Maybe it's a 'study finds water is wet' type of thought, but
considering it's an action movie whose overall plot is "immortal warriors Fuck Shit Up™️", I think it's significant that in The Old Guard the thing that makes Copley pull red strings through his Murder Conspiracy Board and say "[Merrick] doesn't care what [Andy]'s done with [her immortality]" is the people they save, not the ones they kill
Most of the Conspiracy Board is him circling random newspaper headlines and faces on old photographs to (more or less realistically) follow the immortals' treck through the world and big historical events. Which is, in-canon, not much different than putting portraits from different centuries next to a picture of Keanu Reeves and saying "they look the same, clearly Reeves is an immortal!"
But then there are the connections. A little girl holding Joe's hand in WW1 becoming the youngest (and first) woman to be awarded a Nobel Prize for Medicine (suck it, Kozak). Or the grandchild of a family that Andy saved from [something] helping people escape from the Khmer Rouge genocide in Cambodia.
They are warriors. They have fought and been in the midst of countless wars, major or minor, throughout history. They must have killed as many people as they saved... and yet.
It's not them taking out a random warlord or dictator or rabidly hateful politician that has tangible repercussions in history. It's the children and families they get out of war zones, save from accidents, protect from natural disasters. People to whom they give a second chance at life, and grow to change the world (or even just their own world), like a mysterious stranger once changed theirs just by holding out a hand or patching a wound.
I don't know I just think it's particularly neat
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thank you for blessing us with twst pokemon au i appreciate it greatly. if i may ask you a question
how does one read book 7 without selling their soul to the deep dark web. i've been wanting to read the other parts for a while but i can't find a place with all the chapters. i've seen translations on youtube but i don't think they have all of them?
(also why'd you government name mickey like that on your last post what did he do)
thank you! :D
I'm not really sure where to find up-to-date main story translations, so opening it up to the floor for other people to chime in! for reference, the latest release in JP was episode 7 chapter 6 on December 11th, which covered 7-88 through 7-100. fingers crossed for more in February...but that's where we're at right now!
(Michael knows what he did)
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i really don't mean to sound like a dick, but the more i see people trying to talk about "nuclear/traditional families" vs "non-traditional/chosen families," the more it really seems like a lot of people have absolutely no idea what the hell they're talking about or what these "chosen families" that defy the traditional family structure they claim to like so much even really look like
sorry, but "what if there was no mom" is not some crazy, groundbreaking unconventional dynamic. yes, the dictionary definition of a nuclear family is "het couple + kids," but also it's not 1956 anymore. single parent families are basically just nuclear family lite at this point. there's really nothing all that mold-breaking about an only-technically-non-nuclear-family where the only real difference is that you deleted the woman lol
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People who are newer to FromSoft games tend to think that the best way to be rude to someone you just fought is to teabag them, but this is incorrect. If you teabag me I will simply think "ah what an immature dick" and move on.
However, if you do the gesture where you point down at the ground after fighting me, I will consider it a horrendous slight against my entire being and all I hold dear, and will simmer with rage while praying for your swift demise for the rest of the day. It's truly the most powerful and grievous of insults, and will make any player who's in the know fucking hate you.
Essentially, the teabagging is a "haha gottem" which is easy to brush off, while the point down is a firm "you suck at this game" and needless to say, it hits different.
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something I’ve been thinking abt is how many people think Makoto is immune to despair. I don’t think he is. I think becoming the ultimate Hope was BECAUSE he felt despair. He wouldn’t have fully reached that point without Junko. Makoto becoming such a beacon was his last attempt to avoid completely falling and it wasn’t because he didn’t feel despair, it was because he was too damn stubborn to allow everything to go to waste and he refused to sacrifice his beliefs for someone else’s. His inner monologue tells me he DID experience the same new low the other suvivors did in the final trial, but at the point where he had the choice to give up and die, he looked at the others and he looked at Junko and he couldn’t allow it to happen, not out of self preservation, but because the idea that Junko would have control over their lives made him FURIOUS. and that utter refusal to die kicked in, wether luck or otherwise, and he made the concious effort for one last push while something in him was breaking. He had to be broken in order for the Ultimate Hope to come through so aggressively, bc it could only exist in the face of the Ultimate Despair. He snapped the same way she did, but in the other direction. In what could have been his final moments he chose to embody everything Junko wasn’t, and every single optimistic and luck fueled ideal in him suddenly charged forward and pushed him. It was a combination of the final straw and a choice. Makoto isn’t immune to feeling despair, he’s just too stubborn to fall into it of his own volition. I think that’s why I like that scene in DR3 so much. People were SO SHOCKED Makoto actually fell for the tape, that he actually became despair for a moment. I saw people getting mad or disappointed, saying it was pathetic and Makoto seemed to fall from some sort of pedestal for them. Honestly part of me wonders if that sort of mentality, which clearly people had in universe, affected Makoto a bit. Like he started to see himself as less of a person, subconsciously. Prompting him to take more risks, less self preservation, act way more bold. It seems he has to be reminded a lot not to put himself in danger by his friends, to not do something too reckless. All over the place I would see in regards to that scene either this frivolous ‘oh this was just angst drama with no meaning behind it’ or ‘he can do better than that. he’s so weak’ or ‘come on, there’s no way he’d fall into despair, he’s the Ultimate Hope!’ This kind of mentality, which was kind of ironic considering Ryota was there the entire time saying the same thing and treating Makoto the same way. Like Makoto was superhuman. Like Makoto didn’t feel despair the same way ‘normal people’ did. In a way that was also how Munakata saw Makoto. Makoto stopped being a PERSON to the world when he became Ultimate Hope, he became a concept, a belief system, much the same way Junko ascended beyond herself. But the difference is that treating Makoto that way is the opposite of the reason Makoto became such a representative for hope. He wasn’t doing something no one else could. He was doing something everyone had the chance to, he just… was a little more optimistic, a little more stubborn, a little more ‘gung-ho’ about things. He just took the lead where no one else did, where no one else knew they even COULD in the face of Junko’s unstoppable force. She had overcome the biggest threats and obstacles in the world, what could one person do? And the answer Makoto found was, anything. Everything. It doesn’t all rest on Makoto, he’s just the one that was inspired to try to do what seemed like the impossible. But as evidenced by the change in his friends after that trial, it’s clearly not something only Makoto is capable of. The others pulled out of despair thanks to Makoto, but it was their choice to do so.
