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#trauma in their life deaths in their family
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The AroAce will accept no criticism. In fact, they have decided to rant about it. (found below the cut)
Some things that are Hallmarks of the classic cinematic Batman are:
-constant depression,
-emotional dysregulation,
-extreme ego and narcissism, and
-refusal to have meaningful relationships outside of casual flings.
the Lego Batman Movie, (along with every other Batman movie) highlights these character traits, and makes sure that the audience knows that they are a direct result of witnessing the death of his parents.
However, what separates Lego Batman from the rest is that he is the only one who realizes that all of those things are deeply unhealthy coping mechanisms that hurt those around him! This movie doesn't romanticize these traits like many other Batman movies. They are portrayed as what they are, and we get to witness the consequences!
Batman's giant ego, his belief that he is the best, the smartest, is such an ingrained and predictable trait that it's what allows the Joker's plan to work. Throughout the film, he discounts and demeans those who are close to him, to the point of telling Alfred, the man who took him in and raised him as his own, that he "doesn't know what it's like to have a surrogate son." He literally and metaphorically pushes everyone who cares about him away, despite them pleading for him to let them help.
It takes him being sent to (arguably) an afterlife for him to realize how much he's hurt others. And even then, at first, he denies it. However, once Lego Batman does understand this, he tries to make things right. He convinces Phyllis, (the 2x4 Lego piece responsible for the phantom zone) to let him return to his world. Upon his return he has to give up his whole, "Batman works alone" mentality, in favor of wholly relying on his friends and family. and when he tries to sacrifice himself at the end of the movie, he gives Robin the lesson that he has learned throughout the course of the movie:
"Sometimes losing people is a part of life, but that doesn't mean you stop letting them in."
Lego Batman changes for the better, and that is why he is not recalled back into the phantom zone. If this were any other iteration of Batman, he likely would have been. This is because Lego Batman is the only one who has actually taken steps to heal from his trauma and actively relies on others for emotional support. Another difference, the "others" he relies on are not romantic relationships! When most batman movies show him in a relationship, it seems to be focused on the Token Hot Woman. But in this movie, it is platonic, familial love that causes him to want to make a change. These relationships are just as valid, and, quite frankly, probably more stable for him at this point in his life.
By the end of the movie, Lego Batman still retains many of the iconic Batman traits. He still runs around at night fighting crime in a batsuit. He is still cool as hell (the character states this explicitly). and he still struggles with the trauma of losing his parents. the difference is; he no longer does it on his own.
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vivitalks · 1 day
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man. derek is such an interesting character in season 1, especially when you can look at him through the lens of having seen the whole show, because he's like an unreliable narrator for scott, even though he's not a narrator for the show.
the thing is, derek in season 1 is the primary vehicle for werewolf lore. as new viewers, we're reliant on his character to explain to us the rules and conceits of the genre, but once you've seen the whole show, that role is no longer necessary. but for scott, in season 1, derek is the sole source of werewolf intel. derek is werewolf jesus. which means that everything scott initially learns about being a werewolf is filtered through the Derek Hale Trauma Matrix, and neither of them know it.
for example: in 1x05, derek tells scott that pain is what keeps you human (which is a mantra that gets repeated and referenced a ton over the course of the rest of the show). scott has been a werewolf for all of five seconds, and has no choice but to take the word of this obviously much more knowledgeable werewolf. in that way, derek operates as a kind of narrator for scott, giving him information and context he couldn't really get any other way. but it's unreliable info. don't get me wrong - derek isn't trying to be an unreliable narrator; he's not aware of how much his life experience has colored his understanding of his own species. it's just that...well...derek is a twenty-something with the kind of trauma that eats other trauma for breakfast. of course he would say that pain is what keeps you human. at this point in the show, pain is all he has.
this is the same guy who, in the next episode, says this:
DEREK: You getting angry? That's your first lesson. You want to learn how to control this, how to shift-- you do it through anger, by tapping into a primal animal rage, and you can't do that with her around. SCOTT: [defensively] I can get angry. DEREK: Not angry enough. This is the only way that I can teach you.
