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pair-annoyed · 4 years

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Anime I Watched This Summer

Summer 2020 has officially come to a close. It’s fall in Animal Crossing and the trees are beginning to turn. Much like quarantine, I spent a lot of my free time watching anime when I wasn’t stressing over starting college. Now that the school year has begun, I thought it would be nice to reflect on everything I’ve watched!

These Anime were seen between 6/14 - 8/31 (my Birthday!) and are listed in chronological order.

They will be rated on a 1-10 scale; 1 meaning complete garbage, 10 meaning masterpiece. I will offer my thoughts on what I did/didn't like about each show!

1. Bakemono no Ko - 8/10

This was such a great way to start out the summer! I love the dynamic between Kumatetsu and Ren. Overall its a little cliche, but it’s also very wholesome. It’s by the same studio that made Wolf Children (which I loved!). so I knew it was going to be good. My favorite aspect of this movie was its backgrounds and world building!

2. Wan Sheng Jie - 9/10

Oh my gosh! I know that this is technically a donghua, but its on MAL, so it counts. This show quickly became my favorite slice of life of all time. I adore the art style and all of the characters. The comedy, plot, and design blends so well together. Everything in Wan Sheng Jie feels warm and comfy. It’s also confirmed for a second season! After seeing its cliff hanger ending, I’m so anxious for what comes next!

3. Dororo - 7/10

I’ll be honest, I’m a sucker for studio MAPPA. I really liked the historical aspects of Dororo. From the outfits to the ways characters behave, its grounded in the constraints of feudal Japan. I would have given this show a higher score if it was a little more grounded in science. I feel like more time should’ve been given to the demons and antagonists of the show. Our MC was so over powered, which made the final fights of the series more lack-luster. I think its less of the anime’s fault and more because the original source material is from the 60s. That being said, I loved this show! It was cute and action packed. Though it isn’t perfect, it holds its own.

4. Bungou Stray Dogs - 5/10

The concepts and action are misconstrued in Bungou Stary Dogs. This is one of those shows that I chose to watch because it was all over Tumblr. The powers themselves are cool, but I can’t understand why this series is so praised. At it’s core its predictable and basic. The fights seemed low stakes and low energy. None of the humor really felt like it belonged. It tried too hard to be something it isn’t. I don’t think I’ll watch beyond this first season.

5. Kami no Tou - 4.5/10

First off, fuck Rachel, me and my homies hate Rachel. I really really had high hopes for Tower of God. It paves the way for Webtoon adaptations in the future. Its such a shame that this adaptation SUCKED. I have not read the source material, I’m going solely based on the anime. It wasn’t good? It was horrible. I hate Bam, I hate Rachel. I think all the characters expect Rak were awful. Please don’t make a season 2. Please. If you’re interesting in Tower of God, just read the webtoon.

6. Gekkan Shoujo Nozaki-kun - 7/10

Shoujo anime is my guilty pleasure. I especially liked the way Gekkan Shoujo tackled Sakura and Nozaki’s relationship. Besides just the main characters, even the side characters were enjoyable! It was a fun and creative show. My only complaint is how dense Nozaki is, but I also absolutely love that part of him.

7. Jojo no Kimyou no Bouken (Parts 1-2) - 6.5/10

Jojo is not the saving grace of shounen anime. It isn’t something super revolutionary and it certainly will never be a 10/10. Part 1 was so slow and boring. Jonathan was just mediocre at best. I definitely liked Joseph a LOT more than Jonathan. Part 2 overall was much easier to watch than part 1. The fights are good, but there’s just something about Jojo that I can’t get behind. Although I’m completely bashing this series, I’m going to keep watching it. At this point, I wanna know what a stand is.

8. Clannad - 5.5/10

I was expecting Clannad to be sad, but instead I got a cute, slice of life, romance. It wasn’t unenjoyable, but it was also a pretty slow-burning show. I loved watching Nagisa and Okazaki slowly fall in love with each other. It was funny at times and sad at other points. I am currently watching Clannad: After Story (which I’ve heard is heartbreaking), so I’m hoping to get some catharsis out of that.

9. Otome Game no Hametsu Flag shika Nai... - 6/10

This show is only 12 episodes, and yet it still has filler episodes for some reason? I’m a person who doesn’t typically watch isekai because the genre is so over done. However, when it’s done in a very specific way it’s really fun to watch! This show was definitely a lot of fun, it’s also cute and has so many interesting character-character interactions. The ending is painfully cliche, but I think it adds to this shows charm.

10. Kaguya-sama wa Kokurasetai: Tensai-tachi no Renai Zunousen - 8/10

I loved Love is War so much! I love their weird romantic dynamic. I love the characters, and I love the animation. It’s over the top and executes it humor masterfully. The entire show fills you with anticipation for the two main characters. Kaguya is my favorite character. Although I haven’t seen season two yet, I most certainly will! I’m so upset I hadn’t seen this show sooner.

11. Great Pretender - 8.5/10

This show is so colorful and bubbly. The animation is so smooth and they are able to tackle so many different kinds of things given its plot. The whole show itself just feels like summertime. It came out not to long ago, so some people may not be familiar with it. On top of the show itself, the music is great, with a Jazzy OP and and ED that features Freddie Mercury

12. Steins;Gate 0 - 8/10

I loved the original Stein;Gate so much! So it’s no surprise how much I liked the second season. It builds significantly off the first season in a sort of “off shot” OVA kind of way. The events of Steins;Gate 0 don’t actually happen, but that doesn’t stop it from being meaningful. The big “twist” was predictable and a bit of a let down, but I still enjoyed this. Granted, I’m bias.

13. Seishun Buta Yarou wa Yumemiru Shoujo no Yume wo Minai - 9.5/10

I sobbed. So much. This movie was phenomenal, it was such a trip. Having watched the original series, this tore my heart apart. It gets a high score for being able to take the characters I love and creating a wonderfully emotional experience. If you haven’t seen Bunny Girl Senpai, please watch it, and then watch this movie. You won’t regret it!

14. Hotaru no Haka - 6/10

Grave of the Fireflies made me stop watching anime for a while. Studio Ghibli created something grim, something that leaves the viewers feeling hollow. Its a movie about WWII from Japan’s perspective. As an American, all I could feel while watching this was immense guilt. I will say though, that some of the movies main plot could have easily been prevented if the main character had swallowed his pride. His younger sister was also my least favorite character. I get that she’s a kid and that kids are fussy, but you would think that during wartime, she’d be more understanding and at least try to eat the things she dislikes.

15. Yagate Kimi ni Naru - 9/10

This was a great way to end the summer. This is more that just GL romance, its a love story. Its about growing up and learning to understand your feelings. I related to Yuu so much, which made this more emotional than I expected. It’s really unlike another romance anime I’ve seen. I hope it gets confirmed for a second season. If not, I’ll be reading the manga.

Seasonal Shows: (Things that are still airing as of 9/5/2020)

1. The God of High School 7.5/10

Another thing done by studio MAPPA. Are you surprised? I absolutely love the action in GoH. The plot however, is all over the place. The story seems fragmented and hard to follow. Like Tower of God, it was poorly adapted. I’m giving it such a high score, because it’s SO much more enjoyable then Tower of God.

2. Enen no Shouboutai: Ni no Shou - 4/10

My thoughts on season 2 are about the same as my thoughts on season 1. The only difference is that this season has more Jojo references. I’ve rated it lower because its so repetitive. I’m so sick of watching it, but I’ve got to see it through the bitter end.

3. Re:Zero kara Hajimeru Isekai Seikatsu 2nd Season - 8.5/10

All I’m going to say about Re:Zero is that I love it. I can’t give an accurate review of it because I’ve been hyping this season since it was announced. If you’re into non-typical isekai, watch Re:Zero, its so enjoyable!

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stillness-in-green · 3 years

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MVA In Memoriam (2/5)

The Comprehensive Account of the Butchering of My Villain Academia

(Introduction and Part One, Episode 108: My Villain Academia)

Part Two, Episode 109: Revival Party

Chapter 224 – Revival Party

• Mr. Compress’s side comment about how the distance Re-Destro wants them to travel means he must know they have warp capabilities. Also shortens his subsequent line, removing the bit about how their position has been locked onto, leaving only the marveling about the dude on the phone being the kind of person who has access to a satellite camera. Not a major cut, but it did strip out a bit of reiteration on how very Seen the League is. The warp line is another nod to how the MLA’s been doing their research—in particular, it ties in nicely with RD’s observations about the Noumu. He talks, there, about something Dabi said after the High End fight, which means he must also know that Dabi was warped out by an “Ujiko-san.”

• Also Mr. C’s observation that they haven’t broken Machia yet, and his posed question about what to do. Mr. Compress, I’m so sorry that you’re so wordy and lose so many quips and asides because the anime was set on brutally scything out every line of non-essential dialogue it could find.

• Ujiko’s extremely hilarious, “Listening to Villain Radio is my new favorite hobby,” line. Why would you cut this; this line is hysterical.

• The bit where Mr. Compress has the bright idea to use a High End Noumu like the one Dabi used, Ujiko rejects the suggestion out of hand, citing production woes, and Shigaraki says that he wasn’t going to ask for one of them anyway. Aside from being more cut Compress content (or “Comptent,” for short), it helps center the timeline somewhat at a point where the manga is jerking it around all over; it also shows that the League has been keeping up with news from the outside world. It also shows that at least one of them thought about using the Noumu—and since we know Re-Destro did some rationalizing on that scenario too, it’s good to see that it is at least briefly on the table. Further, Ujiko provides a few rare details about the Noumu creation process. Firstly, that AFO is normally involved, so his absence makes the procedure much more difficult (though not, apparently, impossible). Secondly, that Hood-chan was the only Noumu who’d actually reached the testing stage. This will be important later, for Ujiko’s agonizing about unleashing them early/Mirko having to fight four of them at once. Also, I just miss Mr. C’s funny little head wilt when Ujiko immediately turns down his “use some Noumu” idea. Ditto Shigaraki’s blasé shrug and little grin. Again, not to harp on the art too much, but man I wish the anime had kept all the fierce little grins and tight, incensed smirks Shigaraki has through the majority of this and the phone call sequence.

• Spinner’s line, “Without knowing squat about what we’re up against?!” A minor cut, as these things go, but it reiterates that there’s a chance RD is bluffing and the League has no way to know one way or the other, and demonstrates that the League can give Shigaraki some pushback on his decisions without having to worry about getting dusted for the temerity.[1]

• Takes one of Spinner’s lines—“Wait. I get it. Wherever you go, Shigaraki, he’ll sniff you out and hunt you down.”—and gives it to Shigaraki instead. Because fuck Spinner’s growing understanding of Shigaraki and the way his mind works, I guess! It’s especially notable that Spinner figures this out when Mr. C had completely the wrong idea about Shigaraki’s intentions—it demonstrates the way Spinner is gradually aligning himself with Shigaraki’s way of thinking, which we’ll see even more clearly during the War Arc. Also, again, it’s good to see the moments where the League weighs in on Shigaraki’s plans.

• The visual of Twice lashing out at Dabi with his razor-edged tape measure over Dabi’s dismissal of Giran, though all the relevant dialogue was there. Possibly this is because, having cut the CRC bit, the audience has no way of knowing that Twice’s tape measure is razor-edged, so why bother raising the question, “Why is Twice trying to attack Dabi with a tape measure..?” Possibly it’s because showing that attack would require animating movement, and MAN ALIVE, did Episode 109 ever want to do everything it could to avoid animating movement.

• Slidin’ Go’s line about how Deika isn’t usually his turf, but today is a big exception. This makes the hearty affirmative with which Trumpet announces himself a response to Shigaraki’s half-phrased observation about the reason behind the city’s emptiness, rather than a response to Slidin’ Go. It works, more or less, and probably even flows more clearly, all things considered. I’m always sad to lose lines from the vanishingly few named/characterized MLA members we have, though. I like, too, that it hints at the machinations that have to have been involved with setting things up for the Revival Party, and the way those plans were carried out with confidence that Re-Destro’s “bait the League into coming for their broker” plan would work despite the total absence of a response from the League in any of the time Giran was missing/his fingers were cropping up on the nightly news reports.

• A few shots of cameras in the city, which foreshadow Skeptic’s watchful eyes and ability to track the League through the city. In retrospect, this isn’t surprising, since the anime went on to cut basically any indication of Skeptic’s entire plan re: the footage of the League attacking, so why bother keeping the cameras? (Oh, right. Skeptic’s whole thing is cameras and information/disinformation. Skeptic for second-most screwed-by-the-anime MLA member.)

Additions

• Showed Toga having stood back up somewhere during Shigaraki’s explanation of their throw-Machia-against-the-MLA plan. A simply appalling choice. In the manga, she stays crouched down by Twice the entire time Shigaraki has his mask pulled off, because Toga cares about reassuring Jin-kun when he’s in a bad way.

• Rephrased Compress’s dialogue somewhat, also giving him a new line about the MLA’s forces in Deika when the League was still in the hills looking down at the city: “The so-called Meta Liberation Army has a force of 110,000 here.” I assume it was because the scene falls in a different episode than the tactical discussion did (in the manga, they’re the same chapter), so the anime was reminding the viewer of the stakes, but it’s potentially awkward because, er, no, the MLA categorically did not bring their entire army to Deika. We’ll find out as much for sure later, with the note that the regiment advisors weren’t in attendance because they were occupied at the bases they command, but even with only the knowledge we have here, Re-Destro’s statement about his numbers is that they’re scattered all over the country—hence the shot of Japan with a bunch of lights scattered across it to represent said numbers. That said, to be (briefly) charitable, there’s no particular reason for the League to assume that, and they did discuss the possibility that there were going to have to fight 110,000 people. So it makes sense that Mr. C might state as much when recapping for the audience.

Chapter 225 – Interview with a Vampire

• Re-Destro talking about Deika’s geography and why they chose it strategically. The anime dropped so much about the MLA’s planning and information-gathering beforehand; it really made the MLA look ludicrously overconfident. And while they don’t lack for that trait, certainly,[2] this is also an organization that has meticulously grown its membership for generations right under Hero Society’s collective nose; you don’t get to where they are by being unduly foolhardy. Erasing so many scenes demonstrating their caution and forward-planning undercuts the threat they represent to both the League and society at large. Also too, the descriptor of Deika as a nice, quiet, isolated little town in the mountains gives us some hints about how the MLA has avoided notice for so long, when you consider how the Hero business works: because so many people who get into heroism want to make it big, like celebrities, they don’t want to stick around small-town beats, and so the rural areas are understaffed.[3] That’s presumably why groups like the CRC and the MLA grow their numbers out in the boonies: much less attention from the Powers That Be. You can guess at some of that from how Spinner describes the place—“not too small, not too big”—and what Trumpet says about the percentage of the population that’s MLA, but RD adds that key “isolated” descriptor, and says that it’s a place where they “lay low.” That gives us some potential insight into how many—likely the majority—of the MLA came to their beliefs: by being raised to them, because their hometown was infiltrated by the MLA generations ago and they have literally never known anything else.

• RD’s phrasing, “Counter to point one,” when he makes his second point about the Noumu. He acknowledges that it’s counter-intuitive to his first argument, that he knows it would normally be an argument against that opening point, not in support. It’s just conversational padding, really, but “conversational padding” like that does a lot to distinguish character voice, so that not everyone talks the same way.

• A panel showing a trio of unnamed MLA warriors strategizing about how to divide their forces now that the League has split up. It’s the little cuts like this that gradually remove the agency of unnamed characters, such that they’re left looking like unthinking puppets instead of real people with the ability to register and respond to their circumstances. It also points towards the truth of what the MLA warriors are and one reason they’re so dangerous (for all that the manga itself will neglect this most egregiously later on): they’re trained in regiment tactics and accustomed to working in groups. This contrasts them both with villains, who might group together, but certainly don’t usually fight that way, and heroes, who are so unaccustomed to working in groups that it’s cited as part of the reason to have named super moves.

• Curious’s little pageboy-cut middle school kid line telling Toga to back off when Miss Curious is on the job. This is an early example of how defensive the MLA are of people above them in the hierarchy, an important thing Spinner will pick up on and attempt to use against Trumpet. Again, it’s little moments like this that both add some welcome notes of individuality to the MLA warriors (if only by virtue of Horikoshi and his assistants’ traditional talent for distinctive character design) while also fleshing out who the MLA are as a group, and contrasting them with the League.

• Deleted Toga’s line IDing her “on-the-go suck-suck mask,” but did insert a nice little bit of her expression shifting when she whipped it out. It lost a bit of the self-conscious silliness of her support item name in exchange for a cool little animation beat. I don’t dislike it, particularly, but I am, as previously stated, very leery of edits that make the League more polished in their villainy at the cost of their human foibles.

• Curious’s line about having come prepared to counter Toga’s moves, which was supposed to further reiterate that the MLA has done their research on the League; they didn’t just decide out of the blue to target the most notorious Villains in the country without studying up on them first and planning accordingly!

• Curious’s line about how she’s going to get started with some background info while her people use their meta-abilities to keep Toga and her buddies on the ropes. A marvelously characterful line! It speaks especially to that edge of formality the MLA brass observe that even as she’s ringleading this attack, Miss Curious is still set on going through her interview process step by established step.

Framing Shifts

• Made some of Curious’s lines spoken dialogue instead of internal monologue. That’s probably fine for when she’s waxing enthusiastic about Toga’s lack of hesitation in committing murder or how she’ll use Toga’s story to further the MLA’s agenda. It’s less fine when she’s rattling out the entire name, brand and patent status of her support item for no particular reason when Toga is already halfway through trying to knife her (that’ll be next chapter).

• The anime implied pretty firmly that Curious’s bombers died. And like, yeah, that’s always made more sense than the idea that anyone could survive something like that, but I hate it anyway. For one thing, it makes it even harder to credit the idea that Toga’s still on her feet afterward if Curious’s supposedly not-very-lethal explosions merk all her own people. People in this series survive ludicrous amounts of damage, and these random MLA devotees are no exception! For another, it leans into the narrative that the MLA higher-ups throw away the lives of their minions without the slightest care. It’s a lot harder to make that case when it’s explicit in the manga that Curious’s people survive the blood explosions—the blonde in the tracksuit is unharmed enough to snicker about it, and the noodle chef is even doing well enough to continue attacking! I’ve always been of the opinion that the MLA are, yes, willing to spend the lives of their underlings on attaining goals, if that’s what they think is necessary, but that is not at all the same as gleefully throwing them onto the pyre to watch them burn.

Additions

• Some individual shots of Mr. Compress, Dabi and Twice fending off or fleeing from various MLA types. A nice try on getting the group split up, but it feels kind of budget save-y, when we could have gotten actual animation of those fights instead.

• Inserted a quick shot of a headline about Toga’s first attack as Curious was rambling on about why she’s interested in Toga but not the League in general. Actually a fairly reasonable insertion, given how much text is crammed into her talk bubble in the manga while the dude standing next to her is already getting a knife in the neck.

Chapter 226 – Bloody Love

• A panel of interviewees talking about Toga’s first victim being sociable and popular. It gives a bit of context on what he was like, what people thought of him, but given that we know enough about Toga at this point to know that his popularity was entirely incidental to what she liked about him, it’s not a huge loss.

• The detail of the broadcasted interviews censoring Toga’s name. Considering how Japanese media normally treats minors accused of crimes, this is an eyebrow-raising change—the manga censors it because Japanese media outlets would have done the same. No idea why the anime didn’t, unless it’s another of those places where it would feel too “real,” to have something that so closely mirrors real life treatment of criminals?

