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shemakesmusic-uk · 3 years

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Alt-pop newcomer LVRA (pronounced loo-rah, real name Rachel Lu) has shared her first new track of 2021, ‘DEAD’. Following up on 2020’s debut EP LVCID, she explains: “There’s a unique power you gain when you stop caring about what people think of you. It’s an ongoing battle, though, and ‘DEAD’ is about the conflict between the fantasy of not caring and how you feel in reality. The video captures that, with a version of myself who has her shit together and another that is fighting to survive.The use of red represents fear in the human condition, but in Chinese culture it also symbolises happiness. One rarely comes without the other.” The track – a cultural mix that matches LVRA’s heritage with bleeding edge ultra HD pop – is the first taster of a second EP, which is set to follow later this summer. You can check out an Oscar McNab (Lacuna Common, Oscar Lang). directed video above. [via Dork]

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Los Angeles artist Wallice follows debut single 'Punching Bag' with new coming of age anthem, '23'. Wallice finds herself caught between two places on fresh cut, '23'. “Too old to be a runaway”, but also too young to consider herself as grown up, the 22-year old yearns for a past that still has not happened yet. Working with producer David Marinelli since her return to California, Wallice has crafted a sound that is unique without taking itself too seriously. An angst-driven remonstration at the powerlessness of her age, '23' is also the clearest stamp of her musical identity to date. The expression of this purgatory is a cathartic garage-rock headbanger complemented beautifully by Wallice’s playful lyrics. “I just can't wait to be / all grown up and 23,” she admits in the song’s irresistible chorus. “Tell me what is wrong with me / I miss my Ohio fake ID”. In artfully portraying the limbo state of the age, Wallice describes the events in her life that have led to her own disaffection. “It’s hard not to compare your own professional success to that of your similarly aged peers. I dropped out of university in New York after studying Jazz Voice for a year, and my dad was VERY disappointed, to say the least, so it was hard not to feel like a loser in that sense. “The specific age 23 doesn’t have any milestones associated with it, but it’s more the idea of just looking forward to the future,” Wallice continues on the meaning of the track. "Much like how people ‘reset’ every new year, it’s comparable to be ‘older and wiser’ with each birthday, but instead of constantly looking to the future, it is important to be happy with where you are”. [via Line Of Best Fit]

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Coach Party have shared their new single 'Everybody Hates Me'. The Isle of Wight group are gearing up to release their incoming EP, with After Party pitting their potent indie pop influences against bittersweet lyricism. Out shortly, the EP is teased by new thumper 'Everybody Hates Me', with Coach Party adding a neat gloss to their guitar pop sound. Out now, 'Everybody Hates Me' comes equipped with a neat video steered by Daniel Broadley. Vocalist Jess Eastwood comments: “‘Everybody Hates Me’ isn’t a metaphor for anything; it’s literally about those times when you convince yourself that everyone, including your best friends don’t actually like you, and your self-confidence is so low that you don’t even blame them. Disguise that sentiment in an up-beat singalong, and there you have the third single from our new record. The video is a direct extension of the song. It swings between the insecurities of feeling like you’re not good enough amongst your friends, and the sense of unity you get from those same people when you finally wake up from your rut. Everyone feels that way from time to time, but you gotta remember that sometimes your irrational self is going to take over. And when it does, try to remember that you’re awesome, and your friends really are your friends.” [via Clash]

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Pussy Riot have gone hyperpop on their latest song 'Toxic'. The Dorian Electra collaboration features glitched out production by Dylan Brady of 100 gecs and tackles a relationship gone bad. Written, directed, and edited by Pussy Riot’s Nadya Tolokonnikova, the music video features jarring, bloody imagery matching Brady’s production. “Care about yourself, cherish your mental health, and stay away from relationships that poison you!” Tolokonnikova writes in the YouTube description. “Amen.” In the song’s lyrics, Tolokonnikova tells off an ex. “You are my daily poison so annoying,” she sings. “You’re even more toxic than my employer.” The hook continues the theme. “This combo is deadly — ’cause we used to be friendly,” Electra laments. “And now my heart is a weapon / You made me… toxic.” [via Consequence of Sound]

