people often use snow’s experiences with lucy gray as an explanation for how he engages with katniss, but i think that the true story of his downfall lies not in how lucy gray and katniss are similar, but rather in how they are different.
snow knew that it was never him that made the games what they are. it was lucy gray, with her scrappy, passionate artistry, that put on the show that kept people watching. more importantly, it was lucy gray that put on the show that kept HIM watching. all he ever did was give her the stage.
ergo, snow recognizes that the person with the power to usurp him is his natural counterpart, someone like lucy gray, who possessed both the charisma and humanity that he sorely lacks. however, in his mind, those traits are not real; they’re performed in order to obtain power. how could he know better, when he’s never experienced them himself, and the only person he ever truly believed possessed them betrayed him?
so snow keeps his eye out for performers, people with gravitas who could capture the heart of the nation, and squashes their spark as soon as he can. people like haymitch. people like finnick.
and that’s where snow goes wrong. he doesn’t see katniss’ similarities to lucy gray from the start, because while they both demonstrate astonishing, intriguing bravery at their reapings, their actions and motivations are completely different. lucy gray is motivated to perform by anger for herself, and katniss is motivated to sacrifice herself by fear for her sister.
but then katniss starts to put on a show for the audience, kissing peeta and being willing to die with the berries at the end of the 74th games. snow starts to see an entirely different side of katniss that resembles lucy gray to a concerning degree. he sees how, with peeta at her side, she could beguile the nation the same way lucy gray had. and, even worse, she was using the poor, helpless boy who had the misfortune of falling in love with her to survive. the moment katniss started performing, he finally sees lucy gray within her. but it’s already too late.
by catching fire, katniss is the spark fanning the flames of the resistance, but snow fails to understand why. as far as he’s concerned, katniss’ star power comes from her connection to peeta. he tries to weaponize their “love” for his own gain, but it doesn’t work, not because people don’t believe that she loves peeta, but because, for the first time, a victor offers their winnings to the family of a fallen tribute.
snow is caught in a catch 22 of seneca crane’s making—if he kills katniss, she becomes a martyr. but if he lets her live, she’ll be a revolutionary icon. either way, she’s the spark. so he has no choice but to allow the spark to flicker, just for a little while. enter the 75th games. snow knows he needs katniss to die a tragic death in the games. more specifically, he needs it to be a brutal death at the hands of a tribute, not the gamemakers, because he understands that as long as the districts see the capitol as the one who ended the life of katniss everdeen, she’ll still be a martyr.
but snow still doesn’t get it. in the quarter quell, the prey does not become predator. katniss’ allies protect her, ensuring she survives until district 13 rescues her. why would they protect this girl, assuming such a steep personal risk? why would they put everything on the line for a revolution they personally stand to benefit little from? he doesn’t know. but he does know that lucy gray katniss is at the center of it all, so he tries to eliminate what makes her look best: peeta.
and that is snow’s fatal mistake. what he, coin, and everyone but haymitch fail to understand is that it was never peeta that made katniss look good—it was katniss, who befriended and put faith in rue. katniss, who recruited mags, wiress, and beetee as allies. she is the source of revolutionary inspiration. it isn’t her charisma or even her compassion, and it certainly isn’t how well she performed those virtues.
katniss becomes the mockingjay because of her solidarity.
lucy gray was charismatic, like peeta, and compassionate, like both peeta and katniss, but she did not demonstrate solidarity. she was never truly “district” in the way katniss is. she showed kindness to jessup, not because he was from 12, but because he showed kindness to her. lucy gray left behind everything and everyone she loved when she left coriolanus, because she was first and foremost a survivor.
katniss was a survivor her whole life, but she survives exclusively to ensure the people she loves are protected. she always does what she can for people more vulnerable than herself. lucy gray couldn’t have sparked a revolution on her own because she lacked the solidarity that makes a hope for a better future authentic to others. katniss is the human manifestation of solidarity, and to a people divided by a common enemy, that’s the most inspiring thing a person can be.
only in the end, when katniss shoots coin, does snow realize none of it was a performance. choking on the blood of his countless adversaries, snow’s final moments are consumed by what he got wrong. what made lucy gray and katniss different ends his reign, but ironically, the final nail in his coffin is an act that both lucy gray and katniss share in their last moments with snow. they both prove, unequivocally, that he is not the center of their worlds like they are his. lucy gray put her own survival before her love for him, and katniss puts the future of her nation before her hate for him. in the end, he simply doesn’t matter. and that’s greater justice than could have ever been achieved if katniss had fired her arrow into his heart.
the greatest enemy to coriolanus snow could only be the person who reignited the embers of a dying revolutionary fire, who demonstrated to a broken people that while one spark alone might not be enough, thousands of sparks uniting in solidarity is an unbeatable force.
and really, he should have known better. after all, even when snow lands on top, fire melts snow.
