I Believe...Steddie
I normally don't mind angst (though I avoid drama fics in general). Miscommunication is the biggest trope in romance, so I'm all for it, but for some reason Steve x Eddie fics / drabbles where Eddie still thinks of Steve as Steve THE KING Harrington always sit weirdly for me. Sometimes, if the Upside Down didn't happen (AUs in general) or pre-UD setting, maybe -- sure, then that could work. But close to canon fics where Eddie lives and Steve legit confesses to him? Always just -- strikes me as wrong.
Finally realized why -- it's literally the antithesis of canon Eddie. Canon! Eddie is quick to acknowledge Steve has changed. He literally runs up to him in the Upside Down while a bunch of madness is happening and where he has every right to be consumed by his own shit-tastic situation, but instead, he's telling Steve how he is a great guy and has changed.
Can Eddie be bitchy and prejudice? Yes.
Does Eddie have grudges against jocks / the popular crowd? Yes.
But he also goes full on bowing gentlemen for cheerleaders (going out of his way to help Chrissy and make her smile) and he's quick to acknowledge Steve's not that same popular AH anymore.
With Steve's bitchiness not aimed at him, Eddie would be eating his Honeycomb and snickering when old habits popped back up, and maybe he'd feel conflicted about jocky Steve, complaining about going to games or something until somebody smacked some sense into him. Totally believe tension and disbelief about one liking the other or some bias about things, but I just can't see Steve proclaiming his love or whatever and Eddie assuming it is a trap or trick or prank or something.
Maybe he'd think Steve was confused. Maybe he'd assume they were doomed, but I can't see him blaming Steve for that or blowing up their relationship IF Eddie accepted the confession and they started dating. Eddie's way more down on himself.
If someone can explain how it makes sense, please do. I'd love to enjoy all Steddie tropes, and that one seems popular lately, but where my brain sees so many problems with them getting to the confession point or even a number of big arguments that could happen afterward due to outside aspects, those two strike me as highly tactile, highly clingy romantics who would be convinced they were the height of discrete while practically fused, constantly touching and being snide little judgy dudes together.
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Quahaug Concept Art
Quahaug's concept/reference art! Translation notes and image id under the cut.
Translation notes:
"OP sort of powerset" was literally translated as something like "cheat-like." I feel like OP is the more common English term for that sort of thing, so that's what I used, but some of the meaning was probably lost there.
"Older-tween-ish" was specifically a reference to a particular middle school year for children who are about 12-13 years old. Since grades and names of grades vary a lot from country to country, I just went with "older tween."
ID:
[Image id: Several images displaying different parts of 2 pages of the Triangle Strategy artbook, with both the original Japanese as well as versions with English translations. There are several disclaimers noting that the translator doesn't speak Japanese, and that there are likely many mistakes.
On one page, there is a large colored version of Quahaug's canon portrait, along with a smaller, uncolored version. There is an illustrator's note at the bottom that translates to read, "'Manipulating time' is an OP sort of powerset, so though he looks like a child, I aimed to create a look for him that conveyed a sense of unknowable power. (Tatsuaki Urushibara)".
On the second page, there are many drawings of Quahaug, including a closer bust-up portrait in which he's compared to Lyla, with an arrow and label reading, "Mother." There's also several notes that explain the construction of his costume. The costume is labeled as a Greek "phelonion" (a priest's outfit with no real sleeves, just draping fabric). There is a small drawing of this version, with an arrow leading to another drawing that does have sleeves, with the note, "If you can't
display this in pixels, use this one." There are several notes that explain how this draping cloth should be considered his everyday clothes, while the ceremonial decoration that goes around his neck is placed over it. There is a close up of the ceremonial dressing's fastenings underneath the metal decoration. Some more notes highlight details on his staff, emphasizing the hourglass on top and the small wheel to the side that can be turned to flip the hourglass. A larger piece of text underneath one fullbody drawing reads, "Character Who Manipulates Time."
On the second half of the second page, there are drawings of some beta designs for Quahaug. He looks much more punk-ish. On one bust-up portrait, there are the captions, "The burden of the time demon caused some of his hair to go gray…." and "All-natural highlighted tips." On the same portrait, he is snapping his fingers, and there's a note that reads, "Manipulating time is as easy as snapping your fingers. You just have to want it or whatever." A speech bubble near his head reads, "I don't think of Anna as a mother." A caption pointing to some green markings on his arm reads, "Demonic time seal on body." In a fullbody drawing of his beta design (which is made up mostly of chains that barely cover him as well as a long roughed-up cloak, there is the note, "Almost naked cloak."
At the bottom of the second page, there is another note that reads, "Initially when we hadn't quite figured out the setting, we had an idea for a more older-tween-ish character as displayed here, but after discussing it with the producers and Mr. Ikushima, we went with his current form. As a boy who manipulates time, I placed an hourglass at the tip of his staff, and his face resembles that of his mother, Lyla. (Tatsuaki Irushibara)". /end id]
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