walterwitch

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snake, darters, candle

#art

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Sandra Cisneros, from "Tea Dance, Provincetown, 1982", Woman Without Shame

#sandra cisneros #quotes #fav

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Kirsten Owen, 1998 | ph. Juergen Teller

#photography #blister

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"I want you just for me."

#quotes #love #emotions #love quotes #romantic quotes #desire

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#passion #love #couple #desire

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I knew no end to desiring you.

Roland Barthes, from ‘A Lover’s Discourse: Fragments’, tr. Richard Howard

#roland barthes #a lover's discourse #desire #quotes

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Embrace (Unknown)

#lovers #love #intimacy #touch #couple #desire #affection

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“I heard your pulse inside my skin,”

— Adonis, Selected Poems, tr. by Khaled Mattawa

#quotes #desire

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Propongo que el domingo sea de sentarse a contemplar lo que más te gusta y si te dan ganas, sólo si te dan ganas, besarlo.

#desire #quotes

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Getting lost in her .....

#intimacy #desire #lust #couple #kissing #passionate

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sometimes I forget my desire

#me

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#blister #me

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FRANKENSTEIN 1931 | dir. James Whale

#Frankenstein #movies

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My Own Private Idaho (Gus Van Sant, 1991)

#My Own Private Idaho #Gus Van Sant #River Phoenix #movies

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My Own Private Idaho (1991) // dir. Gus Van Sant

#River Phoenix #Keanu Reeves #My Own Private Idaho #Gus Van Sant #movies #photography #aesthetics

[walterwitch]

Keanu reeves and River Phoenix by Abigayle Tarsches 1991

My own private idaho 

#my own private idaho #abigayle tarsches #river phoenix #photography #portraits

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MY OWN PRIVATE IDAHO (1991) dir. Gus Van Sant

The centerpiece of River’s performance, and the film, is a campfire scene with Reeves. Scott Favor takes Mike Waters on a road trip (on a stolen motorcycle) to visit Mike’s brother. At night, sitting by a fire they’ve made, they discuss their respective childhoods: “If I had a normal family and a good upbringing, then I would have been a well-adjusted person,” Mike insists. What’s really on his mind: he’s in love with Scott, and he’s terrified of saying so.

 “I only have sex with a guy for money,” a reclining Scott tells him. “Two guys can’t love each other.”

 A miserable Mike says haltingly, “I could love someone even if I, you know, wasn’t paid for it. And I love you, and you don’t pay me.” Curling up in a ball, he tells Scott, “I really want to kiss you, man.” The scene ends with Scott gently holding Mike, stroking his hair.

“This is the best part in the film,” Van Sant said, “and was chosen by River to be his big scene.” At River’s request, Van Sant scheduled it for the last day of shooting. River rewrote it himself, making it more lyrical and making his love for Scott explicit (in Van Sant’s original script, the relationship was more ambiguous).

 “‘I love you, and you don’t have to pay me’—I’m so glad I wrote that line,” River said. “I think that in his private life, Mike was probably a virgin, so he only relates sex with work.” River had spent some time thinking about situational virginity, and the emotional consequences of having sex when you didn’t want to have it.

— Last Night at the Viper Room: River Phoenix and the Hollywood he left behind by Gavin Edwards

#my own private idaho #movies