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ashintheairlikesnow · 3 years

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The Fight

CW: Ableism against a child, references to attempted noncon/assault of a survivor, religious references to the Bible, conditioning, trauma recovery, trauma response

TIMELINE: Immediately post-Creepy Pet Lib Guy. Links in piece.

She hears his footsteps, the soft motion of him through the living room and into the den, where a single lamp is on in the corner on the side table next to the old couch Paul never could bear to throw out. Ronnie doesn’t look over at him, instead picking at a bit of duct tape affixed over a ripped spot while sipping her beer straight from the bottle.

There’s a show on the television - they have a new one finally, but Ronnie’s never thrown out a damn thing that wasn’t broken just because it got replaced and she’s not about to start now, so she moved it in here - but she’s not watching it. Not even sure what the show is, only that the laugh track is tinny and never seems timed to the moments of actual humor.

The house is mostly silent, this late at night. There’s no sound but the occasional gurgle from the ice machine in the fridge, the soft hum of electronics that she never notices except when the power goes out, and then only because of its sudden absence.

No sound but the television’s off-key laughter and the footsteps of her son, creeping up behind her.

“Mommy?” His voice is so high and soft, fuzzy with sleepiness, and she turns with a tired smile to see him dragging his favorite blanket behind him along the floor. It’s a quilt she bought at a church’s Christmas market when he was two, and it had buttons sewn in with the patches, giving the cats the quilt is decorated with three-dimensional button eyes.

His face is rounded and so like his father’s, even so, his face and eyes and his hair are all Paul’s, through and through. He’s an echo, a clone of his father, in a lot of ways… up to and including navigating a world that has already labeled him as difficult, and he’s only six years old.

“Hey, baby. What are you doing up?” She’s twenty-three with a six year old son, and doesn’t that seem strange, some days? So many of her friends from high school are still out until dawn, posting photos of their drunken shenanigans on Facebook, and here Ronnie sits… twenty-three, with a husband who works nights, and a six-year-old son whose teacher calls him hopeless, right to his fucking face.

“I, I, I had a bad dream,” He says, and his eyes are so, so big in his small round face. Paul’s eyes are like that, big and green and soulful. She’d fallen into them, her junior year, and she’d never wanted to climb back out. No matter that her friends thought he was weird, no matter that yeah, okay, he is weird - he’s her kind of weird, and she and Paul understood each other right from the start.

“Oh, no.” She pats the couch cushion beside her and he clambers almost eagerly up to tuck himself in beside her. Her throat nearly closes as he carefully spreads his blanket out to cover them both, the simple gesture of care and love. How do you look this boy in the eyes and tell him he can’t do something? “What was your bad dream about, do you want to tell me?”

“Monsters,” He says, as if that single word relays all the information she could possibly need. Maybe it does, really - at least the monsters her son dreams about are easier to vanquish than the ones Ronnie has to help him learn how to face on his own as he grows.

“Good thing I monster-proofed this house before we moved in,” Ronnie teases. She moves her arm around his shoulders and he smiles, faintly, eyes closing as he leans his head against her collarbone, his ear right where he’s always wanted it, ever since birth - over her heart. Listening to her heartbeat. Sure enough, his fingers find their way to her stomach and start to tap in time with it, and Ronnie sips her beer again.

“Monsters aren’t, aren’t, aren’t real, actually,” He says, speaking quietly and without opening her eyes, and Ronnie thinks if her six-year-old well, actuallys her one more time… she read all the parenting books and has a whole shelf of parenting memoirs she’s picked up and not a single one mentioned that little kids are fucking know-it-alls. Not one.

“Well, if they’re not real, then why are you buggin’ Mommy at midnight because of dreaming about them, huh?” She keeps her voice light and affectionate, just this side of teasing. Tristan doesn’t react well to any kind of perceived anger or rejection, moping for a day or more around while his brain tries to process that she didn’t stop loving him just because he did something that bothered her. Tris as a toddler broke her heart more than once with terrified insistence that you, you, you don’t even like me anymore after time-outs or discipline.

