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#hp*
lilbeanz · 3 days
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POV: Draco had a nightmare.
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chuulyssa · 3 days
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men who cling onto you like theres no tomorrow. you're cooking dinner? hes backhugging you like a little sloth. you're working? hes sitting on your lap no matter how heavy he is. you've been away from him for two minutes? get ready to be spam called for the next 2 hours. theres no defining how obsessed he is with your presence. you're his oxygen, the light of his life. without your attention, hes pouty and snappy, like a little kitten without its master. no matter where you are or what time is it, hes clinging onto your arm. oh, what was that? you want him to walk properly because the people at the clothing store are staring? too bad then, you've got to deal with it.
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DAZAI chuuya ranpo NIKOLAI matt GOJO geto SIRIUS BLACK ron weasley JAMES POTTER + add more
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© chuulyssa 2024 - do not copy, plagiarize or repost my works on any platforms. do not translate.
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moonstainn · 3 days
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Sirius Black you will always be famous
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lepra-art · 2 days
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On a first date✨
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yuvanart · 2 days
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petriwriting · 1 day
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My Chef - Theodore Nott X Reader
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Summary: You stay the night at Theo's, he makes you dinner. Oneshot. Fluff, Domestic Bliss, Little-bit of soft Theo. Established relationship, Sad-about-his-dead-mom-Theo.
A/N: You're telling me fannon italian!Theo can't cook pasta? Nah. Based on a scene from the movie chef. Bonus: Here's the recipe. https://www.youtube.com/watch?v=bJUiWdM__Qw
It was a quiet evening, you were at Theo's house, luckily his father hadn't bothered being home all weekend. Otherwise, the house would have been an un-ideal place to be with his father around. but the house was silent, apart from the Nott house elf, who was tidying the halls, despite Theo telling him to take the night off. You were wearing Theo's jumper, laying in his bed. You'd been relaxing. Since school was out for the summer, there wasn't really much else to do. You had mentioned you were hungry, and without much notice Theo disappeared into the kitchen. It was sweet, he said he could cook for you, which he had never done before.
You wandered through the halls of his house, looking curiously at how sterile the house seemed. There wasn't many family photos, or really much decoration. One photo was of Theo and his father, which made you smile slightly seeing it. As you made your way into the kitchen, you were met with the smell of fresh pasta.
Theo was kneading the dough, although he was unfortunately making a mess. He smiled as he greeted you. "Hi," he said softly. you sat at the kitchen counter, watching him work. "This part isn't as fun." He said. "Well it looks like fun." you chuckled. "Do you want to try?" he asked. "sure." you washed you hands, rolling up your sleeves and standing in front of the ball of dough on the counter, you were watching Theo's hands as he demonstrated. . .
Theo stood behind you, wrapping his arms around you, sprinkling some more flour over the work surface. "just like this." he said softly, taking your hands and guiding your movements. you flushed slightly, feeling the warmth of your cheeks from being so close to him. You could smell his scent, it was a mixture of tobacco and cedar.
"Okay, my arms are a bit sore now." you admitted. "Maybe it isn't all that fun." you said. Theo chuckled. "I'll take it from here then," he said happily. you turned to him, he was so close to your face. You wanted to kiss him, but didn't, instead taking a bit of flour and tapping it onto his nose. He laughed, playing along after wiping himself off.
"that was rude," he quipped jokingly.
You continued to linger around the kitchen, watching Theo as he cooked. You had no idea previously that he could cook, as it wasn't a skill that most men have.
The smell of fresh garlic filled the home as your stomach growled in hunger. Theodore Nott would make an amazing housewife, he was kind, attentive and he could cook. It made you feel warm and fuzzy to think that he would, in fact made an excellent husband one day. After some time, he broke the silence. "have a seat," theo said finally. "I'll set the table for us."
You follow suit, taking a seat at the large dining table. watching as Theo set two plates on the table, napkins, and cutlery. he even grabbed two glasses to pour each of you a glass of wine to pair with the dinner, finally lighting a candle, just for ambiance.
A relaxed afternoon had now blossomed into a somewhat romantic date. you were not complaining at all.
"Thank you for cooking, Ted." you said, before taking a bite. It was sweet, it wasn't very often that Theo would lean into his italian heritage, although on that night you were very thankful for it. "Of course," he says. "Buon appetito." 