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Baby Queen has dropped a brand new track, ‘These Drugs’. Bella Latham’s second new track of the year – following up on the anthemic ‘Raw Thoughts’ – she explains in an Instagram post: “This is a story I really needed to tell you and I didn’t know how to for a long time. When I first wrote this song, I honestly didn’t think I was going to be allowed to release it or that releasing it would be a particularly good idea. It just felt really important and that’s all I’ve ever wanted music to be; so I knew I had to share it with you.I was in a very bad place at the time… very depressed and convinced I wasn’t a good person and didn’t deserve good things. Life is different now. I’m happy. I’ve learnt that the antidote to my misery is gratitude and caring about myself even when I don’t want to, until it becomes a habit. It’s natural to look for escapism but there’s more freedom in working to build a life you like… and by that I literally just mean learning to love yourself. You, with all your scars and all your regrets, are home to an actual life! You’ve been through so much and you’ve come out the other side stronger because of it – it’s remarkable really. You’ve got to invite the sad parts of yourself in to have a tea party with you. Don’t ignore them and cover them up. If you don’t look at them, they’ll make themselves seen! You are so worthy of love and I hope that if you don’t see that yet, you will learn to in time. Anyways guys,” she finishes, “this is all very intense. I love you very much and I hope you can understand and relate in some way.” [via Dork]

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Greentea Peng has shared her new single 'Nah It Ain’t The Same'. The UK neo-soul voice is an outstanding talent, someone who pushes herself further into that hip-hop / jazz nexus with each release. Produced by Earbuds, new single 'Nah It Ain't The Same' is out now, one that reflects the chemistry she has with her live band The Seng Seng Family. Dipping into drum 'n' bass, her vocals have a calming, beatific feel, with 'Nah It Ain't The Same' tugging at matters personal. She comments: “Deliberations of a (hu) MAN, subject to the pendulum's swing, I give you ‘Nah It Aint The Same’ off my album MAN MADE. An expression and exploration of my utter confusion and inner conflicts amidst shifting paradigms.” Greentea Peng stars in the new video, with Machine Operated sculpting the video. [via Clash]

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renforshort has debuted a brand new single, ‘virtual reality’. The first taster of a forthcoming second EP, the track sees her “connect” with Kellen Pomeranz (Pom Pom), Jesse Fink and Beabadoobee collaborator Pete Robertson. “’virtual reality’ is a song that tackles many topics. But at its core, it really is about anxiety, routine, boredom, isolation, loneliness, and fear,” she explains. “I think a lot of people have a very unhealthy relationship with technology because it’s never really been restricted enough to consider mental health and overall health, and that has fucked so many people up, now more than ever. Ever since I was young, social media has played a major role in my mental wellbeing, and I became so accustomed to it, it became a part of my routine and it came before everything else. The moment I wake up, almost instinctively, I check my phone. Depending on what I see in the morning, basically determines how I’m gonna feel for the rest of the day. I hate it. But I can’t stop. And what’s most ironic about this all is you’re likely going to read this on social media or listen to the song on some sort of electronic device…” [via Dork]

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Flock of Dimes has shared the second single from her forthcoming album Head of Roses, out April 2 via Sub Pop. Following recent single, 'Two', 'Price of Blue' is another standout from Wasner’s second solo LP, an album that showcases her ability to embrace new levels of vulnerability, honesty and openness, combined with the self-assuredness that comes with a decade-plus career as a songwriter, producer, multi-instrumentalist and prolific collaborator. It comes accompanied by an unearthly new video filmed in black and white, co-directed by Wasner with Graham Tolbert. Wasner says: “This song is about trying, and failing, to connect. It’s about the ways in which, despite our best efforts, we misunderstand each other, and become so attached to stories that we’re unable to see the truth that’s right in front of us. And it’s about the invisible mark that another person can leave on your body, heart and mind long after their absence. It can be difficult to make sense of the memory of your experience when the reality on the surface is always shifting—when the story you’re telling, or the story you’ve been told, unravels, leaving you with a handful of pieces and no idea how they used to fit together.”

