid they'll impulsively hurt me and my unborn child, so he locked me in the bedroom.
Finally, at the cost of a slap, the noise outside returned to calm.
Quiet.
The whole house was quiet.
These big houses are like monsters, devouring the worldly atmosphere, silently watching the joys and sorrows inside. When the house is quiet, like now, every piece of tile, every inch of wooden furniture is chilling to the bone. The sun is so big, but it can't illuminate every corner of the house. I can't tell if this kind of emptiness is glory or curse.
After a while, the door rang, and Tommy walked in. There were still handprints on his face. When he came in, he was lighting a cigarette, and when he saw me awake, he quickly hid the cigarette behind him. "How did you sleep?"
"Quite well." I walked up to him, took the lit cigarette from his hand, and put it in his mouth. "I'll allow you to break the rules once."
He smiled and let me press him on the bed gently. "You should rest too, Mrs. Shelby."
Tommy slept beside me, and I lay beside him. Even though he was asleep, he still furrowed his brows slightly. What could he be worrying about in his dreams? I helplessly smiled.
Actually, if he was willing, I could go back to London and deal with things. My father was a conservative, and I used to be a patron of the conservatives. Since Solomon could reconcile with Tommy, businessmen and politicians should be no problem. Tommy seemed to hear my thoughts in his dreams. He raised his head, "You're pregnant."
"Then what? Are you going to bear everything on your own?"
"Diana,
you're pregnant." He finally looked up. "I don't want anything to happen to you and our child."
"What's next? Are you going to handle everything on your own?"
"Diana, you're pregnant." He finally looked up. "I don't want anything to happen to you and our child."
"……"
Mrs. Shelby 21 Gang - Vanessa's Poplar Tree
After a while of rest, Tommy started his early departures and late returns, busy with Churchill's orders.
Ada was the only Shelby who still wanted to associate with us. She would bring Carl to accompany Charlie when I attended Shelby Charity Foundation events.
Tommy originally disagreed with me traveling around with a big belly. He hoped I could stay at home and rest peacefully. "The foundation's matters can wait until after you give birth."
"But you know, Tommy, you can leave me at home, but you can't keep me from worrying about you. I have to find something to do to distract my attention."
Tommy glanced at me, hesitated, and finally spoke, "You know those people won't allow us to enter their halls."
"Oh, whatever." I certainly knew that those aristocrats looked down on the Shelby family. The flattery of those noble ladies was only because of my title. But it didn't matter. My goal was not to please them.
I want the people of Birmingham to feel the grace of the Shelby family and build a good reputation for the Shelby family in Birmingham. With both grace and authority, we will establish our own system on our land. We are no longer street thugs but businessmen wandering in the gray area. I don't care about how those aristocratic ladies perceive us; what matters is how we handle ourselves.
They may want to erase us insignificant little people, but I won't let them have their way.
Actually, both of us didn't know exactly what we were busy with. But Tommy remembered my due date even more clearly than I did.
Since December, he began to nervously watch my bulging belly, forbidding Charlie from playing around me, and often supporting me on walks in the garden.
Tommy's efforts were not in vain. Arthur and the others were released before Christmas, and Tommy also received an OBE medal. Tommy, who just got the medal, looked like a kid who just bought the Mona Lisa, proud even without saying a word. Until he found that I had almost no reaction to it.
"There are still Commander medals below OBE, and above that are Knight Commander medals and Knight Grand Cross medals. Only citizens awarded the top two grades of honors are considered to have received a knighthood, and they can add the title of Sir before their surname." I explained to him like reciting a textbook.
Tommy fell silent after hearing this.
Today is Christmas, and I don't want my little prince to feel unhappy. I quickly put on a smiling face. "But this is a leap from zero to hero, isn't it?"
He shook his head and smiled self-deprecatingly. "I thought… the weight of those things would be heavy enough."
Maybe in their hearts, we who hold those things are not important enough.
But these are not things we need to care about now.
I felt a warm flow between my legs and pain in my lower abdomen. I curled up, hoping to alleviate the pain as much as possible.
"Tommy… the amniotic fluid broke…"
Bloody Gang - Mrs. Shelby - Tommy Shelby
After a while of rest, Tommy started his early departures and late returns, busy with Churchill's orders.
Ada was the only Shelby who still wanted to associate with us. She would bring Carl to accompany Charlie when I attended Shelby Charity Foundation events.
