Hello Willow!! I hope you're having a good day <3
hi dear !! i am at work sadly, but hopefully it will get better !! tysm !! 🥹🥹🩷✨️ i hope that your day or night is treating you well my fren !!! ✨️✨️✨️
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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Because I have just seen this specific thing for the second time, I would like to say:
If I reblog your art, I do not expect you to reblog (or share!) my fic in return
If I comment on your fic, I do not expect you to comment on (or read!) mine in return
My enjoyment of anyone's work does not come with strings or expectations
My friendship is not a bill that you will have to pay later
That's it!
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Some ppl are like "I'm a kinky sex-positive pervert freak!!!" and then make fun of virgins and asexuals..... sure, reclaim freakiness but keep working on that because teasing ppl for their sex lives (or lack thereof) is, unfortunately, very normie mainstream vanilla behaviour. the right to sexual determination includes NOT having sex. 101 shit. Like this isnt subversive dude, it's using the edge of an ideology for bullying
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DC x DP Prompt
Some way, somehow (up to you), Dan, Danny, and Dani all end up living with Vlad.
Vlad is ecstatic. The three D's aren't, but it's not like they have a choice.
To push things forward, they end up begrudgingly going to a Wayne Gala with him, and like most gala kids, they were subjected to forceful, nosy, uncomfortable, and unnecessary questions from adults they don't like, and they know, don't really care.
One of the few obvious questions would be, 'How old are you?'.
Dan, despite being in a clone body of Danny, grows just a bit faster and taller than him and refuses to be the same age as that twerp. So he says that he's one year older than Danny.
Danny, who is absolutely pissed that his clone body is growing faster than him and also refuses to be the same age as that asshole, uses his actual age.
Dani, on the other hand, is having some internal struggles about being a clone and how her body and mind were basically forced to become more mature than she actually is. How she desperately wishes to be a child but will never have the opportunity to be. Or how she wants to be her own person but doesn't know how, and is simply borrowing from everyone around her.
She gets the dreaded question, 'How old are you?'. She doesn't want to be too close to Dan or Danny and 'copy' them. But she doesn't want to be too far off from them because she's really not much smaller than Danny, and also finds comfort in being close to them even if she is just 'copying' them. So she says she's a year younger than Danny.
The Gala goes on, yada yada yada. Then they go home.
A few weeks later, one of the D's (I'm thinking Dan) finds an online article about the Masters family and begins laughing their ass off.
Apparently, Irish twins were one thing. But Irish triplets? That had the general public and social elite in an uproar for weeks to come.
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