• Everything about quirk counseling, and whoo boy, that is a loaded cut. There is exactly one other mention of quirk counseling anywhere in the manga, and, curiously enough, it also comes up in relation to a villain: in the U.A. faculty meeting after the USJ attack, Midnight muses that maybe Shigaraki never received quirk counseling in elementary school. It’s a weird little non sequitur there—exactly what sort of program did she expect could single-handedly make the difference between a well-adjusted adult and a gleefully murderous manchild with aims on killing Japan’s Number 1 Hero? Just over two hundred chapters later, we get a hint: a program designed to fit people “neatly into society’s little boxes.” Quirk counseling, then, is not about helping children find healthy ways to process their quirks, but rather, about teaching children what is and is not acceptable in terms of quirk use—and as Curious says, Toga’s admiration of blood was never going to be acceptable.[4] This explanation doesn’t just tell us a lot about Toga—that she wasn’t only failed by the hysterical condemnation of her parents, but also by a society that had no interest in helping her if it didn’t see a use for her—but also provides some insight on the viewpoint of the Meta Liberation Army vis-à-vis mandatory state-funded programs that dictate what “normalcy” looks like to impressionable children. Curious is, of course, not a particularly trustworthy narrator in this, as one might expect of someone who uses language like “society’s little boxes,” but it does track with Midnight’s earlier musing of, “Maybe the anti-social dude never took the program intended to make sure he was a functioning member of society.” That kind of statement—“State-sponsored educational programs are there to program children into becoming unthinking cogs of society, actually.”—is one that it’s all too easy to imagine the people with an eye on broadcast standards taking issue with, even coming as it does from the mouth of a villain.

• Curious’s line, “Let’s turn your death into a legendary tragedy, shall we?” and its accompanying visual of two different papers with imagined headlines. The dialogue doesn’t strike me as crucial—Curious’s fervent belief in Toga’s story is amply demonstrated elsewhere and her intent to turn that story into a legend reiterated in the line immediately following—but it is a shame to lose the headlines. They tell us, in Curious’s own words, exactly the tack she was planning to take in telling Toga’s story to the general public, without the constant namedropping of the Liberation Army that she does when talking about it in person. One headline in particular—The Price of Suppression: A String of Bloody Murders—is an especially useful reference for discussing whether the MLA actually wants, as is popularly claimed, completely unhindered quirk use, even for people like e.g. Muscular who want nothing more than to murder people with their quirks.[5]

• Curious’s initial wait what response to getting Floated, and her people’s focus shifting away from Toga and onto Curious instead. On a surface level, that focus shift helps explain why Toga’s able to zip around the ground and touch nearly twenty people before they even react: because they’re afraid for Curious. It also hurts the ongoing characterization of the MLA rank and file as being fanatically devoted to their higher-ups which, again, is something Spinner is supposed to notice later. It’s the worst kind of plot device if that devotion is completely told to us rather than consistently shown!

• Toga’s internal reflection that she’s seen Ochaco use her quirk, and knows how to use it. It’s obvious from the panel that she knows how to use it, but the manga implies that Toga transforming doesn’t automatically grant her an understanding of peoples’ quirks; it’s only in observation (and possibly love) that she can reach this particular unlock. Leaving out that information leaves open the possibility that she can just do this all the time now, with anybody she transforms into.

• The reaction from the surviving crowd to Curious’s death. See above re: STOP FUCKING ERASING HOW MUCH THE MLA CARES FOR EACH OTHER.

Framing Shifts

• When Toga bolts, Curious in the anime sounded serious, her expression alarmed, like she was actually worried that Toga might escape, even though her dialogue said just the opposite. Maybe you could say that she was afraid Toga would die before she got her statement, but given that she tried to kill the girl herself moments later, I’m skeptical of that claim. Regardless, in the manga, she never loses her smile, and she flashes a Liberation salute as she stands up to give chase. It’s a characterization note, that she’s so wildly confident about this that she never stops being completely enthralled with whatever Toga has to show her.

Chapter 227 – Sleepy

• The last of Toga’s conscious dialogue, about how she’s lost a lot of blood, is fading out, can’t move—but more notably, the way that this state of things makes her feel closer to “them,” that it’s “the same sensation.” And who is “they” here—her victims? The people she loves? More alarmingly, why does the line sound like she’s been this beat-up before, and remembers the sensation? Does that tie into e.g. her comment during the training camp that she doesn’t want to fight too many hero students at once because she doesn’t want to die? Has she actually been subject to this kind of violence before in the past? Does that tie into her still-unexplained ability to erase her presence? It’s an interestingly loaded little line, for being so vague, and illustrative of Toga’s mentality on becoming the people she loves. Which also lets the scene segue nicely into Re-Destro’s observation that, in Toga Himiko’s world, there’s no such thing as “other people.” On which note, guess what else the anime cut?

• The entire fucking scene where Re-Destro actually reacts to Curious’ death, the motherfuckers. This lost: 1. RD’s talk about the way Toga sees the world and how that led to society casting her out, which he points to as evidence of said society clinging to old ideals even though the nature of humanity itself has changed. It calls back to his methodology with Detnerat, marrying his lines from the commercial to his overarching ideals; it also shows that he understood very well what Curious saw in Toga, and demonstrates that he can express that understanding and empathy even in the face of losing one of his closest allies. 2. Skeptic’s reaction to Curious’s death, which is pretty sparse, but at least present. He says she never should have been on the front lines—an excellent reminder to the people who’re always going on about how the MLA brass thinks themselves so above their followers: Curious was on the front lines, against the wishes of some of her peers!—and calls her a valuable resource.[6] You can theorize about Skeptic not caring for her beyond her usefulness to the cause, or just that Skeptic is a huge autist who processes his emotions differently than most, and isn’t going to stop to do that when there’s still a battle going on, but either way, you need this scene to do it accurately. 3. Speaking of people who process their emotions in unusual ways, as I said above, this scene also shows Re-Destro openly crying over the deaths of Curious and each and every warrior diving into battle with their hopes for the future. They’re not crocodile tears, either. As was the case with Miyashita, there’s no one in this room that Re-Destro would need to perform grief for: Skeptic clearly doesn’t see a use for tears right now, so I don’t see him expecting them from Re-Destro, and the only other person in the room is Giran, a hostage who the MLA—very probably Re-Destro himself—maimed! It’s not like RD’s tears are going to change Giran’s mind about him (indeed, Giran gets a comedic reaction beat at the absurdity of the dude who started all this up here crying about it)! But RD says life is precious and he cries anyway, briefly, before he ruthlessly turns it off. RD’s valuing of human life—especially his own peoples’ lives—crops up in roundabout ways twice more, both leading the fight with Shigaraki (“It angers me.”) and ending it (“Any more would bring about meaningless death.”). This, though, is when he’s most open about it, to the degree that—as with Machia’s grief—it’s kind of off-putting and strange. Cutting it makes it that much easier for people to get entirely the wrong impression of RD as a character. 4. The delightful scene where Skeptic berates Giran about asking brainless questions and then answers his question anyway. Fuckin’ hell, why cut this?? So much of Skeptic’s character is in this scene! You get moments of his neuroticism later on, but never in so concentrated a burst as this (there’s one other sequence that could compete, but—spoilers—the anime cut that one, too). The exchange also explains the cameras placed throughout the city—which are visually referenced early on—and what the MLA is planning to do with their footage. Without that explanation, the audience has no idea how, exactly, the MLA was planning to use wiping out the League as a springboard for their grand return to the spotlight. That footage is the crucial part of how the rest of the country reacts to Deika in the Endeavor Agency Arc, and the anime never even mentioned it! The audience was just left to assume that all the media came in afterward, not that there was the slightest whiff of footage from the battle itself. 5. Once again brings up Re-Destro’s belief in the power of the heart to move other hearts. We get a bit of that in Curious’s flashback, but here he says it in his own words—as he will also bring it up to Shigaraki. Once again, Shigaraki is going to be challenged about his conviction, which ties back into what Spinner and Ujiko demanded from him earlier in the arc. With so

many people set to be grilling Shigaraki on this front, it tells us again what the arc is for: Shigaraki’s conviction, and him demonstrating it to the people who think he lacks it.

• The panel of Spinner asking how long they’ve been at it and Mr. Compress responding. This line helps manage the pacing, giving the audience an idea how much time is passing as we cut around to different places. It’s also, you know, more cut Spinner dialogue, and shows the beginnings of Shigaraki and Spinner getting split off from the rest by Shigaraki’s sleep-drunk staggering angling him off in a different direction. The rest of the scene is moved to after Toga’s fight with Curious, but not otherwise tampered with.

• The other big reaction to Curious’s death, which is Trumpet using it to rile up the crowd. The group that attacks Shigaraki isn’t just some free-roaming mob—they’re coming at him in a grief-stricken frenzy, which they’ve been goaded into by one of their leaders. This sequence also introduces the campaign van—a vehicle that will have several more appearances—to events, and hints at Trumpet’s meta-ability. Further, it’s one of the scenes that outright states that the MLA is less an army than a religion, in Mr. Compress’s line about how Trumpet is like a preacher rallying his flock. That understanding—that the MLA may style themselves as an army, but what they really are is a cult—is key to the way the MLA members act, from the very bottom to the very top.

• Trimmed Shigaraki’s flashback down, cutting—among other things—the very first lines Hana speaks, and her namedrop. This moment is the first one Tomura gets back, and the very first thing we find out is that he was doing something he wasn’t supposed to be doing. The anime also failed to identify Shimura Nana’s relation to Tenko/Tomura and Hana—helpful to remind the audience of a plot thread they haven’t heard about since Kamino. It also cut out the silhouette of chubby baby Tenko and Tenko’s first line, asking why Hana’s showing him this, a line which clues us in that Hana was the impetus here, not Shigaraki as he was back then. Still not satisfied, it also cut the phrase, “Daddy said all that stuff,” which is a clear and ominous warning that there was some conflict going on between young Shigaraki and the Father whose dismembered hand he now wears on his face.

• Left the dialogue but cut the silhouette of an airborne Geten with his enormous ice fists coming in hot behind Dabi when he was smarming about it not being his style to take the pacifist route. It’s not crucial, since we see the fists again shortly (it’s the end of the chapter page, whereas the anime rolls right on into the continuation of the scene), but it’s a shame, since framing Dabi from below with this sudden presence behind him is a much more fun, dynamic angle than the dead-boring medium shot the anime used. Also too, it’s good foreshadowing for the fact that Geten can fly, since he certainly didn’t get that kind of air by jumping off the roof of the mini-mart across the street.

Framing Shifts

• The crowd attacking Tomura came at him from the back of the shot, whereas in the manga, they’re surging forth from the front; that is, the anime had Shigaraki between the crowd and the POV of the viewer, whereas the manga has the crowd interposing between the viewer and Shigaraki. It makes a huge difference in the impact! Running up from a nebulous background distance, the crowd looked small and futile. Crossing directly in front of the viewer as they attack Shigaraki makes them look like the crashing human wave that they are. But, you know, coming in from the front would mean they’d have to be animated with more detail, and again, Episode 109, more than any other episode in the arc, clearly didn’t have the budget to spare on such things.

• The moment Shigaraki first uses the spreading Decay is horrifically clear in the manga. It’s full of speed lines, Shigaraki moving so fast he decays a dude mid-word, but the impact itself is spread over two pages. We watch his hand literally cleaving through the leading attacker’s face, and then are encouraged to linger on the oversized panel below, the intricately drawn crowd, full of individual faces, still intact on the left, scattering to dust on the right, all fully lit, with Shigaraki—still drawn with speedlines to emphasize his movement—the focal figure in black at the center. The anime rendered this moment in two stills—Shigaraki’s hand about to hit the lead attacker’s face, and then the crowd already decaying. There was virtually no movement to it, the crowd was so heavily silhouetted against a glare of daylight that it was difficult to tell what was going on, and the moment stayed on screen for only two seconds before Shigaraki landed and threw up, both actions favored with more animation than one of the signature moments of the entire arc. Hell, it even left the walls on either side of the alley intact, when the manga shows them dissolving into ash as well, decay traveling through the ground in a deadly, destructive radius around Shigaraki’s attack. The anime ever-so-graciously allowed Spinner his line to explain to the audience what just happened, but I think that’s mostly because it would be genuinely difficult to parse if he didn’t. It also gave him a flashback to what we had literally just seen, except this time it wasn’t silhouetted for some reason, so at least the audience got another chance to look at it, I guess? “Am I seeing things? Just now, his decay effect spread to people he wasn’t even touching!” Well, I guess we’ll have to take your word for it, Spinner.

Additions

• A quick shot of a camera, there and gone almost too fast to register. I want to compliment the anime for adding a camera back in, since it removed the shot of the cameras earlier, but honestly, given that it cut all the scenes about how and why the MLA was gathering footage, I really don’t know why it even bothered. Also too, the camera was gone so fast it felt more like a marker for a scene change—which it also was, segueing the scene from Toga collapsing (only to cut back to her later staggering down an alley) to Spinner and the rest still trying to hold their own—than it did something the audience was supposed to really notice.

Chapter 228 – Wounded Soul

• Twice in the opening pages left out scattered members of the MLA that were around for the start of the Dabi/Geten fight. Leaving them out raises the question of where all the people attacking went, but it’s also the first demonstration that Geten is a danger to his own allies. We don’t see any of them dying on-panel or anything, but we do see them having to dive frantically out of the way because Geten demonstrates no care to the collateral damage of his attacks.

• Cut a small flashback, presumably from Twice’s perspective, of finding the site where Toga and Curious’s fight concluded. You can see the ground covered in blood, and a body that looks a bit like Curious if you squint (distinguishable by the sleeves of her jacket), as well as a small group of people kneeling on the ground in various poses suggesting mourning and a paying of respects. Yet another shot demonstrating the depths of care these people have for their leaders, that they’ve completely let the battle fall by the wayside in favor of their grief.

• Drops the “those zealots” phrase from Twice’s, “I’ll rip those zealots limb from limb for this!” line. Damn, the anime really was determined to erase everything that even hints at the Liberation Army being something much creepier and more damaging than just an underground militia, huh?

Framing Shifts

• For all my complaints about the material, I generally like the voice acting quite a bit. I don’t love the first exchange between Dabi and Geten, though. It’s not a fault of the voice actors themselves, but rather the delivery. Geten was very cool and level-headed throughout, which is all right to a point, but he’s a gremlin under that troll parka, and this fight is where we hear him as close as we ever will to how he is before the multi-layered humbling he’s subject to over the course of this fight. It’s a bit of a shame to play him totally straight, without any of the snark he’s so clearly capable of—and without the tick upwards in vehemence his talk bubbles indicate in his last lines. Meanwhile, it’s fine for Dabi to get more heated as the scene goes along, and indeed he does, but he also plays it pretty cool at first. You can tell in the shape of his talk bubbles that he’s completely unruffled during his delivery of that, “Consider this a freebie, just for you: ice melts,” line. The anime had him raising his voice for it, and it just loses a lot of the humor of Dabi’s own snark to have him yelling it instead of just laughingly stating it, voice barely raising enough to give his talk bubbles some straighter lines instead of being all undisturbed curves. (For comparison’s sake, it’s about the same level of angular as Geten’s, “You’d best not think your little campfire can melt my ice!” line, but the anime had Dabi shout his line, while Geten continued at the same unperturbed volume he’d maintained since the beginning.)

• As with Shigaraki’s first mass decay, the shot of Geten’s ice dragon did not make the impact on me in the anime that the manga did. I think it’s mostly the way the ice was colored? The claw’s pretty good, but the head looks blobby and indistinct, more like blue soft-serve than the shifting, sharp-edged, brilliantly bright sculpture-in-motion of the manga.

• Twice’s voice actor did his best to sell the scene of him finding Toga, but I wish they’d kept that tight close-up on his mouth when he says, “Give it up. The girl’s dead.” They animated him leaning closer to the camera, but that doesn’t have the sharpness of that sudden cut to being right there on his lips, like some malevolent thing is using them to speak words so terrible that they can’t even be associated with the rest of his face.

---

Come back next time (and hopefully in less time) for Part Three, Episode 110: Sad Man's Parade.

FOOTNOTES

[1] We would, of course, have an even clearer idea of that had the anime not cut the scene of Spinner shouting in Shigaraki’s face.

[2] It seems particularly strange to me that Curious and RD both mention quirk evolution as a thing they know can happen in extreme circumstances, but didn’t predict that backing the League into a life-or-death corner might provoke one or two members to undergo exactly that evolution.

[3] Mount Lady is the obvious example, but you can look to places like the island in Heroes Rising, too: one hero, and when they retired, a group of high school kids had to go sub in for a while until a replacement could be arranged. It’s not like retirements just happen overnight; the Commission had to have known it was coming. Still, they had to scramble to find someone. It doesn’t suggest they had anybody just champing at the bit to take the post, you know?

[4] In Chapter 140, we see a young Tamaki Amajiki in a class called “quirk training.” It’s uncertain how connected this P.E.-like class is to quirk counseling, but Toga wouldn’t have been getting much help there, either, seeing as it’s all about figuring out how to use one’s quirk in a way that’s “useful to society.” I can think of some ways, but nothing that I expect would be very popular or liable to be explained to a grade schooler in a country with as long a history with ritual cleanliness as Japan. To a Shinto mindset, Transformation isn’t just off-putting or unhygienic; it’s spiritually unclean.

[5] The answer there being, no, obviously not, or Curious wouldn’t, in all apparent sincerity, be trying to characterize Toga using her quirk to murder people as an undesirable outcome, a cost society is paying for its current stance on quirk use. Yes, you can gather that much from her calling Toga a tragic girl, and Re-Destro concurring later, but listen, I will take every line I can get that I can use to push back against the wretchedly widespread idea that the kid whose name means Apocrypha is the be-all-end-all source on MLA ideology, somehow more reliable and trustworthy than every other MLA character combined, including Destro himself. I would very much like it if the anime had not deleted a bunch of my talking points while making good and sure to leave all Geten’s most damning lines intact.

[6] Not that an anime-only person would fully understand why some random reporter was all that valuable a resource, since the anime cut the explanation of what Curious actually does for a living.

#my villain academia #bnha #bnha meta #boku no hero academia #my hero academia #my writing #stillness has salt

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darealsaltysam · 3 years

Text

what your paladins main says about you

a comprehensive essay by a paladins player of right around 4 years

this is like really long so i’ll make it under the cut so my followers don’t have to scroll through this if they don’t wanna

(for context i’m a current maeve main, i used to main skye and sha lin and played tyra a long while ago)

Androxus

it’s not a phase, mum

“i don’t care we don’t have healer, i’m really good at him i swear”

you ult every time it loads in and you die before the final shot

your favorite mode is siege because you can fly up and shoot the whole point on ult

you’re usually really stand-offish and don’t communicate much and/or a 13 year old boy with anger issues

Ash

you are level-headed but in a scary way

you will hold the point solo even if it costs you your streak

“get on the point” “guys get on the point” “attack the objective”

you’ll ult to save yourself 99% of the time

good leader

Atlas

you probably used to main lex or androxus before he came out

“he’s like a flank, but a tank, he’s great!”

you chase after solo kills instead of sticking to the point

healers hate you, flanks and damages fear you

your favorite mode is death match

Barik

you’re a former/current tf2 player looking for something fresh

you don’t like working too hard so you spam turrets on the point and hope for the best

“healer stick to me i’m boutta ult”

actually really nice between rounds

but you don’t communicate much mid-game and kind of do your thing

Bomb King

you’re a really old player. you have the beta makoa skin and you were there when lex was first released. veteran’s discount.

your favorite maps are the old ones and they barely show up any more

the team always underestimates you

“who plays bomb king in 2021 lol?”

you need a hug

Buck

“wait, he’s a flank? i thought he was a tank??”

you’re also a veteran in the game

you’re a dying breed. i like never see you. do you even exist?

you’ve been here since like the first day of the game

buck gets so many skins and you want all of them but the best you have is a random recolor

Cassie

sweetest person alive

“we can do it guys! let’s try to all rush the point this time!”

you are the bane of every flank

the opposing team hates you, your own team kind of doesn’t notice you’re there

*casually gets a pentakill*

Corvus

you know those weirdly political kids who like ww2 and know the details of every tank to ever exist? yeah that’s you

but like that’s corvus. as a character.

but no one ever plays him.

like i never even see him do you exist???

you are a cryptid.

