once again thinking about jason as duke’s robin. he’s ~4 years younger than jason, and that’s puts him at 8-12 during Jason’s time as robin. that’s prime time to get attached to your local kid vigilante before your own life goes downhill.
and if we try to keep duke’s meeting with bruce in zero year + duke’s age (so he can remember the meeting and hold that conversation with bruce), he has to be around 8. if he starts following batman through the news at that time because of the mess that just happened, the robin he sees is probably jason. I’ve literally connected the dots
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You know what's interesting to me? For all people keep claiming at every juncture that perhaps Bells Hells will come around on the gods and see the harm they do (which, as discussed extensively, is, half the time, simply not intervening) not only have they never done so, but also they never quite cross the line into saying the party should join the Ruby Vanguard or aid them - and indeed, they defend against it - so what does this achieve? It feels like they're asking for a story in which the party stands idly by, which isn't much of a story nor, if I may connect this briefly to the real world, a political stance anyone should be proud of.
That's honestly the frustration with the gods and the "what if the Vanguard has a point" conversations in-game. What do we do then? Do we allow the organization that will murder anyone for pretty much any reason that loosely ties into their goals run rampant? The group that (perhaps unwittingly, but then again, Otohan's blades had that poison) disrupted magic world-wide, and caused people who had the misfortune to live at nexus points to be teleported (most, as commoners, without means of return). While also fomenting worldwide unrest?
Those were the arguments before the trip to Ruidus; with the reveal of the Vanguard's goals to invade Exandria, the situation becomes even more dire. Do you let the Imperium take over the planet?
And do the arguments against the gods even hold up? If Ludinus is so angry at them for the Calamity, what does it say that he destroyed Western Wildemount's first post-Calamity society for entirely selfish means? (What does it say about the validity of vengeance as a motivator?) What does it say that Laudna told Imogen she could always just live in a cottage quietly without issue before the solstice even happened? (Would this still be true if the Imperium controls the world?) What does it say that when faced with a furious, grieving party and the daughter she keeps telling herself was her reason for all of this, Liliana can't provide an answer to the question of what the gods have done other than that their followers will retaliate...for, you know, the Vanguard's endless list of murders. (That is how the Vanguard and Imperium tend to think, huh? "How dare your face get in the way of my boot; how dare you hit me back when I strike you.") She can't even provide a positive answer - why is Predathos better - other than "I feel it", even though Imogen and Fearne know firsthand that Predathos can provide artificial feelings of elation. Given all the harm Ludinus has done in pursuit, why isn't the conclusion "the gods should have crashed Aeor in such a way that the tech was unrecoverable?"
Even as early as the first real discussion on what the party should do, the fandom always stopped short of saying "no, Imogen's right, they should join up with the people who killed half the party," it was always "no, she didn't really mean it, she just was trying to connect with her mother." Well, she's connected with her mother, and at this point the party doesn't even care about the gods particularly (their only divinely-connected party member having died to prevent the Vanguard from killing all of them). So they will stop the Vanguard; as Ashton says, the means are unforgiveable. As Laudna says, it's not safe to bet on Predathos's apathy. As Imogen says, she's done running; the voice that she used to think of as a lifeline belongs to someone she doesn't trust. So I guess my question is: if they're stopping the people who are trying to kill the gods (and defense of the gods isn't remotely their personal motivation)...do you think the next phase of the campaign is Bells Hells personally killing the gods? Reconstructing the Aeor tech and hoping none of their allies notice? How does this end? Does your ideology ever get enacted? Or is this entirely moot and pointless and the story ends with Bells Hells saying "well, I'm really glad we stopped the people who [insert list of Vanguard atrocities from above]; none of us follow the gods or plan to, but honestly, the status quo we return to is preferable to whatever nightmare Ludinus had concocted in his violent quest for power and revenge"?