2K notes
·
View notes
Exile (Part 1)
Summary: Y/N Undersee thought the games were over after becoming a victor. Unfortunately, life outside the arena has become just as dangerous. Prequel to Moves & Countermoves
Trigger warning: forced prostitution, explicit sexual content, alcohol abuse and other mentions of trauma. 18+ ONLY
It’s a crisp autumn morning when Y/N wakes to a pounding at her door.
Bam!
Bam!
Bam!
She rushes down, still in her pajamas, flinging open the door to see what the emergency is.
Haymitch, her former mentor.
Haymitch, the town drunk.
Haymitch, her…friend?
“Haymitch, what’s wrong?” Y/N asks, moving away from the doorway as he stumbles in. Clearly intoxicated. Not in his right mind.
“I fucked up.” He snarls, anger rolling off him in waves.
“What do you mean?” Y/N follows him, until he comes to a stop, in her living room, pacing and pacing. Ready to come out of his skin.
“Congratulations, we’re getting hitched.”
“What?!”
“Snow…I don’t fucking know.” Haymitch scowls, “I wasn’t thinking.”
“Haymitch, please, what’s going on?” Her tone is frantic now, to match his own.
“He told me he wanted you to come work in the Capitol and I-“ Haymitch drags a hand over his face. “I lost it.”
“Work in the Capitol? Like as a stylist?” Y/N tries to make sense of it.
Haymitch lets out a bitter scoff, “this is just perfect. You are so- of course I have to be the one to tell you. Of course it has to be me who-” breaks your heart.
“Help me understand.” Y/N puts a hand out towards him. “I need you to tell me. Otherwise I’m clueless and I can’t help you if I’m clueless.”
“Help me? I’m trying to help you!”
“Tell me how.” Y/N tries again. “Tell me how getting married helps me. Or you, or anyone.”
“If I marry you, Snow won’t sell you.” There it is. The truth in it’s horrible entirety.
“He wouldn’t do that.” Y/N gasps.
“He would and he wants to.” Haymitch assures her. “Bad.”
“How do you know that?”
“He told me while I was…”
“While you were what?”
“Do you need me to spell it out?” Haymitch spits, his voice full of venom. “While I was fucking the highest bidder so you didn’t have to!”
Her eyes grow wide, welling with tears. That doesn’t make sense.
“Don’t fucking look at me like that.”
“I’m just,” she fumbles for the words. “I didn’t know. I could’ve married you before and-”
“And what?” Haymitch demands, taking a step toward her. “It’s bad enough that I have to make you my child bride-”
“I’ll be twenty in a few months.”
“And I’ll be thirty.” He says, pointedly. “Before you’re twenty.”
“Ten years and some change is not unmanageable. I’m sure lots of people-”
“Don’t patronize me.”
“I get it, you don’t want to marry me. I don’t particularly want to marry you either. But more than that, I don’t want anything happening to you when I have the power to stop it. I know you feel the same way or you wouldn’t have agreed to this when Snow brought it up. If we just work together, we don’t have to be miserable.” Y/N offers, wringing her hands anxiously.
“I want to keep my house.” Haymitch tells her.
“Sure.” Y/N has no qualms about it.
“And my liquor.”
“Of course.”
“What are your demands?” His blue eyes are frantic, wild.
Demands; as though they’re negotiating a business deal. “I want you to be honest with me about what’s happening.”
“Fine.”
“I want you to stop blaming yourself for everything that happens to me. It’s not your fault.”
“I’ll try.”
“And never refer to me your child bride.”
“Deal.”
“One more thing.” Y/N says, it’s more of an afterthought really.
“Name it.”
“I don’t want to be trapped in a loveless marriage. I want it to be real someday.”
He narrows his gaze, “ok.”
“Congratulations,” Y/N repeats his earlier sentiment. “We’re getting hitched.”