As you took your first bite, it was delicious. you were in awe, each flavor complimented each other perfectly. "oh merlin." you exclaimed. "This is delicious!" Theo smiled, watching you enjoy his work he was quite pleased with himself.
you finished up pretty quickly, sitting at the table with Theo. before too long you were sipping wine together. "Where did you learn to cook like that?" you asked curiously.
"Well," he said, slightly stiffening up. "My mother taught me to make fresh pasta as a child." he explained, "It's one of my favorite memories with her." he said somewhat sadly.
"Oh. I'm sorry." you said quietly. "It's alright." he insisted. "It's nice to honor her memory." you were silent, letting Theo speak, it was relief for him to finally be able to talk about it with someone who actually cared. you were happy to listen to him talk about his mother, or anything really. "I think she would have really liked you." he admitted. you smiled softly. "I would have loved to meet her." you said.
This was Theo's soft spot. "I wish she could have met you," he says, softly, looking down. You didn't want to pry, or come across as cold, so you rested your hand on his and rubbed his hand with your thumb gently. The two of you enjoyed your meal, and the glasses of wine. You were quietly because you were eating, and because it was genuinely a good home-cooked meal which you hadn't had in a while. after some time, You got up from your seat walking over to Theo, giving him a hug. a genuine embrace, which Theo melted into immediately.
"Thank you for dinner." you said softly. "It was really delicious. I didn't know you were secretly a chef," you smirked. This earned a chuckle out of Theo "Well, there's a lot most people don't know about me." he said. "But you aren't most people."
"yeah?" you asked, just wanting to hear him talk. when he opened up, which he rarely did from being scolded for it so many times in his life, it made you feel closer to him. "Yes."
"I don't think i've ever told anyone that before- About my mother." he admitted. "But it's different with you."
"why is that?" you asked. "Because i'm in love with you." he says simply, standing up, looking at you deeply. He was playing with your hands. you were smiling. it was a blissful moment. He was memorizing the contours of your face in the candle-light. he looked at you as if he would never see you again, soaking in the feeling. "And..." he said, very matter-of-factly, his more outward cocky attitude showing a bit more as he relaxed. "you know what they say," you looked at him, pretending to be confused. "What do they say?" you retorted. "Kiss the chef." he smiled softly, leaning into the embrace to kiss you, melting into the moment. It was a sweet and romantic kiss that you'd find in romance novels.
"I love you." he whispered. "I love you."
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daddiesdrarryy · 2 days
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James: I don’t want to hurt their feelings
Regulus: Hurt their feel—you just walk around all day thinking about other people’s feelings, James?
James: Yeah. Don’t you?
Regulus: No! How do you get anything done?
James: It’s hard!
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isalisewrites · 2 days
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A Deep Dive into JKR's Terrible, Amateur Writing - Part One
Welcome to my new series, where I will prove to you, dear reader, that J.K. Rowling, author of the Harry Potter series and resident Twitter TERF, is actually a very, very poor writer.
And when I say 'poor writer,' I'm talking about her prose, her sentence structure, and her scenes. I am not going to discuss anything about the HP world nor the plots of the books.
This is all about the nitty gritty in the craft of writing itself.
Disclaimer for all readers: I'm going to sound very confident in my posts. I'm going to be working under the assumption that I'm a better writer than JKR. Because I am. My apologies if this rubs you the wrong way. You're just witnessing two and half decades of experience with the intensity from a neurodivergent who is hyperfocused on her special interest. I didn't just learn how to create stories; I learned the craft of writing to a minutia of details.
After years of being beaten down by others, I will no longer tolerate that.
I will be using my writing to compare with hers to make some of my points. Some of what I say in these posts could be considered stylistic choices. However, in my humble opinion, most of this is a difference of skill, which can be learned. Yes, everything I'm going to teach and cover in this series can be learned. There's no 'talent' here. You can learn how to become a better writer right here and now. You only have to understand the craft of writing and sentence structure to better improve your prose and scenes.
I don't have fame and money.
I don't need them to teach you how to write better than JKR.
You're free to disagree with my stances about this and about everything I cover, of course. But if you're a writer, you might gain some insight from this post and I sincerely hope you are enriched by my efforts in this. I spent quite a few hours on this post. Helping others become a better writer than JKR is one of the greatest contributions I can give to society.
