Can I talk about sugar for a second? Like all of the berzatto children are tragic and doomed by the narrative in their own right, but nat’s story means so such to me idk if I can even fully talk about it all. We see her relationship with her mom is strained at best, it seems like she’s the least favorite child, maybe BECAUSE of her existence as a woman.
And then we find out that her lifelong nickname is based off of a childhood mistake, her being overeager to help her family literally turned into a lifelong reminder of her fuck up. Is there anything more tragic?? A child wanting love but getting scorn?? And then it makes the flashback scene where she tries to add raisins in season 1 all the more upsetting because why did she add them?
“That’s how mom makes it.” she’s the only one that still follows their mom’s recipe. The reason? Could be anything. But I have no doubt in my mind if she DIDN’T add the raisins if Donna had been around she would’ve been ridiculed even more.
I have such a soft spot in my heart for girls and their complex relationships with their moms and motherhood, and it makes her scene with cicero in the car that much more impactful. When cicero says he would let his kids make more mistakes and not been as careful, i almost started crying. Nat has a nickname from her mistakes and it seems like in her mom’s eyes she’s nothing but mistakes. And then her uncle tells her that she’ll be a good mother and that it’s okay for kids to make mistakes, great, even.
I’m so happy nat is in a place where she’s happy and supported. She has a husband who deeply understands her family and doesn’t judge her for it, even making an effort to try and include Donna. I was kind of meh about pete before season 2, but it solidified for me that he’s so so good for nat and a great character. He is so excited to be a dad, he’s patient and kind with her and her family, and he doesn’t call her sugar.
She’s nat. And she’s allowed to make mistakes.
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I love fics where the Gaang finds out about the story behind Zuko’s scar. That said, I still think Zuko and Katara’s interaction in Crossroads of Destiny is the most powerful scar scene possible, precisely because Katara does not get his backstory, yet treats him with compassion anyway.
From The Storm onwards, Zuko’s scar becomes a symbol to the audience. Zuko’s scar is inextricable from his inherent goodness, which is constantly warring with his desire to please his cruel father. I think that’s why fans are so eager to see the Gaang find out the story behind his scar — so that the Gaang can see Zuko the way we’ve seen Zuko since season 1, so that they can understand the full tragedy of his story, and so that Zuko can get the comfort he really, really needs and deserves.
But Katara doesn’t offer to heal his scar because he’s good, or because she’s appalled that his father was abusive and awful. She offers to heal his scar because she sees that he’s hurting, and she wants to make that hurt go away. Knowing his backstory would not have made her act any differently, because she had already offered the full extent of her compassion. Katara knows firsthand what he’s capable of. She’s seen him at his very lowest. Yet she chooses to comfort him anyway.
And Zuko — Zuko, for whom pain is about as natural as breathing, who doesn’t care if he lives or dies, whose list of “people who have seen the worst of him and care about him anyway” starts and ends with his uncle, who knows full well that Katara travels with both the literal hope of the world and her own brother…no wonder he lets her touch his scar. No wonder he wants her forgiveness so badly. No wonder he jumps in front of lightning for her and reaches for her while he’s literally dying. Because Katara didn’t see the good in him: she saw the human in him. Because to a girl defined by her compassion, they were the same thing. And to a boy who had been desperately trying to bury his own humanity, it was everything.
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Seeing as the Gerudo turned on Ganon, he might not have been that much better of a ruler.
First of all, we literally have no idea, because the only ancient Gerudo that we actually get to interact with is Ganondorf himself, and he has nothing to say about his own people. The ancient Gerudo sage doesn't count btw, she doesn't have a name, we never even see her face, and she has literally nothing to say except repeating the exact same dialogue as the sages for the other races. The narrative does not treat the ancient sages as people; they are four completely interchangable weapons that are owned by the royal family.
And secondly, I don't care how Ganon ruled them; the Gerudo only get one man every century, if their king sucks, they've obviously got their own system of government to fall back on. I have no idea what kind of authority the sages had among their own people, but honestly I'd say if the four of them were in charge of their respective people, then they were just puppet rulers appointed by Rauru, given that all four of them happily agreed that to sell their entire race into servitude the second Zelda asked them. Say what you will about Ganondorf, but I fucking know that if he was told the Gerudo people existed for the sole purpose of serving the glory of Hyrule, he'd drop kick Zelda into the fucking sun.
And don't get me started on the implications of the cultural differences we see between the independent Gerudo and the annexed Gerudo. The background Gerudo characters all have their own models, and we can clearly see that the ones siding with Ganon have their own unique looks - for example, the amazing lady with the mohawk that summons the molduga swarm in that one flashback. And men are never mentioned in these flashbacks at all, which implies that the Gerudo genuinely didn't care about settling down. Ganon even speaks derisively about marriage, implying that it's very rare for Gerudo women to make serious romantic commitments with men. It implies that their culture is more along the same line as their portrayal in OOT - they are a closed culture. Men trying to force their way into their areas are arrested, and mocked for being entitled dumbasses. Outsiders are only welcome if they can prove that they respect the Gerudo as people, and aren't just there to try and pick up chicks. It's never outright said, but OOT also makes it pretty clear that the Gerudo women just aren't interested in marrying outsiders - close relationships occur with other Gerudo, Hylian men are only considered useful for making babies.
