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#porte saint martin
betzs-things · 1 year
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París
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artdecoandmodernist · 10 months
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Vladimir Barjansky (1892-1968), Art Deco Cover design for Programme booklet, Program presenting the musical Fragonard with André Baugé and Jane Marnac. Théâtre du Petit-Saint-Martin (Théâtre de la Porte Saint-Martin), Paris. 1934.
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huariqueje · 2 years
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Port de Saint Martin de Ré     -   Roger Chapelain-Midy , 1960.
French, 1904 - 1992
Oil on canvas , 33 x 40.5 cm.  
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philoursmars · 2 months
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Deuxième étape de mon périple dans l'Ouest pour retrouver des ami(e)s lointain(e)s , Brigitte et Sylviane à La Rochelle. Ce jour-là, elles me font découvrir la charmante île de Ré.
Saint-Martin-de-Ré. Son port et un étrange monstre, mi-minotaure, mi-gorille, disons très...couillu !
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mote-historie · 11 months
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1900 Sarah Bernhardt in character as Theodora the Empress of Byzantium (Empress Theodora) in "Theodora: A Drama in Five Acts and Eight Tableau" (1885) by Victorien Sardou. Premiered: Theatre de la Porte Saint-Martin in Paris, France. 
Sardou's enthusiasm for historical authenticity was shared by his star. Weeks before ordering her costumes, she journed to Ravenna and stood long hours in the Church of San Vitale studying the magnificent mosaics with their startling portraits of Theodora and Justinian staring menacingly forth from barbaric gold. She made sketches of every robe, every fold, every detail or ornamentation. When she returned to Paris she had completed in detail a dressmaker's design for each outfit, as well as those for her stage jeweller, even to that death-dealing hairpin. Her wardrobe along cost more than the average production. Her costumer figured out that toiling in her work rooms she and her assistants had sewn on by hand more than 4,500 'gems'. (x)
Her costume is a replica of the celebrated mosaic of the Byzantine Virgin in the Church of Ravenna -- her robe is yellow satin embroidered with topazes; her coiffure is ablaze with jewels, and in her hand she carries a white lily, which tradition says was Théodora's favourite flower. The Empress seats herself on a couch of tigers' skins, and gives audience to her courtiers and to ambassadors from foreign lands.
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Porte Saint-Martin gate in Paris
French vintage postcard
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blueiskewl · 2 years
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Gaspard Gobaut The Porte Saint-Denis with the Porte Saint-Martin in the background, Paris
Signed lower left Gobaut. Watercolor. 4¾ in. by 7⅛ in. 12,1 cm by 18,1 cm.
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davidgv53blr · 11 months
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ALGO DE PARIS …….. Serie de varias imágenes en Octubre de 2022
PARIS....( PHOTO-DGV - Octubre 2022 )
ET0109 al 0130 =22 tomas en Paris ocasional.....
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fluentisonus · 5 months
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The churches of the town of Dunwich slowly falling into the sea one after another, as described in a topographical and historical description of the county of suffolk (1829):
"Gardner, in his historical account of Dunwich, observes, that one of the two carves of land, taxed in the reign of Edward the Confessor, was found to be swallowed up by the sea, at the time of the survey made by order of William the Conqueror. The church of Felix, and the cell of monks, were lost very early. In the first year of Edward the Third, the old port was rendered entirely useless, and before the twenty-third year of that king's reign, a great part of the town, with upwards of 400 houses, which paid rent to the fee-farm, with certain shops and windmills, were devoured by the sea. After this the church of St. Leonard was overthrown; and, in the fourteenth century, the churches of St. Martin and St. Nicholas were also destroyed by the waves. In 1540, the church of St. John Baptist was taken down; and in the same century the chapels of St. Anthony, St, Francis, and St. Catharine, were overthrown, with the South Gate and Gild Gate, and not one quarter of the town left standing. ... In the reign of Charles I, the foundation of the Temple buildings yielded to the irresistible force of the undermining surges, and in 1677 the sea reached the market-place. In 1680 all the buildings north of Maison Dieu lane were demolished, and in 1702 the sea extended its dominion to St. Peter's church, on which it was divested of the lead, timber, bells, and other materials, the walls only remaining, which tumbled over the cliff as the water undermined them; and the town hall suffered the same fate. In 1715 the gaol was undermined and in 1729 the farthest bounds of St. Peter's churchyard fell into the sea. In December 1740, the wind blowing very hard from the north-east, and continuing for several days, occasioned terrible devastations for a great part of the cliffs were washed away, with the remains of St. Nicholas's churchyard, as also the great road which formerly led into the town. ... All Saints, as observed before, is the only church of which any portion is still standing.*"
*All Saints Church has, since this account was written, entirely fallen into the sea.
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joselito28-1 · 7 days
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Paris, le Canal Saint Martin. 💙
Le canal Saint-Martin est un canal de 4,5 km de long situé essentiellement dans les 10ᵉ et 11ᵉ arrondissements de Paris. Il relie le bassin de la Villette, et au-delà le canal de l'Ourcq, au port de l'Arsenal qui communique avec la Seine.
Welcome to @joselito28-1
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ueinra · 8 hours
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"Fantine" illustrated by Valnay of the play of Les Misérables, adapted for the stage by Victor Hugo's son, Charles, at the Théâtre de la Porte Saint-Martin (1878)
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Eugène Galien-Laloue - La Porte Saint-Martin (n.d.)
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philoursmars · 2 months
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Deuxième étape de mon périple dans l'Ouest pour retrouver des ami(e)s lointain(e)s , Brigitte et Sylviane à La Rochelle. Ce jour-là, elles me font découvrir la charmante île de Ré.
Saint-Martin-de-Ré et son port en fer à cheval.
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graceandfamily · 3 months
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Princess Grace of Monaco and Robert Hossein talking after the premiere fo the play "No Orchids for Miss Blandish" at the Theater de la Porte Saint Martin on September 21, 1977.
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geritsel · 11 months
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Floris Arntzenius - Porte Saint-Martin, Paris.
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cliozaur · 10 months
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- At last, Marius is no longer depressed and melancholic! In fact, he is exhibiting quite bipolar behaviour in these chapters. His melancholy has vanished, and now he is filled with life and joy. In previous chapters, he would constantly forget to eat, but now he has a wonderful appetite and invites his friends to cafes and restaurants! And he even has the mood for entertainment and takes Courfeyrac to see a play at the Théâtre de la Porte Saint-Martin (which, at that time, was no longer the home for the Paris Opera). His joyous demeanour is the result of a sign of a certain reciprocity on behalf of Cosette who simply passed by Marius and glanced at him.
- As an utterly inexperienced lover, and a typical Marius, he is acting quite foolishly! It’s such a chaos in his head! I find it so amusing! And just a little bit pathetic. Just look at him: “Marius closed his book, then opened it again, then forced himself to read”. And his thoughts! What a wonderful mess: “Ah! good Heavens!” thought he, “I shall not have time to strike an attitude.” And what he wishes for! “He was utterly upset, he would have liked to be very handsome, he would have liked to own the cross.” So pathetic! And so typical for Marius! Another thing that bothers him amidst his happiness is the dust on his boots (he definitely has a fixed idea about clean boots!): “At the same time, he was horribly vexed because there was dust on his boots.”
- Even though Marius is making a fool of himself and acting silly, I actually like him this way! It`s probably the first time we witness this guy being happy, joyful, chatty, and genuinely enjoying the company of his friends for several days.
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