Dredge

yo ho you’re a hoe

no seriously the other team views you and they FEAR you

“yeah i just got a penta kill” “YOU WHAT?” “eyes on the point mate don’t get distracted”

hella good at the game and hella casual about it

you like onslaught on the one sea map the most

Drogoz

another veteran, are we?

you’re either useless or can wipe out a whole team in seconds. there is no in-between.

you always have a really cool skin.

dovahkiin, dovahkiin...

“i don’t care about the point i gotta get them trips”

Evie

you bought her because you thought she was cute, admit it

*turns into ice right before dying* *turns into ice right before dying* *turns into ice right be

your personality type is identical to her. no question about that.

always buys faster reload and better speed

strangely good communication with the team

Fernando

gay gay homosexual gay

“he’s kinda hot if you look at him the right way”

fernando is the tank for gay people

you are gay people

i don’t have much more to say

Furia

mum energy. not as much as inara mains, but still, mum energy.

will protect every member of the team with your life, even the flanks

you’ve been maining her since she was first added

i bet you didn’t even know she’s canonically seris’ sister

“we’ve literally failed to capture the point the last 3 times we might as well give up and go to another game”

Grohk

“yeah i have a gremlincore tumblr blog, how could you tell?”

i honestly have no words

you’re kind of like a catboy but a racoon

do you even heal the team or do you just pretend

you were there when lex got announced and thought he was cringe, now everyone finally agrees with you

Grover

he was your first purchased character and he’s stuck around ever since

he’s the only healer you can play well

“i am groot lmao”

you would never say a word to your team

would give your life for the tank but that’s about it

Imani

daenerys targaryen on drugs

your favorite anime is my hero academia

your husbando is todoroki

you see where i am going with this

“team protect me i’m gonna ult” *dies 5 seconds into ult*

Inara

BIG MUM ENERGY

your team is your family. you will protect them with your life.

can only hold your own with a good healer so you have good teamwork going for you

*cutely places wall in front of your ult*

useless in tdm so you stick to onslaught, siege and koth

are you a furry, furry, or a furry?

“victow! dont ult on my tweam pwease! uwu!”

you 100% find her attractive in some way shape or form

you are either a 30 year old redditor who enjoys loli content or a 16 year old teen who is playing a shooter for the first time

she’s kind of cute, i guess

Jenos

i can never tell if i’m going to absolutely destroy you or if you’re gonna kick my ass

*cutely holds you up so the whole team can shoot you to death*

kamehameha

you’re a healer??? i guess???

your character has such deep lore and i bet you don’t even know half of it

Khan

one day you were playing and your team desperately needed a tank. you picked the first one you saw. suddenly, you’re lian’s foot stool

despite 2 layers of heavy armor, you’d still let this man walk all over you

“this skin is really cool, wish it wasn’t behind a pay wall...”

YEET

you actually know the game’s lore, for some reason

Kinessa

i never trust people who are good at a sniper. if you’re bad that’s natural and you’re 99% of the population. if you’re good you are definitely up to something

you’d sell your sister for 5 pennies if you could

you’re missing from the team all game and somehow have the most kills

“we have a kinessa???”

you are an urban legend to your team

Koga

someone’s been watching naruto

you are so shit at the game. like i’m sorry. no one’s good at koga i’m so sorry

how do you have so many skins for one character???

you’re always missing from the point

healers hate you. so does the enemy kinessa.

Lex

quit the game /nm

“who mains lex in 2021??? lmao???”

wall hacks, aimbot, and it’s all legal for you as an ability. you are a hacker in a world of puny vanillas. you like it easy so you go for the easy min max character. have fun getting hated

you think he’s hot and press on his loading abilities just so he can scold you and you can hear him being mad at you

*bonk* go to horny jail

Lian

"she could step on me”

you used to main some sort of healer but switched over when you got sick of everyone being needy

you can hold a point all on your own for a really really long time but the moment your team gets there you start flunking

you wish you had more skins for her

you don’t

Maeve

so imagine this. it was like 2018 and you were just chilling playing the game. you kept getting killed by maeve. in every game. she was in every game you went to and she kept killing you over and over and over again. you got frustrated, snapped, and bought her to see if you could do the same to others. you are now the maeve in every game. the cycle repeats.

your whole team doubts you but then you casually get a quad kill and they just sort of look away

you die a total of two times each round and 99% of the time it’s because you go too fast and fall off the map

you repeat everything she says in her accent because you think it’s cute

“welcome to ze meant streets, kitten!” “can you shut the fuck up” “i hate to cut and run, he-he!”

Makoa

you have the plushie skin or the beta skin, otherwise you don’t main and only play casually stop lying to yourself

“attack turtle go brrr”

you’re really good if you get paired with a good healer

otherwise you’re useless

you wish you could get better teammates because you could really thrive with an organized group. but on paladins you won’t get that, i’m sorry-

Mal’Damba

i always forget this guy is even in the game

you’re definitely under 6 foot IRL

you have an older sibling you always fight with

you’d love to have a snake irl

you’re really chill outside of the game, but when playing you hella rage

Moji

you are so precious

but also such a little shit

you annoy me but i also want to give you a hug

“let’s go guys!! to the point!! wheee!!”

please never change but also get out of my sight

Octavia

you always main the new character until the new person drops

somehow always have enough credits to buy the new champion whenever they come out

you don’t like having a stable main cuz you get bored

you like hanging out at the training rage

hate siege and love team death match, you like your games quick

Pip

you are the worst and best thing to ever happen to this game

you only pick him to heal yourself and hardly ever heal your team

no one notices you there until you ult

then you get focused

honestly you just seem like you wanna do your thing and i can respect that

Raum

you probably go to therapy or desperately need it

“BIG MAN BIG. HE IS BIG. BRRRR”

you always love the demons in media

you like being in charge of the team and wreck the point any time you are there, you like fighting on your own but having a healer nearby is nice too

you probably have daddy issues

Ruckus

you think ruckus’ and bolt’s dynamic is cool and that’s one of the main reasons you started playing him

he’s the only tank you can play

you used to main either inara or ying at some point but chose violence instead

really short irl. you physically relate to ruckus and spiritually to bolt.

“funny goblin man :)”

Seris

certified girlboss

you can hold an objective all on your own or heal your whole team no problem. either way you are SLAYING

“alright. who’s ass am i kicking today?”

mum energy is inferior to inara but still kind of there

i’m like 50% sure you have a foot fetish

Sha Lin

*pointing and chanting* incel, incel, ince-

whether that’s about you or the character you can decide

you like minecraft bedwars on the side

“if i don’t get this headshot i am literally going to spontaneously combust”

really useful when there’s no other long distance people - otherwise a nuisance

Skye

AWOOGA *jaw drops to ground, eyes roll out of head* BOOBA BOOBA BOOBA

you bought her for the tiddies, didn’t you?

she’s actually really satisfying to play once you get the hang of her, but can be real tough on rough days

you need a break i think - maybe play some other game for a bit?

*casually gets team kill with ult*

Strix

you own at least one pretty knife

you played him when he was unlocked on rotation, fell in love, and spent a whole evening collecting credits to buy him fully

“haha bird man”

i’ve said what i said about snipers. if you’re actually good at him you are hiding a body somewhere. i fear you.

why does everyone ship him with viktor????

Talus

little furry child

he reminds me of tommyinnit because he is small and annoying

if you play him you are tall and intimidating

i’m friends with a tall scary talus main

i can’t say bad things please spare me

Terminus

you always ult at the worst time and just get killed again 5 seconds after

“hey losers watch this” *goes on the point, dies, revives, kills one person and dies again*

you’re only a good tank if you cooperate

you don’t

on your own you’re a pretty good player

Tiberius

*sigh*

you think the cat is hot, don’t you?

“his accent is kinda cute tho hehe”

you saw that one ending scene in zootopia with the dancing tigers and it CHANGED you

you are probably a furry. if not your awakening is coming. be ready.

Torvald

you’ve been playing this game for too long

you’ve seen skins rise and fall. you’ve seen nerfs and buffs. you’ve seen reworks and remakes. you are ancient. older than the dragons and wiser than makoa. respect.

people see you on the opposing team and get really annoyed

“the point is really crowded, we can’t move in” “don’t worry guys, my ult is charged up”

you’re really good at all the characters but you like this guy a lot because you think he’s funky fresh

Tyra

you’re either new to the game or have been playing for too long

either way you can KICK ASS but you need to keep behind your team to do the most damage

flanks are the bane of you, especially the fast jumpy ones

you really want one of the cooler skins but you can only ever get the basic ones. such is the curse of maining one of the OG characters.

“bite me”

Viktor

you are level 100+ guaranteed, and everyone fears you

“oh shit they got a victor. flank focus him”

you probably play COD and CS:GO normally and wanted to go with something familiar and easy. your skill from the other more advanced games DWARFS everyone else

but why are you playing “guy with gun 132″ in a game with magical elves and fairies. like come on bro.

you don’t have any in-game friends because paladins is your guilty pleasure game you would never admit to

Vivian

“step on me” syndrome cranked up to 100%

this woman could spit on you and you’d still respect her more than your own mother. good for you

“i’m not a simp. i’m just tier 3 subbed to pokimane ironically”

you sweat the game hardcore. former victor main or he’s your secondary.

you’ve got her on level 50+ at least

Vora

like the maeve mains but somehow worse

bought her out of spite or played her while she was on rotation, now here you are grinding credits for her a day after she became unavailable

honestly you’re really good at the game i have nothing else to say

you enjoy the newer characters more than the OGs - you’re either a former vivian or lian main

you miss the play of the game feature in the game because you’d get all of them with this girl

Willo

you seem like the moji mains at first but show your true colors soon after

“fuck you” x50

you are a trash talker on max overdrive. you need to sit down, do some breathing exercises and have a drink.

you hate your own team more than the opposing guys

when you see a willow on the opposing team you make it your sole goal to eliminate her as many times as humanely possible

Yagorath

i bet you didn’t know she was canonically female until you read this

you don’t like sweating too much so you pick the tank that leaves you heavily relying on your healers and damages

you can hold a point really well so you like siege and onslaught

“are vora and yagorath connected in the lore somehow and do i really care?”

you have a friend who you always party up with to be your healer, otherwise you might switch to another character

Ying

“tanks love me, flanks hate me”

you are too powerful. literally. how are you so strong

you’ve mastered the most difficult healer in the game. the others are really easy for you to play but you have trouble with seris

motivate your team a lot but start shading and trash talking if they don’t cooperate

you’ll gladly play someone else for a long while and like taking breaks from her

Zhin

this is your first main after switching over from overwatch. we can smell it on you.

you’re really annoyed with his personality and voice lines but the character is too good to play for you to pass him up for that. you respond to his voice lines aloud very aggressively to let him know he’s an ass

“YES ZHIN HEALERS AREN’T USELESS YOU SELFISH PRICK”

you try your best but you’re not a great team player

infinite trips on a good day, die repeatedly without kills on a bad one and you switch over to vora or skye for a bit.

this took me hours to write out pls leave reblog and note thanks uwu

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jadedxrealityw · 3 years

Text

-Where Was She?- George Weasley x Female Reader

☼-☪-☼

Summary: Taking a trip through Diagon Alley to help your nephew pick out robes and books for her first day at Hogwarts should of been uneventful, and it was until your niece was very excited to look inside a colorful shop, with a ginger with a top hat on top.

Kody: Ha, it rhymes. I am just hilarious. Also i’m giving them names, cause i can and if i don’t i’ll get confused lmao. Also changing some plot for this story lol.

House: Ex- Gryffindor / Half blood

Possible Triggers / Warnings: cursing, George being a simp, Fred being utterly confused half the time, that good fluff

☼-☪-☼

you were currently stirring a bowl of cupcake batter when the house phone rang. In a quick haste, you drop the whisk in the sink and ran over to the living room and towards the house phone. You pick it up and press and the call button before holding it up to your ear.

“L/n residence. Who am i speaking to?” you ask in a polite manner as you wiped your hand on the pink apron you wore. “Hey Y/n, it’s me Kai. So i just got a last minute meeting and i won’t be able to take Aedyn to diagon alley to get his books, robes and such. I have money to give you and such”

you could hear the irritation in his voice, he hated missing important memory making moments with his son, but he really needed the money considering his wife dipped when Aedyn was born. You smile lightly, having not been back to Diagon Alley in year since you graduated. You missed it.

“no problem, i’ll make sure to take a ton of pictures for you. Don’t worry about it, i get to see some of my old classmates and i’m fine with paying- “ “-no Y/n, i’m paying” Kai tried to interject, but you made screeching noise with your mouth. “Sorry, can’t hear you. Your cutting out. Love you!” you quickly hung up.

☼-☪-☼

the day had arrived and you wore a black turtleneck with a burnt orange button up as well as black pants. You had just arrived to Diagon Alley with Aedyn and he seemed a bit upset. “hey dude, you alright?” you asked, nudging his shoulder with your arm. He shrugged, looking ahead.

“i just thought that dad would take me shopping, i know he isn’t a wizard or anything. It’s just-” you stop walking and crouch down to height “Yeah i get it, i loved going to Diagon Alley with my parents, but let’s make the most out of this yeah? Your witchy aunt has got your back!”

your enthusiasm seemed to cheer him up as the corners of his mouth turned up “Okay, the first thing on the list is robes” he says, pulling a sheet of folded up paper from his back pocket. You smile and stand back up “Robes it is, onwards my dear nephew”

☼-☪-☼

after buying about three sets of robes as well as uniform shirts and pants, you both went to get textbooks, which was super boring. Once you had finished stacking all the textbooks, you held them all by a string. Aedyn didn’t seem to want a animal, you didn’t either when you attended Hogwarts.

as you walked with Aedyn, you felt a tug on your sleeve “Oh, can we go in there!” he says, you look to where he was pointing and saw a shop decorated in orange and hints of purple. Looking up, you saw a statue picking up it’s top hat. Oh. OH. “the weasleys wizard wheezes?” you ask, looking down at him.

he met your gaze and tilts his head “Have you been there before?” he questions and you nod your head once “Yeah. Once. It was when it first opened though, so it may have changed” you spoke, shrugging it off. You grab his head and walk into the colorful shop.

how much has changed?

as you step in, your almost overwhelmed by the variety of things in the shop. It really didn’t change much. There were kids running around and parents who seemed displeased at there kids dashing through the place. A feeling of nostalgia ran through you.

“Aedyn!”

“Luke!”

your nephew turns up to look at you “Can me and luke check out the shop together?” he asked eagerly, making you chuckle. You nod once and both of the boys run off. You sigh contently and place the textbooks down near the umbrella holder. Stuffing your hands in your pocket, you began to casually stroll around.

the Weasley’s wizard wheezes. What a cool place. “Welcome miss. First time?” you turn to face one of the ginger haired twins in the flesh, wearing a orange sweater and beige pants. George Weasley. you give him a polite smile, collecting yourself quickly.

“Thank you. Um- no not my first time. I came here with Hermione Granger when you guys first opened.” you explain, tapping your foot on the ground. He raises a brow. You seemed to have spiked his interest “You know Hermione? How come i’ve never seen you before?”

you shrug your shoulders, making a clueless face. “I’ve been told i blend into the background, so that could be why” you say. He steps closer to you, analyzing your face “How could i have missed you? Were you on any teams?” guess you were playing twenty questions now.

you stifle a laugh as you began to walk around once more, the twin sticking to your side “No, i never liked attention. I did watch all the quidditch tournaments- Oh! I started the weakly quidditch magazine for the school” you say, thinking he remember seeing it somewhere or maybe he had read it before?

you watch his honey colored eyes light up “Oh! yeah i read that. Wait- if i remember correctly you wrote one just about me” his smile turned into a grin. Oh how embarrassing. You chuckle bashfully as you use your hand to cover your mouth for a second “Yes. I did. You were a quidditch heartthrob. It sold well”

you hear him gasp loudly and watch as he places a hand over his chest, where his heart was “You used my face to sell magazines?” he said. Wait a minute. “How do you know i put your face in the article?” you question, your own grin forming. A bashful smile makes a way onto his face.

“I bought one for myself” he spoke and you burst into a fit of laughter at his confession “Oh wow, Mr. Weasley” you say, joking with the formality. You both were now making your way back to the entrance, where you two had started your journey in the first place.

“Just call me George.”

you two then talked for what felt like hours, but in reality it was twenty minutes. You both had a lot of common interest and soon enough. The Weasley started to flirt with you. It was playful and cute and you found it adorable coming from him. As he reached to push a strand of hair from your face and loud shout was heard.

“Were late! We are so late!” Aedyn came running from the top story of the shop “Dad said to be home an hour ago!” and with that he ran out the shop. You E/c eyes widen. Oh shit. You quickly grab up the textbooks, a confused George staring at you. “Wait, your leaving?”

“Yes” you force out as you quickly rushed out the shop, George following. He stops in front and watches as you run away “When can i see you again?!- What’s your name?!” he shouts, catching the attention of a few wizards and witches passing by.

you give him a quick smile before you turn the corner, leaving his sight completely. What’s the fun in that right?

☼-☪-☼

“Hey George. I’m back!” Fred Weasley called out from the shared home. He raised a brow when there was no answer and walked down the hallway, he turns the handle of Georges room and pushes the door open. He sees boxes scattered everywhere.

George was sitting on the floor, looking through stacks of old school papers “What in the bloody hell is going on?” Fred asked, looking a his brother strangely. George snaps his head towards his brother and stands up quickly. “Do you remember the weakly quidditch magazine?”

“Yes?”

“Do you know where i kept the one written about me?”

“Yes”

“Where is it?”

“...I’ll be right back”

Fred left the room and returned a couple minutes later with an tattered magazine “Your article is on page 5-” George ripped the magazine from his brothers hand and began to turn the pages rapidly “Okay then” Fred walks over to sit on George’s bed.

“Found it! When George Weasley isn’t pulling pranks. He is expertly playing the quidditch field, just like yesterday's game. Taking out both Ravenclaw beaters at the same time. Charming, good looking, funny, and skilled. No wonder the girl’s of Hogwarts are fawning over Gryffindors beater. -Y/n L/n”

George smiled brightly “Y/n L/n, that’s her name..She called me good looking. Where was she when i was at Hogwarts?” he gushed, making Fred roll his eyes “Your talking about Y/n? How is she doing, heard her nephew is starting Hogwarts soon. I was supposed to meet her today, but i got caught up”

George’s head snapped like an owl towards his brother “You know her? Did you sleep with her Freddy? You horny bastard. You just had to sleep with half of the girls at Hogwarts didn’t you? Couldn’t leave anyone for me? First Lavender brown then Hermione Granger, now Y/n. What the hell man?”

Fred waited for his brother to stop talking with a irritated expression “First of all. I didn’t sleep with her. Second of all, we kept in touch because i thanked her for writing an article about me, like she did for you. Also! You didn’t notice her, because your fucking stupid. I’m making dinner” he announced.

he stood from the bed and walked out the room. George pouted “Can we have mac and cheese?!”

“No!........Okay fine!”

☼-☪-☼

fast forward to about two weeks and Aedyns birthday was coming up. He had taken a liking to quidditch and you wanted to get him a new broom. It was a bit chilly outside so you decided on black high waisted skin tight jeans, a light grey long sleeve t-shirt, and a heather grey and a charcoal colored button up.