Tommy originally disagreed with me traveling around with a big belly. He hoped I could stay at home and rest peacefully. "The foundation's matters can wait until after you give birth."
"But you know, Tommy, you can leave me at home, but you can't keep me from worrying about you. I have to find something to do to distract my attention."
Tommy glanced at me, hesitated, and finally spoke, "You know those people won't allow us to enter their halls."
"Oh, whatever." I certainly knew that those aristocrats looked down on the Shelby family. The flattery of those noble ladies was only because of my title. But it didn't matter. My goal was not to please them.
I want the people of Birmingham to feel the grace of the Shelby family and build a good reputation for the Shelby family in Birmingham. With both grace and authority, we will establish our own system on our land. We are no longer street thugs but businessmen wandering in the gray area. I don't care about how those aristocratic ladies perceive us; what matters is how we handle ourselves.
They may want to erase us insignificant little people, but I won't let them have their way.
Actually, both of us didn't know exactly what we were busy with. But Tommy remembered my due date even more clearly than I did.
Since December, he began to nervously watch my bulging belly, forbidding Charlie from playing around me, and often supporting me on walks in the garden.
Tommy's efforts were not in vain. Arthur and the others were released before Christmas, and Tommy also received an OBE medal. Tommy, who just got the medal, looked like a kid who just bought the Mona Lisa, proud even without saying a word. Until he found that I had almost no reaction to it.
"There are still Commander medals below OBE, and above that are Knight Commander medals and Knight Grand Cross medals. Only citizens awarded the top two grades of honors are considered to have received a knighthood, and they can add the title of Sir before their surname." I explained to him like reciting a textbook.
Tommy fell silent after hearing this.
Today is Christmas, and I don't want my little prince to feel unhappy. I quickly put on a smiling face. "But this is a leap from zero to hero, isn't it?"
He shook his head and smiled self-deprecatingly. "I thought… the weight of those things would be heavy enough."
Maybe in their hearts, we who hold those things are not important enough.
But these are not things we need to care about now.
I felt a warm flow between my legs and pain in my lower abdomen. I curled up, hoping to alleviate the pain as much as possible.
"Tommy… my water broke…"
15 notes · View notes
gloriousclio · 3 months
Text
Time Crossed, chapter 10
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Chapter 10
Inventories - Easter - A setback while moving towards acceptance 
Continued thanks to pandamug for betaing. Any mistakes remain my own.
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companion-showdown · 3 months
Text
Who would make the best villain: Round 0 masterpost
voting should account for best in the sense of most entertaining and best in the sense they would be successful
Elimination Groups
Group 1
Bret Vyon
Sara Kingdom
Kamelion
Group 2
The TARDIS
Jackie Tyler
Bad Wolf Entity
Luke Smith
Group 3
Ursula Blake
Elton Pope
Francine Jones
Jenny
Group 4
Christina de Souza
Adelaide Brooke
Winston Churchill
Stormageddon Dark Lord of All
Group 5
Canton Everette Delaware III
Vastra
Kate Stewart
Me
Group 6
Mason Bennett
Karvanista
Lee Clayton
Group 7
Chris Cwej
Señor 105
Alice Obiefune
Child Master
Group 8
Margaret Hopwood
Compassion
Wolsey
Fenella Wibbsey
Seeding Groups
Group 1
Susan Foreman
Barbara Wright
Ian Chesterton
Vicki Pallister
Group 2
Steven Taylor
Dodo Chaplet
Ben Jackson
Polly Wright
Group 3
Jamie McCrimmon
Victoria Waterfield
Zoe Heriot
The Brigadier
Sergeant Benton
Group 4
Liz Shaw
Mike Yates
Jo Grant
Sarah-Jane Smith
Harry Sullivan
Group 5
Leela
K9
Romana I
Romana II
Group 6
Adric
Nyssa
Tegan Jovanka
Vislor Turlough
Group 7
Peri Brown
Mel Bush
Ace McShane
Chang Lee
Grace Holloway
Group 8
Charley Pollard
Evelyn Smythe
Lucie Miller
Liv Chenka
Group 9
Bernice Summerfield
Fitz Kreiner
Frobisher
Iris Wildthyme
Group 10
Rose Tyler
Mickey Smith
Jack Harkness
Martha Jones
Group 11
Donna Noble
Wilfred Mott
River Song
Amy Pond
Rory Williams
Group 12
Clara Oswald
Bill Potts
Nardole
Yasmin Khan
Group 13
Graham O'Brien
Ryan Sinclair
Dan Lewis
Ruby Sunday
links to previous tournaments
6 notes · View notes
milkywaybottles · 2 years
Text
The Way Things Were | Tommy Shelby x Reader
─── ・ 。゚☆: *.☽ .* :☆゚. ───
Chapter 2: A Warm Welcome
You tsked, carefully wrapping up Arthur's finger to a splint. Polly's gaze was set upon you with the utmost concentration from the corner of the room, face twisted in dismay. Ada was rushing around, grabbing cloths while John stood, rather amused in the doorway. Blood dripped off Arthur's brow and crusted on the corner of his split lip. "Hold bloody still" You ordered, pulling his finger too hard, prompting him to whine. Becoming satisfied with the job you had done on his finger, you took a damp cloth to his face.