————————————————————————
The wedding is thrown together in a flash. In under a week, to be exact. Y/N’s family, Madge especially, doesn’t understand.
I thought you hated him?
When you’re older, I’ll tell you anything you want to know.
She protects her, because that’s what big sisters do.
All through the ceremony, the poofy wedding dress scratches at her skin. As if it knows she doesn’t belong.
The crowd of Capitol witnesses is massive, no family or friends. When it is over, the happy couple is escorted to their ‘honeymoon’ suite. A pristine, white room, with ivory bedding; topped with pale rose petals to match.
On the side table, a sealed envelope.
‘Mr. & Mrs. Abernathy,
tonight is cause for great celebration. One to be shared with beloved members of Panem. You will find cameras against the side walls, set to begin commemorating this joyous occasion, at 7:00pm this evening. I am sure you will perform accordingly, to ensure the safety of those you hold most dear.
Best regards,
President Snow.’
“We have to-“ Y/N chokes over the words.
“Tell me what you like.” Haymitch says, shrugging off his suit jacket.
“What I like?” Not this, anything but this.
“Look, we only have a few minutes to get warmed up before those cameras come on, there’s no time to be coy about it. Tell me how you like to have sex.”
“I don’t,” Y/N stammers, “I don’t know. I’ve never-”
“You’re a virgin?” Haymitch pales.
Y/N nods.
“Ok,” he shakes his head, to clear it. “That’s ok.” There’s nothing they can do about it now.
She’s shaking, trembling from head to toe. “I’m sorry.”
“You’re ok.” Haymitch soothes a hand up her arm. “I’ll never hurt you.”
Y/N nods again, “I know.”
“We’re gonna figure this out together, alright? But I need you to talk to me, let me know if you’re uncomfortable or if you don’t like something and we’ll reroute.” He can’t stop this, but he can make it good for her. He can get her through it.
“Ok,” Y/N sighs. Trusting him. Giving herself over to him.
They start with a kiss, his hands cradling her face as the cameras come to life. There are two, fully articulated and seeming to move of their own accord. But clearly they are being operated to catch the best angles.
After a while, Haymitch pulls back, slightly. His lips brushing hers as he murmurs, “I’m going to unzip your dress.”
Y/N startles at the words, toying with the buttons of his shirt. Undoing them to distract herself. She is trembling again.
Haymitch catches her hands in his, peppering them with kisses to calm her.
When they are both down to their underwear, Haymitch lies her back on the bed, situating her against the plush pillows. “Comfortable?”
“Yes,” she whispers.
“Good,” he half smiles. His lips meet hers, hands coming up to palm her bare breasts.
Her nipples tighten into peaks and she lets out a pretty little gasp.
“You’re perfect, you know that?” Haymitch breathes. “An angel. My angel.” He closes his thumb and forefinger around her left nipple, rolling it between his fingers.
Y/N cries out. She needs- she wants...
“Here.” Haymitch cooes, bringing his thigh flush with her sex.
“Haymitch,” her voice is pinched. Brows furrowed, sweaty and overwhelmed and all but sobbing.
“I’m right here, angel.” He noses at her cheek. “Never let anybody hurt you. Only make you feel good.”
And he does.
So heartbreakingly, mind numbingly good. Lowering his mouth to her right breast.
Y/N works herself to a fever pitch against his thigh. Grinding against him as he licks and plucks at her nipples. Coming apart against the coarse hairs of his leg.
“So pretty,” he encourages her to ride out her high. “My pretty wife.”
Oh. That’s right. She is his wife. The word twists uncomfortably in her gut. She isn’t supposed to like it. But she does. Haymitch is her husband and she is wife and the rest…really just semantics.
Through the cloud of lust fogging up her brain, Y/N registers that he is moving. A peck against her lips and then lower, lower, lower, “oh!” Her back arches, head pressing against the pillow.
He’s going to kill her, Y/N realizes. He’s going to kill her softly, with his face buried between her thighs. With his mouth on her…
“Haymitch,” the sound of her voice is light, dreamy and he sighs into her wetness. She’s going to kill him. God, she tastes like heaven. And sin. Her hands find his hair, holding him tight to her cunt.
“You can move, angel.” He whispers the reassurance into her heat.
Y/N whines, bucking up against his tongue.
“That’s it, sweet girl.” Fuck my face. Use me. Let me make it better.
