can I ask why George has those wires on him? was he a premmie baby?
tw: childbirth
He wasn't premature, though he was a couple days early. Labor was only two hours, which is considered a very fast one. Because he didn't have enough time to prepare so to speak, he was born with fluid on his lungs and hypoglycemic.
It was heartbreaking for me and traumatising because I didn't get to have that important uninterrupted skin to skin contact with him. I only got to hold him for two minutes before they took him away. Then my husband went with him to intensive care while a bunch of doctors and midwives swarmed over me to suture and monitor me.
He spent a day and a half in NICU (and then was on the ward with me) but was otherwise fine. I haemorrhaged and lost 1L/34oz of blood so they gave me fluids but not a transfusion. We were both relatively unscathed though I did have secondary tearing.
The wires were to monitor his heart rate. I took the photo after he had the CPAP machine taken off once his lungs were deemed healthy.
tldr: he was "stunned" and didn't breathe properly at birth and had to stay in hospital longer
11 notes
·
View notes
Some time during the first few days of January, 1974, my parents and I went to the Aldwych Theatre, London, to see the Royal Shakespeare Company's production of Sherlock Holmes, the 1899 play by Arthur Conan Doyle and the American actor-playwright William Gillette. (My research indicates that performances began on Tuesday, January 1st. I'm all but certain that we saw a matinée; assuming that Wednesday is matinée day in the U.K., as it is in the U.S., then this would have had to have been on the 2nd, as we would have needed to return to Chicago no later than the 5th, so that my mother and I would be de-jetlagged and ready for school on the 7th.)
This was the first time in more than 70 years that the play had been seen in London. It was a big enough deal that the R.S.C. put out a commemorative poster:
Look at this cast:
And here's a list of the people who were in the R.S.C. at that time:
This really was a golden age.
That was a memorable afternoon at the theater for many reasons, not all of which had to do with the play itself, or even with the performance.
The performance was very late getting started. Five minutes stretched into ten and then towards fifteen. Finally, someone emerged from behind the curtain to tell us that Trevor Peacock, who played Sidney Prince, had been in a traffic accident and wouldn't be arriving at the theater any time soon, so someone was going to read his part. I don't remember who this was: it might have been the assistant stage manager, Philip Hoare, or Stanley MacKenzie, one of two deputy stage mangers (the other was Diana Bruce). In any case, he was terrific. If you know this play, you know that Sidney Prince is a safe-cracker, and the substitute actor used the script as a prop, consulting it at intervals as though it were a user's manual for getting the job done.
We had main-floor seats. When the lights came up for intermission, we saw that the house wasn't very full (which, again, argues for a weekday matinée). Indeed, there were only two other people in our section and row — and one of them was Paddington Bear! Well, okay, it was actually a very large plush toy Paddington Bear, but there he was, in his own seat, next to a young woman. We asked if he was enjoying the play. She said yes.
6 notes
·
View notes
So... S24
New phone, and it's pretty much finished setting up.
I *think* I've managed to update just about everything that ever had a record of the old number. Worst case, by the time I get the next (“A new bill will happen on X date” for the old one I can just cancel that service.
It's definitely a bit different from the S10, but so far so good. Also, electronic sim, so no fiddling with jacking one in or out (though apparently it can handle a physical sim?).
[There's a reason I tried to use my Google Voice # for everything and anything.]
We'll see.
0 notes
[ cw: nightmares / trauma / ]
Post-invasion, Mikey sneaks into Leo’s room and when asked by Leo what the problem was, Mikey just smiles and says since he’s awake and knew Leo would be too, he didn’t want either of them alone. Leo laughs and lets Mikey stick around, both of them clumped together on Leo’s bed, watching grainy compilations of old Lou Jitsu commercials on Leo’s phone.