"John, help (Y/N) get the blood out of his eyes" Ada demanded, not wanting to get involved with you. It had become clear that the police weren't going to leave you alone after all.
"Since when do you give orders?" He retorted from the doorway, smirking and rather pleased with himself.
"I'm a trained nurse" Ada shot back. You couldn't help but laugh, and it seemed that the rest of the boys were the same way. Arthur was struggling to keep his face stern from the pain.
"Don't make me laugh. It hurts me face' Arthur instructed.
"I bloody am" Ada said firmly.
"You went to one first aid class in the church hall and got thrown out for giggling" John teased. Ada looked as though she wanted to explode her brother with her mind, her face becoming red with frustration.
"Not before I learnt how to stop somebody from choking" She remarked, pouring the kettle which had just finished boiling onto a towel. You weren't sure how that was going to help in the situation and frankly, neither did Arthur.
"Well I'm not bloody choking, am I?"
"You will be when I wrap this cloth around your neck". Sibling love reminded you of how you and your sister used to act under the same roof. That's when you spotted Tommy marching through the door with a bottle of alcohol in his hands and a cigarette hanging from his lips.
"Let me see him" He declared, putting the bottle down on the table beside Arthur. Leaning down and scooting next to me, Tommy gently took the washcloth from my hands and rinsed it in the tub. Arthur had taken a sip of the alcohol, groaning as he did so. "Gimmie that" Tommy mumbled about the bottle, dousing the cloth with the liquid. Without hesitation, he brought the cloth to Arthur's face and the man hissed in pain as though his skin was being burnt off. Arthur put his arm out on Tommy's.
"He said Mr Churchill sent him to Birmingham. National interest, he said. Something about a robbery". Tommy recoiled from Arthur like he had touched a hot stove, playing with his cigarette. "He said he wants us to help him"
"We don't help coppers" John snapped, being pushed against the door when Ada entered the room.
"He knew all about our war records. He said we're patriots like him. Wants us to be his eyes and ears. I said-" His words were interrupted by a sharp groan as you put the cloth to his brow. Polly shushed him. "I said we'd have a family meeting and take a vote". You watched attentively at Tommy's face as it shifted, his chest slowly rising and falling but remaining silent. "Well... why not? Hmm? We have no truck with Fenians or Communists"
No response again.
"What's wrong with you? What the fuck is wrong with him lately?". Unlike Arthur, you felt as though you could accurately guess that perhaps Tommy's head wasn't in the right place since he came back. Aunt Polly shook her head in disapproval,
"If I knew, I'd buy the cure from Comptom's Chemists"
-
You were busiest at midday when deciding that you were going to step out of the shop and go down to the market. With half an hour of allocated break, you'd be back in no time. A nice fur coat was wrapped around your shoulders, something you had been able to gift yourself since your last payment. For it being midday, the streets were filled with fog but still kept bustling by the devoted working class. Occasionally, a smile would be sent your way as most people knew who you were and who you were associated with.
"Good afternoon, Miss (L/N)" Curly beamed, directing your attention over to him. You stopped walking in the direction of the market and pivoted your goal to the caretaker. The area of the scrap yard was muddier than usual, grit appearing on the soles of your burgundy high heels.
"Afternoon, Curly. How are you?". The nicely dressed fellow was leant up against a post. You had your arms crossed, holding each other. It caught you by surprise to run into the man so far from Charlie Strong's yard and you determined he must have been on an errand for one of the boys.