He’s just being manipulative, her mother had said once, but Ronnie knew better.

He’s three years old, Mom. He’s not trying to manipulate me, he’s scared.

He’s just doing what works, Veronica, you can’t always give in to it.

Mom. He is a little boy. Do you realize how you sound?

Now his teacher is repeating the same tired circular logic that cycles round and round her son without ever seeing him. Ronnie is staring down the barrel of another round of meetings, talking to administrators to try and get around the teacher’s rigidity and hostility, arguing for Tris to get moved into a new class, and all the while he’ll fall further and further behind in his in-class work - while at home he rockets through the homeschooling workbooks she buys, a six-year-old already doing second-grade reading and writing work, first-grade math, obsessed with a kid show about science that they have to watch every single day or he has seriously informed her he might die.

The knowledge is there, and his love of learning hasn’t been throttled by school yet, and Ronnie can’t do anything but try to work within a system that tells her that her son needs to be changed or cured in order to not be kept locked away from everyone else.

Monsters are pretty fucking real, in Ronnie’s experience.

One day her son will have to learn that all the monsters are human beings.

God, she’s so tired of fighting, and so very aware that she’s not going to stop until the whole damn world remakes itself to give space for Tristan, until the world deserves how unreservedly her son loves it.

She takes another drink, then sets the beer bottle carefully down on the coaster - she ordered them last year, and they all have little stylized drawings of the three of them on it, faceless sketches of a man, a woman, a child - man and child red-headed, woman with brown hair.

When she’d gotten the positive pregnancy test, right before Thanksgiving her junior year, she’d thrown up and cried for a week and been sullen and silent at the holiday table, trying to figure out what to do next.

But Paul had never hesitated. When she told him, his response had been to go home to his dad and ask to start working part-time with the Garden, running packages he never looked into, playing lookout outside of bars while the Garden met inside. His first pay - cash handed to him in an envelope - he’d spent some of it on a onesie, a baby blanket, and a stuffed puppy with fur so soft Ronnie could barely stand the fluff.

Then he’d spent some more on ginger chews and ‘Preggo Pops’, lollipops that were supposed to help with Ronnie’s morning sickness, and three books on pregnancy for her and one book on becoming a dad for him.

Paul did what Paul always did - took one look at a cliff he had to cross and simply leapt headfirst and hoped for the best. That impulsiveness that she loved and that had gotten him in so much trouble in life, the enthusiasm that carried her long with it.

There are monsters in the world, Ronnie thinks, running fingers through her son’s fine, soft hair. But there are people who help you fight the monsters, too. Even if the monster is just the stares from other students at school as her stomach grew, the way her friends’ parents stopped letting her come to their houses, the thin-lipped disapproval of the principal handing her a high school diploma as she half-waddled across the stage, refusing to be shamed, engagement ring on her finger. Even if the monster is a world that tries to shove her son into boxes that he can’t fit into, or a teacher who sends him home in tears convinced he’s too stupid to learn anything.

Her jaw sets.

Veronica Higgs has been headstrong since birth, and she’s never made a decision she didn't follow through on. Never turned away from a fight. She’s not about to start now, not when it’s her son.

Ronnie has never turned away from the sweet baby that had looked at her with such dark-eyed seriousness when he was born, the infant who cried for reasons Ronnie couldn't’ fathom, the toddler who screamed that the lights at Target hurt his skin, the little boy who lined up dinosaurs and cars and toy horses in perfect color gradients, the boy who rocks in her arms and hums when he’s happy, the boy she hopes will one day be able to live on his own without her, because…

Because if only Paul and Ronnie are going to fight for him, then they’re going to have to be a fight so fierce that everyone else can’t possibly hold out against them.