Technically, Mikey didn’t lie. He just didn’t explain everything that led him to Leo’s room. He didn’t explain the nightmare of his arms burning up too bright, too fast, destroyed before Raph and Donnie have a chance to help. He didn’t explain how he woke up with a wail caught in his throat, phantom pain in his arms and chest alike chasing away any semblance of exhaustion. He didn’t explain how his mind made sure he knew, vividly, that if one thing went wrong with his portal, then he would have never seen Leo again.
He didn’t explain, and he didn’t have to. Leo knows his brothers better than he knows himself, and Mikey has always been easy to read. So it’s no trouble to let Mikey know that he’s still with them, that Leo is here and alive with everyone else. And when Mikey finally regains his exhaustion and falls asleep leaning against Leo, Leo simply maneuvers him into a more comfortable position and stays by his side.
He doesn’t move, doesn’t go to sleep - not that he could, anyway. He just mindlessly scrolls on his phone, the soft snores of his little brother filling the room. He stays in place, awake, because he wants to be sure that when Mikey wakes up again it’s to the immediate sight that Leo is alive and well and home.
And, if Leo’s bring honest, that’s a reminder not just for Mikey’s sake.
326 notes
·
View notes
The rambling returns
Hey, i know i've been dead for a couple of months and i'm slowly coming back (i do have scripts in need of some honing here and there so please bare with me).
So, after seeing that Raya and the gang are included in Once Upon a Studio (as far as the photo shows) after pretty much thinking the ratld was once and done, my babbling theories returned once again, so here goes nothing.
Imagine if we're actually getting a sequel, except this specific sequel will be darker than what we expected, like slightly The Black Cauldron-ish but without awfully suggestive demonic black magic stuff and it will focus on the growth of Kumandra in general, except it will also focus on Namaari's past.
Think it through, as far as we know Raya was merely an once-to-become Dragon Gem Guardian, like her father and many others of her past family, like Benja mentioned.
Namaari on the other hand, we don't know anything about her actually, only that she's the daughter of the Chief (like Raya), a dragon nerd (like Raya) and a warrior princess with a furry sidekick (Like. Raya.) and that the dragon pendant might have some personal significance to her, that is, totally unrelated to Raya.
Thing is, what if the center of sequel is more focused about Namaari's growth a future chief of Fang in the middle of a new world, the world Virana wasn't aware of. You see i had this theory for a while now and i'm not sure if i ever mentioned before, but what if Fang was actually going through some messed stuff underneath all that shiny golden palace of power and mighty?
Hear me out, technically speaking Namaari never actually lied to Raya during their first meeting (she is dragon nerd, and a warrior princess, c'mon that was pretty clear in Spine) and i've definitely noted a shade of sadness in Namaari's expressions during the rice or stew debate before she shook her head and returned to their question game, there was something she was hiding in, but because Raya and Namaari just met, how could Namaari trust Raya with something as personal as the state of your hometown, as if it was entrusting us the audience instead to read between the lines of things that were never spoken to, like their entire dynamic.
The theory is, what if Heart had a hand in whatever happened during those 500 years of discord, think about it, the only land that is prospering in all of Kumandra, is also the ONLY land that has been possessing the gem for 500 years! That can't be a coincidence.
Like what if instead of Benja being that one plot twist villain of another story character, it was Raya's grandfather who was a complete monster, who had something to do about what was happening in Fang (in my theory, a curse and a war), we know this is a fantastical land of magic and joy but what if Heart's hoarding of gem has caused some significant rift between the lands, like you've never questioned why Spine (a forest tundra) is right next to Tail (a scalding desert) and that said hoarding might have caused some environmental/climatic unbalance, though it's possible Pengu's departure itself was sealing point for Kumandra.
What if the Heart family secret was riddled in dark rugs and Raya's grandfather was a man of closed-minded ambitions, who believed the mixing with other lands would later be the fall of their own kingdom, in this case Fang (like King Runeard) and that the growing development of this particular land would pose a threat to them, so he would do what must be done: solve the problem by the taking off the roots. I might be getting a bit too cliche here, but remember that one scene where Virana is telling the Fang children about the "how the mighty Fang rose from the ashes and defeated all the monsters that tried to annihilate them?" very well. (Yes i know that maybe she was mentioning the Druun and how Fang managed to separate themselves in their island following the attack, but there's a catch, when Raya introduce the Fang lands to us, that tower was already built, so maybe she was telling the children about a much more older tale. Also, as foggy as it seems, those silhouettes looked anything but Druun actually).
