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#WRITE THE SLANG NOT THE ACCENT
the-cat-and-the-birdie · 11 months
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british people im sorry for what we put you through
EDIT:
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hispanic ppl im sorry for what we put you through
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thisbibliomaniac · 4 months
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I'm finding North and South annoying to read because so much of it is written phonetically, but not in a way that makes any sense. It's annoying in Gone With the Wind, but I'm also familiar with the accent, so I can follow easily. In North and South I have to decipher half the conversations -_-
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corpiote · 2 years
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do you think chev only knows other languages formally? he said he memorizes the rules and grammar "and then everything else is natural."
or do you think he learns slang/dialects too?
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lieutenant-amuel · 1 year
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Hmm, I have a question.
Does it make sense to convey that a character speaks with an accent in writing?
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some-pers0n · 1 year
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No, but my actual biggest pet peeve when it comes to literature in general is when a character has an accent / speech impediment so heavy you can't tell what they're saying half the time and it never stops.
Replacing vowels with 'w' when writing a child character will never not be the most agitating thing to me. Same with cutting off half of the words they're saying or replacing certain consonants like 's' with 'z' or 'th'. Please please please I can't read a back-and-forth conversation when one or more of the characters are literally incomprehensible to the readers.
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scouscr · 2 years
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i lowkey think i’ve a tendency to overdo it with the accent when writing john ... s-sorry
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creator-savannah · 4 days
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Having a hard time trying to write Martlet and Starlo :(((
Also having a hard time not writing angst. The more I write this fic the more emotionally devastating it becomes
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soriamerasu · 7 days
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Everytime I say "i'm a Taurus", i feel like i'm saying "i'm a tourist" because of my accent
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silvercity-yir · 3 months
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Good news, I start writing the Mikey!03 reads about karma fic. Yay. I start writing it a little and discovered that Mikey!03 is quite fun to write, splinter too because have asian parents(mom and dad) like splinter, who is strict and loving. I think I'm gonna have fun writing it since I'm gonna put some of the asian quirks in it.
I'm from South East Asia btw, I'll try to avoid writing it as OOC.
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kirbyskisses · 11 months
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dear non-spanish speakers writing spiderverse fanfiction (or anything with spanglish),
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in spanglish you don’t switch by word, you switch by phrase.
it’s not:
“[first part of the sentence in english], [second part of the sentence in english], mi amor.”
“[full english sentence], querida.”
it’s:
“[first part of the sentence in english], [segunda parte de la frase en español], mi amor.”
-
also miles is boricua, miguel is mexican. they have two different accents and use different vocabulary for certain words.
also miles is “nyourican” - a puerto rican native to new york - while his mom is directly from the island, so there are differences there, too, because his spanish is more influence by new york english. 
here’s some good references that aren’t google translate (which usually pulls from spain, a country that speaks vastly differently from latin america)
SpanishDict
WordReference
here have some random videos on different slang/spanish accents:
Puerto Rico
Mexico (1) (2)
-
in spanish most words are gendered, so most feminine words end in a and masculine/gender neutral words end in o. adding ito/ita makes something cuter, smaller and more affectionate.
spanish nicknames that aren’t “mi amor”
“querido/a” - darling
“cariño” - dear (always masculine regardless, of who its being said to)
“mi princesa/príncipe” - my prince/princess
“mi rey/reina” - my king/queen
“papí/mamí” - can be used in any way; romantic, sexual, familial for one’s parent or child, or just platonically
“tesoro” - treasure
also spanish is a language that uses adjectives as terms of affection both cute ones and ones that might sound insensitive in english
gordo (fat), flaco (skinny), negro (black), blanco (white), linda (pretty), bella (beautiful), morena (brown skin), etc.
and like most languages that are not english, spanish has multiple ways of saying i love you.
“te amo” - romantic
“te quiero” - familial, platonic (although there’s nothing wrong with using it romantically)
see also:
te adoro - i adore you
te deseo - i want you
te necesito - i need you
 and, of course, they can vary regionally too.
please use this because i have read a lot of really well written things that take me out of it because the use of spanglish is terrible. don’t just go on your presumptions that spanish/spanglish works in the same way that english does.
buena suerte, gringos.
- signed your friendly neighborhood afro-latina
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alex-wrtng · 1 year
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Dialogue tips that actually work:
You are not writing a movie (ignore this if you are). The reader doesn't need to know every word the characters say for the duration of the story. Less is more.
