"If the offline, like the wilderness, represents the enlightened, healthy, embodied, free and authentic state, then the large majority of us, who cannot claim to dwell in either category, represent a fallen vision of humanity: disembodied and superficial, zombified and anxious, trapped in virtuality. If “people who can’t live without their cellphones” are the wrong demographic for Yellowstone, then this means essentially anyone who does not have a stable, well-paid job that allows them to put on an out-of-office, with zero caveats, for days at a time; freelancers and gig-workers; anyone with caring responsibilities. In other words, the majority of people today."
-The Great Offline - Lauren Collee
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Goodbye to Real Life (2016-2022)
For six years, Real Life Mag (@reallifemagazine) was an indispensable source of tech commentary and critical thought, publishing essays, arguments, and narratives about living with technology. Real Life invited work from a wide variety of contributors, eschewing the idea that digital thought should belong only to experts and academics. Since its foundation, the magazine has made room for a stranger and more nuanced understanding of the web in all its complexity, covering topics such as identity, power, surveillance, beauty, music, video games, influencers, and body horror, to name just a few.
On September 6th, Real Life announced its shuttering due to a lack of funding. This is a massive loss for contemporary media criticism, and their contributions will be sorely missed. Editor-in-chief Nathan Jurgenson has announced the magazine’s intention to preserve the website and its archives indefinitely.
In honor of their incredible work, here’s a selection of some of our favorite stories:
1. Fidelity Angst
"When an audiophile of any gender pursues fidelity, they express a desire for affective, sensory intercourse between creators and listeners, a communication beyond signification."
Mack Hagood on the hopeless pursuit of “the absolute sound”
2. Taking Stock
“Creativity is now understood first and foremost as a business resource, a component of an employee’s skill set, an ability to sell something, anything.”
Rob Horning on the emergence of the term “creator” and its cultural implications
3. The Great Offline
“The problem is, of course, that the boundary between the offline and the online is incredibly hard to situate.”
Lauren Collee on the supposed “wilderness” of technological disconnection
4. Screen Memories
“The screen consumes so much of me — time, labor, attention. I screenshot to lay claim to the act of seeing, which remains mine alone.”
Kelly Pendergrast on preserving memories via the art of the screenshot
5. Clash Rules Everything Around Me
"But more often, video games, in the way they structure our behavior and obtrude into our lives, are less escapes from reality than they are metaphors for it."
Tony Tulathimutte on wasted time and the capitalist themes encoded in Clash of Clans
Click here for a full list of our Real Life Mag picks over the years.
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[…]
from “Reality Disappointment” by Alexandra Molotkow for New Feelings, a column devoted to the desires, moods, pathologies, and identifications that rarely had names before digital media.
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TikTok is another place where "everything is a genre now." Its algorithm is similarly credited with constituting ad hoc genres on the fly, not necessarily through users' specific requests but through its spontaneous production of mass audiences for emergent content themes...
But the power of that illusion is interconnected with its powers of genre creation, its ability to instantiate trends. TikTok "knows who you really are" in the same way that it "shows what's really happening in the world." These "knowledges" have nothing to do with facticity but with the authority the app earns by holding people's attention.
Drommet Red, from Real Life Magazine
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i love reblogging that post about “do you know what the person before you’s url means” bc half of you are like NOPE NO IVE NEVER HEARD OF A CERTAIN GAY HORROR PODCAST NO IDEA!!! IVE NEVER EVEN HEARD OF A CEASELESS WATCHER and then one person just like “maybe its their name?”
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heyyy on the topic of your writing and krbk, your writing got me into krbk right around the end of high school and having them around has brought a lot of happiness and nice things into my life through all the years since then! and pulled a lot of urge to write out of me as well! i always find your thoughts on the pursuit of happiness interesting and really resonate w the idea of chasing what brings you joy at the time and accepting that the past is the past. i'll always be happy to have found your writing when i did (honestly a lot of krbk i read back then doesn't resonate the same anymore but yours somehow doesn't get old) and hope you keep finding things that bring you joy! :)
good for you! yeah some characters and ships become inevitably weaved into periods of our life for a lot of chronically online people (including us apparently) and that's fine! it's like everything else - it's good and then it ends. doesn't mean it didn't happen. doesn't mean it shouldn't matter. it was there! what more could we possibly ask for!
I'm on a similar page, most of what I've re-read doesn't ring the same bell as it used to, and that's fine. the intensity I remember feeling is still out there, I can still find it (in me, in others, in places and moments). I've also re-read some of my own work and I look on it fondly, even though now I can see through it more clearly. it's so corny and often not deep enough and almost always unbalanced but I loved writing it at the time and that's the important part.
I keep finding things that bring me joy yes!! and I cherish all of it. one day it'll be gone and on that day I'll be glad it happened.
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What pretenses aren't ultimately false from some angle? With billions of cameras in the world, there is always an angle.
Scene Partners, Real Life Mag
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