“That feels so good.” Her brows pull together and her breathing hitches as his fingers join the exquisite torture. Stretching her open, getting her ready for him. Because Haymitch will never let anyone hurt her.
He sends her careening over the edge a second time.
How many times could she possibly-
She’s so wet by the time he poises himself at her entrance, any nervousness nearly lulled to submission.
“Just you and me.”
The head of him slides in easily, her eyes the size of saucers as he reaches her hymen.
He eases a hand between them, thumbing at her clit, soothing her, distracting her. “Just a little pinch.” He coos, feeling her tense. “I need you to relax.”
To her credit, she does try. Y/N is no stranger to pain but this is different, so different. He’s splitting her open, on the inside. “Ahh,” she squeals as he bottoms out.
“There you go.” Haymitch murmurs, sealing his lips over hers in a haughty kiss. He doesn’t move, only his fingers do, brushing her clit incessantly.
Her orgasm catches them both off guard. Haymitch affords her an appreciative grunt as her muscles spasm around him. But he never stops kissing her, drinking her in.
“You can move,” she says, after a long moment.
He fucks her so sweetly her heart aches. Like he loves her, like she’s the most precious thing in the world. Coaxing her slowly towards another climax.
Oh, no, no.
“It’s too much.” Y/N whines.
“I’ve got you.”
“I can’t,” she wails, feeling the coil tighten in her belly.
“You can, I promise.” Haymitch presses his forehead to hers, drawing gentle circles on her swollen bundle of nerves. “Nice and slow.”
Her fingers are in his hair, desperately clinging to him. “I’m-“ going to cum. Y/N realizes, much to her dismay.
“Good girl, angel.” Haymitch kisses her, swallowing her pleasure. “Such a good, sweet, girl.”
She’s overworked, overly sensitive, but his fingers circle and circle her bundle of nerves. Aching and slick with her arousal, the obscene sound of Haymitch moving inside her makes Y/N dizzy. It’s too much, too good and she’s too full.
Hot tears spill from the corners of her eyes and she’s sobbing. Cumming hot and hard all over his cock. Squeezing him, milking him for all he’s worth as she keeps cumming and cumming and cumming…
“Fuck,” Y/N cries, “holy fuck.”
Haymitch presses sloppy kisses to her damp cheek. “That’s fucking perfect, angel.” He empties himself inside her. Slumping against her, hiding her from view of the cameras. Not that it matters now.
She runs a hand along his back, absently.
When the cameras turn off and fold in on themselves, Haymitch pulls away.
Staring at her face, long and hard. Inspecting her for damage. But she looks content, sated.
“How did I do?” She asks, sweetly and he wants to die.
Rolling off of her without explanation and making a mad dash for the toilet. Managing to lock the door behind himself, before emptying the contents of his stomach into the toilet.
When he returns, Y/N is curled in on herself, shoulders shaking. This is it, what he’d been afraid of.
He comes around, kneeling on the side of the bed, taking her hands in his. “I’m sorry, angel.”
“I’m sorry. I was just nervous, I’ll do better next time.” Her bottom lip quivers.
Oh, honey. Sweetheart. Angel. Don’t fucking do this to me. “You were perfect.”
“I made you sick.”
“No, please never think that I- that wasn’t because of you. Nothing you did. Just this whole thing is fucked. I didn’t want…to take anything else from you. It’s bad enough that you had to marry me, you shouldn’t have had to- and with the cameras-“ Haymitch breaks off again, scrubbing a hand over his face.
“So you didn’t hate…being with me?”
He shakes his head.
Y/N draws in a shuttering breath, attempting to settle her nerves.
“Come on, let’s get you in the bath.”
————————————————————————-
At her request, Haymitch doesn’t leave her alone. Instead he insists on bathing her.
She hisses as she leans up, the soreness between her thighs making itself known.
“I’ll get you something for that.” Haymitch frowns at the discomfort etched into her features.
A pill. Something for the pain.
“I’m ok,” Y/N shakes her head. I don’t want you to leave me.
“I know.” Haymitch assures her, “but you don’t have to be.” I’m going to take care of you now.
She leans into his touch as he continues running the damp cloth over her skin. “That feels nice, thank you.”
“Anytime.” He won’t let her rub her skin raw, the way he had after the first time he had to- Anything for you.
“I still want it to be real one day.”
“You tell me when it’s real and I’ll ask you to marry me again.”
“K.” Y/N tucks her bottom lip between her teeth.