except we know, and scott quickly learns (in that very same episode, in fact), that this isn't true. anger doesn't work for everyone, and it doesn't work for scott, who's not an angry person. the things that work for derek won't work for all werewolves - but how would derek know that? he's never had to teach someone to be a werewolf before. he's not actually werewolf jesus.
to scott, derek is the only trustworthy source of information on being a werewolf, because he's the only werewolf scott knows. and from derek's perspective, everything he knows about being a werewolf must be true, because it's true for him. derek is the narrator, and it's only as his backstory unfolds that the viewers, and scott, learn just how much his history and trauma have obscured the reality of things, even for derek himself.
pain is not what makes you human. it's what makes derek human. because the moments in derek's life that stand out to him most are all tinged with tragedy. mercy killing his high school girlfriend. losing his entire family in a house fire. the death of his sister. for derek, to be human is to be in pain, and to be angry about that is the only way to be in control. after all, he doesn't have anyone teaching him otherwise.
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peachesancreams · 2 days
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Expanding on the Wives
everyones favorite asexual serial killer and his cute wifey! this one is marked mature as it is his serial killing days. I will be going into all their deaths on the third part so stay tuned~
Alastors wife
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Okay so I said Al doesn’t remember how they first met and he doesn’t mainly because I personally headcanon that he has a lot of trauma in accordance with that time. Mainly at the hands of his father, which more then likely is one of the core manifestations of his future MO for being a serial killer, being that he killed ‘bad people’ and never outright leaned toward killing women. Do I think he did? Yeah someone had to have seen something at one point and Alastor isn’t one for lose ends. (I’m sorry guys you’re gonna see a lot of me info dumping, serial killers psyche and the types are a special interest of mine)
They meet when they were kids, him just running around New Orleans learning the streets and how to use the alleys to make a quick getaway. It had helped him more then on one occasion growing up in that day and age, more so when people knew of his parentage. Not that he was ashamed but rather no one Likes Pain much less children, and unfortunately other children will do as they see their parents do. Rosalind had been reading on the steps on the library when he had ran into her. It wasn’t any kind of meet cute considering they got into a argument about who’s fault it was, kids am I right?
They kiddos had decided that they both were ultimately at fault, him for running when Mama said not to rush and Rose for sitting on the steps where people walk. They’d shook on it and had spent the day talking about some radio stories, Alastor eventually telling her about his dream of being a host himself.
They meet up regularly and talked about the many things kids find important. Until Rosalind’s Pa died and her mother had to move them back up north. The saddest part was it all happened so rapidly, Rosalind hadn’t had time to find Alastor to tell him. Her mother kept Rosalind close to her through out the process of the funeral and the move, having heard of the company her daughters been keeping but also to grieve with her daughter.
Thus she moved away and Alastor slowly forgot the face of his friend. He remembers having a dear childhood friend but figured they, like everyone else heard of his heritage and left him.
Meanwhile up north Rosalind was dreaming of going back to the south. She thanked her lucky stars her fathers family lived down in Louisiana still, she sent letters often down to her cousins asking about life and how is dear New Orleans changing?
When she was 18 Rosalind decided to make the choice to move down south. Her mother had gotten a urgent letter from her aunt raving about how her cousins were living in sin and needed a good girl like Rosalind to guide them. Of course this was only partly the case, their cousins mother had actually passed in the fall and one them impersonated her as to fool Rosalind's mother.
They made this plan as to get Rosalind out from her mothers thumb, wanting her to stay close and up north together. It was not that Rosalind didn't love her mother she just didn't want to be smothered by her anymore.
Now for the second and remembered meeting!!
Once secure in the South her cousins had decided to celebrate! What better way to celebrate gaining independence in the 20's then going to Mimzy's club! Bonus her cousins worked there as showgirls(have to make money somehow...) so they were familiar with the atmosphere.