Meanwhile the Gerudo we see serving Hyrule are all trying to measure up to Hylian beauty standards, and appeal to their men. Their one goal in life is to meet a man and get married. Men are welcome in their lands, and only kept out of the town itself... and even then, there's a small army of guys trying to force their way into the town anyways, which is brushed off as just haha, boys will be boys. No men allowed isn't even about independence, it's just a silly romantic tradition.
Of course this is just a fictional culture in a game world, but it's still really fucking uncomfortable that the 'evil' Gerudo are the ones that have independence, both politically and socially, and display a unique culture that refuses to tolerate disrespect from outsiders. Meanwhile the 'good' Gerudo are the ones that canonically exist to serve a kingdom where 95% of the population is light skinned (even setting aside the unfortunate implications, just saying one race exists to serve a different one is super fucked up), they have classes on how to be more appealing to Hylian's, and their entire social structure is built around finding a Hylian man to marry, making them all inherently dependent on the goodwill of outsiders. Even their biggest value of 'women only' is treated as a joke; men trying to trespass in BOTW are just shoved back out the door, letting them keep trying all day if they want. The crowds of men plotting to force their way in are laughed off as a joke. Nobody cares that there's a guy running laps around their city walls and trying to trick women into being alone with him. I mean for fucks sake, in TOTK we find that the creepy guy trying to lure women away has taken advantage of a massive disaster to get into the town, and he's still there once things return to normal. You can't kick him out, or alert anyone to his presence. And the Gerudo just tolerate Hylians blatantly ignoring their boundaries. For fucks sake, TOTK even reveals that the seven legendary heroines they've been revering the whole time were actually completely useless and unable to achieve anything... because they needed the eighth hero, a Hylian man to teach them basic tactics and do all the heavy lifting.
TOTK does not respect the Gerudo people in the slightest. It doesn't respect anyone who isn't Hylian or Zonai.
...This got a little off track, but the point I'm trying to make is, no, I don't consider the Gerudo turning on Ganon to mean anything. The entire game does not feel like the real story of what happened, it feels like the propaganda version of history meant to make Hyrule look as good as possible. I genuinely cannot believe that we're being told the real story about the Imprisoning War, because none of it feels real, and we don't get to know any details that might have made Hyrule look even slightly imperfect. We're told that Ganondorf is evil because he hates Hyrule, and he hates Hyrule because he's evil. The Gerudo people followed Ganondorf and saw him as a hero of their people, then suddenly he was their worst enemy. Hyrule is a perfect kingdom that has strong, equal alliances with the other races, but also all of the non-Hylian races exist for the sole purpose of serving Hyrule, and their leaders are expected to swear eternal loyalty and submission to the Hylian royal family. King Rauru and Queen Sonia united all of the races in peace and equality, which is why they're sitting on the world's supply of magical nuclear missiles, and every member of the Hylian royal family is allowed to walk around wearing them as cute accessories, but everyone else only gets them at the last second, and they all need to outright swear to only use that power to benefit Rauru and his descendants.
There's just so many fucked up contradictions, and so many hints of something more nuanced going on... but the story refuses to acknowledge any of it, and just keeps aggressively pushing the narrative that Hyrule is the ultimate good and couldn't possibly do anything wrong. I don't even believe that Ganon was a bad king honestly; we never hear why his people stopped following him. We also never even see if the Gerudo people turned on him at all; all we know is the ancient Gerudo sage wanted him dead, and given that she also happily sold her people into slavery, she's not exactly the most trustworthy source of information. All we know is that Ganondorf was a hero to his people, only one of his citizens is ever shown having an issue with him (and her motives are never explained), and then he lost the war and was sealed away, leaving his people open to be conquered by Zelda and annexed into Hyrule. By the time we see any Gerudo actually opposing Ganon (apart from the ancient sage), it's been ten thousand years since the war, and all anyone knows is the Hylian version of the story.
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Thinking about the symbolic weight of smoking in the TLT universe that comes to the fore in The Unwanted Guest -- the way it moves through from person to person: Pyrrha smoked, and Augustine wanted to impress her in all her stone cold fox MILF James Bond glory (and tbf who wouldn't) so he started too. and even though as far as he knows she's been gone for a myriad and is never coming back, he keeps the habit. Ianthe sees something in the hollowed-out Faberge eggshell of Augustine that resonates with her, all that gilded eloquent emptiness and disdain through the ages, so she picked it up from him to try to emulate it. She picked it up so hard that Palamedes -- the exact spiritual antithesis of the 'smoking! on a space station! what a powermove' ennui Ianthe so admired -- spontaneously unnerded enough to even known how to, simply from a sort of contact contamination of the soul.
G1deon and Augustine sharing a jittery smoke after their near-Harrow experience during soup night, and it's the closest thing to any real sense of brotherhood that remains between them. Pyrrha going ten thousand years dying both literally and for a smoke (and then Camilla sold her fucking cigarettes (for a third of what they were worth, probably Pyrrha's own good, and also more importantly grocery money). what an entirely haunted time to be alive etc.). Augustine and Mercy trading a cigarette back and forth in the middle of their collusion over the love and murder of god.
An act of small and measured self-destruction in the name of something a little bit like connection when you're stuck somewhere in yourself where love itself dares not or cannot tread (ritualized, transmissible)..........
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