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phoenixyfriend · 2 days
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Suggested Listening: Columbia Protests (as of 4/25/24)
Alright, folks, I've seen a couple different approaches to this situation, and I think there's something to be learned from each of the below. I know some of them have a contested reputation, but all media sources have a bias and I will be including some context on those biases.
The podcasts I'm sharing are:
The Daily (New York Times)
The Take (Al Jazeera)
Democracy Now! (independent radio broadcast)
Global News Podcast (BBC Radio)
It's come up a few times on NPR as well, but not in enough detail for me to include. I will be linking Spotify, but these are all available elsewhere, though official transcripts can take several days.
The Daily - April 25th, 2024: This podcast is a production of The New York Times. The paper is left-leaning, but has a noted bias towards Israel, and has run into trouble on trans issues in the recent past. The podcast is further left, though still more cautiously moderate than something like Democracy Now; the podcast has previously been responsible for fact checks against the more biased NYT opinion pieces.*
Why you should listen to it: This episode provides the most comprehensive timeline to what has happened, in what order, and why certain actions have been taken. It is notably more sympathetic to Columbia University President Shafik than other coverage, though that may just be the natural result of explaining the current political pressures. It is still more sympathetic to the protesters than to her, but I do think this is helpful for establishing a timeline of events. It is not the only one, and I will share another below.
* That infamous article about the alleged systemic sexual violence that Hamas committed on Oct. 7th was put through a fact checker by the podcast team when it came time to do an episode about it, and the inability to substantiate it led to not only the episode being cancelled, but the article itself being (quietly) edited to note that it was not substantiated. The NYT did not handle it well, but I want to make it clear that the podcast team is independent in many respects, and while I've taken issue with some of their episodes, they often have more comprehensive coverage of certain matters.
The Take - April 25th, 2024: This is a podcast from the English-speaking branch of Al Jazeera, a Qatari news organization that, while independent, does receive a certain amount of funding from the Qatari government. By that measure, I do hesitate to place it on a left-right scale due to existing outside the Western political spectrum. As a Middle Eastern, Arab news org, Al Jazeera provides a perspective much closer to the action than others, and one that is generally much more sympathetic to Muslim and Arab voices. It is also, like the others on this list, an award-winning journal. At this time, Al Jazeera is considered one of the most reliable news sources for information on what is happening in Gaza, through their Palestinian correspondents; they have also been banned in Israel as antisemitic propaganda.
I need to make it very clear that I am not in any way denigrating it for having Qatari government funding; the BBC shares many of those factors, just British.
Why you should listen to it: Al Jazeera got a reporter into the student protest encampment in Columbia, and got more direct interviews with some of the students on the ground. This is part two of their coverage of the protests; Part One (April 24th, 2024)provides another perspective of the timeline, which focuses on different factors, generally closer to the events in Columbia than the national factors.
Democracy Now! - April 23rd, 2024: This is a far left/progressive radio broadcast (repackaged for podcast streaming) that has been running since 1996. They often have interviews with people that I haven't necessarily seen other podcasts bring in, and while I would not consider them extreme, I do sometimes find that certain details get left out in pursuit of a more black-and-white narrative.
Why you should listen to it: Cohost Juan González has been in the field of progressive journalism for a very long time, but it's more relevant than ever for this episode: González was one of the original organizers for the 1968 Columbia protests that resulted in one of the largest mass arrests in NYPD history. The 1968 protests were massive, and deeply impactful on a national scale. González's perspective on how this current protest compares to the one he helped organize nearly sixty years ago is a fascinating way to think about the current events.
Global News Podcast - April 25th, 2024: BBC is a very centrist source for journalism, funded primarily by the UK government and advertising. As such, their coverage tends to lean in favor of the current party, though they do not 'toe the party line' as such. They do regularly platform right-wing activists, but they also have correspondents in the Middle East with a more progressive perspective. I would compare them to CNN in the US; ineffective in terms of opinion, and comparatively milquetoast on that front, but capable of getting access to high-level events that smaller networks aren't.
Why you should listen to it: ...honestly, this is just a 'round it out' kind of suggestion, to get an idea of what the international community is thinking of the events at Columbia. I don't think they necessarily contribute much in terms of factual discovery, but it helps with getting the lay of the land.
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whats-this-mustelid · 8 months
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I just think that 'animals are living intelligent creatures that have feelings and deserve to be respected' and 'when done properly farming is beneficial to both people and animals and there's nothing wrong with raising and killing animals for food, clothing, and other products' are concepts that very much can and should coexist
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FYI artists and writers: some info regarding tumblr's new "third-party sharing" (aka selling your content to OpenAI and Midjourney)
You may have already seen the post by @staff regarding third-party sharing and how to opt out. You may have also already seen various news articles discussing the matter.
But here's a little further clarity re some questions I had, and you may too. Caveat: Not all of this is on official tumblr pages, so it's possible things may change.
(1) "I heard they already have access to my data and it doesn't really matter if I opt out"
From the 404 article:
A new FAQ section we reviewed is titled “What happens when you opt out?” states “If you opt out from the start, we will block crawlers from accessing your content by adding your site on a disallowed list. If you change your mind later, we also plan to update any partners about people who newly opt-out and ask that their content be removed from past sources and future training.”
So please, go click that opt-out button.
(2) Some future user: "I've been away from tumblr for months, and I just heard about all this. I didn't opt out before, so does it make a difference anymore?"
Another internal document shows that, on February 23, an employee asked in a staff-only thread, “Do we have assurances that if a user opts out of their data being shared with third parties that our existing data partners will be notified of such a change and remove their data?” Andrew Spittle, Automattic’s head of AI replied: “We will notify existing partners on a regular basis about anyone who's opted out since the last time we provided a list. I want this to be an ongoing process where we regularly advocate for past content to be excluded based on current preferences. We will ask that content be deleted and removed from any future training runs. I believe partners will honor this based on our conversations with them to this point. I don't think they gain much overall by retaining it.”
It should make a difference! Go click that button.
(3) "I opted out, but my art posts have been reblogged by so many people, and I don't know if they all opted out. What does that mean for my stuff?"
This answer is actually on the support page for the toggle:
This option will prevent your blog's content, even when reblogged, from being shared with our licensed network of content and research partners, including those that train AI models.
And some further clarification by the COO and a product manager:
zingring: A couple people from work have reached out to let me know that yes, it applies to reblogs of "don't scrape" content. If you opt out, your content is opted out, even in reblog form. cyle: yep, for reblogs, we're taking it so far as "if anybody in the reblog trail has opted out, all of the content in that reblog will be opted out", when a reblog could be scraped/shared.
So not only your reblogged posts, but anyone who contributed in a reblog (such as posts where someone has been inspired to draw fanart of the OP) will presumably be protected by your opt-out. (A good reason to opt out even if you yourself are not a creator.)
Furthermore, if you the OP were offline and didn't know about the opt-out, if someone contributed to a reblog and they are opted out, then your original work is also protected. (Which makes it very tempting to contribute "scrapeable content" now whenever I reblog from an abandoned/disused blog...)
(4) "What about deleted blogs? They can't opt out!"
I was told by someone (not official) that he read "deleted blogs are all opted-out by default". However, he didn't recall the source, and I can't find it, so I can't guarantee that info. If I get more details - like if/when tumblr puts up that FAQ as reported in the 404 article - I will add it here as soon as I can.
Edit, tumblr has updated their help page for the option to opt-out of third-party sharing! It now states:
The content which will not be shared with our licensed network of content and research partners, including those that train AI models, includes: • Posts and reblogs of posts from blogs who have enabled the "Prevent third-party sharing" option. • Posts and reblogs of posts from deleted blogs. • Posts and reblogs of posts from password-protected blogs. • Posts and reblogs of posts from explicit blogs. • Posts and reblogs of posts from suspended/deactivated blogs. • Private posts. • Drafts. • Messages. • Asks and submissions which have not been publicly posted. • Post+ subscriber-only posts. • Explicit posts.
So no need to worry about your old deleted blogs that still have reblogs floating around. *\o/*
But for your existing blogs, please use the opt out option. And a reminder of how to opt out, under the cut:
The opt-out toggle is in Blog Settings, and please note you need to do it for each one of your blogs / sideblogs.
On dashboard, the toggle is at https://www.tumblr.com/settings/blog/blogname [replace "blogname" as applicable] down by Visibility:
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For mobile, you need the most recent update of the app. (Android version 33.4.1.100, iOs version 33.4.) Then go to your blog tab (the little person icon), and then the gear icon for Settings, then click Visibility.
Tumblr media
Again, if you have a sideblog, go back to the blog tab, switch to it, and go to settings again. Repeat as necessary.
If you do not have access to the newest version of the app for whatever reason, you can also log into tumblr in your mobile browser. Same URL as per desktop above, same location.
Note you do not need to change settings in both desktop and the app, just one is fine.
I hope this helps!
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headspace-hotel · 3 months
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Problems like climate change, where solving them requires millions of people to collectively work at hundreds of different solutions at once, are black holes for internal peacefulness because they give you a type of frustration where you alternately become bitter towards yourself or everyone around you. "If only I could work harder to fix the problem!" makes you exhausted, so you must become angry at others: "If only they cared about the problem!"
People who are already working on fixing climate change need to convince more people to work on it. And a popular thing is to share writings that describe how doomed we all are if climate change is not fixed, how terrible everything will be because of climate change, and how quickly all the treasures of our world are being lost.
There is a particular understanding of human behavior that is being accepted here without thinking about it hard enough. Popular news media shows headlines with terrible prophecies, written that way in hopes of getting the attention of otherwise disinterested people, who will then be "motivated" to fix climate change.
The trouble is that fear is no good for motivating thoughtful, patient, steady commitment to solving a problem. Fear is made to cause an organism to avoid things that might harm it. It creates a brief and explosive pulse of action where the organism's energy pours out as it instinctively, thoughtlessly reacts to escape the danger as fast as possible.
It's silly to blame people for avoiding thinking about climate change. The point of an organism responding to stressors is to avoid them. Oftentimes, the only tool people are presented with is personal choices about what products to buy, which inevitably is horribly frustrating and stressful, since a person will frequently be coerced by their situation into buying a certain product, and even if they don't they see others doing it all the time.
Relentless exposure to imminent threats that cannot be escaped causes Trauma, which severely impacts a person's ability to be resilient to stressors.
I think there is definitely a type of trauma associated with being constantly aware of the destruction of the environment and feeling helpless to do anything about it, especially since we as humans have a deep need for contact with other living things and aspects of the natural world, such as trees, water, flowers, and animals—a need that is often totally denied and treated as merely a Want or a hobby meant only for certain people who enjoy particular activities, like Hiking or Gardening.
We need to expand our minds on how this disconnection can hurt a human being. Imagine if a child's need to be loved by their caregivers, a person's need to be loved by their friends and family, was treated as a desire for indulgence or luxury, or a certain use of free time!
Yes, yes, one person has a condition that makes it hard to walk up hills, another doesn't like the bright sunshine, another is allergic to the grass or fungal components of the outdoor world, but WE ARE PART OF THE FAMILY OF ALL LIFE ON EARTH and WE EXIST IN SYMBIOSIS WITH THE ENVIRONMENT WHICH TAKES CARE OF US. Who showed you what beauty was, who taught you to feel peace and relief inside you in the form of a caressing breeze and rustle of leaves, who gave you awe and wonder at seeing the stars or the mountains? Where does every delicious food come from but the soil teeming with creatures? Isn't the most perfectly sweet berry grown from a plant, nurtured by the soil and pollinated by the bugs? Don't you feel delight at seeing a springy carpet of moss, a little mushroom, or a tiny bird? Think of all that the trees give us. Whose breath do you breathe? Whose body frames your home?
The writings of Indigenous writers such as the book by Mary Siisip Genuisz I am reading right now show me that the other life forms are our family. They take care of us and provide for us, and they would miss us if our species disappeared. Isn't that a powerful, healing fact? I think everybody is so enthusiastic about the book Braiding Sweetgrass because it is a worldview that those of us coming from the dominant colonizer culture are straight up ravenous, starving to death for.
Maybe, I think to myself, humans can experience a kind of trauma from being deprived a relationship with their Earth, just as they would experience trauma from being deprived relationships with other humans.
I really believe that it hurts us to be surrounded by concrete instead of soil, to see a majestic tree cut down on a whim without any justice possible, to see wild animals mostly in the form of mangled corpses on the roadside, to have poison sprayed everywhere to kill the insects that life depends on, to hear traffic and lawn mowers and weed whackers instead of birds and flowing water.