The doctors said he might not talk - and he talks a mile-a-minute, about any-fucking-thing that comes into his mind. They said he wouldn’t make friends easily, but he goes on sleepovers with his gymnastics buddies, just went to a party at Chuck E. Cheese with a little preparation so he wasn’t scared of the games and lights and noise when he got there. They said he would struggle in school, and-

Well, he does. But only because of the adults who refuse to understand that Tris learns just fine… if you let him listen in his own way.

“Hey, Tris?” She smiles down at him and he turns those big green eyes up to her. There’s a chapped spot on his lower lip that looks like he might have messed with it until it opened into a sore, and she reminds herself to get some vaseline on it. “You want to stay here with me for a bit? We’ll watch one of your shows, and then back to bed. How’s that sound?”

He smiles at her, and nods a little, still tapping along to her heartbeat. “Oh, oh, okay, Mom. Can, can, can… can-can… can we watch Dino King?”

“Yeah, sure.” Ronnie hates that show, but really - he loves it, and it’s one night, and she could use the way his open, brilliant happiness helps her forget that he’s going to have to work harder and harder to hold onto it as he grows.

She picks up the remote, brings up the menu, switches to a streaming network, and listens to the grating, familiar theme song start to play as her son’s eyes move contentedly to the screen.

He watches the show, but he never takes his head away from her heartbeat.

---

Natalie Yoder has had easier nights than this one, that’s for fucking sure. She leans over the kitchen table, papers spread out in front of her, trying to figure out where they went wrong. This is one of their biggest grants, it’s a bit of funding that she has always relied on, and… denied approval for the upcoming fiscal year.

Thousands of dollars she needs to feed and clothe and house her rescues, gone up in smoke, denied with a bloodless email and no ability to fight back, not for this one. Not this year. It could be a simple error, something she overlooked, sure. Or maybe the association that gives out the grants is suspicious of her story about transitioning homeless people into permanent housing, which really is exactly what she’s doing, isn’t it?

Just… not the kind of homeless people the grant givers are imagining.

She’ll have to call Vince to beg for him to help her fill in the gap, and that will mean time for him to speak with his finance guy and get another couple of shell companies to funnel the money through so it doesn’t go back to him. He’ll give it to her, to be sure - Vince could give her the money to run this place flat out for the rest of his life and still be one of the wealthiest men in America, thanks to his low-key lifestyle and strong work ethic meaning he spends more time filming or producing than he does doing anything else.

Nat knows why Vince doesn’t want to be home, to sit up alone with a bottle or a glass in his hand. She knows his work ethic is simply escaping the demons that will never stop haunting his footsteps, what he traded away for his success, what he lost, what the money and fame can protect him from but can’t remove the stamp of it already written over his soul.

He’s famous, and rich, and Owen Grant can’t touch him now… but the tradeoff of Vince’s survival was that some innocent kid was abducted and turned, through drugs and torture and horrifying assault, into Kauri.

Kauri, who hasn’t answered the phone or sent a text in a week.

Not since that fucking group meeting where Chris was assaulted and Kauri stood up for him. Not since Kauri’s intuition that Kyle had some less-than-savory interest in Chris had proven correct, because… it wasn’t intuition at all.

It was experience.

Nat groans, rubbing her hands over her face, closing her eyes and reminding herself, teeth ground together, to try and stay calm. It’s not unusual for Kauri to disappear for a while, a week or more. It’s not a sign that something is wrong. He was hurt by Nat pushing him, he needs time to think.

He’ll pop right back up again, smiling like nothing happened, like he isn’t giving Nat gray hairs (well, new ones, anyway) trying to tell herself he’ll be okay.

All she can do is trust that he’ll come back when he’s ready.

... and castigate herself for letting that fucking predator get close to Chris without picking up on what he was planning, and for not realizing Kauri wasn’t just being overprotective of a younger rescue, but - in his own way - waving giant red flags that Nat, and Jake, and everyone else just didn’t see.

That, and then losing the grant, have made for one hell of a fucking week.