“Quality Quidditch Supplies” you read out loud, this was definitely the place where she saw kids get brooms. You step in and began to look around at the broom’s, wondering which was a good fit for your nephew. You were looking at the Nimbus collection when a ginger haired boy jumps out from behind it.

you jump back a bit “George?! What the hell. You almost gave me a heart attack!” you shout. He smiles nervously “So after our last encounter, i found that article you wrote about me” he spoke. You rolled your eyes and began to look at the broom’s once again “Okay” you said plainly.

“You said i was good looking and charming. Y/n L/n” he says, a twinkle of pride in his eye. “Your also friends with my brother and didn’t tell me” he said, that pride turning into slight jealousy.”You didn’t ask” you said simply said, his eye twitched in irritation.

“Anyway, i was wondering if you could go out with me- like on date. Next saturday?” he says, you saw the hopeful look in his eyes as you looked from the broom to him. Aw. “No” you said, waiting to see his reaction. He blinks mindlessly for a couple of seconds “i’m sorry, i shouldn’t have asked-”

“-I have to watch a quidditch match. It’s my job for the witch weekly. i report for the local matches. I would love to go some other time” you say, giving him a genuine smile. He rubs the back of his neck “That’s the only time i’m free this mouth! Oh how ‘bout i go with you?” he asked.

you shrugged “I’m okay with that. I’ll be distracted half the time though” you explain. He smiles happily “Wicked. Plus, i’d like to see you all focused. I bet it’s cute” he said, leaning in close, his hand placed on the shelf above your head. There goes the flirting again.

you pretend to not have heard him and reach into your pocket for a piece of paper and pen. He tilts his head curiously and tries to read what you were writing, but you shielded him away with your hand. “What’re?-” he was cut off when you walked passed him and grabbed a Nimbus infinity.

you walk up to the counter and pay for the broom. It was quite costly, but you didn’t mind. George followed like a lost puppy, until you both made it outside. You turn around and hand him the paper. George grabs the note and reads an address? “What is this?” he asked. Boys are so dumb.

“Write me sometime, Weasley. I’ll see you on saturday” with those parting words, you turn on your heels and began to walk away with a sway of your hips. George sighed deeply as a warm feeling invaded in every being “Merlin. Fred was right. I’m whipped.”

☼-☪-☼

the week spent apart was quite wholesome. George wrote you kind letters, sometimes flirty ones and send you small treats within them. Once he sent a pressed flower, a marigold. You didn’t think he have such a soft side to him. Each day a new letter came and you grew to like the Weasley boy more and more.

the day had finally arrived when you would be attending the quidditch match. You wore a black turtleneck and heather grey pants, paired with regular sneakers. You were waiting at the entrance for the weasley boy, looking up t the sky. It looked like it was about to storm. Hopefully it would clear up soon.

“Hey!” a bright cheery voice shouted. You look back down to see George coming up to you. His shoulder length hair was tied back in a ponytail, with loose strands framing his face. He wore a burnt orange sweater with white and brown plaid pants. Style.

you smile lightly and nod your head towards him “Hello” you spoke and watch as his honey colored eyes gazed at your outfit “Your looking ravishing, per usual” his comment made you snort. You shake your head and wave your hand “C’mon. I have front row seats” you say, making his eyes go wide.

“Woah! Really!?”

☼-☪-☼

you both were seated in the bleachers with an amazing view of the game. You took out a notepad along with a pen, getting ready to take notes. George watched you as the game started. You bit your bottom lip when you were ‘in the zone’ as you would call it. George would call it cute.

the match was highly eventful and George had a wonderful time watching, especially the small breaks when you would talk to him. He would occasionally feed you popcorn as your wrote. Gotta make sure you were fed. You secretly liked it.

the match came to an end when one of the teams caught the snitch and the crowd roared in applause and boos. George stood up, cheering while you politely stood alongside him, clapping your hands. The cheers began to die down as heavy rain poured out of nowhere.

people began to scramble out of the bleachers like ants so they could apparate out of there. You look at George who’s hair was damp, strands of ginger hair sticking to the side of his face. he was just staring at you “What?” you call out over the loud sounds of the rain.

“I had a great time. I wish i had met you in Hogwarts so i could of had a cool girlfriend writing articles about me. Is it okay if i make up for lost time?” he said, your heart melting a his words. How smooth. A smile grew on your face “i’d love that” you said and that was all George needed.

he wrapped his arms around your waist and pulled you in for a deep kiss. Rain came down on both of you and your notes were most likely destroyed, but you were too in the moment to care. You two eventually left the bleachers and apparated to your place where you gave him a change of clothes and hot tea.

the day ended with you two cuddled up on your couch, next to the fireplace and it couldn’t be more perfect.

☼-☪-☼

Kody: the sheer amount of writers block this shit gave me was insane. Anyways, peace.

☼-☪-☼

Taglist:

@the--queen-of-hell

@sonbelleame

@moonpi3

@dracosathenaeum

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judyhopps934-mt-zd · 3 years

Text

Thoughts on Lies

Warning: Spoilers! And possibly having your heart torn into pieces. Other than that, have fun!

We open up with Marinette figuring out the recipes for the power ups as the new guardian.

I am disappointed that she still has not stopped oogooling over Adrien when he appeared on the news. Especially since she was allegedly with Luka by then. (I'll explain what I mean in just a minute)

Adrien was tired after the day he had as Adrien, which is a contrast of what Marinette believes his life is like. But being Chat Noir is the highlight of his day...

...only to not see Ladybug show up for patrols. And we see that it was all due to her figuring out the powerups.

Also, the patrols are a thing in cannon and I am still not over it after "Truth".

Chat Noir hoping for an akumatization so he can escape his civilian life radiated the same energy as Alya asking for akumatizations to interview the temporary heroes on her IG post. I get it, but still! We do not have people in danger for our needs.

Plagg being the one who announces any voice messages for Chat and asking for cheese through the feature on the Chat Phone brings me a whole other level of life.

Also, the whole milk thing at Le Grand Paris bar counter. It was hilarious, but also very sad. He really missed his m'lady

He ends the patrol after he saw Kagami training with her mom. And the smiles on his face! *Cries in Marichat and Ladynoir*

Plagg is the one that encourages Adrien to move on from Adrien, just like he applauded him from doing so in Loveater.

Kagami apparently said that fencing lessons are scheduled an hour in advance and Adrien (with that goofy grin on his face) knew what was up!

Both Ms. Tsurugi and Gabriel are very pissed at one another for the schedule change. That's hilarious, although everything comes at a price.

The parallels! Kagami is apparently learning Russian at her mother's request. Truly is a reflection of Adrien, civilian life wise.

Kagami? Lying???? The hell???? Who are you and what have you done to Kagami????? (Why am I surprised, y'all did this in Desperada)

She lies to their parents and the teacher to be in the art room with Adrien. I get it, teenage rebellion after being under an uninvolved parent, but still!

I like how the writers gave Kagami another dimension by saying she loves art, but her mom does not like her passion for drawing.

To Kagami's mom: WHAT DO YOU MEAN YOUR DAUGHTER IS NOT GOOD ENOUGH???!!! HER DRAWINGS BELONG IN A MUSEUM!

Also, art reflecting the truth? Hmmm.....

Since people like mentioning that Marinette has a thing for people with absent parents after "Truth", I will now say that Adrien has a thing for people who are great at drawing. I do not take criticism.

Kagami is hinting that Adrien's civilian life is not his true self (thank you for understanding him!)...

...but also says that being a "clown" (it was the Chat pose) is also not who he really is. The fandom would disagree with you. Although that brings up the question of whether both personalities merge to form who he really is and cannot be seen completely by anyone in any part of his life. But he is more like Chat Noir regardless.

Also, I want to see Adrien and Kagami spend more time together prior to this episode to see why she was not pleased with him being a clown if that's who he truly is, because her repositioning him against the wall made me feel like she is trying to place Adrien into a mold that reflects the image she might have created in her mind. (I don't know, this was just the first thought that came in my mind.)

They almost kiss, with Adrien being taken into shock (not terrified as we thought) until the alarm saying they have fencing lessons starting interrupts them and Adrien runs out, not before BLUSHING LIKE HELLO?!?!?

This is what I referred to in my second point and confirms what everyone was saying about this episode: this is "Truth", but through Adrien's perspective. Finally, an Adrien-centered episode!!!

To continue, every time Adrien and Kagami are together or were about to kiss, a sentimonster appears, with Ladybug trying to do something about it. Just like Lukanette, just like Adrigami: being a superhero affects your love life as a civilian.

Chat being thrown off the roof by accident and being rescued will never get old or less funny lol.

Montages continues up until the boat scene, where Adrien missed the intro to the performance, but I will never get over the fact as to how Adrien made it there before Marinette. It is beyond me.

Kagami not letting Adrien stay for 5 more minutes. Hmm...

Their cute moment together was what will lead to the demise of Adrigami as Kagami noticed he dropped the infamous lucky charm bracelet. *le gasp!

Why *le gasp*? Because 1) I fear it symbolizes that something will happen to Adrienette or that Adrien has forgotten about her, and 2) Wait until later.

Kagami revealed she lied so she can spend more time with Adrien alone, lying about leaving rehearsal earlier, lying about the fencing lessons rescheduling, and who else knows what else so she can be with him.

She tells him she loves him. But Adrien notices Ladybug and an Akuma. Oh boy, he wasn't able to give her any attention.

Because he left towards the direction of the boat (and said he left something there), Kagami used that to conclude it had something to do with Marinette. Oh boy.

Either I missed an entire scene about Ladybug knowing ShadowMoth's name, or we were not supposed to know how they know until this episode. It feels out of place to me, but oh well.

"I..am...AN INCREDIBLE SWIMMER!" still cracks me up even when I know how important it was in protecting her secret identity.

Happy Birthday Prince Ali!

Apparently, Kagami lied that her mom was in charge of watching over Adrien (or maybe not? I can't tell at this point.)

Yep, Kagami believes that Adrien is going after Marinette and probably resents them both if her facial expression says anything

We get to see that Ladynoir moment from "Truth"!! I love these two and their banter.

Adrienette stans, not much has changed. Adrien was concerned that he lost the Lucky Charm bracelet, for real. But said again because he though he would be clear of the lie since he thought he had it on him.

Kagami confronts him with it. AND THIS IS HIS SHOCKED FACE SCENE FROM THE TRAILER!!!

Thinking that she lies to get out of being with her, she leaves. With the bracelet. The leaving part is understandable, especially because she does not know about him being Chat Noir or what entails him to do. But why take the bracelet???

Adrien is also saddened by what happened. He also liked her.

We've never seen that part of city hall. Well designed in my opinion.

She was the akuma in City Hall with the glowing sphere! We were right!!!

Adrien feels guilty, though it is not really his fault. He has a duty to Paris!

Why is the music sounding different in French.

Jagged Stone. How do I feel about you after learning you purposefully abandoned Luka and apparently Juleka? Also, what's with the song??? (Rhetorical question. Do not answer)

We were wrong about Kagami's power: it paralyzes people who lie, not kill everything in its path.

Jagged, you abandoned your children. And you apparently lied about your age?!?!?! Both episodes show something about Jagged Stone that make him seem like an awful person on the inside.

Ladybug, how do you know about Lies's powers?!?!? There is a hole in the plot here! Unless there were other paralyzed civilians that gave her power a dead giveaway.

Chat Noir, if you lie as a civilian for whatever reason, of course Ladybug will too, since as a civilian, you need to lie to keep your secret identity a secret. Same rules apply to Ladybug, especially as the guardian.

The Lucky Charm is a drone, not a camera like I thought. How the hell did I get into an ivy if I can't tell the difference?!?!

Chat Noir pretending to lie is funny. It might also be his peppy attitude to lying. Also, his funnier version of ShadowMoth's name.

Ladybug finds the akumatized object and gasps. I wonder if its only a eureka moment or also the fact that she recognizes the bracelet, especially if its custom made.

Brutally honest people does not exist (we have all lied at some point, even Kagami who is usually brutally honest with people), but animals can't lie.

Fang being involved in destroying the akuma is cool.

This is the moment that we dreaded so much, yet knew was coming: CHAT NOIR DIES!

JK! He actually is paralyzed by truth because he jumped into the glowing orb. We were right that this is an anguishing scene to watch, but we're wrong about the part that he's killed. Yet, he still unnecessarily sacrificed himself and caused Ladybug to be angst about it.

WHAT IS UP WITH CHAT NOIR BEING HAPPY ABOUT SACRIFICING HIMSELF?!?!? AND DO NOT SAY ITS BECAUSE HE TRUSTS LADYBUG!

Yes Ladybug. Chat is crazy. And also crazy for you. And you are right about the crazy unconscious part. My Ladynoir heart!

ShadowMoth almost won until Fang bit off the charm bracelet. Thanks Fang!

Chat backing away from Fang licking him is a mood.

My favorite Ladynoir moment of the evening: Ladybug telling Chat to stop sacrificing himself and Chat saying she likes her adorable angry face. Her smirk afterwards.. And then their pound it.

But no seriously Chat. You need to stop doing that to Ladybug. She cannot take it anymore

Plagg said that even if Adrien loves someone else, he is likely to go back to Ladybug. Just like he goes back to Camembert. Seriously, despite his cheese analogies, he gives great wisdom.

Not Kagami almost beating up Adrien during his fencing lessons. And Mr. D'Angercourt notices this too as he stopped Kagami's final blow.

Also, isn't it illegal in fencing to push people? Oh boy.

And there's the Adrigami breakup scene: Adrien telling Kagami that he enjoys their time together and Kagami knowing their is sincerity in him. It is sort of unclear who actually ended things when Adrien asks if they could still be friends, but Kagami ends it all by saying that she will let him know once she can face him again. Ouch.

Adrien is hurt and stares at the lucky charm bracelet with what looks like sadness. Once again ouch.

Like Lukanette, I want to see Adrien and Kagami be happy together at least until halfway through this season. The issue is that it will hurt them more in the end.

Also, I noticed the difference between Luka and Kagami when ending their respective relationships. It hurt them both, but Kagami was more forward about it and Luka was somewhat passive. It could be based on what they know about their now exes (Luka knew that Marinette had feelings for Adrien and was not secretive about it even when they were together if the truths her friends said and the opening scene to this episode reflect this, whereas Kagami only has a suspicion and Adrien does not say anything regarding to it.

Also, I really did not like how the breakup on this end resulted in. While more realistic for a lot of people, it did not help that it involved Kagami as there are people who will go after Kagami after watching this episode, and I believe that the writers know this. Kagami is a good person who has a different response to the trust issues and lack of communication, as well as lies in their relationship. Not saying its a perfect one, but an understandable one. In conclusion, don't trash Kagami, especially if you saw this coming.

I take back what I said before; this is my favorite Ladynoir scene. I want to hug them both because they have to lie and keep secrets from everyone, even have some secrets between themselves! But at least they can trust each other! Excuse me while I cry over how much we are being fed. Also, the fact that they broke up with their respective partners makes this both heartwarming and heart breaking.

Overall, this episode is just as good as Lies! It is the first fully Adrien-centered episode, which makes this a first and already exciting. While I did not like how their breakup was handled, it was realistic and showed that honesty and communication are important. Also, can my children be happy together for longer than an episode??? I swear, their pain hurts me.

But at least Ladybug and Chat Noir have each other's company to get them through. May us Ladynoir stans continue to be fed!

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thevindicativevordan · 3 years

Text

On Supergirl

Figured I should put up my thoughts about Kara in the wake of her first film appearance being announced, and the final season of her TV show fast approaching. Short version is: Kara is very cool and DC needs to stop messing with her.

My Introduction to Kara

I was introduced to Kara the way most millennials/Gen Zers were I imagine, via the Loeb Superman/Batman arc which brought the traditional Kara Zor-El Supergirl take into Post-Crisis continuity, after years of DC attempting to have a “Supergirl” without violating the editorial mandate that Kal needed to be the literal “Last Son of Krypton” (an example of one of the dumb ways DC fucked Kara over). Story goes that one day Dan Didio was in line at the Superman ride at Six Flags (I love that ride even though it’s stolen my glasses every time I’ve ridden it, even when I left them in a locker!). The ride had signs that talked about various Superman characters. Didio was reading the entry for Supergirl where it talked about her not being Clark’s cousin but instead some weird merge of alien shapeshifter, angel, and human girl, and he realized how fucking stupid that was, and he went back to the office and told Loeb to bring Kara back.

Years later I would also be standing in line at the Six Flags Superman ride (probably at a different park location but who knows?) as a youngster and would read the new Supergirl sign that trumpeted that Superman had a cousin who shared all his powers, an update reflecting the new Loeb origin. I thought she sounded pretty cool, made a note to see if my library had any Supergirl stories next time I visited, then got on the Superman ride and promptly lost my glasses like an idiot because I wanted to take them off while I was riding and pretend I was changing from my “disguise” into Superman mid flight. My dad grounded me for this afterwards, but it gave me a funny story to tell at family get togethers and isn’t that what Six Flags is all about?

A month later (and with spiffy new glasses), my mom dropped me off at a new library next to where she worked, and they had one of the best Superman collections I’ve ever seen to this day. I was in heaven and while reading every Superman book I could find (I couldn’t check them out because I didn’t have a card, my mom’s card didn’t cover the area the library was in, and my mom wouldn’t have checked them out anyway since comics were “too violent”), I found the trade collecting Kara’s new origin. I read it and I thought both she and Superman were really cool, and Batman was a punk who had to beat Darkseid by cheating, the loser. Turner’s art to my young eyes was the best I had ever seen, and the panels got engraved into my brain.

I still get downright nostalgic whenever I see Turner Superman or Supergirl stuff. I also got my parents to rent the animated movie adaption of the Superman/Batman arc from Blockbuster (remember those?), and that sealed the deal. Seeing Kara hold her own against Darkseid convinced me she was as cool as her cousin. Next time my mom dropped me off at the library next to her workplace, I went looking for Supergirl stuff to read. I found the first volume of her new volume by Joe Kelly taking place after the Loeb arc and dove in.

It was... weird. 5 years later I might have enjoyed it but at the time I was majorly put off. Kara took a secret identity for a day and then ditched it because it was “stupid” and the kids bullied her. She was always getting into fights with Kal, and there was this weird plot that I couldn’t follow about how her dad had sent her to kill Kal, maybe or maybe not? Also she could grow crystals which I thought was dumb, and said she was stronger than her cousin which I couldn’t buy for a second given he looked like he was carved out of marble, and she looked like she relied on sunlight instead of food. I put the volume back on the shelf and kinda gave up on reading the character after that for a while.

I followed her via the DC wiki updates just like I did Superman, and everything I read seemed dumb and convoluted. She was split in two, moped around a lot, made out with an alternate version of her cousin, and basically just flopped about the same way the rest of the Superfamily did during the 00s. Nothing made me think I had made a mistake dropping Kara until I read the latest update to her wiki page.

I was super into what I was reading about the Busiek/Johns era of Superman online. Lex was back and making a big revenge scheme that involved all the other Rogues! Old Superman Rogues were getting revamped and made cool again! Johns reintroduced Brainiac and made him a big threat, with Kal and Kara teaming up to fight him! Busiek was revamping Prankster and telling big ambitious Superman stories! For the first time in a long while, the consensus on the Internet was that Superman was good again. My “home” library had zero Marvel books and no Superman or Batman books, all their DC stuff was Flash or Green Lantern, mainly written by Johns. Insane to think back on now. My hopes that because Johns was involved with Superman, Superman books would show up at my library were fulfilled. They started bringing in Busiek and Johns collections, and someone there also ordered Sterling Gates’ first volume of Supergirl, and I checked everything out since I was old enough to have my own library card, and my parents were worried more about the violent video games I was playing rather than comics.