Thus, take what resonates and leave what doesn't.
I have stated before: JKR's writing is bloated in the wrong places, underwritten in others, and the prose is poor. These problems show up in all of her HP books.
Buckle up, my writing friends. Grab a snack. Hydrate. Let's begin.
Class is in session.
In this post, we're going to dissect a page from HP4.
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There's so much wrong with this page and the three pages of this scene overall. So much to go over. Bullet points I'll cover from this page:
Disconnected Dialogue Lines
The Great Sin of Adverbs
Too much fucking dialogue!
Wrong focus altogether in this scene
Out of POV writing
First point. This is a huge ongoing issue I see in all of the HP books. There are a lot of disconnected dialogue lines, which become confusing over time. This could be an issue of the publisher, but it's still a problem. In the middle of this page, we have:
Sirius hesitated. "I've been hearing some very strange things," he said slowly.
Wait, wait, wait. Who said this? Listen, I know. I know it's Sirius. However, this is an improper placement on the page and can become confusing because Harry also goes by he/him pronouns and he's also in this scene. While the dialogue here suggests Sirius is talking, it could easily be misinterpreted if there were other characters or if he said something that Harry could've just as easily said.
To make this dialogue more clear for the reader, it should go as follows:
Sirius hesitated. "I've been hearing some very strange things," he said slowly.
Second point. JKR is an adverb sinner, a criminal. Jail. "Do not pass go; do not collect $200." Arrest her for these blatant crimes, please, for the love of god.
Look, I love adverbs. They're great. Don't fucking listen to anyone who outright demonizes them (including your huffy, uppity literature professors). Adverbs are the seasonings of writing. You season your food; you also need to season your writing when the case asks for it.
However...
Adverbs should always be used sparingly when connected to dialogue tags. The setting in this scene is: Harry is in the Gryffindor Common Room at night crouched in front of the fireplace where Sirius is in the fire in a floo call. I read through the whole scene, though I've only shown one page here.
Harry says a line of dialogue 'slowly' three times and Sirius says a line of dialogue 'slowly' two times.
The same adverb 'slowly' is used FIVE FUCKING TIMES IN THREE PAGES.
I want to scream, not gonna lie here. Set this adverb on fire!
What does this adverb do for us in this conversation? What is so important that we have to be told that five lines of dialogue were said slowly? What do they contribute? Spoiler alert: nothing. What are their facial expressions? Harry is 14. He's exhausted since it's well after 1am or so and he's burdened with the new knowledge of dragons for the first task. He's kneeling in front of a very hot fireplace. There's fire fumes and smoke, potentially. Is he fidgeting? Is he yawning? Rubbing his eyes? Bouncing a leg? Is he picking at the carpet or rug?
Harry is a tired, burdened child.
Show me this!
Now I'm not saying that you can't use adverbs in your dialogue tags. There's a huge difference between "he said softly" and "he whispered." It's about balancing the moment when an adverb says just enough versus an adverb replacing well needed scene enrichment. Let's compare this with a section from my HP time travel fanfiction, Terrible, But Great, Chapter Thirty.
Dumbledore nodded at Monty, pocketing his wand. “Mr. Potter.” “Lo, Professor,” said Monty, pout gone, but still a watchful light in his gaze. “Is there a problem?” asked Dumbledore in a mild tone. Ice slipped in between Tom’s ribs, piercing his flesh. Monty tilted his head. “No, sir.” Oh, but Tom knew better. He could see through that innocent facade. The man could’ve been a Slytherin for how much he was cataloguing every little detail, from Tom’s appearance, to the content of the selected books, and to the supplies of ink, quill, and parchment scattered on the surface of the table. Tom masked the raw, whirling feelings in his chest with a well practiced blank, emotionless expression. He willed himself to hide.  “Nothing at all, sir,” said Tom lightly. “Young Mr. Potter was regaling me about his friendship with Miss Malfoy.” Monty glanced at Tom, brows furrowing. Those blue eyes were piercing, filled with suspicion. “Was he now?” Dumbledore said; though his tone was still without direct accusation, Tom could hear the hint of it. “Then, may I ask, why a silencing charm was necessary for such a benign conversation?” Tom wet his lips. His throat was dry. “I thought it wise to avoid disturbing others in the library.” “I am awfully loud,” said Monty with a sage nod. “Ah. A noble intent. However, it is not an appropriate use of magic in the library,” said Dumbledore, his gaze firm as it bore down on Tom. “Ten points from Slytherin. I think it’d be wise to take your studies to your common room, Mr. Riddle.” “Yes, sir,” whispered Tom.