"Very good, Miss (L/N), very good. Tom has been taking care of me". You had noticed Curly always had a bit of a stutter, often causing him to repeat his words once or twice. Especially when he talked about something he was passionate about, such as horses. "I'm sure he has. I'm about to head to the market, do you need anything?" You smiled. It was nice to hear how proudly some of the associates with the Shelby family talked about Tommy in particular.
"No, thank you, Miss." With his answer, you took your leave back onto the main road. There was an irking feeling that had risen inside you since you left the shop. Like a cloud of paranoia had settled over you, you checked over your shoulder every few streets. You had dismissed the feeling at first but when speaking with Curly, you couldn't help but feel as though you were being watched from the shadows.
Nevertheless, you shook your head and rounded a corner. The smell of steaming bread hit your face like a brick, lowly chatter escaping the stalls. The market was packed with people, children screaming, tired mothers with baskets at their hips and suave-looking men, bargaining for the best price. You remembered you had forgotten to bring your basket and decided you were just going to have to carry the supplies yourself. John wanted bread, milk and eggs for the kids, Arthur wished for a new pipe and you just wanted to get out of the house before you shot someone.
The first stall was easy enough as the bread, milk and eggs had been clumped together. After inspecting the goods, you offered the hardened lady the money and tucked the items in a paper bag you had acquired from her. Lucky for you, there was a small tobacco stall right next to her, run by an older man with salt and pepper hair. He didn't speak a word to you, watching your petite frame bend over the items like a hawk. His head flicked to one side and you felt a dark presence beside you. The man from the counter disappeared into the smoke. Nerves spiking, you didn't dare lift your head as you perused through the different pipes on display.
"Wonderfully crafted pipes. Do you smoke?" A heavy Belfast accent asked.
You shook your head dismissively, your lip curling into a snarl on one side of your face. "It's not for me"
"Arthur Shelby, then, perhaps?". Your head snapped up from the items and instinctively dropped the pipe you were holding in your rosy hands. A hasty scan in all directions had shown that the whole market had been cleared out. "How is he, by the way? Doing well after our chat?". You wrapped your coat even tighter around your waist, keeping the groceries under your arm.
"As strong as ever, I'm afraid". Studying the man's squashed frame, you came to the conclusion that he was the chief of police Tommy had been concerned about. He had an ugly, wrinkled face with a sluggish black moustache, his head adorned with a bowler hat.
"Well then, please remind him I won't just be going after him and his brothers if he has any correlation to the robbery. I'm sure even a pretty face like you can deliver such a simple message"
"Yes, I'm confident I could. But, even if they were involved in a robbery, I wouldn't know. I'm merely a secretary of sorts" You lied surely, not batting an eyelid. Ever since you were a child, Tommy had remarked how fluent of a liar you were and how well you could pull it off. You weren't sure if the inspector believed you but it was enough to get him off your case.
He snorted, head throwing back with laughter, "A secretary! Racketeers such as your bosses having a secretary. Now that's comical". You brought your watch to your face, staring at the man with cold and blank eyes, clearly bored with the encounter.
"Hmm, well if I work for such ruthless racketeers, I really must be getting back, I'm officially off my lunch break. Wouldn't want to show up face down in the Canal. If you will excuse me, sir". Almost pushing him out of the way, you paced past him, heels clacking on the stone pavement. Relief washed over you as you entered Peaky Blinder territory once again. Spineless bastard wouldn't have dared do it in an area where the Shelby associates could see.
As soon as you stepped into the gambling shop, you practically threw the bag down onto the table. The first man you laid eyes on was going to be an unlucky one, as his balls would be the ones you would be tempted to cut off. Unlucky John, you thought, as your friend appeared in front of you. "John, tell your kids that I love them, but Auntie (Y/N) needs a raise if she's going to be harassed by police officers when she goes out to get groceries". Lighting a cigarette for yourself had become second nature recently, maybe Ada was right about your addiction. Arthur had opened the door from his office to peek his head out the door and see what was going on.
"(Y/N), where's my pipe?". You cocked your head to the side, about to stab a man.
"What are you talking about?" John posed, eyes widened slightly in shock. You pinched the bridge of your nose, swooping in to take John by the hand and pull him into Arthur's office.
Arthur's brows furrowed in confusion, "Oi I was busy in here"
The words 'You'll want to hear what I have to say' shut him up very quickly.