Dialogue can happen within the prose. "And they awkwardky discussed the weather for five minutes" is way better than actually writing five pages of dialogue about the weather.
Balance your dialogues. Surprise yourself with a monosyllabic answe to a dialogue that's ten sentences long. Don't be afraid of letting your character use half a page for a reply or nothing at all!
Don't write accents phonetically, use slang and colloquialisms if needed.
Comma before "said" and no caps after "!?" unless it's an action tag. Study dialogue punctuation.
Learn the difference between action tags and dialogue tags. Then, use them interchangeably (or none at all).
Don't be afraid to use said. Use said if characters are just saying things, use another word if not. Simple. There's no need to use fancy synonyms unless absolutely necessary.
Not everyone talks the same way so it makes sense for your characters to use certain words more often than others. Think of someone who says "like" to start every sentence or someone who talks really slow. Be creative.
Use prose to slow down the pace during a conversation.
Skip prose to speed up the pace during a conversation.
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wronggalaxy · 1 year
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Tips for people writing a story sat in Eastern Kentucky from a Native doing the same:
1) Nothing, nothin', and nuttin' are three different words used in different contexts. Nothing is all proper for speechs and important phone calls and stuff. Nothin' is the common thing to say. Nuttin' is for children/anger.
2) We talk fast and remove/replace both syllables and words. "I would like to take a walk up the road, please." becomes "Imma walk up the holler, 'kay?".
3) Holler not hollow, winder/winda not window, yeller/yella not yellow
4) We don't all have the same accent–it's a lot stronger and weaker for different people
5)Other parts of Kentucky have different accents and think we sound weird
6) We Do Not like city folk/northerners
7) Walmart, tractor supply, IGA, and dollar store are the only stores you need
8) The nearest mall is three or so hours away
9) Road names are mostly *word* creek
10) We can fake not having an Eastern Kentucky accent if we want
11) We listen to the radio a lot, but only in cars/on buses/on phones
12) We don't have public buses or non-coal trains
13) Poverty is rampant, but we all mostly got clothes and phones and stuff
14) Peach Nehi is THE DRINK
15) Fancy restaurant date? Okay, do you want Applebee's or to eat for the rest of the week?
16) You gotta go to Waffle House at least once in your life
17) Shorty means someone younger and/or smaller than you, little girl is a female child, little gal is your crush/girlfriend/wife
18) School parties, sports games, important events, etc. almost always come with Paradise Pizza
19) Everyone DOES NOT know everyone, I don't even know half my classmates names
20) Inbreeding is common and joked about
21) Big families are COMMON(I have nine siblings), especially with adoption/foster care/different dads/remarriage
22) My highschool has like four hundred kids
23) No one cares about archery/academics/ speech and debate even though we win more than the other sports/clubs
24) Stray animals are common, we just let them vibe mostly
25) Daddy, mommy, and mama are used into adulthood and ain't sexual
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justaholeinmysoul · 1 year
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When British people lower their voice or laugh while talking yes baby I can barely understand u when u enunciate it's fine I'll just pretend hahaha ha
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hobiebrownismygod · 7 months
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Researching Characters so you don't have to Part 1: Hobie Brown & His Accent
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Art above IS NOT MINE! Click for the link to the original art! Artist: @Jay19
A lot of people write Hobie Brown like Tom Holland, but this just isn't accurate if you want to write a good fan fiction. Hobie is a homeless black teen from the 70s, who was born in Cambridge, and is also a punk. He's not gonna sound like Aaron Warner or Tom Hiddleston. Just because he has a British accent doesn't mean he's going to sound like your average British movie star.
British English is a dialect, not technically an accent. An accent is how someone pronounces words, while a dialect includes pronunciations, but also includes general vocabulary and grammar. This means that despite Hobie speaking English, he won't use the same vocabulary that American-English speakers use, so if you write him that way it won't be accurate.
The British accent that most people are used to is called Received Pronunciation, which is considered the "upper-class" British Accent. However, Hobie does not have a a Received Pronunciation accent. He's cockney. They do not sound the same as upper-class British people, and have a completely different set of vocabulary.
How do you write a cockney accent?
Rule 1: Never pronounce the "H"
For example, house becomes 'ouse. Hat becomes 'at. Hello becomes 'Ello. By writing the words with an apostrophe in place of the "h", it would read more accurately.
Rule 2: -ing becomes -in
For example, running becomes runnin'. Helping becomes 'elpin' (because both the h and the g are silent). Walking becomes walkin'. Those speaking in a cockney accent don't pronounce the "g" part of the ending -ing.