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I just KNOW that gen zero flashback is going to give us some of the most delicious, doomed by the narrative found family in fiction. just trust that ptj is going to take whatever drugs he was on when he wrote Jake Kim arc and he will COOK
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something I’ve been thinking abt is how many people think Makoto is immune to despair. I don’t think he is. I think becoming the ultimate Hope was BECAUSE he felt despair. He wouldn’t have fully reached that point without Junko. Makoto becoming such a beacon was his last attempt to avoid completely falling and it wasn’t because he didn’t feel despair, it was because he was too damn stubborn to allow everything to go to waste and he refused to sacrifice his beliefs for someone else’s. His inner monologue tells me he DID experience the same new low the other suvivors did in the final trial, but at the point where he had the choice to give up and die, he looked at the others and he looked at Junko and he couldn’t allow it to happen, not out of self preservation, but because the idea that Junko would have control over their lives made him FURIOUS. and that utter refusal to die kicked in, wether luck or otherwise, and he made the concious effort for one last push while something in him was breaking. He had to be broken in order for the Ultimate Hope to come through so aggressively, bc it could only exist in the face of the Ultimate Despair. He snapped the same way she did, but in the other direction. In what could have been his final moments he chose to embody everything Junko wasn’t, and every single optimistic and luck fueled ideal in him suddenly charged forward and pushed him. It was a combination of the final straw and a choice. Makoto isn’t immune to feeling despair, he’s just too stubborn to fall into it of his own volition. I think that’s why I like that scene in DR3 so much. People were SO SHOCKED Makoto actually fell for the tape, that he actually became despair for a moment. I saw people getting mad or disappointed, saying it was pathetic and Makoto seemed to fall from some sort of pedestal for them. Honestly part of me wonders if that sort of mentality, which clearly people had in universe, affected Makoto a bit. Like he started to see himself as less of a person, subconsciously. Prompting him to take more risks, less self preservation, act way more bold. It seems he has to be reminded a lot not to put himself in danger by his friends, to not do something too reckless. All over the place I would see in regards to that scene either this frivolous ‘oh this was just angst drama with no meaning behind it’ or ‘he can do better than that. he’s so weak’ or ‘come on, there’s no way he’d fall into despair, he’s the Ultimate Hope!’ This kind of mentality, which was kind of ironic considering Ryota was there the entire time saying the same thing and treating Makoto the same way. Like Makoto was superhuman. Like Makoto didn’t feel despair the same way ‘normal people’ did. In a way that was also how Munakata saw Makoto. Makoto stopped being a PERSON to the world when he became Ultimate Hope, he became a concept, a belief system, much the same way Junko ascended beyond herself. But the difference is that treating Makoto that way is the opposite of the reason Makoto became such a representative for hope. He wasn’t doing something no one else could. He was doing something everyone had the chance to, he just… was a little more optimistic, a little more stubborn, a little more ‘gung-ho’ about things. He just took the lead where no one else did, where no one else knew they even COULD in the face of Junko’s unstoppable force. She had overcome the biggest threats and obstacles in the world, what could one person do? And the answer Makoto found was, anything. Everything. It doesn’t all rest on Makoto, he’s just the one that was inspired to try to do what seemed like the impossible. But as evidenced by the change in his friends after that trial, it’s clearly not something only Makoto is capable of. The others pulled out of despair thanks to Makoto, but it was their choice to do so.
“But… this world is so huge, and we’re so small. What can we do…? No, we can probably do anything. Yeah! We can do anything!”
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[cws: drugging, SA and SA apologia, fantasy racism/ableism, forced institutionalization.]
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i know i never shut up about it but god i am still just. So Salty about how the show handles the dynamic between mayor jones and pericles for many reasons, and one of the biggest is that there are really strong overtones here of sexual assault.
a character who already brings to mind the Slimy, Shady Cis White Guy with Buried Allegations archetype:
takes advantage of the trust of someone who's doing something with him in secret--
(which will get that person in a disproportionate amount of trouble compared to him, if they're discovered)
--to catch him off guard so he can grab him, drug him, and do violent things to his body while he's unconscious; scars him for life in a way that is disabling and should cause a lot of ongoing suffering, which, like many other things that should have a strong negative impact on him physically or psychologically, the writers ignore; and dumps him there alone to discover what's been done to him when he wakes up.
specifically, he does this to someone from a marginalized group that's highly unlikely to be believed if they tell anyone what he did--and going by the fact that mayor jones never got in any trouble until present day, he wasn't.
goes out of the way to ruin the life of the victim and discredit him as thoroughly as possible, because he's a loose end and he needs to shut him up.
flees the scene and gets away scot free with this for twenty years, has a successful privileged career and is considered a pillar of the community in the meantime.
when his dirty secret, which he's been paranoid about finally facing consequences for after the victim has recently become a risk again, is discovered, it's a huge career-ending scandal.
is redeemed by the end, while his victim goes on to be the Monstrous Irredeemable Pure Evil Main Villain and also sexually abuse someone himself, which is played as horrific and traumatizing (as it should be).
more specifically, is portrayed as showing redeeming, heroic anti-villain qualities by backhanding the victim into a wall as hard as he can in present day.
me: hm. yeah fuck this
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