"Your little chief inspector friend paid me a visit. Set me up. They have this place staked out, followed me from here to the market, and when he finally decided to make a move on me, he emptied the market so there were no witnesses. Told me real straight, asked about you, how you were doing and told me to tell you 'please remind him I won't just be going after him and his brothers if he has any correlation to the robbery' and then I left. So, forgive me about the pipe, I got a bit startled"
"Bastard" Arthur growled, "I don't want you leavin' without being escorted for the time being.
"John" He barked, turning to his brother with anger, "I want Tommy here immediately"
-
The next day, the boys were out at the fair, doing business with the Lees, you were told. You were also told to keep the fort down with Polly. So you stayed in the shop the whole day, smoking and drinking. You always got along well with her. She was like your own Aunt when you were younger since your parents didn't have any siblings. Ada had disappeared off God knows where so you were in a somewhat grumpy state.
"I'm thinking of taking a day or two off to see my mum" You mumbled from the silence, taking a sip of whiskey. She glanced up from her drink, examining you with her sombre, oak-coloured eyes.
"You know they won't let you go alone to see Mary?"
"I don't really care. They can come if they want. Mum would be happy to see them. She always thought they were sweet boys" You chuckled, knowing they hadn't seen your mother in years. Part of you wondered if one of the brothers would come. Even Elsie would be glad to see them. Your eye drifted to the corner of the hallway, Scudboat rushing down the hall with urgency.
"The police are doing a raid!" He announced, huffing and puffing as he leaned against the doorframe. You and Polly shared a look and stood up suddenly from the table. You dashed over to the window, slipping your fingers between the lace curtains. It was easy to spot the influx of police spilling over from the next street. The boys were not going to be happy when they came back, that was for sure.
"Polly, Ada's out there" You stated bitterly.
"Don't worry about her. She'll be alright. We have to worry about here"
-
Everyone sat around the table, beers in hands, waiting for a proper explanation. Your hypothesis was correct that the boys wouldn't be happy when they came home, Arthur almost flipping a table in anger. Their movements were stiff and cold. "The coppers told everyone Arthur'd agreed to it when he was arrested. They said the Peaky Blinders had cleared out to the fair to let them do it" Polly explained, lighting herself a match. John was serving everyone beer from a bucket that sat in the middle of the table.
"Like hell" you muttered, "We've seen how he plays dirty to get what he wants"
"I never said nothing to that copper about smashing up bloody houses" Arthur retorted at Polly's remark.
"All right, which pubs did they do?" Tommy inquired.
"The Guns, the Chain, the Marquis. The ones that pay you to protect them" Polly informed, "Only one they didn't touch was the Garrison. Make sure people think we were in on it". You knew how that would look to clients of ours. It was intentional, of course.
"He's smart, this copper. So go on, drink your beers and get out. You'd better show people you are still the cocks of the walk" Polly ordered. The men cleared out of the main room, grabbing their jackets off chairs and dissipating out the door. You took the glasses from off the tables and to the nearby sink.
"Hand out some cash to the landlords of the pubs. Pay some veterans to fix the places up" Tommy instructed, the men giving their boss a subtle nod. "So what about you then, Tommy?" Arthur questioned, slipping his jacket onto his shoulders. He positioned his hand behind your back, "Come on (Y/N/N)"
"I have to go to Charlie's to stable the horse. She looked footsore in the box". You and Arthur turned around, Polly closing the doors behind you.
─── ・ 。゚☆: *.☽ .* :☆゚. ───
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evita-shelby · 2 years
Text
The Fabulous Miss Shelby
Part 1
Part 2
May do a part three
Gif by @imaginesbymk
Cw:murder, mentions of child loss
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May doesn’t die, but Angel does.
May had been pregnant and the baby had been lost from her brush with death.
Angel’s death was caused by the Russians too.
Everyone just wanted to believe that Tommy would put a pillow over his face because his baby son was born too early.
Too bad no one believed you.
The only way to stop this was to marry Luca as soon as possible.
Tie the families together to prevent bloodshed.
“I can’t marry you, Y/N. Angel is dead because of him. My baby brother is dead. I cannot marry his murderers sister.” He cries as he tells you when the tables are turned and he leaves you at the altar.
“If I could make Tommy see sense, I could be of use.” May says when you burden her with your problems.
May had been the only one to know about you and Luca.
Tommy is different, and you understand why he is now harder and meaner and cruel.