I only used "said Tom lightly" once in this section to show Tom attempting to be unaffected by Dumbledore's interference. I did not dialogue dump information in giant chunks. I did utilized actions tags versus adverbs, like Monty tilting his head or Tom licking his lips. I suspect that if JKR had written this scene, she'd have used lines like:
"No, sir," said Monty curiously.
or
"I thought it wise to avoid disturbing others in the library," said Tom nervously.
The adverbs that JKR's uses add nothing to her scenes. They're just thrown into them without a thought. Did she even reread this scene after she wrote it? I cringe in agony if I use an uncommon word more than three or four times in an entire 4,000 to 7,000 word chapter, let alone the same adverb five times in three pages. Good grief.
There are two other adverbs used in this page, hastily and bitterly. Hastily does nothing for the scene and is connected to another issue, but I'll go over that in the end. However, bitterly is one of the adverbs I'd keep. It gives us a glimpse into Harry's feelings here. We need more of this, but we got nothing.
Thus, the overuse of adverbs in JKR's dialogue detracts and steals so much from the scene.
Third point: there's too much dialogue and no description whatsoever. Again, the adverbs are a pathetic attempt to give us something, but they're thrown in there without a damn forethought. We're missing the crackle of the fire and the smell of it. We're missing Sirius' facial expressions. We're missing Harry moving around on the floor, fidgeting, yawning, rubbing his eyes, feeling the heat of the fire, bouncing his legs, picking at the rug, something, anything, etc.
The dialogue is bloated with a terribly boring conversation. It's just endless dialogue with nothing else. No, it's awful. Welcome to the fourth bullet point. This scene focuses on the entirely wrong point. This scene is 100% a plot device and it's terribly done as well. It's three pages about Karkaroff being a Death Eater--oh no he might be trying to kill you, Harry, aaaaaa--and something about Bertha Jorkins being near Voldemort's last location. Meh. Who cares. Somebody has been trying to kill Harry in every book thus far. This isn't a new development, sweetie.
We been done know this, okay? Come on.
This is a stilted, unnatural conversation between Harry and Sirius. It's not realistic. It's not normal. Telling Harry about the Karkaroff's past is boring and does nothing for him. One line, maybe two, for Sirius to say, "Hey, keep an eye out for Karkaroff. He's an old Death Eater." Done. End of Karkaroff information. And cut Bertha Jorkins out altogether. I'm sorry, but why the hell are we talking about a dead woman to a 14 year old kid whose biggest problem at the moment is dealing with a jealous friend, school ostracization, and a giant fire breathing lizard???
These points are important to the plot, but they're not important to Harry.
The plot isn't important. No, it's not.
Harry is the POV character.
Harry is the single most important aspect in every scene and should be treated as such.
The plot should weave around Harry, slowly revealing itself to both Harry and the reader. Harry should not be the weaver of the plot. He should not be used in plot devices.
Do you know what part of the conversation was summarized in the prose between Harry and Sirius in a single paragraph versus the three pages about Karkaroff?
Harry talking about how no one believes him about not putting his name in the Goblet of Fire. About the school hating him. About Ron, about his betrayal and his jealousy. About Rita Skeeter. About seeing the dragons as the first task. These are all important to Harry. These all are causing pain to Harry's heart right now. Somebody give this child a hug, please.
We missed out on exploring Harry's feelings here. The author skips the MOST important part of the conversation, what could've been a deeply emotional, either positive or negative, conversation between Harry and Sirius.
Oh, this scene could've been so good. It could've been amazing. There are so many paths that could've been explored here, too.
We could've had a callous Sirius, who doesn't notice Harry's state of being, and just goes on and on about nothing of importance where Harry clams up. Or we've could've had a comforting Sirius, who attempts to give Harry some actual advice about his friendship with Ron. We could've seen Harry opening up in his body language, connecting with this parental figure in his life. We could've heard a story of Sirius' time as a kid at school with Harry's father and the marauders.
We were robbed of an important moment between Harry and Sirius.