It had been fun, they drank and danced some. It was only when her cousins had been swept onto the dance floor by two different gentlemen that Rosalind finally felt conflicted. Truth be told she had been having mixed feelings all night, but now alone with the gazing of hungry men feasting on her flesh.
Heading to the bar she ordered herself a drink, trying to call the bartenders attention. It was when a smooth voice called above her head that the bartender finally looked over.
"John my good man! My usual drink for me, and one for the lady as well."
Now at this time Al has been establishing himself in his career for a while, I imagine at this time he had actually just scored his first segment. It was some news on event in town and weather reports, he still has a small way to go till he can report on what he really wants. The Local Crime segments, the man who does it now Tyler put people to sleep the way he drones.
He had come to Mimzy's tonight to stalk his next hunt. His radio career wasn't the only one he had been curating and growing with time. He started his murder career with a truly vile man, his father. No one thought much of the hunting accident, his father was a drunk and many had the opinion it had been bound to happen. Filled eith righteous fury, he went after only villainous people. Muggers, rapists, a fellow murderer, and well an unfortunate witness.
Alastor had been eyeing this particular prey for a while, a rapist who preyed on woman. Alastor had watched his prey pick out his own prey for the evening, watched him circle like a vulture. He took notice of the woman, a soft smile on her face but discomfort colored her brows. It stirred something in him, a flash of his mothers face making his grin feel strained.
Alastor doesn't know why and could only put it to words after when he was in Hell. He interrupted his preys hunt to intercept the woman, buying her a drink. The conversation was stimulating, and having her not fawn over him was a nice change. Despite his small role in the station his popularity grows by the day. What can he say, he has a voice made for radio!
They hit it off from there, him quietly offing his prey another night. No need for vermin like him to linger around. After all Ms. Rosalind frequently met him at Mimzy's so there no reason not to keep the place...tidy so to speak.
Rosalind felt like she was in a fairytale, not only was she able to get a job as a poster painter(lots of prints were handmade back then!) but Alastor, a radio host with a career on the rise, seemed to fancy her.
She didn't realize who Alastor was until they'd gotten married, saw a picture of him and his mom he kept in the back of a bible. She also realized he didn't remember her, it made her a little sad but she remembered the bruises he would show up with and forgave him in her heart.
Speaking of, they were only together for like a month before getting married. And the proposal was at his house! He made dinner and lit candles, and made sure to be his most charming.
Rosalind could only say yes to her dear sweet Al. The thing that had gotten people talking is that she hadn't gone home that night. Alastor was never huge on touch but always seemed to gravitate towards her space. That night they'd cuddled on the couch, exchanging small kisses until they'd fallen asleep.
It’s had started the rumor mill but what made it a full function factory was how the wedding ended up being a month later. So many older ladies comforted her saying ‘first babies are always late’, Alastor had gotten a good laugh out of her flushed face after. She had scolded him but couldn't put any heat behind it, weak as she was to his smile.
They never were physical together, it just wasn't something either of them wanted. They didn't desire each other for the body itself, but for the company and conversation. It was a lovely union, Alastor being attentive to her labors praising her work in the house and garden.
Speaking of her garden, since I see the house being his parents before his own. The garden was originally his mothers. It had fallen into deep disrepair since she had passed, as he had no talent for gardening. With his little wife however it had returned to its old splendor.
Where he didn't have a talent for the green, he did take well to his fathers old hunting lessons. Something he found himself indulging in as a married man. Fresh vegetables and herbs along side some fresh venison, made for a wonderfully fresh meal you couldn't find anywhere else. Who knew all it took was one these hunts for him to disappear from her life forever?
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utilitycaster · 19 hours
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(I haven’t watched C3 in a while (the party had gotten back after being split into two after Vax got orbed) so my info is a bit dated)
I often wondered about how little info there is about Orym’s husband known to the party, how little has been asked or shared.