Rule 3: Words starting with "th-" are usually replaced with "f-"
For example, thing becomes fing. This becomes fis. However, don't overdo it. If you write out every word starting with an f, it'll become difficult to read. Only do it if you're trying to enunciate some words over others. Even if you're trying to write an accent, it should still be comprehensible.
There's other rules as well, but these were the main three I saw during my research!
How do you write a cockney dialect?
Cockney rhyming slang
Hobie consistently uses Cockney rhyming slang in ATSV. For example, he calls Miles, "Peter Pan" which is Cockney rhyming slang for "Little man". Using Cockney rhyming slang can make your writing seem more authentic
Some other examples are "Apples and pears" for stairs. "bees and honey" for money, etc. You can google other ones for any words you want to use!
As always research is your best friend, so while writing Hobie, make sure to have another page open with lots of slang and other words available for you to use in your writing to make your character sound as authentic as possible!
Note: I'm not cockney nor British, so if you see any mistakes with my writing, please let me know <3
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love-bitesx · 11 months
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: ̗̀➛ PROTECTOR. hobie brown x reader
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summary: spider-man makes a point of walking y/n home every night, but after befriending them as hobie brown as well, his feelings get complicated. words: 3.5k REQUESTS OPEN ! warnings: non-explicit sexual harassment (a man is very creepy to reader), reader isn't gendered! but be aware, author is female, so possible afab bias, i tried my hardest i swear. all characters are adults :) author is british so this is my interpretation of his silly little slang from what ive experienced hehe also divider credit: cafekitsune a/n: may feel a little ooc, but in my headcanon, when he's pining the way he is for reader, he's so soft. also, spider-man and hobie r completely different personalities u cant tell me otherwise. first time writing hobie so pls give me opinions ty. enjoy!!!!!
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“is it home-time already, darlin’?”
there he was. the familiarity of routine washing over you, turning your head to see him propped up against the brick, spikes on display and guitar pick flipping in between his clothed fingers.
“spider-man, my hero,” you sighed and clutched your non-existent pearls, a smirk on your lips.
“you know i hate that,” kicking off from the wall of the pub you just clocked out of, he stuffed his hands into his patched up jacket, his bouncy stride meeting yours on the pavement.
“i know,” you smiled, allowing your bag to fall from your shoulders and into his outstretched hand, as always.
it had become a routine, over the course of a few months, that the one-and-only spider-man would escort you home from work in the late hours. at first, it didn’t seem real. why would he decide to spend valuable time most days walking you home, when he could be out fighting whatever darkness lurks in the shadows? you’ve asked him, almost every time, but he always gives the same, vague answer;
“who else is gonna keep you safe, love?”
his legs were longer than yours, by a mile. so he had to slow his usual pace for you. naturally bouncy, his booted feet tapped against the pavement like a kick drum, and you wondered whether that was the radioactive blood in his veins, or his natural energy.
laughter flittered through the dark streets as you caught up, it had only been a day since you last saw him, but being a crime-fighting, fascist-killing superhero, there was quite a lot to pack into a 24 hour day.
he bounced off the walls of passing buildings, recreating his fights with the air that hung between you both, throwing in some exaggerated punches here and there, to elicit an extra giggle or two from you. you almost got lost following his animated recreations, but he kept an eye out for the roads ahead. he’d memorised all the paths leading to your apartment.
it had all started a few months prior, after a particularly long shift at work. constantly over the span of a few hours, this guy would not leave you alone. no matter how many times you refused his advances, a smile on your face, masking the unsettling pit in your stomach at the sight of his grin. drink, after drink, after drink, he ordered just to stare at you the whole night, crude gestures and words thrown your way.
you’d gotten used to it, working at a pub in the depths of london, it wasn’t ever unusual to get unwanted advances. but something about this guy, you couldn’t shake it. ~
“what time do you finish, ay?” his accent was thick, you placed him somewhere up north.
“i’m not sure,” you muttered back, forcing a smile.
“oi, come on! ‘course you know what time you finish,” his words were slurred, and his eyes hadn’t left yours once, “was thinking we could ‘ave some drinks together, tha’s’all.”
“sorry, i can’t tonight, i have to be up early tomorrow,” you giggled, and if he wasn’t so drunk, he’d definitely have picked up on the nerves lacing your words.
“come on,” vowels drawn out, he made an attempt to stand up to meet your height, the proximity of him sending a shock of fear to your heart, until a strong hand clapped against his chest, the force almost sending him backwards.