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Berlin-based indie-soul five-piece, People Club, announce their new EP Take Me Home, which is due May 7 and the band are sharing the title-track and new video. The title track 'Take Me Home' is a song about the realisation of mortality in old age and the cynicism that often plights the elderly after losing their loved ones and being left alone with their regrets. It is accompanied by a music video shot by long standing collaborator, Felix Spitta. Speaking of the process the band say, “Once again we worked with our very talented friend, Felix Spitta, who also shot the video for our last single Francine. We basically spent a day fooling around at his house with a smoke machine and an old tape TV camera with a red filter. The result is hazy and disorientating, just like this year has been so far.”

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Introducing MARY., the dreamy alter-ego of musician and songwriter Stef T. The self-produced debut track, ‘Day to Day’, interlaces elements of electro-pop and R&B with a voice that enchants, along with an official video filmed, edited and directed by David Risdon and Charlie Rose Creative. Reading like a page in a diary, ‘Day to Day’ offers a candid and emotionally raw glance at being overlooked as a woman in a man’s world. She is put together, glamorous and poised on the outside, but on the inside she is simmering like a pot ready to boil over, fed-up and on the brink of snapping. Speaking of the track, Stef T explains, “’Day to Day’ is a reflection on what it is to be a woman in a role where you are always unseen; constantly giving yet never receiving. As woman, we are often undervalued for our day to day work in all aspects - as mothers, in relationships, in our careers; having to push extra hard to get the basic recognition and thanks that we are entitled to. This song is a commentary of a large part of my life where I settled, sacrificed and worked, only to be used and taken for granted. It is about learning to survive a toxic relationship, discover your own individual worth again and reclaim the power that you gave away to someone else. Producing this song myself is the only thing that made sense in context with the intention of MARY. as a project. She is an entirely self made, independent woman, who does it all and doesn't need a man to confirm that she's doing a good job. This is something I have personally struggled with, so I created the MARY. persona to feel more empowered in my storytelling as an artist, in an industry without a large visible number of female-identifying producers.”

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Los Angeles based dream pop trio Tashaki Miyaki have just released a single and video of the title song from their forthcoming second album, Castaway, which will be released on April 23 via Metropolis Records. Singer, drummer and producer Paige Stark states that the song “is about the challenges of romantic love and how we are all bad at it in one way or another. The idea of a castaway in all this is that no one understands the relationship except the people in it, so you really are stuck on an island alone together there. Maybe you make it back to the mainland, or maybe you stay on the island.” Stark also shot the Sofia Coppola-inspired video on film, adding: "I wanted to tap into all the feelings that can come up in love relationships: anger, sadness, loneliness, vulnerability, stillness, joy, romance, longing. The actress in it has a beautifully expressive face and I've known her for a long time. I knew we would be able to create those moments together. I wanted it to feel like the camera was her lover, capturing her in various private moments, moods and feelings.”

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With her Vanilla Shell EP celebrating its one-year anniversary last month, Danish-Chilean composer Molina is back with another abbreviated record in the form of the new single 'Cold,' featuring vocalist Jonas Bjerre, arriving with a pair of B-sides. The brief collection of songs continues her simultaneous journey inward toward the roots of Chilean music and outward into her own unique vision of the future. The project lands with a video for the A-side, which dreams up bizarre fantasy iconography in the tradition of Grimes and Björk to complement her subdued take on these artists’ out-there recordings. Blending ambiguous electronic sounds with the familiar drone of cello and Bjerre’s backing vocals, the track’s distinct persona may have more in common with the experimental soundscapes of artists like Jenny Hval or Julia Holter. [via Flood]

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Maisie Peters has debuted her brand new single, ‘John Hughes Movie’. Described as the first single from her soon to be announced debut album, it’s a song about unrequited love, inspired by the legendary film producer and his classic coming-of-age teen comedies like The Breakfast Club and Sixteen Candles. The track comes alongside a video co-written by Maisie and director Louis Bhose (Loyle Carner, Arlo Parks, Lewis Capaldi). Maisie explains: “I wrote ‘John Hughes Movie’ when I was 17 about a house party that I had gone to. It’s a really honest depiction of being a hopeless, melodramatic teenager, being awkward and drunk and getting your heart broken by people you don’t even remember anymore. John Hughes films encapsulate that foolish romantic energy of high school and everything that I, a small town English wannabe Molly Ringwald wanted to be, but was not.” [via Dork]