And I get that BH is very different from M9, BH tends to be very non-confrontational and doesn’t poke at others pasts much, but we do have another character who had a dead spouse: Yasha.
And M9 did know about Zuala because Yasha shared it and they knew little things like she likes flowers and they gave tribute to her when they could. The mural, the flowers, the remembrance and asking if Yasha would share her stories.
And I dunno, maybe I’m not remembering right, but there hasn’t been much of the same with Orym. I feel like most of what I know about Orym and his dead family comes from monologues or times when Liam sets aside a character moment to act solely. Orym doesn’t share, the party doesn’t ask and some of it feels like because a Orym has often has to defend himself against the Pro-Vanguard debates.
They had to go to Zephrah to get to know more about Orym’s dead family and a lot of that info came from NPCs!
I dunno. I haven’t seen the show in a while but I felt it when more then 50 episodes passed and still felt a difference between how gently Zuala was treated and remembered vs how Will is only brought up to prove bad guys are bad guys with only Orym trying to keep his memories in a soft place.
Hi anon,
I actually disagree with most of this! I think the fandom has a lot of issues with Orym, which I'll talk about below, but I do not think Bells Hells are dismissive of Will. I think the reason it comes up is very simple, namely, the manner of Will's death is core to the conflicts and factions within the campaign, whereas Zuala's death is obviously a huge factor in Yasha's backstory, but the Mighty Nein are not dealing with the Dolorov tribe in any capacity. Will's death, is, in fact, a symbol of the Ruby Vanguard's brutality and callousness as well as Orym's husband within the narrative; whereas Zuala is just Zuala.
I don't think Bells Hells has been particularly unfeeling towards Orym with regards to Will and Derrig's deaths when they come up, nor do I think their discussion of the Vanguard is borne of not caring. I think that the Vanguard's harm is particularly real for some party members, and until FCG's death just now it felt a little bit more distant for others. I think the conflict in-game stems from that: when you combine how viscerally real the threat of the Vanguard is to Orym and the way it's not so direct for others (and, obviously, that Imogen's mother holds a position of power within it) and also consider the characters' differences re: how they bring up (or don't bring up) difficult topics, you get some painful conversations! When I say I understand why Orym might not want to talk to the rest of Bells Hells because this is a topic of discussion, I don't think the rest of Bells Hells are bullying him or being deliberately unkind; I just think that there's a lot of misunderstanding and hurt feelings. When Will has come up as a topic of his own - and the conversations I specifically remember are with Chetney in the Heartmoor and with Fearne and FCG at Will and Derrig's graves - those party members have always been incredibly kind and supportive. It's the fact that his death is fundamentally a political one that adds a wrinkle, and that wasn't how Zuala figured into the party.
I also would add as an aside that the Mighty Nein did ultimately have a much more open arena for discussion, as witnessed by them eventually bringing up the possibility of partnering with Trent; that feels far more analogous to the discussions about the Vanguard than anything regarding Zuala, since the issue isn't ultimately "dead spouse", but "organization that is directly responsible for causing a character's life-altering trauma for the purposes of conquest and deliberately stoking unrest." I think there's a number of reasons why the Nein are able to do this, notably that the first time anyone considers it, it is very much a guarded thing; that no one but Caleb is personally impacted (whereas Imogen and Orym are placed at odds solely by their familial connections); and that it comes much, much later after the party has spent months clearly detesting Trent, so there is an increased sense of trust from Caleb.