“pack it in, dickhead, they said ‘no’,” a deep, almost calming voice spoke, contrasted completely with the stern, threatening tone of his words.
you looked to meet your protectors gaze, and it almost stunned you. he was tall, taller than you, for sure. dark, smooth skin with an aura of pure mayhem, silver piercings protruding from his face. adorned with a ripped, skin-tight plain top and denim vest, littered with badges, patches and just about any accessory known to man.
his eyes were what really held you. a heavy look, dark brown with the most unique feeling of strength and power that you’d ever seen. you could’ve easily gotten lost.
deciding you’d stared at him long enough, though, you broke the eye contact, diverting it back to the man who looked a humorous combination of terrified and offended at the same time.
“‘s alright mate, we were just talking, back off, yeah?” his liquid courage built up, ignorant of the taller man’s hand still pushing against his chest, ring-clad hands seeming to leave an imprint.
“think it’s time for you to leave, mate,” he spat back, mimicking his slang.
a moment of silence followed. you’d fully expected the drunken creep to swing a punch, or at least bite back, but under the weight of the taller man’s stare, he seemed to lose all fight he had in him. with a final murmer of something you couldn’t quite hear, and unsure you really wanted to, he stumbled backwards, slipping into the crowd.
“thank you,” you broke the silence, to which the man shrugged.
“he was a pig,” he brushed it off like nothing, and you couldn’t help but smile at his attitude. raising his newly free hand, he stretched it towards you, tight in a fist.
“hobie, hobie brown,” he greeted, and his accent completely erased the ‘h’ from his name.
“y/n l/n,” you smiled, accepting his offer and spudding him, the cold metal of his rings against your knuckles. you couldn’t help but grin at the oddity of his presence.
hobie kept you company for the rest of the night, ranting about his thoughts and opinions of various important subjects, ranging widely from drinks of choice to the existence of capitalist propaganda in modern media, all of which you hung onto every word of.
it wasn’t long until he’d managed to book him and his band into a few slots on the pub’s makeshift stage that stood empty on the other side of the room, smiling to himself at how authentically excited you seemed to hear his music.
when he left, his vacancy was immediately obvious. the booming pub feeling oddly silent without him.
after closing up for the night, you grabbed your bag and slung it over your shoulder, switching the lights off with one hand and fiddling with the keys in the other, shaking the door to double check you locked it well enough. body aching from being on your feet all day, you yawned, stepping autopilot into the darkness. the night air was chilling, causing you to wrap your jacket tight around your body. cursing at yourself for not bringing another layer, or pre-ordering a taxi home.
“oi,” you heard from your right, turning quickly to the familiar call.
stumbling on the pavement, the drunken creep from earlier pointed towards you.
shit.
you hadn’t expected him to actually wait for you. it’d been hours since he left, he was insane. what was he thinking?
grabbing the keys from your pocket, you gripped them in your freezing hands in defense.
“where’s your little friend, huh?” he spat, clearly enraged by hobie’s interruption earlier. he stepped closer, and you stepped back, trembling as you tripped slightly on the pavement.
“ay, is this twat bothering you?” a voice called from above.
wait, above?
craning your neck up, you made eye contact with possibly the last person you expected.
“spider-man?”
and from that night, he’d met you every time. waiting outside the pub doors, no exception, to walk you home.
“hey!” spider-man’s upbeat calling snapped you instantly back to him, jumping slightly as you finally noticed he was directly in front of your face, white eyes narrowed on your demeanor, “where’d you go, huh?”
“sorry,” paying him an apologetic smile, “just thinking.”
“wanna clue me in, darlin’?” his tone was playful, but the soften of his masks expression felt genuine.
“just thinking about the day i’ve had,” you lied, unsure whether his spidey senses could tell. not that it was rare for you to think about how you met, but you didn’t want to bring it up again. if he could tell, he didn’t let on.
“whataboutit?” he sped up, slipping back to your pace and slinging his lanky arm over your shoulders, basically hanging onto you as you walked. he liked walking with you like this. it made him feel powerful, like he was keeping you extra safe.
“hobie’s band played again!” you exclaimed, and if he’d been paying attention, he would’ve seen the way your face lit up at the memory. unfortunately for him, his eyes were trained on webbing a chocolate bar from a passing vendor. god knows why it was still open, but he was glad it was.
“hobie, again, huh?” taunted spider-man, punching your arm playfully with the fist that gripped the newly stolen snickers bar, “starting to think you’re replacing me, love.”