He almost lost his wife along with their child, but he was blaming the wrong people.
The Italians weren’t to blame, Section D was the real villain.
“You need to tell him about Luca, tell him why he was at the Charity with you.” She urged you as Tommy kept her like a princess in a tower.
“I will, May, once he comes back from the dinner I’ll come clean.” You swear to her.
The universe hates you; you think as your invincible twin brother is tossed outside your place with a broken skull.
Is this your punishment for saying no to Luca those five years with him?
You didn’t want to marry him then and now that you want to be his forever you just can’t.
And worse, you can’t confide in Tommy about it.
“What happened to your fiance?” he asks when he is fine enough to talk.
His recovery was going smoothly, maybe it was because he had May who was guiding him to the finish line like a lighthouse in a storm.
“Didn’t work out, Tom.” You say and bite your tongue. Wouldn’t have in the long run, he’s Italian and you think Italians hired a Russian with bad Italian to kill John.
“You really loved him, didn’t you?” he asks and you look away.
No one knew you better than your twin and no one knew Tommy like you did.
“Yeah, he waited five years to get a yes from me and now that I said yes he said no.” you admit.
“Do we know him?” he asks again.
You should lie and say no.
“Yeah. Luca Changretta. That’s why he was at the party, they weren’t planning anything against you. He was there so I could introduce him as my fiancé.” It’s too soon. The doctors said no bad news, but this can’t wait anymore.
“Then who sent the man after May?” Tommy’s angry thinking love has turned your head to mush. You’re not him, he forgets that all the time.
“Man was Russian, stole the clothes of one of Angel’s men. Same Russians who framed you for Angel’s accident and death that night too.” You answer, you always did have the answers to the questions he could never ask anyone else.
“Who did you fuck over, Tommy?” its your turn to ask.
“No one, there’s a group of people who don’t like paying for the dirty work. Didn’t know that until Churchill had me sign the fucking contract for the job.”
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You aren’t the first Shelby to run away in a wedding dress and pregnant with your husband’s child.
Polly had, Ada and now you.
He’s in Liverpool with his parents when you reach him.
“Tommy didn’t kill him. I swear to you that he didn’t.” Instead of a bridal bouquet you have the identity of Angel’s murderer.
But he doesn’t believe you.
If his parents don’t, he won’t either.
But he marries you then and there when you tell him you are pregnant.
You cease to be Miss Shelby then.
“You cannot save your family.” Your mother-in-law says as she holds baby Angela, Lizzie and Angel’s baby girl while she tells you the news Luca will not tell you.
She thinks it’s wrong that Tommy doesn’t get to pay for killing Angel.
Audrey takes sick delight in tormenting you. She hates that Luca lives you more than he should.
She hates that you for being a Shelby, and she hates her unborn grandson for being one too.
You are seven months pregnant, a boy, you are sure of it.
You cannot save your family from the noose Tommy’s deals tied around their necks.
And all you can do is cry on Luca’s chest when your mother-in-law tells you their execution date has been moved up.
You give birth to Thomas Changretta in the bleak midwinter.
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lands-of-fantasy · 1 year
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Emma
Classic and loose adaptions from 1972, 1995, 1996 (x2), 2009, 2013, 2020
The fourth of Jane Austen’s novels, first published in 1815, has had many adaptions over the years. The ones pictured above are detailed below:
Emma (1972 Miniseries)
6 episodes x 45min Written by Denis Constanduros, directed by John Glenister
Starring Doran Godwin as Emma Woodhouse, John Carson as Mr. George Knightley, Debbie Bowen as Harriet Smith, Timothy Peters as Mr. Philip Elton, Robert East as Frank Churchill,  Ania Marson as Jane Fairfax, among others
Clueless (1995 Film)
Loose adaption set in modern Beverly Hills, USA Written and directed by Amy Heckerling
Alicia Silverstone as Cher Horowitz (Emma), Paul Rudd as Josh Lucas (Knightley), Stacey Dash as Dionne Davenport, Brittany Murphy as Tai Frasier (Harriet), Jeremy Sisto as Elton Tiscia, Justin Walker as Christian Stovitz (Frank), among others