Nat takes deep breaths. Her hands smell like dish soap and a hint of the roasted garlic she’d put in the soup for supper lingering. The kitchen still smells like the garlic, roasted parsnips and rosemary. Chris had never had parsnips before-

Not that anyone knows if he really hasn’t or not.

“Oh, Nat, you are a mess tonight,” She mutters to herself. “Just full-on moping, huh? That’s how we’re gonna play it?”

Then she hears the soft scrape of a foot on the tile and looks up, blinking, to see Chris in the doorway, leaning against the wood of the frame, the big purple fuzzy blanket she’d gotten him a few weeks back wrapped around his narrow shoulders, the hints of faded muscle that still linger there. Usually he’s draped in Jake’s clothes but tonight he’s only wearing his basketball shorts, no shirt at all.

The rare glimpse of so much of Chris’s skin - she hasn’t seen so much of him since the night he arrived in the pouring rain - tells Nat more than anything else that Chris isn’t okay, either.

“Hey, Chris. What’s up, sweetheart?” Nat glances over at the oven, squinting at the clock, and then groans. “Jesus, it’s nearly 2 am. I lost track of time, I guess.”

Chris doesn’t move from the doorway, not at first. He’s gone quiet again, since the assault, regressing back into periods of stillness and silence that they were so sure he’d gotten past. Jake says he’s testing again, trying to push Jake and Antoni into repeating the patterns that were tortured into his mind as normal, reacting with relief at their rejections - and then testing again, within hours, reminding himself that they’ll never say yes.

Nat looks at him, the shadows under his green eyes, and tries, “Did you have a nightmare?”

He slowly nods, and she watches his hands twist a little into the soft fabric of his blanket, rhythmically twisting to the side and back, nearly invisible with how well he can hide what he does to soothe himself, a skill taught in all the worst ways, learned in a desperate attempt to keep himself sane.

“Hm. I can see that. Was it about the meeting, the other night?”

His eyes dance away from hers, move to the ceiling, and he’s staring upwards at the rough texture up there as he nods, chewing on his lower lip with his top teeth, worrying at a spot that she knows he’ll eventually work to bleeding, sooner or later. He pauses and says, softly, “Kauri… didn’t come find me. That was, was my... my dream. And... it. It hurt.”

His voice, slow drips of speech, hits Nat like a knife to the heart. She nods, slowly, and pushes herself up, chair scraping back across the tile. Chris flinches minutely at the sound, curling a little into himself. “I understand, sweetheart,” She says, softly. “I’m so sorry we didn’t know sooner.”

She thinks, looking at him, of Daniel in the lion’s den, an old Bible story that’s never left her. Daniel trusted God and walked out unscathed, but she’s always thought maybe he wasn’t quite as unscathed as the Bible wants you to think he was.

It’s one thing to have faith that you’ll survive being thrown in with monsters - it’s another to be so inhuman that you don’t wake with nightmares, for months or years after, that you were never saved at all. She is certain, deep down inside of her, that Daniel dreamed of a lion’s teeth and a promise broken, a prayer unheard.

The stories talk about Shadrach, Meshach, and Abednego in a furnace walking out of the flames untouched, but of course the flames had still touched them. Scars aren’t always written openly on your skin.

Of course they dreamed of flames scorching their skin, curling their hair, smoke stealing breath from their lungs. They, like Daniel, must have woken gasping, certain that their faith had been misplaced, that their trust that someone stood between them and the monsters who would destroy them had been betrayed.

They must have breathed, panting, in the middle of the night, and sworn they could still see the smoke in the air, feel the heat against their skin.

They must have needed to come fully awake to remember - and believe - that they had been rescued. They must have needed the reminder.

Chris has no scars from walking with monsters - all his scars are inside his head. Chris’s scars come in his fear that she will not want him, that no one really wants him, when he can’t fight back or say no or defend himself, when he needs someone else to be his defense, to go to war. They come in his insistent, constant testing of Jake, pushing to see if it’s all been a lie, if they only want to use him the way he has been taught he is made to be used.