“never,” you teased back, elbowing his side, hearing the jingle of his badged vest, “hobie’s just…”
ears pricking, he clung onto the words you were speaking, anticipating possibly hearing something he didn’t want to.
“he’s just so cool,” you breathed with a smile, and he almost verbally sighed in relief, stopping himself in order not to rouse suspicion. he smirked under his mask, “just got this feel about him, so easy to talk to, and he’s so talented! you know, i’ve almost learnt all the lyrics to his songs.”
his heart just about exploded. in fact, he thinks he could pinpoint the exact moment it did.
he played off his burning cheeks, clearing his throat and incredibly glad his mask hid his flustered expression.
“you should come see him, you know,” you looked up at him, and though you knew his answer was ‘no’, it was worth a try, “i can hide you in the back if you don’t wanna be seen.”
“come off it, love,” he dismissed, avoiding your gaze, but his back was tingling like pins and needles under the warmth of it, “i’m not keen to meet the man stealing you from me.”
“fuck sake,” you laughed and pushed his arm off you, brushing off his playful flirting.
his confidence was excelling. the friendship you had formed over the prior months had stemmed from his childish charm, and it hadn’t faltered once.
“well, here i am,” you brought your pace to a halt, hovering in front of the door to your apartment building.
“i’ll miss you tonight,” he fell against the wall, eyes stuck on you. you couldn’t see it, but you could feel his smirk.
“i’ll see you tomorrow, i finish at 11,” you stepped towards him.
“i’ll be waiting,” he kicked off from the bricks, raising his hand to ruffle your hair, much to your protest, before practically disappearing in front of your eyes.
you were left grinning to yourself, much like every night.
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“what’s up, bruv?” hobie’s friend elbowed him harshly in the ribs, causing him to rip his eyes from you.
“nothing,” he huffed, but by the lack of sustenance and playfulness in his reply, his friend was less than satisfied. hobie was a carefree, reckless guy with a constant spurt of irony, and seeing him with a sullen expression and no bite back, was worrying.
“come off it, hobie,” another one piped up, sitting across from him with an empty pint in one hand and cigarette in the other, pointing the latter in his face. he huffed, “you’ve been slumping for like 3 months now, and you’ve only been writing sappy love songs.”
the table snickered, and even hobie’s lips curled into a smirk. his friend was right, he wasn’t even nearly like his usual self. he blames you for that.
“who is it then, huh?” his friend pushed, cigarette still hanging in front of hobie’s face, ash crumbling off the end, “has our ol’ hobie brown got himself a partner?”
“oi, you know i hate labels,” he smirked again, knowing he was lying. not that he didn’t usually hate them, but he couldn’t avoid the fact that every time you made your way to the front of his mind, he was urged to call you his. his partner. his person. his love. just his.
he always did hate consistency, anyway.
“another round, guys?” your voice ripped him from his thoughts, your scent somehow drifting above the sticky smell of beer and cigarettes, he pinned that down to his spider abilities, but he’d be a fool to ignore that he had simply just memorised the aroma.
“please, darlin’,” hobie’s friends chirped up, grinning at you thankfully. he cursed the burning feeling in his chest.
“i could do you guys a deal,” you smirked playfully, and he looked up to meet your eyes. you looked beautiful tonight, like usual. he was fucked.
“if you lot give us a song, it’ll be on the house,” you smiled hopefully, taking note of their usual orders just incase they agree.
“sounds like a plan,” hobie reached his hand out to you, open for a handshake, to which you took. soft hands falling into his calloused ones, he couldn’t help but notice how nice it felt.
turning away, you left to get their usual set up sorted, feeling him still watching you, to which you threw him a smile over your shoulder.
it wasn’t unusual at all. his eyes would always find you. at the table with his mates, his gaze would swim through the crowd to yours. even on stage, lost in the moment with himself and his guitar, it was you he always found his eyes trailing back to. it wasn’t like the other men in the bar, it wasn’t predatory desire or lust, but it was warm. it was safe.
he had three options, really; confess himself to you as hobie brown, coming clean about the way he felt about you, the warmth in his heart that spread across his spine whenever you smiled at him, eventually having to come clean about his alter-ego. he could confess as spider-man, to which he’d have to come clean about his actual identity. or option three. stay silent and suffer in his own pity. bite his lip and pretend his heart wasn’t yearning for you.
but, he prided himself in being able to speak his mind without hesitation. confident in his word, suffocated in his silence. he would always say: if he ever bit his tongue, to kill him there and then. well, here he is; begging for mercy at the barrel, his tongue bleeding from keeping his heart locked in his chest.
he was fucked. well and truly.