We KNOW that this is physically bad for our health, the stifling, polluted, and stressful environments of a civilization that doesn't know the ways of the plants, but I think it's a kind of moral injury too, right? To see a beautiful field turned into a housing development of ugly, big, expensive houses—no thought given to the butterflies and sparrows and quail of the field? To see a big old tree cut down, a pond full of frogs obliterated and turned into a drainage ditch beside a gas station? They aren't just things, they are lives, and while expansion and profit and progress are "necessary," a nice old field of wildflowers or a pond full of frogs are a different kind of necessary. I remember feeling this as a child without words for it—the sheer cruelty of a world that is totally without reverence for the other creatures.
"They own the property, they can cut down the tree" "They bought the land, they can do what they want with it" <but it can also be wrong, and many people know this on some level, even though our culture doesn't provide us with the framework.
Fear could never give people the motivation to fix climate change. Constant fear of what will happen in the future forces a person to protect themselves from the relentless stress by shutting it out entirely or developing apathy.
A fear based argument for fixing climate change either causes a worldview of nature with no bond of kinship at all, based on the physical and practical dependence on Nature as a "resource," or forces people to experience their kinship with Nature only through grief.
Fear tells us that we want to live—it does not tell us WHY to live. If a person tries to live on fear alone, they will eventually find the desire to live burdensome and painful in itself. I see this emerging on a society wide scale in the USA, feeding on influences from the Christian evangelicalism that sees the Earth as something already sullied and worthless, to be thrown away like a dirty tissue, and on the looming monolith of nuclear winter that gave our parents recurring nightmares as children.
If you go to r/collapse on Reddit (don't do that) you will see a whole community of people who cope with the threat of climate change by fantasizing about it, imagining it as a collective punishment for all humanity and a cathartic release from the present painful situation.
We cannot learn to live without seeing the reason for living. We cannot save the Earth without loving it. We cannot heal nature without caring for it. In order to collectively take action against climate change, we must be moved by something other than fear—and that something is love. Not just love of the outdoors as an activity, but love of the Earth as something that loves us.
The dominant Western culture cannot borrow Indigenous land stewardship techniques as though they are just one climate resilience strategy, without being also willing to change its dreadfully impoverished way of viewing human relationships with Nature.
What right have we to think, "Huh, maybe those guys were on to something with the multi-level polyculture systems and controlled burns" while still thinking humans are nothing but a disease on the Earth, and that Earth would be happy to be rid of us? The sustainable ways of using the land practiced traditionally by cultures who have lived in relationship with their ecosystems for many generations work because humans can exist in mutualistic symbiosis with the life forms around them. We care for them. They care for us.
I know for a fact that plants seek relationships with us, and I was taught by them to see how interconnected everything really is, and how I was made to be a caretaker of my ecosystem. I was, a few years ago, just as I describe above. Too scared and pessimistic about the future of nature to bother loving it, and because of this, I could not realize my niche in the ecosystem. It felt for many years like I could do nothing—i believed in climate change, but I felt hopeless, so I put it out of my mind. But when I began to cultivate a love and reverence for the sad, scraggly, beaten-down fragments of Nature around me, everything changed. So much became possible.
I am still learning and exploring, trying to open my mind to ideas totally different than the ones I knew growing up, paying close attention to every plant and learning its ways. And it stuns me to think—some people write about climate change without this process.
The author of the book "The Uninhabitable Earth" (a scary book about how doomed the Earth is because of climate change) says in the beginning of the book that he is not very much of a nature lover. You fool, love is our most powerful evolutionary adaptation!
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klausinamarink · 2 months
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based on this hilarious video with Gianmarco Soresi whom I’ve been watching his comedy work for a few months now
read on ao3
“What do you do?” The standup of the hour - the guy had introduced himself as Eddie - points at Steve.
Flustered at the attention directing every eye in the club to his table, Steve tries not to stammer as he answers, “Well, uh, I make movies.”
“Oh!” Eddie genuinely looks interested. “So you’re a director?”
“Yeah, pretty much. At least I started out as an indie, but I have a big project that’s out and a couple more on the way.” One table nearby claps and Steve tries to wave them off to stop.
“So what was that big project? Was it something we would’ve seen?” Eddie repositions himself so he has one leg up on the stool. Steve stares at how lean they seem with the tight black jeans. He’s got them daddy long legs. His brain suddenly burps out and it nearly makes Steve lose his composure.
“Uh, ha, I did The Final Bat. It’s on Shudder.” Steve shrugs nonchalantly, perfectly hiding his internal cringe. The horror genre is way out of his league and Steve’s already seen The Final Bat being on a few critical lists damning the title as another cliche-filled mess. He only did it because he had finally caved to Dustin’s pleading to make at least one horror movie.
Eddie, on the other hand, seems ecstatic by this revelation. “No way! That’s sick, dude! So the next time you make a horror flick, you’re gonna watch Blumhouse and A24 coming in at each other with steel chairs for distribution rights.”
Everyone laughs, including Robin. She smacks on Steve’s bicep with a wide grin. He smacks her back before he turns back to Eddie and clarifies, “I don’t like horror! I’m not doing it again!”
Aghast, Eddie throws an invisible hat to the ground and stamps on his feet. “Come on! Then what’s the point of watching the studios bite each other’s dicks off when you’re slipping out to watch - I don’t know - the Barbie movie! Now they’re just fighting for the next shitty horror movie to exist!”
Steve covers his mouth but fails to hold back in the laughter. Eddie’s infectious energy is starting to get to him. It makes his chest clench with something other than the usual pains.
Eddie patiently waits for the patrons to quiet down before continuing, still attentive to Steve, “I’m just wondering actually if you ever done theater class.”
“Sure did! Two years in high school,” Steve confirms.
“Let me guess, they did Hamlet?” Eddie raises an eyebrow like it’s meant to be accusatory.
“Yep, soon after I joined.” Steve nods, the memory of that production flashing before his eyes. It had its ups and downs but it was one of the most fun things Steve had ever experienced.
“No wonder they started as soon as your handsome ass walked in the club.” Eddie says low and flirtatiously into the microphone, staring directly into Steve’s eyes. It echoes across the room and back, bringing the howling laughter with it.
Heat crawls behind his face. Steve keeps his hands on the table, forcing down the urge to hide behind them. “I-” He stops to cough, “I wasn’t supposed to play Hamlet.”
Eddie’s eyes go wide, “What do you mean?!”
Robin answers loud enough for everyone to hear, “He was the grave robber, but the other guy who did Hamlet got into a coma a week before the show and Steve knew all the lines.”
“W-Woah, woah, woah!” Eddie holds his hands out, looking scandalous. He throws looks around the club. “Everyone, shut the fuck up right now! This is more important than caring about the rest of you!” Eddie drags the stool over and perches on it like a very much invested gargoyle, almost oblivious to the audience’s reaction.
“Okay, let me go through this.” He points at Steve, still holding eye contact as if Steve’s soul would provide the answer. “You weren’t Hamlet. You were meant to be the guy who gives him the skull to monologue. The OG Hamlet got into a coma for some reason-“
“Car accident.” Robin interjects.
“Yeah, no need to elaborate, ma’am. You, Steve-” Eddie breaks off for a second, holding back a laugh of his own. “You somehow knew all the Hamlet lines because you were waiting to skin OG Hamlet’s head and make his skull yours to do the monologue.”
There’s a scandalous outcry from all tables. Even when they mostly calm down, Steve uses the growing anticipation to ‘think’ about what Eddie just said before he casually shrugs and says, “Sounds about right.”
Eddie drops his face into his arm, letting everyone laugh at him. Steve lets himself break, his laughter bubbling out of him in a way that doesn’t sound so self-deprecating or hollow. If he was in a cynical mood, he would’ve thought it was pathetic that the only person who made him laugh so lightly again was some random standup.
After a moment, Eddie finally looks up, his face broken in disbelieving grin. He chuckles into the mic and looks back at Steve, “Sorry, it’s just I hear some wild stories in the crowd some nights and I think yours takes the cake.”
Steve smiles, “Thanks, man.”
Eddie stands up back, half-leaning onto the stool. “Do you still remember those lines? To be or not to be?”
The whole damn thing. “Uh… some of it?”
Eddie’s grin shifts into something more mischievous. “Let’s see who knows more.”
A collective oooh goes around the room, including Robin. She already has her phone out for recording. Steve rolls his eyes at her and takes a quick sip of his water. He clears his throat and starts, “‘To be or not to be, that is the question.’”
“‘Whether 'tis nobler in the mind to suffer, the slings and arrows of outrageous fortune..’” Eddie says without missing a beat.
Oh, he thinks he knows it all. The sense of competition that Steve thought had died out with his future of a sports career reignites in his chest. He sits up even straighter. “‘Or to take arms against a sea of troubles and by opposing end them.’”
“‘To die-to sleep, no more.’” Eddie slowly walks over to the edge of the stage, “‘And by a sleep to say we end the heart-ache and the thousand natural shocks that flesh is heir to.’”
“'tis a consummation devoutly to be wish'd.’” Steve almost shivers as he recites the line, uncertain if it’s from the club’s cooling temperatures or the intense gaze from Eddie’s eyes. “‘To die, to sleep.’”
“‘To sleep, perchance to dream—ay, there's the rub,’” Eddie suggestively rubs a hand on his chest as he squats down. Steve’s eyes flicker to the hand, almost hypnotized by the motion. Nay, he shakes himself out of it. No distractions!
“‘For in that sleep of death what dreams may come, when we have shuffled off this mortal coil.’” It’s getting harder to remember the following lines. That hasn’t happened before. Steve has never forgotten the damn soliloquy in years, even when other people try to challenge him.
Eddie continues, “‘Must give us pause—there's the respect that makes calamity of so long life. For who would bear the whips and scorns of time, the oppressor's wrong, the proud man's contumely.’”
“‘The pangs-’” Steve feels his breath catching in his throat when he realizes, for the first time, what beautiful eyes Eddie has.
Oh. 
Eddie suddenly perks up in excitement. For a second, Steve thinks that Eddie has come to the exact same thoughts for him. But then he remembers that he hasn’t completed his line, so Steve feigns defeat.
“I win!” Eddie stands up with a triumphant cry. He spreads his arms out to embrace the cheering whoops and applause. “And I’ve only got to play Hamlet in-” He spins around and crouches down so he can look Steve in the eye again as Eddie’s voice booms into the mic, “-FOURTH GRADE, MOTHERFUCKER!” 
Steve’s not even mad. He just throws his head back, laughing and clapping along. 
Almost too soon, Eddie moves on to heckle on another table. But he keeps glancing over at Steve, his smile widening every time. And Steve smiles back, feeling a laugh slip out of his slips at every joke. He watches Eddie more closely, feeling his heart pound faster in his chest the more Eddie stays onstage. 
By the time Eddie has to depart and thank everyone for being here, Robin announces her need to go home and snuggle with her girlfriend. 
“Man, that was the most I’ve ever laughed in this place.” Steve stretches his back, groaning at the little pops. God, being in his early thirties can be a bitch sometimes.
Robin only hums, moving her eyebrows up and down suggestively. Steve pointedly makes no further comment as he pays the tab.
Outside, the crisp night air welcomes him. Steve takes in a whiff, staring up at the light-polluted sky as he bids Robin a goodbye. Then he hears his name being called. He turns around and sees Eddie hurrying out the doors.
Steve feels a smile already on his face, “Hey, Hamlet.” 
Eddie grins at him, teeth and all, “Hey, yourself.” 
They stare at each other but it lacks the competitive intensity earlier. Steve likes this. But he already has a feeling that this won’t be the first time either one of them would challenge the other.
“Sooo…” Steve says when the silence stretches a little too long. He gestures between himself and Eddie, “Wanna restart our introductions?”
Eddie’s eyes brighten, “Yeah! Right, sorry.” He clears his throat and thrusts a hand out. “My name is Eddie Munson. Self-proclaimed comedian and musician. You may recognize me as the guy who beat you in Hamlet’s famous speech.”
Steve takes his hand. Eddie feels bony and thin, but large enough to fit perfectly into Steve’s palm. He tries not to sound so eager as he says, “Steve Harrington. Film director who doesn’t like horror. Believe it or not, I actually know the whole stupid thing.”
Eddie tilts his head, narrowing his eyes, “Really? Like, no offense, but even if you remember that much-”
“‘And thus the native hue of resolution is sicklied o'er with the pale cast of thought, and enterprises of great pith and moment with this regard their currents turn awry and lose the name of action.’” Steve winks with the Harrington Charm, smile and all. 
Eddie stares at him for so long that Steve feels his heart racing for a different reason. And then, Eddie turns around and muffles a loud scream into his free hand. When the man turns back to face him, he’s sporting the widest smile Steve has never seen.