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Chloe x Halle have shared the music video for their song 'Ungodly Hour.' The video was debuted on Wedneday night's episode of The Tonight Show Starring Jimmy Fallon and shows the Bailey sisters going underwater for a sci-fi-style visual filled with choreography and elaborate adventures at the bottom of the ocean. Watch the Alfred Marroquín-directed video above. [via The FADER]

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South London's Josie Man has returned with sentimental new single 'Cuts & Bruise', marking her first release of 2021. 'Cuts & Bruises' follows October 2020's 'Grow' single, and is accompanied by a Andrea Mae-directed video that shows couples enjoying tender moments, including Josie Man and her boyfriend. [via Line Of Best Fit]

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Jessie Ware has shared a new short film for her song 'Remember Where You Are'. Her album What's Your Pleasure? arrived last year, a disco-fuelled missile that presented some much-needed good vibes amid lockdown. The songwriter returns to the record for her song 'Remember Where You Are', a soulful and uplifting slice of UK songwriting. There's now a full video for the song and it's steered by BAFTA winning director Dominic Savage. Starring British actress Gemma Arterton, it opens on Valentine's Day and finds the star wandering through deserted London streets. A glimpse of hope and renewal, it taps into the growing feeling that this time, lockdown might be coming to a permanent end. "It was a real pleasure to collaborate with Jessie and Gemma on this short film that is inspired by Jessie Ware’s beautiful music. It was also inspired by the real feeling that was felt when we filmed in the deserted streets of eerily strange lockdown London on a Saturday night/Sunday morning,” Dominic said. “The feelings and emotions in the film are a true reflection of what that felt like, and what this time invokes. Sadness, nostalgia, pain and defiance. But when we climbed Primrose Hill and the sun started to rise above the city, there was real hope and joy for a future that will surely be ours. Listening to Jessie’s music. There is no doubt of that." Jessie adds... "This song has always meant a lot to me and I was determined for other people to hear it and for it to be single. I am so touched by how many people have embraced this song, particularly when it's one of your favourite actresses and an acclaimed film director. Working with Gemma, Dominic and their team has been an absolute joy. To have them realise my song with a beautiful ode to London and the longing for human touch and interaction couldn't be more of a compliment. It's a truly cherished piece of work." [via Clash]

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Jaguar Jonze has shared her new single and video 'CURLED IN' ahead of the release of her second EP ANTIHERO on April 16, both via Nettwerk Records. 'CURLED IN' presents all her best qualities at its outset. From the track’s rip-roaring, slicing guitar to her perfectly forceful, omnipresent vocals, 'CURLED IN' is a pure cathartic release. "Tear me apart, just tear me apart," she all but demands: "I've never seen wrong be done right." She's fulfilling her simplest needs, and it's freeing. "It's a bit of a twist for me to be a masochist." As a survivor of abuse, these words' unafraid power is all too apparent and an engaging statement to hear expressed.

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Following the release of eclectic and impressive debut singles 'ASOS,' 'Right Time,' and 'Papercut,' rising left-of-center pop singer and songwriter Dava returns with a fresh and bold new single 'New Ceilings' available now via Sony Music's Disruptor Records. The moody anti-pop record was co-written by Dava and Mike Adubato (Del Water Gap, Grace VanderWaal) who also produced the track, and is the latest off the Los Angeles-based musician's forthcoming debut EP, Sticky, due out later this year. On the inspiration behind her new single, Dava shares, "This song was written about survival and staying true to yourself. I was having a hard time financially after moving to LA and my phone was shut off while on my way to this session. I was upset with myself for prioritizing music when I really needed the money from driving Uber to stay afloat." She continues, "The day I wrote 'New Ceilings' I was angry and I wanted a song that felt empowering and validated all the work I had put in up to that point. I ended up choosing different songs for my project but when I revisited this one year later, I felt it needed to be heard because of how authentically it embodies my struggle."

