the thing is. once bella goes to volterra it’s over. she will always become a vampire. she doesn’t have a choice--she has a choice about how, maybe, and when, but only within bounds, (and only if she’s willing to give up a normal life and go on the run anyways), and her story will always end the same way. of course she’s going to pick edward, she might as well have an illusion that she’s doing it out of love!!!
twilight is a horror story
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The primordial sea is going to have NOTHING on the flood that's gonna hit fontaine from Neuvi's crying once Furina dies now that she's mortal tbh
And he won't be the only one crying but honestly? This poor girl has been putting on a constant act for almost 500 years, saw generation after generation come and go, and outlived everyone she could have grown close to except for him - and he was born a long-lived species, she's ever only been human. He loves her greatly and he'll feel her absence every moment once she's gone, but as much as I'd like to say he'll find some way to make her immortal (it's not like he has to play by Celestia's rules, or anyone's) I don't think he'd want to deprive her of her well-earned rest.
So I imagine once that day comes, the rains will be heavy and the sky won't clear for a long time indeed.
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marty hart's cyclical return to praising family as THE thing that keeps a man grounded, stable, and happy (specifically in pointing out that rust DOESN'T have a family) even as flashbacks show him spiraling into jealous macho violence as he lies to, mistreats, and destroys his family over the course of multiple affairs (by which he deliberately steps outside of and away from his family despite his wife's best efforts to get him to reconnect and step up to be the family man he sees himself as)
vs
rust cohle's repeated excoriations of the idea of individuality and personhood and the stupid self-centeredness and entitlement that comes with saying "I, a human being, matter to the universe, and the things I do matter", an ideology he carries for years and waxes poetic on for his interviewers as late as 2012, even as he obsessively works himself to the bone to get justice and resolution for the victims he's assigned and ultimately to protect children from the powerful and dangerous people who want to brutalize them
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in trying to figure out how to process/think about elven aging I did come down on the side of childhood/adolescence being equivalent to humans' in terms of length and development, which means that in perspective elves likely consider physical childhood an almost negligible period of time. (the realization that you are a quarter of a century old is much different when that's a quarter of your lifespan than it is when it's a tenth or less of your lifespan!) however I would love to see someone more mathematically-inclined with a take on aging that works more telescopically (reverse telescopically?), wherein life stages all around are drawn out to scale... ex: an elf child might be chronologically twenty years old but physically and mentally equivalent to, like, a ten-year-old human... idk I just think it could be really interesting to see. human now fifty years old established in their career no longer really peers with the fifty-year-old elf who went to school with them because the elf is still basically a teenager.
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Currently at war with my elderly ex-stray cat, who after a few weeks of staying in her spot on the bed (bed's a double, her spot is on the bottom left) she's suddenly decided she wants to sit on or against me because I'm warm (I literally put a hot pod in her spot and a corner of the heat blanket). She cannot sleep on my side, because I have cfs and it's painful and causes cramps if she sits on me or stops me from being able to move.
AND she gets pissed at me if I move and hisses and tries to bite if I pick her up to move her!
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I am coming up against a brick wall here in my world-building, and could use some assistance from my imaginative friends!
In the world of Whitney & Davies, magic exists as part of the natural world, but only accessible to some, so magicians can affect anything in nature (but tend not to do much that affects other humans, as that can lead to dangerous temptations to play God), but not anything synthetic. Magicians also tend to have an affinity to one type or category of magic over another, or at least choose one particular field over another during their apprenticeship or journeyman years. Some of the categories I've explored or touched upon already in the series are:
Magic-finders, people who can sense magic being used in their vicinity and identify who is using it. Do not have to have to be magical themselves.
Healers
Weather magicians
Governesses, tutors, teachers
Craftsmen
Farmers
Defense of Britain’s borders
Scientists
(You also have roles like governor, intelligence agent, police, etc--magical civil service, I guess you'd say--but those are more a matter of personality rather than a particular magical aptitude.)
Anyway, I have two characters who have come upon me, both with a mild magical aptitude. I know that I want one at least to be a naturalist, but I can't quite figure out how one would be a magical naturalist. Maybe simply being more deeply attuned to the rhythms of the natural world than a non-magical naturalist?
I was going to have both of them have a bent that way, but now I'm wondering about having the other be a magical craftsperson. I touched on one option there in Glamours and Gunshots with Helen being a magical fashion designer, using her magic to work with natural fibers in creating clothes that can change color based on one's mood (yes, I cribbed that from the mood rings popular in my youth), or have pockets that can hold almost anything without altering the line of the clothing, or dresses that can fold impossibly tiny for packing and never need wrinkling, or ... well, I'm not telling you the big one because that's kind of fun to read about for yourself in G&G. I'm trying to come up with something similar for other types of magical craftsmanship, and not thinking of anything particularly brilliant.
So here is what I need for suggestions:
How could one have a particularly magical affinity to nature that would enhance one's calling as a naturalist;
and
What sort of craft could use magic to make it more creative, and in what way?
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