“You knew the whole thing!?” Eddie’s eyes sparkle with utter adoration.
“Yep.” Steve pops the ‘p’, grinning like a little shit.
“But why did you forget that line?”
“Let’s just say,” Steve squeezes Eddie’s hand, intertwining their fingers together, “I got distracted by the pangs of love.”
Eddie bites on his lower lip as he swoons his body over so they are pressing against each other. With half-lidded eyes, Eddie whispers, “You know that part is Hamlet referring to missing his dead dad, right?”
Of course Steve couldn’t help but kiss him.
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bucksangel · 22 days
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Honeysuckle
pairing: alpha!steve x alpha!bucky, alpha!steve x artist!omega!reader x alpha!bucky (poly) - omegaverse!au pt. 3
word count: 4k
summary: “Honey,” Bucky sighs wistfully, falling into your embrace while Steve stands behind you with his arms around your waist and helping you not fall over under Bucky’s hulking frame. You don’t mind though, you’d happily die by being crushed under their weight if it meant you could touch them, and have them touch you. Caressing you, kissing you, adoring you the way only they can. And despite your earlier hesitation, you wouldn’t pass up the chance to brighten up your Alphas day for anything. And their grateful kisses and pleased rumbles let you know that you did just that.
or - your Alphas take such good care of you. their mere presence brightens up your day, so when your Alphas have a rough day you take it upon yourself to show them how good of an Omega you can be, that you can provide for them too.
warnings: 18+, mild suggestive thoughts, i apologize to ur dentists bc there’s so much fluff it might give you a toothache, omega is very shy and awkward but steve and bucky are fond and patient, fluff, kissing, tw for steve using 2-in-1 shampoo and conditioner, tiny bit of hurt/comfort, bucky needs some lovin’
a/n: this is dedicated to the loml @buckysbarne and @buckysprettybaby who also helped beta <3
milk and honey masterlist | main masterlist | tip jar
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“Babe -“ Bucky sighs, his head hanging low and hands clenched into tight fists. “I’ll be okay.”
Steve huffs, walking up to his boyfriend and wrapping one arm around his Alphas waist, cupping his cheek with his other hand.
“It’s okay, she’ll understand,” Steve whispers softly, leaning forward and placing a delicate kiss on his mate’s forehead before pulling back and guiding Bucky to look up at him. He quickly dips his head to kiss Bucky’s lips.
“What if she doesn’t?” Bucky mumbles, shame and embarrassment flooding his body.
Why can’t he just be normal?
The day started horribly; Bucky woke up at around seven in the morning from a particularly harrowing nightmare. He hasn’t had one of those in a while, so it was very unwelcoming. This one, unlike other nightmares he’s had, was terrifying in a way he’d never felt.
He knows they’re gone, that Hydra and its agents have been obliterated, but that doesn’t mean Bucky doesn’t occasionally get anxious over the ‘what ifs’ of any potential harm Steve could go through should Hydra get him.
This ‘what if’ manifested in the form of you getting captured too. Even if he and Steve haven’t mated with you yet, they both know in their bones that you were crafted by any gods that exist to complete them. And the thought of you and Steve getting taken from him is far worse than anything Hydra could ever do to him.
Steve had to shake him awake, and he hadn’t been able to stop crying long enough to explain what had happened. After ten minutes of shaking and sobbing into his mate’s chest, he was finally able to articulate the horrifying images that now plague his mind, Steve had held him close, and he had kissed his cheeks and forehead and hairline, all while cooing words of affirmation and love.
The day only got worse from there. After the dream, it started with small things; he burned his hand while trying to make coffee - then spilled the coffee all over his favorite shirt. He ran out of his shampoo and had to use Steve’s - and, listen, Bucky is fully convinced that he survived Hydra because the universe wanted them together again, but Steve could definitely use some better shower products. The whole ‘two-in-one’ thing just doesn’t cut it for Bucky.
But then they had to meet up with their teammates for a briefing over a mission that Bucky is really not excited about, and found out the original one-day mission was going to be three days. Three whole days without you? Luckily Steve is coming with him, but then he thought about you being without both of them and started getting anxious. Now, even though you all haven’t been together for long, and they both know you can handle yourself, they detest the idea of leaving you for an extended period.
They’d managed to sneak in a few texts to you. Wishing you a good day at work, sending heart emojis when you send them a picture of a cute dog you saw while walking to the studio - Sam and Natasha spent a long time trying to get the men to understand modern language - and sending you pictures of them while they were too bored to listen to Tony talk.
But then they went to a coffee shop intending to grab their coffee and rush back to their apartment to get a few things so they could pick you up from work and take you to the new ice cream shop that opened up a few blocks from your studio. Dark clouds came rushing overhead while they were waiting for their drinks, and they decided to wait out the storm in a corner booth.
But people were staring, giving them - mainly Bucky - nervous glances, and a few people at the table next to them ate quicker than someone usually would and then placed a wad of cash on the table before rushing out.
Suddenly the idea of getting ice cream doesn’t sound so appealing.
Steve noticed because he’s so attuned to his mate that he knows Bucky is dejected, Bucky is hurt, he’s tired. Tired of people still judging him. Tired of being accused of things that he had no control over. They didn’t stay long, deciding that getting soaked while racing home was better than being in a place that’s now making Bucky feel unsafe.
Bucky’s been fighting with himself ever since they got home and changed out of their wet clothes. He wants to spend time with you more than anything, and you’ve been excited about this date ever since they told you, and Bucky will be damned if he doesn’t give you anything you want. But he really doesn’t think he can handle being in public right now.
His body is hurting with how bad he’s trying to force the negativity out of his mind enough so he can enjoy being with you, but it’s hard. And Steve telling him that you’ll understand that he can’t go out breaks him. His fists clench tighter.
Bucky wants to be normal for you. He wants to go out with his mates and not get worried about getting less-than-friendly looks at the three of you.
“I’m going to call her,” Steve says calmly, wrapping his arms around his boyfriend and pulling him in tight while Bucky’s body starts to shake with how badly he wants to cry. “I’ll call her and I’ll tell her that you’re not feeling well, but we’ll go to her studio tomorrow for lunch. Okay?”
Bucky takes a deep, shaky breath before nodding, trying his hardest to not blame himself when he imagines the look on your face as Steve tells you they have to cancel. Steve kisses his mate's forehead and then untangles himself so he can get his phone.
It doesn’t take long for you to answer, and Bucky can hear your chipper “Hi Stevie!” and suddenly he wants to cry harder. He also hears Steve telling you that Bucky isn’t feeling well and that they’ll come visit you tomorrow. You go quiet for a moment before asking Steve to pass the phone to your other Alpha. And when Bucky mumbles, “Hey, honey,” he knows you can hear that he’s holding back tears.
“Hi, Alpha,” Your sweet voice immediately fills him with warmth, images of your smile filling his head. “You’re not feeling well?”
“No,” Bucky clears his throat, trying to force himself to not feel bad about it. “I’m really sorry, honey. I promise we’ll make it up to you.”
You pause, and suddenly Bucky is worried that you’re mad. But before his mind can spiral into more negative thoughts, your voice - soft and shy - asks if he’s home. And when he tells you that he is, you simply say “good,” and then hang up.
Well, fuck. Bucky tries to convince himself that you’re not upset, but Steve can see that it’s not working well. And at his boyfriend's suggestion of a nap, he trudges upstairs, lying down in bed and wishing upon every star in the universe that you’ll forgive him.
____________
When you heard that Bucky wasn’t feeling well you immediately thought of the worst. Is he sick? Well, that doesn’t make sense, he’s a super soldier after all. Is he hurt? That’s a possibility, their jobs are tough.
Does he… not want to see you? As soon as that thought crosses your mind, you dismiss it. Bucky and Steve have shown over and over that they like you and want to be with you. The word ‘love’ flashes through your mind but you dismiss that as well. It’s too soon, right?
No matter what’s actually going on, you know you need to make him feel better. As soon as you hung up the phone you gathered everything you needed to make apple pies. But then you faltered, what if he doesn’t like apple pie? Well, you have things to make brownies, and you know both Alphas love them. So you took out everything needed to make brownies with the intention of bringing them over when they were done.
But then a thought popped up. Would they even want you in their house? There were a few times when you told them they could come inside your apartment while you finished getting ready for a date night, but they politely declined. You hadn’t thought much of it at the time, but now you’re worried you might be crossing a line.
You’ve just put the mixture in the oven when you decide that you’ll just drop them off and then leave. You don’t want to make them uncomfortable, especially since Bucky isn’t feeling well. While the brownies cook, you run to your bedroom to change into somewhat presentable clothes. You don’t bother getting all dressed up since you’re not going anywhere but your Alphas’ place, and even then you won’t be staying long.
By the time the dessert is done and put into a container, you’ve talked yourself in and out of going several times. Finally, after several minutes of having a mild freak-out, you gather the courage to gather your things and get in your car.
The entire drive has you a little on edge, though you know you have to do it. Not necessarily out of obligation, but because you want to make your Alpha’s happy. They’re always doing little things for you; buying you new plush blankets, getting you food on their way to visit your studio, Steve had even given you a sweater that both he and Bucky regularly wear - fully knowing and hoping you’ll use it for your nest.
Those men make you happier than anyone else ever could, you relish in their praise, your whole body lit up in flames whenever they get all sweet on you - which is all the time, neither man can resist kissing you, hugging you, telling you how you’re the sweetest Omega to ever exist.
They make you happy, and you will do everything you can to make them happy too. You want to be the perfect Omega for them, to show them that you can provide for them too, and that thought is what fuels you to park outside of their house and gather everything.
Your confidence wanes when you get to the front door, anxious again that the Alphas would be upset that you came over. You don’t even get a chance to think about leaving because the door opens wide, and Steve stands there with a smile.
“Honey,” He says, giving you that same longing gaze he always gives you. His eyes travel down to the container you’re holding, his smile growing wider while you cast your eyes down to the floor nervously. “What is that?”
A part of you wants to laugh, you know his heightened sense of smell can already figure it out. You don’t though, you merely shuffle on the porch nervously.
“W-Well I - um… I know Bucky isn’t feeling well, and I wanted to drop off some brownies for you guys.” Your eyes suddenly go wide, a small panicked noise leaving your lips. “Which I just now realized is probably not a good thing for Bucky to eat right now.”
You kind of want to smack your forehead. You were so focused on trying to be helpful that you didn’t even think of what would actually help Bucky feel better. Sensing your growing panic, Steve hums softly, reaching out and taking the dessert from your hands.
“That’s really sweet, honey,” Steve purrs, transferring the container to one hand so he can take your hand in his free one. “Thank you.”
An unexpected squeak leaves your lips, warmth filling your body as you squeeze Steve’s hand and smile up at him shyly.
“Y-You’re welcome, Stevie.” Your voice is soft, nearly indiscernible except for your Alpha with his advanced hearing. “Um, just… I guess you can text me later and tell me how they taste?” It’s phrased as an uncertain question because you don’t want to make him feel like he has to, but you desperately hope he does. You need their praise more than air.
“You’re not staying?”
That question has your head snapping up so you can look at him directly, your eyebrows furrowed in confusion as you take in his equally confused gaze.
“I - um. I guess I just thought you wouldn’t want me to. I mean, you never want to come in my house, so I just figured you wouldn’t want me in yours.” Your voice comes out shakier than you’d like, and the hope that he’d invite you in is creeping up. “Which is fine! You - you don’t have to, and I don’t want to make you guys uncomfortable, especially since Bucky isn’t feeling well.”
Steve sighs, his scent souring a little as though he’s disappointed, and now you’re anxious over possibly saying something wrong. But when he senses your growing panic, he tugs on your hand until you follow him inside. And immediately, the aroma of both Bucky and Steve’s scent calms you down.
“Of course we want you here, sweet Omega.” Steve smiles at you again, pulling you further into the house until you get to the kitchen not far from the entryway. He drops your hand so he can place the food on the counter. The Alpha quickly moves toward you, wrapping you in his arms and pulling you into his chest. Plush, soft lips land on the top of your head, and they linger there for a few moments.
As though he sensed your arrival, Bucky comes rushing into the kitchen with a wide smile.
“Omega,” He says, walking toward you and Steve with purpose so he can wrap around you too.
“Our sweet girl brought us some brownies since you aren’t feeling well.” You can hear the smile in Steve’s voice, and they both release their hold on you so you can turn around and face Bucky.
Bucky goes silent, and when you place your hands on his chest you can feel how his heart rate picks up. And after a few moments of simply staring into your eyes, his smile softens, his body relaxing.