Now, the fandom is a different story. Or rather, it's more similar than you think. The CR fandom (and probably others, but this is the one I've observed) has, since I started lurking in mid-2018 and actively participating about a year later, always had its share of people being extremely weird about grief. Some of it is shipping motivated (people who didn't like Beauyasha claiming Yasha wasn't ready and was too hung up on her dead wife; people who don't like Dorym or who resented the fact that Orym was resurrected before Laudna claiming either Orym isn't ready or, more chillingly, that he'd be happier dead). Some is not - I've mentioned before, but my favorite member of Vox Machina is Vex, and after I finished Campaign 1 I started looking for Vex content (again, this is mid-2018) and was inundated with "what if she can't braid her HAIR because she's too SAD because Vax is DEAD." Even now, I must admit, I look askance at the people claiming the throw to the Crown Keepers is good because it's a break - I don't think you need a break, unless you're extremely uncomfortable with grief or strong emotions! The first Campaign 2 episode I watched properly live (at least to the break) was episode 27 specifically because I wanted to see Beau and Caleb and Nott deal with that death now and didn't want to wait until Friday morning. I'm going to a concert this Thursday and won't be able to watch live and I can tell you what, I'm watching the back half of episode 93 Friday morning and the Crown Keepers half when I get to it, because this is what interests me, and it's fine if it's not what interests you, but someone you love is going to die one day and I have found that working through this through fiction lends a lot of meaning and catharsis. This is not, in fact, an unusual position; I highly recommend finding Liam's tweets from after Molly's death, and reading Ashly's essay about losing her partner, which she had written earlier but shared at that time as well. A core part of experiencing grief is that there is no break; there is only time.
In short, grief is complicated and unpredictable and it is indeed a part of Yasha and Orym (and no shortage of other characters) and will always influence them and be a part of them while also not serving as an end to their lives, and I think many people struggle with that. I suppose usually the response is more sympathetic within the fandom as it is towards Orym (though as discussed various fans used it to sideline Yasha's desires, to sand away Vex and Keyleth's ambitions and genuine excitment to live and grow, and don't get me started on Caleb or Vax). But it's always been a problem.
Ultimately, I think the reason Orym is treated so coldly is that, again, there's always been an issue within fandom of treating one's favorite characters as unimpeachable and any conflict with them or discussion of their flaws as a violent affront; but it does feel particularly pronounced in this campaign, particularly with regards to any obstacles (real or perceived) to Imogen or Laudna. [I could write an entire history of this campaign because it started with Laudna being The Untouchable One and only flipped to Imogen around the time of the solstice.] Hence such statements that, I truly cannot stress enough, I would rather give up internet access forever than admit to harboring such callousness within my heart as "Orym would be happier dead because his husband is dead" or "He has an obligation to recuse himself from discussions surrounding the Vanguard because he cannot be objective, a thing that is normal to expect of people with emotions and experiences and possible to achieve." (The latter really does pose a fascinating loophole. If the Vanguard just senselessly kills one or two family members from everyone's family then no one can oppose them, because it would then be biased and motivated by revenge. Life hack! It also reveals a pretty fundamental hypocrisy; if Ludinus is a Calamity survivor, maybe he should also be recusing himself! What's the math on how many people directly connected to you must be killed for your opinion to be right and good, rather than wrong and subjective?)
I think all of the above is, while, as discussed immediately above, not objective in that I'm a human being with personal experiences and emotions, fairly self-evident. I'll conclude by going into something that is within the realm of opinion, but I think is relevant to the discussion.
I personally believe the Vanguard's methods are sufficiently vile so as to cast doubt on all of their goals, but even if one doesn't, I find the idea that the Predathos should be unleashed and the gods should be killed is, ultimately, short-sighted, deeply self-centered, ahistorical within the canon (ie, unsupported by the text both in terms of canon events and, if we're counting them, appeals to emotion and authority - not terribly useful in real life, but very much the truth in a D&D actual play narrative), and a far less interesting story to boot. I think it would be devastating on a cosmic level in-world and that "oh it will sort itself out, probably" is perhaps the reddest flag one can wave in such discussions. So I do think that while Orym is acting on the basis of emotion, I also think he's right, and so the callousness is, as I've said elsewhere, a last-ditch effort by those with no capacity to construct a meaningful argument, because they think he's wrong and pointing out he's acting on the basis of emotion is their only ammunition to discredit him. At best I think the people who are arguing that the Vanguard is cruel but their cause is just have an extremely poor understanding of the setting and the specific narrative structures of this medium. Which isn't to say some of Bells Hells might not still make that choice, though Imogen telling Orym "I want you to know that that for a while it may have felt that you and I were not seeing eye to eye or maybe you felt that I, I didn't have the same goal in mind that you did. But don't worry about that anymore, all right?" in the wake of Liliana's conversation and the death of their only divinely-aligned friend feels rather indicative of their direction. But I do not think it is a choice defensible on the basis of morality; only defensible on the basis of "something a very hurt and angry and damaged person might choose to do."