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“anything special happen today?” spider-man nudged you, taking a worried note of your unusual quietness recently. it was the same night, he’d picked you up like normal, and hopped along beside you.
“the band played again,” a swelling smile bloomed on your lips, “other than that, not really.”
your voice was hollow tonight. easily mistakable with your naturally soft tone, but to his trained ears, it didn’t feel right.
stopping immediately in his path, his bouncy steps ceasing, you quickly copied him. confusion slipping behind your eyes.
“what’s up?” you questioned.
“you know you wanna tell me,” he stepped around you, arms falling over your shoulders from behind, heavy with his full weight. something about the mask, it gave him a confidence with you that he’d quenched as hobie.
you sighed and rested your head back against his chest, taking him by surprise. there was something intimate about the way your eyes were closed, body resting against him. your brain was hectic, he didn’t need his spidey senses to see that.
“there’s just…” you spoke, eyelids feeling heavy as you opened them, looking up to see him. head split in two, you were unsure if you even wanted to say it out loud, “there’s this guy.”
it was almost cruel how fast his heart dropped, plummeting like a boulder into the pit of his stomach. body stiffening, his head was spinning so fast he didn’t even have the conscience to mask it.
“i just can’t get him out of my head, it’s so stupid,” if your wistful look wasn’t answer enough, the outpour of dissonance he could feel from your body told him it was serious.
“not another fella tryna steal you from me,” he chuckled, but his voice was weak, vulnerable. you hadn’t heard it like that before.
untangling yourself from his weighted grip, you leant against the wall of the building you were stood in front of, staring up into the night sky. there was something so embarrassing about admitting a silly little crush.
“not another one, technically,” you spoke softly, a hint of a smile tickling your lips at the thought of him, he stepped closer, “i’ve already told you about him.”
and he stopped dead in his tracks. mind racing a million miles an hour, picking apart every word you said. was he stupid? was he reaching? seeing something that wasn’t there? he was the only one you’d spoken about, but surely not, right?
shifting closer again, his body begun to feel the heat radiating off you, barely an inch between you both. he towered you, as always, the spikes on his jacket and mask hitting the streetlights perfectly, giving him an orange glow. you bought yourself to look at him, and though you couldn’t see the eyes beneath, you felt his gaze.
insufferably close, closer than you’ve ever been, you could feel your heart in your chest. a tension that you hadn’t quite felt before, bubbling in the air between you.
“say his name, love,” his voice was low, lower than normal, and a twinge of familiarity hit your chest hearing the deeper tone, one you couldn’t quite pinpoint. chills dripped down your spine at the new found feeling.
gulping, you could feel his name in your throat, struggling it’s way out.
“hobie.” your voice was barely above a whisper, but considering he almost had you pressed against the brick, he heard every syllable. and god, did it sound good.
“again?” he croaked, just wanting to confirm, needing to hear it again, needing to hear you say it, relish in every beat.
“hobie,” you repeated, louder this time, more conviction in your chest, “i like him, like a lot.”
he went silent. dead silent, barely moving. heat radiated from him, and you could’ve sworn in the vacancy of sound that you could hear his heart pounding against his chest. reaching up, your hand trembling slightly, you placed it there. on his chest, feeling the material of his suit, the humanity of his heartbeat. he melted into it.
“are you o—“
“i need to tell you something.” he interrupted you.
it was your turn to be silent, eyes heavy with intrigue, begging him to continue.
without a word, his ring-clad hand ghosted your skin, drifting past the air between you and to the base of his mask, sliding along his neckline for the seam, and dragging it up over his face, revealing the man within.
your heart stopped, a thousand things flashing through your head, through your heart, surging in your bloodstream. you didn’t even know what to say, what to think, how to comprehend it.
“hobie?” your voice was small again, shrunk beneath the look in his eyes, the desire.
embarrassment waved through you for a moment, a sudden panic of the earlier confession, your chest pounding at the possible rejection.
he didn’t even leave the thoughts enough time to fester, however, because his hand that was holding his mask was suddenly flush against your jaw, the material falling softly onto your neck. thumb trailing the comfort of your cheek, revelling in the feel of your skin, warm against his hands, he leaned forward.
his lips were on yours, without a word. gentle, but rough. the tension escaping through the feeling of him pressed into you, desire leaping out of every shared breath. his other hand fell to your waist, and yours stayed firm on his chest, bunching the fabric in your hand to bring him closer. he obliged, of course, and the kiss deepened. his head spun.
pulling away for breath, you kept your eyes on his lips, disbelief swimming around your brain, colliding with the need to kiss him again.