“Oh, honey,” Bucky sighs wistfully, falling into your embrace while Steve stands behind you with his arms around your waist and helping you not fall over under Bucky’s hulking frame. You don’t mind though, you’d happily die by being crushed under their weight if it meant you could touch them, and have them touch you. Caressing you, kissing you, adoring you the way only they can. And despite your earlier hesitation, you wouldn’t pass up the chance to brighten up your Alphas’ day for anything. And their grateful kisses and pleased rumbles let you know that you did just that.
“Thank you,” Bucky mumbles into your neck as he presses soft and chaste kisses to the area. “You’re perfect.”
You can’t help the nervous chuckle that passes through your lips, nor can you stop yourself from shaking your head, immediately trying to deny it. While you love praise, specifically theirs, you don’t really feel like you deserve it sometimes. How can these two perfect Alpha’s possibly be interested in you? You’re not too sure why they like you, but you try not to think too hard about it. You don’t want to overthink everything and spiral into self-doubt, which would then lead you to sabotage the relationship, and you absolutely don’t want that.
“I-It’s nothing, really. I just want to make you feel better.” Your voice is small and shy, and you cast your eyes downward when Bucky pulls away from you to look at you with such intensity that it makes your entire body go warm. Your heartbeat speeds up when Steve steps back too and moves so he can stand beside Bucky and look at you directly.
“It’s not nothing, baby,” Steve sighs, reaching out and placing a large hand on the back of your neck and turning your head upwards so he can hold your gaze, and it’s absolutely impossible to suppress the shiver that runs down your spine. Oh, how you want to feel his hands on… other parts of your body.
“It’s thoughtful,” Bucky adds, lightly squeezing your hips. “We mean it; thank you.”
“You’re welcome,” You say softly, smiling at both of them and reaching out to place your hands on each Alpha’s chests. In a quick and bold move, you lean up on your toes to place a gentle kiss on Steve’s lips, then move over to Bucky.
Bucky, however, decides a single peck isn’t enough. Steve keeps his hand on the back of your neck and angles your head so it’s easier for Bucky to slide his tongue along your bottom lip and take advantage of your surprised squeak by slipping his tongue into your mouth. He swallows your little gasps and sighs, snaking his arms around your waist to pull your body flush against his.
The intensity of the kiss comes to a halt when Steve’s stomach rumbles. You and Bucky break apart with breathless chuckles, turning to look at Steve’s sheepish expression.
“Sorry,” He laughs, sliding his hand from your neck to the side of your face, and he smiles wider when you nuzzle and kiss his palm. “We haven’t eaten since this morning.”
“I can cook for you!” You say quickly, surprised with yourself by how fast you were to offer. You’re not the best cook, but depending on what food they have you’re pretty sure you whip up something presentable. Plus, your inner Omega is just aching to please them.
“You don’t need to do that, honey,” Bucky says, stepping back but keeping one hand on your back. “We can just order something.”
“Please?” You ask softly, smiling up at him and using the fact that he can never say no to your pout to your advantage. “I want to.”
Both men sigh, fully knowing that they could never deny you anything you want. So, they both nod, stepping aside so you can go to their fridge.
“You can just make something easy, it doesn’t matter to us.” Steve kisses your forehead, then smiles as he turns to look at Bucky while you go about finding something to cook. Pulling him in close, Steve quickly kisses Bucky’s lips and murmurs, “Told ya she’d understand.”
____________
“Told ya she’d understand.”
Steve chuckles when Bucky playfully shoves his elbow into his Alpha’s stomach. And Steve absolutely cannot stop himself from kissing Bucky again. And one more time. He can’t help it though, Bucky was feeling so awful earlier, and seeing his genuine smile and sparkling eyes fills him with happiness.
“Shut up, punk,” Bucky mumbles with a playful roll of his eyes, wiggling out of Steve’s hold so he can go sit at the kitchen island. Steve follows him, muttering “jerk” low under his breath as he sits next to Bucky.
The two men sit side by side, both with love-stricken gazes and twinkling eyes as they watch you flit around the kitchen happily, grabbing things here and there. They aren’t too sure what exactly you’re making, but it starts smelling good in no time. But the underlying scent of happiness coming from all three of you is what really strikes Bucky’s heart.
And in no time at all the food has been finished, and you make sure to pile their plates full of the food.
“I know spaghetti is boring, but I added a few spices so I hope you like it.” Your voice is soft and shy as you present them with their plates, and your rapidly beating heart showcases your nerves. You’re desperately hoping they like it - maybe praise you a bit for taking care of them.
“We’ll love it,” Steve says quickly, getting off the chair and walking up to you with a wide smile. “We’ll love anything you make us, honey.”
The squeak you let out makes both Alphas chuckle, giving you such soft gazes that makes you want to bare your neck to them in submission. With that, Steve and Bucky take their food and guide you to the couch in the living room, being careful as they sit down while Bucky pulls you into his lap.
They take time eating, occasionally feeding you despite your assurances that you already ate before you came over. They don’t care though, because they’ll be damned if they don’t dote on you for making them feel better.
And when the food has been eaten, Bucky gives you a glare when you offer to do dishes. “You’ve worked hard enough, honey,” Bucky tells you, wrapping his arms tighter around you to keep you in place.
It’s at that moment that Bucky realizes that this, the three of you under one roof, on one couch, is what home is for him. With you in his lap and Steve cuddled into his side, he knows that he’s the luckiest guy in the world, how can’t he be? He has his Alpha; the greatest love of his life, and you; the sweetest Omega to ever exist who’s teaching Bucky how to be happy in ways he never thought possible.
He doesn’t even realize he’s crying until you make a slightly distressed sound, your hands coming up to cup his cheek.
“Buck?” Steve coos, bringing up a hand so he can run his finger through his mate’s hair. “What’s wrong?”
Bucky sniffles, shaking his head as he wipes his eyes, then takes hold of one of your hands so he can kiss your knuckles. He smiles, so soft and sweet and innocent, smiling wider when Steve presses a kiss to his cheek.
“It’s stupid,” Bucky says with a quiet huff and shrugs. “I just… Today was shit, like, awful. And I’ve been happy all these years with Steve by my side, but other than right now, the only time I can remember feeling this happy was when I was finally reunited with him.”
Bucky briefly glances over at Steve, giving him that soft and adoring look he always gives him, then looks back at you and holds your gaze.
“You make me happy, Omega.”
Your eyes go wide, a soft gasp escaping your lips. Because, while you don’t know everything about what’s transpired in their lives and relationship, you know that it must be a pretty big deal for him to say this. And it fills you with a feeling dangerously close to love, but you can’t help it. Bucky’s been through the depths of hell and back, and he deserves everything good in the world. And you being able to give him some of that goodness just makes you want to cry.
“You-“ You cut yourself off, clearing your throat to suppress the waver in your voice. “You make me happy too. Both of you.”
“Good, Omega,” Steve purrs, reaching across Bucky to give you a tender kiss.
And when you break away from Steve, you turn to give Bucky a kiss as well, and Bucky? Well, Bucky is pretty sure (re: totally confident) that he loves you. He knows Steve does too, which makes everything easier. Knowing that they’re on the same page about their feelings for you gives him reassurance that maybe this could work out.
He wants to mate with you, he wants to be with you in every way possible. And when you pull away and smile at your Alphas with that sweet and tender way you always do, he thinks that maybe, just maybe, you want that too.
So who can really blame him when Bucky asks, “Will you mate with us?”
From next to him, Steve doesn’t visibly react, though his heartbeat speeding up and the flush creeping up on his face tells Bucky that he wants that too - they’ve also spoken about it in length, so he knows he’s not just speaking for himself.
All the two men can do now is wait for your answer with bated breaths. It comes only a half of a second later.
“Of course.”
m&h masterlist: @the-ginger-fairy-artist / @supernovatardis / @perdidosbucky-yyo / @wckedheart / @kandis-mom / @wandaneedstherapy / @bigcreatorwombatdreamer / @venusfly11 / @buckybarnesmetalarmswife775 / @the-photo-hoe / @matsumama / @fandoms-writings / @thornsnvultures / @sadboiabby / @lily-excal / @alright-i-guesss / @blondie-bluue / @loveforreading / @marvel-wifey-86 / @wheezy-stucky / @exposition-belongs-somewhere / @stuckysbike / @starkblackwolf / @caitlink26 / @dreaming-potato / @lethargicluv / @perfectlyboring / @monicachic13 / @akmenia / @shawnftjacob / @hc-kerr / @iamfandomwasted / @wizardofstories / @emerald-writes / @matchat3a  / @mollygetssherlockcoffee / @normalgirlnextdoor / @lolitsbuckybarnes / @rippedpiece / @biteofcherry
main taglist: @lilyalone / @crazyunsexycool / @goldylions / @yeehawbrothers / @buckyssweetheart
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Unraveled 1
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No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.
Warnings: this fic will include dark content such as noncon/dubcon and possible untagged elements. My warnings are not exhaustive, enter at your own risk.
This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.
Summary: A curious man wanders into your dress shop with a lot of questions.
Characters: Sherlock Holmes (Cavill)
Note: I hope you all enjoy this random idea.
As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me.
Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Please do not just put ‘more’. I will block you.
I love you all immensely. Take care. 💖
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One hand guides the fabric as the other turns the wheel. Your work is slow but steady, every stitch perfect, every seam precise. Your fare may be modest and your product simple, but its quality cannot be contested. Your labour as yourself is honest and plain.
The noise of the machine is your only company. The one-room shop nestled behind the butcher’s rarely sees a customer through its door. Instead, the orders are sent from the factories, returned with the printed adverts you disperse outside their doors. The writs are sent along with an envelope of pence and shilling and you complete each with equal diligence before sending them back bundled in paper and twine.
The operation isn’t especially fruitful but the profit is enough to subsist. Enough to guarantee your independence; a small apartment just above and a pot of stew to last you through each week. This humble existence is preferable to any marriage you’ve witnessed. 
The letters from your sisters reaffirm your spinster’s fate. You’d rather a hand wheel and a needle than a brood and broken back. A husband seems to provide several jobs at once, you’ll happily settle for one.
As your hands work from memory and your head wanders from tedium, the bell above the door gives a single sharp toll. You ease the wheel to a halt and leave the seam unfinished. You peer up above the black iron machine, reminding yourself to fix your hunch as a client enters. You can’t but wonder if he may have come to the wrong shop.
By his attire, he is a class above the factory women who require gray skirts and simple stays. His waistcoat is embroidered and his jacket is pressed and clean. He is tall, locks part tidily so his curls lay gracefully. His face is fresh-shaven, square jaw with a cleft, and shoulders broad and strong. He does not share the same sinewy gauntness as the labourers with the coal-dusted noses.
He carries a fine leather bag. Another clue to his status. His shoes, another. Polished and without creases.
You stand to greet him, “good afternoon, sir. Might I help you with something?”
His answer is not prompt. He takes in the finished dresses hung by the east wall and turns to examine the rolls of wool and cotton. At last, he returns his attention to you.
“Afternoon,” his deep timbre fills the small space, “you are the dressmaker.”
It isn’t a question, but you answer, “I am.”
He narrows his eyes as he approaches your desk, the sole fixture in the space. From without, the shop is just as bare. The blackened windows offer not insight into the business, its only suggestion the sign hung above the door, though the paint requires a fresh coat.
“And the shop owner?”
“That is me as well, sir,” you assert. The presumption is not uncommon.
“Ah,” he accepts your explanation without comment, “so, you will have sewn this.”
He puts his bag on the desk, nearly knocking your shears from the corner. You try not to flinch as they teeter near the edge and he pulls open the top of the leather bag. He pulls out a swath of grey. You recognise it and he rolls the cuff to show your initials sewn within.
“Sir,” you say precariously, “is there some issue with it? Is it your wife’s dress?”
“Wife? No, no,” he dismisses, feeling the fabric between his fingers, “rather I am in search of the dress’s owner. The initial must belong to them, yes? So you would have a name for the buyer.”
“Mm, no, those are mine,” you point at the letters, “as it is my handiwork.”
“That makes sense,” he frowns in disappointment. “So you wouldn’t know who would wear it?”
You rub your chapped lips together. You find your tongue sliding over them often when you work, turning them raw with the habit. The man’s lips are rosy and smooth, as well-kempt as the rest of him. He is no factory worker’s husband.
“I might… would you take it out?” You ask.
He obliges as you pluck up the metal cylinder from your desk and unfurl the tape measure from within. He shakes out the dress, holding it by the shoulders to reveal salt stains along the skirts and unleashing a dingy smell in the shop. You wiggle your nose at the stench but worse roils in from the butcher’s on hot days.