“Kauri was smarter than any of the rest of us,” Nat says, feeling suddenly exhausted. “We should have listened. I shouldn’t have had to step in. You deserved better.”

Chris deserves a fucking angel to lead him untouched out of the flames.

All he has is Jake - and Nat.

She fills a saucepan with cold milk while he watches her, his eyes on her back a tangible, palpable weight, and pops a lid on, turning the dial until the flames flicker up from the burner to start heating it to a simmer.

“I’m going to have hot chocolate the old fashioned way,” She announces, pulling down a bag with some discs of melting chocolate in it. They cost too much and mostly nobody notices the difference, but tonight… tonight, she thinks the extra effort is worth it. “You want whipped cream on yours, when it’s done?”

“Yes, please,” He whispers, and she looks over at him with a small smile. His hair is mussed still from sleep, a hint of red on his cheek where he must have had it pressed into a pillow. His freckles stand out in the thin light of the kitchen’s overhead light fixture.

Next door, at Miss Ruth’s, a light turns on, and Nat glances through her own window to see it. Jaden, probably - that kid sleeps about as little as Chris does.

“Well, good, because I’m having some, too.” She pauses, leaning her back against the kitchen counter. There’s a long silence that draws out between them. The milk heats, bubbling just the tiniest bit around the edges in the saucepan, and Nat carefully drops in the chocolate discs to melt whisking until the liquid is a rich brown, thickened, ready for her to pour carefully into two mugs and top with the spray-bottle whipped cream she keeps in the fridge.

Nat sets the mugs down on the kitchen table, pulling Chris a chair up right next to hers. He relaxes a little at the tacit, silent request for closeness, drops into his chair with a slight smile playing over his face. He picks up the mug with both hands and takes a sip, getting whipped cream at the end of his nose, wiping it off with a scrunched-up expression that lifts some of the fatigue that dogs Nat’s muscles in the early-morning hours.

“I know the dreams are scary,” Nat says softly, reaching out to lay a hand on his back. He looks over at her, with those giant green eyes in his narrow face, searching for something in her. Maybe just for certainty that the promises she’s made to him will be kept. “But Kauri did come to help you. And you’re safe here, with us. We’ll always come for you, Chris, no matter what.”

He leans over, with slow inevitability, until the top of his head brushes against her neck, his head just at her collarbone. She lets her arm slide around his shoulders, her hand moving to run fingers slowly through his fine, soft coppery hair. “I, I, I forgot how to say no,” He whispers, and presses his head against her.

“I know, honey. But that’s okay, we get back up and try again, right?” Nat sips her own hot chocolate slowly, and Chris holds his cupped warm in his palms, but even as he keeps taking sips, he doesn’t pull away from her. Eventually, he puts the mug back down on the table and shifts a little, so his ear is just over her heart.

“We, we, we try again,” He whispers. “But, but, but I don’t want to, to, to, I don’t-... want to be, um, to be scared again, to… have someone-”

“I know.” Nat swallows, her throat closing, briefly, but she fights it back and keeps her voice - and her hand through his hair - steady as she speaks. “There are going to be bad people out there, Chris, who want to hurt you. But you’re not alone.”

She thinks again of Daniel, waking from nightmares of gnashing teeth, maybe kicking off blankets and pacing a room, his skin written invisibly with the aftermath of a terror that never punctured skin. She thinks of three men in a fire, dreaming again and again that the fourth never arrived to lead them out of the flames.

She thinks of promises made, and kept. Prayers spoken in desperation, and answered, although so often far too late.

She thinks of the prayers for mercy, in the cold white rooms, that are never heard at all.

She’s tired, but she loves them - all of them, who have passed through her doors and gone on to other places - and she can’t imagine being anything but their army, their defense, the wall they can hide behind to rebuild themselves until they fight on their own.