People are specifically like this towards Orym because he is the mouthpiece for an opinion they don't like but ultimately cannot meaningfully argue against, and part of his justification in-world is the death of Will. While there was no shortage of people who hated Yasha, either for "die for our ship" reasons or your normal Reddit Bro misogyny, Zuala was mostly irrelevant to that discussion, hence the difference in how they're treated.
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greybrickwallpaper · 2 days
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BELLS HELLS SPOILERS!!! MIGHTY NEIN SPOILERS WARNING!!!
Ok so I’m feeling a lot of feelings about the reaction of bells hells to FCG’s sacrifice and the way that one reaction stood out the most and that’s Orym’s. Don’t get me wrong I like orym and his story and I understand there is a serious level of trauma associated for him to be anywhere near members of the vanguard but he does seem to be the only one so blinded by his own selfishness that he can’t seem to help the hells progress.
Just as the hells were about to get some information from lillianna about ludinus and were about to convince her to come with, orym nearly wrecked it all with his inability to keep himself out of the centre of the argument. All of bells hells has suffered in one way or another relating to ludinus or the gods but orym is the only one who is consistent in his selfishness. Take laudna for example every time the hells go back to Whitestone she knows what kind of mental toll it has on her and she’s never quite sure if it won’t be the time Delilah takes over but she never outright says no I’m not doing this because she understands the impact what is happening has on the rest of exandria. She is selfless where orym is selfish. Then there is Imogen who may finally get some answers from her mother that she has waited for essentially her whole life and when orym almost ruins it her first response is to find and comfort him and reassure him that she would give up the potential relationship with her mother.
Even Ashton who has had his moments can see that even though they are all traumatised there is something bigger at play in that they need all the information they can get. Seriously though what do the hells owe to the gods, not a right lot.
It also reminds me of Yasha’s story in the M9 and her desire to find Zuala’s grave. The M9 told Yasha on several occasions that they would go with her to Xhorhas and help her take revenge over the Dolorov for Zuala’s death but every time Yasha insists that while she would love to do that it’s not worth it the bloodshed is not worth it. Her whole story with the storm lord helps her come to terms with the fact that her guilt can be channelled in to the protection of the M9 so that is what she does. Yasha never tries to make the M9 fold to her trauma she works on it with them by her side.
Orym and yasha’s grief are almost the same, the lost their partners and their family in one terrible situation and while the situations differ the outcome is essentially the same leaving them both wracked with guilt and shame at not being able to do more.
Like I said I love the hells and their story how broken people can work together I just was struck by the way these two characters portray the grief so differently and the way that the hells would bend earth for orym and he would let them and like wise the Nein for Yasha but she never would.
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mcflymemes · 7 months
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please don't mistake silence for hatred. please don't mistake unanswered plotting messages as indifference, or a lack of enthusiasm towards you. considering the ages of most roleplayers, many of us have bills to pay, families to take care of, medical conditions to treat, appointments to make, classes to take, homes to clean, and lives to live away from the computer that are far, far more important than writing on tumblr — life has a tendency to get in the way of hobbies and fun things like this. be patient with your fellow writers. if it doesn't work out, it doesn't work out. of course you can set your boundaries, keep your space comfortable, and softblock whoever you wish, but do so while recognizing it's probably not hatred or apathy that keeps them from leaping into your dms with message after message. they probably love this hobby just as much as you... but sometimes life gets in the way.