Instead, the author puts the focus on the red herring 'foreshadowing' of Karkaroff. What a waste. She's trying to put suspicion on him, rather than Moody/Barty Crouch Jr., the real Death Eater in disguise. Again, who cares. It's not about them. It's about Harry and how his experiences are affecting him. It's about how he reacts to them.
This scene is a waste of time and paper. It's empty of emotion and movement/flow. It's just there for a set up and it's glaringly obvious during a second read of the book.
When I say, "The writing is bloated and underwritten at the same time." this is what I mean. We're focusing on the wrong things here.
Fifth point. JKR breaks the POV character with the following line:
"--and reading between the lines of that Skeeter woman's article last month, Moody was attacked the night before he started at Hogwarts. Yes, I know she says it was another false alarm," Sirius said hastily, seeing Harry about to speak, "but...
Harry is the POV character. Sirius 'seeing Harry about to speak' should NOT be occurring in the prose whatsoever. To fix this with the bare minimum of effort for this poorly written dialogue line:
"--and reading between the lines of that Skeeter woman's article last month, Moody was attacked the night before he started at Hogwarts--" Harry opened his mouth to interject, but Sirius said hastily, "Yes, I know she says it was another false alarm, but..."
I wouldn't write these lines like this, by the way. I just don't want to rewrite this. It's a poor paragraph overall, but this is an example of returning the POV back to Harry. Sirius isn't 'seeing' anything anymore. Harry is doing an action and Sirius reacts to his action.
Breaking POV is a rule that can be occasionally broken, but should be done so with intent and purpose. I'm pretty confident when I say that JKR probably had no idea that this was a mistake on her part in the prose.
All right then.
We have come to an end of Part One in this series. We have dissected a single page and a single scene in JKR's Harry Potter and the Goblet of Fire. The page in question is 333 should you wish to look it up and study the scene yourself.
More to follow because I have lots of pages to go over. This will definitely be series, ah dear.
And so, please do the world the greatest of favors and write better than J.K. Rowling. I promise, it's not that hard once you see the differences.
Until next time.
Isa
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verderbensart · 3 days
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Sacraments of Confession
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So everyone's talking about Sirius cleaning the whole house and trying to throw away literally anything that reminds him of his family but leaving Regulus' room untouched.
But are we just gonna ignore the fact that Walburga left both her boys rooms the way they left them? Like, she could throw away all Sirius' stuff after he ran away but she didn't. She could throw away Regulus' stuff after he died but she didn't. I can't stop thinking about this.
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karma is my boyfriend // fred weasley x fem reader
playlist : karma - taylor swift
summary: when two girls bully and belittle you in the corridors , they seem to have forget the antics your boyfriend likes to pull on bullies.
y/n used , muggleborn gryffindor reader , swearing , bullying , short
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"ew , what is she looking at?" you heard one of the slytherin girls walking next to you say to her friend , both of them pointing at you and errupting into ear deafening giggles.
you turned to look at her confused , you hadnt glanced their way once , you just minded your business in the crowed corridor on the way to lunch.
"the fuck are you looking at? can i help you mudblood?!" the girl said loudly staring right at you.
"what did you just call me?" you asked with pure shock , you hadnt even done anything?
"i called you a mud. blood. what are you deaf? ugly cow." she giggled with her friend again as you winced at the loud noise hitting your ears.
you werent sure how to respond to this , you were all on your own and confronting the girl anymore would just create a large conflict , one you werent in the mood for.
your eyes welled up with tears as you looked away from the teasing and bitchy girls , shoving your way through the crowd and ignoring the dirty looks you recieved as a result.
----
you finally arrived in the great hall and sat down at the gryffindor table , next to angelina as she quickly went to greet you.
"hey y/n!- oh merlin whats wrong?!" shes said with quickly rising worry upon seeing your teary eyes and frowning face.
this caught freds attention as he observed your face , a deep anger and protectiveness settling in the pit of his stomach at the sight.
"baby whats wrong?" he said softly as you tried to hold back your tears.
"nothing it...it was just these slytherins. girls can be really horrible sometimes , "you voice broke as you forced out light laughs , eventhough no one laughed with you or even smiled.
"what did they say?" katie said , brushing your hair softly to comfort you.
"they just randomly started going off on me for looking at them , eventhough i didnt even look! then they...um they called me a mudblood." you mumbled the last part as everyone gasped and fred seethed.