Emma (1996 Film)
Written and directed by Douglas McGrath
Gwyneth Paltrow as Emma Woodhouse, Jeremy Northam as Mr. George Knightley, Toni Collette as Harriet Smith, Alan Cumming as Philip Elton, Ewan McGregor as Frank Churchill, Polly Walker as Jane Fairfax, among others
Emma (1996 TV Film)
Written by Andrew Davies, directed by Diarmuid Lawrence
Kate Beckinsale as Emma Woodhouse, Mark Strong as Mr. George Knightley, Samantha Morton as Harriet Smith, Dominic Rowan as Mr. Philip Elton, Raymond Coulthard as Frank Churchill, Olivia Williams as Jane Fairfax, among others
Emma (2009 Miniseries)
4 episodes x 58min Written by Sandy Welch, directed by Jim O'Hanlon
Starring Romola Garai as Emma Woodhouse, Jonny Lee Miller as Mr. George Knightley, Louise Dylan as Harriet Smith, Michael Gambon as Mr. Henry Woodhouse, Blake Ritson as Mr. Philip Elton, Rupert Evans as Frank Churchill, Laura Pyper as Jane Fairfax, Jefferson Hall as Robert Martin, among others
Emma Approved (2013-14 Webseries)
95 episodes x 4-8min, available on Youtube Loose adaption set in modern US, told in a vlog format
Created by Bernie Su, from Pemberley Digital
Starring Joanna Sotomura as Emma Woodhouse, Brent Bailey as Alex Knightley, Dayeanne Hutton as Harriet Smith, James Brent Isaacs as Bobby Martin, Paul Stuart as James Elton, Stephen A. Chang as Frank Churchill, Tyra Colar as Jane Fairfax, among others
While the series is a follow-up to The Lizzie Bennet Diaries, it stands on its own.
Emma (2020 Film)
Written by Eleanor Catton, directed by Autumn de Wilde
Anya Taylor-Joy as Emma Woodhouse, Johnny Flynn as Mr. George Knightley, Mia Goth as Harriet Smith, Bill Nighy as Mr, Woodhouse, Josh O'Connor as Mr. Philip Elton, Callum Turner as Frank Churchill, Amber Anderson as Jane Fairfax, among others
*****
Personal favorite: 2009 But also: 1996 (Theatrical Film), Emma Approved
P.S.: 2020′s pretty popular, from what I’ve seen. I’ve enjoyed it myself, but it’s not among my favorite.
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kwebtv · 4 months
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The First Churchills - BBC Two - Septembr 27, 1969 - December 13, 1969
Period Drama (12 Episodes)
Running Time: 60 minutes
Stars:
Susan Hampshire as Sarah Jennings Churchill, Duchess of Marlborough
John Neville as John Churchill, 1st Duke of Marlborough
James Villiers as King Charles II
John Westbrook as King James II
Sheila Gish as Queen Mary, wife to James II
Alan Rowe as King William III
Lisa Daniely as Queen Mary II
Margaret Tyzack as Queen Anne
Roger Mutton as Prince George of Denmark
Robert Robinson as King Louis XIV
John Standing as Sidney Godolphin
Frederick Peisley as Lord Shaftesbury
Job Stewart as Lord Shrewsbury
James Kerry as James, Duke of Monmouth
Richard Pearson as Robert Harley
Moira Redmond as Barbara, Duchess of Cleveland
Richard Warwick as Francis Godolphin
Polly Adams as Henrietta Churchill
Graham Armitage as John Wilmot, Earl of Rochester
Colin Bean as Lord Russell
Consuela Chapman as Duchess of Portsmouth
Michael Culver as Charles Churchill
Andria Lawrence as Nell Gwyn
Michael Lynch as D'Artagnan:
Kay Patrick as Henrietta Wentworth
Arthur Pentelow as Marquess of Carmarthen
Bruce Purchase as Duke of Buckingham
John Ringham as Laurence Hyde, 1st Earl of Rochester
Nicholas Smith as Titus Oates
Michael Attwell as Henry St John
Jill Balcon as Abigail Masham
Freddie Wilson as James Stuart, the Old Pretender
Yvonne Antrobus as Anne Churchill
Robert Mill as Charles Spencer, 3rd Earl of Sunderland
William Job as Adam de Cardonnel
Bernard Taylor as William Cadogan
Francis Wallis as John Churchill, Marquess of Blandford
The First Churchills was the first series telecast by PBS under the title of Masterpiece Theatre from January 10, 1971 - March 28, 1971
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rhetoricandlogic · 9 months
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Blackout - Connie Willis
Connie Willis returns to the shelves after eight long years with an absolute monster of an epic, a time-travel saga so rich in scope that it's taking two volumes to tell, yet so intimate in its observation of character that what you take away from it are not thrilling action setpieces but those moments of bonding people share — warm, funny, confused, trivial, angry, heartfelt — that take on a new and infinitely greater meaning in the shadow of death. One theme is driven home throughout: time is the most precious commodity we have.