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meagancandraw · 6 months
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You ever think about how neither of them got to say goodbye?
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raynedayys2 · 2 months
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The death of Nex & queer people like him scares me.
It scares me because that could've been me.
It scares me because that could've been my friends.
And it scares me even more knowing that if I knew him, we probably could've been friends.
He deserved to live.
He deserved to live to 17.
He deserved to graduate high school.
He deserved to grow up and accomplish things.
And now that he's gone, he deserves to have the full truth told about his death.
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biblicalhorror · 5 months
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Thinking about Life is Strange 2 and the absolute dust it got paid compared to the other games in the series. It's the ONLY video game I've ever played where someone in the story has Special Magic Powers, but it's not you. It's your little brother. And your father has been killed in a police shootout, and your little brother is just a kid who is so confused and terrified that he levels a whole block with a telekinetic boom. And then you, a teenager just a few years older, have to guide him to safety and try to parent him and help him use his powers for good while also dealing with the same traumas in your own life.
Also, there's a level where you just clip weed buds. Phenomenal game.
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justreckin · 4 months
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Pretty sure half the reason I love Erica as much as I do is that she's actually okay. She's gone through shit, but she came out the other side and went "y'know, I'm not down with all this unresolved angst and poor coping mechanisms." Girl went to therapy and worked her shit out.
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arlenelperez · 2 months
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My Gentle Giant
Dedicated to my son Jonathan with love
I watch him
As he lays here
In his hospital bed
Sound asleep
The rhythms
Of his chest
Rising and falling
Rising and falling
Rising and falling
A reassuring sight
A testiment to life
So vulnerable
Yet so strong
His strong hand
Reaches out to mine
Holding it softly
As he did
When he was yet
Still a small child
I caress his hand
As I hold it in mine
He begins to weep
At the terrors
His body has endured
At the realization
He's been given
A second chance
I hold him
My Gentle giant
My cuddle buddy
As he whimpers
Into my chest
I whisper,
"You are loved!
You are important!
You are ALIVE!"
Copyright by Arlene L. Perez on March 14, 2024
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rotzaprachim · 6 months
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this would be a fantastic time for community leaders and Jews in general to recognize the intersectionality of many Jewish experiences and that community members might have deep intergenerational scars brought up by both the deaths of Israelis and Gazans actually
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annaofaza · 10 months
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I'm fascinated that Vash, Knives, and Wolfwood don't know their birth families and how that plays out with their guardians.
Vash's philosophies are shaped by Rem; Knives rebels/reframes Rem's words to suit his own agenda ("There's so much we have to do to make sure it [Tesla's death by human experimentation/callousness] doesn't happen again." To me, it's a "I learned drinking at my father's knee" v. "I saw my father drinking and resolved not to be like him" relationship, and many people have written amazing metas on this!
Wolfwood has had two prominent guardians in his life—Melanie and Chapel (depending on which version, Chapel actually raised Wolfwood for a bit). It's pretty formative in that Wolfwood before the Eye of Michael is a caring individual but also hard-nosed to a certain degree (becoming a caretaker figure, knowing the orphanage is struggling, etc.), while Chapel teaches him that connections drag you down and that you must make an immediate decision (as the world/job is harsh and unforgiving). His experiences with Melanie and Chapel also shaped his self-sacrificing nature: to help with the greater good, whatever that means—but Wolfwood rebels against Chapel as Knives did with Rem, which (unlike Knives and Rem) is a good thing.
Again, none of these characters know their birth origins or express a lot of curiosity about finding out more, and that nature/nurture dynamic fascinates me because they're a) very much their own individuals but b) still burdened by who raised them.