Haymitch knows he’s in trouble then. When she’s looking at him like that. He knows it as he dries her off, dressing her in an oversized shirt meant for him. Knows it as she cries herself to sleep, curled up against his chest. He’ll burn this world to the ground for her.
Part 2
811 notes
·
View notes
One thing I feel like we don't talk about enough is the fact that Haymitch was 16 when he won the Second Quarter Quell, against 47 other children, 12 Careers among them.
We often see him portrayed as a drunk and a lazy bastard, but the amount of skill and cunning it takes to survive THE HARDEST HUNGER GAMES IN HISTORY. No one understands how he's managed to survive an arena with twice the tributes, or even figure out how the poison works. But Haymitch just doesn't trust the excess, the berries, the green. And he's lived with hunger before. He can take it for a while. When he finds his first body in the arena, the perfectly brown nuts still in his hands, he decides not to eat anything but what's in his backpack. Then, after killing two Careers and being saved from death by Maysilee, they team up and figure out a system to safely drink the rainwater and kill other tributes and scavenge from their backpacks, to make sure that they don't die from poisoning. And being skilled enough at fighting to pressure the Career into throwing her ax at him. Even with half his guts hanging out she apperently wanted none of the smoke. And not only understanding from previous Games, apperently, that the arena ends somewhere, but using it to his advantage. It is astounding.
Then he comes back and the Capitol kills everyone he cares about. This 16 year old boy is surviving the most brutal onslaught in the history of the Games and comes home, traumatized, hurt beyond belief, both mentally and physically - seeing an ally and friend die in his arms, almost dying from taking an axe to the stomach, having to kill no less than 3 Careers - only to see his family and girlfriend murdered.
And as if that isn't enough, he has to spend the next 24 years watching his tributes, all of them the same age he was or younger, die in the arena, all alone. There is no one else to help him shoulder that grief. He has the worst district, where no one ever wins, so he sees 2 children he mentors die every year, and the mother of the girl who saved his life in the arena is still around.
But wait! It gets worse! After Peeta and Katniss show fighting spirit and a desire to come back home alive, he has to choose which tribute he will try to help. He puts his money on Katniss, which is understandable, but still heartbreaking.
Then, they somehow both make it out alive. Notwithstanding the roller coaster of emotions Haymitch must have been on when they pulled that last stunt with the berries - getting them both back, then maybe getting neither back- he has no time to grieve for the 23 children who died, but must immediately go to Katniss to try and save her from the same fate he encountered for his own stunt with the force field.
Then he hears about the Third Quarter Quell, which involves Katniss and either him Peeta or having to fight all his friends. And with Katniss begging him to take Peeta's place when they reap him, all the trauma must've come flooding back.
He is also set to lose the two people he cares about - Peeta and Katniss - to the regime, after snatching them from the jaws of death. When he finally has someone else to share the burden of being a mentor, the Capitol immediately takes that from him, forcing him to watch his comrades die one by one trying to protect Katniss and Peeta to keep them alive, all to give Haymitch a chance to pull them out.
We sort of forget about him a little in the third book, but Haymitch loses absolutely everything he has to the regime. Everything. His innocence, his family, his home, and Katniss and Peeta. He has to topple an entire regime and is a member of a far-reaching conspiracy while he can barely function from all the ( additional ) trauma.
I feel like Susanne Collins used him as a mirror to reflect just how gruesome the Games are, and how this spectacle ultimately damages people so badly they become a shell of themselves. Anyone else thinking about celeberty culture?
When looking at him differently, one cannot escape the notion that he resembles a war veteran, too, forced to kill people to come back and then being lauded, but not helped. Especially him saying "there are no victors, only survivors" and the mind numbing substance abuse in order to avoid dealing with the death of two innocent children every year and everything he went through in the arena.
But not only that; he still has the strenght to fight back, organize a coup, be a mentor. Presented with the first real chance he gets to pull someone through the hell of the Games and come back out, he jumps. Even though that means reliving the horrible games again.
Haymitch deserves a lot more praise, and I think Collins presented him really well as an idea of just how evil the Capitol really is. And how wickedly smart Haymitch Albernathy can be, if he chooses to.
I am honestly suprised that he's still alive and in generally okay condition, despite being a raging alcoholic. Him raising geese and looking after Katniss after they come back from District 13 gives me a little peace.
5K notes
·
View notes