If that were ever the case, not only would it explain a lot but it would change everything we thought we knew about the movie because we would notice that trust issues also run deep in Namaari just like they did in Raya. What for Raya was betrayal, for Namaari it was retribution, as in "your family took everything from me, it's only fair your lands lost a bit too" and the cycle begins anew.
Coming back to the potential villain, this is where the darker path takes place, because it would showcase all the crimes Raya's grandfather and the council would do to Fang in name of their own "cultural preservation" (crimes these that would include mass genocide, attempted regicide and overwall prosecution, like that scene in Mulan about the village burnt by huns) and that's why Namaari's growth would be more significant, she wouldn't only be seeking Raya's forgiveness, she would seek the willpower to forgive herself by forgiving the land that has caused her and her home so much damage and sorrow, sealing old wounds between the oldest of rival tribes, restart and forgiveness. Hence why it was easier to betray Raya, specially if you got a good motive to do so.
With those aside, i like to imagine Namaari had a big family, some siblings like little brothers and/or sisters, maybe a long lost brother and of course a living father that was once the thread that connected Namaari and Virana, and her father was just like Benja, if not a little more down-to-earth but with him gone their relationship sort of deteriorated since. One night, let's say, he has the idea to welcome Heart to delegate potential long-term partnerships and peace treaties...until Heart decided to strike them, right in front of little Namaari's eyes. Not only it would explain why Fang runs through a whole logical pragmatism system and isolate themselves from the rest of the world, but it would also open doors to potential arcs, such as Namaari and Benja reaffirming bonds once torn by pride and showcase Namaari's internal struggle, of not being able to forgive because in this sense to her, forgiving is forgetting and she can't never forget. Fang's isolation and self-imposed autonomy might be a consequential metaphor of fear, paranoia and hatred. With everything going on, Namaari not only invalidated her own feelings to protect herself, but also restricted herself from grieving in the first place.
Needless to say, war erupts and Fang goes through a bloody crusading against Heart, a battle that would lead Heart away from Fang's territory and into their own rock island. Now, wouldn't Raya be aware of all of that? Not yet. You see i also like to imagine that Benja is secretly a guilt-ridden character and knowing how much Raya would be devastated to hear all of this, the path she was once so dedicated to achieve would be meaningless because there would be no longer honor to fight for, so for her sake Benja kept it busy with her training which was also the same time his wife was close to leave for good so yeah imagine the stress. Maybe the gem did have powers after all, but Benja didn't knew since he was busy with Raya, and because everything that had transpired between them and Fang, which i'm pretty sure Virana, now a widow, would kill him where he stood should he ever set foot in Fang again, wasn't aware of how big the damage has been done at the time. Not just distrust, but miscommunication would also play a role on the sequel.
And Benja, utterly disgusted at what his father and followers did, decided to not only shield Raya from the truth and allow her to grow in a better place, but to fix his old mistakes (again it might just sheer politeness, but don't you think it's a little too strange that out of all chiefs Benja would talk to, Virana was the first he went to?).
But anyway, maybe the main focus between movie would be the turbulent relationship between Namaari and Virana, tradition and change, whereas one side (Virana) out of fear or anger decides that the best way to survive is maintain and preserve certain habits, and the other one (Namaari) believes that in order to survive, one must accept change and let go of said habits when it's due, to move on to better future days or perish in the past. Noticing Namaari is likely going to be Fang's Chief in a newfound Kumandra it makes embracing change more necessary than ever, and that sometimes, is the only way forward.
Anyway sorry for this long rambling, but we're near the 100th anniversary, let's outta celebrate somehow.
12 notes
·
View notes