You take the measure of the sleeves and the waist, then to the hem. You scribble the numbers on a scrap and take that to compare with your ledger. The measurements are in now way defining but might narrow it down. He keeps the dress aloft and you return to him to check the thread along the seams. A few months ago, you changed the thickness as the factory workers complained of splits under the arms.
“Hm, it is a recent purchase,” you assure him and return to the ledge. 
He lowers the dress and approaches. You snap the book closed and turn your face up to consider him once more, “why do you need to know, if it is not your wife?”
“You are very discerning,” he remarks as he folds the dress and drapes it over his bag, “I’m certain then you can surmise the woman who wore this dress did not meet a kind fate.” He tugs up the hem and shows a tear trimmed in scarlet, the colour not obvious from a distance. “Holmes, Sherlock Holmes. I’m a detective and I’m trying to identify a poor woman found not far from here. I believe it is in your own interest that I discover her assailant.”
“I cannot say for certain which she is,” you turn over the scrap and re-open the ledger. You write down three names which match the measurements and hold the paper out to him. He takes it, his thick fingertips brushing yours. “Those are the ones which align with the dress.”
“Mm,” he hums as he tucks the paper into his chest pocket, “and your name? I couldn’t make it out on the sign.”
You recite your name flatly, “it isn’t on the sign.”
“It requires new paint,” he admonishes, “I could hardly find you.”
“I am aware,” you reply. “Thank you for noting.”
He’s quiet, “being a detective, however, I did indeed put together the clues.”
Is he making a joke? You cannot tell. He folds up the dress completely and puts it back in the leather bag. The smell persists.
“What are you prices?” He asks abruptly.
“Sir, I sew dresses for factory women, sometimes a few communion pieces, but I’m afraid I don’t do much suit work.”
“My sister requires a dress,” he sniffs, “as simple as it is, I can see your work is fine.”
“I have only wools and cottons,” you counter.
“Do you always turn away business?” He challenges.
“I wasn’t, sir, I’m only clarifying what I currently do. My prices are set for those fabrics,” you explain.
“I will pay for the muslin and velvet,” he waves his hand staunchly, “you will be paid for your labour. Can you sew with more than wool and cotton?”
“I can, sir, but you could find a ready-made dress in a market boutique if the dress is required promptly.”
“I can afford the time and coin,” he insists. “You are not a talented advertiser, are you?”
You’re taken aback by his bluntness. Often, his ilk have that demeanour. It’s why you’d rather the factory workers and the fish sellers’ wives.
“I suppose not,” you agree, “I would need measurements before I begin. You may send the numbers along with the fabric, then. And I would require a style. Perhaps your sister is a purveyor of fashion magazines?”
“I will send a messenger,” he shrugs. “Thank you for your time. I shan't get in your way any longer.”
“Good day, sir.”
“Good day to you,” he takes the bag from your desk and the shears fall to the floor with a clatter.
You skirt around to grab them as he bends and swipes them up first. You recoil as he closes the blades with a snap. He examines them before placing them back on the desk.
“Apologies,” he says, “and miss,” he looks at you, “take to heart what I’ve told you today. Keep away from the allies and perhaps you may consider locking your door.”
“Thank you, sir, your concern is appreciated.”
“Rather you might just keep those close, eh,” he points to the shears and his cheek dimples.
Again, you can’t be certain of his humour. You keep a placid expression, neither smiling nor scowling. He clears his throat and runs his hand down his jacket, gripping the lapel.
“Very well then, I’ll be off.”
He turns on his heel and marches to the door. You stay by the desk as the bell rings with his departure. Once the door closes, you cross the shop. You turn the lock into place, his foreboding lingering with the stale scent of dirty water.
🪡
Despite the unusual visit, your days roll on like a hand on a clock. The thought of the woman’s tragic fate looms like a shadow but fades. You have too much stitching to do to fret over that man and his ominous words. You assume his interest in your work thereafter was wholly feigned as he does not return.
That day, you pass off six parcels to Eustace, the driver who takes them down to the stacks to hand off to the floor bosses who will parse them out to the women they’ve been cut for. You pay him his toll before he climbs back into the seat of his cart, his horse kicking impatiently.
“Excuse me, sir,” another driver clops up along the other side of the street, a narrow squeeze between the slanting buildings. “I’m in search of a dressmaker. I believe the store is tucked behind the butcher’s and…” the man’s voice drifts off as his eyes flit to the meat sellers marquee.
“Right here, good sir,” Eustace responds, “wouldn’t ya know, she’s right here.”
You lift your chin to see past the cart and spy the driver. He removes his cap as his gaze meets yours. Eustache dips his chin as he adjusts his own hat and snaps his old mare into a canter. As you're left alone with the carriage driver, a vehicle rather lofty for a block like this, you fold your hands behind you.
“Sir, you hardly look in need of a work woman’s dress,” you say.
“Miss,” he ties the reins off and jumps down from his seat, “I am sent for you, not a dress.”
“For me?” You echo.
“Mr. Holmes has sent,” he crosses the muck and nearly slips. “He said he made an appointment for a seamstress.”
“An appointment? I wasn’t informed of the time,” you rebuff. “I’ve a shop to run, orders paid for. I can’t simply leave.”
“Ah, yes, Mr. Holmes made mention of a fee,” the man feels around his striped coat, “he said a deposit would be needed.”
He takes out a brown envelope and hands it over. You take it, a small weight within. You look at the driver before you pull back the flap and peek inside. A large gold sovereign sits in the corner of the paper; a whole pound. That’s at least three days work.
You hold your breath, trying to maintain some composure. If that’s the deposit, what is he offering for the rest? You slip out the folded paper within, a page torn from a fashion journal. The dress is elegant if not extravagant. You don’t often do off-the-shoulder or ruffles like that but it isn’t beyond your skill.
You fold the flap closed again and lift your chin to face the driver, “I must lock up, you see?”
“Take your time, miss,” he says kindly. “Mr. Holmes isn’t expecting you to hurry.”
“Thank you, sir,” you bow your head and turn away.
You measure your steps along the facade of the butcher’s shop and curl around to the alleyway. You let yourself into your shop and tuck the envelope into your apron pocket. You take your sewing bag from under the desk and shake off the dust. You don’t often have reason to use it.
You open it up and pack away your shears, a measuring tape, pins with a cushion, your notebook, and a few other bits and bobs. Just in case. You grab a role of linen from against the wall. It’s heavy but you can manage.
You take the key from your desk drawer and switch off the overhead light. You lock the door and continue back out to the street. The driver puffs smoke from a pipe as he waits.
“Miss, allow me,” he snuffs out the pipe and puts it in his pocket. He nears and reaches for the roll of linen.
“It’s quite alright, sir,” you say.
“I insist, miss, can’t have a lady doing all that,” he takes it, not forcefully, and you let him.
As he goes to the carriage and opens the door, you give pause. You don’t know if you should be so easily swayed on a gold coin. Mr. Holmes hadn’t been entirely pleasant and you do prefer your simple work. Still, you can hardly turn your nose up at a pound. Not with the summer fizzling to a finale.
You lift your skirts and cross the street to the open carriage, “sir, might I have a name?”
“Gavin,” he answers, “and I have yours. Mr. Holmes made sure of it.”
“Yes, very good,” you say as you approach, another sliver of doubt trickling through. Mr. Holmes claimed to be a detective but is that really the reason he was strolling around with a dead woman’s dress? You gulp and look at Gavin then the carriage, “might I keep the window open?”
“Surely you can,” he agrees amiably. “Mr. Holmes lives quite a ways, shouldn’t mind the air. I’ll be certain to stay away from the stacks.”
“Thank you, sir,” you accept his proffered hand and he helps you up into the carriage. 
You settle on the bench as the door shuts and you open the window from within. You lean back, your hand grasping the top of your bag. You unclasp it as you feel Gavin climb up on the driver’s seat. You dip your hand inside and clutch your long shears.
You don’t forget all of what Mr. Holmes said.
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A taxonomy of corporate bullshit
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Next Tuesday (Oct 31) at 10hPT, the Internet Archive is livestreaming my presentation on my recent book, The Internet Con.
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There are six lies that corporations have told since time immemorial, and Nick Hanauer, Joan Walsh and Donald Cohen's new book Corporate Bullsht: Exposing the Lies and Half-Truths That Protect Profit, Power, and Wealth in America* provides an essential taxonomy of this dirty six:
https://thenewpress.com/books/corporate-bullsht
In his review for The American Prospect, David Dayen summarizes how these six lies "offer a civic-minded, reasonable-sounding justification for positions that in fact are motivated entirely by self-interest":
https://prospect.org/culture/books/2023-10-27-lies-my-corporation-told-me-hanauer-walsh-cohen-review/
I. Pure denial
As far back as the slave trade, corporate apologists and mouthpieces have led by asserting that true things are false, and vice-versa. In 1837, John Calhoun asserted that "Never before has the black race of Central Africa, from the dawn of history to the present day, attained a condition so civilized and so improved, not only physically, but morally and intellectually." George Fitzhugh called enslaved Africans in America "the freest people in the world."
This tactic never went away. Children sent to work in factories are "perfectly happy." Polluted water is "purer than the water that came from the river before we used it." Poor families "don't really exist." Pesticides don't lead to "illness or death." Climate change is "beneficial." Lead "helps guard your health."
II. Markets can solve problems, governments can't
Alan Greenspan made a career out of blithely asserting that markets self-correct. It was only after the world economy imploded in 2008 that he admitted that his doctrine had a "flaw":
https://www.pbs.org/newshour/show/greenspan-admits-flaw-to-congress-predicts-more-economic-problems
No matter how serious a problem is, the market will fix it. In 1973, the US Chamber of Commerce railed against safety regulations, because "safety is good business," and could be left to the market. If unsafe products persist in the market, it's because consumers choose to trade safety off "for a lower price tag" (Chamber spox Laurence Kraus). Racism can't be corrected with anti-discrimination laws. It's only when "the market" realizes that racism is bad for business that it will finally be abolished.
III. Consumers and workers are to blame
In 1946, the National Coal Association blamed rampant deaths and maimings in the country's coal-mines on "carelessness on the part of men." In 2003, the National Restaurant Association sang the same tune, condemning nutritional labels because "there are not good or bad foods. There are good and bad diets." Reagan's interior secretary Donald Hodel counseled personal responsibility to address a thinning ozone layer: "people who don’t stand out in the sun—it doesn’t affect them."
IV. Government cures are always worse than the disease
Lee Iacocca called 1970's Clean Air Act "a threat to the entire American economy and to every person in America." Every labor and consumer protection before and since has been damned as a plague on American jobs and prosperity. The incentive to work can't survive Social Security, welfare or unemployment insurance. Minimum wages kill jobs, etc etc.
V. Helping people only hurts them
Medicare will "destroy private initiative for our aged to protect themselves with insurance" (Republican Senator Milward Simpson, 1965). Covid relief is unfair to people that are currently in the workforce" (Republican Governor Brian Kemp, 2021). Welfare produces "learned helplessness."
VI. Everyone who disagrees with me is a socialist
Grover Cleveland's 2% on top incomes is "communistic warfare against rights of property" (NY Tribune, 1895). "Socialized medicine" will leave "our children and our children’s children [asking] what it once was like in America when men were free" (Reagan, 1961).
Everything is "socialism": anti-child labor laws, Social Security, minimum wages, family and medical leave. Even fascism is socialism! In 1938, the National Association of Manufacturers called labor rights "communism, bolshevism, fascism, and Nazism."
As Dayen says, it's refreshing to see how the right hasn't had an original idea in 150 years, and simply relies on repeating the same nonsense with minor updates. Right wing ideological innovation consists of finding new ways to say, "actually, your boss is right."
The left's great curse is object permanence: the ability to remember things, like the fact that it used to be possible for a worker to support a family of five on a single income, or that the economy once experienced decades of growth with a 90%+ top rate of income tax (other things the left manages to remember: the "intelligence community" are sociopathic monsters, not Trump-slaying heroes).
When the business lobby rails against long-overdue antitrust action against Amazon and Google, object permanence puts it all in perspective. The talking points about this being job-destroying socialism are the same warmed-over nonsense used to defend rail-barons and Rockefeller. "If you don't like it, shop elsewhere," has been the corporate apologist's line since slavery times.