Not on their own, though, never really on their own.

She may never know what happened to him, to bring him here to her doorstep - but she knows that he doesn’t have to face the monsters, the flames, the danger alone. Not anymore.

“You’re safe here,” She says, gently, and turns her head to rest her chin on top of his head. “You’re safe here, and loved, and there’s nothing we won’t do to make sure you’re safe. Whatever comes at you, sweetheart, we’ve got you. And we’ll fight it for you, every time, until you can fight for yourself.”

There’s a beat of silence, and then he asks, in a whisper, “Do, do, do you you-you promise?”

“Promise, Chris. Cross my heart and hope-”

“Don’t-... don’t say the, the end of it.” His voice weakens. “Please.”

“Sorry, sweetie.” She tightens the arm around his shoulders a little, and feels him snuggle closer in response, a low sigh of relief at the reassurance in the embrace. “Swear on everything. I’ve got you, and Jake has got you, and we’re not gonna disappear. I don’t-... I don’t know if we can always save the day for you, Chris, but I can promise you that we will always try.”

He hums, eyes closing. One of his hands slides over her stomach, and begins - slight, soft, barely-there - to tap.

It takes Nat a few seconds to realize that he is tapping along to the beat of her heart.

---

Tagging: @burtlederp, @finder-of-rings, @endless-whump, @whumpfigure, @slaintetowhump, @astrobly @newandfiguringitout , @doveotions , @pretty-face-breaker, @boxboysandotherwhump , @oops-its-whump @moose-teeth , @cubeswhump , @cupcakes-and-pain @whump-tr0pes @whumpiary @orchidscript, @itallcomesdowntopain

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writingdotcoffee · 5 years

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#87: A Walk From the Library

The traffic is heavy at Midland Road when I saunter out of the large iron gate at the back of British Library and join the small crowd at the junction, waiting for the green man. The tube station is around the corner. I could catch a train and be home in 45 minutes. But today, I go straight past it and head into the quiet side streets of Bloomsbury. I’m going for a walk.

After several miserably cold and rainy April days, the weather is finally turning for the better. It’s almost 8 p.m. The sun is about to set, imbuing the pale blue sky with a gradient of orange and red. The trees have sprung fledgeling leaves that will soon fill their majestic crowns. A young couple, probably students from the nearby UCL campus, walks past, holding hands, talking animatedly about their day.

At Judd Street, a barista flips a sign on the door of a cafe from open to closed and carries a blackboard sign with the day’s specials inside to be updated for tomorrow. Chairs are upturned on the tables inside the bistro next door which closed an hour ago. The city is slowly winding down.

My route takes me under a row of tall planes along the grey slab of concrete that is the fashionable Brunswick Centre. Amongst the townhouses of Bloomsbury, the shopping centre looks as if an alien ship landed in the middle of Victorian London. There goes an idea for a story.

I turn into a narrow passage which leads straight to Queens Square Gardens and lets me avoid the crowds at Russell Square. Then I round the corner into Great Ormond Street and carry on past the ubiquitous cast iron railings that set apart the pits of lower ground floor flats.

My mind is tired, and as I go, I let it wander wherever it pleases. I’m not in a rush. I’ve done my work for the day, and the leisurely walk with the sun setting behind my back is my reward. Sometimes, I listen to music or podcasts. Sometimes, I ponder ideas for stories or brainstorm new ones. Lately, walking from the library has been one of my favourite things to do.

The last golden reflections disappear from the windows on the highest floors. The sun has set, the sky becoming deeper, darker blue. The street lamps come on shortly and flood the pavements with yellow in perfect synchrony.

Lively conversation seems to be going on inside The Perseverance at the corner of Lambs Conduit Street. I don’t particularly fancy a drink today, so I head on. A runner overtakes me in Northington Street which is closed for traffic because of construction, but that’s really all that’s going on around this neighbourhood.