I read everything and loved it. I also really liked Gates’ take on Kara. She was still an imperfect teenager but she wasn’t insufferably angsty or constantly fighting with Kal. She was going to give the secret identity another try and Lana had “adopted” her. It’s funny remembering how I enjoyed all that given my current thoughts on how Kara should work, but it was great at the time. I liked Gates introducing new foes for Kara, some classic Superman Rogues adapted for her like Bizzarogirl, others crafted specifically for her like Reactron. Gates’ basically rekindled my enjoyment of Kara the same way Busiek & Johns rekindled my enjoyment of Superman.

Of course it ended terribly like everything Superman-related seems to.

I’ve got a whole post I want to do about New Krypton and what came after. In short that is the most blatant example of “hitting the reset button” that I’ve ever seen. All the potential got wasted, and afterwards everything except Lex’s Action Comics stuff just didn’t appeal to me. Gates got booted off Kara for Nick Spencer who ended up leaving himself later, a promising Teen Titans line-up with Kara on it didn’t happen, and the last proper Pre-Flashpoint Superfamily story was a crappy team-up with Doomsday against Bigger Doomsday (thank God for Cornell’s final Luthor/Superman confrontation at least). When news of the reboot arrived, I was honestly happy. The Superline needed an enema.

Controversial opinion time: I liked New 52 Supergirl. It’s weird because a lot of the stuff I hated about Kelly’s run was here, and a lot of the stuff I loved about the Gates’ run was not. This was angry, moody, emotional Kara again, fighting with Kal and not fond of Earth. But I was in my teens at this point, and I didn’t want happy go-lucky Superman or Supergirl. I wanted my heroes angry, scared of the future, ready to go out there and smash some cars. Morrison’s Action Comics was 100% my jam (still is once I really understood the deeper meaning beneath the work) and this Kara felt like a natural fit for this universe. Plus we got Asrar on art and that guy made it damn pretty to look at, lots of cool science fiction stuff going on, even with the dumb H’el storyline.

I loved all the new Rogues Kara got. I loved her new Fortress under the ocean. I loved how traumatized she was by the loss of Krypton, that she wanted more than anything to go home, that her cousin was like a stranger to her since they had been apart for so long. I found all of that incredibly relatable. A lot of the New 52 Supergirl stories might have been schlock but it was my type of schlock damnit, and I enjoyed it!

I kept with her New 52 series all the way through the Red Daughter Saga (which I loved). As someone who grew up on Johns GL (since that was the only comics my home library had), seeing a Supercharacter join a Lantern Corp was the hypest thing ever. I loved the finale about Kara finally letting go of her anger and losing the ring while smashing her foe into the sun, it was incredibly cathartic for me as an angry teen myself. I finally stopped following her series sometime after since I was no longer enjoying the Superline or really DC as a whole. It wasn’t until I heard that New 52 Superman died and the “old” Superman was back, that I checked back into DC.

DC Rebirth & How I Think Kara Should Work

I did not enjoy Supergirl Rebirth, and I think I’ll talk about my problems with it alongside how I think Kara as a character should work since the two are related. A pet peeve of mine that has formed over the years is this: I don’t like it when Superfamily members get turned into Clark clones. Kon wearing glasses and going to Smallville High. Kara going to high school and being involved in journalism. Jon more or less being written as a copy of his dad personality-wise. I hate that kind of stuff because it’s boring. What’s the point of a Superfamily if everyone is just copying Clark? It also doesn’t fit the characters especially in Kara’s case. Why the hell does she want to be a journalist? Were there journalists on Krypton? I don’t remember ever seeing one! Shouldn’t she want to be, I dunno, a scientist? That seems to have been the El family tradition, wouldn’t she have been groomed for that?

This one-off by Shea is honestly the only acceptable outcome for Kara going into journalism for me. She realizes she’s just copying her cousin and switches to something she wants to do. So Orlando copying the show, which already basically turned Kara into an expy of her cousin, just did not appeal to me at all. What had worked for me under Gates way back when was not clicking for me this time. I wanted to see Kara embody the principles of the S-shield in a different way than her cousin did. So I really enjoyed when Rebirth ended and we moved into the Bendis era with Andrekyo relaunching the title as Kara in space.

Kara in space has always felt like a good fit for me. Unlike Kal I’ve come to believe that Kara really shouldn’t be all that fond of Earth. For him it’s home, but for her it’s just where she ended up after her real home got destroyed. I think Kara works well as a sort of nomad, occasionally making stops back home to Earth to check on her cousin, but otherwise? She’s more comfortable out in space than she could ever be on Earth. Out in space she can be Kryptonian (which is what she should think of herself as in contrast to Clark being torn between his Kryptonian biology and human upbringing, and Jon/Kon identifying as human), be her true self, not have to pretend to be human to fit in. Kara founding a moon refuge was one of the best ideas for her that I’ve seen, I would love if DC made her Future State refugee center on the moon canon. I’m excited for more Kara adventures in space with the upcoming Tom King story.

Also love that her and Krypto are getting tied together, if they don’t want to use Krypto in Superman’s stuff, let her have him! Bring on cosmic adventurer Supergirl!

Personality & Other Traits

Kara to me should be more hot-tempered than her cousin. All the Superfamily members should have a temper in my opinion, I see that as the “Deadly Sin” of Superman and his family. But while Kal is like a simmering pot that will explode if it’s left cooking for too long, Kara is like dynamite. Light her fuse at your own peril because she will go off on you.

I also like the idea of Kara being rash. Kal’s got a maturity that came from over a decade of having to live with Lex Luthor constantly getting away with all his evil schemes. He’s patient because he’s been forced to be. Kara? If you ask for her help she’ll give it, but beware because she doesn’t really care about the long term impacts of her decisions. She’s an invulnerable teenager after all.

Really liked that Venditti Annual where Kara got tutored in history by a reincarnation of Hawkman. Kara having a passion for history is a neat trait, would be nice to see her teach Kal or Jon some Kryptonian lore, or have her lead a Kryptonian holiday celebration for the Superfamily because she’s the only one who remembers how to do it.

Sexuality wise I know a lot of people ship Kara and Lena on account of the chemistry between the two in the show. I haven’t watched the show myself but I’m fine with making Kara bisexual, the Superfamily could use some LGBT+ rep, and Lena hasn’t done anything of worth as a villain, so undo that and throw the two together. If we’re letting Harley and Ivy get away with murder I think we can let Lena off the hook too, undo the Ultrawoman weirdness and put the two together. Could be fun seeing the two building that moon refuge together.

All in all I think Kara is a great character who is a stronger embodiment of the immigrant experience than even her cousin in some ways. I hope King does a good job with her, she’s treated better than her cousin on the film side, and that overall the 20s are a better decade for Supergirl than the 10s were.

#supergirl #superman #lena luthor #krypto #dc comics

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casualotptrash · 3 years

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Fixes to the Persona Series

Oh boy I hope you all are ready to talk about this for the hundredth time!

My recent tirade about the FES vs Portable discussion started to make me think about what I think could be done in the next coming installments of the series to make it either feel a bit more fresh or just as an overall improvement. Now, I know many of the things I’m about to say have been said time and time again, but...this is my post so I’m going to give my opinion on this :)

Enjoy and feel free to vent with me about your biggest gripes with the series, because I’m always ready for a salt-fest.

(This post will pretty much have any spoilers about Persona 3, 4, and 5 (including Royal) so beware if you haven’t finished those)

To clarify right off the bat, anything I don’t mention in here as something I would fix I either don’t think it is a problem or I just happened to forget it.

1. Player Gender Options

(Royal Spoilers)

Starting off with a great one, I think that an improvement to the series would be to allow an option between a male and a female MC. I don’t think this choice would affect the story in Persona 3 or 4 very much (and we’ve seen that with Persona 3), but I have imagined and seen so many fanfics about how it would actually be a really interesting twist for Persona 5. For most of the story it probably wouldn’t matter too much, but it could impact the first palace so much. The first palace/story arc is already one of the best arcs in the game, so imagine if the player could relate to Ann and Shiho on an even deeper level? To be clear, I’m not saying the player has to be sexually assaulted or something, but I imagine Kamoshida would at least treat the player more like Ann rather than just a delinquent nuisance.

Also, and this just came to mind, but picture this: in the third semester Maruki actualizes things that he thinks will make others happy. Obviously, Joker and Akechi are against this. In the game itself there are a lot of clues to point that Joker does care about Akechi, and does want to see him again, but in the end they both agree that they need to fight for the real world that they worked for, not for a fake reality. If Joker was a female, they could still go the route of doing this (especially if romancing Akechi was an option? Or they just hint at them having feelings but Akechi doesn’t want to commit because he’s a self-loathing boi who needs to work on himself first).

Alternatively...what about a badass narrative of a girl, in a powerful position as the leader of the Phantom Thieves, fighting against a man who believes he knows what’s best for her and tries to appease her by just bringing back Akechi? Kinda like a “Yeah fuck what you did, you just need Akechi/a man and he’ll make you happy” type of thing. Obviously this would all be subtle, because I do think Maruki has good intentions, but he also blames himself for all of the hard things Rumi has gone through and may internalize that as women needing a “strong man” to protect them. Of course this might seem too preachy for people, but I thought it was an interesting idea to run with and that some people could relate to the whole “Woman trying to think and do things for themselves? Nah just sit in your little fake world and be happy, thanks.”

(Sidenote, Sae would be such a good role model...after her change of heart of course. You crush it girl.)

However, I do understand that this could be a lot of extra work, especially when the game is so long and tedious. That’s why I would also be fine with the strategy of “switching off” per say. By that I mean if Persona 5 has a male MC, then Persona 6 would have a female MC, and if a 7th game was made (in 2040 or whatever) then it could go back to a male. This would eliminate the issue of having to record all the voice lines twice or any other extra work that would come with having to make both genders an option. Honestly I know this option doesn’t matter too much to people, they just want an MC who is either a self-insert or actually a character (more on that later), but I do think it would be a very nice inclusion especially for the female fans of the game. It kind of sucks that three of the most popular games in the series all have male protags, and the female protag who was introduced often gets shafted for very dumb reasons. (Oh no, you have the option to romance a kid that most people don’t even choose or like, that means she’s a p*do! :I I know this comment is normally a joke but seriously it’s not funny).

2. Setting of the game (not transfer but also maybe involve the other games?)

(Spoilers for the Arena games and Persona 5/Royal)

So there are two main points to this suggestion: where the game takes place and how it relates to the other games.

As we all know, the three latest entries in the mainline Persona series have all followed a certain trend. They are all high schoolers, who transfer to a town, and know basically no one there. This formula has been repeated for the last three games, and while they are still great games, I think this trend needs to change. Any amount of switching this up would be better than nothing in my opinion. For example, the MC could be a new college student who goes to a new place for college (if they wanted the MC to move somewhere), and there meets the party members who are a mix of people who also don’t know the area (new to the college) and those who do know the area/some people there. This would appease people who have been really wanting an MC to not be a high schooler, while also giving the feel of meeting new people and seeing a new place.

On the other hand, the next game could take place in the MC’s home town, where plot stuff happens and they connect more to the people they already knew (aka party members) to solve the plot stuff. They could be in high school or college, either I think would work, but it would appease people who don’t just want to be a transfer student each time and also have some connection to the characters prior to the game. However, this would be difficult to do given the current “flow” that the games have, that is that the MC doesn’t know anything and has to ask a million questions. It would be very strange to go up to someone you have known most of your life and ask them a basic question, which is why that style of storytelling(?) would not fit well with this and other methods would need to be used.

Now, for the second point, I understand that they don’t make strong connections to the other games because they want each game to be able to be played as a stand-alone, and not to hold people back by forcing them to play the other games to understand this. Makes sense, but usually what happens is that people play one game in the series and then try another game, if they really like the one they started with. After playing through the ones they want to, and if they like them, then there is an appreciation for the series as a whole. Of course Atlus sneaks in little references here and there, like having the P4 gang go to Iwatodai or some TV news announcements on P5 that allude to Adachi and other characters, but those cant always cut it. One of the biggest letdowns I would come to know is the fact that the Shadow Operatives are not mentioned at all, outside of those small references, in P5.

Persona 5 literally has the PT’s broadcasting all of their heists, and includes major government officials like Shido. There are also the mental shutdowns/psychotic breakdowns, which also have people confused, along with how the PT’s steal hearts in the first place. I don’t know about you all, but this seems like the perfect opportunity to get the Shadow Operatives involved. This is like...literally what they were made for? Investigating persona/shadow activity and such, and we already know that the PT’s deeds reached at least Hawaii so it would be strange for the SO’s to have not heard anything. There are headcanons that they were blocked by Shido or something, which is pretty interesting to think about/develop, but it was only thought up to make an excuse for why they aren’t there. Persona 5 introduced a lot of people to the story, so yeah some people would probably be very confused about who the SO’s are and stuff, but it could payoff in the long run for long-time fans and those who play the other games after.

Depending on the story of P6, I don’t think it would be a bad idea to start including casts from the other games into newer ones...especially when each game introduces 8-9 new characters per game, and those games usually get made into spin-offs that include the characters made in the previous games! Counting only the characters introduced in the previous games (3-5), Persona Q2 has 33 characters (11 P3, 10 P5, 10 P4, and 2 P3P, this includes the velvet room assistants for each respective game). That’s a ton! Sure, having new characters each time is part of the fun, but I believe there is definitely a way to split them up. I don’t think it would be too much of an issue to have a smaller party member group (you can only have 4 fight at a time anyway), that way there is still the enjoyment of seeing new characters, while also filling up some of those spots with preexisting ones.

3. Characterization

This kind of piggybacks off of the second point, but personally I think they need to stop with the self-insert protags. First, like I mentioned earlier, it kind of messes up the “flow” of the game since they have to pretend that the character doesn’t know anything because the player doesn’t know anything (yet). For example, how many times did the option to say “Probation?” or “Expelled?” or something like that come up as a dialogue choice in P5? Too often, in my opinion. I assume anyone over the age of 15 would probably know what those things mean, but in case anyone doesn’t they have to make it an option to say.

Adding onto this, it also seems like people start to like the characters a whole lot more when spinoffs or movies/animations come out that really expand on the character, because in those games/mediums the player is taken out of the self-insert role. I would say out of the three games, the Persona 3 protags have the most characterization in game through their dialogue. I haven’t watched the movies, but I heard it fleshes the MC out a lot more. In Persona 4...well, I see what they’re going for but I also feel like Yu has the personality of a cardboard box. The animations definitely helped out this one, as did Arena, and I’ve seen other people agree that they liked Yu a lot more after playing/watching those things.

As for Persona 5, I think they tried to give Joker some characterization (and oddly enough “Joker” has a lot more to him than Akira/Ren, but he still fell more on the side of self-insert. P5 the animation is...of questionable quality, but I think Xander did a good job in the Dub (which is the one I watched) in trying to make him feel more like a human being. I haven’t played Strikers, but I assume it goes more on the route of P5 because you’re still controlling Joker. Oddly enough, I feel like the dancing game gave him the most characterization? Call me crazy, but his dance moves and voice lines just ooze of his suave, friendly, and supportive attitude. I wish that they took whatever those voice lines embodied and just put them into the game, because I would like Joker a lot more than I already do (which, to be clear, I do still like him a lot).

Although this doesn’t have much to do with the characterization, it would also be nice if Atlus could just put the “canon name” in the game while also still having the option to choose your own name. Again, this might add a little more work but maybe if someone chose the “canon” option then their name could be spoken in voice lines, but if they don’t then the names would be left out (except for text) like usual. Honestly this is mostly up to personal preference because I like some of the “not canon” names more so I would want to use those if I could, but I also don’t like having the characters just randomly cut off in the end of sentences when they’re saying your name. Just kind of breaks immersion, which is probably why I really like Joker because at least they say “Joker” quite a bit.

(Little rant, but why do the PT’s get like two group names? At first Morgana defaults to “The Phantom Thieves of Hearts” but then when you get to choose the name of your team, that name is what shows up instead. However, everyone still calls you the “Phantom Thieves” and the gang refers to themselves as that too! I get naming the group is kind of cool, but I would have preferred if they were just called The Phantom Thieves (of Hearts) and that way their name could be spoken in dialogue too.)

4. Choices matter...please? (romance and regular dialogue)

This might be easy or difficult to implement, I’m not so sure because I’m not a game developer, but I really wish choices mattered more in this game. I feel like most of these suggestions (especially later on down the list) are just little things that could be added to the game that would really amp it up, and this is one of them.

When I talk about choices mattering, I do not mean that dialogue should be so open that there are branching paths and that your choices affect the story. What I mean is that you could choose two different options and not get the same exact answer. I get that this isn’t always the case, but when it is it feels very strange. In this same vein of things, please stop with the illusion of choice because everyone sees right through it. I didn’t really see this as much in P3, and I still need to finish P4, but it was definitely apparent with P5. I felt that so many times in the game there were two options that were just “Option A” or “Synonym for Option A” as the choices.

Along the same lines, I think it would be great if romance choices were actually acknowledged. Again, there is a little of this in P3 and P4 where some party members comment on your relation to the other party members (Ex. Junpei saying to take care of Fuuka if you date, Yukari stating that Akihiko probably wouldn’t want FeMC going on a group date if they’re dating, and Yosuke coming to assumptions about who Yu spends the summer festival with), but they are very few and far between. I also saw no evidence of this at all in P5, which was pretty disappointing. In fact, in Persona 5 Royal if you are dating Ann and go on the Christmas Date with her, she makes some comment about not wanting the others to find out about them. Like...girl, considering someone can finish Ann’s social link as early as June or so on NG+ I’m pretty sure your friend group would notice if you’ve been dating for 6 months?? I know that romance is definitely not the focus of the game, but if you’re going to include it why is it shoved into the farthest corner and never touched?

Don’t get me wrong, it is cute to see the romances in the game play out and such, but on the same hand I can see how much better it could be. In reality it kind of sucks to romance someone in the Persona games because no one acknowledges it, and you only get like 3-4 small scenes in each game to spend with them (beach in P5, festival in all, Christmas in all, valentines except for 3, White Day in P5R). Just imagine if you could take a walk in Kyoto with whoever you romanced, or were able to take your partner to the Jazz Jin in P5R and they would get like special date dialogue or something? Very very small additions, but it would go a long way in making the romances feel a bit more connected.

5. LGBT Romances

I went into this in some detail in Part 3 of my FES vs Portable debate post, so I to save your eyes from reading more I’ll just quickly say that Atlus definitely needs to add in more LGBT romance options because it’s ridiculous at this point. The fact that you can’t romance any guy (because all of the MC’s are male, this is not including the FeMC stuff because that’s not typical in the Persona series) but can have a whole harem (despite what they may do to you) is just ridiculous. They’d rather let you date a fully-fledged adult than someone of the same gender.

Also they’re cowards for scrapping the Yosuke romance and that’s that :)

6. Fixing Social Links

Link to the stand-alone post about this section.

I literally was going to include this in this post, but this section alone (which I knew was going to be the biggest) was almost as large (a few hundred words off) than everything prior to this point put together. I’ll make a separate post with just this section soon, but this criticism of mine can basically be boiled down into the fact that the main growth of a character should happen outside of their social link in order to avoid tonal whiplash in the story, and that this will fix the problem of some characters feeling “one-note” if you do not do their social links/confidants. Essentially, go back to the P3 method.

However, something that needs to be fixed for all of the games is that you shouldn’t only get social link points for saying what the person wants to hear. I get the train of thought that if you say what they want to hear they will like you more, but that’s not how real friendships work? Obviously you shouldn’t be saying something that offends them and think it will raise your points, but sometimes people just need to hear things?