As Dayen says, Corporate Bullshit is a "reference book for conservative debating points, in an attempt to rob them of their rhetorical power." It will be out on Halloween:
https://bookshop.org/a/54985/9781620977514
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2023/10/27/six-sells/#youre-holding-it-wrong
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brimstonetrees · 4 months
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I want to talk about V1 being developed for combat on the Earthmovers
The new lore that dropped really puts into perspective why V1 moves and fights like it does. On a normal battlefield V1’s agility would be useful but it would be far more effective to optimize things like the guttermen, machines with heavy armor and powerful weapons, as opposed to putting a whole lot of time and money into developing something that has more maneuverability but could go down from less damage. Maneuverability on the battlefield is essential for any machine to truly function as a war machine but the greater machines that had been developed before V1 have already demonstrated their ability to proficiently navigate a normal battlefield scenario so the factor of excess maneuverability wouldn’t exactly be something that dominates a battlefield filled with machines of greater defense and firepower.
However at the time V1 was being created normal battlefields no longer existed, the war was now being fought on the earthmovers and with the chaotic terrain that made up that area vertical maneuverability became much more important. Sure the greater machines can fight on an earthmover, but they are severely limited by the cramped spaces causing the ones with more explosive firepower to damage themselves and their allies, and the complex geography restricting where they could reach. And as seen with how most of the machines in layer 7 arrive by being dropped via a bomb casing, the only way for the greater machines to infiltrate the earthmovers would be to be dropped in from a plane (which poses it's own risks of being shot from the sky by the earthmovers weapons system).
This is where the V models come in. V1's advanced maneuverability allows it to effortlessly navigate and dominate the general terrain of the earthmover, the ability to cling to walls and jump as high as it does makes it one of the only machines that wouldn't be neutralized if it was forced off one of the earthmovers many edges and it's agility allows it to reach spaces that other enemies couldn't reliably damage them from. V1 has the ability to completely skip though entire areas that could be blocked off or heavily guarded against the standard war machines due to its ability to climb through the terrain, which additionally gives it the advantage of being able to infiltrate from below providing a much safer route (as it would be inefficient if the earthmover could use it's cannon to shoot out it's own legs).
V1 also has immense versatility in it weapons proficiency as opposed to most other greater machines. In the cramped narrow walkways along the edges it can make precise controlled shots that wont risk damage to itself, but in more open areas it can utilize larger explosions to contend with the more heavily armored machines. This combined with it's advance maneuverability allows V1 to fight on the earthmovers in a way that tougher enemies can't reliably counter.\
The lore of Ultrakill has always been very fascinating to me and I love how now we have a clearer timeline for the production of the machines and how V1 came to be. V1 being developed for battle on the earthmovers before the New Peace was established makes so much sense in retrospect given it's abilities.
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nekropsii · 1 month
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Do you have any thoughts on Equius
Equius is a fucked up kid who has done a lot wrong, but he is still a kid. He reads as a startlingly real portrayal of a pubescent autistic boy with an unhealthy and shaky grasp of his budding, overwhelming sexuality, with a concerning amount of influence from the internet. He is the result of adults failing him, and exposing him to hardcore fetish porn at an age too early. This is a real kind of guy that exists. A very common one, who I have met, like, at least 40 of.
Like Eridan, he feels like a kid stuck in a pipeline — except instead of the alt-right pipeline, it’s fetishism and hypersexuality. He feels like a pretty solid example of how getting involved in NSFW spaces online as a child can both deeply fuck up your sexuality and completely destroy your perception of what consent is, and what is and is not okay. He doesn’t have a grasp on boundaries whatsoever, and while this manifests in ways that are quite honestly horrifying and uncomfortable — like constantly projecting his Caste-Play BDSM fetishes onto nonconsenting, unsuspecting individuals, and… The things he did to Aradia — I cannot help but view him as an autistic boy having a rough time of puberty who got groomed through the internet over-exposing him to pornography at an early age. He’s deeply sympathetic to me from that angle. Again, I have met this kid. Homestuck is fantastic at presenting characters that are exact archetypes of real people you have known, be it personally or not. People you would have either been close friends with in middle school, or terrorized by in a random chat room on the internet. Maybe they were even you! There’s a complete nonzero chance someone is reading this who has played the role of Equius in their youth, who is totally fine and healthy now. And if that’s true, and this describes you… I’m proud of your growth!
Back to Analysis- His ardent Hemoloyalty is fascinating, also. I’ve written about this before, but there’s something compelling and very realistic about how his bigotry comes from a place of deep insecurity, rather than pride. I find bigotry coming from insecurity to be more common than it coming from overt pride. Many fictional bigots have such a genuine ego to them, a fine layer of paint labeled Badassery, when for the most part real life bigots are total losers with nothing better to do than worry about… Where someone was born, or how much melanin they have, or what’s in their pants, or whatever.
I get why people don’t tend to be fond of him, but the disquieting parts of his character are both very deliberate choices and also shockingly… Earnest, in a weird, Hussian fashion. I’ve never quite seen a character with his traits get portrayed before. He’s easy to work with, analytically speaking, you just have to be willing to stick your hands in the uncomfortable muck that is messy teenage sexuality. Many aren’t willing to, which is fair! But many also mislabel his uncomfortable traits as not intentionally uncomfortable, or simply a product of Hussie being weird and wrong and having bad opinions. This… Just blatantly isn’t the case. Sometimes fiction isn’t comfortable on purpose. Big whoop.
I think Equius could’ve been quite a fine person, had he been given the room to grow up. He’s like Jake to me in the sense that he’s one of the only characters I genuinely wouldn’t mind seeing expanded upon more, provided he be taken seriously, and not completely sanded down.
Alas.
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alycremie · 2 months
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Guys I know Climate Change is super scary in the news. I know it's terrifying and seems like the end of the world. And it could be! But it isn't going to be.
I want to take this time to remind all of you how far we've come in the past twenty-ish years since "An Inconvenient Truth"
Fossil Fuels
We use less fossil fuels now proportionally than we did in 2009. Coal used to be 50% of the United States's energy production, but now is down to less than a quarter, and is expected to continue to drop in the upcoming years. This is including in traditionally anti-renewable areas that rely on coal heavily, like Wyoming's shift to wind and solar and Kentucky and West Virginia's shift to hydroelectric.
Most remaining coal plants are either shutting down or using filtration systems to reduce the carbon, methane, and heavy metals put into the air. Coal mines are shutting down - the era of King Coal is over.
Yes, many states are shifting to natural gas, but the carbon density of natural gas is lower than both oil and coal. Extraction of it is less dangerous. It's not better than renewables, but is a great alternative for developing countries that don't have the money for renewables - at least for the time being.
Oil and diesel are gradually being phased out as well. Desires to be economically independent from oil rich countries like Saudi Arabia and Russia have driven policy makers away from it. Areas like Alaska that rely heavily on diesel for heating are switching to renewable energy and less energy intensive heat pumps.
Fossil fuel companies are continuing to do their lobby thing, but it doesn't matter. Climate change isn't even the driving factor right now - it should be, but the increasing cost of fossil fuel extraction is slowly breaking the industry. In the US, it's just not as profitable as it was thirty years ago.
Nuclear
Nuclear energy is fast-growing. While it's somewhat stagnated in the US, countries like France, Russia, South Korea, Germany, and Japan are relying on increasing amounts of nuclear energy - in France's case, almost 4/5ths of their electricity comes from nuclear energy.
We've found ways to make the Uranium and Thorium last longer in the reactor, and in fact, nuclear power plants are among the safest in the world. The only emission is water vapor - not including the construction - and we have hundreds or thousands of years left of nuclear energy at our current consumption, even more if we can find out how to harness ocean Uranium and seafloor Thorium or harness nuclear fusion.
Nuclear power plants produce absurd amounts of electricity - a single 6 gigawatt power plant (high end, but do exist) could singlehandedly provide the entire electric requirements of New York City - think of what several of them across the country could do. They generate power incredibly reliably.
Nuclear disasters like Fukushima and Chernobyl are far behind us. Fukushima was entirely preventable - they knew about the lack of safety regulations and did not fix them - and Chernobyl was 40 years ago. Technology has come a long way since then.
Hydroelectric
Hydroelectric dams that kill fish are out - tidal turbines and fish ladders are in. Fish ladders provide ways for fish to escape and not get caught in the turbine, though the reduced quality of life both up and downstream is an issue.
Enter tidal energy! Yes, really!
A startup in Scotland, MeyGen has proven that two-way off-shore turbines can provide significant amounts of electricity. Just four turbines were enough to provide electricity to over 4,000 homes. Tidal barrages have been used on bridges and coasts to generate hydroelectric energy from the incoming ocean waves.
There are no significant emissions beyond construction, AND the turbines and barrages *do not kill fish or sea creatures*. The turbines, at worst, caused dolphins and seals to simply avoid the area the turbines were in. They work when the ocean is flowing either direction, and can be put nearly anywhere - think about the power the Gulf Stream would generate!
Solar
Solar energy is fast-growing - and this part is my favourite. Homes are being designed with solar heating in mind. Not just in the panels, no - window placements, albedo, and materials have allowed homes to be heated by the sun in winter, but shielded from it in summer. A properly solar optimized home can cut on 75% of electricity use!
Solar panels are up to 46% efficiency now, which is insane. In parts of the western US, up to 8.6 kWh per m^2 of solar panels can be generated. For perspective, a single home uses about 30 kWh per day - a number that is decreasing. A home would only need about 43 square feet of solar panels to power their home, and lord knows roofs have more space than that.
Roofs are being designed to reflect heat, to reduce the heat island effects of big cities. Green spaces are being built for shade and cooling through transpiration. They've even invented a paint that reflects so much heat that it can cool your home by several degrees.
They've even invented thin-film solar panels that you can use as windows. Yeah! Solar panels YOU CAN USE AS WINDOWS! So skyscrapers that are covered in windows on all sides - think about the power generation. An office building doubling as a power plant. It's incredible.
Wind
Wind turbines don't kill that many birds. They used to, but they don't anymore - at least in most areas. The myth comes from the old 1960s turbines that were low to the ground and spun fast like a fan, so birds had trouble seeing where the blades were. The high up turbines nowadays are really only a problem for high-flying birds of prey, but even that's still being worked on. Wind energy is becoming increasingly efficient and producing more power than ever before.
Geothermal
Geothermal energy is going crazy. Iceland uses it to heat their homes and keep their streets ice-free instead of using snowplows in Reykjavik. There are systems in production now that would be able to generate power year-round using the heat of the earth.
By using a special liquid with a lower boiling point than water, electricity can be generated easily and without any kind of toxic waste that would normally result from groundwater energy production.
Geothermal plants can also be used for temperature regulation - the ground stays a relatively constant temperature. Say it's 65 degrees Fahrenheit in an area. In summer, you can pump that heat underground instead of into the air, which contributes to heat islands. In winter, when it's colder, you can extract the heat back out again. Heat and cooling are the single biggest energy sink in the US and in most parts of the world, and it's about to become completely clean.
Energy Consumption and The Grid
While CO2 emissions are increasing, that's mostly due to population increase. The emissions per capita has actually gone down - the average person produces almost 20 tons fewer of CO2 emissions than in 1990, and that number is going to continue to drop.
As we shift more towards renewable energy and working from home, those emissions per capita are going to drop more and more. People buy more local now. They use electric cars. Their household appliances have spiked in efficiency. LED bulbs produce significantly less emissions than the incandescent bulb, and the number of LED bulbs across the world is rapidly increasing.
The Grid is changing. Normally, the reason power generation produces so much CO2 is that power plants can't shut down - they have to produce at all hours of the day to remain economical. They produce more in the evenings when electricity demand is higher, and less in the early morning when it is lower.
The new electric grid would have energy storage. If a home or a power source, such as solar, produced too much energy, it would be sent back into the grid and stored for spikes in demand later - the system would become more efficient, and overproduction of electricity would no longer mean wasting it.
Conservation and Restoration
We can un-desertify farmland. We've figured out how to bring back rivers and streams that have dried up from overfarming in sub-saharan Africa. We can plant trees, we can enrich the soil, we can undo the damage that we've caused.
We can bring back coral. We can increase the albedo of the Arctic and Antarctic. We can re-introduce extinct animals and bring balance to the ecosystem again. We've massively reduced poaching and needless hunting of endangered animals. We know how to make sustainable, permaculture farming practices.
We have everything we need to fix the ecosystems we've damaged or destroyed - and people are already doing it.
Why it's actually gonna be okay
Guys, we're past the worst of it. Maybe not the worst of the effects of climate change, but certainly the worst of the emissions. We are going to have a clean future. Young people support environmental regulations the most, and there are enough passionate young minds that it's going to get done.
I know I talked most about the US here, but it's changes all across the world. I focused on the US because it has the highest per capita emissions of any country on Earth. Don't be fooled though - everyone is going green.