“y/n,” his hand brought your eyeline to his, “i like you, too.”
you couldn’t help but smile, relief washing your body out.
“like, a lot.”
he kissed you again. and again.
a/n: hope u enjoyed!! pls let me kno if ur did, this is my first time writing for him <3 thanku!!!
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skyefeys · 1 month
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A Comprehensive Guide to Writing Gina Dialogue!!!
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Do YOU like writing tgaa fics, but find yourself struggling to understand the speech habits of Gina Lestrade? Well, fortunately for you, I love linguistics and accents almost as much as I love Gina - so I've compiled a breakdown of every quirk in her speech!
(Full analysis under the break!)
Most of Gina's speech patterns can be broken down by three fundamental facts:
She speaks with a thick Cockney accent
She's uneducated, which leads to various grammar troubles
She uses a lot of informal cockney terms/slang
Let's get into it section-by-section!
(Note: Formatting looks a lot better on mobile!)
Section 1: Cockney Accent
So I’m an theater kid, and I've done dialect training for Cockney accents before - it's one of my best ones imo - so that certainly helped me write this section! Even without that, though, it's pretty easy to identify how her accent appears in her speech. Let's break it down!
Drop h's
Example: Here becomes 'ere
Drop g’s at the end of words
Example: Going becomes goin'
A few other word ends that get dropped:
Of becomes o'
And becomes an'
Th changes depending on the word - Thank you to annoyingloudmicrowavecultist for properly explaining how this works in the tags!
Voiced th becomes v
Example: With becomes wiv
Unvoiced th becomes f
Example: Nothing becomes nuffin'
For writing purposes, if a word would become unrecognizable with this change, it's left the same (but in actual speech, it would be pronounced differently)
Example: Father remains as father (but would be pronounced like fovva)
Th always remains intact at the start of words
Example: Thing remains as thing (but would be pronounced like fing)
Miscellaneous word changes
Something becomes summat (but other times is just somefin' - she's not consistent with either)
What becomes wot, whatever becomes wotever
Tomorrow becomes tomorra
Because is often shortened to 'cause, which becomes cos
Isn't almost always becomes ain't
Thank you / no thank you becomes ta / no ta
Some words spill together or are slurred
With that becomes wivvat, with it becomes wivvit (This one isn't actually used in-game, so you don't have to use it either, but it reflects how she'd actually be pronouncing it)
Isn't it becomes innit
Doesn't it becomes dunnit
Suppose becomes s'pose
Don't know becomes dunno
Probably becomes prob'ly
You might change - Another loose/inconsistent rule. Can depend on how the sentence would be pronounced out loud, but mostly is just a vibe
You becomes ya
Your/you're becomes yer
Yourself becomes yerself
Section 2: Grammatical Errors
Gina is an uneducated East End orphan, so it should come as no surprise that she makes mistakes here and there. Here are her consistent ones! Some of these are confusing/hard to explain, so I included specific examples.
Will say me instead of my, and meself instead of myself
Example: "I dunno much about guns meself."
Incorrect tense usage of was/were in negatives - Instead of I/it wasn’t, she’ll say I/it weren’t
Example: "I was up in a balloon, weren't I?"
Incorrect tense usage of does/do in negatives - Instead of he doesn’t, she’ll say he don’t
Example: "Somefin' wot 'e don't want people readin'."
Double negatives
Ever becomes never in negative statements
Example: "I swear on my life, I ain't never laid eyes on that dandy before."
Never + anything becomes never + nothing
Example: "I never done nuffin' o' the sort!"
Never + anyone becomes never + no one
Example: "All me life, growin' up in the slums, I've never trusted no one."
Haven't you ever becomes ain't you never
Example: "Ain't you lot never gone over an 'ouse lookin' for dough when the owners are out o' town?"
The word that or who in the context of ascribing a feature to a subject is replaced by the word what
Example: "She's always goin' on about all them cases wot Sholmes is lookin' into."
Other example: "I think I wouldn't fancy me chances wiv a lawyer wot lives in a place like this."
Will say them instead of those
"All them skylights open, dead easy."
Will say no more instead of anymore
"Ya dropped it, so it ain't yours no more."
