One thing always changes into another.
Ohw Brother Bear my beloved 💜
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i’ve seen multiple times people writing smut fics about mike and putting shit about them like almost getting caught by abby and like… don’t do that? thrill of getting caught i totally get, but like why would it be exciting for you to possibly be caught by a CHILD? an adult yeah understandable that’s fine. but a fucking child? a young girl that doesn’t understand what sex is or what’s happening, you find it hot that she might catch you? it’s just so gross, i know it’s fiction but like the second i see a mention of abby in a smut fic i’m so wary. do better guys, stop writing gross creepy scenarios where abby almost catches you and mike.
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Doing 9 year old me some justice by redrawing this scene from the end of Miss Understanding
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Megamind AU where Roxanne Ritchi gets hit with the Metro Man DNA and Megamind tries to juggle being her rival and her boyfriend at the same time
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me, twelve years old, watching Astro Boy (2009) for the very first time: hell yeah badass robot doing badass flying stunts and beating up bad guys in a dystopian hellscape
me, twenty-something years old, watching Astro Boy (2009) again for the first time in ten years: oh my god..... he’s just a little kid...... and he’s all alone in the world..... oh my god he’s on the run from the government and no one in this entire movie gives a single shit about him..... oh my god.... where are his parents??? why aren’t his parents protecting him??? oh my god he’s just a little kid and he’s all alone oh my god
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Since Kojima’s been saying that the Death Stranding film is going to tell a story that can only be told through the film medium, I really hope it’s a prequel to the game. There are a lot of background events represented through text and dialogue that wouldn’t translate well to a video game format on their own.
It’d be really cool to see the start of the Stranding, Victor and Igor’s backstory (as seen in the DS novelization), snippets from Sam’s childhood/early years with Bridges, the development and construction of the chiral network, and most of the events described in Higgs’ journals.
Coffin’s decision to leave her family behind, start a terrorist uprising by radicalizing the porters who unknowingly abetted human sacrifices by delivering BBs for the chiral network, and the decision to adopt Higgs as her protégé? That story alone would be worthy of a film.
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a crack in the wall
The thing that struck me immediately, like the first time I saw the scene, was the Director saying “...and now, we have a monster in our kingdom.”
framed like that, holding the sword she stole so she could frame Ballister.
My literal first thought was “yeah, I’m looking at one right fucking now”. Two seconds later she’s using that sword to get rid of a threat to her order, so like yeah.
It’s not subtle cinema language at all, it’s basically shouting it at me, but I liked it anyway. She’s a threat and the movie is no longer remotely hiding it.
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