It's a compelling theme in Trigun that it's not necessarily how you start out; it's the experience and guidances (or lack thereof) do. There are a lot of self-determination/fate interpretations among Vash, Knives, and Wolfwood—what path are you on? Did you create it? Is it shaped? Can you go without a path or make a different one? How does it all end? Can you truly escape where you came from? (More thoughts in the tags lol)
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stinkrascal · 2 months
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hi jaiden. i read your ask and im very sorry about your loss, i've decided to spread some positivity. you are an incredible writer and as much as you cringe at your older posts i find myself rereading it every now and then. its kind of crazy how i'm quite young, and i've been growing up with reading breanna's story - yet i haven't lost interest. there is something so aesthetic about your standstill posts, i dont know if its the colors or the dust, but its so pleasing to the eye. literally everyday after my work i go and i check if standstill has gotten an update. the way your dialogue is written is so natural. like it doesn't feel like this fake poetic or overly descriptive, it sounds like natural realistic dialogue. and ive also been reading your character bios and in my language there's a word called härlig, thats the only way i can describe the little bios. for it being a sim story, its so incredibly clever and i can tell you put effort into it. the poses are always fitting. and your game doesnt even look like sims. i hope you realize that we will always enjoy your story even if it would be with low graphics or vlad would be a 8x8 pixel. so dont ever shy away from taking a break, because u really deserve to take a break. there is so much i could say about standstill,, but i wont for the sake of it already being quite lengthy! i hope your healing, and i hope that you can accept some positivity into your life. <3
wow okay hello anon... i won't lie, this made me cry a lot ;-;. i've been really struggling lately with intense anxiety and honestly just feeling really shitty ha. reading this means so much to me, more than you will ever know. it's silly ik but i put my heart and my soul into my sims, it can be a little embarrassing bc they're literally just sims and here i am pouring every piece of me into them like they're my diary, taking it so seriously. but like........ i do take it seriously.......embarrassed as i am to admit it..... i love them so much. so reading something as kind and reassuring as this makes me feel really appreciated. thank you for your kindness, it's more appreciated than you will ever realize
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petit-papillion · 1 year
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If you have an hour (on your commute, while cleaning the house, etc.), I HIGHLY recommend you listen to Juan Manuel Correa telling his story:
youtube
Trigger warnings: death, crash, trauma, pain, gruesome injuries, mental anguish mentioned.
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crowrelli · 4 months
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#vent tw#death mention tw#okay I need to post this bc I’m. going to explode into a million shattered parts if I don’t#my grandmother on my moms side who lived with us my whole teen years. who I helped care for. passed last night before I could go visit her#and instead of IDK FUCKING CALLING ME TO TELL ME my estranged idiot sister just texts me basically ‘Oop she died 🤪’#what the actual fuck#I deserve to hear from our mom? I deserve to hear like the rest of the fucking family?#my cousin did it right and said ‘call your mom’ but you just fucking take it on yourself?? how inconsiderate and conceited to take that away#how little do you see of me to not show basic fucking compassion??#I will never not hold this with me every time I think of my grandmothers passing#I’m a fucking adult. I’ve lived on my own for 3 god damn years. and yet you can’t extend me the BASIC FUCKING RESPECT of letting me find out#the RIGHT WAY#I broke my no contact out of respect for my grandma. I promised to walk into a house I was fucking prisoner in half my life.#I looked past my pain and my trauma out of basic fucking human decency and she couldn’t wait a few hours to let the news reach me properly#and before I can even say my goodbyes she’s gone and this is how you tell me??#she KNEW I was in contact with our mom again#she KNEW#I lived with grandma I HELPED TAKE CARE OF HER#I picked her off the floor when she fell I made her food when she was hungry I READ HER BOOKS WHEN HER HANDS SHOOKTOO BAD#I knew they were monsters but are you fucking kidding me?? this is so so low I’m in fucking shock#I thank my partner and their family every fucking day for teaching me what real love is#because after you live your whole life trying to love people who are only playing roles for the sake of appearance you can never go back to#the cold lifeless greyscale power plays they call unconditional love#god I just#I’m just so fucking tired
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