I can think of three standout examples: Nozomi in P3 (Gourmet King), Mishima in P5, and Shinya in P5. Nozomi’s link is a hot mess in of itself, but it was very frustrating to at one point just be like “Hey can you chill?” when he’s trying to induct you into a scam/cult or whatever, and it reverses the social link. Like ok buddy fuck you too, I was just trying to say no and that you need to stop scamming people?? For Mishima in P5 (I’ll go more in depth on him in a later post), it’s just kind of strange that you can clearly see him starting to obsess about the PT’s but you can’t really tell him he needs to stop until the social link demands it. Even then, the only way to get points is pretty much to go “Wow Mishima, you’re the best! You’re the reason we exist! We love you!!!” and it just feels kind of wrong. Shinya’s is very much along the same line as that, except you basically have to do something even worse and encourage him to keep being a bully? Thankfully P5 doesn’t reverse confidants, but I probably would have done so with Shinya because I kept telling him he shouldn’t bully others until I realized how to get points with him. It just feels wrong to encourage such behavior until the character suddenly realizes they’ve been acting wrong. No shit, I’ve been trying to say that.

I think social links need quite the fix to them, but this is definitely one of them. Strong, real relationships are not just built upon telling the other person what they want to hear.

7. Have Characters Hang Out

This is mostly a suggestion based off of P5′s downfall in this aspect. I think that P3 and P4 did a good job at showing the characters hang out in other aspects, or hang out separately outside of the MC. P4 had a lot of good group hangouts, but not many scenes without the MC. P3 had the opposite where members kind of hung out together a bit, but also showed or mentioned them hanging out without the MC. However, P5 didn’t have much for the group hangouts and also I can’t really recall a single scene of the party members hanging out outside of the MC.

Along with all of the problems I mentioned earlier with the cardboard cut-out personalities, I feel that this contributed to P5′s group feeling a bit less cohesive. Obviously when they all hung out they acted like a real group of friends, but it’s hard to see it as legitimate when 95% of their hangouts are just meetings for the Phantom Thief stuff. The only times they hang out outside of the PT stuff is the TV station, the fireworks festival, helping Futaba + the beach trip, and the culture festival. Like I said, I can’t recall them hanging out together outside of being with the MC/PT business, although I could have missed some stray text message if one was mentioned.

In this aspect, P5 feels like a small step down from P3 and a huge step down from P4. I think some of the events in P4 are a bit unnecessarily long, but at least they go through the effort of showing that the group is also a real friend group, not just people trying to solve the murder. Strikers may be a step up from P5, but I haven’t played it yet so I can’t judge that.

Also bring back school trips to prior locations of Persona games. Imagine P5 group going to Inaba and it turns out this is the small country town that Joker came from? And they sprinkle in references to P4? *chefs kiss*.

8. Remove/Change Certain Tropes

(Spoilers for the babe hunts, stupid ass hot springs scenes, and Ryuji abuse after certain palace)

By that spoiler tag, you can probably tell that this is the category I’m most passionate about. I can deal with social links feeling a bit disconnected. I can deal with the MC being a self-insert. What I cant deal with anymore? These. Dumb. Ass. Scenes.

Let me explain (insert Sojiro voice here)

Every game has three main tropes. One, the babe hunt scenes. Two, the hot springs scenes. Three, one character being dunked on by everyone else. I’ll go through each, scream about my feelings about them, and why they need to change.

First, the babe hunt scenes. I don’t have much of a problem with this trope to be honest, I just think it could be done better in some games. I actually think the one in P3 was quite funny, because the group treated it like an “operation” which added a bit to humor. Truth be told, I was just a bit disappointed in P3P FeMC route when you didn’t have your own version of the “babe hunt” thing. I know Yukari and Mitsuru aren’t the types to go hunt for boys, but perhaps the MC could have suggested it as a fun idea. In P4, this scene happens in Okina and largely remains the same as the P3 formula, but I think it lacks just a bit of the humor that the P3 one had. Lastly, in P5 this scene happens during the beach trip but compared to the others it’s pretty...lackluster?

It shows a montage of Joker, Ryuji, and Yusuke talking to girls but no actual dialogue goes on. After talking to three or so, Yusuke disappears and this is when Joker and Ryuji meet the two “flamboyant” men again. This time, the men either chase them down or call after them (?) depending on if you’re playing Vanilla or Royal. I don’t like how they use these men in the first place, but on top of that it kind of takes the “babe hunt” out of “babe hunt” if you don’t actually...hunt for babes? Like no actual dialogue is spoken when trying to convince the girls, which was most of the fun in the other scenes. You don’t even have free reign to walk around at the beach, and the scene is formatted in a more cutscene type of way. It just makes P5′s babe hunt fall flat in many ways, and overall I finished the scene with a strong “meh.” The only good things about this was watching Makoto and Ann defend themselves and Yusuke with the lobsters.

Now for the hot springs scenes....hoo boy.

Simply put, in my opinion, these scenes suck ass in almost all of the games. P3 is the least egregious in my opinion, for a couple reasons. First is that it shows that Junpei and Ryoji were kind of trying to peep on the girls, and Akihiko and MC were just dragged into it. They have some funny dialogue, and in FES and Portable they even included the option to try and evade the girls. I found the little evade minigame to be really fun, even though every time I can’t help but fail because I want to say “It was a cat!” I find it interesting that there is the option for the men to get off scott-free, and that their dialogue after the trip is over changes slightly because of this.

On the FeMC side, I also find it fun that you have the reverse of the minigame and actually seek out the boys. My only letdown with this entire scene is if the boys are caught. I get it, it’s supposed to be funny with Mitsuru executing them and such, but as a reasonable person with a brain it seems really dumb to me that Mitsuru would just punish all of them when it’s just Ryoji and Junpei’s fault? This is nothing against Mitsuru, but her actions just seem so...exaggerated for some reason? Like Mitsuru is usually smart, and even if she is embarrassed I don’t get why she would punish innocent party members. A huge disappointment for me was that the FeMC isn’t able to stop Mitsuru from doing this either. Not even a choice to try and encourage Mitsuru or discourage her (so both options would be available). You just kinda sit there and watch, even after Akihiko say “It was a misunderstanding!” or something. For me it was especially strange because MC was dating Akihiko at that point, so why wouldn’t I try to hear him out? Just struck me as kind of dumb.

If I thought that was dumb, P4 and P5 were out to really make me roll my eyes and sigh in disappointment. Unlike P3, which has most of the scene being pretty good besides the very end where Mitsuru punishes the boys, the P4 and P5 scenes are all bad. This is not the first time anyone has said it, and won’t be the last, but they aren’t funny scenes in the slightest.

In P4, it’s actually the girl’s fault that they’re in the hot springs when the boys walk in. They stayed over their allotted time and into the time when boys are supposed to be in there. So what do they do? Get flustered, yell at them, and throw buckets at the group. Oh, and they don’t listen to the boy’s protests at all. Really.

Who thought this was a good idea?? The girls even realize after that they were in the wrong, say they should apologize, but I don’t think they ever show a scene of them apologizing after. This whole scene, like the hot springs ones in general, are just exaggerated (ie. throwing masses of buckets) to be funny, but they really fail in my opinion. It just serves to make the player kinda angry (since they’re usually on the receiving end) and make the girls look wildly unrealistic and dumb. I have never really thought that needless physical abuse is funny, so these scenes are just the bane of my existence apparently.

There actually isn’t a hot springs scene in P5, but they did add one in Strikers.

If they wanted to still do these scenes, maybe they could switch from making it “just beat up the boys” into something else. For example, the girls could try to peep, or walk in on the boys. Equality y’all, sometimes girls can do those things too (but still don’t beat them up. Just don’t beat anyone up). If none of that happens, or maybe that’s how the scene ends, the rest of the scene could just be a chill, relaxing scene between those involved. Essentially, how the scenes go before the whole “lets beat up the boys” thing comes in.

Lastly, on basically the same vein as why I don’t like the hot springs scenes, I’m starting to get real sick of the “let’s shit on this one character” trope. In Persona 3, I don’t think it’s that bad because they kind of do it with Junpei but they also give him a lot of character development, and eventually the sort of hostile shitting on him turns into just gentle teasing.

For P4 I still don’t think it is too bad, because Yosuke is kind of the one being shit on but he also does the same to the other people in the group? I suppose the only thing that really sticks out to me is how Teddie abuses Yosuke’s wallet (making him buy/pay for a lot of stuff with his hard earned cash), but I also don’t like Teddie at all in the first place so I may be biased about him. Oh well, he still shouldn’t do those things and I don’t really find it funny but to each their own.

However...this problem walks and rocks the fucking runway in Persona 5. Namely, this happens with Ryuji. The most obvious aggressor in this is Morgana, because him and Ryuji butt heads so often, but the other thieves kind of do it as well. Obviously they don’t do this all the time, but it’s extremely frustrating when they do. Morgana getting into arguments with Ryuji at the drop of a hat get old very quick, and the other thieves poking a bit of fun about how dumb Ryuji can be is also not that riveting. Despite all of that, the scene that highlights all of this is the scene after Shido’s palace collapse.

You all knew this was coming, but I couldn’t resist talking about it. The scene is so tone deaf in so many ways that it takes away all of the emotional impact that they were trying to build. Even the first time I watched this scene, in which I didn’t think they would kill off Ryuji, I could still sympathize with the group being concerned about him. Then when he shows up they...just beat him up and leave him unconscious next to a pole while they walk away? Wow.

On all subsequent playthroughs I just skip this scene, but I truly cannot understand why that was the angle they went for. Were they trying to insert some humor right after an emotional scene? That can be done in certain cases, but....why??? It’s so unbelievable it’s almost laughable. It’s not even like the bath scene where the the girls think the guys are trying to peep on them. It’s simply because he survived which I assume is what they wanted!

“Oh no you made us thought you were dead (even though he didn’t because he couldn’t control any of this), we’re going to beat you up!” Now you just make the characters look like irrational idiots.

Seriously Atlus, stop doing this. In most cases it just serves to make the player kind of frustrated, and in this case it it literally takes all of the emotional weight out of the scene and makes me think worse of the entire female cast. Please. Stop.

Well that’s the end of that. I don’t think I said anything too revolutionary, although my opinions about the social links and characterization might get me some flak. I just want the characters to be more than one personality trait... This was a really long post again, so kudos to whoever made it to this point!

Next time, on Dragon Ball Z Casual’s pointless posts: something Persona related :)

#long post #persona 3 #persona 3 portable #persona series #persona 4 #persona 5 #persona 5 royal #p3 #p3p #p4 #p5 #that's a lot of p's #ready to get shit on for my opinions #but maybe just ask me first before doing so #who's ready to play persona 6 when it comes out and be slightly disappointed #I am!#but I'll still like it because it's persona

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kervinredfire · 3 years

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My Other Fanfics in the Future

Well, I made announcements about my 2 Loonatics fanfics-related stories coming soon. So here are my other fanfics that I am making. But before I am going to show you my other fanfics, I like to share what most of them are like. Kervinverse related. If you checked my Tumblr header it's pretty obvious.

As you may wonder what is the Kervinverse is all about? The Kervinverse is like the multiverse but with all different kinds of Kervin. Inspired by Spiderman Into the Spiderverse all the versions of Kervin contained different personalities, stories, almost the same appearance, fighting styles, and special abilities. One of the most signature outfits is the black and red formal suit.

I already made a folder in toyhouse. However, most of it are unfinished and still ongoing.

https://toyhou.se/Kervin619/characters/folder:812137

People think that those stories a self-insert but it is actually not. Me and my other Kervins are the same but they are different the appearance, abilities, and personalities. An example is Denk Ops’s Chris Danger from the WWE games. And note that this is another long announcement for the other fanfics

So anyway, here are my Kervinverse stories that I would really like to share about Wattpad in the future. So are book covers later

KERVINVERSE STORIES (Including crossovers):

Grand Theft Auto Origins: Kervin Made Liberty – Set in the GTA HD Universe. Before Kervin (GTA Online) came to the place called San Andreas, he was just a very young boy who was born in the place called Liberty with his parents. His father Claude who became rich and retired to a life crime and his wife Misty who used to be a prostitute. It was normal and happy life for him and his parents. But when years passed when he is getting older, he slowly starts to realize what kind of broken world he is living in.

Now for those who played the HD Universe of the GTA Games you know every protagonist in the HD universe like Niko, Johnny, Luis, Michael Franklin, and Trevor. As much as they have different stories and perspectives but this story about GTA OC that he was living with full of offensiveness, disrespectfulness, brutal honesty, and others. An example in GTA IV a radio commercial of Babies Overnight that said that someone was not satisfied with the baby it can be disposed of. Although it would be interesting to have that backstory for my next OC for GTA. So, this story may contain a lot of murder and crimes on what led to him going to San Andreas. So, watch out. And for those who have not played GTA Online why his parents are both Claude and Misty is because it was part of the premium edition for free in Epic Games.

Def Jam X Kung Fu Panda: Book 1 Fight for A New Fight (maybe a working title) - After the events of Def Jam Vendetta, Fight For New York, and The Kung Fu Panda Trilogy including Legends of Awesomeness. Set during Paws of Destiny Season 2 in the Kung Fu Panda universe while in Def Jam 2 years later in the year 2005 after Crow's death (Fight for NY still takes place in 2003) Kervin (Def Jam Fight For NY) the new leader D-Mob's crew but also officially known as the Def Jam Crew after Blaze appointed him to take his place. Kervin has to manage every venue, club, and arenas in New York including places that Crow took over. But in Chinese New Year there was something strange that Kervin and his crew got transported to a different universe. Including former members, fighters, and circuit fighters.

Now, this fanfiction sounded really odd. As you may know why I am making crossover fanfic of Kung Fu Panda X Def Jam? Easy. The first one is because this is what would have been my PS2 games if I ever have a PS2. I was thinking of Mortal Kombat or Yakuza for Def Jam but Kung Fu Panda is the only thing I know when I was 7 years old. The second is because back in the days Hip Hop mixed with Kung Fu was very popular. Although Def jam may be a wrestling game martial arts stole my heart in Def Jam Fight For NY. I heard about things like the Wu-Tang Clan for example but the biggest problem for me is that I am not a true fan of Def Jam because I don’t know about hip hop artists. Just only the games so I will be focusing on their video game counterparts in their fictitious manner meaning pretending real-life characters with their real name are fictional characters. So, if there and fun facts in those real-life counterparts I may add them to it like easter eggs. The third is that there are Kung Fu Panda characters that did not get enough love and mostly art. So many recognizable characters like Po, Tigress, Tai Lung, and many more have become the most recognizable characters in the movies. But what about the tv shows like Legends of Awesomeness and Paws of Destiny? One of my favorite characters of Legends of Awesomeness is Peng, in short, he is the nephew of Tai Lung and he is such an interesting character that he deserves a lot more love. While for Paws of Destiny is Xiao because she is such a cute character, so is her personality and the best character to have hugs with. So, what I am trying to say is that I need to start off with the character that is unrecognizable then bring it recognizably. I may also add characters from shorts like student Mei Ling in the future book and it would be funny and to see rogue Mei Ling. 2 Mei Lings in one. Even Su and Master Snow Leopard because are both female leopards with the same appearance and outfit. I may also include some characters from the flash game Tales of Po and may possibly rewrite them in different stories because I love the character designs thanks to Blue Maxima’s FlashPoint. And the fourth and final part is that to make the Def jam games more recognizable. Def Jam in music is not absolutely enough but video games are. The Def Jam games did not bring a sequel after Fight For NY so I might as well make a sequel with interesting and experimental crossover fanfic just like The Loonatics Road.

The Red Fox (Kingdom Force Spinoff and maybe a working title) - The Kingdom Force has 5 members defending the 5 Kingdoms. Luka the wolf who leads in red, Jabari who runs in yellow, TJ who drills in green, Delilah who swings in orange, and Norvyn who strengthens in blue. Each of the 5 drives Kingdom Riders and turns them into Alpha Mech to fight against evil in the 5 Kingdoms. But even if they save the day multiple times the 5 Kingdoms are still filled with more crime and every antagonist came back doing other crimes and evil deeds because they were not arrested or eliminated. That's is when a red fox came along...

I have seen popular fandoms in cartoons that were supposed to aim at younger kids like Lion Guard, MLP, Paw Patrol, and even Bluey. But Kingdom Force is the cartoon that did get enough love. It's like Power Rangers and Voltron but with anthropomorphic animals like Zootopia. However, the stories and episodes in the show is very confusing and give me almost a lot of questions. But I do like the character designs in the show. My favorite hero is Luka who is a leader with and cute cuddly character personality and my favorite villain Envie Fernadez which she has a pretty hot design, name and voice and so is her personality. Reminds me of Sly Cooper but I have not played the game yet. But for the red fox also OC Kervin (Kindom Force) It’s still at work.

APB Reloaded X Zootopia: Anyone Can Be All You Can’t Be: - In Zootopia “Anyone Can Be Anything” But in San Paro “Be All You Can’t Be” Zootopia is a place where vicious predators and meek prey live in harmony. This means that people in Zootopia live together without the prey getting eaten by predators and predators not getting feared by the prey. They almost eat like us, they sleep like us, they speak like us, they walk like us, they run like us, they bathe like us (well almost), and most importantly they use technology like us. While San Paro maybe has a good look to sightsee but this city has a lot of crime. Robberies, bombings, thefts, drug dealing, murders and causalities, vandalism, and much more that we can think of. But that does not mean there is no justice in this world. When the Criminals like the Blood Roses and the G-Kings try to take over San Paro? The Enforcers Prentiss Tigers and Praetorians from come and save the day. What would happen when a human Enforcer meets a police fox and a police bunny? And how did it happen? Only one way to find out.

Now this one is also a Kervinverse crossover story. It focuses on Kervin (APB Reloaded) meeting Judy and Nick. I am trying to find a way on how will they meet each other. But the only thing ideas I know is that it can be a delivery gone wrong, an invention gone haywire or maybe a criminal stole something magical that is transported to a different universe. But I have a lot of strange things in the game like the Christmas events and Halloween events. I like to see any volunteers who play APB Reloaded. And for those Zootopia fans who have not played APB Reloaded you check it here. https://store.steampowered.com/app/113400/APB_Reloaded/

Well, that is it for the Kervinverse stories. Now it’s time for the other stories that I also planned in the future.

OTHER FANFICS:

Alza Flare (Road Rovers Fan Spinoff)- Alza is a black cat born in the place in New York City, USA. He was born inside a pet shop without cat parents since he was born. His parents' status is unknown. Although he did make friends with other cats and non-cats in the shop. But it was a short while until a human customer named Drayson Flare and adopted him as Alza Flare. Alza has been Drayson's pet for 3 years and they instantly became best friends but when during the time when they are about to go home from the park. A terrible accident happened.

A long time ago I watched Road Rovers on my phone just to try something nostalgic and the show is pretty good though although there are some parts that don’t use their powers all the time. One part that caught my eye is how brutal car accident in the episode “Dawn of The Groomer” which gave me an idea of my new anti-villain OC character named Alza Flare. Sadly, he does have an image of him yet. But I will tell you that I will give you an interesting revenge story for him.

The Best Surfer In The World (Surf’s Up Spinoff. Maybe a working a title and synopsis change) - After the events of Surf's Up and Surf's Up 2: Wavemania. There was once a wolf who lives in the place of Chicago Illinois. He quit his own career due to being a rejected member of Hang 5 for being too unstable and after beating J.C. in a tournament years ago and after his early retirement, he spends his normal life as an ice cream man in his own ice-cream motorcycle with one of his own freshest ingredients and swears to himself that he would never in the waters again. Until he met a young Toyger.