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London-based Fifi Rong, a multi-talented avant-pop songstress, has shared the video for her stunning single, ‘Another Me’. Directed by Rok Pat, the video for ‘Another Me’ is stylistically simplistic, as Fifi Rong uses her own body as a medium of art, painting herself and inviting the simple imagery of waterside reeds and plants. A tranquil mysticism embraces the single as Fifi Rong acts as a gentle siren, luring the unsuspecting in yet known the inevitable outcome of the relationship. Speaking of the concept behind the single and video, Fifi Rong tells us: “In any doomed romance, timing is always mysteriously wrong. This is my first full CGI music video and it visually portrays the elusive nature of the character surrounding the key message: 'you won't find another me'. The undertone of the song displays a sense of pride and confidence in the character’s melancholy. Dressed in nothing but petals, I wanted my character to symbolise purity, nature, truthfulness, vulnerability and the divine feminine form. Acting as a rotating statue, I wanted to mark the passing of time and seasons as if a unique and lonely piece of art on display.”

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thedyingmoon · 5 years

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🖤 I See My Future Before Me 🖤

~ A V X Reader set in an Alternate Universe wherein you get to listen to cheesy songs of the seventies. 🎶

~ I want to thank everyone who liked and reblogged my V art. This chapter is for you! 🖤

~ And to my friends, @heaven-on-a-landslide , @acieoj , @ehrzeth , @simmy-ships , @lessy86 , @gxthghoulfriend , and @kerlialighieri . 🖤

~ And especially to you, @krazy06 ! 🖤

~ Everything's gonna be just fine. Alright? Let's do this! 🖤

***

XII

***

At last, you were holding onto the discarded mask of a Death Scissor that you've slain as proof that you're worthy to work as Dante's partner. The man just could not be convinced, saying that he worked alone and that he had no plans of hiring an assistant.

But, here you were, determined to the bone to get hired. You really needed Dante. You knew it was very selfish on your part to actually admit it but, you had no other choice.

And so, with a deep breath, you opened the door and,...

... immediately closed it, unable to process what you just saw inside.

You deeply sighed, feeling your confidence leave your body.

Yes, you were very proud of your achievement, and you just couldn't wait to show it to Dante.

But, it seemed that he had different things in mind.

You were about to walk away from the building, not once looking back, when the door suddenly burst open. Out came Dante, who clearly looked both embarrassed and annoyed at the same time. He grabbed your right arm and made you look at him.

"Didn't your mother teach you how to knock?!" he yelled at you, gaining the attention of the people nearby.

You drew back, one eyebrow raised. "Sorry." you sarcastically blurted out. "The sign says you're open for business!" you took your arm off his grasp and rubbed it. "Didn't have the slightest idea that you're open for something else!"

"You - "

"Dante, where are you?! We're not done yet!" came the voice of the woman from within the building, making you cringe.

"I'm sorry for barging in, sir." you went on with your sarcasm, still not able to rinse your eyes off the sight that you witnessed earlier. "I'll just tell Morrison that you were busy and that I covered for you."

"Don't you dare!" warned Dante in a low voice, trying to avoid the prying eyes of his annoying neighbors.

You gave him an evil smirk. An idea just sparked inside your head.

"No, really. It's okay." you pressed on with your act. "I'm sure Morrison would understand."

"Dante!" the woman inside the building playfully whined. The man began sweating nervously.

While it was true that Dante was supposed to be the one who must take on the small Demon - slaying job, it was also true that he declined it, saying that he had better things to do than perform small time requests.

And while it was also true that you volunteered to cover up for him in exchange for your coveted job, it was definitely a lie that Morrison knew anything about your proposition. You just couldn't help but tease the man as revenge for unintentionally stealing what's left of your innocence.

"I must go now." you said to Dante, who couldn't say anything. "I have to talk with Morrison and - "

"Okay, you're hired." Dante announced in a heartbeat, making your eyes widen in surprise.