Meat is being eaten less than ever before. Fewer people drive cars. Fewer people waste and throw things away. Don't let the scary news of private jets and mega-corporations disillusion you. GOOD CHANGES ARE HAPPENING!
Enough of the doomer apocalypse viewpoint of climate change. There is a hopeful future for all of us. Let's achieve it together!
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thatanimeramenchick · 3 months
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Headcanons for Vox and Alastor both falling in love with an extremely powerful Overlord known as the Pink Death, she is called that because she's thought of as an incurable plague that consumes and annihilates everything she comes into contact with and she's a Pink Bunny demon and she's so powerful all the other Overlords, even Zestial are terrified of her, since when she arrived in Hell, she killed every Overlord that existed in that time and took their powers?
Incredibly Powerful Reader
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Since this is a yandere blog, this will be done with that in perspective.
I also want to do this with the mindset that it is impossible to technically permanently kill other demons without angelic weapons. It is true that Alastor has made other demon overlords “disappear,” but I feel like it’s implied that he has somehow destroyed them in a way that is much worse than death, perhaps in a horrific existence in between realities? I don’t know. Anyway, I feel like the killing people with diseases temporarily and being a major threat is still an interesting view though. The complete toll you could have on demon and sinner society by wiping them out in waves whenever you felt like it would give you a lot of power in hell.
Anyway, when it comes to the guys, I see them actually sharing quite a few things at first.
Both of them would hope that their experience and ability to play manipulation games would allow for them to outsmart you, even if you are significantly more powerful than they are. Whether they actually do or not depends on you and your personality, but I could see them getting the upper hand if you’re not careful, especially Alastor.
Both of them also would hope to win you into a contract that allows them to have you under the thumb, but they would present it as giving you a power boost to help you clinch full power over hell. The details of this contract and their way of going about it will differ, but ultimately that is the goal each of them would have.
Vox
Media thrives on disaster. You’ve created a gold mine of content for this man. His interest in you would simply start out as using your story to promote his own company, and it would later turn into an obsession. Considering how the Vees are able to stay safe during extermination day through extreme isolation, I don’t think he would be too worried about the infection for similar reasons, simply being annoyed that it’s hurting the company as it’s messing with staff and therefore production.
If you decide to reject him, he can paint your powers to his advantage, threatening to use the media to paint you as a monster that hell needs to rally against at any cost. On the other hand, he could offer you a sweet deal if you want to get along nicely with him. He could make sure that everyone knows you’re the most powerful overlord in hell and that you should be respected and admired as well as feared. This is when the contract comes in, where he gets to portray you how you’d like as well as provide comfy living arrangements as long as you are willing to work alongside his company and only his company. He’ll make sure you’re on a higher position in the company than the underlings, considering how much power you have. Oh, and he’ll add a little clause that you’re not to turn your nasty tricks on him either.
Alastor
Alastor is more cautious than Vox is. While I see Vox as going the direct approach with you and a clear plan of aggression, Alastor would take his time, watching you from the shadows. He would want to get a clear idea of your personality and all its strengths and weaknesses before approaching you. Last thing he would want to do is simply irritate you.
I feel like his approach to you would be somewhat similar to how I think he is approaching Charlie. You are young and so perfectly easy to influence. Your potential is overflowing, surely you don’t want to waste it? If are just willing to submit to his ideals, he could make you the greatest overlord of all time, as well as gain total control of hell. The contract would be along similar lines. He would not rush the business like Vox would. He doesn’t want you to think he simply wants to use your powers after all. You have to feel like you’re giving in willingly because it benefits the both of you.
He would be subtle in his affection. He would make it seem like a business contract, but as you got entangled deeper and deeper in a mess you would come to see that he has a much more possessive and controlling relationship with you than you first thought. The details of the contract that at first seemed to exist to gain you some extra experience and security now seem like chains keeping you attached to a master has no intention of ever letting you become independent in your own right.
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gentlebeardsbarngrill · 3 months
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Daily OFMD Renewal Tasks - Updated 01/31/2024
Hey all! These were starting to get a bit big for the Recap, so I'll link here instead. I'll keep this updated every day so feel free to reference back here and I'll link to this inside the Recaps.
==Things to remember==
Keep it positive! We are wooing them!
Only address one platform at a time!
Make it personal! Tell them why you want to be on that platform (inclusivity, diversity, other shows that are similar, etc)
“It’s okay to reuse some content with new tags but try to space the posts out a couple hours so they dont stack up on top of each other in hashtag very obviously.” -Jac
==Today's Hashtags==
#AdoptOurCrew
#SaveOFMD
#FinishOurStories
==Platforms to Reach Out to==
Netflix
AmazonPrime
AppleTV
If you reach out on the social medias, you can cater to individual mission statements per platform.
Cheat Sheet Below provided by @aproperpirate on Twitter
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If you wanna talk about the shows creativity, feel free to reference Ra Vincent's site, he was the Production Designer for OFMD. Great inspiration and pictures to use to show off to the networks.
It's also helpful for Amazon to show them the international reach
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== Vote on the Queerties! ==
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You can vote once a day!
Best TV Comedy
Best TV Performance
== US Social Media For Each Platform ==
Instagram:
Netflix @netflix
PrimeVideo @primevideo
Apple TV @appletv
Threads:
Netflix @netflix
PrimeVideo @primevideo
Twitter:
Netflix @netflix
PrimeVideo @PrimeVideo
Apple TV @AppleTV
Facebook:
Netflix @netflix
PrimeVideo @PrimeVideo
Apple TV @AppleTV
==Daily Helpful Tasks:==
1. Push That Petition
2. Fill out Feedback forms:
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Make sure to request Our Flag Means Death on all the platforms, and indicate why you like the show (if that's an option) and keep it positive. Source: @Lcmwriter100 on Twitter
Netflix
AppleTV - looking for an example letter? Check out @saltpepperbeard’s post
AmazonPrime
For Amazon Prime - Courtesy of @yougotofast over on twitter.
Existing Prime subscribers, you can access a Suggestions/Feedback form on the Prime Video app in the Settings > Help & Feedback section. The form is automatically tied to your Prime account, not sure if that makes any difference compared to anonymous feedback.
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3. Platform/Article Engagement
HBOMax
If you still have HBO Max, please still go ahead and stream Our Flag Means Death, it keeps up engagement and numbers.
Search Our Flag Means Death on Netflix
If you have Netflix, after your search, stream the first title that comes up for a few minutes.
Article Engagement - Source: @candiedsilkmoth on twitter
@itsmfgames Has been kind enough to be keeping up a running list of Articles about the campaigns -- so if you have the time and want to go catch up on some articles, please checkout the guide below and visit this google doc for the list!
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4. Make Calls
Contact Netflix and say why you love OFMD
You can call them at (844) 505-2993 as well and let them know about a hoard of pirates looking for a new home. You're welcome to try their toll free number as well (888) 638-3549
5. Daily Link Clicks to keep up engagement
Our Flag Means Death Wikipedia Page
Google Search for Our Flag Means Death
Google UK Search for Our Flag Means Death
Our Flag Means Death IMDB
Current @renewasacrew Daily Links:
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Twitter
Instagram
For Industry specific help see @TheCozyPirate on Twitter as well. I will try to include any pertinent information in the Daily Recap or here, but if you have twitter they're a great resource
== RADIO! ==
Some awesome new suggestions from @AdoptACrew Check out the thread here. Link to the NPR suggestion site: Here
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=== Staying a Polite Menace to Max ===
For those of you who are still up for it-- We are still contacting Max and Commenting on their posts. Thank you @asgardian--angels for the reminder! I'll update this section with more details tomorrow once we have some more.
Current focus with Max is less requesting Renewal and more to Expressing Disappointment about them cancelling marginalised Stories (OFMD, Rap Sh!t, etc), specifically to give them bad PR.
We're still letting Casey Bloys and David Zaslav know no peace.
As usual please be polite, we're not letting max off the hook, but Monday there will be a news article coming out regarding this (Source: Jac (@TheCozyPirate) on Twitter))
==Media Resources (Pics, Gifs, Vids)==
Gifs, Pics, and Videos to use: show clips to use Src: @havethisonelife
Our lovely @kiwistede made some great custom gifs you can use to tweet and message the platforms with. Check out their tumblr here
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== Stats ==
Some Cool Stats you can use:
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==Infographics==
Some folks like infographics instead of text so here's some stuff for you! Courtesy of @edandstede on Twitter
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I have a limited amount of pictures I can put on one post so here is a google drive with more: Google Drive
==Other ideas for engagement:==
Courtesy of @sandwrite2 on Twitter
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marzipanandminutiae · 4 months
Note
I'm pulling you back onstage, what's this about the dangers of white lead makeup being known already at the time it was used?
They were!
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Giovanni Paolo Lomazzo, writing in 1598. For anyone who's struggling with the typeface (spelling preserved):
OF CERUSSE, AND THE EFFECTS thereof. The Ceruse, or white lead, which women use to better their complexion, is made of lead and vineger; which mixture is naturally a great drier; and is used by the Chirugions [surgeons] to drie up moiste sores. So that those women which use it about their faces, doe quickly become withered and gray-headed, because this doth so mightely drie up the naturall moysture of their flesh. And if any give not credite to my reporte; let them but observe such as have used it, and I doubt not but they will easily bee satisfied.
That's putting it mildly- ceruse could also cause skin peeling, hair loss, paralysis, seizures, organ damage, a host of other symptoms, and even death. But still, they were at least aware that it was Not GoodTM, and it's possible other sources I haven't read more accurately stress the gravity of the danger. Certainly it was known to be deadly by the 18th century, when the death of 27-year-old socialite Maria Gunning, Countess of Coventry was ascribed to her alleged use thereof. (I've never seen proof of this, and it's important to remember that as an Irishwoman, she may have faced undue hostility in English high society- and had very light skin naturally).
It's also difficult to trace just how popular ceruse even was, because less harmful forms of white face paint and powder also existed. One could speculate that this woman or that used ceruse, but nobody did a survey of such things. It was definitely real- cosmetic white lead tablets have been found dating as far back as ancient Greece -but whether it was the Sephora foundation of its day or the BBL (ie a dangerous beauty aid that a few devotees turned to but most eschewed) cannot truly be known.
By the 19th century, ceruse makeup had passed completely out of use as far as I know. Its legend grew as a cautionary tale on the dangers of vanity; the "fact" that Queen Elizabeth I used it was repeated over and over until it became common- if totally unsupported -knowledge. They had arsenic complexion wafers in the latter half of the 1800s- although one brand much advertised in the US was tested by contemporary scientists and found to be mostly lactose with only tiny amounts of arsenic or none at all, so cost-cutting entrepreneurs may have accidentally prevented illness or death. IF the wafers were popular at all, which once again remains unknown- certainly few letters and diaries I'm aware of mention them, if any.
(Interestingly, there's an echo of Maria Gunning's legend in Victorian newspaper stories about socialites "enameling," or applying a plaster-like layer of semi-permanent toxic makeup to their faces. Enameling was alleged to be undetectible but It's Definitely There; Trust Us; A Friend Of A Friend Of Alva Vanderbilt's Cousin's Underbutler Said, etc. This is similarly lacking in any solid evidence; recipes for a product called "enamel" do exist in period texts, but it always seems to be more akin to liquid foundation today, and I've personally only seen one such preparation containing lead. Many even included zinc oxide, which might have provided some unintentional SPF.)
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centrally-unplanned · 7 months
Text
Gonna make this a quick one since I just don’t have the spoons for a really big effort post: Pre-CCP 20th Century China Did Not Have Feudal or Slave-like Land Tenancy Systems
Obviously what counts as “slave-like” is going to be subjective, but I think it's common, for *ahem* reasons, for people to believe that in the 1930’s Chinese agriculture was dominated by massive-scale, absentee landlords who held the large majority of peasant workers in a virtual chokehold and dictated all terms of labor.
That is not how Chinese land ownership & agricultural systems worked. I am going to pull from Chinese Agriculture in the 1930s: Investigations into John Lossing Buck’s Rediscovered ‘Land Utilization in China’ Microdata, which is some of the best ground-level data you can get on how land use functioned, in practice, in China during the "Nanjing Decade" before WW2 ruins all data collection. It looks at a series of north-central provinces, which gives you the money table of this:
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On average, 4/5ths of Chinese peasants owned land, and primarily farmed land that they owned. Tenancy was, by huge margins, the minority practice. I really don’t need to say more than this, but I'm going to because there is a deeper point I want to make. And it's fair to say that while this is representative of Northern China, Southern China did have higher tenancy rates - not crazy higher, but higher.