Surf’s Up is my first favorite mockumentaries since I was young. It’s like you are watching animals andromorphic animals absolutely existed in the world we live in. It had an interesting story and writing so are the interesting characters. But when I watched Surf’s Up Wavemania. Well, I honestly love the WWE Superstars and Diva came into the movie but the story did not actually surprise me a lot. Even if the movie has a lot of beautiful locations it still did not surprise me enough because it is more like an adventure than a tournament. That is why I am planning to start my fanfiction in a new different approach with a real story and a real rivalry. Starting with wolf inspired and based on CM Punk during the part when he won the WWE belt against Cena in Money in the Bank when I watched it since intermediate school with a little rename change so it won’t be obvious. And of course, my Toyger OC because he would be trained by his own surfing master. Also, I added a Slam City easter egg

Fire Pro Wrestling World Origins: Story of 2 Angels – There is no synopsis of them yet. But I will tell you they are brother and sister with the last name “Angel” The brother who is a pop artist while the sister who joined a motorcycle club. What they both have in common is they both can fight. Their stories about my 2 new Fire Pro OCs will be coming soon. But they are not part of the fighting roads.

Well, that is all for all the future stories with some summaries that I really want to share coming soon. Thanks for following including Wattpad

For those who are new here follow me on both Tumblr and Wattpad with the orange word link

Feel free to donate to me in PayPal

Also making fanfic is really long to make just like making an announcement. So again. I only post all chapters in 1 book.

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loreweaver-universe · 4 years

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And that’s...the show.

What a clever way to get Lake off the train. On multiple levels! Not only was it clever in-character, but her escape came from her accepting her nature at long last--which was what would have brought her own number down to zero. That’s such an excellent way to end her journey--truly, she was the same as a passenger the whole time.

That was a good finale. Not the action-packed ending that season 1 got, but it didn’t need to be, really. It was different from Tulip’s journey in ways where a bigger action sequence than what we got wouldn’t have been appropriate. In fact, the fight with Sieve feels kind of like an afterthought--it wasn’t obviously, it tied off an important loose end and gave Alan Dracula something to do in the final two episodes, but it didn’t really feel like a proper focus of the episode.

Showing off One-One’s weird blue-and-orange morality system was really cool. Watching him actually get trapped in logic loops was fascinating, and I think he was used VERY well here.

Alan Dracula was a fun sideshow character, but often felt like he was just there for the animators and writers to play around with, rather than an essential part of the team like Atticus and One-One were in season 1.

Jesse was a good deuteragonist! Shut up, Tumblr spellcheck, that’s a word. Jesse’s journey was simple--come to terms with the fact that he and his friends were bullies, and it was very deftly done. The fact that the train reorders its cars and constructs them for individual passengers’ journeys makes it interesting that his final obstacle was confronting the Apex--the train even works other passengers into its plans. Which, ironically, makes the Apex more denizen than passenger. Anyways, Jesse’s journey was simple and well-handled, which is good because he wasn’t actually who the story was about.

That would be Lake. Mirror Tulip. Horseradish, as I’ve been tagging her since season 1. The Chrome Car was my second-favorite episode of season 1, due to excellent character drama, excellent horror, and excellent writing all around. I remember wishing very much that Lake had joined Tulip on her journey--clearly, the people writing the show wanted to keep telling her story, too, because we got a whole season of it. Lake’s journey of self-discovery and self-actualization was a really fascinating one. Watching her slowly come out of her prickly shell until she was finally ready to accept herself for who she was was an excellent journey. I really do think it’s SUCH good writing that she basically got her own number down to zero right when she got One-One to let her off the train.

Mace and Sieve turned out to be excellent villains, as well--Mace more than Sieve, really, but Mace got more focus and had more presence, and rightfully so. My favorite episode of the season focuses on him and Tulip, after all. What an excellent bastard.

All in all, a good season, but not quite as strong as the first one. That’s not a low bar to fail, though. Excellent work all around, and I’m delighted with the ending.

The final episode just wasn’t as strong an ending as season one’s though, and wasn’t the best episode in season 2 by a couple places. The Tape Car was creepier and focused on horror, which I liked a lot, and The Wasteland was just fantastic. It also has to compete with some VERY strong episodes in season 1--which, again, is not a low bar to fail. All in all, I’d place The Number Car at my new #3 for season 2, between The Lucky Cat Car (which was very funny, but didn’t have the emotional or dramatic stuff The Number Car did) and The Tape Car (which I’ve already covered), as well as my new #7 overall, between The Lucky Cat Car and The Cat’s Car, which did drama and horror VERY well.

That’s it for Infinity Train, at least until we maybe get a third season! In a couple days, I’m going to make a post on my Patreon asking for show suggestions for what to replace Infinity Train with in the main slots, and then we’ll have the poll to replace it a few days after that. I’ll keep you posted as to what the results of that are! In the meantime, up next is going to be this month’s Patron Picks--as usual, I’ll be doing Paranoia Agent, Baccano, and then A Place Further Than the Universe. After that, we’ll be getting back to She-Ra for a solid while--I’ll be starting Season 2, so stay tuned for that!

Streamwise, I streamed the first part of my blind playthrough of Transistor yesterday (which you can view here) and will be starting what I think will be the rest of the game shortly. If you want to tune into that live, head on over to my Twitch channel and give me a follow! That should be happening within the hour.

As always, thank you all for tuning in, and thank you very much to the 62 patrons who make it possible for me to do this for a living! I’ll see you next time!

IN OTHER NEWS:

I recently completed my blind playthrough of Transistor! You can see the full playlist of those streams by clicking here!

I recently completed my playthrough of Final Fantasy VII Remake! You can see the full playlist of those streams by clicking here!

I recently completed my playthrough of the second story campaign in Fire Emblem: Three Houses! You can view all the streams of the Golden Deer and Black Eagles routes I have done by clicking here!

If you’d like to help me pay my rent, buy me some food, or help with my bills and medicine, please use my direct donation link! If you’d like to support me per liveblog completed every month, please pledge to my Patreon! Becoming a patron not only allows you to vote on what shows I do whenever I choose a new one, but also grants access to the community Minecraft server to $5 patrons or higher!

You should also go pledge to Gio’s Patreon–our Discord server maintenance tech, creator of Rubybot, and community Minecraft server overlord deserves far more than I can afford to pledge to him by myself.

If you’d like more of me and my content:

My Episode Lists master page, where you can find every show and liveblog I’ve done!

My Discord server, where you can come hang out with me and other fans, check out member liveblogs, and join community gaming guilds!

My Twitch channel, where I stream variety games every so often!

My Youtube channel, where you can check out past streams!

My ask blog, where you can send me questions and comments!

My Twitter, where I make announcements about liveblogs and streams!

It’s your kindness and support that lets me do this stuff, and I wouldn’t be where I am without all of you to do it for. Thank you all so much for your support, and for tuning in every episode!

OTHER PEOPLE YOU MAY ENJOY:

I may have been one of the earlier Steven Universe liveblogs, but a whole community of livebloggers has sprung up over the last five years! I linked to a bunch individually for a few wrap-ups, but honestly, this end-slate is already eight billion miles long, so I’m just gonna link to my links page. Click here if you want recommendations of other livebloggers, or other neat people, or webcomics and podcasts that I recommend.

#infinity train #infinibloggin #bloggin #infinity train episode 20 #inf22 #episode wrap up

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bookishdiplodocus · 4 years

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Writing humor

George of the Jungle: A case study

I’m analysing several forms of humor in the 1997 movie George of the Jungle, and I would like to share it with you. Remember, this is a family movie, the humor is not that finetuned and often targeted towards children. Even if a movie is not your style, you can learn from it. If you want to do your own analysis, I would advise you to pick a movie with a form of humor that’s relevant in your writing. (This seems obvious, but I personally enjoy more forms of humor than I can use in my writing style and genre.)

How do I go about it, analysing jokes?

George of the Jungle is a very joke-dense movie, it averages about 2 jokes per minute, often using different humor layers within the same joke. It’s a lot, considering it also introduces all the characters and set up the storyline in between the jokes!

Every time a joke is made, I write it down word for word and try to see why exactly it is funny. Try to be as specific as possible. This is the difficult part, obviously. I included some examples to make it clear for you. Often the answer is “Contrast” or “Subverting expectations”. Obviously not all the jokes are laugh out loud funny, and they don’t need to be. Some jokes just lighten up the scene without even making you smile, or without making casual watchers notice it is in fact humor.

Bonus points if you can tell certain forms of humor are tied to certain characters. (In this case: slapstick for George when he swings into a tree again, contrast between what is said and reality for mean guy Lyle etc.)

Some examples from the case study

But first, some warnings:

Obviously there will be spoilers for this movie in this post. It’s hard to show you how a joke works without giving you the joke.

Analysing jokes makes them less funny, in the same way that analysing plot lines or storytelling techniques can make books lose their glamour.

Alright, here we go. Because this will be a longish post, I’ll put the other examples under the Read More.

Example 1:

Lyle: “I am the richest, handsomest, smartest guy here, so I get to go first!”

[Established mean guy Lyle passes by everyone, almost shoving them out of the way. He promptly trips over a tree root and lands face first in a huge pile of steaming elephant dung.]

Lyle: [lifting his head up] “There’s an elephant around here.”

Carrier: [looking right into the camera] “Bad guy falls into poop. Classical element of physical comedy. Now comes the element where we throw our heads back and laugh. Ready?

Other carriers: [also looking right into the camera] “Ready!”

[They throw their heads back and laugh.]

[Nearby monkey also laughs and points at Lyle.]

[Off-screen, more animals start laughing at Lyle.]

Lyle: [Spits out some elephant poop] “Those are nowhere near properly digested.”

[Carriers still laughing off-screen]

Lyle: “In case anyone is wondering, I’m okay.”

Technical analysis:

Lyle might be the richest, but definitely not the handsomest and smartest guy: contrast between what he says and reality. (As I told you, this is a recurring technique for him, perfect to show his personality.)

Lyle faceplanting into a pile of elephant dung: poop humor, slapstick (physical humor), the feeling that he gets what he deserves.

“There’s an elephant...”: stating the obvious. And, he says it in a deadpan kind of way.

“Bad guy falls into poop. Classical element of physical comedy”: breaking the fourth wall big time, looking right into the lens, refering to genre conventions, explaining the joke to us. Breaking the fourth wall is a meta humor in which the characters are aware of genre conventions of a fictional story (in this case, the presence of the camera/audience) and sometimes, like in this case, of the fact that they are characters in a fictional story.

“Now comes the element where we throw our heads back and laugh”: refering to a trope, genre conventions, while still breaking the fourth wall by looking straight in the camera.

Repetition: first the carriers announce what they will do in detail and right after they execute it exactly like that. It’s similar to the jokes where the narrator uses a certain phrase and right after a character uses exactly the same phrase. (See example no. 5.)

Monkeys and off-screen animals: hyperbole. Basicly, an exaggeration, in this case, built-up in steps: first his companions, then one non-human, then what seems to be the entire wilderness.

“Nowhere near properly digested”: dirty/poop humor (eww he had poop in his mouth), characterisation (Lyle is the kind of guy who will complain about everything), subversing our expectations (that’s not the first thing you and I would say when we face plant into a pile of poop).

“In case anyone is wondering”: By now, we know what kind of a man Lyle is. This, and the fact that the carriers are still laughing, implies that no-one is wondering if Lyle is okay. Again, contrast between reality and what he says

Example 2:

Narrator: “When they finally beheld the mighty Ape Mountain...” [They see a mountain shaped like a gorilla head] “...they reacted with awe.”

All: “Aww.”

Narrator: “I said “awe”! A-W-E.”

All: “Ooh!”

Narrator: “That’s better.”

Technical analysis:

Ape Mountain is shaped like a gorilla head: visual humor, subverting expectations about geographical naming conventions, breaking the conventions of a fictional movie (the shape of the mountain is obviously a joke for the watchers, not for the sake of the inhabitants in this world, or a concidence), subverting the expectations of our geological knowledge (what are the odds of a mountain actually being shaped like a gorilla head? In the real world, we sometimes see animals or other figures in mountain shapes, but not as detailed as this.)

Aww / awe: It’s a play on words, because “awe” and “aww” sound the same.

The narrator interacts with the characters and the characters are aware of the nattaror: meta humor: breaking the fourth wall.

Example 3:

[Mean guy Lyle jumps on the rope bridge, making everybody swing dangerously. An indigenous carrier falls dramatically into the deep chasm.]

Narrator: “Don’t worry, nobody dies in this story. They just get really big boo-boos.”

Lyle: “You know, they shouldn’t let unexperienced carriers like that on these tracks.”

Technical analysis:

Meta humor: breaking the fourth wall: the narrator is aware of the genre conventions + he is aware of our presence.

“Big boo-boos”: Language, contrast between the children’s word and the tough men in the harsh wilderness.

Subverting expectations: when you fall into a deep chasm, you don’t expect to get away with just some boo-boos. A boo-boo is the kind of thing you fix with a band-aid and a kiss.

Lyle’s remark: he is the reason the carrier fell. Contrast between what happened and what Lyle says.

Bonus: characterisation. Remarks like these, and especially the contrast between what happened and how Lyle sees/portrays it, show how self-centered he is.

Example 4:

Lyle: [takes a polaroid picture of the carrier.] “Do you like it? Magic picture. Yet another gift from America. Here you go. You’re welcome.”

[Carrier answers something in Swahili, not translated.]

[All the native Africans laugh out loud.]

Carrier: “[Swahili] ... 35 mm.” [Takes a fancy camera out of his own backpack and takes a picture of Lyle.]

[All the native Africans laugh.]

Lyle: [not amused] “Translation, please.”

Guide: “He says he likes your magic pictures, but he prefers the resolution of the Leica 35 mm transparencies.” [Everybody except Lyle laughs.] “He also says your lens is dirty, but he has the equipment to clean it for you.” [More laughter.]

Technical analysis:

This joke consists of 3 parts.

The set-up: Lyle is the arrogant dck who’s come from America to show the indiginous people what cultural civilisation is. We think we know where this is going...

Subverting our expectations: The carrier is not impressed, he knows Polaroid and has a camera of his own. He’s Lyle’s equal, not subversive. The way the carrier takes a picture of Lyle is a mirrored action of Lyle taking a picture of him. The similarities between these actions accentuate the differences.

Further subverting our expectations: the carrier has a lot of knowledge (implied: more than Lyle), he’s probably culturally more civilised than Lyle, beating Lyle at his own game.

Bonus: He shows his superiority in a polite way, showing he’s a better man than Lyle.

Example 5:

Narrator: “Meanwhile, at a very big and expensive waterfall set, Ursula was amazed that she was lost in the wilderness with a jungle man.”

Ursula: “And here I am, lost in the wilderness with a jungle man.”

Technical analysis:

“At a very big and expensive waterfall set”: breaking the fourth wall, referencing the fact that this is a movie with a set and a budget.

“lost in the wilderness with a jungle man”: literal repetition immediately afterwards. If Ursula can hear the narrator, it’s like he’s telling her what to say (meta). If she can’t hear the narrator, the joke lies in the “coincidence” of her saying exactly the same words he used about her, moments before.

Example 6:

Narrator: “... the carriers came dangerously close...”

Narrator: “... that is, dangerously close to shove a coconut up in Lyle’s...”

Narrator: “... (pause) sleeping bag.”

Technical analysis:

Playing with expectations: The first sentence implies they are close to a dangerous situation. The second sentence implies they are so irritated with Lyle they want to shove a coconut where the sun doesn’t shine. The third sentence doesn’t take away the second implication, but just makes it more family friendly, but it’s still a turn on our expectations of how the sentence will/can end.

Young children will find the turn between the second and third sentence hilarious, especially the implied “dirty humor”.

Example 7:

[Love interest Ursula has taken George home to Los Angeles. Her best friend shows up and starts to question Ursula.]

Ursula: “He’s in the shower.”

Friend: [Distracted by something behind Ursula] “Not anymore...”

[George enters the living room, still all wet, obviously naked (barely SFW), and for the first time his sexiness is accentuated, ironic for a man who wore a loin cloth for most of the movie.]

George: “Bad waterfall. First, water get hot -” [A saxophone starts playing off-screen.] then George slip on this strange yellow rock.” [George shows a bar of soap and drops it.]

[The perspective changes, shows the 2 friends from between George’s legs. They are obviously checking out his naked crotch.]

[Ursula sighs happily.]

George: [sees Ursula’s friend now] “Hi! George of Jungle.��

Friend: [eager] “Charmed, I’m sure.”

[Ursula strategically hands George a large book to cover his crotch. The camera zooms out now and we see George also from below the waist, still wet and tan and muscular. The friend is staring.]

Friend: [mumbles to herself, appreciatively] “Now I see why they made him king of the jungle.”

Technical analysis:

First, this is a gender reversal of a trope commonly used on female characters. I saw it described as “Born sexy yesterday”. A (usually female) character is new to this life/society/body/... and doesn’t realise that being naked has a certain effect on the other gender. In the 1990s, this was very common to happen to female characters, and not common at all for male characters.

Friend, distracted: the friend has a dirty mind.

Bonus: characterisation: Friend serves here as a contrast for Ursula, who hasn’t objectified or ogled George at all. In fact, this is the first time George is shown as sexy, so we see his sexiness through the perspective of the friend. This tells us something about the friend, but also about Ursula: he likes George for who he is, not how (incredibly sexy) he looks.

The saxophone: the movie is playing with genre expectations (off-screen saxophone means sexy time) as a hyperbole. The movie makers are pulling out all the registers in this scene to show off George’s sexiness.

“this strange yellow rock”: word choice, mental distance from an everyday object, contrast.

“I see why they made him king of the jungle”: this could be a continuity thing, but no-one has used the words “King of the jungle” up till now. So either a line was cut in which they use this phrase to refer to George, or the friend is aware of genre conventions, refering to Tarzan.

These are just some of the many, many jokes in this movie. I tried to make a small yet diverse selection.

I hope this was helpful. Don’t hesitate to ask me any questions, and happy writing!

Follow me for more writing advice, or check out my other writing tips here. New topics to write advice about are also always appreciated.

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#writing #writing advice #writing tips #writing tip #writing humor #humor #writing jokes #george of the jungle #writing analysis #how to tell me a story #sanne

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amisbro · 3 years

Text

If UtaPri had/gets a 5th season...