This is Willis's gift as a storyteller. An obsessive researcher, she cares about the effects of great events on individuals, and views the momentous through the perspective of the mundane. In this story, the setting is London and surrounding areas during the Blitz in the late summer and fall of 1940. As in her earlier novels Doomsday Book and To Say Nothing of the Dog, time-traveling Oxford historians from the mid-21st century hop into their wayback machine to witness historical events firsthand. Blackout follows three of these travelers as they seek to observe, not the activities of the most renowned heroes and villains of the time (there are actually specific rules that prevent historians from getting too close to, and perhaps altering, the events they're observing), but the everyday heroism of everyday people.
I think Willis is living vicariously, as many authors do, through these characters. And that's all right, because what person captivated by the past would not like to project themselves into it once in a while? Willis knows that doing so wouldn't be nearly as romantic as you might think (especially if you're plunging into the middle of a world war). But why let that stop you?
It bears mentioning at this point that Blackout is not the first novel of a duology, but the first half of a single, two-part novel. Knowing this going in will help to smooth any frustration over the way the book doesn't so much end as stop, without a climax, and with just the barest of cliffhangers to lead you into part two. There are also a couple of unresolved plot threads, one of which provides the story with its rare moments of comic relief, involving two additional time travelers. There will be more to learn about these characters in the second volume.
Polly Churchill is transported to London in the midst of the Blitz. It's her task to observe the lives of shopgirls working in department stores by becoming one herself. Mike Davies intends to pass himself off as an American journalist covering the Dunkirk evacuation efforts. And Eileen O'Reilly lands a job among the servants at a wealthy estate in Warwickshire, in order to observe the hordes of evacuee children being sent from London in droves. Everything seems routine, but from the start we can sense something ominous. Schedules for time travelers are being shifted at the last minute. A young friend of Polly's with a desperate crush on her is deeply worried about something. And once the historians arrive at their various destinations, they notice an unusual degree of "slippage," missing their target dates not by hours (which is normal) but days. It isn't long before something potentially disastrous is made plain.
Amid the growing suspense, Willis builds an engrossing work of humanist fiction that avoids pathos and easy sentiment in depicting the quiet practicality and occasional heroism (and yes, the callousness) of Londoners surviving the Blitz. Memorable characters abound, and Willis's gift for natural dialogue brings scenes to life in a way that makes you feel you're in their presence. And she never pulls the lame stunt of creating a character for you to love just to kill them as an exercise in cheap button mashing. We get to know every one of the people with whom Polly shares a shelter every night, like the blustery, avuncular stage actor Sir Godfrey Kingsman, who quotes the Bard every time he opens his mouth yet whose personality rings true all the same. Eileen finds herself saddled with two of the most ill-behaved children in history, and yet you kind of like them, especially because, as a sort of brother-and-sister demolition duo with an appallingly indifferent and irresponsible mother, you realize they've only ever had each other. I'd think one very real risk a time-traveler would face would be to bond with someone from their distant past. See history unfold amongst the people who lived it, and you no longer have the safe emotional distance of words on a textbook page.
Finally, Mike ends up in an unintended situation that makes him fear he's violated the ultimate taboo and done something to alter the course of history, though he's reassured — not always convincingly — that rules regarding "divergence points" would make that impossible.
At first, the little ironies that frustrate Eileen, Polly, and Mike are funny — it seems they're forever just missing someone or something by minutes — then become more and more unnerving as the bombs keep falling. If I have to complain about something, it's that the final third of Blackout feels overextended, with our principals trying and failing to connect with one another over and over to the point it nearly gets redundant. But there is a much bigger story here, and in a quietly profound way, missed opportunities ("For want of a nail, the kingdom was lost."), and the way minor events can influence and illuminate whole histories, play a main role in it. Times of crisis like the Blitz were times when a person might live another day or die based on whether or not they paused while leaving home to put on their favorite hat. When what little time we have on this earth can be snuffed out so completely in such short notice, then there's no time to do anything but look ahead, and never look back.
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