So let's look at those part-owner farmers; sounds bad right? Like they own part of their land, but it's not enough? Well, sometimes, but sometimes not:
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A huge class (about ~1/3rd) of those part-owners were farming too much land, not too little; they were enterprising households renting land to expand their businesses. They would often engage in diversified production, like cash crops on the rented land and staple crops on their owned land. Many of them would actually leave some of their owned land fallow, because it wasn’t worth the time to farm!
Meanwhile the small part-owners and the landless tenant farmers would rent out land to earn a living…sometimes. Because that wasn’t the only way to make a living - trades existed. From our data, if you are a small part-owner, you got a substantial chunk of your income from non-farm labor; if you owned no land you got the majority of your income from non-farm labor:
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(Notice how that includes child labor by default, welcome to pre-modernism!)
So the amount of people actually doing full-tenancy agriculture for a living is…pretty small, less than 10% for sure. But what did it look like for those who do? The tenancy rates can be pretty steep - 50/50 splits were very common. But that is deceiving actually; this would be called “share rent”, but other systems, such as cash rents, bulk crop rents, long-term leases with combined payment structures, etc, also existed and were plentiful - and most of those had lower rent rates. However, share rent did two things; one, it hedged against risk; in the case of a crop failure you weren't out anything as the tenant, a form of insurance. And two, it implied reciprocal obligations - the land owner was providing the seed, normally the tools as well, and other inputs like fertilizer.
Whether someone chose one type of tenancy agreement or the other was based on balancing their own labor availability, other wage opportunities, the type of crop being grown, and so on. From the data we have, negotiations were common around these types of agreements; a lot of land that was share rent one year would be cash rent another, because the tenants and market conditions shifted to encourage one or the other form.
I’m doing a little trick here, by throwing all these things at you. Remember the point at the top? “Was this system like slavery?” What defines slavery? To me, its a lack of options - that is the bedrock of a slave system. Labor that you are compelled by law to do, with no claim on the output of that work. And as I hit you with eight tiers of land ownership and tenancy agreements and multi-source household incomes, as you see that the median person renting out land to a tenant farmer was himself a farmer as a profession and by no means some noble in the city, what I hope becomes apparent is that the Chinese agricultural system was a fully liquid market based on choice and expected returns. By no means am I saying that it was a nice way to live; it was an awful way to live. But nowhere in this system was state coercion the bedrock of the labor system. China’s agricultural system was in fact one of the most free, commercial, and contract-based systems on the planet in the pre-modern era, that was a big source of why China as a society was so wealthy. It was a massive, moving market of opportunities for wages, loans, land ownership, tenancy agreements, haggled contracts, everyone trying in their own way to make the living that they could.
It's a system that left many poor, and to be clear injustices, robberies, corruption, oh for sure were legion. Particularly during the Warlord Era mass armies might just sweep in and confiscate all your hard currency and fresh crops. But, even ignoring that the whole ‘poverty’ thing is 90% tech level and there was no amount of redistribution that was going to improve that very much, what is more important is that the pre-modern world was *not* equally bad in all places. The American South was also pretty poor, but richer than China in the 19th century. And being a slave in the American South was WAY worse than being a peasant in China during times of peace - because Confederate society built systems to remove choice, to short-circuit the ebb and flow of the open system to enshrine their elite ‘permanently’ at the top. If you lived in feudal Russia it was a good deal worse, with huge amounts of your yearly labor compelled by the state onto estates held by those who owned them unimpeachably by virtue of their birthright (though you were a good deal richer just due to basic agriculture productivity & population density, bit of a tradeoff there).
If you simply throw around the word “slavery” to describe every pre-modern agricultural system because it was poor and shitty, that back-doors a massive amount of apologia for past social systems that were actively worse than the benchmarks of the time. Which is something the CCP did; their diagnosis of China’s problem for the rural poor of needing massive land redistribution was wrong! It was just wrong, it was not the issue they were having. It was not why rural China was often poor and miserable. It could help, sure, I myself would support some compensated land redistribution in the post-war era as a welfare idea for a fiscally-strapped state. But that was gonna do 1% of the heavy lifting here in making the rural poor's lives better. And I don’t think we should continue to the job of spreading the CCP's propaganda for them.
There ya go @chiefaccelerator, who alas I was not permitted to compel via state force into writing this for me, you Qing Dynasty lazy peasant.
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ghelgheli · 28 days
Text
According to Marx, metabolic rift appears in three different levels and forms. First and most fundamentally, metabolic rift is the material disruption of cyclical processes in natural metabolism under the regime of capital. Marx’s favourite example is the exhaustion of the soil by modern agriculture. Modern large-scale, industrial agriculture makes plants absorb soil nutrition as much as and as fast as possible so that they can be sold to customers in large cities even beyond national borders. It was Justus von Liebig’s Agricultural Chemistry (1862) and his theory of metabolism that prompted Marx to integrate an analysis of the ‘robbery’ system of agriculture into Capital. [...]
Liebig harshly criticized modern ‘robbery agriculture’ (Raubbau), which only aims at the maximization of short-term profit and lets plants absorb as many nutrients from the soil as possible without replenishing them. Market competition drives farmers to large-scale agriculture, intensifying land usage without sufficient management and care. As a consequence, modern capitalist agriculture created a dangerous disruption in the metabolic cycle of soil nutrients. [...]
Marx formulated the problem of soil exhaustion as a contradiction created by capitalist production in the metabolism between humans and nature. Insofar as value cannot fully take the metabolism between humans and nature into account and capitalist production prioritizes the infinite accumulation of value, the realization of sustainable production within capitalism faces insurmountable barriers.
This fundamental level of metabolic rift in the form of the disruption of material flow cannot occur without being supplemented and reinforced by two further dimensions. The second dimension of metabolic rift is the spatial rift. Marx highly valued Liebig in Capital because his Agricultural Chemistry provided a scientific foundation for his earlier critical analysis of the social division of labour, which he conceptualized as the ‘contradiction between town and country’ in The German Ideology. Liebig lamented that those crops that are sold in modern large cities do not return to the original soil after they are consumed by the workers. Instead, they flow into the rivers as sewage via water closets, only strengthening the tendency towards soil exhaustion.
This antagonistic spatial relationship between town and country – it can be called ‘spatial rift’ – is founded upon a violent process of so-called primitive accumulation accompanied by depeasantization and massive urban growth of the working-class population concentrated in large cities. This not only necessitates the long-distance transport of products but also significantly increases the demand for agricultural products in large cities, leading to continuous cropping without fallowing under large-scale agriculture, which is intensified even more through market competition. In other words, robbery agriculture does not exist without the social division of labour unique to capitalist production, which is based upon the concentration of the working class in large cities and the corresponding necessity for the constant transport of their food from the countryside. [...]
The third dimension of metabolic rift is the temporal rift. As is obvious from the slow formation of soil nutrients and fossil fuels and the accelerating circulation of capital, there emerges a rift between nature’s time and capital’s time. Capital constantly attempts to shorten its turnover time and maximize valorization in a given time – the shortening of turnover time is an effective way of increasing the quantity of profit in the face of the decreasing rate of profit. This process is accompanied by increasing demands for floating capital in the form of cheap and abundant raw and auxiliary materials. Furthermore, capital constantly revolutionizes the production process, augmenting productive forces with an unprecedented speed compared with precapitalist societies. Productive forces can double or triple with the introduction of new machines, but nature cannot change its formation processes of phosphor or fossil fuel, so ‘it was likely that productivity in the production of raw materials would tend not to increase as rapidly as productivity in general (and, accordingly, the growing requirements for raw materials)’ (Lebowitz 2009: 138). This tendency can never be fully suspended because natural cycles exist independently of capital’s demands. Capital cannot produce without nature, but it also wishes that nature would vanish. [...]
The contradiction of capitalist accumulation is that increases in the social productivity are accompanied by a decrease in natural productivity due to robbery [... i]t is thus essential for capital to secure stable access to cheap resources, energy and food. [...]
The exploration of the earth and the invention of new technologies cannot repair the rift. The rift remains ‘irreparable’ in capitalism. This is because capital attempts to overcome rifts without recognizing its own absolute limits, which it cannot do. Instead, it simply attempts to relativize the absolute. This is what Marx meant when he wrote ‘every limit appears a barrier to overcome’ (Grundrisse: 408). Capital constantly invents new technologies, develops means of transportation, discovers new use-values and expands markets to overcome natural limits. [...]
Corresponding to the three dimensions of metabolic rifts, there are also three ways of shifting them. First, there is technological shift. Although Liebig warned about the collapse of European civilization due to robbery agriculture in the 19th century, his prediction apparently did not come true. This is largely thanks to Fritz Haber and Carl Bosch, who invented the so-called Haber-Bosch process in 1906 that enabled the industrial mass production of ammonia (NH3) by fixing nitrogen from the air, and thus of chemical fertilizer to maintain soil fertility. Historically speaking, the problem of soil exhaustion due to a lack of inorganic substances was largely resolved thanks to this invention. Nevertheless, the Haber-Bosch process did not heal the rift but only shifted, generating other problems on a larger scale.
The production of NH3 uses a massive amount of natural gas as a source of hydrogen (H). In other words, it squanders another limited resource in order to produce ammonia as a remedy to soil exhaustion, but it is also quite energy intensive, producing a lot of carbon dioxide (CO2) (responsible for 1 per cent of the total carbon emission in the world). Furthermore, excessive applications of chemical fertilizer leach into the environment, causing eutrophication and red tide, while nitrogen oxide pollutes water. Overdependence on chemical fertilizer disrupts soil ecology, so that it results in soil erosion, low water- and nutrient-holding capacity, and increased vulnerability to diseases and insects. Consequently, more frequent irrigation, a larger amount of fertilizer and more powerful equipment become necessary, together with pesticides. This kind of industrial agriculture consumes not just water but large quantities of oil also, which makes agriculture a serious driver of climate change. [...]
[T]here remains a constant need to shift the rift under capitalism, which continues to bring about new problems. This contradiction becomes more discernible in considering the second type of shifting the metabolic rift – that is, spatial shift, which expands the antagonism of the city and the countryside to a global scale in favour of the Global North. Spatial shift creates externality by a geographic displacement of ecological burdens to another social group living somewhere else. Again, Marx discussed this issue in relation to soil exhaustion in core capitalist countries in the 19th century. On the coast of Peru there were small islands consisting of the excrement of seabirds called guano that had accumulated over many years to form ‘guano islands’. [...]
In the 19th century, guano became ‘necessary’ to sustain soil fertility in Europe. Millions of tons of guano were dug up and continuously exported to Europe, resulting in its rapid exhaustion. Extractivism was accompanied by the brutal oppression of Indigenous people and the severe exploitation of thousands of Chinese ‘c**lies’ working under cruel conditions. Ultimately, the exhaustion of guano reserves provoked the Guano War (1865–6) and the Saltpetre War (1879–84) in the battle for the remaining guano reserves. As John Bellamy Foster and Brett Clark (2009) argue, such a solution in favour of the Global North resulted in ‘ecological imperialism’. Although ecological imperialism shifts the rift to the peripheries and makes its imminent violence invisible in the centre, the metabolic rift only deepens on a global scale through long-distance trade, and the nutrient cycle becomes even more severely disrupted.
The third dimension of metabolic shift is the temporal shift. The discrepancy between nature’s time and capital’s time does not immediately bring about an ecological disaster because nature possesses ‘elasticity’. Its limits are not static but modifiable to a great extent. Climate crisis is a representative case of this metabolic shift. Massive CO2 emissions due to the excessive usage of fossil fuels is an apparent cause of climate change, but the emission of greenhouse gas does not immediately crystallize as climate breakdown. Capital exploits the opportunities opened up by this time lag to secure more profits from previous investments in drills and pipelines. Since capital reflects the voice of current shareholders, but not that of future generations, the costs are shifted onto the latter. As a result, future generations suffer from consequences for which they are not responsible. Marx characterized such an attitude inherent to capitalist development with the slogan ‘Après moi le déluge!’ (Capital I: 381).
This time lag generated by a temporal shift also induces a hope that it would be possible to invent new epoch-making technologies to combat against the ecological crisis in the future. In fact, one may think that it is better to continue economic growth which promotes technological development, rather than over-reducing carbon dioxide emissions and adversely affecting the economy. However, even if new negative emission technologies such as carbon capture and storage (CCS) are invented, it will take a long time for them to spread throughout society and replace the old ones. In the meantime, the environmental crisis will continue to worsen due to our current inaction. As a result, the expected effects of the new technology can be cancelled out.
Kohei Saito, Marx in the Anthropocene
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