"seriously?! thats fucking horrible!" angelina screeched in shock.
"im so sorry y/n," hermione added with a look of sympathy , relating to your situation.
"dont worry its fine guys-" you were cut off hastily.
"who." a deep voice said , freds darkened eyes meeting yours.
you gulped at the sight of his unfiltered rage , "i think theyre called lucy and-"
"lucy and beatrice. of course it was them ,theyre proper bullies." ron confirmed as everyone let out nods of recognition , the two girls were known for their unecessary awfulness. yet they never seemed to get taught a lesson.
well that was until they were found screaming and running through the corridors the next day , hair neon green , boils covering their faces , rain clouds chasing after them - drenching them in water and slugs ocassionally spewing out of their mouths.
you gaped at the sight , fred who had his arm around you showing no reaction but a smug grin.
"merlin! i wonder what happened to them?!" you exclaimed to him.
"yeah...i wonder" he smirked as you quickly caught on and gasped.
"you didnt!" you smacked his chest lightly , met by him laughing.
"of course i did!" he grinned , "no one messes with my girl. i was simply using them to set an example."
you stared up at him with you jaw on the floor , yet adoration glossed your eyes over , "thank you freddie."
"dont mention it , once these ones wear off i have another set of hexes prepared for them. thank me later love," he shrugged with a satisfied smile.
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ratkingpoe · 2 days
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Spring 🌸 Drarry!
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Cropped to hell. See the hole/thing on X @ratkingpoe
I was thinking, fertility ritual Au ? 🐇🐇
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soloorganaas · 3 days
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marriage of convenience - @wolfstarmicrofic - 433 words
“Tonks has asked me to marry her.”
“WHAT?”
The kettle Sirius had been gently boiling suddenly hissed dangerously, steam erupting menacingly from its spout. He gave an agitated snap of his wand and it obediently simmered down.
“This is absolutely unbelievable!”
“Well, I suppose given the state of things, from her point of view…” Remus trailed off unhappily.
“You’ve already told her no!”
“Yes, but - Sirius, we’ve been through this,” Remus sighed, looking up at him tiredly from where he sat at their kitchen table.
“She’s my bloody cousin!”
“There’s no law against—”
“I’m going over there—”
“I’m perfectly capable—”
“The audacity—”
“Sirius, stop!” Remus shouted.
Sirius, halfway to the front door of the cottage, stopped with an aggravated slam of his hand against the wall.
“We’ve got to do something!” he insisted. “I’m not just going to sit here whilst Tonks cajoles you into marriage!”
Remus shifted awkwardly, resting his hands on the mug in front of him.
“Unless you want to marry her?” Sirius asked, suddenly unusually anxious.
“No, I don’t want to marry her. You know that.”
There was a disconcertingly heated moment of eye contact between them, before they both quickly looked away.
“But she doesn’t seem convinced by anything I’ve said so far, so I’m at something of a loss at what to do.”
“Could always pretend you’re married to someone else,” Sirius chuckled darkly.
Remus laughed dryly and took a sip of tea. “That’s even less believable.”
“Pretend you’re married to me.”
Remus promptly choked on his tea.
“Why not?” Sirius shrugged, fighting back the flush spreading over his cheeks.
“I - well - I mean, everyone knows that we’re friends.”
“Yeah, but - well, it’s not like they’d know everything, right?”
They were both blushing, now, but Sirius slipped into a seat at the table and ploughed on.
“We live together. In your cottage. Could be getting up to anything here.”
“Sirius…” Remus laughed, glancing away, his entire face now aflame.
“Maybe we’re missing an opportunity,” Sirius smirked.
Remus slowly moved his eyes back to his, and when Sirius caught sight of the nervous but unmistakeable lust that filled them, his whole body seemed to stall - and then rush with heat, so shockingly overwhelming that suddenly all he wanted to do was throw himself across the table and into Remus’s lap.
“Anyway…” Sirius said, digging his fingernails into his thighs. “What’s the use of being a free man if you can’t marry your best friend?”
Remus’s eyes were still fixed on his, dark and lustful and suddenly mischievous.
“Well,” Remus began. “What’s the worst that could happen?”
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falkendreamsxxx · 2 days
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marlene and james making their own choreographed dances and presentations trying to convince their parents to have a sleepover
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yuvanart · 3 days
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