"Really?" you asked.

"Yes! Yes! You win!" Dante finally surrendered. "You'll be my assistant from now on. On one condition."

"And that is?" you asked him, crossing your arms and fearlessly looking up at him.

"Our relationship would purely be professional. No one would ever belong to anyone. Got it?"

You chuckled at his proposal. "That's it?"

"And you'll wash the dishes, clean the building, answer the phone, pay the - "

"I'm your assistant. Naturally, I'll do those things for you." you cut him off. "Except pay for the bills. You're the boss here, Dante. Not me. And you have the money."

"Yes, yes. Of course." The man nodded in defeat. You smiled and gave him the mask you obtained on your small job.

"Are we good?" Dante asked, still worried about what you might do or say to the Broker.

You winked at him and walked away. "Sure."

***

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"My love must be some kind of blind love.

I can't see anyone but you."

You were staring at the Death Scissor mask - like thing that V placed on top of the table for who knows how long, until someone tapped you on the shoulder.

"Hon, we're leaving now." Nico told you, her face looking strangely and uncharacteristically serious.

"Huh?" You mumbled, your head still in the clouds.

"Are the stars out tonight?

I don't know if it's cloudy or bright.

I only have eyes for you, dear."

"Don't worry. We'll be back in a heartbeat." She said as she handed Nero his new breaker. She turned to V, who was sitting on the sofa across you. "We leave her to you, man."

The mysterious one, who changed back to his old clothes of black, leather vest and equally dark pair of cargo pants, nodded, the look on his eyes as serious as ever. "I'll guard her with my life."

Nico nodded, fully trusting V to protect you once more. She turned to Nero and gave him the go signal.

And, with that, they're gone, leaving you alone with V once more.

"The moon may be high,

But I can't see a thing in the sky.

I only have eyes for you.

I don't know if we're in a garden,

Or on a crowded avenue.

You're here and so am I.

Maybe millions of people go by.

And they all disappear from view.

And I only have eyes for you."

The place was really quiet, save for the sound of the radio, which either played an old song from the seventies, or someone else's cheesy request. But, most of the time, some announcer with a sleep - inducing voice would announce the current situation regarding the Demonic infestation, the nationwide evacuation, and, of course, the Dreadnought.

You looked to your right as V went closer towards the passenger's seat to turn up the volume of the radio in curiosity.

"The nationwide evacuation ensues, this time, with the help of the Devil Hunters commissioned by the head of the Fleminger House of Red Grave." The male announcer droned on like an old professor reading an age - old historical text in front of an empty classroom. "With the combined forces of Fleminger's finest warriors and the nation's Military, the Demons, which,..."

V's eyes widened a bit as he heard a soft thud behind him. He turned around and saw you collapsed on the sofa, asleep. He sighed, turned the volume of the radio to the minimum, and went towards you, utterly careful in his steps so as not to wake you up.

All of a sudden, some of the dark markings on his skin vanished as Shadow materialized. She trotted towards you, her lithe body making little to no noise, and sniffed you, seemingly trying to check if you're alright. V noticed this very unprecedented action of his familiar, and was actually not surprised that she approved of you with a curt nod towards him and a subtle squint of her eyes.

"Good girl." V whispered, his voice so low and hoarse that it almost sounded foreign to him.

After much deliberation with his own conflicting thoughts, he took the liberty of taking a seat at the edge of the sofa where you slept and decided to watch you as you dreamed.

In a space of a few moments, he saw you turn, curl your lip, and furrow your eyebrows, which he found really amusing, interesting, and oddly satisfying all at the same time. Your erratic sleeping movements told him that you were, indeed, dreaming, and that your soft voice -

"D - " V heard you mutter. He leaned in closer towards you to hear what you were saying. "D - d - "

D? V thought. Was she dreaming of Dante?

"D - don't,... leave,..." He leaned in a bit closer, if that was even possible, that he was already feeling your warm breath against his face. "S - stay, please. Stay w - with me,...

... V."

His eyes widened, his jaw dropped. V could not quite believe that you just uttered his name! And, what's even more alarming was the fact that his chest almost brushed against yours. His hands were on either side of your head, and your intoxicating scent sent signals down to his very core.