“But… this world is so huge, and we’re so small. What can we do…? No, we can probably do anything. Yeah! We can do anything!”
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Right I'm not saying Odin's not had a terrible amount of colonialism and war going on over his however-long-it's-been reign but when Thor wants to lay waste to Jotunheim and Odin tells him off for this it's not just hypocrisy at work, because the Odin of the timeframe of that movie seems sure that this would be Wrong not just politically bothersome and yet he also doesn't really explain to Thor why things are different now and putting that together what you have is this: Odin can't explain his own apparent change of heart without revealing that "oh yeah your brother's a Jotun," even though he must be fairly sure that this information would stop Thor's xenophobic bloodlust in its tracks as effectively as it did his own.
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[3]
COMPLETELY RUDE OF THEM TO DO THIS
TO HAVE LAVA LAMP TALKING TO HIS FATHER ON SCREEN, FULLY VISIBLE, BUT TO FRAME THE PANELS DELIBERATELY SO WE CAN’T SEE WHICH SYAORAN HIS FATHER IS?
TO TEASE US LIKE THIS??
Horrible. Just so mean.
Or… OR IS THIS A KIND OF A BACKWARDS CONFIRMATION?
CLAMP have been selling the idea that Lava Lamp’s father is Li Syaoran from Cardcaptor Sakura for a few chapters now. They’ve dropped numerous links and connections and WANT us to think that.
BUT THEN, IF IT WAS ACTUALLY TRUE, THEY WOULD JUST SHOW HIS FACE, RIGHT?
They’ve already DROPPED this information. We already THINK it's Li Syaoran. So there would be no need to hide his face any further.
UNLESS IT WASN’T TRUE.
UNLESS THIS IS NOT LI SYAORAN.
UNLESS THEY’RE CONTINUING TO HIDE THE IDENTITY SPECIFICALLY BECAUSE IT WOULD GIVE AWAY THE FACT THAT THIS ISN’T LI SYAORAN.
And am I jumping to conclusions? Yes! Yes always! Welcome to the Jumping To Conclusions Blog at Tumblr Dot Com. But you’d think that even if this was just another version of Syaoran, he’d look relatively identical to what we’d assume to be Li Syaoran. They could just show his face and we’d still assume we knew who he was, even if it was wrong.
DO YOU KNOW WHAT THEY WOULDN’T BE ABLE TO GET AWAY WITH SHOWING?
MIS-MATCHED EYES.
THERE WE GO. CRACK THEORY TIME. This is the only reason I can currently guess for why they’d still be hiding Lava Lamp’s father’s face.
It is adorable and extremely appropriate that Lava Lamp has the same style of shirt as his Mysterious father, especially when they’re completely side by side at the bottom of the page. How they’re so so very similar in name and face and identity and personality and fate, but even in just the shirt you can see ever so slight visible differences differences that are not eyes and are in fact shirt specific decorations.
ALSO, very fun choice that they’re talking about Sakura here while also being surrounded by cherry blossoms. It’s very Dream World coded, even though we see the supports of buildings in the background, so it’s probably not actually a dream. I...
No wait I was about to say we don't ever see buildings in the dream world, but that's not true. Watanuki sees them all the time. Hmm.
WELL, putting that aside also, this is possibly just a nice detail about where they live, and possibly a nice thematic link to the fact that they’re currently talking ABOUT Sakura’s dream visions.
I’m also desperately trying to recall if the transition into a flashback (the black borders around the page) is usually accompanied by those swirls of white in the edges? Is that a new detail or am I just looking too closely?
It’s the eternal mystery.
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Small pattern I noticed with the power hours is that it starts off semi normal before getting emotional in the middle [either sad or angry]. But mainly they all end with a "well it be like that sometimes" vibe
Not Perfect- "It's not perfect, but it's mine"
Chonny's Inferno- "The bright, white islands high would get the boring ones excited, but trust me, man, you wouldn't like it"
Memento Mori: the most important thing in the world- "So if you only have one chance, you ought to try your best to live as you'd like. One day, you're going to die."
Idk if its intentional but I find it neat
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