It fascinates me how, if you take the right turns, walking through the centre of one of Europe’s largest cities can be almost as serene as walking down a meadow. Tens of thousands of shoppers may be streaming down Oxford Street while you watch squirrels eating acorns in a deserted park two blocks away.

Somewhere in the distance, a faint howling starts. It’s not the police or paramedics, but it does sound urgent. I keep going, and it becomes significantly louder until it’s clear that it’s coming from a restaurant down the road which appears to be closed for the night. When I walk past the front door, I see a man outside with a backpack on, talking on the phone in distressed Italian. He’s the last man out, probably did all the cleaning, and they didn’t show him how to arm the alarm properly. Poor guy.

At Chancery Lane Station, where Grays Inn Road meets Holborn, the brindle-brick Georgian terraces with large sash windows become concrete and glass office blocks with cavernous lobbies made of polished marble and beeping security gates. Mainstream food chains replace the cosy independent cafes of Bloomsbury that wouldn’t be able to accommodate the throngs of office workers from the nearby high-rises during the lunch hour rush.

Soon, I’m walking past the sombre Old Bailey where Charles Darnay was tried for treason in Dickens’ A Tale of Two Cities. Further down the road, the majestic dome of St Paul’s Cathedral looms above the glass facades of modern office spaces.

From there, I venture down Cheapside—a thoroughfare with boutiques on either side, selling suits and shirts to bankers. I imagine it’s anything but cheap. There’s a branch of Daunt Books across the street which I remind myself to check out every time I pass by and always forget. The buildings grow higher and flashier again. I’m in the skyscraper area where the lobbies are even larger with stone-faced security guards and a couple of automatic revolving door. When someone rents an office up on the highest floor, they clearly mean business. The views must be incredible.

Several new buildings are under construction around here at any given time with huge cranes towering above them. The sound of grinding and hammering echoes along the backstreets. Although it’s dark and getting late, the builders will be working until dawn, and the workers sweep in like high tide once again.

I've been walking over an hour now. At Old Broad Street, I take my final turn towards Liverpool Street Station. I saunter across the pleasantly quiet concourse and make my way to the platform to catch a train home.

Inside the carriage, people watch Netflix on their phones and scroll down their bottomless Instagram feeds. Even though my eyes are closing, I’m on my phone too, typing up the first draft of this story, hoping that one day, I’ll be able to look back at all the work I’ve done today and see it one of the thousands little stepping stones that eventually led to something bigger.

Hope is all I’ve got.

What I Am Reading

I’m near the end of Amy E. Weldon’s The Writer’s Eye. The author, who is a Professor of English at Luther College, touches on a range of topics including observation, descriptive writing, drafting and editing. There’s the occasional tangent, but nothing prohibitive. Overall, it felt quite advanced, and I would only recommend it to writers with some experience to get the most out of it.

On the side, I’m also reading a collection of short stories by William Gibson called Burning Chrome. The cover is freaking me out a little bit, but the stories are great.

To be honest, I’m not even sure what I’ll be reading next. I have several candidates on my desk and will pick one at random. I’ll let you know next week.

Short Stories

I read these short stories this week:

Eleanor by Chuck Palahniuk

The Gernsback Continuum by William Gibson

Fragments of a Hologram Rose by William Gibson

How monkey got married, bought a house, and found happiness in Orlando by Chuck Palahniuk

The Belonging Kind by John Shirley and William Gibson

The Hinterlands by William Gibson

Red Star, Winter Orbit by Bruce Sterling and William Gibson

Want More?

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Past Editions

#86: The Person Behind the Story, April 2019

#85: Airplane Mode as a Way of Life, April 2019

#84: It’s an Excavation, March 2019

#83: The Bookshop Anxiety, March 2019

#82: On Regularity, March 2019

#writing #writers #write #writing tips #writing advice #writing life #writeblr #amwriting #personal #me #update #writing update #writingcoffee #writingdotcoffee #personal update

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