Signals,...

... that were very hard to ignore.

He looked down at your form, which was only covered by the mere coat that he draped over you to protect your modesty, and felt something stirr within his heart.

He knew it was very wrong of him to take advantage of you this way. After all, Nico trusted him to take care of you while she and Nero were away on a little scouting mission outside the mansion.

But, you two were alone. Plus, Griffon was not coming out to make a scene. If he could -

Before his thoughts could further take over his senses to make him totally lose his sanity over you, V pulled away immediately, standing as far away from the sofa, and you, as possible. You deserved his protection, not his lust. How could he call himself a gentleman if he goes like this every time he sets his eyes on you? Or, let alone, inhale your strange, addictive scent?

With a deep, disappointed sigh, he walked away, opening the door of the van and going out to catch some fresh air and calm his senses, leaving Shadow alone with you.

He was about to sit on an abandoned chair near the van to read his book when he felt a pair of sharp eyes directed towards him. He looked up, and there, right outside the smashed window, was the Master of the house, himself. His lips twisted into a strange looking smile as he beckoned for V to come closer.

He turned towards the vehicle. He knew Shadow would protect you should something go wrong once more, and if the situation called for it, he would have no qualms, whatsoever, to summon the golem again.

He looked back towards the vicinity of the smashed window and proceeded there with caution. And when he was finally outside, he found the Master waiting for him at the balcony where he had his very first waltz with you.

"There's no need for caution." The Master began. "The Demons would only come out at night. It's almost dawn."

"And why should I believe you?" V questioned the man.

The Master gave him that strange, twisted smile once more. "Well, let's just say that I know things that most of you don't."

V forcefully tapped his cane against the ground, fighting the urge to summon Griffon, and tipped his head to the side, having no intention to show any sign of fear or weakness.

"You knew for a fact that the Demon originated from the North." V spoke, carefully choosing his words in the face of this very untrustworthy man. "It seems that,... you knew too much,... for your own good."

"Most of the time, I just pray to the gods to bring back the time when I was still a foolish and naïve boy."

V watched with wary eyes how the Master of the house situated himself near the railing, leaning on it and crossing his arms. Despite his bulky figure, the man sure moved with flair.

The Master turned his gaze towards the interior of the wrecked ballroom, directing V's sight.

"Curious thing, this Dreadnought is." The Master quietly said, his words easily hard to miss should one fail to listen carefully. "Rising from the depths of the Underworld, itself, laying waste to everything it laid its eyes upon, then going back to hibernation for a hundred years. Only to wake up once more to wreak havoc in the present."

"What is this Demon?" V questioned, walking closer towards the man and blocking his sight from the vicinity of the van at the same time. "And how do we destroy it?"

"My Lord, are you aware of the tragedy of Fortuna?" Getting no response from V, who only looked at him in suspicion, the Master went on. "A Demon laid waste on a house full of orphans, mutilating them, and sparing no one. Now, despite the assumption that nobody survived that onslaught, my ancestor, my grandmother to be exact, actually lived to tell the tale.

"She moved away from Fortuna, starting a different life here in this city, and forgetting the nightmare that occurred in the past. However, the faces of the helpless orphans haunted her until her last day on this world.

"But, today, it seems that her nightmare has awoken."

"So, it seems." V said in a sarcastic manner that was missed by the Master.

The man smiled and nodded towards the ballroom once more. "I will give you a valuable advice for defeating the Dreadnought." Satisfied that he caught V's attention, he smiled in that twisted way once more and spoke. "You know how some pleasant things send so many different kinds of sensations all throughout the body. I suggest blocking all of them all the same."

The Master of the house left the railing and turned away from V.

"It's best to know what is truth, and what is not."

And with those final words, the man finally left, leaving V with more questions than answers.

***

🖤🖤🖤

#devil may cry 5 #v #i see my future before me #v x reader #v x you #i only have eyes for you #tashaki miyaki #devil may cry nico #devil may cry nero #i would listen to the song if i were you #chapter 12

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