What would it look like? So this is a question I have thought about for a while because of the fact that I think a lot of people (Myself included) believe there is more of a story to tell in the world of UtaPri. I think with enough time we could get a very interesting idea for a season and honestly I think WHATEVER this project we got coming up actually IS could be an interesting testing ground for something. Let me explain

So if we think about how Season 4 ended it seemed rather definitive. Like the way that message was wrote made you believe ,to a degree, that the series had ended as far as an Anime project. Then we got the end card AFTER that and that kind of made things turn on its head cos no one knew what that was supposed to be until 6th stage happened right? One thing that always stands out to me is the fact that Season 4 was a bit of a mess and I say that in the most objective and neutral way possible because...when you have an Anime that is based on a Manga we typically get a story based around that in some fashion. It might not be panel for panel and word for word but we get one and that is always fun to see how certain scenes get animated for sure. When you do an Anime based on an Otome game you almost always do whomever is considered the “true route” or just leave it open ended so people will want to play the games (which is what I think DiaLovers did when it had its run). UtaPri has a very interesting situation because the series DOES have an idol component (and the Anime made sure to really focus on that mostly) but it is also an Otome game so the studio (A-1 Pictures) had that to work off of for the most part. The problem is that when they were done with the material they DID USE it created a problem because Season 4 was a mess if I am being as objective as possible about it. So here was the problem You had 3 groups in play here STARISH QUARTET NIGHT HEAVENS Forget whom your group was for a second...this was going to be a problem because 2 of the 3 groups had content that was used in the first 3 seasons but Season 4 was going to be a problem. How this would have been remedied I have no fucking idea! Like if Broccoli knew they were going to do this season they needed to get something out BEFORE IT so people would have had something to go off of for HEAVENS so we could have had 7 episodes that made sense instead of episodes where it felt like they didn’t know how to have the HEAVENS member that was being featured in it not look like a complete ass! If we are honest this is what happened and its frustrating to remember One of the biggest issues with the season was that you had a group that HAD been Antags during Season 2. I said HAD because I genuinely believe that the marching orders for A-1 was to write a season where STARISH was still THE focus but HEAVENS could be rehabbed into a group that was more “likable/marketable” so when the time came to sell CDs and merch that they would fly off the shelves and could be a contender to at least QN if not both them and STARISH. As we saw during the Oricon charts it was a puzzling time because the duet CDs sold like garbage in the sense that only TWO our the 7 actually charted in the top 10 Ren/Van - Lovely Eyes Syo/Yamato - Justice Impulse This was the most puzzling thing I ever dealt with because I tried to figure out WHY and to this day the best thing I could come up with is the fact that the CD releases were slated to come 10 days after the episode aired which seemed like the dumbest thing to do (IMHO) because when I looked at Season 3 all of the releases charted in the top 10 and a big reason for that was the gap between CD/Episode was only 4 days...well we got to QN and HEAVENS’ CDs they did VERY WELL in Season 4 and its because of how close they released them (I think) to the episodes...funny how that works! What was really weird also was during the “Duet Project” episodes the writers didn’t know WHO to make the focus of the episodes and that was weird BUT ,looking back on it, this whole season was gonna be weird because of how quickly the season was coming in the turnaround vs. its normal time for a season. Typically a UtaPri season gets a 2 year window and this time they were going under that...about a year and 4 months so this was going to cause a crunch and also a mess of a message as to what the writers wanted to do! I personally believe that the writers wanted to make HEAVENS all the more sympathetic and they were able to get SOME of the backstories in that they could for certain characters but a few others (Nagi and Eiichi for example) “kind of” tried to show you the “why they were acting the way they were” but it felt (at least Internationally) that the episodes didn’t register or if they did not as well as they hoped. I do wonder if a big reason that the content is as out of sorts in terms of balance for HEAVENS vs. the other two groups is because of how jacked up that season got. I genuinely wish I could sit down and discuss that season with someone that was in the room when they were given the orders on how that season was supposed to go vs. what actually happened after the fact! So this brings me back to the “What would a 5th Season look like if we got/get one in the future?” The weird thing is I think A-1 already knows but they have to get the reference materials FIRST before they start writing it. I genuinely think they saw/heard about what happened Internationally when it came to the “NEXT DOOR” saga and they didn’t want to see that happen again so NOW they want to work on these projects to get the idea other there right now that all the groups are separated as first we have STARISH and then no doubt QN but the big question of course is HEAVENS...can they do a concert with them at some point with hopefully more songs under their belt OR will Broccoli start to really consider them a lost cause and that the fandom just doesn’t want them. You can only go with the “Round peg/Square Hole” philosophy so much before people get mad and don’t want to deal with the series (or at the very least HEAVENS) anymore. The other big issue is HEAVENS’ role in Dolce Vita because, As of this writing, we still don’t know ANYTHING about that game...like we don’t know if its a straight up VN or is there going to be something similar to the original La Corda back in the day which ,fun fact time, had Kishou and Mamo in it. Like if anyone would know how a game like that worked it would be them (And they ARE in the new game “Starlight Orchestra” btw) so they HAVE to have had given some input about how the mechanics worked and all that...right?! (Oh and unrelated but Kishou’s original character in Len Tsukimori is a special character in that game. He was unlocked through a campaign we had in that fandom a bit ago) So again...what would Season 5 look like? Well my guess is that it would have to be a STARISH/HEAVENS season again but with new duets unlike last time. The other possibility (And I think they were teasing this at the end of Season 4) is that it would somehow be a HEAVENS/QN season which could be interesting especially if they did something like how Season 2 was probably supposed to go...and in a way didn’t because of how the story worked. The thing is its been almost 5 years since we had a proper season...FIVE! Let’s assume that the “Anime Project” as we know it is over alright? STARISH and QN’s brand is already established so what do you use to help HEAVENS’ get on the same level? That’s a big reason why I don’t think they could/should end the “Anime Proper” because to do that you literally would be cutting off a way to properly market a group that actually needs it vs. the groups that clearly don’t. I won’t go so far as to say that the STARISH/QN Animated concerts are going to be “Vanity Projects” because they aren’t. They are clearly something that Broccoli believed in as far as a project to do for the series BUT I will say that having 7th Stage so close to this project is a bit...weird?! Like okay to be fair this probably was planned well in advance and the Pandemic fucked everything up because it was supposed to be announced at 7th stage in 2020...okay cool fine but let’s say it was right? What stopped them from revealing it at 10th Anniversary when it would have been a bigger “Holy Shit” moment? What was really so important that they had to do EVERYTHING ELSE and not that? Just seemed weird to me. But anyways HOLY SHIT did we go around the block here...I need to stop If you were going to script out a proper 5th season when would you do it and how? The thing to remember is we have a 3 group scenario and now HEAVENS is trying to become an even better group to finally beat STARISH and QN so do you have QN and HEAVENS do a thing together or do you do a 3 cour season where each is dedicated to a particular group? Love to hear your answers on this and take care

#Amisbro #UtaPri #Anime #5th Season scenario #7th Stage #2022 Movies

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sapereaude-habemut · 4 years

Text

It is confusing.

You were born only two years and four months after I was. I do not remember life without you. Our brother was born only fifteen months after that. I barely remember life without him either.

I had very little time to have “girl” toys. By the time I was four I was sharing a room in a tiny house with my two little brothers. The “girliest” toys I had were horse figurines--but before you two started getting superhero action figures and little green army men, you had animal toys too, so what’s the difference? Even when I got Barbies and dolls, they would play in the same world as your amy men, they would also fight and explore, because I always played with you two. Most of our time was spent outside though. Our house was so tiny, our backyard so big. We rode bikes, we dug in the mud, we built little houses out of sticks and rocks. We played our imaginary game, where we were knights on a quest, explorers of a new world, we fought with sticks, we got dirty, scraped our knees. My upbringing was far more stereotypically “boyish” than “girlish.” Except for, well, everything aside from that.

I watched you and our other brother pee on trees in the backyard, our parents would laugh as you freely, laughingly had contests to see whose pee stream could reach higher. It was “cute” it was “funny.” It was something men did. Meanwhile, for me, using the bathroom was secretive, it was hidden. It was something never talked about. Vagina was a word uttered only in whispers.

I grew up watching you and our brother run around without shirts on, in our backyard, in our house on snowdays when we came inside to hot chocolate so you would not stain your shirts. At the beach, the pool, family and neighborhood barbecues--freely, without a second thought. Everyone accepted it. Meanwhile, I had been taught that it was inappropriate for a girl to not wear her shirt around other people at such a young age that I do not have a memory of thinking it was okay. At such a young age I could not yet understand WHY it was not okay. For my entire living memory, I have just known my torso was something that had to be hidden, to be ashamed of.

Long before I had anything on my body that could make not wearing a shirt, or certain clothes “inappropriate,” I was chastised if I tried to leave the house in a shirt or pants too tight, a skirt or shorts too short, the neckline too low--anything really. My body, for my whole life, has always been something I just knew had to be hidden. While you and our brother ran around freely, peeing on trees, without shirts on, like it was the most natural thing in the world.

I changed diapers. So many diapers. When our brother was born and I was only four, I was taught to change his diapers. I changed so many of our sisters’ diapers. You changed none. I was always the mother's helper, I was expected to be. I changed the diapers, I babysat for the first time at eleven years old, over you, our other brother, and both our sisters, one of whom was a new born. I was the eldest sister, I was a woman, I was mother’s helper. It was expected. I continued to babysit until I left for college, despite the fact that you and our brother were far older than I was when I first began watching all of you. I would cancel plans and miss out when I was seventeen in highschool to “babysit”--while you, fifteen years old, got to sit around, play video games, watch television, read. When our mother was sad, tired, overwhelmed, busy--I cooked dinner, I set the table, I cleaned up dinner and loaded the dishwasher. I bathed our sisters, and sang them to sleep. You and our brother were never asked to do anything. You were never expected to do anything. It was all woman’s work.

On the holidays, I was always sent to the kitchen to “help the other women”--to help our mother, grandmother, and aunts, cook, bring out dishes, set the tables, and clean up. As the men in the family at around the table, or on couches, laughing and talking, and you and our brother played, or when you got older, joined in on the laughing and talking. I served you. I cleaned up after you. Because I am a woman.

I grew up watching you and our brother be “gross”, get dirty, play rough. Sit however you wanted. But when I joined in, when I got dirty, when I shoved one of you too hard, when I sat, somehow, incorrectly, I was scolded and told it was not “lady-like.”

My whole high school career our relatives unceasingly asked me when I would bring a boyfriend home. Despite the fact that I was a three season varsity athlete, the captain of the track team my junior and senior years, despite the fact that I was top of my class, despite the fact that I took every AP exam I could, passed nearly all of them with perfect 5′s, was going to college on a scholarship with nearly a full semester of college credits. You and our other brother got commended for being smart, but if you acted up, it was brushed off with my grandpa, our uncles saying “ah well, you take after me--boys will be boys.” You were never asked about bringing a girl home. But if you brought it up, you got a pat on the shoulder and an “atta boy.”

My whole upbringing was being forced to grow up too quickly to help cook for everyone, help clean up after everyone, do everyone’s laundry, take care of all of you. While you got to play. My whole upbringing was being taught to hide my body, that it was somehow inappropriate, shameful. While you got to run about freely, your bodies unencumbered by shame.

When I was fifteen, a grown man told me I had “child-bearing hips.” Horrified, I told my mother, and she just said sadly, but shruggingly, “You get that from my side.” When I was sixteen, playing volleyball, a senior from another school said he would like to “pipe” me. I have been grabbed, jeered at, sexually assaulted. At a family barbecue the summer after my freshman year of college, an older male relative who had not seen me since I was a child said “damn she’s an Amazon” as I tried to toss around the football with you and our other brother. I was uncomfortable. I have always had to deal with being uncomfortable. You never felt as though you did not have ownership over your body, as though your own body endangered you. As though your flesh somehow made you more vulnerable, but also more shameful, weaker, but giving me these great burdens of “womanhood.”

And it was not even like, as our mother tries to argue, that maybe this is why you were so adverse to sports, why it was so burdensome to have expectations of athleticism on you. I was more athletic than both you and our brother, I played more sports than both of you, I was better at more sports than both of you, I enjoyed sports more than both of you. One of our sisters is also far more athletic than both of you.

It also was not, as our mother also tries to say, our father’s hyper-traditional ideals of masculinity and feminity that drove you to this, or made you hide it. Because I was not always feminine. I worked mucking stalls, doing manual labor all summer. I more often than not wore athletic clothes, rarely wore makeup. Both me and our sister went through long “tomboy” stages, where we wore clothes from the boy’s department. Where we cut our hair short. We were permitted to do that. Our brother, our athletic, funny, “ladies’ man” of a brother, loves fashion. He loves to style outfits, to wear brightly colored or pastel floral button down shirts, pair them with patterned ties, he loves well fitted pants, fancy shoes, likes to make sure his socks go with his outfit, but also “pop” so when he sits and his pants reveal them, they are stylish too. He likes to wear his hair longer so he can style it. He was permitted to do that. He wears pink ties, he wears cologne, he cares about his skin. Our father and grandfather may joke, but in a good-natured way saying “well he’s never had trouble with the ladies, so maybe *we’re* doing something wrong.” It was not that.

So what was it? When you tell me you could not imagine not transitioning, not being a woman? What do you mean? What is this woman you speak of?

The first time I saw you after you announced you were transitioning, you were wearing a black choker, and off the shoulder top revealing a pink strappy sports bra, your nails were painted black. Is that what you think it means to “feel” more like a woman? Painted nails, trashy jewelry, and cutesy flashes of undergarments? Is it breasts? What is it?

This is not the womanness I was burdened with.

You received every single privilege of being a male in a very traditional, Catholic, Italian family. You never tried to take on any of the burdens I was forced to bear because it was my “role as a woman.” You took advantage of all of it. Your entire life.

#radfem #gender critical #gendercrit #feminism

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mysticdragon3md3 · 3 years

Text

md3 watches Primal

7:25 AM 5/30/2021

I thought that watching Primal would elicit the same emotive quality in me, that watching the expressions in Godzilla vs King Kong and Rampage did. But turns out those giant animals were much more affectionately empathic than the giant animals in Primal. The relationship between Spear and Fang isn't just affectionate caring. They get annoyed with each other, have fights, and aren't so "touchy feely". Primal reminds me that there is a wider range of emotions that can be silently emoted.

(Sorry I didn't write reactions to ep1-3. I've been trying to not turn everything I watch into a production.)

7:39 AM 5/30/2021

Genndy Tartakovsky's Primal ep4 starts

8:01 AM 5/30/2021

Wow.that was a lot of fun ^o^

I haven't watched an action-adventure series in a while, if I was this surprised by the problem solving solutions that the protatonists came up with: using the spider thread to climb down; using the raptor pack vs teh pack of bats.

8:02 AM 5/30/2021

Genndy Tartakovsky's Primal ep5

This series has got me on so high-alert, that I keep expecting something horrible to appear as part of this peaceful cove. I thougth the butterflies would be poisonous. I thought a big sea serpent woudl appear from the deeper part of the water. I thought the pollen would be poisonous. I thought that some bigger predator would appear, to explain why the fish were too docile or why the resources of that cove weren't used up already.

Hey, the title of the episode is "Rage of the Ape Men". Maybe that cove was a sacred site that no one was supposed to touch.

Well, if you wanted to set up a society that's super ritualistic or religious, without dialogue, this is how you do it. O.o

With the beatings that Fang can take, sometimes I think she has a healing factor...and an indestrucable skeleton...She's Wolverine. lol

Oh no! but there are 10 episodes of this series according to Google! Fang can't be dead! ;o;!

8:30 AM 5/30/2021

Genndy Tartakovsky's Primal ep6 "Scent of Prey"

Yay! Fang is alive! ;o;!

I like these episodes that really linger on how Spear and Fang care for each other.

Aaaaand she's back! ^o^

8:52 AM 5/30/2021

Ok. I'll pick up on ep7 later. I should have brushed my teeth and gone to bed. Then again...I'm not really sleepy anymore...

2:32 PM 5/31/2021 Finished Primal ep8 "Coven of the Damned". I guess I didn't write notes for it while I watched. But I actually watched most parts of this episode ages ago, through YouTube reaction vids. So I wonder if I have an old journal file with my reactions from back then, when I watched those reaction vids.

11:36 AM 5/31/2021

Genndy Tartakovsky's Primal ep7

Is that a zombie dinosaur?!?!?

Dont' let it into the water supply!

Ithink now's the time to run!

Nooo! It bit the apatosaurus! ;o;

Oh now, the zombification worked fast! ;o;!

So isthis poor infected dino infecting the water supply? ;_; Well, if it wasn't by drinking before, spewingblood into the water now is going to do it. ;_;!

The sad part is whoever fights the zombie apatosaurus to save the eggs is going to get bit and infected.

Why is the infected zombie dino faster than the healthy dino running away????? Noooo! Don't die! Aaaaaaahhhhhhhhh! ;O;

Well...now I remember how burtal this series is.

Dang,this zombie apatosaurous is scary.

I was afraid it was going to start infecting a herd of another pack of dinos at the bottom of that canyon.

Is it dead...????

Aw, Fang is scared for Spear.

I really hope one of theose postules doesn't burst onto them. Man, Infections are scary.

Oh, you've gotta be kidding me. ...She says while absolutely knowing this trope would happen. ^^; Hey, it's still effective! At least when Tartakovsky does it.

Omg when will this poor thingbe put out of its misery?

Is this a literal use of "out of the frying pan and into the fire"? lol

Gonna have to kill that poor thing.

OMG Nothing is killign this thing! Even lava! You guys jsut wanted to do a zombie episode, huh?

At least lava is heat that will kill the virus.

Poor thing.

"Ashes to ashes" huh.

Dang this seriesis beautiful. Genndy Tartakovsky does good work!

But seriously, this is distracting. I have to put on a different video. ;_;

4:28 AM 6/1/2021

Genndy Tartakovsky's Primal ep9 "The Night Feeder"

omg I can't believe that Spear didn't take Fang's celar warnign to run away!

Maybe a big snake? Fang is already established to be freaked out by snakes after the River of Snakes episode. And the big cat's killing must have been set in a jungle for a reason.

Nevermind. That predator perspective sounds like feet.

Why arne't the triceratops continuign to run?!?!???? ;O;!

Well, if it's a "night feeder" maybe they're safe by the fire.

Oh yeah, predators can come in teh day, just as much as night in this world. They may not be accustomed to a "night feeder" that only comes at night. Reminds me of how my dad who grew up in a haunted house, used to always say how funny it was that horror movie ghost stories always took place at night, as if scary/weird things didn't also happen in the day too.

It's funny how much tension is in that fire going out, while simply knowing the title of this episode.

So scared for Fang not being shown running as fast as Spear. Evne though I know she can.

Ok. What is it?

And why is it so fast? Sonic blasts?

What the heck? Why did Spear and Fang run in different directions? Ok, and what's teh black goo?

I was scared before, but now I"m just curious what the monster is.

Having this final battle with this specialized tactic from the protagonists, but shown from the perspective of the enemy/monster is really interesting.

It was just another dinosaur? Really? Ok, sure. I guess sometimes there are just all types of dinos.

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4:48 AM 6/1/2021

ep10 "Slave of the Scorpion"

Why throw back teh fish? That's still food. You can catch a bigger one afterwards.

What the heck?!? A human?!?

Fang is your friend. Gotta priorizie helping Fang.

Is he going to stop Fang's growling eahc time? lol

Oh yeah...The body language for "afraid" also looks like "cold".

Wow. A whoel civiliation that can work metal, uses tattoos to brand people, creates a system of slavery... Where exactly did this person come from?

Wait a second. Is Primal actually set in a "land of the lost"? And not just prehistoric times? omg

Well, she recognizes the plants in this area so it can't be all that different from where she comes from. If her civiliation has agriculture and uses the same plants... So this isn't a "land of the lost" situation.

I was just thinkign that if she comes from an organized settlement civilization she would have been the type of person who would've tried talkign to Spear already. lol. So she says her name is "Mia".

i'm really surprised that Spear missed teh chicken, but I guess it was a little small for his usual targets.

I'm always excited to watch a sequence of "Telling a story through pictures" made by animators and cartoonists. I feel like I'm about to watch a masterclass in effective storytelling.

Gotta pan back to show the carnage left behind! lol Most of the carnage in this series is beautiful or feels meaningful, but what was that pan?

So Mia's captors took her back...And they put up skulls of the tool-using primates to scare them off?

omg I sthe episode going to end with Mia taken away? ;o;! omg! Is there a 2nd season announced for this series?!??????

Oh, her name is "Mira".

5:13 AM 6/1/2021

Yay! Finished the series! I hope it gets another season.

5:14 AM 6/1/2021

YouTube sais there are 2 seasons! ...Oh. Each season is 5 episodes. The 10 episodes on HBO Max are the "2 seasons" on YouTube.

#md3watches #reactions #genndy tartakovsky #primal #cartoons

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