She’ll sometimes mess up bigger, unfamiliar words. This one's entirely in your discretion what words she might mess up. Some canon examples:
“Supperment” instead of supplement
“Mantlescript” instead of manuscript
On a similar note, she'll sometimes confidently get sayings wrong and think she sounds smart
“Toby's...'ow did they put it...? ...Oh, yeah! A 'bone-fide' detective!”
Section 3: Cockney Terms/Slang
In addition to her thick dialect, growing up in the East End means Gina has also adopted a plethora of unique words and phrases. This'll be more like a vocab section!
Cockney rhyming slang - Some words are replaced with phrases that rhyme with them. She uses a few in canon:
Instead of believe, she’ll say Adam an’ Eve
“Would you Adam an' Eve it, eh?! Wot a mug!”
Instead of face, she’ll say chevy chase
“Yeah, I can see it written all over yer chevy chase!”
Interjections/Exclamations
Blimey - Express surprise or shock
"Blimey, yer right! That streak o' light in the photo looks just like an arrow, dunnit?"
Cor - A general interjection, kind of a euphemism for god
"Cor, listen to you! Ya stumble across a bit o' balloon an' suddenly yer the best investigator in the world!"
Oi - I doubt I need to define this one, but it's basically the equivalent of "hey"
"Oi! That's off limits up there!"
Words for people
Cove, bloke - A boy or man. Gina tends to use cove more often than bloke.
"That's where the cove ended up after 'is 'instant kinesis' or wotever they call it."
"When I lifted the last bloke's purse, 'e got wise to me."
Dandy - A conceited, fashionable upperclass man. Can be used as a noun or adjective.
In reference to Ashley Graydon: "I swear on my life, I ain't never laid eyes on that dandy before."
Dee - Thank you to uzukirie for figuring this out in the replies of this post - dee is short for detective!
To Sholmes: "I don't need no 'elp from some stuck-up dee!"
About Gregson: "Yeah, the dee let me keep it. After I looked daggers at 'im for long enough."
Swell - A wealthy or elegant person. In canon, Gina uses this exclusively in reference to McGilded.
"It's because o' that, this swell found me. …'E did 'elp me get away, mind."
Miscellaneous vocab
Dodgy - Suspicious
"It was amazin' when you showed that dodgy professor's dodgy experiment was a total fix!"
Rum - Odd or strange
"I mean, wot's the point of spendin' a joey to make a few bob, eh? That's a rum idea, innit?"
Coppers - Cops
"If you do wot the grown-ups tell ya, it'll get yer mates dragged off by the coppers. Or worse."
Scarper - Flee/run away/leave in a hurry. Also comes from rhyming slang - Scarper = Scapa Flow = Go
"If I did that, 'e said 'e'd let me scarper before the coppers showed up."
Have a butcher's - Take a look. Also comes from rhyming slang - "butcher's hook" = look
"Most days I push the cushion up wiv me 'ead an' look out the crack. Then I can 'ave a butcher's at who I'm gonna fiddle."
Rude words/phrases :)
Gordon Bennett - Expresses surprise or contempt - kind of a euphemism for goddammit.
"Gordon Bennett! You lot!"
Flamin', bleedin', - General emphasis. Pretty much just gentler ways of saying fucking.
Note!! You might be tempted to make Gina say "bloody", since that's well-known British slang, but she never says that. She says bleedin' in its place.
"Don't be so flamin' rude, 'Oddo!"
"It's lies every bleedin' place ya look in this world, innit?"
Bleedin’ Nora - A variation of "Bloody Norah", a surprised/irritated interjection.
"Wot the bleedin' Nora, 'Oddo?! Wot 'ave you gone an' done?!"
Bogtrotter - A derogatory term for an Irish person. She uses this to refer to McGilded.
"Look at the mess it's got you into, believin' in that bogtrotter!"
Mug - An idiot.
"You can't do it from inside, you mug."
Blue blazes - An alliterative exaggeration of "blazes". A euphemism for hell.
"Where the blue blazes 'ave you been, eh?"
Cobblers - Rubbish/nonsense. Literally, it means testicles - derived from Cockney rhyming slang, where "cobbler's awls" = balls.
"All this nonsense about the boss plannin' to kill people… It's cobblers!"
And 1.2k words later, that's pretty much it! Now you can write Gina dialogue spot on <3
Feel free to suggest anything I'm missing/got wrong - I come back and edit this for accuracy's sake every time I notice something I left out, or when people in the replies/tags point things out!
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